This is the second time I have had this dress and I think I might love it even more! Halston is one of those rare labels that for whom the more time goes by it actually feels more relevant. It is easy to think of this piece as both a treasured collectible and a closet staple - knowing that every time you slip it on you will look and feel amazing. Rare and stunning this lemon yellow, silk crepe chiffon wrap Halston dress features his signature simplicity. It simply wraps and hooks into place at the waist. It has its original, wide fabric tie belt that you can use to cinch in the waist further or get creative and use it at the neck or even as a head scarf. The front crosses and plunges - there is a snap for some modesty but if you are brave you can leave this open for a full to the waist crossed plunge. Over the shoulders is a panel of fabric that creates a caped effect and under this the back is completely open. So every time you move you get that glimpse of bare skin. So sexy! The wrap also allows a flash of leg to show as one moves. Brilliantly Halston in every way and very light and easy to wear. Excellent condition.

It wraps to close and then hooks at the waist and is constructed from two layers of the crepe. There is a hidden snap at the plunge for modesty. Note that there is a teeny bit of foxing on the skirt but it lies under the wrapped portion of the front so is not seen at all when on - it is so light I could not even get a photo of it so it in no way detracts or reduces the value of the dress. Hand finishes.

Note that the inner waist hooks can be adjusted and you can probably go up or down at least an inch bigger through the waist and perhaps 1-2" down if needed.

Bust: completely variable because of open back
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice:  approx 15" from neck to waist
Skirt: 43" from waist to back hem

Modern Sizing Equivalent: XS-MED

Item# DD1987

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Hubert de Givenchy opened his atelier at the age of 25 in 1952 and quickly proved that he was a master. He added the Nouvelle line in 1968 and I believe this to be a gown from the first or second collection of that new additional to his growing empire and it is really made to couture standards not RTW that the line became. After 1970s the line took a more bohemian turn but this gown shows his training in couture and his love of Balenciaga's work whom he was a close friend of and they often inspired each others work. The photos don't quite convey the strong lines of the piece that lends itself the the sculptural feel of this design - I took one of the photos lying flat so you can see just how defined the shape is. The top is cut to be sleek and simple with no sleeves and a high scooped neckline. It is constructed from a heavy silk whose lemon yellow tone has a hint of acid bright to it. It skims past the waist with a V shaped detailed seam and over the hips where it opens into a full A line skirt. At the back you can see the hand stitching of the zipper placement and this becomes a detail to the design in itself. The very restraint not to add more to it is part of what makes it so perfect. Along the inner back skirt is a hand done tag denoting the client - Mademoiselle Jacqueline B. Excellent condition!

Fully lined in a hand set, yellow silk and closes with a hand set, back painted metal zipper. Small, faint discoloration near the left seam approx at the knee area. This does not distract in anyway.

Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 55" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1989

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This suit bears one of the early Saint Laurent Rive gauche labels and also has a hand written tag ion the pants - most likely denoting it as a custom order. Something appropriate for those early years of the boutiques opening. It is classic Yves Saint Laurent and its simple appearance belies the masterful cut and tailoring that lies behind it. The pants are cut long and straight and are supermodel leg worthy in length - the client who originally ordered this would have been tall and lean. They are flat fronted with a slash pocket on each hip and front zip. The jacket is tailored with a sleek, fitted cut and notched collar. Three pockets are top set on the front. The fabric has enough weight that it holds it sculptural shape well. I love the finish of gold toned metal buttons on the front and each sleeve. It is a suit that is perhaps unremarkable on the hanger but once on transforms the wearer into a tall and chic Saint Laurent legend. His suits transformed woman's wear and this particular one is a rare and wonderful early example of why. Excellent, museum quality condition.

The jacket is lined in a fine grade deep blue silk . It closes with the gold toned metal buttons at the front. Each cuff has three buttons and the buttons holes are finished but decorative only. The pants are unlined and zipper and button at the front. Pockets at each hip and three pockets on the jacket. A hand written tag on the back of the pant tag. The fabric is a deep blue wool. Super size the label shots to see texture and finish of the fabric.

Note that the suit photos as black but is a deep navy in person.

Jacket
Sleeves: 22.5"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 27" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 46" from waist hem
Inseam: 35" from inner seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD1986

Reference photo: Catherine Deneuve modelling one of Yves Saint Laurent's outfits in 1966. (Corbis Images)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Chanel piece is not only a classic that will never go out of style, but it can be worn as both a shift dress or you can use it as a layering piece and make it more of a statement coat or jacket. So you are in a sense getting two pieces to play with and style. We have dated it to the 1996 collection and have found the video from the 1996-1997 fall runway. When presented there is was shown belted to give it shape and with gold cuffs layered over the sleeves. You can see it in the video below and in the screen shot included in the photos. (In the video you can catch a quick glimpse of it at about the 3:22 mark in the far right corner). The workmanship is of course impeccable. It is constructed from a fine wool crepe lined in a high grade silk that has those famous double Cs woven into the silk. It is cut very boxy with classic Chanel lines. Four pockets adorn the front and each is highlighted with one of the wonderful gold tone metal buttons you see. Those buttons instantly identify this as a Chanel piece. Buttons also adorn each sleeve and button down the front. There are 20 in all so it is almost like wearing a fine piece of Chanel jewellery. Excellent condition

Fully lined with silk and closes with the buttons as shown. Tagged a 46 but please go by actual listed measurements.

Sleeves: 24"
Shoulders: 15.5"
Bust: 21" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Length: 40" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD1980

Reference photo screen-grabbed from YouTube video.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress is held in the Fashion Study Collection at the Columbian College of Chicago. It is a very pretty a feminine example of Oscar's early work. It has an almost Victorian feel to it emphasized by both the fabric choice, print and ruffled details. The top is quite fitted with a scooped neck and back. Each sleeve is to the elbow and ends in a darling little ruffle. The skirt is cut so that the outer silk organza layer has a wonderful fullness to it and seems to float over the inner lining. It has two distinct tiers, each edged with a ruffle and distinguished by the differing print. Its very pretty and has an almost "china doll" feel to it - like fine porcelain. Presents as excellent condition

The twin of this dress was exhibited in 2012 as seen in the included photo

Fully lined in a off white silky rayon and closes with a back painted metal zipper. There are faint perspiration stains that are on the interior lining only. It has been specialty cleaned several times but a faint mark remains. It cannot be seen when on but when laid out flat you can see it through the top layer of organza if you look closely. Priced accordingly but it is really an internal flaw that cannot be seen when worn so very minor.

Shoulders: 13"
Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 13" from top of bodice to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1979

Photographed for creative purposes by Ted Belton, Stylist: Amanda Lee Shirreffs, Hair & Makeup: Erin Heather, Model: Karis. / Photo of dress exhibited in 2012.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning silk wrap halter dress was photoed for a Vogue editorial in 1979 (see last photo). It was also the dress showcased on Vogue.com in their exclusive announcement of our Oscar de la Renta capsule collection! The silk is very light weight it has a brilliant abstract floral print screened onto it. The colors pop against the off white base! All the edges are finished with green silk ans I love this contrast. It wraps and hooks to close and you feel sort of scandalous in it - like with a flick of the wrist it can slide off when you wish. The belt of course keeps this from happening and I love how the ends are finished with those huge panted wood pieces. The front plunges and the skirt is cut to show off your leg when you move. Its amazing, sexy and an important documented piece of Oscar de la Renta. Excellent condition.

Unlined and wraps to close with interior hook and eye and snaps to secure. The belt is original to the dress and in excellent condition.

Bust: approx 16" flat across from side seam to side seam but adjustable
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 16" from top of bodice to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: SML

Item# DD1978

As photographed by Irving Penn for Vogue US' "Total Skin Care", April 1979. Model: Clotilde, Hair: HVW, Makeup: Vincet Nasso.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Sold to The Met Museum!

