Alber joined Lanvin in 2001 and served as the labels Creative Director until 2015. His first break as a designer came when he landed the senior assistant role at Geoffrey Beene. He stayed there for seven years until he was recruited to design for the Guy Laroche label in 1996. in 1998 he took over the Rive Gauche ready-to-wear for Yves Saint Laurent for three short seasons. A stint at Krizia and then a break happened before his time with Lanvin. The Alber years for Lanvin are ones that are much loved by all and with his recent passing owning these pieces seems even more poignant. This dress is extra special as it is both a runway pieces and also one of the dress that was featured in the now iconic ad campaign movie featuring Karen Elson & Raquel Zimmerman. 

This dress is exceptional and really represents the best of Alber's work. It is made out of a fabric that is a silk and cotton mix. This allows it to really hold the shape that you see. There is quite a bit of fabric in the dress and it is a decent weight as a result. It feels like couture once on. The design that covers every square inch of fabric is a huge rose print done in a graphic grey scale. This gives it this lovely dark romantic feel. The twin of this dress walked the runway for Look 39 and having all these reference points gives you an amazing idea of how it will look like on. The bodice has a slightly dropped waist and it meant to skim over the body. Each sleeve is cut to just below the elbow and then explodes out into a wide cuff that gets it fullness from built in soft pleat work. The skirt mimics this same volume and there to you see the quirky and irregular pleat work that gives it a sculpted volume all the way around you. It is also gathered in a slight curve under at the hem so that it has some volume there. The shape is reminiscent of a tulip or slight bubble skirt shape. At the back there is one of his signature exposed and chunky zippers that runs right from the hem to the top of the neck. All the elements of this dress taken one by one are a little quirky but together they showcase his genius. It is just fabulous. It looks to have been worn very little if at all. Excellent condition 

Fully lined on a black silk and closes at the back with the exposed zipper that you see. Tagged a 38 but runs generously so please go by the measurements below. Slight padding in the shoulder and top of the sleeve to hold the capped shape you see. This might fit a larger frame as well if you are narrow through the shoulders

Sleeves: 19.5"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist:15 " flat across from side seam to side seam
Hips: open
Bodice: 17" from top of bodice to waist
Skirt: 22" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3799

Reference Photos: (1-4) F/W 2011 Lanvin Runway, Look 39. Model: Freja Beha Erichsen.  /  (5) Fall 2011 Lanvin Ad Campaign. Karen Elson & Raquel Zimmerman by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Fall 2010 Chanel collection is still one of the strongest and most memorable of the Karl Lagerfeld days. Vogue's Sarah Mower said in part of the show: "Freja Beha Erichsen and three bears on an ice floe. This was the arctic scene at Chanel, where giant chunks of bona fide iceberg, specially transported from Scandinavia, formed the frozen landscape around which models solemnly splashed through a sea of 'berg-melt in shaggy snow boots with ice-block heels. The Karl conceit of the season, no surprises, was an in-every-way extravagant play on Coco in cold weather. Using more fur than he'd even flung at Fendi—the twist being that here the fur was fake—Lagerfeld steered this collection nearer to couture than ready-to-wear than ever. Fur was woven into brown tweeds; formed deep pelmets on the lower half of leather jackets; became almost igloo-shaped capes, bonnets, even—for goodness' sake—furry trousers. Meanwhile, the suit and coat combinations also had a level of lavish elaboration usually reserved for haute eveningwear. Fur-fringed embroideries and ice jewelry conspired to create intensely worked ruffled and beaded silhouettes that glinted with rock-crystal neckpieces and fistfuls of rings. Somewhere in there, a flash of translucent silver seemed to be a clutch in which the quilting of the CC classic bag had been frozen into the likeness of a refrigerator ice cube tray." This dress was one of the knit and fringed pieces and was one of the most wearable dresses shown. It's twin was presented on the runway for Look 21 worn by Anna de Rijk.

This is a stunning and easy to wear dress. It is made out of one of the classic Chanel boucle knits and then has thick rows of yarn woven though that. The yarn detailing it was done in a range of colours going from a white to a deep navy to a deep red with variations of each colour running down each. The wool that the dress is made out of is very high end and surprisingly light in weight. These wool pieces are part of the Chanel legacy and Karl's genius in perfecting them and no one does it better. The cut is simple but perfect. It has a slight scooped at the neck and then skims over the bodice. Pockets sit on each side of the front and the sleeves are capped. Each sleeve ends with an edging of black yarn. This same black yarn edging is used at the neckline, the waist, hem and on the pockets. The waist is cinched in with a wide band and then the skirt falls in a pencil shape that has just a touch of as flare as it nears the hem. The neckline has a heavy fringe bib detailing that tied it into the collection perfectly. The fringe is made of yarn and sequins and it appears to be all done by hand. It is just gorgeous and is an amazing example of his work from this time period. It appears to have been worn very little if at all. Excellent condition.

