This dress is such a statement piece. It is by designer Edward Parnes who for a short time period designed with his brother Paul before their label was bought out by Mollie Parnis. Edward then had his own label for a couple of years before fading into obscurity. The dress is a fun piece with its bold stripes and dense coverage of sequins. It is completely covered form neck to hem with deep silver and copper colored sequins that are tightly spaced and cover every inch of the dress. The neckline is high and the sleeves are cut long and straight. The dress skims over the body with no defined waist. This makes it very easy to wear. The fabric the sequins are on also has a touch of stretch so it is even more comfortable when on. The skirt falls to the floor and there is even a couple more inches of sequins turned up if you needed more length. A great dress with tons of impact. Excellent condition with a note to review below

Fully lined in an ivory silk and closes with a painted metal zipper at the back and hook and eye at the neck. The fabric has some stretch. There is some grubbiness to the interior only on the collar and bodice/under arms. Please review the two photos after the label shot

Sleeves: 22.5"
Shoulders: 15"
Bust: 18-20" flat across from side seam to side seam
Waist: 16-18" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 56" from neck to hem with 2.5" turned up

Modern Sizing Equivalent: SML-MED

Item# DD3366

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is stunning. It is a full length dress from her ready to wear line launched in 1970. Mollie hired designer Morty Sussman to do the initial designs and then approved everything he did before it went into production. The dress is made from a lightweight silver lame knit jersey that has a pewter undertone to with the black that is mixed in with the silver. Onto this are thousands of tiny silver sequins that have been sewn into place so the entire dress gleams in the light. These are placed flat on the fabric and cover the entire dress head to toe. The neckline is notched and the sleeves are cut long and straight. The waist gas a looser feel and it comes with a belt accented with a bow that you can use to cinch it in more if you choose to. The skirt falls to the floor under that, softly widening out as it near the hem. Excellent condition.

Unlined and closes with a back painted metal zipper. The belt hooks to close and it would be easy to adjust the hooks if needed. Note that in person it is a touch more a true silver feel then the deeper grey it photoed as. The label shot is the closest to the actual color in real life. The fabric has a touch of stretch

Sleeves: 24"
Shoulders: 15"
Bust: 17-19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3364

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Rudi Gernreich was known for having some of the most innovative and dynamic fashion of the 1960s. His clothes made a social statement for ideas like sexual freedom, by making pieces that highlighted the female body in an unrestricted way. The Harmon knitwear line was sold at his Seventh Avenue showroom alongside his own label as of 1964.

This is a wonderful and rare example of his work during this time period and it is also just a really terrific dress. It is down in a solid black which is perhaps more subdued then what you normally think of for his work, but also makes it incredibly easy to wear. The dress is made of a lightweight wool knit jersey. This has just enough weigh to it to keep the shape and volume through the skirt that he wished it to have. The bodice is more fitted with rounded shoulders and skinny cap sleeves. It waist line comes to right under the bust and the front neckline plunged right to that seam. Below the seam under the bust the skirt flows from the waist to just above the floor. This gives it some volume and shape that perfectly balances the low plunge of the front. Very collectible and yet still very  wearable. Excellent condition.

Bust: to 17.5" flat across from side seam to side seam
Seam under the bust: 15.5" flat across from side seam to side seam
Natural waist and hips: open
Bodice: 12" from top of shoulder to seam under bust
Skirt: 41" from seam under bust to hem

Unlined and slips on the wear. There are snaps and a hook & eye that under the plunge at the front to close. Tagged a vintage 10

Modern Sizing equivalent: SML-MED

Item# DD946

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Christian LaCroix launched his Haute Couture house in 1987 and was instantly adored and revered. A ready-to-wear line soon followed along with perfumes and menswear. His collections are always an exotic, lavish affair and his inspirations spanned the decades with their eccentric, exotic glamour. His atelier closed in 2009. This dress is from the late 1990s/early 2000s. I love it in all it's signature Lacroix drama.

The beautiful bias cut on this dress instantly reminds one of the glory days of Old Hollywood and high glamour. The dress has been done in two layers. There is an inner silk satin slip in a pale ivory and then the outer silk crepe chiffon  layer glides over that. Both pieces have been cut on the boas so made to conform and mold to the body under them. The fine, curved seaming done on the dress is a nod to the type of costumes being worn by starlets of the 1930s and designers working with bias cut fabrics like Madame Gres and Madeleine Vionnet. It really has that same feel once on but the embroidery and applique work on the front middle of the dress give it a modern touch. The bias cut and curved set seams allow the dress to both hug the body and still move with you so it is extremely light and comfortable when on. The bodice is hand draped across the bust with small capped sleeves. The sleeves are split and draped so you will get a little loop on the arm when it is worn. One one side a panel of fabric that drapes down for the prettiest touch. The back is also draped and curved sown in a soft scoop. It is cut to curve around your body, skimming over the waist and flowing softly into the long skirt. The construction of the skirt is remarkable. The back of the skirt cascades down and extends into an show stopping train of silk. It is absolutely beautiful and a dream to wear. Excellent condition