What an amazing and versatile set by Oscar de la Renta! Made from pure jewel tones that you can layer and wear as you please this set is just visually stunning. The silk is light and high grade and holds the colors beautifully. They are as crisp and true now as when this was first made. The pants are just perfection - they have an elastic waist for ease of wearing and then are cut loose and easy through the hips and then narrow slightly as they near the hem. It comes with two tunics that layer over the pants (or can be worn without and as a dress if you are brave enough). Each tunic is cut to skim the torso and has deep slits along each side so that each color of the ensemble can be seen. The inner green tunic is a simple tank style and the outer bright red tunic has wide, easy sleeves and a notched neck. The matching cord and tassel belt ties in all the colours for the perfect finish - you could also wear it as a neck piece and leave everything else loose and easy. It a fabulous set and having four pieces makes it so versatile! Excellent, appears unworn condition

All the pieces are unlined. The pants have an elastic waist and the tunics slip on.

Red Tunic
Sleeve: approx 20"
Shoulders: no defined seam
Bust: 20" flat across from side seam to side seam
Waist: open side seams
Hips: open side seams
Length: 46" from shoulder to hem

Green Tunic
Bust: 19" flat across from side seam to side seam
Waist: 20" flat across from side seam to side seam
Hips: open side seams
Length: 47" from neck to hem

Pant
Waist: 13-16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Pant: 42" from waist to hem
Inseam: 30"

Modern Sizing Equivalent: SML-MED

Item# DD1969

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gown was the one used in the 1970s ad campaign that ran in several of the major magazines that year. The twin of it is also held in the collection at the Goldstein Museum of Design (the last two photos are the ad campaign photo and the collection archive photo respectively). The gown is a masterpiece and I feel that it really is one of the highlights of Oscar's career and talents. It really demonstrates aspects of his work that he touched upon again over the coming decades. Made from one of the best fabrics I have yet to see. The lines of it and design are extraordinary, The full length gown is made of a good weight silk brocade in a deep, charcoal black with the design woven into the fabric in a combination of yellow and silver. The skirt drapes to the ground in a gently widening curve of fabric. The bodice crosses over itself with a band of large rhinestones hand placed on a band of silver bead work to accent. The sleeves are long and each ends in a rich and luxurious sable cuff. The original tie belt cinches in the waist for the perfect refined finish. A real treasure and important piece of fashion history, Excellent, museum quality.

Fully lined in a black silky rayon and closes with back painted metal zipper. Each cuff has a hidden set zipper to close. Hidden side pockets on hips.

Sleeves: 23"
Shoulders: 15.5"
Bust: to 19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 41" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1965

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this stunning silk print maxi dress by Oscar de la Renta is held in the Goldstein Museum of Design (the last two photos are their collection archive photos) and they have this dated as being from the 1960-1969 period. The dress is visually stunning and one of my favorites. It is made of a combination of printed scarf weight silk and silk chiffon, edged with a raised dragon pattern silk brocade. Simple lines are offset by the vibrant color and that amazing belt. The wide belt picked up the brocade detail that runs across the bodice and cinches in the waist as well. It is wide and covered in two bands of that silk brocade that has wonderful dragons flying across its surface. The sleeves are left unlined and billow softly above each wrist and the skirt cascades to the floor in a full swath of silk. Museum quality and a rare and wonderful piece. Excellent condition

Fully lined with a vibrant pink silk and closes with a back, painted metal zipper with hook and eye at the neck. Each cuff snapos to close with fabric covered snaps. It has its two original belts - the one you see and a skinnier version that is covered in the same fabric as the dress. There is a teeny bit of color run under the arms near the seams but it is not seen when on, only when laid out flat and closely inspected. Hand finishes.

Shoulders: 14.5"
Sleeves: 25"
Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from neck to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1962

Reference photos from the Goldstein Museum of Design.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this ensemble by Hanae Mori is currently on exhibit in Gallery 231 showcasing Japanese art. The Met has this dated as being from the collection between 1966-1969. Ours is also of museum quality and is an amazing interpretation of the Kimono by Mori. This is everything you look for in a Hanae piece. It has her spectacular custom design, screened onto the three pieces pf feather light silk chiffon that make up the set. The top has huge frog knots down the front and is loose and easy in cut, mimicking the box shape of its kimono counter part. Each "sleeve" is a long loose panel of silk chiffon that is set at the top of the shoulder only and then flows down scarf like to suggest the long sleeves of the kimono but in an entirely different manner. The bottoms are actually wide legged pants that have a flat fit around the waist and flow to the floor in wide expanses of fabric. I love how the silk chiffon is layered over inner silk pant lets so you get a fabulous print on print effect. It has its original silk chiffon sash that can be worn at the neck. to give extra shape at the waist or wrapped as a head scarf! Excellent condition

The top and pants are fully lined in a soft cafe au lait silk. The pants close with a painted metal zipper on the interior silk and little fabric covered snaps close the silk chiffon layer over this. The top closes with the frog knots and and hook & eye. Hand rolled edges to the chiffon and hand finishes throughout. There is one small watermark that has darkened the fabric on the front - please super-size to see. Note that the scarf has some small tears near the middle seam - you could redo where the seam meets if this bothers you but I have chose to leave this its full original length with original seaming. You don't see this small flaw when its tied.

Top
Shoulders: 16"
Sleeves: to 48" at longest points
Bust: to 22" flat across from side seam to side seam
Waist: 19" flat across inside lining from side seam to side seam
Hips: to 24" flat across inside lining from side seam to side seam
Length: 27" from neck to hem

Pants
Waist: 15" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Inseam: 27" from inner seam to waist
Length: 39" from waist to hem

Scarf
10" x 120"

Modern Sizing equivalent: MED-LRG

Item# DD1959

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fantastic little dress and one of the most recognizable of the dresses that walked the 2005 runway from Prada. It is constructed from a gorgeous custom screened stretch silk crepe that is one level up from chiffon as far its weight but has an opaqueness that a chiffon would not have. The bodice has a high neck and the sleeves and top skim the body. I love how the skirt cascades from the waist and has a little vents of contrasting fabric set along the hem of the skirt - as you walk or move these open and you get that glimpse of the lighter fabric. The fabric itself is a marvel it is hand painted and was screened to follow the lines and cut of the dress prior to construction.  It is all cut on the bias so immediately settles into place and highlights a girl's curves perfectly! So sexy and I love the nod to the forties in its cut. A dress fit for a modern day pin-up girl! Excellent condition.

The dress is unlined and closes with a hidden set back zipper. The quality of finishes that one would expect from Prada. Tagged a Prada 40. The fabric does have some stretch

Sleeves: 24"
Shoulders: 14"
Bust: 17-18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Bodice: 15" from top of bodice to bottom waist seam
Skirt: 27" from bottom waist seam to hem

Modern Sizing equivalent: XS-SML

Item# DD1957

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible numbered Christian Dior from the 1950s. The color is a deep red that seems to glow from within with its own light! It is hand dyed on a fine ribbed silk satin that is very beautiful. This is classic Dior and based on the "New Look" silhouette with a fitted top and full skirt. The bodice is strapless and sculpted to the body. It is kept simple with the shape created with vertical seaming that accentuates the bust. This curves with no break into the nipped in waist. The skirt is full and I have styled it over a crinoline so you can see just how full it really is. The simplicity of the cut belies master cutting and seam work and allows the fabric and girl wearing it to shine. An exceptional early example dress that would have been custom made and sold through the Dior London shop. It has a few small flaws so please read below. It presents wonderfully once on. An important and rare piece of Dior history.

Fully lined  in a silk organza that id dyed to match and follows the pattern and pieces of the dress. It closes with a hand set, back painted metal zipper as well as hook & eye and snaps. Light boning through the bodice. The inner seams are ribbon finished or a combination of hand and machine edged. There is some minor discoloration that runs down the front - it presents as a slight darkening of the fabric. Some seams have been let out and you can see the stitches. I have photoed all the areas to the best of my ability - please super size to view. It has been priced accordingly and I feel that if you wish to wear it these thins would not detract or be readily apparent. Note the color is a touch deeper red then how it has photographed.

