The Dior Resort 2012 collection was focused on pieces that would travel from the city to holiday. The twin of this dress was Look 11 in the collection. Vogue said of the collection that; 'That blue (used in another piece, along with coral, helped create a summer-in-Portofino vibe. If a resort could claim royalties for atmosphere theft, Portofino would surely be that place this season, and Slim Aarons could stake a claim too, because his photographs of the monied at play have been equally influential.' ...they continued to mention the crochet pieces specifically saying 'Maybe that accounted for the sixties flavor, not just in those Liz Taylor-worthy caftans and a handful of crocheted hostess gowns'. To me this was one of the best pieces of the collection and certainly one of the prettiest.

This dress is just a stunning testament to the work that house of Dior does. It is out of a dyed cotton and entirely hand crocheted. This actually gives some weight to the fabric but the cut makes it feel perfectly balanced once on the body. The colours are extraordinary. They combine a natural un-dyed cotton with a bright coral tangerine and a strong bright pink. The crochet work has several different weights to it in terms of the pattern and these helped form the design that runs over the dress. The colours are used to further emphasize the pattern. Most of the weave has an open effect so that you catch a glimpse of bare skin underneath or the colour of whatever you choose to wear underneath. The neckline is high and I love the feather feeling pattern that runs around its base and over the shoulders. The opening for the arms are cut on an angle down from there. The pattern switches to horizontal bands over the bust and then the rest of the dress falls from under that to the hem. A large diamond pattern covers the main body of the dress and then around the hem it switches back to a more horizontal feel where you have a more elongated diamond design. I love the little Dior embossed button at the back of the neck. With Dior it is always these little details that are wonderful to see. The dress is absolutely gorgeous and a vacation or summer must have. It looks to have been worn very little if at all. Excellent condition

Unlined and slips on to wear with a button above a keyhole at the back of the neck. It looks to have been worn very little if at all. Tagged a small. The knit does have some stretch and I have done the measurements at their a comfortable range laying flat.

Bust: 14-16.6" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: 16-23" flat across from side seam to side seam
Length: 59" from top of neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4219

Reference Photo: Resort 2012 Christian Dior Look 11, Model Alexandra Tretter.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the runway as Look 38 for the 2018 resort season. The show was held in the remote Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California. The show was star packed with Rihanna, Charlize Theron and Solange Knowles there alongside the fashion pack. The inspiration for the show came from the archives and Chiuri said 'she went to the archives, where she came across the house founder’s Lascaux collection of 1951, inspired by the ancient cave paintings discovered in southwestern France a decade earlier.' This dress to me also harkened back to  the earlier Galliano era and the times that he did knits in a similar colurway. It was a favorite of the street style crowd and it is a gorgeous little creation. I believe that I read at the time these were all hand knit.

The dress is easy to wear and makes a huge visual impact that I love. It is made of a knit virgin wool that is light and feels fantastic once on the body. I love the horizontal stripes of colour that were meant to depict desert sunsets. The weave is loose and open so that you will see either your bare skin underneath or whatever you decide to wear underneath it. It is cut to skim over the body. The neckline is a wide boat neck and then it travels down over the bust, waist and hips, opening up to be quite flared as it reaches the hem. You can see in the reference video that this flare allows the dress to kick out around you when you move. The sleeves are cut to just above the elbow and they are finished with hand knotted yarn tassels in black. These circle the cuffs for pretty detail. These same hand-tied tassels are also set all the way around the hem for added movement there as well. It is just gorgeous. It appears to have been worn very little if at all. Excellent condition

Unlined and slips over the head to wear with no closures. It looks to have been worn very little if at all. Tagged a US4, GB8, FR36, IT40. The knit has considerable stretch. I have put the comfortable range of measurements lying flat and there may be a little bit of room beyond that once on the actual body

Sleeves: approx 15" and are 7-13" around the upper arm and is 12-14" around the cuff above the 2" fringes
Shoulders: no defined seam
Bust: 13-17.5" flat across from side seam to side seam
Waist: 14-18" flat across from side seam to side seam
Hips: 17-25" flat across from side seam to side seam
Length: 54" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4218

Reference Photos/Video: (1-3) Resort 2018 Christian Dior Look 38, Model Zuzu Tadeushuk.  /  (4-7) Sofie Valkiers in Dior at Paris Fashion Week 2017.  /  (8) credit unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was one of the best dresses from the Spring 2017 collection. It instantly sold out and was photoed on everyone lucky enough to get their hands on one. Its twin walked the runway and Ellie Goulding wore hers to Cannes. “Everyday femininity” was the main inspiration behind the collection and Vogue noted that the usual pant loving Marant; "..admitted that she’d been feeling the idea of dresses more than usual, and the best of the lot were as romantic and flirty as the designer gets: replete with ruffles, covered in Liberty London-style floral prints, and finished with the billowing statement sleeves we’ve seen all over the runways for Spring." This was Look 29 on the runway and one of the best of those dresses.

