This beautiful Pucci dress is done in one of his signature prints that is screened onto a luxurious velvet. The color palette used for this one combines a black base with turquoise, blue, pale purples, mauve and grey. The bodice skims over the bust with a neat little V neck that is bordered by a bit of the print. It is sleeveless and the waist is cut to angle up slightly to give it just a touch of a baby doll feel through the torso. This tops a sleek and simple skirt that flares and widens out slightly as it nears the hem. The print on the skirt reminds me of a galaxy with suns and moons spinning around a curving design that swirls across the skirt. The waist and hem are finished in the same border as the neckline. This is a classic Pucci silhouette. The colors all work with each other beautifully and the choice to use velvet holds the shape perfectly. Excellent condition

Fully lined in a black silk and closes with a back painted metal zipper. Hand finishes throughout.

Bust: to 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 40" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3205

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When the duo behind the La Mendola label were designing in Rome, it was women like Elizabeth Taylor and Rita Hayworth that were snapping up their pieces. By 1975, the year this dress is from, they had expanded into the American market, selling mainly made-to-order through shops like Bergdorf Goodman's like this one is from. On an interior seam we see the date this one was ordered, the style number and the client name. A fascinating glimpse into its history.

The exterior layer of this dress is made from a custom printed silk voile. The fabric holds the color beautifully and is so fine and so light that the dress is almost negligible in weight if not for its lining. The design is beautifully vibrant and bright with a mix of blues and yellows. It has a simple cut with an undefined waist and a high cut neck that is finished with a over-sized pointed collar. It buttons part way down the front and you can leave it open as low as you dare. The sleeves are long and cuffed. A matching belt in the same fabric allows you to cinch in the waist to add shape. At first glance it seems in excellent condition but it does have some small flaws and has been priced accordingly. Please review the condition notes below.

Fully lined in a light blue silk except for the sleeves which are unlined. It slips on to wear with a row of hand covered silk buttons up the front of the neck. Note that the lowest button has been replaced by a button that is not a match to the others. There is a light spot on the edging between the buttons. I also see color run at the back hem and the edge of a water mark just above that. Note that you could easily shorten this to get rid of those marks although the pattern effectively hides them anyway. Please see the two photos after the label shot. Priced accordingly and very wearable as is.

Sleeves: 23"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 41" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3204

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The finish on this gorgeous little fifties number is very well executed. It is beautifully constructed and made from a very high quality moire silk taffeta. It is unlabeled but has the feel and construction of a high end piece. The warped floral design that covers the silk is a work of art on its own. The warp weave effect gives the print a soft, watercolor feel and the purple and pastel turquoise tones pop off of the black backdrop. Every line in the dress is a study in thought and detail. The bodice is shaped to curve around the bust and the neckline is cut straight across and set high at the front. The back dips into a low V that gives a flash of bare skin. It is sleeveless and the waist is nipped in with a wide band of fabric that wraps around to the back. At the back there is a huge flat bow that anchors the V and is the same width as that waist banding. The skirt has a great deal of fabric in its construction and it wraps down and around the hem and then is caught up underneath with the silk lining. The way it is cut creates that pouf bubble effect that you see. It is very chic and very pretty. Excellent condition.

The bodice is unlined and the skirt is fully lined in a black silk and the skirt has built in tulle to give it more volume at the hem especially. It closes with a back painted metal zipper and the bow snaps into place for an unbroken line. Hand finishes. It appears to have been worn very little if at all.

Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 11" from shoulder to top of waist banding and than that banding is 5" high
Skirt: 27" from bottom seam of waist band to hem

Modern Sizing Equivalent: SML-MED

Item# E658

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a wonderful dress from the fifties that is very striking and beautiful. All of the applique work you see has been placed and sewn by hand. The cost to replicate a dress like this today would be astounding. The exterior fabric is unusual in that it is an extremely fine black netting. This fabric choice has just enough weight to it to give the dress some structure and body, but is also very light and adds to the floating feel of the dress. Built under this is a more fitted bodice and the skirt has several layers of tulle between that top layer and the inner lining. The skirt is cut to be very full and you could easily add a crinoline underneath so you can get even more volume than what you see in the photos of the dress on its own. Even shown without a crinoline the dress still has a lot of volume and movement to it. Hand applied onto the dress from shoulder to hem is an enchanting design created by hand applied embroidered lace. This curves over the front and side of the dress in a beautiful trailing design. It also wraps around the waist and covers the upper back. It has been placed by hand to perfectly follow the curves of the dress and than hand stitched into place. Detailing each of the lace flowers are an edging of glossy iridescent finished ivory sequins topped with a glass bead. This adds the perfect subtle glimmer and highlights the lace even more. The waist is nipped in for shape and the skirt if full. Above that sits a shaped interior bodice that is a looser fitting overlay. This is a really outstanding example of the work being done during this time period. Excellent condition with some minor notes to review below.

