• The twin of this dress walked the runway for Look 47 for the Fall 2011 Gucci collection.
• It was made under the creative direction of Frida Giannini.
• This is an instantly recognizable and well-known piece of Gucci history. I personally feel like this was one of the most outstanding looks of her time at Gucci.
• The look was shot for several editorials, including two covers, and worn on red carpets. I love that we have so many reference photos to be able to show how fantastic this is once on the body.
• The dress combines a deep mustard silk organza with a massive silk flower detailing on one shoulder. The skirt is made out of a black silk chiffon and the inner boy shorts are silk.
• Once of the best things about this dress is that it is the entire full set and it comes with the matching boy shorts just like the runway and a detachable silk chiffon lining that you button into or out of the skirt.
• This allows you to wear the dress with the single layer of silk chiffon and the boy shorts under it so that you get the exact look of the runway, or you can button in the inner silk chiffon layer under the skirt and choose to get a more opaque look.
• I love that this dress was sold like this (in limited production in this case) since most ultra sheer runway looks are produced with a lining in place and no option to go more sheer like it was shown on the runway. 
• It is very rare to find a full pristine set of this look with the dress, removable skirt lining, and matching boy shorts.
• The top has a single wide cut shoulder with a wide floral applique detailing applied that curves aver the shoulder and into the neck. You can see how this sits on the body and the flowers nestle into the neck on the reference photos.
• The centre flowers combine a matching yellow silk with a more taupe silk. The petals on this one are fairly fine. A second flower in the same colour combination but with bigger petals sits beside that. Those are surrounded with a massive amount of petals that look to be hand dipped silk organza. Each one hand cut with raw edges. It is beautiful.
• The front is gathered into rows of curving panels that are stacked and layered on top of each other. Each panel has a tiny thread finish to its edge that looks to have been done by hand.
• The size and the angle of the curve of the panels change as it moves over the top and as they sweep upward to surround the flowers on the shoulder. The ones directly around the flowers have been set so that they come up and off the base silk. 
• The back has a panel constructed in the same technique as the front and it comes out from the waist and then wraps up and over on an angle to meet the single shoulder. Another mass of flower petals sits on the top of that panel as well.
• The way that the back is cut leaves an open and bare cut out. It is very unexpected and sexy when you turn around to see that bare flash of skin.
• The waist nips in and it is banded around the waist. There is a lovely contrast between the colour of the top with the dark black of the skirt.
• The silk chiffon of the skirt is completely cut on the bias and it is set so that it flows outwards around you. Whether you choose to wear the boy shorts under the attached single layer, or add the inner silk chiffon skirt layer, the lightness of the single or double layers catches the air with your slightest movement and float beautifully around you as you walk.
• The boy shorts that come with a set are made out of of a double layer of black silk with a flat front and a more high cut as you can see in the photos.
• This is one of the most outstanding pieces from Frida's era and it is fantastically rare to have all of the pieces together as the full set.
• The top is lined in a matching silk organza and the attached layer of the skirt is unlined. The skirt has a second separate inner opaque black silk skirt that buttons into the sides of the inner waist that can act as a lining if you wish. It closes with a button at the waist. The boy shorts are made of two layers of opaque black silk, and have a hidden set back zipper. The dress closes with a hidden set side zipper. All of the pieces appear to have been worn very little at all.
• Tagged a Gucci 38
• Excellent condition

Dress
Bust: approximately 16-18" flat across from side to side 
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: approximately 16.5" from top of the shoulder to waist and will blouse over a bit once on.
Total length: 63" from top of the shoulder to hem

Inner skirt
Waist: 13.25" flat across from side seam to side seam
Hips: open
Total length: 45" from top of the shoulder to hem

Boy shorts (have some stretch)
Waist: to 12-13" flat across from side seam to side seam
Hips: 16-17.5" flat across from side seam to side seam
Total length: 13" from top of the back hem to inner seam

