This lovely Alberta Ferretti jacket still has its original retail price tag on it from the late 1990s. Even back then is was being sold for just over $3000 USD. It is made from a butter soft, light weight suede. The suede in this case has been treated more like a fabric then anything else and it has been both beaded and embellished. Silver metal tube beads are densely applied at the front of the jacket on either side of the opening. On all of the edges, running down the sleeves and defining the lower hem, are fused matte black metal pieces that form the designs that you see. This treatments has also been applied down the center of the back to emphasize the cut. The collar is neat and kept small and high and the shoulders, while structured, are kept soft with no padding. The sleeves are cut straight and long to be able to show off the embellishment on them. Through the body, the jacket nips in at the waist and then flares out slightly at the front. At the back, it has a little bit of extra flare created by an inverted pleat just below the waist. The suede gives it that soft, lived in vintage feel, but this is deliberate as its never been worn and the original tags are still attached. Excellent condition.

Fully lined and closes down the front with hook & eye. Tagged a IT 40, US 6. Original tags attached. Sold in clean as found condition.

Sleeves: 24"
Shoulders: 14.5"
Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 29" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# C507

This garment is sold in clean, as found condition ad has been thoroughly checked over before shipping

In the book 'Dior, Marc Bohan' there is a quote from Bohan during his period of time with the house from the eighties that states 'My aim is to make clothes that are sophisticated in their simplicity'. That goal is perfectly exemplified in this jacket. Every part of the line and cut of this jacket is perfection. This is true Haute Couture and part of a private collection from the daughter of the original Couture client.

The jacket is made of a beautiful starched linen that is just heavy enough to hold the shape but without adding even a touch of excess weight. In person the color is richer and deeper then how it has photoed and even better in my opinion. It is a deep Ochre that summons up thoughts of travels to exotic destinations. The choice of the linen adds to the luxurious feel. It is only lined through the sleeves so that they hang perfectly and feel comfortable on. It is perfectly structured and every single choice in its construction is from a Master Tailors viewpoint. This immaculate tailoring is helped along by the light starching of the linen fabric that gives it the ability to be sharply cut and tailored and yet still feel soft and easy. The shape is a slightly elongated box that sits perfectly on the body. The notched collar is restrained and neat. The double row of buttons are set low as are the pockets. This gives the jacket a touch of the twenties in feel and it also allows you to belt the jacket above the buttons if you wish. The immaculate seaming of the jacket creates the only detailing beyond the color and fabric choice. It is extraordinary beautiful in its simplicity and perfectly illustrates the art of high couture and ability to cut and tailor like nothing else. Excellent condition.

The sleeves are lined in a matching, hand set silk and the rest of the jacket is unlined with hand finished seams. It closes with buttons at the low front. made by hand to Haute Couture standards with proper couture label. Numbered 13658

Sleeves: 22"
Shoulders: 14.5"
Bust: 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 22.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S853

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The wonderful little piece merges a top with a jacket perfectly and is a beautiful example of Ferre's work during his time as Creative Director for Dior. The twin of this piece walked the runway and I have included the video of the piece in its debut as well as a still capturing it on the catwalk. The tag is numbered which for the boutique line label usually denotes a custom order or an order by an established client during this time period.

A cornerstone of Ferre's work was his ability to mix textures and fabrics so flawlessly that they created one seamless piece that you could not imagine being made any other way. Here he utilizes four distinct fabrications to make this gorgeous little jacket. The sleeves are cut to be very full and billow above the cuffs. On each cuff there is a filigree silver metal button, a signature of this particular collection. The sleeves are made from a fine silk organza and the execution of each is flawless. I particularly love how they are pleated across each upper shoulder. The back is a raw silk finished with a touch of sheen. The front is made of silk cord that is knotted and swirled. Finishing it off is waxed cord that is set as tassels all along the lower edge. It is remarkable, extremely well made and my client says that it was never worn. Excellent condition.

The front panels are lined in a silk chiffon and the back in a black silk. The sleeves are left unlined. It has no closures at the front. Each cuff buttons to close. The tag is numbered 49407

Sleeves: 24"
Slightly dropped shoulders: 16"
Bust: 17.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Length: 15.5 " from neck to hem at the back, 20" at the front

Modern Sizing Equivalent: SML-MED

Item# S851

Reference Photos: From the Christian Dior S/S 1994 Runway Show Video (below).

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The J.G. Couture was added as a division of Malcolm Starr in 1969 and was produced until 1973 so we know the window from when this jumpsuit would be from.