The bust and skirt both has built in bodice and interior skirts made of a black silky rayon. The skirt has two additional layers of tulle between the top layer and lining. The dress closes with a back metal zipper. There is a very slight darkening to the lace on one spot at the side and perhaps a touch of darkening to the lace at the back. I photoed both areas for you and these are shown after the label photo. I see on pinhole to the netting by the hem but it is strong and stable and very minor. There is what looks like tape reside inside the dress under the label. Note that is does have straps on the interior lining but I feel that they were added later to hang the dress as they are cut very short. I tucked them in for these photos. All very minor and I am being extremely picky. The hand work in the dress is easily seen from the back as shown.

Interior Bust: 17" flat across from side seam to side seam, with a good C cup of space at the front
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of dress to waist
Skirt: 26" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# E657

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful red chiffon dress that has an overlay of the same chiffon fabric and that overlay is finished with a dramatic feather trim. The dress is made from two attached layers. The inner dress is more a sheath silhouette and is made of a layers of the chiffon, some interior fabric that gives it a slight bit of structure then it is lined. This construction of the interior also makes it opaque enough to wear. The outer layer is just a single layer of the chiffon so that you can see a bit of the shape of the body underneath. They are attached through the shoulders and upper bust. The outer layer also extends down into long slim cut sleeves that are also just a single layer of the chiffon. The top overlay layer floats to the floor over the inner dress to give it the feel of airiness and lightness and creating depth. It is trimmed with elaborate and dramatically dyed, matching red feathers. This is cut asymmetrically so that one side trails down farther then the other. Excellent condition

The inner dress is fully lined except for the upper shoulders and sleeves. The overlay is unlined. The dress closes with a back, hand set painted metal zipper and each cuff has a snap. The chiffon is a synthetic and I see no signs of excessive shedding of the feathers at all.

Shoulders: 15"
Sleeves: 22"
Inner bust: to 19.5" flat across from side seam to side seam
Inner waist: 16.5" flat across from side seam to side seam
Inner hips: to 22" flat across from side seam to side seam
Length of Inner layer: 56" from shoulder to hem, Shortest part of the overlay is 35" from the shoulder and longest point of the overlay is 59" from the shoulder

Modern Sizing Equivalent: MED-LRG

Item# E656

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful red silk chiffon dress by Bill Blass is absolutely stunning. It is also beautifully made and the closer you start to look at it the more you start to see the fine detailing on it. The work that would have gone into piecing this together with that weightless and fine silk chiffon is astounding. It is completely cut on the bias but also has defined seams so that you get the ease and movement of the bias cut through the skirt but with a slightly more fitted feel through the bodice. It slides over the body to define your curves but not in a tight or overtly fitted kind of way. The neckline is scooped and finished with a soft ruffle that ties in with the other ruffled parts of the dress. Each sleeve is capped and finished with that same ruffle. The bodice sits over an interior halter made of silk and this gives you a play on the transparency. The back buttons to close with a series of silk covered buttons. A piped tie of the same silk gives the waist a touch of added definition and below that the skirt falls to the floor in a cascade of ruffles. The skirt is made up of three tiers and each curves and scoops upwards at the front. This leave a bit of a slit under the ruffles. It also gives the ruffles a pretty cascading effect down the front. The ruffles circle all the way around the skirt on each tier and this gives a pretty detailing from the back view as well. Once on you feel like the silk is just floating around and over you and it is almost like wearing nothing at all. It is truly beautiful. Excellent condition

Fully lined in a second interior built in layer of the same, fine red silk chiffon as the exterior layer. It closes with a hidden back zipper and then the the buttons close over that. All hand finished. The color is absolutely fantastic - that perfect clear cherry red that flatters most skin tones. It is a touch more brighter, clearer red in person then how it photoed. It will drape to fit and the fabric does have some give due to the bias cut. Comes with its original piped tie belt made of the same silk