Modern Sizing Equivalent: XS-SML

Item# DD5825

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2016 Roberto Cavalli Collection
• It was made under the creative direction of Peter Dundas.
• It was seen on both Nancy Ajram and Rosina Lam prior to its release in the shops. I love that the reference photos show you how great this is once on the body. 
• The dress is made out of a white jersey that has some stretch to it which makes it very easy to wear and comfortable once it is on the body despite its dramatic feeling cut.
• The neckline is scooped across so that it sits slightly wider around the neck. The shoulders are soft and the single sleeve that the dress has is long and slightly tapered into the wrist.
• It skims over the bust and is gathered in along one side to add some shape to the waist. From there it curves back out and over the hips to fall to the floor in one long sweep of jersey. 
• The detailing on the dress is phenomenal. A heavily detailed snake is made from a combination of gold and silver beads mixed with rectangular and round prong set rhinestones. The snake has its own inner padding to create a round 3D shape that sits up and off of the fabric.
• The tail of the snake starts on one side of the neckline, wraps around the back collar, and then runs down the front to follow the low cut opening that your arm slips through. It curves around and into the waist, back around the side of the hip, and then the head of the snake sits just above an extremely high slit at the side.
• The snake detail is incredible. I love how he dropped the depth of the arm hole on one side and then balanced that with the high slit on that same side. It feels very sexy but the placement of the snake and the structure that is added by the padding holds everything perfectly in place once it is on.
• The dress is fully lined through the body with a second layer of white jersey and the sleeve has no lining. It zips to close at the back with a hidden set zipper and there is a zipper at the cuff of the single sleeve. I see the tiniest bit of grubbiness along the inside collar and around the edge of the hem. There are a couple of teeny tiny pulls in the fabric. I have photoed one for you that is at the back near the zipper. Please see the photo after the label shot. These are extremely minor and noted for accuracy. The dress is in its original uncut length. The fabric does have some stretch so I have put the comfortable range of measurements below.
• Tagged a modern Cavalli 44
• Excellent condition

Sleeve: 24.5" and are 12" around the upper arm
Bust: covers to 15-17" flat across from side to side with no true seam on the side without the sleeve.
Waist: 13-16" flat across from side seam to side seam
Hips: 19-22" flat across from side seam to side seam
Total length: 67" from top of shoulder to hem, the slit is 33" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5817

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2000 runway.
• It was made under the creative direction of Thierry Mugler.
• I love that we have both photo and video references so you can see just how beautifully it moves once on the body. And that we have a photo of it with Thierry himself.
• The dress is made out of a nude chiffon that is light-in-weight and drapes beautifully over the body.
• The dress is cut with Mugler's masterful eye and attention to detail.
• It is suspended from one shoulder and the other is left bare and exposed. All the seaming on the dress is set vertically so that it enhances and highlights the curves of the body. 
• The bust and waist are created by the shaping of those beautifully curving vertical seams.
• It skims over the hips and then falls to the floor with a slight widening out as it nears the hem. The hem is cut on a slight angle so that the side that has the shoulder is cut a little bit longer than the other. 
  
• The shoulder is detailed with a panel of fabric that you can sweep behind you for a bit of extra movement when you move.
• At the very top of the shoulder is an extra large custom made piece made out of an acrylic that has pale green rhinestones embedded in it to follow its curves. These would have been custom-made for each dress.
• The very outer layer of the chiffon is split quite high along the edge at the back and this adds incredible movement to the dress as you can see on the runway. You are still fully covered by the inner dress underneath.
• It is an extraordinary dress that is rare and highly collectible. It is even better in person then how it shot here.
• The dress is fully lined and closes with a hidden set side zipper. I see one tiny catch in the fabric near the seam just above the hem. It is very minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• Tagged a vintage Mugler 40
• Excellent condition

Bust: 17-19" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 58" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5797

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This piece dates to 1967 which we know from the editorial shot we found of it.
• It was made under the creative direction of Donald Brooks
• I love finding Donald Brooks pieces. They are very well made and his main line pieces like this one are especially fabulous. Brooks launched his main line label in 1964. He only designed for a very short time, closing his business in 1973. He had a secondary boutique line that he started in 1971 that also closed in 1973. This jumpsuit is from the original main line which gives us that time period between 1964-1973 for its date.
  