The jumpsuit is gorgeous and when combined with the gold metallic threads that run from top to bottom and create those little gold dots, it is made even better. The exterior layer is an organza that has a secondary print running over it and under the gold dots. I love the richness of the earthy tones mixed with the gold. The gold is further set off by the braiding that runs down the front, around the waist and highlight each arm where the sleeves are set in. The braiding also circles each cuff. As you get closer you realize that there are flat gold metal discs set in and running along all of the braiding. Each is engraved with a circular pattern to pick up the dots in the fabric even more. There are also little gold dome details and rhinestones. The sleeves are long and slim and the neck is simple and scooped. The pants are very full and flares out in a gentle swoop of fabric as they falls to the floor. At first glance it looks like full length dress but they are indeed pants. It is a beautiful and dramatic piece. Excellent condition.

Fully lined in a hand set taupe silk rayon. It closes with a back painted metal zipper. Each leg is a full 54" around the bottom hem. Hand finished throughout and there is a good 2.5" turned up under the hem of each leg if you meed more length

Shoulders: 15"
Sleeves: 22.5"
Bust: 18.5" flat across from side seam to side seam
Waist: 15" when measured flat across the back from side seam to side seam
Hips: to 27" flat across the back from side seam to side seam
Bodice: 13" from the neck to the waist seam
Pant length: 45.5" from waist to bottom hem
Inseam: (dropped) 29"

Modern Sizing Equivalent: SML-MED

Item# DD3169

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress beautifully combines several textures to work together wonderfully. It also wonderfully showcases the genius of Mr. de la Renta's work and attention to detail. The dress has a beautiful elegance to it and is quite striking. This sense of refinement is a constant in Oscar's work and I particularly love the earlier examples of it. You can see how many of the elements you see here carried through his entire career and body of work.

The dress is made from a sheer black silk chiffon with a built in under dress done in a light, fine silk chiffon. This gives it a touch of sheerness and allows the design that runs over the chiffon to have more if an impact. That pattern is made from a combination of two velvet's fused to the underlying silk chiffon. One is a coppery brown with no metallic sheen to it and the other a full on metallic velvet that gives the entire dress its subtle glint. Each sleeve is left unlined for a touch more transparency. These are both full and poufed above their cuffs and add a touch of high drama. The bodice is cut in a low V at the front and I love the little high cap detailing at the top of each shoulder. The skirt falls to the floor and comes in more as it nears the hem for a lean silhouette. A high slot runs up the center front for a flash of leg and ease to walk in it. It is a beautiful example of his work during this time period. Excellent condition.

Fully lined with an inner built in bodice made of a nude and black silk chiffon and a black chiffon through the skirt. The sleeves are left unlined. The inner dress lining closes at the back with a hand set, painted metal zipper. The outer fabric snaps and hooks over that to conceal the zipper. Each cuff closes with a hidden set snap. Tiny padding in each shoulder  - just enough to support that little cap. A long slit up the front that is 21" up from the hem. Hand finished throughout. It looks to have been worn very little if at all

Sleeves: 24.5"
Shoulders: at inset seam approx 13" and to where shoulders sit - approx 15"
Inner bust: to 17" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: approx 16" from top of shoulder to waist and will blouse up a bit over the seam so sits at about 15"
Skirt: 41" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3166

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have two of these dresses available and both are the same size. Once both are sold the listing will say it is no longer available.

This Lanvin dress from the Spring 2015 collection is wonderful. From his very first collection for the Fall of 2002, Alber established what would be one of his most recognizable signature aesthetics - plenty of draping. This dress is based on just that with seemingly little structure at first glance, but once it is on you realize just how masterful that so called simple draping is. The dress is suspended from one shoulder and the bodice drapes across the bust and back in a way that utilizes the chevron pattern to its best. On the side with the shoulder you get a bit of a scooped feel down that side. The fabric is cleverly laid across the bust in a way that it shape the body and makes it feel long. It has an elastic waist and is incredibly comfortable and accommodating once on the body. Pockets are hidden along each hip for a touch of ease to the design and the skirt is cut super model long. I actually own the twin of this dress and can personally attest that it stands up to travel exceedingly well and will remain virtually wrinkle free straight out of a suitcase. It is also very versatile with the ability to go from day to night with a simple change of accessories. This one looks to have never been worn. Excellent condition

Unlined and slips on with an elastic running through the waist. Pockets along the seam of each hip. The measurement range below is the comfortable range of the fabric lying flat. It is very accommodating and will should fit a variety of sizes. Tagged a modern 42. It appears to have never been worn, or worn very little

Bust: 18-21" flat across from side seam to side seam
Waist: 13-18" flat across from side seam to side seam
Hips: to 27" flat across from side seam to side seam
Bodice: 17.5" from top of bodice to waist but will come up a bit on the body to sit on the natural waist
Skirt: 47" from waist to hem