Shoulders: 13.5"
Interior bust: to 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Skirt: to 40" from waist to back hem

Modern Sizing equivalent: XS-SML

Item# DD3201

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love when I get versions of this dress in the shop and this one in this deep red burgundy color is extra special and the first time i have had or seen this color for this model. These were made in the 1980-1981 time period and I have included two ads from those years that show similar versions with the same gold belt at the waist. Versions of these Bill Tice pieces have been worn by countless celebrities for the red carpet and events. Lady Gaga wore a version, as have girls like Rachel Zoe & Nicole Richie and every girl that has bought one through me has absolutely loved it. It is just one of those fail-safe pieces that you know is going to work every time you put it on. It is also insanely sexy with that front cut to plunges almost to the waist. But even with that deep front it feels pretty secure once it is on the body because of how it is cut. The way it ties at the waist also allows you to control how deep the plunge sits once it's on. It is made of a liquid, slinky jersey that feels amazing on. This fabric has the added bonus of traveling very well. It is the kind of piece you can throw into your suit case and slip on upon arrival with either flats or heels and you are instantly ready to walk out the door. There is a high slit at one side that shows when you walk or sit and I love the belt. This is a Tice signature. It is attached and covered with a gold lurex on the topmost side. It is cut wide and then top stitched. This adds an instant dose of high glamour and also allows you to cinch in the shape as much as you want. Excellent condition.

Unlined and slips over the head to wear. It has elastic through the front part of the waist and ties with the attached gold belt. Very light padding in the shoulders. The easy fit and elastic waist should allow it to work on a variety of sizes.

Sleeves: approx 24"
Shoulders: no true defined seam as they are dropped
Bust: open
Waist: 15-17" flat across from side seam to side seam untied - you can cinch it in a lot from here if needed
Hips: to 28" flat across from side seam to side seam
Bodice: 16" from neck to waist
Skirt: 44.5" from waist to hem

Modern Sizing Equivalent: SML-XL

Item# DD3200

Reference Photos: (1) Bill Tice for Swirl Ad. Vogue US, September 1980.  /  (2) Bill Tice Ad. Vogue US, September 1981.  /  (3) Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci beach caftan is one of those iconic vintage items that is synonymous with the 1960s and that carefree, jet set life that Emilio Pucci and his clients often lived. Variations of this example were heavily featured in the display at the Fondazione Emilio Pucci, Palaxxo Pucci, in Florence. There, they were displayed and encased under glass so that you could see then from every angle and each felt like a sculpture. They are very rare and hard to find as most were worn them extensively and most did not survive intact and in great condition. This example is in wonderful condition and the colors are still bright and true.

The piece is made of a terry cloth, toweling velvet and is a stunning example of this classic piece of Pucci's work during this time period. It has no sleeves and is meant to be worn layered over something else, whether that be a bikini, shorts, another dress or a skirt. The possibilities are endless.It has a geometric print in a gorgeous ocean theme that combines green, purple, a turquoise aqua, black and white. It completely unzips and opens at the side along one seam that I have photoed. This makes it extremely versatile and allows it to slip over just about anything or be worn as a stand alone. The front neckline sits on a V and the sides are open right to the waist. The print is vivid and bright and it one of his signature designs. The fabric is also signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition with one small note to review below.

The body of the dress is unlined but it does have a fine cotton muslin interior border in a aqua blue hand stitched in place around all the edges. It closes with a hand placed metal zipper at the side that completely opens the dress. There is also a row of fabric covered, hand places snaps along the seam of one shoulder. Hand finished throughout. In person the color is more true and vibrant than how it photoed. There are two tiny smudges, one that you can see near the shoulder on the 8th photo and one on the back low hip that I photoed and it is shown in the final shot after the label photo. Both are extremely minor.

Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 55" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3197

Reference Photos: (1) Fondazione Emilio Pucci, Palaxxo Pucci, Florence. A display featuring terrycloth and cotton velvet capes in display cases in the Sala delle Muse. Photo: Santi Caleca/Emilio Pucci Archive, Florence.  /  (2) Photo by Henry Clarke, 1968.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely Bill Gibb set is from the turn of the 1970s and early on in his label's history. Gibb was one of the most influential and famous designers in 1970s Britain and his clothes were sought out and worn by the rich and famous. This two piece dress and jacket set is absolutely gorgeous and a wonderful example of his work.