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 39" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD1955

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful, sculptural, numbered couture suit by Andre Courreges and it is absolutely stunning! The fabric is that classic Courreges wool - it is a good light, wearable weight and slightly textured. That slight texture and absolutely superb seaming are sublime and give the suit a rich, luxurious feel. Each curved seam and the soft but sculptural cut create a beautiful line. The tunic is sublime - it curves in at the waist with a flared hip. Half belt detailing sit on either side of the waist anchored by large gold tone buttons. Each button hole is completely functional and finished to couture standards despite them being only decorative. . I love the curved seaming detail that runs around the neck and it acts as the perfect contrast the wide set V of the neck. The pants are are cut with a chic flare and they are very well made. They have a crisp fold down the center and a heavy seam runs down each leg - like a subtle nod to a tuxedo pant. Very chic and couture. Extremely collectible and rare. Excellent, museum quality condition.

Both pieces are fully lined in cream silk. The tunic closes with a hand set, hidden set metal zipper. The pants close with zipper and two large silver hook and eye at the waist. Hand finished throughout. The color is a slightly deeper cream than what is showing (the best example is the label pic for color). Numbered and tagged a Courreges size A. I have dated it based on cross reference of the label with pieces from The Met's collection

Tunic
Sleeves: 21"
Shoulders: 15"
Bust: 17" flat across the back from seam to seam
Waist: 16" flat across the back from seam to seam
Length: 19" from neck to hem

Pant
Waist: 13.5" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 39" from waist to hem
Inseam: 29"

Modern Sizing equivalent: XS-SML

Item# DD1954

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

These printed gowns were a Lanvin staple and the dress of the season in its day. They were designed for that chic modern woman to wear while entertaining at home or to go out for dinner in and were often the subject for Vogue or Harper's Bazaar editorials! The colors photoed fabulously and you feel wonderful when wearing one because they are comfortable - the wearer is able to move easily and never worried about getting wrinkled or being inappropriate or uncomfortable. These were a signature piece and every chic woman had to have one. The floral print and beautiful clear red used for this dress are utterly amazing. The mix of the two is masterful and work perfectly on this piece. The top portion is made of a light crepe that feels like a silk cotton mix. It really holds the color well. A rounded neck, fitted bodice and sleeves that are kept long and skinny balance the full length skirt. The skirt is made of a canvas textured cotton and puffs out slightly from the waist before it cascades to the floor. Here the stripe has been left off so offers a nice contrast to the top. Excellent condition.

The bodice is unlined with finished interior seams and the skirt is fully lined in a red silk. It closes with a back painted metal zipper. Hand finishes.

Sleeves: 23"
Shoulder: 14.5" across
Bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist
Skirt: 41" from waist to hem

Modern Sizing Equivalent: SML

Item# DD1838

Reference Photo: Lanvin Boutique Jours de France, Special Pret-a-Porter Printemps 1973.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Lanvin caftan dress is utterly fantastic. It looks like it could have been made this season it is in such remarkable condition and I am in absolute love with it - the color, the design, the workmanship - everything about this dress is perfection. It is really a once in a lifetime piece! The fabric is an almost sheer, finely woven silk gazar that has a hand screened, vibrant print that was applied and pre-planned to each pattern piece before piecing it together. The beauty and brilliance of the color is equaled by the fine workmanship that has gone into constructing it. The loose and easy caftan shape has been created with full panels of fabric - and anywhere a seam is necessary, the pattern perfectly lines up along them so they are barely seen at first glance. The bodice and full with wide open sleeves and that full and beautiful skirt is topped by a panel of fabric that circles the waistline. Each part of the pattern is perfectly set against the next where the few seams occur. The fabric has just a touch of starchiness to it so holds the fullness and the choice of fabric has retained the crispness of the color all these years like it was new. Really a work of art and the handwritten inner tape shows that it was a custom piece making it the equivalent of demi-couture. Excellent, museum quality condition!

Lined through the front bodice and skirt with a silky red rayon. The back and sleeves are left unlined. Finished edges along the inner seams. It closes with a back painted metal zipper. Meant to be worn loose and caftan feeling so is very variable for size. It could be cinched with a belt for shape. Inner handwritten tag.

Shoulders: no defined seams
Bust: no true defined side seams
Waist: to 16.5" flat across from side seam to side seam
Hips: open
Bodice: 16" from top of bodice to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-LRG

Item# DD1837

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Karl loves that play on gender and this striped Chanel suit is the perfect example of that. It is just perfection from the straight legged pant to the box cut, double breasted jacket. The pants are a play on a man's trousers and have a perfectly cut straight leg. Two top set pocket sits at the back and two slit pockets at the front. The waist band is flat for the most flattering fit. The jacket is heaven with four button flap pockets on either side of the double row of buttons. The collar is sharp and pointed and the cut is perfect. The light weight, fine grade deep navy pin striped wool is the perfect choice of fabric. You can almost see in your head the supermodels in a Vogue spread wearing pieces just like this! Excellent condition.

The jacket is lined in a fine grade silk whose vertical seaming match the exterior. It closes with the double C embossed buttons at the front. Each cuff has three buttons and the buttons holes are functional there. The pants are unlined and zipper and button at the front. Ribbon finished interior seams. Pockets at each hip.

Jacket
Sleeves: 23"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 26" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 41" from waist hem
Inseam: 31" from inner seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD1829

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Constructed of a simple silk jersey, the exterior of this full length dress is deceptively simple. But once you look inside you realize that it is carefully constructed with a full lining in a beautiful and fine silk chiffon. At the time this was made this type of fabric would have been cutting edge and an important progression in fabric. Designers like Givenchy would have been in the forefront of using this type of fabric in long dresses rather then more for,al silks or brocades. These jerseys allowed then the freedom of using bright prints with true, bold colors that held perfectly. I love the mix of colors used in this dress. The neckline is softly scooped and the bodice fitted with a button front. Long sleeves end in a pretty cuff. The skirt is a masterpiece - it is not until you are close that you realize that it is set in fine, flat pleats that circle the hips and the open out to add volume and movement in the skirt. A very fine and beautiful dress. Excellent, appears unworn condition.

Lined through the bodice ans skirt in a black silk chiffon with the sleeves left unlined. It closes down the front to just below the waist with buttons. Each cuff buttons to close. Original tie belt. Hand finished.

Sleeves: 24"
Shoulders: 14"
Bust: 17.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 39" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1827

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Absolutely gorgeous early 1960s printed Emilio Pucci pant set that is just absolutely beyond words fabulous! It is made of a beautiful printed velvet, the fabric that is amongst the most prized of all his pieces to find. The pants are flat fronted with a sleek and simple waist and zip to close at the back with a painted metal zipper. This gives them a great fit so that if you decide to wear the jacket open it feels chic and finished. The pants flow out to incredibly wide legs which I absolutely love - Pucci loved to do this during this time period. They almost look like a maxi skirt from the distance but have the ease and comfort of a pant. The jacket (which you can easily wear on its own without anything under it)  slips on and buttons to close. The colors are fabulous and it is so versatile since you can wear it as shown or as separates. This is a very rare set. Excellent condition

The jacket is fully lined in a white silky rayon and closes with velvet covered buttons at the front and cuffs. The pants are unlined with finishing fabric at the interior pant hem and waist. The close with a painted metal zipper at the back.