The dress is in mint condition and was never worn. It still has that crisp, just off the rack feel. It is the perfect easy little summer dress and still feels relevant and fresh. It is made out of a crisp cotton mix covered with a fabulous print that has a strong pops of blue running through it. I love the crispness of the fabric. It is what allows the dress to hold it shape once on. The dress is cut to skim over the bodice and dips down on one side to leave your shoulder and arm completely bare. On the other side there is a dramatic ruffle that starts at the neckline, circles around the shoulder and then trails all the way to the hem at the back. The waist is seamed and the skirt has the illusion of being wrapped in place around you. I love how the hem curves up on the side to play into that wrapped feel. The bottom of the hem is finished with a 6 inch ruffle and this lets it flare out and away from you. The dress comes with a matching tie belt so you can cinch in the waist and I've seen this dress worn with a variety of other belts that really change up the look of the dress. Excellent condition.

Unlined and closes with a hidden set side zipper. Tagged a modern 40. It was never worn and is new without tags

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 32" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4215

Reference Photos/Video: (1-3) Spring 2017 Isabel Marant Runway, Look 29. Model: Yasmin Wijnaldum.  /  (4-5) Ellie Goulding at Cannes Lions Entertainment in France, June 2017.  /  (6) Spring 2017 Isabel Marant Matches Fashion Lookbook.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

On the designer site the description of Cecilie's work says is  best; 'Cecilie Bahnsen operates at the intersection of couture and ready-to-wear to create luxury clothing with a relaxed, timeless style. Celebrating the traditions of fine French fashion and the design culture of Scandinavia, the collections combine craftsmanship and details with architectural volumes and sculptural silhouettes to offer a contemporary take on femininity. Unique fabrics are hand-designed each season by founder and LVMH Prize finalist Cecilie Bahnsen, a Copenhagen native who returned to her home town to found her eponymous label in 2015 after studying at the Royal College of Art in London and working with couture houses in Paris.' A version in a white quilted fabric walk the runway for Fall 2019, Look 26 and it was also released in black of which we found many reference photos of it. It is my understanding from my client that a very limited amount were made in the ivory silk faille that I have today. It is stunning in this fabric and colour.

This particular shape is part of her core aesthetic and what catapulted her to fame. These voluminous baby doll dresses are a signature and this one is stunning. These are dresses that you can wear flat boots with and stomp about and then with your next wear you could add your highest heels, pile on the jewellery and be as 'ladylike' as you could possibly be. It would also make a wonderful wedding piece for a bride looking for something nontraditional or as a piece worn to one of the events surrounding a wedding weekend. The fabric is a synthetic that feels and looks like a silk taffeta. It has a lot of volume while staying as light as air. The neckline is squared off and the sleeves are big and poufed. The dress falls in three tiers. The first lays flat across the bust and then the two under that widen out significantly for that baby doll look. At the back the waste dips down on a pretty curve and panels come across the back above that and tie into place with wide black velvet ribbons. This leaves a peek-a-boo effect of bare skin behind the ribbons and panels. The back of the dip sounds slightly lower than the front and the effect is just romantic and pretty and whimsical. Her dresses are high fancy and this gorgeous ivory one is no exception. Excellent condition.

Behind the bust is lined in a ivory silk and the rest of the dress is unlined. It zips to close at the side with a hidden set zipper. The black velvet ribbons tie the back into place. Tagged a UK6 US2. It looks to have been worn very little if at all.

Bust: the front panel is 15" flat across from side seam to side seam but the adjustable back allows you to adjust it by quite a bit up from there
Waist: the front waist seam is 13" flat across from side seam to side seam but the dipped back allows you to adjust it a bit up from there and it would just lie less dipped. The total room is 30" around bit it is meant to dip a bit
Hips: open
Bodice: 11" from top of shoulder to seam under the bust
Skirt: 25.5" from seam under the bust to front hem, 30" to the back em

Modern Sizing Equivalent: XS-SML

Item# DD4213

Reference Photos: (1) Fall 2019 Cecilie Bahnsen Runway, Look 26.  /  (2-5) Various on-model shots. Credits unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the easiest dress to wear and it was never worn so it is in perfect condition. It is the perfect little dress that translate seasons and will work all year round. Its classic lines keep it feeling relevant and fresh. It is made out of a soft black fabric that drapes beautifully. It is both top stitched and has a open chain stitch technique to piece the various parts of the pattern together. When you wear it you actually get little glimpses of skin through the chain stitches. The cut is loose and easy. It skims over the bodice and the waist and then the skirt flares it from there. I love how the sleeves are short and capped and the soft detail on the shoulders. So sweet. Excellent condition.