The inner, separate slip acts as the lining under the outer silk crepe chiffon layer. The slip has no closures and slip on. It is so well made you could probably wear it on its own as a separate dress altogether. The outer dress closes with a back, hidden set zipper. Tagged a size 36. The bias cut should allow it to fit a range of sizes. The length will come up a touch once on an actual body due to the bias cut. You might be able to wear a larger slip under it and go more by the outer dress measurements if needed.

Dress
Shoulder: no defined seams
Bust: 16-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Length: 66" from shoulder to front hem, 86" to end of train at the back

Slip
Bust: 15-16" flat across from side seam to side seam
Waist: 12-17" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Length: 65" from shoulder to front hem

Modern Sizing Equivalent: XS-MED

Item# DD2803

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Ossie Clark once told an 18 year old Marianne Faithfull to go back into the dressing room and take off her bra and knickers. ‘How do you expect me to go out like this?’, she asked him, and he replied, ‘You're meant to be able to lift your dress up at any time, and pull down the top, and just have sex.' ....That little story pretty much sums up the attitude of wearing an Ossie Clark. They are sensual, sexual and yet still utterly beautiful. He as a master cutter and his main line clothes were made at a Couture level. He could cut freehand and was one of the first designers to source clothing from the past to use as inspiration but his designs were always uniquely his own. He was relentless in making the female body look as good as he could and did what it took to achieve that. He once told the Sunday Times ‘I don’t care how much anything costs as long as it’s beautiful.’ The period of his work between 1965-1974 was pure fashion porn and will never be equaled.

Ossie named all his couture dress and this one is known as the ‘Bridget’, said to be named after Bridget Bardot who was said to be a regular at the Quorum boutique. The design is first mentioned in the book on Ossie by Judith Watt as part of the 1968 collection but variations of it were photoed up to 1973. A tulip print was captured on Marianne Faithful herself. Variations of this dress also appeared in Vogue UK and a floral version landed on a young Anjelica Huston for a Selfridges ad.

The dress is made out of a satin backed, black crepe, that wraps with a low and wide plunge at the front. The sleeves are a puffed capped and the front and back gather into the yoke across the shoulders. It wraps with long ties at the waist and has a padded waistband. The skirt is very full with yards of fabric in its construction. A series of tightly spaced knife pleats run down each side. These were a signature hallmark of this particular dress. The dress is in overall excellent condition but does have a note concerning condition to review below.

The fabric is self backed. It wraps to close and ties with the attached ties. It is labeled a vintage UK 12. There is some slight fading across the upper shoulders and the back of the collar. Where it is makes it a non-issue when its on but it is there. Being solid black re-dying is a potential option if this bothered you. These are so rare the effect to the value is minimal. The wrap style should allow it to fit a variety of sizes. 

Slightly inset shoulders: 13"
Bust: to approx 17" flat across from side seam to side seam
Waist: 11-13" flat across from side seam to side seam
Hips: open
Bodice: 14" from top of bodice to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD3363

Reference Photos: (1-2) Martha Hunt in Ossie Clark from Shrimpton Couture, Cannes, May 2018.  /  (3) Model (Camille Neviere) in Ossie Clark from Shrimpton Couture. Photo by Angela Y. Martin. (Styling: Ulia Koles. Hair & Makeup: Larissa McCourt).  /  (4) Model in Ossie Clark for Quorum, Shot by Henry Clarke, Vogue UK, September 1971.  /  (5) Anjelica Huston (right) for Ossie Clark, Cosmopolitan, May 1972.  /  (6) Marianne Faithfull, 1973.  /  (7) Pattie Boyd in Ossie Clark.  /  (8) Credit unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of those incredible mystery pieces that you can only find with vintage. It is very well made and has all the hallmarks of a high end piece but whatever label it once had is now gone. It is made from both a beautiful black silk organza for the skirt and side peplum on the dress and a softer silk for the body of the dress. Both fabric choice are almost weightless. The softer silk used for the dress makes it feel comfortable when worn and the organza gives the volume you see.  The inner dress is fitted though the bodice and has one shoulder. A tiny strap curves over the shoulder and the arches across the back leaving a bare expanse of skin. The skirt is fitted and just above the knee. On one side there is a pleated peplum that I put under the over-skirt for added volume and shape but I think you could easily wear the skirt the other way for an interesting effect as well  and a The skirt is  cut on a sharp angle with extra fabric on one side for volume and then it falls to the floor on a point on the other. There is a detachable bow that you can snap at the waist. The edges of the skirt and the bow are trimmed in a black snakeskin. When worn together it looks like one single piece but because it is two you could potentially break it up and wear the pieces separately. Excellent condition wit one small note nelow

The skirt is unlined and the dress is lined a black silk. The dress closes with a hand set, side metal zipper. The skirt closes with a combination of hook & eye and snaps. The bow snaps into place. There is a bit of wear/dryness to the snakeskin along the bottom edge of the detachable bow. Hand finished to demi-couture standards.