Jacket
Sleeves: 22"
Shoulders: 15.5"
Bust: 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 28" from neck to hem

Pants
Waist: 14" flat across the back from side seam to side seam
Hips: 19" flat across the back from side seam to side seam
Pant length: 39" from waist to bottom hem
Inseam: 28"
Each pant leg is a full 13" fat across at the bottom hem

Modern Sizing Equivalent: SML-MED

Item# DD1926

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous 1972 ultrasuede shirt dress is done in a beautiful soft purple color. These were THE thing to own in the 1970's - no one had seen this fabric before and they were all the rage! Similar examples are held in The Met's permanent collection and this particular one is actually the twin of one of theirs! The notes there state: "Wrapping, tying, and folding were all habits of mind for Halston. That the designer prized simplicity is evident in his most famous millinery achievement, the pillbox hat. In this Ultrasuede shirtwaist, perhaps his greatest dressmaking success, he offered a versatile sportswear icon in a new material, allowing for countless individual expressions through personal styling."

I love the that this one has such sleek lines and is so seventies in feel - the color is bold and the cut long and lean. These can get stiff as they age but this one is still soft and supple. It is a more generous size but the original belt allows you to cinch it in for shape. I love the Button front that allows you to use it as a layered pieces as well as a dress. Hidden pockets allow for the perfect cool girl slouch. I have included here the photo from 1972 of Halston surrounded by models in variations of this collection and the photo of the dress held at The Met. Excellent condition.

Unlined and buttons down the front. Has its original tie belt. Pockets on each hip

Shoulder: 16"
Sleeve length: 24"
Bust: to 21" flat across from side seam to side seam
Waist: to 21" flat across the inside back from side seam to side seam
Hips: to 22" flat across the inside back from side seam to side seam
Length: 44" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD1923

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous 1972 ultrasuede shirt dress is done in a brilliant emerald green color. These were THE thing to own in the 1970's - no one had seen this fabric before and they were all the rage! Similar examples are held in The Met's permanent collection and the notes there state: "Wrapping, tying, and folding were all habits of mind for Halston. That the designer prized simplicity is evident in his most famous millinery achievement, the pillbox hat. In this Ultrasuede shirtwaist, perhaps his greatest dressmaking success, he offered a versatile sportswear icon in a new material, allowing for countless individual expressions through personal styling."

I love the that this one has such sleek lines and is so seventies in feel - the color is bold and the cut long and lean. These can get stiff as they age but this one is still soft and supple. It is a more generous size but the original belt allows you to cinch it in for shape. A simple and sleek zipper is set at the front and hidden pockets allow for the perfect cool girl slouch. I have included here the photo from 1972 of Halston surrounded by models in variations of this collection. Excellent condition.

Unlined and slips on with a painted metal zipper at the front neck, buttons on each cuff. Has its original tie belt. Pockets on each hip

Shoulder: 17"
Sleeve length: 24"
Bust: to 22.5" flat across from side seam to side seam
Waist: to 21" flat across the inside back from side seam to side seam
Hips: to 24" flat across the inside back from side seam to side seam
Length: 44" from neck to hem

Modern Sizing Equivalent: LRG

Item# DD1922

Reference photo of Halston with various models by Duane Michals, Vogue, December 1, 1972.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A similar version of this suit can be found in The Met's collection - the photo of the set with the longer jacket at the end of the photos here is the one from their collection.

Just before Oscar de la Renta began his own atelier, he spent three years as head designer at Jane Derby. He actually bought out the Jane Derby company and that is where Oscar de la Renta as we know it today began. This wonderful set is from that short time period before he officially became the powerhouse he is today and is that much more collectible for Oscar fans! This beautiful and metallic silk brocade dress and jacket is exceptional. The fabric is a fabulous and brilliant coral with gold thread worked into it. The gold sits a little lower then the coral silk so it has this fabulous texture to it. It is just heavy enough to hold that divine flared shape as it nears the hem but still feels very light on. The collar of the jacket and hem of the dress are ringed in dark mink - adding the perfect lush and decadent touch. Capped sleeve A line shift dress that is topped by the perfect little boxed cut jacket. Excellent condition!

Both pieces are fully lined in a fine tissue silk. The dress closes with a back painted metal zipper and the jacket closes at the front with a painted metal zipper. Hand finished throughout. Mink collar and hem that show no signs of wear. Silk lined hidden set pockets along seams of the dress.

Jacket
Sleeves: 22
Shoulders: 16"
Bust: 20" flat across from side seam to side seam
Waist: 20" flat across from side seam to side seam
Length: 22" from neck to hem

Dress
Shoulders: 16"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 37" from neck to hem

Modern Sizing equivalent: MED-LRG

Item# DD1915

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Truly exquisite this rare, museum quality Muir is both very rare and very beautiful. Made from a deep chocolate, soft leather that is beautifully cut. It is a rare example of the work that Jean Muir was doing in suede and leathers and still feels relevant and fresh. The cut is very sexy with a halter type neckline that scoops in the front and back and is cut to leave the shoulders bare. I love the rick rack cut edging of a silver snakeskin that is top stitched into place and serves as edging at the arms, hem and on the partially attached tie belt. It really pops against the chocolate and gives the piece s a sophisticated bit of glitz. The back holds a bit of a surprise - the dress closes down the back with a series of buttons and she chose to use her signature flowers as a finish but a rhinestone encrusted version! This bit of sparkle is the perfect finish . The cut is simple and chic with a tie at the waist in matching leather - I wrapped it and tied it at the front but you could easily tie it at the back if you prefer the front kept in a more simple form. The skirt flares out to a slight A-line and has a scooped finish on each side seam. Very seventies and very rare. Excellent, museum quality condition

Unlined and buttons down the back. It has been cleaned by a leather specialist. Marked a UK vintage 10. Hidden pockets.

The 1972 photo shows a similar dress  and similar examples are held in several museum collections.

Bust: 16" flat across the back from side seam to side seam
Waist: 15" flat across the back from side seam to side seam
Hips: 19" flat across the back from side seam to side seam
Bodice: 15" from neck to top of waist band
Skirt: 26.5" from top of waist band to hem

Modern Sizing equivalent: XS-SML

Item# DD1910

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

An incredible and early piece by Bill Blass. Iit really shows his love of fabrics and unusual textures that he would use to contract his simple cuts and elegant designs, an aesthetic viewpoint that he continued throughout his career, producing glamorous and luxurious pieces in the best possible fabrics. This dress is constructed from a vibrant silk voile with the most fabulous psychedelic print. The shape is a simple trapeze shift that widens out as it nears the hem. At that wonderful hem he has placed an extravagant, hand set, wide panel of hand-dyed feathers that is a full 10" wide". The construction throughout is beautiful - all hand finished and meticulously done. An exception piece that is highly collectible and very rare. If this does not perfectly represent that wild and free period of the sixties I am not sure what does. Excellent condition

Fully lined in a nude silk net that is all hand set. Closes with a back painted metal and nylon zipper. The feathers are in excellent condition and there is no shedding.

Bust: to 18" flat across from side seam to side seam
Waist: to 21" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 35" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1899

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A remarkable, couture level piece by Donald Brooks. The workmanship and fabrication of this gown is an absolute dream! The exterior is a rich and intricate combination of black silk net over a nude silk base to suggest that the wearer is bare underneath. Onto the lace and hand stitched into place are dense, thick panels of glossy black sequins. The sequins against the net and nude interior gives the dress a stunning contrast and it shimmers in the light when you move. The bodice dips into a V with a weighted bit hand sewn into place so that it sits perfectly. Each sleeve widens as it nears their cuff so you get a slight puffed effect. They are left unlined. The hem is finished with a wide band of silk satin and this is picked up at the detailing on the waist. Really a beauty and a rare piece. Excellent condition.

Has in inner attached, fully constructed dress in a nude silk crepe. The lace and sequin exterior is also backed in a nude silk net. It closes with fabric covered snaps under the back waist and silk covered buttons down the back. Hook & eye at the back waist banding. Each sleeve closes with silk covered snaps. Lots of hand work was put into this gown and it is really wonderful.