The set consists of loose, swing cut jacket and a pinafore feeling dress that buttons up the back. The dress has straps that curve up and around the neck to cross over at the back. This leaves a nice low scoop to the back. The front has his signature bib finish and onto this front panel is an elaborate pattern embroidered onto the cotton. The cut swings out from there to be very full by the time it reaches the hem. It buttons up the back and opens completely when unbuttoned. The jacket is a work of art and is cut with high capped shoulders and is finished with a ribbed grosgrain ribbon down the front and around the hem.  It has no closures and is cut to be very full through the body. Big pleats run down the back to help accomplish this and to add design detail. The cuffs are incredible with working button and loops set on a backdrop of that same ribbon finish for an almost 'dandy' feel to them. The fabric is a soft gauze cotton that has little embroidered squares set over the surface as well as little boxes of tiny cut outs. Both pieces are fully lined in an ivory satin so you can't see all the way through the cut outs but they do add a wonderful bit of extra texture. This is a rare and absolutely wonderful set. Excellent condition.

Both pieces are fully lined in an ivory satin. The dress buttons to close at the back. The jacket has no closures. Note the set purposely has a soft, almost 'lived in' feel due to the fabric choice.

Jacket
Sleeves: 24"
Slightly inset shoulders: approx 14"
Bust: to 18" flat across from side seam to side seam
Waist-hips: open
Length: 28" from neck to hem

Dress
Bust: 16.5-17.5" flat across from side seam to side seam
Waist-hem: open
Length: 43" from shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD3196

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The label on this dress instantly gives us a date of between 1970-1974. 1970 was the year Janice Wainwright launched her own label and after 1974 her labels only carry her name, not the full ‘Janice Wainwright at Forty Seven Poland Street,’ that we see here. These four years are what has forever defined Janice and her work. She excelled at these embroidered pieces and the Art Deco & Nature inspired designs that she loved flourished and became one of her signatures.

This dress is a beauty. Her caftans and dresses by her during this time period and of this quality are among my very favorites of her work. As mentioned above, it has the added bonus of having the coveted, earliest Janice Wainwright at Forty Seven Poland Street label. The dress is made up of a black stretch jersey that is set on angles tiers so it feels like it spirals around the body. This gives it a loose and easy feel when you wear it even though underneath it is a little more fitted then how it appears. The sleeves are cut out from the shoulders with an almost caped effect that also gives them a touch of a kimono feel. To further highlight the upper portion of the shoulder and sleeves she has added her signature embroidery. Rows of color mixed with giant embroidered flowers runs extensively across the top of the dress. I love that the panels in between the resulting rectangles of embroidery have been finished with a sheer chiffon rather then the opaque jersey. This means that you get a touch of transparency over each arm and it breaks the black of the rest of the dress. The front and back is cut in a high V that the embroidery accentuates. The body of the dress under the tiers is a long sheath with no real defined waistline. Silver sequins, each placed and sewn by hand, highlight the design at the top for the perfect finish. It is beautiful. Excellent condition

The inner dress under the tiers acts as the lining. It slips over the head to wear. The fabric does have some stretch.

Sleeves: 16" approx.
Shoulders: no defined seam
Bust: to approx 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 55.5" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3193

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful dress by Yves Saint Laurent mixes a solid black velvet with a sheer black silk chiffon. It provides head to toe coverage but the sheerness and placement of the silk chiffon give it that twist of sensuality that runs through Yves' pieces. The mix of the fabrics also serves to highlight the lines of the dress and shape of the woman who wears it. The body of the dress, including the long fitted sleeves, is done in a soft, inky black velvet. The neckline is scooped at both the front and the back to offset the coverage everywhere else. It curves in at the waist and is seamed there so on the body the effect is even more brought in then how it appears on the dress form. The velvet then continues over the top of the hips and is cut to be fitted. This gives it a corseted, hourglass effect. Where the velvet and silk chiffon of the lower skirt meet is a wide 3.25" wide silk satin ribbon that again brings the shape in to follow the curves of the body. A bow details one side. Under that, the skirt falls to the floor in a generous sweep of fabric. It widens as it nears the floor with panels set horizontally to give it volume. As with many of Yves' pieces, showing them on a dress form really does it little justice. This is cut to work on a real girl's figure and is so much better on the body. There are parts of the skirt that are not perfect - please be sure to read the full condition notes below and review all provided photos. It is completely wearable as it is and is priced better then it would be if perfect. Excellent overall condition with notes regarding the skirt below.