Dress
Bust: 14-15" flat across from side seam to side seam
Waist: 11.5" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice:15.5" from top of the shoulder to waist
Skirt: 21.5" from waist to hem

Skirt:
Waist: 11.75" flat across the back from side to side
Hips: open
Length: 4" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# E673

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress is heavily sequinned and beaded. The lines are simple and once on it is extremely sexy and flattering. Onto the black silk base of the dress are hundreds of chevron bands made of a combination of glossy black sequins and tube beads. These are laid out in a sharp chevron pattern that comes together down the center which gives the illusion of an even slimmer silhouette. On the skirt the flare pout to match the incredible sweep of the lower skirt. The exterior of the dress is done in that amazing solid black with just the pattern of the sequins and beads and how they catch and glimmer in the light to catch the eye. As a result the dress is fairly heavy off the body because of that extensive bead-work, and yet once on the body it lies and drapes in a way that it is balanced and not at all unwieldy. The bodice is cut to skim over the chest with a scooped neckline. The sleeves are capped and the waist nips in. Under that the skirt flares out to an extreme at the hem and t it is cut and shaped so that the bottom is a true circle it has so much volume. The skirt is incredible with its built in under-layers on a vivid pink and red. These are set in extravagant, pleated ruffles. If you stand perfectly still you cant see the color underneath but the second you move or sit that vibrant color explodes out. The under-skirts also helps to hold the shape and volume that the lower skirt is meant to have. The effect of this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Extremely well made to demi-couture standards. Excellent condition.

Fully lined in a black silk. It closes with a hand set back zipper. Hand finished throughout. It feels heavy off the body as it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. Attached underskirts in red and pink. Main line label

Shoulders: 15
Bust: 16-17" flat across from side seam to side seam
Waist: 12-13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3361

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had a version of this dress before that was a bit more elaborate then this one but I actually this simplified one with its sleek lines that allow the print it really stand out. This is a fabulous 1970s Mollie Parnis dress and I think that it is very hard not to love such a strong statement piece. That bold print gives it such drama and yet, it still has a soft and sexy element to it. The chiffon that it is constructed from has been custom screened with a fantastic bold plaid design. The pattern is a combination of deep corals and reds with pops of different colored stripes running through including a bright green and a royal blue. The  bodice has a plunge front and this same deep V is done at the back as well. Under this the waist is defined by a wide band of gathered fabric. From there the skirt flows to the ground from pleats that circle all the way around the waist. The then softly open so that the skirt has a touch of volume. This also gives the skirt lots of movement when you move. The contrast between the colors and the refined cut is fabulous. Excellent condition.

Fully lined in a deep raspberry silk crepe and closes at the back with a painted metal zipper.

Bust: 17-19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 11.5" from top of bodice to top of waist band
Waist band: 4"
Skirt: 41" from bottom of waist band to hem

Modern Sizing Equivalent: SML-MED

Item# DD3360

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This would have been designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been "noted as one of fashion’s great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential." His realm is one of my favorites for the house and the period through the late sixties and into the 70s in particular. He was a genius at print and color and he pushed the envelope in terms of using the "new" fabrics available during this time period.

This vintage Lanvin dress has a gorgeous bright color and print combination on a black base. The wool jersey fabric it is made of is light in weight and held color exceptionally well. The colors are still crisp, bright and true. I love when I find great examples of this label from this time period in the label's history as it is a particular favorite for me. The dress is sleeveless with a V scooped neckline on both the front and back. The back dips lower then the front does. It buttons down the back and I think its amazing that each button is perfectly done so that it has one of the spots exactly laid out over it, so that the pattern at the back is not interrupted. The waist nips in and the skirt falls to just above the ankle depending on how tall you are, and it slightly widens as it nears the hem. I love how those stripes contrast against the dot print and are used to define the cut of the dress. It also has a matching scarf that is hand finished with a yarn trim. Overall great condition with notes below to review