The bodice is unlined and the skirt has a chiffon inner skirt. It closes with a hidden set back zipper. The shoulders have light padding. Tagged a modern 42. The easy cut should fit a range of sizes

Bust: to 20" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 35" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD4206

Reference Photos: Fall 2015 Isabel Marant Runway, Looks 16 & 33.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of my favorite pieces from the Spring 2015 Saint Laurent runway. At this point Hedi Slimane was the creative director since joining in 2012. He would depart in 2016 but at this point his future still seemed firm. The collection was short and sexy. Vogue's review of the show ended by saying "this collection straddled Slimane's worlds: L.A. groupies in Paris couture. You know he gets off on that idea. He's not the only one. The energy was contagious tonight. "I was having an orgasm," we overheard a model-slash-writer pronounce on her way out the door." The runway version was deeper cut at the front but that did not stop this version being seen everywhere after. We found multiple photos of being worn by the 'It' girls of the time and it still feels as fresh and sexy now as it did then. I love it.

This dress is so easy to wear and so flattering. It just slips on, zips at the back and drapes and falls into place. The front falls into a fairly deep V and then the fabric is gathered in towards the center at the base of that V. This gives you shape without being tight and fitted. Just Kim over you in the most flattering of ways and you can see by all of the added reference photos how gorgeous it is once on. From the waist that flares out into the swingy sexy flirty little skirt. The skirt is cut to be short and the fabric is so light that it feels a little scandalous when it's on the body but it does cover you. The sleeves have that classic slight balloon feel to them and pouf out of above their buttoned cuffs. The red is the perfect red that will flatter most skin tones and those white dots that cover the silk just make the dress feel joyful. It's that perfect mix between girl next door innocence and sexiness. It's one of my favourite dresses from the time that Hedi was the Creative Director. It looks to have been worn very little if at all. Excellent condition

Fully lined in a red silk and closes at thew back with a hidden set zipper. Each cuff buttons to close with silk covered buttons. Tagged a 42. Appears to have never been worn or worn very little

Sleeves: 23.5"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 34" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD4196

Reference Photos: (1) Spring 2015 Saint Laurent Runway, Look 28. Model: Kiki Willems.  /  (2) Anna Ewers, in Saint Laurent, by Norman Jean Roy for Harpers Bazaar, May 2015.  /  (3) Natalie Joos, in Saint Laurent, & Giovanna Battaglia at the Laure Heriard Dubreuil Pop Up Shop at the Ritz Paris, July 2016.  /  (4) Christina Aguilera in Saint Laurent, May 2015.  /  (5) Marie-Pier Morin in Saint Laurent for Loulou Magazine.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous dress from Alexander McQueen. It is from his Spring 2010 collection and it is a one of the original variations of a dress that they still make to this day. Julianne Hough recently wore a black version from my archives and I have included some shots of her so you can get an idea of how amazing it is on the body. The one that she wore was from a later collection released under the creative direction of Sarah Burton but it was based on the dresses released from this original 2010 collection. I have two versions of this dress in the shop from this season at the moment, you can find the other one here. This is basically the printed version of the one that Julianne wore. It is a fantastic example of his work. I love it

The dress is made from a printed silk chiffon that is covered with one of his signature intricate designs. Prince a trailing design of leaves and flowers that float over the dress and follow the amazing draping that the dress has. It is strapless with a built-in inner cupped bodice that gives you support and holds the dress in place. The cups are shaped and these cups are one of the things that you see that is different from the later versions of this dress. These earlier piece have distinctively shaped cups The seams in the inner cups are exaggerated and this gives them this beautiful curving angle shape at the sides and peak at the front. The silk that drapes over that is all cut on the bias. The dress glides over the inner structure and falls in column to the skirt. The silk is gathered in towards the center of the front and the back so that there is more draping there and then it fall in draping curves down the sides. The choice of silk chiffon for this one gives it a lighter than air feel and as you move the silk billows and floats around you. It also creates this incredible movement when you walk. The dress is original supermodel length and looks to have been worn very little if at all. It is spectacularly beautiful.Excellent condition

Fully lined in a black bias cut silk and has a built in cupped corset. The inner corset closes with its own zipper and the dress zips to close over that with a hidden set zipper. Tagged a McQueen 44. The inner corset has some stretch. You could have the inner corset adjusted if you needed more or less room. Buttons on the inner bodice to add straps if you wanted. 

Bust: to 18" flat across from side seam to side seam with a B-C cup
Inner corset waist: 13-16" flat across from side seam to side seam
Inner hips: to 24" flat across from side seam to side seam
Length: 64" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD4181

Reference Photos: Julianne Hough in Alexander McQueen from the Shrimpton Couture Archives for the Vanity Fair Oscars Party, 2022.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

As with so many of Pheobe's pieces for Celine, this dress was very well documented and photoed when it came out for the Pre-fall 2018 collection. It is instantly recognizable as being Phoebe's work and is one of her more iconic looks. When I started to hunt for references for it I found all the ones that are here, plus there are probably more out there. It was a definite favorite among the fashion set and was a regular look in do many street style shots of the day. All of Phoebe Philo's pieces for Celine have reached cult status and the prices are just continuing to rise. Her work is a must have for the vintage collector and this is a particularly hard to find dress that is rare and collectible.