The bodice is lined in a black hand set silk satin and the lower skirt is unlined. It closes with a back metal and nylon zipper. Each sleeve has a zipper at its cuff. Tagged a vintage YSL 38. There are three repairs to the skirt, all near the hem as well as some other small areas of thinning. I photoed each, and one shot also includes the largest area of thinning that is present. The three photos showing the flawed areas are shown after the label photo. The hem of the skirt does has a finishing stitched seam but is not turned up. It is very long so you could easily hem to the desired length if needed. When on the repairs are lost in the fold of the skirt so you do not notice them

Sleeves: 22"
Shoulders: approx 15"
Bust: to 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 18.5" across lowest seam at very top of hips, open under that
Bodice: 15" from shoulder to waist, 20 from waist seam to lowest seam of the ribbon under the hips
Skirt: 49" from waist seam to hem including the 29"velvet portion under the waist seam and to the bottom of the ribbon under the hips

Modern Sizing Equivalent: SML-MED

Item# DD3192

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very eye catching dress by Victor Costa.  The dress combines a soft black velvet with a dotted net fabric and I love these two fabrics work together. It has a princess length skirt that is quite full. This is created by placing the net fabric over an inner layer of black rayon taffeta. The volume primarily comes from the netting  and how that is been inserted in and around the waist seam. In real life it feels even fuller then how it photoed. You could also add a crinoline under the skirt if you really wanted to to get  even more fullness and more towards that fifties cupcake shape.  The bodice is a more fitted velvet that is lightly boned to give shape and structure to the bust. It is finished with a curved sweetheart neckline. Attached into this is the upper part of the bodice that is made of the same doted netting of the skirt but for this part of the dress it is left unlined. The sleeves are fabulous. Each is tremendously full and gathered for maximum volume. The final finishing touch is a sweet little bow fused into the netting that sits on the upper chest. It is a real little beauty. Excellent condition with one minor note to review below

The skirt has an inner lining of silky rayon taffeta  and the bodice is lined in the same. Light boning through the bodice and it closes with a back painted nylon and metal zipper with buttons above that to the neck. There is one tiny break in one layer only of the netting on the front right above the corner of the velvet bow. Please review the photo provided after the label shot

Sleeves: 18"
Shoulders: 15"
Bust: 16.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 19" from neck to slightly dropped waist
Skirt: 30" from slightly dropped waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3191

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The matching coat to this tunic can be found in The Met's collection and who knows - maybe the girl that buys this one might one day find a version for her own so that she has the complete set. This is also from the Haute Couture collection that year and is a remarkable example of his work during that time period. A piece of his work in this shade of pink and in this exemplary condition is a rare find.

This beautiful, sculptural, numbered Haute Couture tunic is stunning. If you are the right size and height you could also get away with wearing this as a micro mini. It actually sits a bit tiny on my dress form and I suspect that given the other piece in the collection that year that I could find photos of that it would have been worn as a mini over tights. The fabric is that classic Courreges thick textured wool jersey that despite its thickness is still light in weight and wearable. The slight texture to it and absolutely superb seaming details give the dress a rich, luxurious feel. Each curved seam and the soft but sculptural cut create a beautiful line that curves in at the waist with a flared hip. A half belt detailing anchors the back and is detailed by two large white buttons. Tow more buttons sit on the front of the tunic and it wraps over itself and buttons to close. Each button hole, including the back one which are both completely functional, are finished to couture standards. It has no collar and the front plunges quite low with a hidden hook along the neckline to hold it perfectly in place. Very chic and very couture in feel. Extremely collectible and rare. Excellent condition.