Fully lined and closes with hand covered buttons down the back to the waist and a low back painted metal zipper below that. Has its original scarf. Note that there are some minor nicks out of the fabric around the lower portion of the skirt. I have photoed the two worst areas - please review the two shots after the label photo. There are a scattering of teeny ones here and there around the lower skirt. All are stable and it stood up to cleaning just fine. This was taken into consideration when pricing.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from top of shoulder to top seam at the waist and the band at the waist is 2.25" wide
Skirt: 36.25" from bottom waist band to hem
Scarf: 44 x 14.5

Modern Sizing Equivalent: XS-SML

Item# DD3358

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible dress and jacket set that would be from when Marc Bohan was head of the Dior atelier. It is a beautiful and early example of the work being produced by Christian Dior in this time period. This is the Christian Dior - New York label and is considered to be demi-couture from this time period of Dior's history. These where made for the American market based on the runway designs and with many of the same high standard finishes that Haute Couture pieces incorporated.

This set is just spectacular. It has a simple, refined cut that is made glamorous by the wonderful fabric choice. The fabric is a beautiful wool silk that has a touch of weight to it so that the lines are perfectly held. It has a cream base with squares running over its surface. Each is a peach outline that then has a gold and peach medallion in its centers. In person the peach is brighter and better. The metallic gold lame thread is slight raised up from the fabric so it gives a touch of dimension besides the shine. These cover every square inch of the fabric. It is made of two pieces. The inner dress is a simple sheath that is cut so that is skims over the body and slightly flares out as it reaches the hem. It is sleeveless and the neckline is a simple scoop. It comes with a gold metal and rhinestone chain belt that slips through the loops that run around the low waist and then the belt hooks. The belt is real metal and has crystal detailing set along every 4 inches. I love how it ends in a gold tassel that dangels down under where it hooks. Over this is a little matching jacket that is sheer perfection in cut. It has a neat little collar and box cut. There are no closures and it is the perfect finish once it is popped over the dress. What I love about it is that when the dress is worn on its own it has that touch of a mod feel that the sixties were all about but once the jacket is on it has a very refined feel. Excellent condition with a small note below

Both pieces are lined in a heavy cream silk crepe with an additional silk chiffon interlining through the dress. The dress closes with a had set, hidden zipper at the back. The jacket slips on with no front closures. The belt hooks to close. There is a slight grubbiness to the lining of the inside back collar  of the jacket and one very minor nick out of the fabric on the jacket. Please see the photo after the label shot. . Otherwise the set appears to have been worn very little if at all. Hand finished and very well made to demi-couture standards.

Jacket
Sleeves: 22"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Length: 19" from neck to hem

Dress
Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3357

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dramatic little dress by Vicky Tiel is fabulous. It is made from a fantastic metallic gold lace type fabric that has a black base over which the gold has been directly applied. This allows the black to peek through and the gold really highlights the pattern in the fabric. It gives it extra depth and visual interest. This then sits over an inner fitted base that is structured and molded to the body. It is shaped like a corset inside to give you shape with both boning and inner structure. The front has a plunging version of a sweetheart neckline and I love the dramatic curve of it. The bodice is molded tot he torso and covered with gathers that emphasize your curves. Amazing little cap sleeves sit off the shoulders and wrap around the upper arms. The waist nips in and it is fitted around the upper hips. Under that the skirt explodes out in a dramatic pouf of fabric that is fall all the way around. the shape is held by layers of stiffened organza and tulle under the gold. Countless modern pieces right now are based on dresses just like this and I am happy to have this amazing original in the shop. Excellent condition.

Fully lined in a black silk and closes with a back zipper. Very well constructed with the entire inner bodice shaped, boned and fitted. It appears to have never been worn or worn very little. Handwritten tag, marked a vintage 42

Bust: to 18" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Seam at bottom of bodice: 16" flat across from side seam to side seam
Hips: open
Bodice: 19" from top of shoulder to  bottom seam, 16" from top of bodice to bottom seam
Skirt: 16.5" from bottom seam of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3356

Reference Photo: Vicky Tiel in Town & Country Magazine, December 1984.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible and very rare set by Halston from his main line. The top part of the set is very similar in feel to the one worn in the famous 1978 image of his 'Halstonettes" taken in the Halston offices. In that photo, the same metallic lurex is used in a different color way and the gathered bodice tops full pants. Here the pieces are more distinctively separate as a bandeau top and skirt.