This is one of the easiest dresses to wear that has ever existed. You just slip it over the head and then adjust the shape around the waist with the tie belt and walk out the door. That tie belt allows you to wear it low and loose or you can cinch it in and wear it higher up on the waist and have the top blouse over. The jersey is fantastic quality and is covered in that iconic python / boa snakeskin print. The neckline is high with a collar that is notched at the back so that it sits out from the neck a bit. It is yoked across the front shoulders and then it falls loose and easy over the body. The body of the dress has yards and yards of fabric in it. The sleeves are equally as voluminous and they come out from the waist area and narrow down to buttoned cuffed wrists. Tons of subtle details like a strap that extend from the shoulder of each sleeve, and french finished outer seams that add weight and keep the lines of the dress in place even with all that volume. And it has pockets. This is the genius of Phoebe where she manages to have something be so perfectly simple and easy and yet have so much drama at the same time. I love it. It appears to have never been worn or worn very little. Excellent condition 

Unlined and slips on to wear with a short hidden set zipper at the back of the neck. Original tie belt included. Tagged a 42 but very generous in cut. It appears to have been worn very little if at all. It should fit a wide range of sizes as long as the neck works.

Sleeves: approx 31" and meant to scrunch up on the arm once on
Shoulders: no true defined seam
Bust - hips: to 40" flat across from side seam to side seam
Length: 52" from neck to hem
Neck: 19" around

Modern Sizing Equivalent: OSFA

Item# DD4180

Reference Photos: (1) Pre-Fall 2018 Celine Collection, Look 45. / (2-6) credits unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Attico brand was founded by street-style stars Gilda Ambrosio and Giorgia Tordini and the line has a vintage vibe to it that I love. This dress is from the Spring 2018 collection entitled 'Bellissima'. Co-founder Giorgia Tordini  said that it was loosely inspired by Luchino Visconti’s filmic feminine vision and that the collection was supposed to be 'romantic and dramatic.' As with most of their collections, especially the early ones, it is very vintage inspired and you can see the 1940s inspiration with this dress. This may have been the prettiest one of the collection and it is the twin of the runway presentation dress. It is also new with tags.

This dress is just phenomenally pretty. It is made out of a light semi-sheer silk chiffon that has a touch of texture to it. All of the seam edges are raw. This leaves a deliberate fraying that runs along all of the seams that act as detailing on the upper part of the dress. It dips into a deep V at the front and the sleeves are capped and poufed. The dress is cut to skim over you and has curved seams and ruched gatherings reminiscent of the way that pieces where made in the 1930s and 1940s. Under that the skirt flares out and there's quite a bit of fabric in it that will billow out around you when you move. A panel runs down the center of the skirt and it is purposefully set so it's a little bit longer and has a very vintage feel to it. The dress closes down the side with a series of hidden set buttons. Another nod to the 1930s and 40s in feel. What is definitely not something from an earlier time period is the color. It has been dyed in a dramatic tropical sunset feel. It begins with a yellow at the top and then softens to coral tones in the middle and then slowly changes to pinks. The very bottom of the skirt is a bright in vivid pink and it is stunningly gorgeous. It is meant to be semi transparent and you can either go with something nude underneath to be full on daring or add a slip in almost any colour to give it different looks. The dress has all its original tags attached and was never worn. Excellent condition

Unlined and closes with hidden set buttons at the side. Tagged a modern 40. New will tags and never worn. The easy cut should allow it to fit a range of sizes.

Slightly inset shoulders: 13"
Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Length: 60" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4176

Reference Photo: Spring 2018 Attico Collection, Look 5.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I think at this point in time everyone pretty much recognizes certain Celine pieces from the Phoebe Philo days and this fringed black dress is one of those iconic looks. This was Look 15 in the Fall 2017 show and was one of two looks in the show that had this fringing detail. The second was for look eight where she wrapped a fringed scarf under a long jacket and over pants. When the collection went to production they also made a dress with sleeves that had this same fringe at the bottom. This one I have today is the twin of the one that was shown on the runway. On the runway they styled it with an added ivory under skirt that peaked out below the fringe. Without that under piece you will see a flash of skin through the fringe as you walk. This show is interesting to research as it is the second show after the Pre-Fall one where Phoebe went completely silent. She once again offered no press quotes, gave no background on her inspiration and was not present at the press previews. It drove the press mad and reviews that you can find online for this time period make that quite clear... but her loyal fans loved here even more for it. Her work has spoken for itself ever since and still garners the same devotion from her fans if not more.