• At first glance you appear to be wearing a dress but it does actually have a jumpsuit underneath all of those layers of lace ruffles.
• Everything falls from one shoulder which leaves the other shoulder bare. 
• The bust is cut to skim over you to the waist. The waist is defined by a brown silk bow that wraps around and has a hidden hook underneath the bow.
• Wrapping around the bodice is the first lace ruffle that is cut so it is slightly longer on the side of the shoulder.
• Under the waist there are three layers of lace that run down the length of the jumpsuit. A 17" panel wraps all the way around the hip area and then there are two more layers of lace on each leg. They are also very wide. When they are laid out flat they are more than a full circle around.
  
• The jumpsuit underneath has a simple cut that skims over you, comes in at the waist, and then curves out and over the hips. The pant legs are straight and wide with just the slightest of narrowing by the end of each leg.
  
• The body of the jumpsuit underneath the lace panels are covered in a black lace. The lace added to the jumpsuit gives it amazing movement when you move.
• The jumpsuit is full lined in a black silk and closes with a side zipper. The panel of lace on the bodice and the top panel below the waist both snap over the zipper to close. The belt wraps and closes with both hook and snaps. Hand finished throughout.
• There is no size tag present. Please go by the measurements below.
• Excellent condition
  

Bust: to 16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 15.5" from top of shoulder to waist
Total length: 58" from top of shoulder to hem
Inseam: 27"
Torso: 32" from top of shoulder to inner seam

Modern Sizing Equivalent: XS-SML

Item# DD5772

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1997 collection.
• It was made under the creative direction of Yves Saint Laurent.
• I love that the reference photos show you how gorgeous it truly is once on the body.
  
• The dress is made of a beautiful bias cut silk that has an extraordinary brilliant floral pattern running over its entire surface. It is like wearing an entire bouquet of flowers in the best possible way.
• The bust angles on a slight curve up to a wide gathered strap that curves over the shoulder to become a part of the back where it angles softly back down to the side. This leaves the other shoulder bare and exposed.
• The inner dress drapes and skims over the bust and curves in at the waist to a seam. From there it curves back out over the the hips.This gives is a slightly more generous feel through the waist so it is easier to fit. 
• There is an attached panel of fabric at the front waist that loops around and then wraps all the way back around you to attach along the front of the neckline. At the back it snaps into place over a hidden set zipper slightly off to the side. At the front it snaps into place under the arm and then it is attached to the shoulder on the other side.
• This panel is what gives the dress is extraordinary beauty. The panel that is attached to the shoulder curves and cascades over the arm and all the way down the body. As the panel falls down the side of the body it extends well past the hem to create a training affect around you. You can also loop this panel more over your arm to bring it up and off the floor. You can see that in the runway photos.
• On one side of the skirt there is a high side slit so that when you move or sit you get a flash of bare leg and it also allows you to walk.. 
• The way that this is all laid out and attached is a nod to a sarong but at the same time it feel so elevated and chic. It is absolutely the most flattering dress once on the body. This is a true YSL masterpiece.
• The dress is fully lined in matching nude silk chiffon through the upper bodice and then the rest of the dress is lined in a deep blue silk chiffon. It closes with a hidden offset back zipper. The lining is partially set by hand. It appears to have been worn very little if at all.
• Tagged a vintage YSL 38 
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 58" from top of shoulder to hem and the slit is 23" from the hem up. The shoulder panel extends out another approx 12" beyond that.

Modern Sizing Equivalent: XS-MED

Item# DD5760

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 1990 Givenchy Haute Couture collection.
• It was made under the creative direction of Hubert de Givenchy
• We found a reference photo of its twin, which lets you see how fantastic it is once on a body.
• A similar dress in black walked the runway and you can see the twin of this dress in the background walking away from the camera in that shot.
  