Sleeves: 22"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 39" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1896

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is look #42 in the spring summer runway show. This collection had as series of stripes and by the time he got to the evening pieces the stripes had become suggestions and curves as you see on the skirt. Vogue.com said of this collection "Saunders’s color palette—green, red, burgundy, pale blue, absinthe—was “off” enough to be vivid but easily wearable. You could almost hear the editors making shopping lists in their heads." The dress has a definitive nod to the flappereque period of the twenties and is entirely sequined in a brilliant array of green, glossy black and silver. It is cut loose and easy and there is a lot of fabric in the skirt so it has lots of movement when you move. Suspended from two small straps, it has a very sensual, sexy feel to it when on. Excellent condition and was never worn. The original price on this dress was $4995

Fully lined in a black tissue silk and closes with a hidden set zipper. There is the occasional section of a row of sequins missing. - super size the photos to see. For me this adds to that decadent, twenties feel the dress already has. Tagged a 40. Adjustable straps.

Bust: 17" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 40" from straps to hem

Modern Sizing Equivalent: SML-MED

Item# DD1891

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress made a recent appearance in "The Other Woman" on Nicki Minaj in all her curved glory. It is by McQueen from a season or two ago and sold out worldwide. Made of a stretch knit with a dramatic dragon fly print worked into the knit on both the front and back. I love the rounded shoulders and form fitting silhouette. It hugs every curve, stretching to fit where you need it. At the back skirt there is an extra kicky fullness giving it a sexy finish. Excellent, appears unworn condition.

Unlined and slips on to wear. Tagged a Small. Measurements given are the the comfortable range of stretch lying flat but it is very accommodating because of the fabric.

Bust: 15-18" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 16-19" flat across from side seam to side seam
Length: 36" from neck to hem with another inch at the back

Modern Sizing Equivalent: XS-SML

Item# DD1885

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Karl Lagerfeld often uses his own line as a start point to to explore cuts and fabrics. It also give him an outlet for his love of black that combines softness with an edge. This dress is based on lingerie and has the same feel a couture piece of lingerie would have. The silk satin is like liquid and cut on the bias so it shapes and molds itself tot he body underneath. Silk tulle net is patterned to form a sharp angular design tn the tulle on the upper bodice and flared, full inserts are down along each side of the skirt so as you walk and move you get a sexy glimpse of skin underneath. I love the low back and the tightly spaced row of buttons that finish. Excellent, appears unworn condition.

Unlined and cut on the bias. It closes with a series of silk covered buttons and loops down the back. Tagged a 42 but of course check the measurements given

Note that the bias cut means that the measurements given below the bust are very flexible- we have noted the maximum the fabric goes comfortably.

Bust: to 17"" flat across from side seam to side seam
Waist: to 16"" flat across from side seam to side seam
Hips: to 22"" flat across from side seam to side seam
Length: 55" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1875

Reference photo credit unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an iconic looks from the Russian influenced Rive Gauche collection from the Fall of 1977 and these are hard to find in such pristine condition. It is the same dress used in the ad campaigns that year but with a different print. Cut as a simple smock style dress but with the added touches that make it irrevocably Yves Saint Laurent in terms of style and chicness. The fabric is a soft, silk and wool challis that holds the vibrant color beautifully. I love the high ruffles that circle the neck and detail the front and shoulders. Ruffled edges also finish each sleeve and adorns the hem in a wide finish to the skirt. The skirt is amazingly constructed with lots of fullness and that low drop skirt hem gives it a touch of weight so that it falls and drapes perfectly. It really transforms when on a real girl and can be worn loose as Yves intended or belted for more shape. Amazing and rare piece of fashion history. Excellent, museum quality condition.

Unlined and slips on to wear. Buttons at the neck and cuffs. Tagged a YSL vintage 44

Sleeves: 25"
Shoulders: 14.5"
Bust: 21" flat across from side seam to side seam
Waist: 23" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED (though if you are narrow through the shoudlers the rest can be fitted quite variable in size)

Item# DD1870

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love this amazing silk floral Prada dress from the 2008 Resort collection. This was one of the most famous of all Miuccia's collections and the pieces sold out world-wide shortly after being released. Being resort the pieces were produced in extremely limited quantities making everything from this collection even more special. Versions were featured heavily in the ad campaign for that season and was worn by Anna Wintour and other celebrities. Pieces appeared in many publications and editorials. It will forever be instantly recognized as one of the keystone pieces from Miuccia Prada's brilliant mind! It is also an amazing testament to the couture level construction techniques that the house of Prada employs. The bust skims the body and has the perfect plunge at the front. Its banded around the waist. The skirt is a masterpieces - it is deliberately and meticulously shaped and draped with flat pleats of fabric. The finishing is perfection and it is very collectible. It has a decidedly forties feel to it mixed with a wanton and beguiling, girl-next-door, sexiness. In excellent, appears to have never been worn condition.

Fully lined in black silk net chiffon and closes with a side zipper. Beautifully finished and appears to have never been worn. Tagged a Prada 44. Please know your size in Prada and check the measurements given as Prada runs small.

Bust: 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from neck to bottom of waist band
Skirt: 27" from waist to hem

Modern Sizing Equivalent: MED

Item# DD1868

Resort photos from style.com / Anna Wintour at "The Golden Age of Couture Gala" at the Victoria and Albert Museum in London, September 18 2007. / Prada 2008 Resort Ad Campaign by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Absolutely gorgeous early 1960s printed Emilio Pucci wrapped crop top and incredible pant set that is just absolutely beyond words fabulous! It is made of light, cotton jersey that drapes wonderfully and feels great on. The pants are flat fronted with a comfortable, flat elastic waist and zip to close at the back with a painted metal zipper. - this gives them a great fit which is needed since the top part of them shows with the way the top is cut. They flow out to incredibly wide legs. Pucci loved to do this during this time period. They look like a maxi skirt from the distance but have the ease and comfort of a pant. The top just slips on and wraps. There are hidden snaps that you can use if you want the plunge less deep or you can fore go these and wrap it to sit as low as you wish. You can also adjust how high it sits so leave just the suggestion of a bare waist or really leave an expanse of skin. This is a very rare set. Excellent condition

Both pieces are unlined. The top wraps to close with hidden snaps to use if you wish, and the pants have an elastic waist as well as a painted metal zipper and hook & eye and snaps at the waist. the bottom of each pant leg is a full 44" around! Hand finished

Top
Shoulders: no defined seam
Bust: approx 17" flat across from side seam to side seam
Waist: adjustable with ties
Length: 17" from neck to \hem

Pant
Waist: 13.5-15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Pant: 39" from neck to waist
Inseam: 27" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1865

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the 1982 Musical Note collection comes this documented Yves Saint Laurent set that was used in that years ad campaign (as pictured). It is made from a crepe that looks as new as the day it was made. The print on this set is custom screened with musical notes from top to bottom. The whimsical and girlie design is balanced by the stark white on black design. The skirt is cut to hug the hips and is a simple pencil shape. The top which is part jacket, part top, is also cut to fit and hug the body with shoulders that are slightly padded and sleeves that are fuller through the upper arm and then narrow in at the wrist. A feminine ruffled is used around the collar and the hips are also finished with a ruffled panel of fabric. It is beautiful and with being so well documented, highly collectible. Excellent condition.

The jacket is fully lined in a black silk with the sleeves unlined. It closes with buttons at the front. The skirt is partially lined and closes with a zipper and button at the waist. It has hidden pockets on each hip. Light padding at the shoulders. It is very light and more like wearing a dress then a structured suit.