This is such a beautiful dress. You just slip the halter neck part over your head, zip it to close at the back and walk out the door. It is in a black fabric that has some slight weight to it so it holds the shape very well. The neckline is slightly asymmetrical where it slips over your head and at the back of the collar it's notched so that it sits comfortably on the back of your neck. It skimmed down and over your body widening out as it nears the bottom seam before the fringe. At the back it's zippers to the side to follow a seam set there. The back is scooped and open and it is also cut on a slight asymmetrical curve. These are the small little things that people love about her designs. She has these little details that are so subtle but they have this wit and quirkiness and work perfectly to give her pieces that signature Phoebe vibe. The dress falls loose and easy over the body and then is that killer fringed bottom. The fringe that you usually see on things is almost always a braided cord but for this dress it is actually done with an ultra a fine black thread. Hundreds of thousands of threads are attached all around the bottom and they are so fine and light that they give it is incredible movement. They are also amazingly soft in feel. There is a tactile sensation that you just don't get with the fringe out there that you usually see on pieces. And it has pockets. This is the genius of Phoebe where she manages to have something be so perfectly simple and easy and yet have so much drama at the same time. I love it. Excellent condition 

Unlined and slips on to wear with a hidden set zipper set offside at the back. Tagged a Celine 38. Pockets hidden along each hip. It appears to have been worn very little if at all.

Bust: 16" flat across with no true side seams
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: approx 62" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4159

Reference Photos: Fall 2017 Celine Runway, Look 15. Model: Birgit Kos.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Dsquared2 brand was started by Dean and Dan Canten, identical twins born in Canada. In 1991, the brothers moved to Milan where they worked as designers for the house of Gianni Versace. They also had a short stint as designers with the Diesel brand. In 1995 they launched the Dsquared2 label. This is a more recent piece and it is gorgeous. It manages to be both sleek and simple and yet complete drama at the same time. It is gorgeous

The black jersey this dress is made of is the perfect choice for it to fall and drape perfectly once on the body. The fabric has just enough weight so that the drape down the front is perfectly executed, but it is still light enough to feel extremely comfortable once on the body. The simple yet dramatic cut has that nod back to the glamour days of Hollywood. Straps made from the  same fabric extends from the center of the bust and curve up and around the neck. They twist at the front with a little keyhole underneath that gives a glimpse of bare skin. There are two tiny straps that extend out from that twist that wrap around you and secure tot he back of the dress to help keep it in place. From there the dress drapes down and around you in this supermodel long sheath of jersey. It skims over the body and slightly flares out at the hem. Added to this as that dramatic attached cape. It is actually attached and a part of that front twist. There is a opening that you slip your head through and then it drapes down into this fabulously dramatic cape down the back. You can wear it draped over the shoulder or more as a panel behind you. It will catch the air when you move and billows around you fantastically. It is simple, sexy and perfect. It looks to have never been worn. Excellent condition

Unlined and closes with a back hidden set zipper that disappears under the caped back once on. Tagged a XS. The fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat. 

Bust: 15-17" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Length: approx 70" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4122

Reference Photo: credit unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible dress that is the twin of the dress that was Look 5 from the Christian Dior Pre-Fall 2011 collection. This collection was shot as a lookbook which gives you an amazing glimpse into his styling process. At the time Dior said this of John's collection: ”Dior’s Fall ready-to-wear collection takes its inspiration from the legendary love affair between Mrs. Wallis Simpson and Edward VIII. English romanticism is channeled into Balmoral fringed tweeds and candy-coloured tartans with Prince of Wales checks. Ultimate luxury and expertise create evening glamour in elegant draped gowns and head to toe sequins to ensure that every head is turned.” Vogue commented that: "John Galliano galloped the Duchess of Windsor through This Is Your Life, with richly hued musings on what Wallis Simpson in her prime might've worn at specific times of day and across the decades." For the lookbook the Dior team took these pieces and styled them in lavish settings to play on this theme making them feel thoroughly Galliano. This was one of the best pieces of the collection and I love having the photo reference from that lookbook so that you can see just how creative it can go styling wise. This was John's second last collection for the house before being dismissed and his last where he was present for its presentation.

The dress is a play on a flapper dress with a soft tartan inspired check blown up to be oversized and then softened with more pastel coloured version of red and blue. It is printed on a silk chiffon to further soften the feel of the print and give it a romantic vintage feel. The dress has the same long lines as a flapper dress but with a far more sexual twist. It can be worn longer and more straight on the body or you can hike it up to be super short and have that incredible top blouse over as I have done in the majority of these shots. The front is plunged right to the waist and then crossed over itself at the base where it meets the seam. I photoed one front, side and back shot with the dress fully extended down so you can see the full lines of it. The triangles of the two bust pieces extend up and around the neck where it ties into place leaving the tie to trail down your back. The back is left completely bare and it is scooped open right to the waist where is blouses out slightly. It is meant to convey the decadence and abandonment of the twenties with the feeling that with the slightest movement you will fall out of the dress. Yet it has a genius cut so that you are covered. A band of silk gathers and wraps around you at the top of the hip and this is what allows you to pull the dress higher or lower on your hips. The skirt falls under that in a flaring flirty bit of fabric that has tremendous movement. I love that he still worked in his signature tightly spaced silk covered buttons down one side and how there is a little bow at the top of the skirt on each hip. These little details are always what makes a Galliano designed piece that much more special. The last detail is the green and red lace that edges the dress. It has been stiffened and has deliberate raw edges to further play on that feel of the dress being a piece from the past. It is laid out over a band of ivory velvet and this last little touch ties everything perfectly together. It appears to have been worn very little if at all. Excellent condition with a minor note below