• The dress would have been completely made by hand in the Paris atelier.
• It is made out of a rich ivory silk that has a beautiful drape to it.
• The silk is gathered up onto one shoulder and then this drapes down under the other arm. There is extra fabric all along the edge so you get a really beautiful drape along that side.
• It is cut so bad it skims over the bust and then the waist is cinched in for shape.
• The skirt is elaborately gathered into the waist area and all of the draping in the skirt is set so that it sweeps upwards into the waist. This allows the dress to drape over the hips as needed, and then it comes in naturally more around the legs to create a very Grecian feel.
• It wraps over itself and closes with an elaborate series of silk covered snaps and hooks. Where it crosses over you will get a flash of leg when you walk or sit. You can see this in the reference photo
• A panel of silk is gathered on the one side of the waist and falls more towards the side and back for added detail and movement.
• There is a very elaborate design done in gold metal pieces that are all hand set onto the silk. It is composed of gold beading in a variety of shapes and sizes, dangling metal cords and prong set glass crystal rhinestones. The entire lower portion of the gold metal design is set in dangling strands off of the dress so when you move this has incredible movement.
• The dress is unlined and snaps to close up the side of the bodice that goes over the shoulder and then it hooks and snaps into place both inside the inner waist and along the front of the waist. The bust and hips are completely cut on the bias so are very forgiving and have movement over the body. On this one, if the waist fits the rest should fit. I see a couple very faint tiny marks here and there and a teeny tiny pinhole near the seam of the waist. Please see the photos after the label shot. These are very minor but mentioned for accuracy.The dress is completely made by hand and has its proper couture label present.
• There is no size tag because it is true Couture. Please go by the measurements below. 
• Excellent condition with the minor notes above.

Bust: 16-22" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: approx 17" from top of shoulder to waist and meant to blouse over a bit
Total length: approx 40" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5755

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress with a more pink base was presented as Look 5 for the Resort 2008 Prada collection.
• It was made under the creative direction of Miuccia Prada.
• This was one of the most famous of all Miuccia's collections and the pieces sold out world-wide shortly after being released. Resort pieces are produced in more limited quantities making everything from this collection even more special. 
• Vogue's review of the show said that "The collection, full of colourful prints and polka dots, can only be described as pretty" and took special note of the one shoulder pieces.
• The runway version dress was also photoed for an editorial that season.
• It is made out of one of Prada's beautiful fabrics meant to mimic the silky rays of the 1940s. It was then printed with one of Miuccia's proprietary floral prints that she used for this collection. These florals were defining look for the season and they incorporated the word Prada in the print.
• The dress curves up and around the bust and over the shoulder. The shoulder is soft and extends down into a sleeve that ends just past the elbow. The sleeve has elastic around the bottom which lets it puff up above.
• The bodice is cut to skim over you and it is gathered in from the front and the back into the side of the waist opposite to a sleeve. She then added a swag very reminiscent of the 1940s runs down that same side. These nights to the 1940s are a common theme seen in her work.
• The angle the back is set on is cut slightly more dramatically then the front and the two angles give you a deep and unexpected plunge right to the waist.
• The skirt appears to wrap around you and falls to mid-calf depending on your height.
• Set at the base of the plunge is a panel that extends out to create that beautiful draping that you see running down that side to just past the hem. ore silk has been set in panels above that so that entire side has that incredible detailing.
• The floral print combines pinks with a brown that has a touch of pinky-purple undertone to it.
• One of my favourite details about this dress is that the inner hem has been finished with a 3" panel of the same pink that is in the print. You do not see the panel when you are standing still, but when you walk or move, you get a tiny flash of that unexpected colour.
• The dress is fully lined in black and closes at the side with a zipper and then the swag snaps to close over that. The end of the sleeve has elastic. I see a tiny catch on the shoulder and a small very faint watermark on the skirt that gets hidden in the folds. Please see the photo after the label shot.
• Tagged a vintage Prada 44
• Great condition with the minor note above.

Sleeve: 21.5" and it is 15" around the upper arm
Waist: to 14" flat across from side seam to side seam
Hips: to 21.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 53" from top of shoulder to hem and the side panel extends another 2" past that at its longest point.