Fully lined in a hand set ivory silk. The tunic crosses over itself at the front and buttons to close. Has an extra button sewn inside. Hand finished throughout. The color is a slightly different shade of pink - and even better I think - than how it photoed. Looked to have been worn very little, if at all. Numbered D7079

Bust: 16" flat across the back from seam to seam
Waist: 14" flat across the back from seam to seam
Hips: 20" flat across the back from seam to seam
Length: 28" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3189

Reference Photo: Courreges Coat, 1967. From Fashion and Lace Museum Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful little dress and jacket set bears the Christian Dior New London label, making it a beautiful and early example of the Dior labels history. This is from the Spring of 1961, an important year in Dior's history as this would have been Marc Bohan's first collection for the house. The collection was called 'The Slim Look', and was noted as being a 'simple, young and streamlined style - his modern take on the New Look'. You can see a striking similarity to the design in the examples shown here from the Haute Couture collection from that same year. This set is from the Modele Original line which would have been custom made based on the Haute Couture presentation and special ordered through Harrods in this case. It is numbered and was made with many of the same high standard finishes that the Haute Couture pieces incorporated.

Bohan's inspiration for Spring 1961 was the 1920s. He underplayed the bust and dropped the waistline. Skirts had a slight flare and the jackets were soft and slouchy. It was a huge commercial success and a critical one as well. Here was have a set is made up of two pieces, an inner, sleeveless, dress with a soft cut jacket. Both pieces are made of a beautiful coarsely woven linen and silk mix that is just heavy enough to hold the shape but without adding any bulk or excess weight. In person the pink color is even richer and deeper then how it has photoed and is quite lovely. The cut of both pieces are wonderful. The dress is cut in a long sheath that gently flares out as it nears the hem. Slits are set on each side of the skirt so you get a bit of extra movement when you walk. It is sleeveless which is perfect for the warmer months and the waist is cut loose and easy. The front has a bibbed panel set over the inner dress. The detailing on it is remarkable - even though it is attached each of those buttons and button holes is 100% functional - though they serve no purpose in being so other then to have made the piece 100% properly. The neckline is a simple and collarless. The matching colored jacket sits over the dress and it too is kept simple but with immaculate seaming and top stitching creating the only detailing. It has no closures and is meant to sit softly on the body with little structure. It is beautiful and a remarkable example of his work during this pivotal collection for the house. Excellent overall condition with some minor notes below.

Both pieces are lined - the dress in a matching silk organza and the jacket in a hand set ivory silk. The dress closes with a back hand set painted metal zipper and the jacket has no closures. Hand finished throughout with silk covered seams in areas. The pockets on the jacket are functional. The pink color is deeper and much much better then how it photoed. Please note the following - the inner silk organza of the dress has some small tears and parts of it are missing through the upper bodice. It does not affect wearing it in anyway and rather then remove it I prefer to send as found. The jacket shows mild discoloration around the arms which does not go through - please review the photo provided after the shot of the label. There is the slightest grubbiness to the arms on the dress but very very minor and they would not photo even.

Jacket
Sleeves: 17.5"
Slightly dropped shoulders: 17"
Bust: 20" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Length: 20" from neck to hem

Dress
Bust: to 20" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 43" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3188

Reference Photos: (1) Model in Dior, Vogue, March 1961.  /  (2) Dior Haute Couture Presentation, Spring 1961.  /  (3) Dior 1961. Quotes from the book Dior Catwalk 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Versace dress is made to get attention. It has that nod to the sports factor with its netted sides and stretch Lycra fabric, but is otherwise pure Versace. It combines a light purple with highlights of black and white. The placement of the colors gives even more illusion of a curved figure even though the stretch fabric leaves little to chance anyway. I love how the panels curve around the body. The sides are a black net and the closer you get, the more you realize that you can see a glimpse of skin through the panels. The top is unusual in that the straps come up and out of both the black layer of fabric and the purple layer. They can actually sit lower down on a real shoulder for an interesting cut out feel. Excellent overall condition with one small note to review below

Unlined and zips at the back to close. It is tagged a 44. There is the slightest touch of very very faint changes to the purple parts. I photoed one spot (see the shot after the label photo) and you can see its so faint. It is almost not required to mention but as I turn it in the light I can see it very faintly here and there. I think I am being super picky and it may just be the nature of the fabric. Measurements list are the comfortable stretch laying flat. They should stretch a little more if needed once on an actual body.