Fully lined in a fine pink-salmon coloured silk. It closes with the buttons down the side and ties around the back of the neck. At some point someone added a snap under the front where it crosses to make it a little more secure. I have left it but it could easily be removed if you wished. I see a bit of residue on the lining of one halter where a double sided tape was used. Tagged a Dior F 36, GB 8, IT 40, US 4. Note that this was very difficult to measure and depending on where you want the band to sit it should fit a range of sizes

Bust: no true side seam and each halter will easily cover a full range of cup sizes
Waist/top of hip at seam: 17" flat across from side seam to side seam and expanding to 17.5 at the bottom seam of the band
Bodice: to approx 21" from top of bodice to top seam of the waist/top of hip
Band: 4"
Skirt: 14" from waist to longest points of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4036

Reference Photo: Pre-Fall 2011 Christian Dior, Look 5. Model: Alina Baikova.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous dress from Alexander McQueen. It is from his Spring 2010 collection and it is a one of the original variations of a dress that they still make to this day. Julianne Hough recently wore a black version from my archives and I have included some shots of her so you can get an idea of how amazing it is on the body. The one that she wore was from a later collection released under the creative direction of Sarah Burton but it was based on the dresses released from this original 2010 collection. I have two versions of this dress in the shop from this season at the moment, you can find the other one here. It’s a spectacular example of his work and it is still brand new with its original tags. It is like finding a time capsule piece.

The dress is made from a floral printed silk crepe that has an explosion of flowers in a variety of pale pastels covering the entire dress. It is strapless with a built-in inner cupped bodice that gives you support and holds the dress in place. The cups are shaped and these cups are one of the things that you see that is different from the later versions of this dress. In this version the cups are shaped almost like a 1950s bullet bra. The seams in the inner cups are exaggerated and this gives them this beautiful curving angle shape at the sides and peak at the front. The silk is all bias cut. The dress glides over the inner structure and falls in column to the skirt. The waist is just a suggestion created by the seaming and it skims over the hips. At the hem you see one of the biggest differences between this dress and later versions. He has gathered the hem up and underneath so that it is sewn to the inner lining. This gives it a slight bubble effect. It is also slightly twisted so that it narrows in around you at the hem. However, the fullness of the skirt is still there so that you are able to walk with ease. It is quite genius. It also creates this incredible movement when you walk and has the added bonus of always immediately going back to that long lean line. The print that covers the dress is spectacular. It is a beautiful and romantic floral print done in dreamy shades of blue-greys, pale purples, pinks and blue. It has its original tags attached and was never worn. It also comes with a detachable pair of matching straps if you don't wish to go fully strapless. Excellent condition

Fully lined in an ivory silk and has a built in cupped corset. The inner corset closes with its own zipper and the dress zips to close over that with a hidden set zipper. Tagged a McQueen 42. It has its original hang tag still attached. The inner corset has some stretch. You could have the inner corset adjusted if you needed more or less room.

Bust: to 17" flat across from side seam to side seam with a B-C cup
Inner corset waist: 13-16" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 60" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3998

Reference Photos: Julianne Hough in Alexander McQueen from the Shrimpton Couture Archives for the Vanity Fair Oscars Party, 2022.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This spectacular Alexander McQueen dress is from the Pre-fall 2016 collection. The presentation version was far more elaborate but I think I prefer this one. It allows you to really see the pattern on the lace and I think can be worn to more functions with its simpler more versatile feel. Vogue's Sarah Mower said in part of this collection; 'There’s a sensuous glamour emerging through Pre-Fall which seems to be hovering somewhere around the ’30s or ’40s. Sarah Burton has pinned it to a theme she called “thinking about a woman’s obsession with the possessions she treasures, like her jewelry and makeup, and the things she collects.” This Pre-Fall character is a properly elegant woman, with red lipstick and a penchant for feather chubbies and velvet ankle-strap platforms, who might reach into her extensive wardrobe and choose between any number of fragile, dramatic gowns for an evening out.' and the lace butterfly dresses were mentioned specifically; 'Well, it’s a delight when fashion can make you fantasize for a moment. Yet the fact is that Sarah Burton has steered this collection gently away from too much stylization. “It's quite feminine, and unconstructed,” is the way she puts it. The patterns of lipsticks, Fabergé eggs, butterflies, birds, and the McQueen skull motif appear as prints on silk dresses and on coats, as well as on the show-stopping embroidered sheer gowns.'