This set is magnificent and such a rare fine. Both piece are made from the finest, lightest metallic lurex lame and the color is a deep true purple. The top is gathered on two pints on either side and you can wear these at the side as I have photoed it, or wear the gathers down the center front and back. It is lined in a nude stretch jersey. It simply zips into place and it's done. There is some flexibility on how much midriff you wish to show between the top and the skirt. You can push it up and gather it a touch more to really show off a band of bare skin underneath, or pull the fabric down to almost meet the waist of the skirt as I have photoed it. The skirt underneath is a flirty little thing and it is cut with tremendous volume that only shows itself when you move. The lightness of the fabric allows it to lie fairly smooth when you are standing still, but in reality it is pretty much a full circle skirt. It is unlined and instead is made up of three layers of the feather-light lurex. This gives it just enough opaqueness to not be scandalous but in a strong light you would still see shape underneath. It's amazing and a rare, museum worth piece by on of the greatest of American designer. Excellent condition.

The top is lined in a nude stretch lingerie jersey. It has an inner waist stay that hooks to close. It zips at the back and has boning built in along the side there and at the front middle. The skirt has no lining and is made of three layers of the fabric as noted above. It hooks to close at the waist and snaps under that.

Bandeau
Bust: 17.5" flat across the top from side seam to side seam
Inner waist stay: 13.5" flat across from side seam to side seam
Height: 9" at the boning. The fabric on either side og the boning can be worn more or less gathered for more or less coverage

Skirt
Waist: 13.75" flat across from side seam to side seam
Hips: open
Length: 29" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3354

Reference Photos: (1) Alva Chinn, Halston and Chris Royer at Olympic Tower, September 1978. From the Book 'Halston' by Phaidon.  /  (2) Model in Halston, 1978. From the book 'Halston An American Original'.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I had the twin of the dress ages ago and I was so pleased to find another recently. Ungaro recently passed away and that always makes you look at a designers work with a new appreciation. Ungaro launched his label in 1965 after stints at Balenciaga and Courrreges. His pret-a-porter line, Ungaro Parallele, was created in 1968. He was a brilliant designer who was known for his of colors and flamboyance.

I absolutely love this Emanuel Ungaro dress. The color is wonderful. It is perfect shade of purple that is done on a fluid silk. He has used two types, a solid silk to create the pleated bust and for the skirt, the fabric has a wonderful secondary pattern of small dots woven through it. The fabric is quite light in weight so despite the elaborate construction of the dress is not heavy to wear, but it does hold the intended shape fabulously. The bodice is cut with a strapless, peaked and plunged neckline. It is elaborately pleated and fitted around the bust with hand placed and gathered folds and internal structure and light wiring. Under that the skirt is set into the bust to follow the angled line at the front. It is set in with soft gathers all around, and then wraps and closes at the back. The bodice has a touch of asymmetry to it and the way the skirt is set in subtly plays on this At the back it wraps over itself and snaps into place with a series of snaps hidden along the lower edge of the bust. This allows a bit of leg to show at the back when you walk. It is incredible. Excellent overall condition with a note to review below

Fully lined in a purple silk chiffon and closes with a back zipper for the corseted interior and then the skirt snaps into place along the seam line. There is a touch of fading to the fabric along the edge of the back panel. Please see the photo after the label shot. The corset fully zippers open and if it's not caught right the teeth can open a touch I have left it as it works fine if you just re-zip it until they catch. The bodice is boned and shaped. Hand finished

Bust: 17" flat across from side seam to side seam
Inner waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 54" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3353

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When Jeanne Lanvin died in 1946 her daughter took over the business and ran it herself for a couple of years before hiring Antonio del Castillo in 1950. During his time as head designer for the house, the labels bear the name Lanvin-Castillo. He departed in 1962 which gives us a neat little window of time that he worked within. This set has the boutique label but that label is numbered and the interior is finished to couture standards. I think it was most likely a  custom order placed through the boutique that was made in the couture studios based on the level of finishes.

The set is gorgeous. It is made from a deep gold colored velvet that instantly give is a rich feel. The top is sleeveless and scooped at the front. Vertical seaming give is a fitted feel and it is cut to nip in at the waist. It is meant to be worn tucked in and the long exposed zipper, done on the couture manner to leave no bump under the skirt, is what tells us that it was meant to be worn that way. The neckline is finished with a beautiful hand applied border of gold metal filigree cut out, faux pearls and gold beads. The skirt has that same beading detail and this is done in wide borders that surround the unusual slit pockets that sit towards the center of the front of the skirt. This picks up and balances the neck detailing perfectly and add a touch of high glamour to the piece. The skirt has a deep inverted front pleat running down the center for volume. The two together are gorgeous and typify that Old Hollywood, glamour that this decade was so well know for. Excellent condition with a couple of tiny notes below

Both pieces are fully lined in a matching silk. The top closes down the side with a painted metal zipper and the skirt snaps to close down one side. Perhaps the most minor of marks to the velvet here and there where the beading pressed in to if from being folded in storage but this is to be expected with the age of the pieces. These will soften as its hung properly. It looks like the hooks on the waist may have been moved at some point to make the waist a touch bigger. Where the corners of the arm opening meet there is the teeniest of nick to the velvet on each side. Please review the photo after the label shot. The interior is made to haute couture standards and appears to be all hand done with hand finished curved couture seaming. The label is numbered but it is very faded. 