Fully lined in a fine black silk and closes with a hidden set back zipper. Tagged a Chanel 36. If you are narrow through the shoulders it could fit to a Medium 

Shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Length: 36" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3796

Reference Photos: Fall 2010 Chanel Runway Collection, Look 21. Model: Anna de Rijk.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a lovely dress by Alber Elbaz for Lanvin. Alber joined Lanvin in 2001 and served as the labels Creative Director until 2015. His first break as a designer came when he landed the senior assistant role at Geoffrey Beene. He stayed there for seven years until he was recruited to design for the Guy Laroche label in 1996. in 1998 he took over the Rive Gauche ready-to-wear for Yves Saint Laurent for three short seasons. A stint at Krizia and then a break happened before his time with Lanvin. The Alber years for Lanvin are ones that are much loved by all and with his recent passing owning these pieces seems even more poignant. 

This is a lovely and easy to wear dress. The simplicity of it makes it so very versatile and I love the deep blue colour of it. It is not quite a navy and it has a touch of a smoky blue feel to it. The colour is softer then a true black and you can pair so many other colours with it. A dress like this is truly one of the most versatile pieces you could add to your closet as the possibilities of how to wear it are endless. The cut is very simple. It is made from a very good silk that has a lovely drape. You simply slip it over the head and there is a row of buttons down the front that you can wear open or fully closed. The dress skims over and away from the body and it is quite generously cut. The genius is in the extra long tie belt that you can wrap around you and add as much shape as you wish. The silk is so light and easy that it is a dress that should fit a range of sizes because of the amount it can be cinched into, or not cinched in, is quite a range. The sleeves are long and button at each cuff. It is really a gorgeous dress and very well made. Excellent condition 

Unlined and slips over the head to wear. It buttons partway down the front and each cuff buttons to close with two buttons. 

Sleeves: 25"
Shoulders: 15"
Bust: to 22" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 45" neck to hem
Belt: 120" end to end 

Modern Sizing Equivalent: SML-MED

Item# DD3793

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning Valentino that is from the time period of Valentino when it was being co-designed by both Maria Grazia Chiuri and Pier Paolo Piccioli. They had stepped into Mr Valentino's shoes and were breathing new life into the brand. I love that they still adhered to the label's heritage in keeping with using the classic Valentino red colour.

The dress is made from a light stretch silk crepe chiffon in the signature shade of red that Valentino is so well known for. The fabric choice lets the dress light in weight while still holding that beautiful shape that you see. The bodice is strapless and is kept very simple and elegant. It is cut straight across the edge at the top and then the silk has been gathered across and over the bodice. The outer layer of silk is set so that it wraps over one side of those gathers and and then is caught up in a curve below the bodice. It follows along the waist line in a soft curve and is caught up on the opposite hip. There it drapes down the skirt in a pretty soft panel that creates a slight ruffled effect down the full side of the dress. The back is cut to fall in a smooth sheath so you get the feeling of length. It is the perfect mix of simplicity and elegance. The skirt falls to the floor in a graceful column and gradually widens out just a touch as it nears the hem. The lightness of the silk combined with the open panel on the one side allows the fabric of the skirt to move with the slightest bit of movement on your part and it is so pretty when you walk. Inside it is beautifully constructed. There is a built in full interior corset to hold you in place. It is lightly wired and boned and that is combined with a stretch lingerie netting for comfort. It is a beautiful and romantic dress. It is a very wearable size and looks to have been worn very little it at all. Excellent condition

Fully lined in a red stretch silk and closes with a back zipper that is covered with a red silk satin ribbon. The interior cupped and boned corset closes with its own separate zipper. The interior bodice has some stretch so I have measured the comfortable range laying flat - you could probably get a little more out of it if needed. No size tag bit I would guess that this is a modern Valentino 44 or 46

Interior bust: 20-22" flat across from side seam to side seam
Interior waist: 15-18" flat across from side seam to side seam
Hips: 22-23" flat across from side seam to side seam
Length: 55" from top of the bodice to the front hem, 56" to the back hem

Modern Sizing Equivalent: LRG-XL

Item# DD3696

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the long version that was made from two pieces shows for the resort runway for that season. You can see the same top of the green dress here and then the same red silk organza used on the the second dress we have induced for reference. Combining the two elements and making the skirt full length results in this gorgeous dress. 