Bust: 15.75 - 17,75" flat across from side seam to side seam
Waist: 14-15.5" flat across from side seam to side seam
Hips: 16-18.5" flat across from side seam to side seam
Length: 35" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3187

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very pretty little dress from the 1950s that is a bot unusual with its bright purple color. It is made out of a netted lace type fabric and the pattern forms flowers that cover the entire dress. I love the pattern it forms and the pretty secondary patterns created by being set so closely together. The top layer is also set over an inner purple lining and this gives it a bit of depth. The front neckline is set fairly straight across and the back scoops down as well. It is cut to fit and accent your curves in that very va-voom fifties kind of way. It's a true wiggle dress with no vent set into the skirt to help when you walk it actually narrows down as it reaches the hem. Excellent condition

Fully lined in purple rayon and closes with a back metal zipper. In person it is a more true primary purple tine then how it photoed.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 38" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# D608

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Liza Bruce started designing high end swimwear in 1982 and she was known for her use of Lycra which made her suits cling to the body. She soon added dresses into the mix and it is one of hers that Kate Moss famously wore in 1993 that was virtually see-through. She used as little seaming as possible in her suits and dresses and like her swimwear, the clothing she designed was meant to emphasize a girls curves. This dress is perfectly representative of that and is made from that stretch nylon and spandex fabric that will fit like a second skin. The print combines color and pattern beautifully. The neckline is scooped and the back scooped even deeper. This is a fabulous piece of eighties fashion in mint condition and that still feels modern now. Excellent condition 

Unlined and slips on to wear. Tagged a S and the fabric has stretch so should fit an XS-MED. Measurements show the comfortable stretch lying flat but it should stretch even a bit more if needed once on an actual body. Note the base color is more a purple tone then the blue it photoed as.

Bust: 14-18" flat across from side seam to side seam
Waist: 11-13" flat across from side seam to side seam
Hips: 14-18" flat across from side seam to side seam
Length: 32.5" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD3186

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful Ossie dress features a mix of two of Celia Birtwell's prints. A pretty floral design is mixed with her iconic pineapple print that runs over the entire dress. Both are screened onto a crepe chiffon, a fabric choice that holds the color exceptionally well so it still feels crisp. In the book 'Celia Birtwell', Ceila notes that the pineapple print was: "influenced by '30s day dresses. I like ladylike, small prints, ones worn by women of a certain age." The influence of the thirties is also evident in the cut of the dress. It is cut on the bias and this give the fabric the room to move and drape as Ossie wished. When it is on the body the bias cut gives the dress movement and allows it to move with you. The skirt is constructed from two tiers of fabric that are layered over each other. Each tier flares out to give it a swing feel. I love the contrast of the prints together too. The dress skims up and over the waist, ending at a high set triangle of the opposite print that anchors the plunging bodice. Each shoulder has a keyhole of bare skin exposed with a tie at the top of the shoulder. Adjusting these ties allows you to decide how low on the shoulder it will sit. The back is left entirely open along a long slit that simply ties to close in two places. Excellent condition with one small note to review below.

The inner skirt acts as the lining there and the cups of the bodice are lined in a red silky rayon. It slips on to wear and closes with ties at the shoulders and two more at the back. There are some small tears to the lining of the bodice that do not go through to the exterior. I have photoed the area. All are stable and you see nothing once on. Tagged a vintage Ossie UK 14

Sleeves: approx 15"
Shoulders: no defined seams
Bust: 17-18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: open
Bodice: 11" from neck to waist
Skirt: 32" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD1315

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress has lots of those fabulous eighties elements mixed with classic Oscar touches that make it timeless. This really feels like it could be from the runways of today when we look at the handful of designers that are really delving into this look and feel. This one is of course an original eighties piece and in the best possible way. The main body of the dress is cut to hug the body like a second skin. The fabric here has been gathered from the neckline to the hem in soft drapes that meet at the inset front and back seams for added texture. Velvet straps curve over the shoulders and at the back there is matching band of velvet that runs down the center of the back. This velvet band is then accented with a series of flower shaped buttons detailed with crystal rhinestones to catch the light. At the very back hem there is a sexy little flounce of lace added for the perfect finishing touch. This one is for my smaller frames girls and is a tiny one. It would not fit my dress forms and has been photoed flat so on an actual body it will of course have more shape. Excellent condition.

Fully lined with a black silky rayon and closes with a back zipper. Hand finishes. The buttons are decorative only.

Bust: 15.5" flat across from side seam to side seam
Waist: 11.5-12" flat across from side seam to side seam
Hips: 16-17" flat across from side seam to side seam
Length: 36" from shoulder to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3181

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.