Top
Bust: 17.5" flat across from side seam to side seam
Waist: 12.75" flat across from side seam to side seam
Length: 19" from shoulder to hem

Skirt
Waist: 13" flat across from side seam to side seam
Hips: open
Length: 28" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3352

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an extremely rare and early set by North Beach Leather dating to the late 1960s, early 1970s. Michael Hoban and Frank Morgan started the label in 1967 and quickly gained a huge following. Elvis Presley, Tina Turner, Janis Joplin, Jimi Hendrix, Elton John... all major celebrities that wore the label. It was expensive in its day and each piece was made entirely by hand.

The set is entirely hand crafted using a combination of a deep chocolate suede, beads and feathers. The set is made up of two pieces. The top is a tiny halter top that ties onto place with the long braided suede cords that curve over the shoulders, cross and loop into the sides of the halter and then tie at the low back. This leaves you very bare across the back. The front dips low between each side of the halter triangles and the entire midriff is exposed. Hand placed feathers adorn the center. The same feather detailing is picked up on the skirt. The skirt is cut long and then wraps and buttons into place. Each button is hand covered in a matching suede and each button hole hand finished with their signature whip stitching. Feathers are hand placed in little bunches that are each finished with a a leather base that is accented with a hand made clay bead. These run down the high slit on the one side under the buttons and then around the hem. All of the edges are finished with whip stitching and you can easily see the hand work inside as well. It is incredible and a very rare example of the early work they were doing. Excellent condition

Made by hand. The top ties into place and the skirt buttons. Any variation in the suede is natural. Please read the note at the bottom of the description regrading feather pieces

Top
Bust: each triangle measures 4.5" across at its widest point. The base part of the front measures 17.5" across. The ties at the back make it variable in size otherwise
Skirt
Waist: 13" flat across from side seam to side seam
Hips: 16" flat across from side seam to side seam
Skirt: 43" from waist to hem including feathers
Slit: approx 34" from hem up

Modern Sizing Equivalent: XS-SML

Item# DD3351

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs, feather and fur/feather trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur and feather pieces are final sale.

The Metropolitan Museum of Art hosted a Jacqueline de Ribes exhibit in 2015-16, giving her work an extra dose of much needed attention. De Ribes was know as 'one of the most celebrated fashion personas of the 20th century'. She began making dresses for herself and eventually opened her own label in 1982 at the age of 53, producing collections for the next 12 years.

This beautiful print silk dress looks like it could have just stepped off the runway. Her signature long and lean lines are combined with a genius cut and a inner foundation that shapes and molds the body. The dress is made out of a fine silk that has a vibrant floral design that combines a bright pink, red, deep raspberry and green. The effect of all those brilliant colors together is wonderful. The bodice is fitted with hand placed, soft gathers the lie over an inner, built in, foundation that curves over and past the hips on the interior. This gives you both shape and support. Wide silk straps curve up and over the shoulders and pick up the gathered detailing on the bodice. The back plunges low leaving your back bare and I love how it is squared off.  The waist nips in and the skirt flows to the floor in a long line of fabric from there. At the back, the skirt has a high slit to allow you to walk and move easily. Inside the dress is finished to demi-couture standards and by hand. It looks to have never been worn or worn very little. Excellent condition.

Fully interlined in a white silk and closes with a hand set back zipper. A panel of fabric crosses the back and hooks into place. The inner bust has a full to the hip corseted interior with built in cups, boning and a waist stay. There is no de Ribes label present but it has the correct hand written style/fabric tag for her pieces

Bust: to 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 60.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD2248

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had a similar dress to this one in the shop before that was in a darker color combination and with slightly different neckline, but I think that I love the vibrant pink of this one even more. It is a stunning design and I was very happy to find that it was the dress featured in the ad campaign for the brand in 1973 as seen in the reference photo included her.

The dress is made out of an easy to wear and travel with silk jersey in a bright vibrant pink. Using this particular fabric not only made it travel friendly - you can literally pull it out of a suitcase and it will be virtually wrinkle free - but it also allows the colors to stay as crisp and true as they would have been when it was produced. I love the brightness of it and it is even better in person. The dress is cut halter style at the front where it is cleverly sewn down the upper center part to stay closed and then opens below that. From just under the bust to the waist seam is left open to shows off an expanse of bare skin. The straps cross over them selves and then wrap around the neck to close. This leaves the back completely bare to the waist. Under that the skirt falls to the floor and even has pockets on each hip. Excellent condition with one tiny note below

Unlined and ties at the neck. Closes with a low back painted metal zipper and snaps at the waist band. Hand finished. I see a small area of a nick to the fabric near the side seam towards the front. Please see the photo after the label shot. It is very minor and appears to be stable. The color is brighter and a more vivid pink in person. Tagged a vintage 4. Note the waist does close properly - it was just a little small on the dress form.