This is a stunning example of Ferrertti's more recent world and a very pretty dress. The red has a touch of a coral tone to it and the fabric choice gives it a light and romantic feel. The bodice and lower skirts have an extensive paneling of an embroidered, open cut owrk lae feeling fabrication. It's pattern combines different sized flowers that are layered over each other with  parts of the design open. On the top this is set to engine down on north he front and back with the silk red silk on the side.A bide coloured mesh sits behind the plunge at the front so you get the illusion of a deep neckline but it is very secure and safe. At the back there is a little option start of fabric that you cansnap into place or fold that back as I have for a deeper more open plunge. It nips in at the waist but with a slightly generous feel and then the skirt is full and falls to the floor under that. The entire bottom half fo the skirt is covered int hat same embroidery work as the top. It is a very pretty dress and has a touch of a vintage feel to it. Its very soft and romantic and feminine. It appears to have never been worn or worn very little. Excellent condition 

Fully lined in a red silk and closes art the back with a hidden set zipper. Tagged a US6. It appears to have never been worn or worn very little.

Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 16" from shoulder to waist
Skirt: 44.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3578

Reference Photos: Resort 2015 Alberta Ferretti Collection. Model: Josephine van Delden.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In October 1997, the first women’s ready to wear collection under the Narciso Rodriguez label was presented in Milan for the spring 1998 season. Rodriguez was awarded 'Best New Designer' at the Vogue/VH1 Fashion Awards in New York and the 'Perry Ellis Award' for best new designer by the Council of Fashion Designers of America that same year. He was the first designer ever to receive consecutive womenswear designer of the Year awards by the Council of Fashion Designers of America in 2002 and 2003. Countless other awards and accolades have been awarded to him as well. He also designed the bias-cut wedding dress that Carolyn Bessette wore for her marriage to John F. Kennedy, Jr. and Michelle Obama chose to wear a dress from the designer’s spring 2009 collection for her husbands victory as present and his first State of the Union address. You may remember seeing Claire Danes in a shorter version of this same dress for the 2012 Tribeca Film Festival. This one is a more evening version and my client had this one made for her by Rodriquez that year. As far as I am aware it was a bespoke piece and it is the only one in existence. It is a stunning example of how amazing of a designer he is. 

The dress is absolute perfection and showcases his talent for the bias cut that is meant to flatter a woman's body but never in a way that is too tight. Rather it just skims over your curves and is so very flattering. The dress is completely cut on the bias and made from a heavy deep fuchsia pink silk crepe. It has that minimalist tendency to it that he is so well known for with a crisp and elegant result. The bodice is cut with his signature bra cut top with a curving black silk panel set so that it scoops under the breasts. It then extends upwards to curve over each shoulder and down the back into a deep scoop. Inset above the black is a top stitched pink bit of silk. The dress flows past the waist from under the black with no seam to break the eye. It is cut on the bias so simply flows perfectly to the hips and then sweeps to the floor. Just above the knee on the skirt inset panels have been set in all the way around the lower part of the skirt. These give the lower skirt the shape volume you see. It moves and flow around you beautifully when you move. The back is cut longer into a slight train that flows behind you. It is absolutely stunning and pristine. The photos come close to the actual color but in person it is even better with slightly more depth and richness. Excellent condition  

Fully lined in a matching silk and closes with a back zipper. The zipper has a bit of a 'stick' feel to it when you close it. Appears to have never been worn or worn very little. The bias cut should allow it to fit a range of sizes

Bust: to 17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 64" from top of shoulder to front hem, 74" to the back

Modern Sizing Equivalent: XS-MED

Item# DD3576

Reference Photo: Claire Danes in Narciso Rodriguez at the 2012 Tribeca Film Festival.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress was made for an exclusive collaboration with Luisaviaroma in 2018. The Attico brand was founded by street-style stars Gilda Ambrosio and Giorgia Tordini and the line has a vintage vibe to it that I love. It was a social media hit with an amazing array of women choosing to showcase it. 