Jacket
Sleeves: 22"
Shoulders: 13" (inset slightly)
Bust: 18.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Length: 24" from neck to hem

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 23.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1864

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Amazing, amazing amazing entirely cut on the bias slip gown that you instantly identify without even having to think about it as a dress made during Galliano's period at Dior. Regardless of his recent downfall and appalling behavior he was at one time a pivotal designer in recent fashion history and was lauded with awards and honors based on his ability to cut a dress including the British Designer of the Year in 1987, 1994 and 1995. In 1997, he shared the award with Alexander McQueen, his successor at Givenchy. This gown certainly shows his ability to cut! Feather light crepe chiffon is entirely cut on the bias in an almost spiral fashion. Curved and angled seaming create his signature shaping to the body. The bodice drapes in a soft cowl and the entire dress is suspended by two delicate straps. Contracting fabric is inset down the sides and as a wide sweeping panel hear the hem to give it an asymmetrical train feel - like a ballgown completely modernized! It closes with a tightly spaces series of fabric covered buttons down one side adding an element of couture. The act of having to do these up one by one to wear the dress makes the wearer feel transported into a world of glamor! Excellent, appears unworn condition. Hand written label inside.

Unlined and closes down one side with a series of tiny, tightly spaced, fabric covered buttons and loops. Handwritten inner tag. Note that it is entirely cut on the bias so will adapt to a range of sizes. The length does come up some when on as well.

Bust: 16-18" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Length: 65" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD1358

Photographed for Factice Magazine, Autumn 2014 by Peter Tamlin. Stylist: Nadia Pizzimenti, Hair & Makeup: Patrick Rahme, Model: Naro. Click here to see the full shoot in our lookbooks >

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Unbelievable Chanel set that is just stunning! I love the bold, bright green used on a black backdrop! Each piece is a different fabric so you get a wonderful contrast and an extra bit of visual interest. The top is a silk chiffon that has small "dots" of raw edged silk fabric fused directly onto the chiffon. This is something we take for granted now but would have been cutting edge at the time. The vine pattern is screened directly onto the silk and it has a touch of transparency that offsets its high neck and covered sleeves. The skirt is done in a silk faille that has a ribbed texture to it. The waist nips in  and then the skirt is very full and the fabric keeps the volume without it being too "shaped". It is quite beautiful and the entire set in in excellent, appears unworn condition.

The top is unlined and semi-transparent. It closes with buttons at the front and has buttons on each cuff. The tie at the neck is attached. The skirt is also unlined and closes down the front with buttons. Pockets sit on each hip. Tagged a Chanel 38

Top
Sleeves: 23"
Shoulders: no defined seams
Bust: 21" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Length: 26" from neck to hem

Skirt
Waist: 13" flat across from side seam to side seam
Hips: open
Length: 38" from waist to hem

Modern Sizing Equivalent: SML

Item# DD1444

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning and rare gown designed by Bob Mackie who is best known for dressing Cher and for his love of opulence and bead work! He worked for both Edith Head and Jean Louis and I think he secretly always designed for the big screen and the bygone glamor of Hollywood. His work always is over the top and extravagant. This is an amazing silk gown that is extremely sexy and flattering. The base is a striped silk that has bands of a deep teal and black that run vertically over the gown. Every edge where the two colors meet has a row of green glass tube beads that give the gown an extra layer of texture and sparkle. The dress is incredibly heavy and yet when on it is balanced and not unwieldy. I love the drama of the peaked bust line and the way an extra twist of fabric flows from the knot at the front middle. It is dramatic, over the top and quite fabulous. Extremely well made and in excellent condition.

Fully lined in black silk crepe with a built in bra through the bodice that is boned. There is also an inner waist stay. It closes with a back painted zipper. Hand finished throughout. Incredibly heavy as it is fully beaded top to bottom with glass beads but feels balanced when on and comfortable. There is the occasional bead missing but 99% are present.

Bust: 16.5" flat across from side seam to side seam
Waist: 12-12.5" flat across from side seam to side seam of the built in corset
Hips: to 20" flat across from side seam to side seam
Length: 55" from peak of bodice to hem

Modern Sizing equivalent: XS-SML

Item# DD958

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

This is a fantastic Chanel 100% cashmere twinset that is a classic basic that has been done is a vibrant green and will never go out of style. Made of the finest cashmere in the world, it is luxurious and feels amazing on! I love the classic Chanel suiting feel that is has and the logo encrusted black and gold buttons that decorate it just add to the sense of opulence the set has. The inner but is simple but the result but is pure high end luxury! Chanel twinsets now would cost triple this price and sometime much much more. It is in excellent condition.

In the video below at around the 3:14 mark Karl sent out multiple models in these twin sets in all colors including a short version of this worn on the model with the longer cardigan version shown here tied around her hips

The inner sweater slips on with a button at the back of the neck and the cardigan buttons to close. Tagged a Chanel 34. Made of 100% cashmere. Love the little Chanel buttons on each pocket!

Sweater
Shoulders: 14"
Bust: 16" flat across from side seam to side seam, unstretched
Waist band: 13" flat across from side seam to side seam, unstretched
Length: 19" from neck to hem

Cardie
Sleeves: 24"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam, unstretched
Waist: 16.5" flat across from side seam to side seam, unstretched
Hips: 17" flat across from side seam to side seam, unstretched
Length: 27" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S528

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Phenomenal silk opera coat that was almost certainly a custom piece. It is exquisite in its cut and design with the simplicity and stark lines allowing that beautiful matte silk slipper satin to shine through. The color is a pearlized oyster grey with just a hint of silver to it.The interior is lined in a heavy silk that is a pale golder color and the two work stunningly together. The shoulders and sleeves are cut structured and fitted to the body and then the great length of the coat goes out form there as it sweeps to the floor. The back is cut slightly fuller for maximum effect. It buttons at the front with silk covered buttons and hand set buttonholes and wide ties are set into the neckline. It is stunning and made to couture levels. Excellent condition

Fully lined in a heavy silk and closes with hand covered silk buttons at the front. Proper finished buttonholes and hand finishes. Pockets on each hip. I see a slight watermark near the from hem another small one along the edge of the hem but neither detract.

Sleeves: 23"
Shoulders: 14"
Bust: 23" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: open
Bodice: 57" from neck to hem

Modern Sizing Equivalent: SML

Item# C352

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Oscar De la Renta worked for Jane Derby in 1965 before buying the company in 1969 and changing it to his own label. That gives us a precise 4 year window in which to date this in and also means it is from the very beginning of his career - prior to Jane Derby he was working under and for other labels but not doing his own accredited design work. The dress is amazing and I am besotted with it. I love the shape and cut - it is so simple bu the elements used are so fabulous that it ends up being a piece that could still hold its own today. The fabric is a silver and blue silk brocade and the silver has been woven through the fabric so that  series of silver dots adorn the entire surface. The neckline is a deep V and there is a modestly panel sewn in (which could easily be removed if you wanted the full plunge effect) A wide band of silver cording, pearls and rhinestones follow the V of the neck and circle the waist. He also circles the hem with this same detailing. The photos do not come close to doing it justice - it is spectacular in person! Excellent condition and a fabulous, very early Oscar De La Renta piece!

Fully lined in a blue silk and closes with a side painted metal zipper.

Bust: 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Bodice: 12" from neck to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1838

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I adore this seriously mod and futuristic maxi dress from Brenner couture. The combination of cut and design work perfectly together in this beauty and I love the final result. A deep navy base in a knit wool jersey has a simple cut - sleeveless and a deep V neck are the perfect top to the A-line cut skirt. It is what has been done to that skirt that makes this one so phenomenal though! The entire skirt is covered with a floral design done in a silver plastic with each flower set in an amongst a silver grid. The way this catches the light is fabulous and the very use of the fabric and jersey underneath keep the skirts shape perfectly. It has its original matching belt that has the same design across its surface. Its remarkable and an outstanding piece from this era. Excellent condition.

The top is lined with a blue silky rayon and the skirt unlined. It closes with a back painted metal zipper. The belt closes with snaps and hook & eye. I see very mild beginnings of pilling on the jersey but this is a natural occurrence of aging with this fabric and its very very minor. I am being pretty picky.