Bust: variable with no true side seams
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from shoulder to waist
Length: 41" from waist to hem

Modern Sizing equivalent: XS-SML

Item# DD1970

Reference Photo: Oscar de la Renta Ad, Vogue US, April 1973.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a modern interpretation of the a classic Pucci dress and it is definitely done with a print taken from the archives. At first glance it almost passes for a vintage version. Pucci's colors and prints were mixed with a masterful hand and when even the modern day house recreates the archives looks it is a testament to his genius. This is one has a superb pink color palette. The dress is made out of a lightweight silk jersey, a fabric that the label has long preferred using because of the way it moved and took color. It is screened with a classic Pucci print that perfectly works over the body of the dress to highlight its different elements. The sleeveless bodice skims over the bust with a V neckline that has an intricate geometric print used to highlight the plunge at the front and the waist. This flows into a long, supermodel length cut skirt. The color is kept fairly monotone with the use of the pink from head to toe with pops of the white and tangerine that work with each other beautifully The dress is wonderfully bright and happy in feel as all the very best Pucci's are. It still has its original tags and has never been worn. Excellent condition.

Fully lined in a pink silk jersey and closes with a side hidden, painted metal zipper. The fabric is a silk jersey and does have some stretch. Note that the color is more intense in person - better then how it photoed. Tagged a modern US4. Original hang tag attached.

Bust: 15-17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 14.5 from neck to waist
Skirt: 51" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3349

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks that often involved draping and the use of multiple layers of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money.

The simplicity of this dress when you first look at it hides the incredible craftsmanship used to create it. I love the light and airy feel of the dress that is created by the yards and yards of silk chiffon used in its construction. Working in this type of fabric is already difficult and this would have taken many hours of work to execute the making of this dress by hand. The column of silk that you see has been cut on the bias. Incredibly, there are four full layers of silk used to make up the body of the dress. This gives it enough of an opaqueness to wear and also gives it a lovely movement and makes it very comfortable to wear once on the body. The layers sit over each other perfectly aligned and in a sheath silhouette so it is very easy to wear. The sleeves are made of a single layer of the chiffon. On one shoulder is an attached long panel that gives it a caped effect. This trails all the way down to the hem and adds a touch of drama as you move. It flows behind you as you walk and it creates a very pretty effect with its slight transparency. It is very beautiful. Excellent condition with a couple of minor notes below

The body of the dress has four layers of silk chiffon. It closes with a hand set, zipper at the back. Immaculately constructed. It appears to have been worn very little if at all. The bias cut allows for some range in the measurements as indicated below. There is the slightest bit of a pull on one sleeve. I see the slightest bit of teeny snags to the silk here and there but very very minor and just mentioned for accuracy. Please see the last photo after the label shot.

Shoulders: 14.5
Sleeves: 25"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 43" from neck to hem and may come up a little when on due to the bias cut

Modern Sizing Equivalent: XS-MED

Item# DD3346

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a spectacular bold silhouette Balmain dress by Olivier Rousteing. The fabric is great. It's just heavy enough to hold the shape and structure that the dress has but without feeling thick or too structured. The shoulders have Rousteing's signature bold and sharp shape and the sleeves taper to the wrist from there. The fabric on the skirt is draped in towards the center front so that you get the effect that the hips are wrapped in it. The front bodice also is wrapped down and into that center knot giving the illusion of an even smaller waist. The bodice of the dress has a long open keyholes at the front and this is balanced by a high neckline. At the back, the Balmain signature chunky zipper runs down the back. It is spectacular and sexy and a collectible both now and as a future vintage piece. It appears to have never been worn. Excellent condition.

Unlined and closes at the back with the signature chunky brass Balmain zipper. Padding in shoulders. Appears unworn. Tagged a modern Balmain 40. The fabric does have some stretch

Sleeves: 27.5"
Shoulders: to 17" due to the shoulder pads that extend beyond the natural shoulder
Bust: 17-18" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Bodice: 17" from neck to waist
Skirt: 19" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3347

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jacques Heim began his career working at his parents fur business. In 1923 he took that business over and made it into his own vision. Heim began designing a line of made to order, in-house couture pieces that used original fabrics, most notably, those of Sonia Delauney. In 1930 his younf label became an official member of Haute Couture and his self-named label, Jacques Heim, was born. Jacques remained at the helm of his business until his death in 1967. The label was shuttered by 1969.