The dress is brand new and unworn. It is made by applying thousands of tiny gold sequins flat onto a semi-transparent black fabric. The sequins are placed side by side and completely cover every inch of the dress. The fabric itself has a touch of transparency to it that adds to its light and sexy feel. It has an easy feel through the body that is flattering and comfortable to wear. It wraps and ties to one side of the inner side seam and then it snaps into place under the bow on the other side. The front plunges down into a low V at the neck and the bodice is cut on a on a flattering curve. It is set wide across the shoulders and the sleeves pouf out around the upper arm and then taper into the wrists. The ties and snap cinch it in at the waist and then it curves around the hips. It is cut very short and you can see just how short it in the various shots added. It is brand new and unworn. These sold out instantly when they were dropped. Excellent condition

Unlined and ties to close at the inner side and then the bow snaps into place. Tagged a size 44. Unworn and pristine. With the tie closure there is some play in the measurements below

Sleeves: 25.5"
Slightly inset shoulders: 15.5"
Bust: to 22" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam and adjustable more
Hips: to 22" flat across from side seam to side seam and adjustable more
Length: 32" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3566

Reference Photos from various Instagram accounts: @the_attico / @silvanovangi / @luisaviaroma / @jessicakahawaty / @martalozanop / @rosacrespo

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was a key piece from the 2015 Balmain Resort collection and its twin was Look 29 on the runway. The skirt has never been worn and it still has all of its original tags. This collection created a frenzy for the pieces offered and this skirt in particular sold out and was wait listed world wide. It has that curved and fitted cut that Balmain is known for and has the added dimension and texture created by what it is made out of. The black and white stripes that you see are a raffia feeling material that is set in horizontal rows. This gives the skirt an extra dimension and depth that it would not have otherwise. It is cut to sit high up on the waist and is fitted to hug your hips. At the back is the signature Balmain chunky zipper. It has all its original tags still attached and has never been worn. Excellent condition.

Fully lined with their signature black ribbed fabric and closes at the back with the zipper you see. Tagged a modern 40. All original tags attached including an attached StyleBop return tag. Unworn.

Waist: 13" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 23" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S913

Reference Photos: (1) Resort 2015 Balmain Collection, Look 29.  /  (2-3) Erica Pesolini, Paris Fashion Week, Fall 2015.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is such a pretty and romantic piece by Rosie Assoulin. It is from the Resort 2018 collection and was look 32 in the presentation. The original price on this was was just under 3k. This one has never been worn and still has its original sales tags. It would make a love garden party dress or even a wedding dress for a bride who does not want to go the traditional route.

The dress has an asymmetrical feel and is cut to spiral down and around the body. It shows Rosie's quirky sense of design that still manages to be refined and elegant. There is a reason why the top stylists in the world source from Rosie's work on a regular basis for their clients red carpet appearances. The bright flowers that cover the entire dress were inspired by bodega flowers—specifically, the paper wrappers that come with the blooms. Hence the 'Say it with flowers' slogan found at so many New York bodegas and now printed onto the dress. I love that it is printed in several ways. It runs over the straps that curve around the shoulders and throughout the base satin finish fabric. More flowers and that same slogan are printed across the silk chiffon panels that flutter over one shoulder and then down and around the body to the hem. The flowers that you see are a combination of direct printing onto the fabric and velvet flocked parts to give a touch of texture and an extra tactile sense. It is an easy to wear dress and makes the prettiest statement. I love it. Excellent condition

Fully self-lined in white through the entire dress. It closes with a hidden set zipper. Light boning on the sides of the bodice. Pockets hidden along the side seams. The shoulder straps seemed to be cut a little long on  my dress form but they could easily be adjusted if you found that on you as well. Original price/hang tag attached and it has not been worn. Tagged a modern US10

Bust: 18.5" flat across from side seam to side seam
Seam under bust: 16" flat across from side seam to side seam
Natural waist: 18" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 13.5" from top of shoulder to seam under the bust
Skirt: 46" from seam under the bust to longest point of the hem

Modern Sizing Equivalent: MED-LRG

Item# DD3428

Reference Photo: Resort 2018 Rosie Assoulin Collection, Look 32.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Swash Buckler top is from the Fall 2017 Rosie Assoulin collection. On the runway this same print was shown on the finale gown. These tops were a hallmark of the collection and their high drama is an easy way for a modern girl to step out in the evening and be able to pair it with pants or a skirt and still get a high glamour feel. The top is an amazing feat of proportion and cutting. The front has a v-neckline with loose ties at the neck. This tops a curved yoke and then the body of the top flares out under that. The fit through the body is relaxed and the sleeves are cut into fantastical bubble sleeves. They are set low on the sides and then pouf out and are cut on a curve so that they follow the arm and maintain the same pouf from the shoulder to the cuff. The cuffs are cut extra long and slit so that you can wear then unfolded and over the hand or flip them up. The back has a ton of volume and the choice of the fabric keeps it light and airy in feel. I love it. Excellent condition

It is constructed from a double layer of the organza. It slips on to wear with ties at the neck. Each cuff has two silk covered buttons and loops to close. Tagged a modern brand size S but the cut is very generous so it should fit a variety of sizes.