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 38" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1837

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This overtly sexy corset and skirt are from the heady Gianni designed days of Versace Couture & the era of the supermodels. It is done in a bright almost neon yellow and comprises of two pieces - a fitted corset, a design upon which the house of Versace seems built upon, and a long fluid skirt. The skirt is made of a nylon jersey and is very light. It is gathered on one side so you get a mile of leg showing. Just above the zipper there is a corseted closure made of grommets and a tie that threads through and allows you to wear it lose and open so it drops down on the hop or cinch it tighter so it sits higher on the waits. The corset zips at the side to close and is entirely boned, structured and shaped. You can see that the inside is as finely done as the exterior. It has light padding so the breasts are pushed up and a corset detail sits at the center front.  You can cinch it in tighter with the full corset detail that runs down the back. This is pure unadulterated Versace. Excellent condition

The corset is fully finished inside and boned and shaped. Hand sewn padding at the breast area and the straps are also hand sewn into place. It closes with a side painted metal and nylon zipper. The skirt is unlined and slip son with a side zipper and lacing above that. The Versace logo studded grommets and metal links show minor wear throughout but this is natural aging and should not be considered a flaw. The corset is tagged a vintage Versace 42, the skirt a 38. It is slightly brighter yellow in person then how it photoed.

In the video below you can see this outfit on the runway at about the 3:30 mark!

Corset
Bust: 16-17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Length: 16" from top of shoulder to shortest point, 18 to longest front point

Skirt
Waist: 12" flat across from side seam to side seam, tightly done, to 14" if loosened
Hips: open
Length: approx 39" from waist to longest point of hem

Modern Sizing Equivalent: XS-SML

Item# DD1836

Reference photo screen-grabbed from YouTube video.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning Yves Saint Laurent set clearly illustrates his love and fascination with all things gypsy, bohemian and peasant in feel. It is actually two pieces which gives it endless styling potential. The skirt is a black cotton linen feel mix fabric and the fabric choice gives it some weight and shape. It nips in at the waist and under the band is tightly pleated. These open to create the volume through the skirt that you see. The gold pattern that circles the skirt is a full 7" high and is tightly cross stitched metallic gold thread done by hand. That same gold thread makes a tight pattern that goes around the upper bodice and over each shoulder. The fabric of the top is a silk and purposely left semi sheer. A typical Yves nod to sexy. The sleeves are incredible - each is very very full above the elastic cuff and bands of that same hand done gold cross stitch circle the widest parts. It is an amazing and dramatic set! Excellent, appears unworn condition.

Both pieces are unlined. The skirt closes with a side zipper and flat hook & eye and the top slips on and has elastic as each cuff. Not the measurement of the band that goes right under the arms and above the bodice. This is key to the fit of the top. The skirt is tagged a vintage YSL 36 and the top 38

Top
Sleeves: approx 22"
Band under the arms: 16" flat across from side seam to side seam
Bust: - waist: open
Length: 23" from top of shoulder to hem

Skirt
Waist: 12" flat across from side seam to side seam
Hips: open
Length: 32.5" from waist to hem

Modern Sizing Equivalent: XS

Item# DD1831

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

As Seen on Giovanna Battaglia!

Incredible Christian Dior gown in a beautiful silk chiffon that has been done in a red and white striping. To me this is the perfect summer gown - it has a light and airy feel to it, the front plunge feels sexy but not overtly so and the color is just perfect. The skirt has miles and miles of fabric in it and the top layer is set over two inner layers of white silk chiffon that adds to that beautiful feel of fullness and lightness. The top is edged in a wide ruffle of fabric whose stripes are smaller and set closer together then those on the skirt and bodice. It plunges quite deep at the front and the back scoops softly. This gown is so well made that if you wished to wear the plunge at the back you could get away with it! You can also wear the shoulders lower. An amazing documented find from the 1979 collection. Excellent, appears unworn condition.

The last photo shows two versions from the same 1979 collection. The caption on this photograph reads  "Boutique collection, 1979 ‘In the Wind’, two organza evening dresses with green, white and red stripes in the ‘Boutique’ Collection for the spring and summer, from Christian Dior London, photo from the Getty Archive"

Fully lined in a white silk crepe through the bodice and two layers of silk chiffon through the skirt. Closes with a side painted metal zipper. The waist band has a stiffening fabric inside it. Hand finishes.

Bust:17 " flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to top waist seam
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1828

Reference Photos: (1) As photographed on Giovanna Battaglia.  /  (2) Boutique collection ‘In the Wind’, two organza evening dresses with green, white and red stripes in the ‘Boutique’ Collection for the spring and summer, from Christian Dior London, November 1979.   /  (3-5) Spring 1980 Christian Dior Runway. Model: Pat Cleveland.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Unbelievable red silk Bob Mackie gown whose fabric has gold thread woven through the red. The bodice is fully formed like a corset and the silk draped and shaped over it and then edged in dusky gold beads. Two dramatic cut outs sit at the front for a sexy exposure of skin. The skirt has panels of silk that cascade to the floor and the red has been mixed with a pink lame silk so that when you move you get that fantastic mix of the two colors. There are literally yards and yards of fabric through that skirt and when you move it is just incredible. It has its original red silk shawl that is long enough to act as a full length cape. The front edge if that is detailed in gold bead piping to give it some weight. Very high end and very dramatic. Excellent condiiton

Fully lined in a red silk and closes with a back painted metal zipper. Fully boned through the corset top.

Bust: 16" flat across from side seam to side seam
Waist at seam: 13" flat across from side seam to side seam
Hips: open
Bodice: 8" from top of bodice to waist seam
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD1827

Reference Photos: Fall 2001 Bob Mackie Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Very rare 1970s metallic lurex, super fine weight knit Missoni set is just fabulous! The photos do not come close to capturing the beauty of the fabric or the way it moves and how fine and light it is. It is also quite remarkable to find the entire set, including the belts. all together like this. The pants slip on with an elastic waist and you can see how full and wide the legs are cut - when on they look like a maxi skirt they are so wide. These are lined in a fine, lingerie weight, nude jersey. The shirt is classic seventies with pointed collars, a skinny fit through the body and sleeves and there are belt loops for the tie so you can wear it over the pants and cinch the waist - note that pattern on the top is different so you get a great subtle contrast. The matching jacket  is also present and has that same long, lean cut and tie at the waist with its own tie belt. Utterly and perfectly seventies in every way and really versatile since you have three pieces to work into your wardrobe.

The pants are lined as per above and the top and jacket are unlined. The pants have an elastic waist. the top buttons and the jacket has no closures but does have front pockets.

Jacket
Sleeves: 21"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 25" from neck to hem

Top
Sleeves: 21"
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 25" from neck to hem

Pants
Waist: 11-15" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 42" from waist to hem
Inseam: 28" from inner seam to hem

Modern Sizing Equivalent: XS-SML

Item# DD1822

Reference photos: (1) Apollonia lounging in a perfect room in a perfect Missoni lurex suit, photographed by Kourken Pakchanian from Vogue, September 15, 1972.  /  (2-3) Amanda Lee Shirreffs for her weekly column on our blog, Curated. (Photos by Erin Leydon) Click here to see the full column >

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was look #42 on the Fall 2009 runway and is absolutely stunning! An amazing fine scarf weight printed leopard silk gown by Oscar De la Renta that skims over the body and is not meant to be skin tight, yet manages to emphasize every curve. It is long and lean in all the right ways. It is constructed with a draped and gathered front panel across the bodice with a second panel coming up from the waist and draping over one shoulder. The fabric flows from there to the floor and it is all cut on the bias so the gown really has the most spectacular movement. I love how it is cut supermodel length and the bias cut allows it to "train" behind you in the most beautiful way. That leopard print makes a strong impact and yet it is simple and classic at the same time. This is the dress for when you want to look and feel a mile tall and supermodel skinny!! Really one of my favorites pieces and in excellent, unworn condition with the original ODLR hang tag still in place.