This dress is a wonderful example of his work in the 1950s. The label has the additional wording of 'sur autorization speciale, Maria Carine Paris' (made by Maria Carine Paris with special authorization). Garments with this label are best explained by this excerpt: 'Maria Carine was owned by Maria Moutet-Chenu. She worked with four couturiers: Heim, Desses, LaRoche, and Lanvin. After the couture showings, each couturier would give her sketches based upon the garments they had just shown. Moutet-Chenu made the toiles which were approved by the designers. Then each garment was cut individually by hand in the Maria Carine workrooms in Paris using the same fabrics that were used for the couture garment. Maria employed hundreds of seamstresses, many of whom worked in their own homes. They sewed each garment individually to exacting standards. This was the highest of early high-end ready-to-wear.'

In other words - this is a fully authorized piece by the couture house. It would have been completely overseen by Heim and was the way the house would have produced demi-couture and ready-to-wear pieces for their clients. Maria and her seamstresses were only utilized to produce garments in this method for a small window of time before more mass market production methods took over that were a lot cheaper. It is a wonderful example of a very small moment in time when the quality was still very high.

I love the classic cut of this dress. It is cut to skim over your curves of the bodice and the sleeves are an extended curve of the fabric of the bust so that there are no seams at the shoulder or arm to break the line. The waist nips in and the skirt is cut slightly slimmer at the front and then very full at the back. I have styled it over a light crinoline to show you the shape. If you wished to get a very full skirted look you could but not without adjusting the inner lining which is cut in a more straight shape. The fabric is wonderful. It is a deep, non-metallic French gold lace that is applied over a fine black silk net. I love that all the edges are left so that the follow the floral pattern in the lace to give them a softer, curving scalloped finish. The sleeves are cut tot he elbow and they, along with the upper shoulders, are left unlined so you see a peek of skin through the lace. It is simplicity mixed with a masterful seaming and cutting and extraordinary fabric. Hand finishes and extra detail throughout. Excellent condition

Fully in a black taffeta and closes with a back painted metal zipper. Pinking shear finishes to the interior seams and hand finished throughout. The added crinoline is not included.

Shoulders: no defined seam
Sleeves: approx 14"
Bust: 17" flat across from side seam to side seam, with a good C cup at least
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Skirt: 28" from waist to hem

Modern Sizing Equivalent: SML-MED

Excerpt in the description taken verbatim from the Vintage Fashion Guild

Item# DD1207

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an exceptional piece of vintage Chanel and a rare find. This is a very early piece of Karl's work for Chanel. His first collection was in 1983 and  it is amazing to have a verified piece from just a few short years into his long career there. A version of the dress made of the same fabric walked the runway that season and we were able to find that reference photo. The hand written tag on the dress is also marked 1986 and there is a special order tag from Bergdorf's with the exact date and client name. It is a wonderful example of the work that Karl was doing for Chanel during this time period.

The dress is made from a of a metallic gold thread set on a black silk chiffon. The effect that this gives is that it is a gold lace. You only realize that it is made of that fine gold metal thread as you get closer to it. This fabric treatment also gives it a touch of a 3D feel. Under the top part of the dress is a inset bodice made out of black silk chiffon. This leaves the upper shoulders and arms covered in just a single layer of the chiffon and gold so you get a touch of transparency there. The cut of the dress has been kept fairly simple so that the fabric can take center stage. The neckline is set slightly wide and the edges of it follow the lace pattern. The sleeves are long and the bodice is cut to skim over the buts and waist. This  then flares out to the hem of the skirt. The front is cut to a more cocktail length and this curves down into a longer back skirt that is a true maxi length by the time it reaches the longest point of the back hem. This high low cut is tremendously fabulous and it lets the dress have more range. You are able to wear it to both a less formal cocktail affair, yet it will still work for a formal event as well. It has the Chanel boutique label with a hand written label below that with the date and other information. It is beautifully made. Excellent condition

Full lined in a fine black silk chiffon with an inner chiffon bodice suspended by tiny straps and in inner silk skirt. Hand finishes. The inner bodice has its own zipper to close it and then the outer layer closes with a series of buttons and loops down the back.Buttons and loop at each cuff. Cut slightly on the bias so may come up a touch in length when on depending on your frame

Sleeves: approx 23"
Shoulders: no true defined seam
Inner bust: to 18" flat across from side seam to side seam
Inner waist: to 14.5" flat across from side seam to side seam
Inner hips: 19" flat across from side seam to side seam
Length: 49" from top of shoulder to front hem, 60" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD3345

Reference Photo: Ines de la Fressange models for Chanel 1986-1987 Fall-Winter collection. Photo by Pierre Vauthey.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.