Sleeves: 27" from shoulder to longest point of cuffs
Shoulders: approx 16"
Bust: to 19" flat across from side seam to side seam
Waist-hips: open
Length: 28" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# S898

Reference Photo: Rosie Assoulin Fall 2017 Collection, Look 41.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a spectacular bold silhouette Balmain dress by Olivier Rousteing. The fabric is great. It's just heavy enough to hold the shape and structure that the dress has but without feeling thick or too structured. The shoulders have Rousteing's signature bold and sharp shape and the sleeves taper to the wrist from there. The fabric on the skirt is draped in towards the center front so that you get the effect that the hips are wrapped in it. The front bodice also is wrapped down and into that center knot giving the illusion of an even smaller waist. The bodice of the dress has a long open keyholes at the front and this is balanced by a high neckline. At the back, the Balmain signature chunky zipper runs down the back. It is spectacular and sexy and a collectible both now and as a future vintage piece. It appears to have never been worn. Excellent condition.

Unlined and closes at the back with the signature chunky brass Balmain zipper. Padding in shoulders. Appears unworn. Tagged a modern Balmain 40. The fabric does have some stretch

Sleeves: 27.5"
Shoulders: to 17" due to the shoulder pads that extend beyond the natural shoulder
Bust: 17-18" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Bodice: 17" from neck to waist
Skirt: 19" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3347

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely Rochas dress still has its tags attached and is that perfect dress for when you want full impact mixed with a touch of feminine prettiness. It is made of a silk crepe de chine in a beautiful shade of red. This fabric choice gives it lightness but allows it to drape over the body and have a pretty flow to it. It is suspended from the shoulder by tiny little silk straps that meet the bodice at the front and cross over and hold the low dip at the back. There is a little gather at the bust and the seam curves up to meet that for a pretty line. The dress flows out from there to the floor, gradually widening as it goes. At the back, it dips very low and then again flows to the floor. This leave the upper part of you more bare but is very flattering in the way it skims over the body under that. Below this is a double row of ruffles made from the same fabric. I love that this gives a nod to the historical bustle but in a very fresh and modern way. It is cut super model long and the lightness of the silk gives it beautiful movement. Excellent condition with a note below

Unlined and closes with a hidden set zipper at the side. There is a smudge near the seam on one side of the bust and some grubbiness along the hem at the front mainly. It was new with tags so was not cleaned and I am sure these will come out for be so faint it won't matter. In person, the color is a little more a muted red then how it photoed. Tagged a modern 40

Bust: approx 15 " flat across the front with open sides
Under bust: 16" flat across from side seam to side seam
Natural waist: approx 17" flat across from side seam to side seam
Hips: open
Length: 65" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3309

Reference Photos: Cherie, Owner of Shrimpton Couture. (Email us for information on the cape!)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Karlie Kloss wore the twin of this dress to the Balmain after party in Paris that season and the photos instantly went world wide. This was a peice that was available exclusively through Farfetch so very few were produced making it even harder to get. This one still has its farfetch tags and has never been worn. Olivier Rousteing said of this collection to Vogue: "Welcome to my jungle," Olivier Rousteing pronounced backstage, declaring this fearless mash-up of safari chic and hip-hop style to be his most personal collection ever. "I'm French, I'm black, and I'm proud to be at Balmain, but this is a message of freedom and globalism."

The dress is made from a leopard print jersey that is cut supermodel long. It has a open back dress that leaves an expanse of skin bare. It has the signature Balmain chunky zipper at the back that sits low below the waist, becoming a design feature in itself. The halterneck sits high at the front with a gilded and embossed lion head snaps fastening it at the back of the neck. I love the black detailing that sweeps up and around the neckline and forms a criss-cross pattern around the waist. This draws the eye in and acts both as a fabulous detailing to the dress and also it gives the illusion of a waist cinching belt and makes you look even tinier through the waist then you are. The hem is cut longer at the back then the front for a trained effect asymmetric hem and a super model long, sweeping floor-length that features a thigh-high split at the front. Original tags still attached. Excellent condition

Has a full black stretch jersey inner lining. Closes at the back of the neck with snaps and at the low back waist with a zipper. Tagged a 42 but Balmain fits small. Original tags attached. Never worn.

Bust: no true side seams
Waist: 12-13" flat across from side seam to side seam
Hips: open
Bodice: approx 16 " from top of bodice to waist
Skirt: 48" from waist to front hem, extends another 20" past that at the back
Front slit: 33" from hem to top of slit

Modern Sizing Equivalent: SML-MED

Item# DD2970

Reference Photos: Karlie Kloss at the Balmain After Party on September 25, 2014 in Paris, France.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.