Fully lined in fine nude colored tissue silk and closes with a hidden back set zipper. Has a full inner boned corset with built in cups and its own zipper closure. Tagged a 10 but please go by actual measurements. Original cost of gown was over $5000+. More room could be gained by removing the inner corset if you needed it. (Note the belt shown on the runway was not included in the retail version - it was sold separately)

Bust: 17" flat across from side seam to side seam
Inner waist: 13-14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Skirt: 47" from waist to hem but will rise slightly when on since it is bias cut

Modern Sizing Equivalent: SML-MED

Item# DD1815

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This suit is the twin of the suit featured in the 2006 Metropolitan Museum exhibit "Anglomani". The Museum says of that exhibit:

"AngloMania focuses on British fashion from 1976 to 2006, a period of astounding creativity and experimentation. Over the past thirty years, British fashion has been defined by a knowing and self-conscious historicism. In their search for novelty, designers have looked to past styles with an appetite that is as audacious as it is rapacious. Focusing on their postmodern, historicizing tendencies, this exhibition presents a series of tableaux based on Britain's rich artistic traditions. The irony of satirical prints, the romance of landscape paintings, and the glamour and bravado of grand manner portraits are evoked through a wide spectrum of British designers. The exhibition is set in the Metropolitan Museum's English period rooms—the Annie Laurie Aitken Galleries—to create a potent dialogue between the past and the present."

Westwood was of course featured heavily in the exhibit and this suit was a part of "The Hunt" motif and as you can see in the photos attached the twin of this suit's jacket was used in the most provocative ways! I love the signature Westwood details, the shoulders in particular with their high, gathered caps that give the jacket its definitive silhouette. Velvet lapels and pocket details harken to a hunting jacket and the doible row of buttoms are gold toned metal ones embossed with the Westwood crown. The skirt is cut slim and short. Thigh boots optional. Excellent, appears unworn condition.

Fully lined in logo embossed silk. The jacket closes with buttons as shown and the skirt with a zipper and button on the waist. The shoulders are lightly padded to create the high cap effect as shown. Four decorative buttons on each sleeve. Each pocket on the jacket is still tacked shut. Tagged 100% wool and a size 44 but please check measurements as she runs small.

Jacket
Sleeves: 25"
Shoulders: 13" (inset)
Bust: 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 29" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 19" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1809

Reference photos from the 2006 Metropolitan Museum exhibit "Anglomani".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

As the legend goes, the sleeping bag coat was invented by Norma Kamali after a camping trip. From an interview with the NYTimes: "After splitting with her husband, Mohammed (Eddie) Kamali, in the mid-1970s, she took to camping in the woods with a boyfriend. “It was cold,” she recalled, “and I was always getting up at night to go to the bathroom.” On one particularly nippy night, she threw on her sleeping bag and sprinted for the bush. “As I was running,” she said, “I was thinking, ‘I need to put sleeves in this thing.’ ”  (also see her below in a wonderful video we found talking about the origins of that coat from the Norma Kamali you tube channel

From there the rest is history and this coat has become synonymous with her name and spurned a million versions and inspirations every winter season since. This is an early eighties rendition of that coat and has a more definitive quilting pattern that marks her earlier versions of this coat. They are made to be reversible - the label for example is found in the pocket. They are remarkably warm - in the video below Norma explains just why that is. Its a forever classic that will never go out of style. Excellent condition.

This was featured on our blog! Click here to see

Reversible with hidden pockets. Closes with velcro tabs.

Sleeves: approx 23" from drop shoulder
Shoulders: dropped and set wide at 25""
Bust: 28" flat across from side seam to side seam
Waist: 26" flat across from side seam to side seam
Hips: 26" flat across from side seam to side seam
Length: 46" from neck to hem

Modern Sizing Equivalent: tagged One size fits all

Item# C346

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gown and matching stole are absolutely beautiful and a testament to the man who would become the appointed designer to the Queen of England. Norman Hartnell was one of the British Couturiers who dressed the royals and the aristocrats. London's couture industry established itself after the 1st World War and distinguished themselves from the court dressmakers by presenting seasonal collections. Hartnell opened his couture house in 1923. By 1947 his house was thriving and he was dressing the British Royalty. He was best known for his romantic evening dresses and this dress is a perfect example of that period. This gown is not labeled however, it was originally bought at auction and attributed as Hartnell in 2010 from Kerry Taylor auctions and that has been verified by myself. The dress is entirely made of silk tulle netting and has the sweeping lines that he was renowned for during this period. The top is sleeveless with an almost balletic feel to it. Inner layers of silk retain a girl's modesty. Note that the inner layer sits very low on my mannequin's bust however it was a touch big on her and I do not like to over-pin. It will sit properly on a girl it fits better. The back is cut quite low and reveals an expanse of skin. The skirt sweeps the floor and literally has yards and yard of tulle that make it up. There is also a separate black tulle underskirt to add further volume (note that it was not photoed with this underskirt so the skirt will be more full if worn with this). The skirt is adorned with raw edged ruffles of tulle scattered across its service and then adorned with scattering of beads to catch the light. The matching capelet flows down the back is worn off the shoulders on the arm. It too is adorned with the same bead and tulle detailing. It is very romantic and very beautiful and a true piece of fashion history. Museum quality.

The bodice has an inner lining made of a blue and a pale pink silk chiffon with a slight texture running through it. It closes with a back metal zipper. The skirt is comprised of 3 layers - the outer silk belt with embellishment, a blue silk net layer under that, then a blue silk chiffon layer and an inner pale pink layer. The extra skirting is made of black silk tulle net and closes with hook & eye. Has its original tie silk net belt. Hand finished throughout

Bust: 18-19" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of bodice to drop waist
Skirt: 40" from drop waist to hem

Modern Sizing Equivalent: MED

Item# DD1792

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In 1969 women were foregoing dresses more and more and the pant suit was to become a major trend through the seventies. Of course these trends tended to trickle down from Haute Couture and it was Ateliers Like Dior that were doing it best. Bohan's 1969 Collections had a mix of a gypsy theme and sleek pantsuits.In the video below you will see this outfit in the very first few opening seconds on the left - you even see the scarf snap jauntily in the wind! The twin of this piece also resides as part of The Met's collection and can be seen here. We also found a clipping from a magazine featuring the outfit (both pictured below). So the piece is not only Haute Couture but is very well documented.

Made of a heavy silk dyed to the perfect soft mint green, this three piece set from the is just divine. The pants are cut slim and with a straight line and a sharp crease that gives them that lovely shape. The tunic is wonderful and done in a boxed cut that falls in a slim and straight line. It ends about mid thigh and would completely work as a mini if you dared. I love the tightly spaced row of buttons down one hip - it's the only embellishment on the piece. It anchors the bottom panel that is hand sewn into place and top stitched for a subtle detailing. The sleeves and neckline are kept simple. It has its original ling scarf that you can flip around the neck. At each end of the scarf is a 6 inch finish of flat braided silk cord fringing. Exquisite and a piece of history! Numbered Haute Couture. Presents as excellent condition when worn as an ensemble.

The tunic is fully lined in a silk satin through the body and the sleeves are lined in a very fine and light silk chiffon. The pants are unlined. Being Haute Couture it is entirely made by hand. Both the tunic and pants close with back, hand set, painted metal zippers. The pants have a slight fade line down the top of one thigh - this appears to be from improper storage in strong sunlight. When worn with the tunic it is completely covered. There is one button missing from the tunic at the side. It has been priced to reflect this but again, when one it is not apparent.

Tunic
Sleeves: 21.5"
Shoulders: 14.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 31" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 40" from waist hem
Inseam: 29" from inner seam to hem

Modern Sizing Equivalent: XS-SML

Item# DD1780

Editorial reference photo credit unknown. / Photo from The Metropolitan Museum of Art "The Collection Online".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.