Modern Sizing Equivalent: SML-MED

Item# DD5745

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was featured in the Cult Gaia Lookbook for the Resort 2019 collection.
• It was made under the Creative Direction of Jasmin Larian Hekmat.
• Hekmat founded the label in 2012 and it is based in Los Angeles. The label's name comes from mixing 'Gaia' (the goddess of Mother Earth) with 'Cult'  which she meant to reflect the idea of a community built around organic design, nature and the power of femininity.
• The label names their dresses and this one was called Cosette. It was produced in several colours, one of which was this gorgeous pinky coral that is noted on the tag as being the 'bubblegum' colour.
• The dress is made so that it all falls from a single shoulder on one side to create a beautiful drape down and over the body.
• The bust angles on a slight curve up to a wide gathered shoulder. This extends out to become a part of the dramatic caped panel that falls all the way to slightly past the floor. It leaves the other shoulder bare and exposed.
• The dress drapes and skims over the bust and curves in at the waist. From there it curves back out over the the hips.
• At the waist there is a large open cut out circle on both sides that goes from the waist down over the outer hip. To hold this in place around you there is an elastic strap in the same colour that loops around you. The strap is removable so if you prefer the circles completely wide open you can wear it that way as well. It is very sexy.
• The open cutouts already add drama to the dress and then that cascading panel down the one side adds even more to the extraordinary beauty of the dress.
• The panel that is attached to the shoulder curves and cascades over the arm and all the way down the body. As the panel falls down the side of the body it extends just past the hem. 
• On one side of the skirt there is a high side slit so that when you move or sit you get a flash of bare leg.
• It is absolutely the most flattering dress once on the body and it has beautiful movement.
• The dress is fully lined in matching fabric. It closes with a hidden side set zipper and the band that slips around the waist hooks to close. The band is removable. I see a very faint mark the front but the dress is new with tags and was never worn. Please see the photo after the label shot. The colour is perhaps a touch more pastel than how it photographed.
• Tagged a modern Cult Gaia medium
• Excellent condition with the minor note above.

Bust: approximately 18" flat across from side to side with no true seam on the side with the draped panel.
Elastic band around waist: 13-15" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Total length: 63" from top of shoulder to hem and the slit is 32" from the hem up.

Modern Sizing Equivalent: SML-MED

Item# DD5735

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal Guy Laroche true Haute Couture dress.
• It was made under the Creative Direction of Guy Laroche.
• It would have been made entirely by hand in the Paris atelier.
• The dress is a rich royal purple in colour and the silk that it is made out of is of extremely high-quality.
• The bust extends up to curve over one shoulder and then swoops down and  becomes a part of the back panel of the dress. This leaves the other shoulder bare and exposed. 
• It skims over the bust and is attached to the waist seam on only one side.
• This creates an open cut out on the other side and I love the juxtaposition of the bare shoulder with the bare expanse of skin showing on opposite sides.
• The side that is open has a little tie bow at the top of the hip for added detail. The zipper is set underneath directly under that. This side falls on a slight downward angle to play on the angles of the top.
• A second bow sits on the closed side of the waist with the silk all gathered in towards that bow. It is just fantastically beautiful.
• From there the skirt falls to the floor and slightly widens out as it near the hem. There is a very high slit up the same side as the cut out at the waist.
• When you walk or move you get a fantastic flash of bare leg. It is very sexy but at the same time manages to stay very elevated and chic.
• The dress is fully lined in a purple silk chiffon. All of the inner work is done by hand to haute couture standards. It hooks to close at the top of the shoulder and at the side of the bodice above the cut out. There is a zipper and hook combination at the side. An inner silk waist stay hooks to close. I see a tiny line of stitching between the base of the zipper and the top of the slit. I think at some point the slit was higher and someone closed it. It would be easy to reopen. It otherwise appears to have been worn a little if at all.
• There is no size tag present as it is true couture. Please go by the measurements listed below.
• Excellent condition

Bust: to 16" flat across from side seam to side seam
Waist: to 12" flat across from side seam to side seam
Hips: to 16" flat across from side seam to side seam
Bodice: 15" from the top of the shoulder to the waist
Total length: approx 62" from top of shoulder to hem, with just under 1.5" turned under
Slit: 30" from hem up