The dress is almost startling in its beauty. It is made from an inner taupey nude silk that acts as the backdrop for the black net lace that sits over it. This allows you to fully appreciate the pattern that is worked through the lace. From a distance it acts as an illusion that you are bare under the lace. The lace itself has large butterflies worked through it that are beautiful. Every line of the dress is perfection. It falls from the shoulder to follow the curve of your body. Seams worked through the dress create the shape that you see but they have taken great care to line up the pattern of the lace along each seam so that your eye is not broken and the pattern remains true as it trails across the dress. From the waist is falls in one long sheath to the floor widening out gently as it reaches the hem. At the back it has a large curved cut out that leaves you entire back bare and exposed. So when you walk away it has a very sensual and sexy feel. The sleeves are the final touch and they are fantastic. Each is unlined so that you see bare skin through the lace. They are cut high and peaked at the top of the shoulder with a little bit of tulle at the inner edge to hold their shape. It is spectacular and a wonderful example of Sarah's earlier work. It is a wonderful dress now and will be a collectible in the future. Excellent condition

Fully lined in silk as described above and closes with a low set hidden zipper at the back. Three button and loops behind the neck. Each cuff zippers to close. Tagged a modern McQueen 42. 

Sleeves: 25"
Inset shoulders: 13" with natural shoulders approx 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 58" from neck to hem
Neck: 14" around

Modern Sizing Equivalent: SML-MED

Item# DD3964

Reference Photo: Pre-Fall 2016 Alexander McQueen Collection, Look 33.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When this Balmain debuted it was sold exclusively through Farfetch. That means that very few were produced and it was a very hard dress to get. It immediately sold out and there as only one production run released which has made it a very rare dress to find.  'Welcome to my jungle' said Olivier Rousteing to Vogue that season and went on to say that this was his most personal collection ever. It's twin was worn by supermodel Karlie Kloss to the Balmain after party that season which give you an amazing glimpse of how it looks like once on. It is a very special piece and I love it.

The dress is made from a leopard print silk jersey that is cut supermodel long. The fabric has some weight to it because of the sheer amount of it that there is and this helps to keep the drape and flow of the skirt perfectly in place once on the body. It is cut in a high set halterneck at the front and the fabric there is gathered in vertical folds so that it skims over you. A wide band of black curves around the neck and then down the sides. At the waist it forms a criss cross pattern around the waist that curves around to the sides. At the side of the waist between the black the fabric is again gathered in for detailing. The black bands gives the illusion of a waist cinching corset belt and draws the eye while highlighting the curves between the bodice and that amazing skirt. At the back the dress closes at the nape of the neck with two snaps and both are topped on the exterior of the strap with a gold raised lion head. It scoops into a low curve under that to leave your entire upper back bare. The signature chunky, exposed Balmain zipper sits low at the back. The skirt falls to the floor from there and there are yards and yards of fabric in it. The hem is cut longer at the back so that you have a bit of a train and at the center of the front it is split to the thigh. So when you walk you have this flash of leg showing and when you walk away it is equally as dramatic. It is amazing. It was never worn and is like new. Excellent condition

The dress has a full black stretch jersey inner lining. It closes at the back of the neck with snaps and at the low back waist with a zipper. Tagged a modern Balmain 42.

Bust: to 18" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Bodice: approx 16 " from top of bodice to waist
Skirt: 48" from waist to shortest part of the front hem, 65" to the longest part of the back hem
Front slit: 33" from hem to top of slit

Modern Sizing Equivalent: SML-MED

Item# DD2970

Reference Photos: Karlie Kloss at the Balmain After Party on September 25, 2014 in Paris, France.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Paco Rabanne was a Spanish designer who became known as the 'l'enfant terrible', or unruly child, of the 1960s French fashion world. He began his career making jewellery in unusual materials for many of the French couturiers. In 1964 he was only 30 years old when he presented his first official collection. In 1966 he had his breakout show: 'Twelve Unwearable Dresses in Contemporary Materials.' and it was with this show that he found his calling. The Met museum noted that 'unlike Pierre Cardin and André Courrèges, who employed traditional couture techniques for their "futuristic" designs, Rabanne was interested in creating fashion with uncharted and imaginative production methods using novel postwar industrial materials.'  After a few attempted revivals the label is doing very well under Creative Director Julien Dossena. He has been integral with giving new life to the brand. 

The Paco Rabanne pieces made from a fine Oroton metal mesh were a spring board from the earlier chain mail examples and were heavily sought after and collected - then and now. This is a classic design that has been re-issued a couple of times since Julien came on board. My client bought this a few years ago and there is an identical gold version coming soon to the Paco website priced at $6400USD. 