Modern Sizing Equivalent: XS-SML

Item# DD5727

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This incredibally detailed dress dates to the 1960s.
• It was made under the creative direction of Adolfo Faustino Sardiña, who professionally known as Adolfo.
• Adolfo started his career under Balenciaga and, like Halston, he was a successful milliner before opening his own fashion house. He became know for his Chanel inspired suiting and beaded pieces.
• Adolfo often did custom work for his clients who ranged from the Duchess of Windsor to Jackie Kennedy Onassis, Gloria Vanderbilt and Nancy Reagan. He even won a Coty Award in 1969.
• The base fabric is a fine black silk chiffon over a black silk and then it is lined in a silk and then onto that are thousands of beads and sequins.
• The extensive bead and sequin work is set onto the silk in a gorgeous design that runs over the dress from top to bottom. The designs are clustered and the work sits up and off the silk for a slight 3D effect. All of the work is done by hand.
• It drapes and sits on the body in a very balanced way despite the elaborate work on it.
• The cut of this dress is a very flattering one shoulder silhouette. The one side curves up and over the shoulder and then from there it curves gracefully across the back. The shoulder strap is an extension of all of the design, so there is no break to the eye.
• The edges of the neck, down and around the one arm opening, and all the way around the hem are all finished with tightly, spaced bead work that is incredible. 
• It skims over the bust and there is no seam at the waist. Instead, it is shaped to curve in slightly for shape and then it curves back out and over the hips.
• The dress falls to the floor from there and the skirt widens out a touch as it nears the floor. The hem is on a slight angle and as it curves up to the one side, there is a slit runs up one side for a flash of leg to show as you move or sit. 
• I love the contrast of the silver white beads against the black. They catch the light with your slightest movement and from every angle. It is just a spectacular dress.
• The dress is fully lined in a black silk and closes with a side zipper. Hand finishes throughout. There is a tiny bare area between the beading on the shoulder and two small areas around the arm. Please see the photos after the label shot. Otherwise it looks as if it was worn very little if at all.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition.

Bust: to 16" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Total length: 60" from top of the shoulder to hem and the slit is 22" from the hem up.

Modern Sizing Equivalent: XS-SML

Item# DD5489

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Loris Azzaro launched his label in 1967 and his trademark look soon developed. He became know for his extravagant use of colour, beading, sequins and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. By the eighties he was experimenting with volume and proportions and new cutting edge fabrics. This is a wonderful example of his work during this time period. We found a reference photo of an Azzaro dress with a very similar shoulder treatment and I think this one is even better.

This dress is nothing short of a bold and dramatic statement piece. The bodice is hand draped into soft rounded gathers over the bust. They continue all the way down under the bust to follow the curve of the body all the way to just below the hips. For this part of the dress he used a black stretch jersey that gives the dress it's fitted shape but also keeps it comfortable to wear. Inside the dress is one of his signature strapless underwire bras and this has been sewn into the dress for added support and shape. The top edge is shaped into a low sweetheart curve and the gathers are set to run horizontally down the body. Hand set vertical seams are tacked into place at points all the way around you to give the gathers a slight scooped feel and add length to offset the horizontal lines. It also keeps the gathers from adding bulk. Under that the skirt is set low and i is made out of a black textured silk that has a metallic finish. This is set over several layers of built in under skirting to help give and hold the volume you see in the skirt. On each outer side the panels of the skirt slightly lift up and away from the dress. To tie this into the top, the same fabric and swooping line is used to create that sweep of fabric on the one side of the bodice. I love how this flares out up and over the front portion of the shoulder. It is fabulous. Excellent condition.

Fully lined in a black silk with a built in bra though the bodice that hooks to close separately. It closes at the back with a painted metal and nylon zipper. The interior bodice is boned. Layers of tulle and silk underskirts under the low set skirt. The flame/fan detailing on the bodice has wire inside to hold it up. It would be easy to add additional wire or stiffening inside if you wanted it to really hold even taller then it does now. Hand finished throughout

Bust: to 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam and the inner waist stay hooks slightly smaller then that
Hips: to 17" flat across from side seam to side seam
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD3680

Reference Photo: Model in Loris Azzaro, L'Officiel No. 734, September 1987.

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