The dress is completely made from a gold metal mesh. The mesh has a good weight to it but settles onto the body wonderfully and feels spectacular once on. The metal is very cool at first but once your body heat warms it up, it stays at your body temperature and feels quite sensual. The dress is fairly simple yet complex in its design. You slip it on and it drapes loosely across the shoulders and plunges under the arms. Snaps run along the top of one shoulder and then it snaps to close down one side. The snaps are spaced looser apart along your side but then when it hits the hips the snaps are placed closer together. This causes the fine metal mesh to have a draped effect and hikes the dress up on that side. It snaps to close at the top of the side of each waist. At the back it drapes over your curves in the most beautiful of ways. The mesh creates an almost bias cut effect so that is follows the movement of your body. It has just a touch of transparency to it cause by the tiny spaces between each piece of the mesh. On one side of the bust the mesh is fused together slightly differently to create the slightest illusion of a triangle pocket. It is just stunning and on an actual body it is even better as the mesh moves like molten liquid over you and catches the light from every angle. Exceptional. Excellent condition

It slips on and there are snaps on the shoulder and then along one side as described above. Each snap is engrave with the PR initials and the metal Paco Rabanne tag is attached at the back neck. It appears to have been worn very little if at all. Tagged a 38. It is cut looser through the top and narrow through the hips. Once on the waist does drape over a bit 

Bust: 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 16" flat across from side seam to side seam
Length: 38" from shoulder to shortest point of hem, 44" to the longest.

Modern Sizing Equivalent: XXS-XS

Item# DD3909

Reference Photo: From the Paco Rabanne Website.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is instantly recognizable as an Alexander McQueen piece. And it is an incredibly interesting piece when you fully delve into its history. This was a part of the McQueen wedding dress line for the Spring of 2012. By that date the label was under the direction of Sarah Burton. However this dress is a ivory lace version of the dress that Lee designed for the 2007 runway for Look 20. I have seen the twin of this dress for sale at more then double my price and mislabeled as being a 2007 original. But it is not. It was produced in 2012 as an updated dress made wedding appropriate and was based on the 2007 dress that I have included here. The 2007 collection was titled "Sarabrande" and the Alexander McQueen website stated this of that collection:The inspiration is Handelís Sarabande of the title is a majestic and elegant dance - the portraits of Goya, the turn of the century exotic and socialite Marchesa Luisa Casati and garden flowers. As always, there is a melancholic undertone: faded flowers are trapped in chiffon and lace, ruffled skirts constructed out of tiers of delicate petals and prints are botanical brightly coloured birds and blooms, scattering swallows and winding stems of leaves. Show pieces include a dress made entirely out of frozen flowers. Tailoring is this time more fluid than it has been and clothing indebted to horsemanship is worn with finely worked, oversized pirate shirts. McQueen's idealisation of the feminine form continues with an exaggerated hour-glass silhouette.' So the dress is an original Alexander McQueen design but one that was executed after his death. The connection to Lee makes it very interesting and the dress is exceptionally beautiful.

The dress is stunning and even though it is meant to be a wedding dress I think that his work transcends any box assigned to it. As stunning a piece it would make for a bride it would also be spectacular for the events surrounding a wedding weekend or as a gala / event piece. The dress is very fitted through the bodice and waist with a fully built in corset whose boning acts as a secondary design element. You can just see it peaking though the lace over the bust and bodice and the curves and complex pattern iff the boning makes for an interesting detail in itself. The breasts are formed and cupped and and the skirt falls to about the knee, depending on your height, at the front. The sleeves are to the elbow and made from a single layer of that stunning lace. It is set to sit off the shoulder and the runway version in black really gives you an idea of fit. On the runway I think they added a hip peplum or tulle under the back and sides to create a more bustle effect. On this one the train falls in a more graceful and soft feeling down the sides and then down the back to slightly train behind you. If you loved the look of the runway it would be easy to have something made to support the fabric underneath and recreate that look. It is an incredible dress and though it does look pretty on my dress form it is no where near as gorgeous as it will be on an actual body. Excellent condition with one minor note below. 

The bodice has a full complexly boned corset and cups and closes with a back hidden set zipper. The lace snaps into place over the top portion of the zipper and just above it. The skirt is fully lined in an ivory silk. This was never worn but there is a small yellowing spot on the back of the lace above the zipper that happened during storage. It is on the underside of the lace that snaps to close so once it is snapped into place the lace above it hides it completely. I have added three photos after the label shots to show this. The first is the mark on the lining, the second to show that it peaks out on the lace just slightly and the third shows it snapped close with the other side over it completely hiding the mark. The corset does have some stretch. Tagged a 42

Sleeves: 12.5"
Bust: approx 17.5" flat across from side seam to side seam with a B-C cup
Waist: 12-14" flat across from side seam to side seam
Seam at the bottom of the corset/top of the hips: 16-17.5"
Natural hips: open
Bodice: 19" from top of natural shoulder to bottom seam of the corset
Skirt: 38" from top of natural shoulder to front hem, 64" to the longest point of the back 

Modern Sizing Equivalent: SML-MED

Item# DD3907

Reference Photos/Video: (1-3) Spring 2007 Alexander McQueen Runway. Look 20 worn by Camila Finn.  /  (4) Cate Blanchett in Black Lace Alexander McQueen at the 2007 Golden Globe Awards

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.