Modern Sizing Equivalent: SML-LRG

Item# DD3164

Reference Photos: (1-2) Cherie, Owner of Shrimpton Couture, by Erin Leydon. 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had a version of this dress in the shop before and I think I love it a little more with each version I find. This one has an attached wrap tie belt in the same fabric that helps to give it added shape. I love these metallic lurex knits from the seventies and when a designer like Bill Blass got his hands on some the results are just magical. The dress is cut long and lean and the design that runs over its surface is a swirl of taupe and chocolate mixed with gold thread so the entire dress has a subtle shimmer. The bodice of the dress has a simple, high rounded neckline. This flows over the bust to nip in at the waist where the wide attached belt in the same fabric acts like a sash to wrap and cinch in the waist. The skirt flows to the floor under that and is cut so that it gently widens out as it reaches the hem. The sleeves are cut so that they widen slightly as they reach the cuffs and they are the star of the show. Each cuff ends in an explosion of drama. Two types of feathers are mixed with gold tinsel strands that all woven together and hand dyed to pick up the colors of the fabric. Really an outstanding piece and beautifully constructed. Excellent condition

Fully lined in a deep ivory cream silk and closes with a hand set back metal zipper. The sash detailing at the waist is attached around the front to the sides and then extends into long ties that wrap to cinch the waist in as much as you wish. There is a good 4" of fabric turned up at the hem if you needed more length. The cut is meant to be looser through the body and then bright in with the sash. If you are not terribly broad across the shoulders a larger size might be able to fit this one as well

Sleeves: 23" to actual end of sleeve, approx 29-30" including the feathers
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 16" from neck to waist seam under sash
Skirt: 41.5" from waist seam under sash to hem

Modern Sizing Equivalent: SML-MED, Maybe a small shouldered LRG

Item# DD3160

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

Reference Photos: (1-2) Cherie, Owner of Shrimpton Couture, by Erin Leydon. 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I was able to date this lovely Oscar de la Renta dress to the Fall of 1968 based on the evening coat that I found within The Met's permanent collection. Their's has a similar print and fabric as well as the same Boutique label. The Oscar de La Renta boutique label first appeared in 1967 which makes this one from one of the very earliest collection for this line. His Boutique label was the first secondary ready-to-wear line for a Seventh Avenue designer.

The dress has a that wonderful hostess gown combined with a caftan feel that was so prevalent during this time period. I have had one other of these in the shop a few years back and I was very pleased to find another. It is a beautiful dress and very representative of his work during this time period. The fabric is quite exceptional with a wonderful woven effect that forms the chevron pattern that you see. The colors are a mix of a coral toned taupe, an ivory and a gold, and all three have metallic thread running through them. The fabric is just heavy enough to hold that sweeping shape as it nears the hem but still feel very light and wearable when on. Each cuff is ringed with a light colored mink cuff. If you are opposed to wearing fur it would be a simple task to un-tack them from the sleeves and wear it without the cuffs. The sleeves are properly finished underneath the cuffs and removing them would be done regularly anyway whenever it was cleaned. The front buttons are decorative only but the quality of the piece really shines here as each loop does work with the button underneath - just the fabric behind it is seamed and closed. Pockets hidden along each hip are the perfect finish. Excellent condition

Fully lined in a hand set nude silk and closes with a back painted metal zipper. Each cuff is ringed with mink that could easily be removed if you wish to wear it without. The sleeves are properly finished underneath. The cut is generous and will be more of a caftan feel on a smaller frame so will fit a range. Larger sizes should double check the shoulders. There is a good 4" hem turned up if you wanted more length

Sleeves: 23.5"
Shoulders: 15.5"
Bust: to 21" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 50" from neck to hem

Modern Sizing Equivalent: MED-XL

Item# DD3064

Reference Photos: (1) Cherie, Owner of Shrimpton Couture, by Erin Leydon. / (2) 1968 Oscar de la Renta Evening Coat from The Met Collection.

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the Spring 2007 Chloe runway is this wonderful little jacket that can be worn as a suit jacket or even a light outdoor jacket if layered over other pieces. It is made out of a muted dusty aubergine colored linen that has a wonderful texture. Lara Stine wore a version on the runway open and layered but I love it just as much properly buttoned and closed. When buttoned you really get the baby doll feel of it. The collar is small and rounded and detailed with tightly spaced rows of top stitching that follow the curved line of the collar. This same detail is picked up on each flap of the pockets. The sleeves are cut straight and cropped and the body of the jacket swings out in a full cut from the shoulders. I love the over-sized buttons and each appears to be a highly polished wood set in a silver toned base. It appears to have been worn very little. Excellent condition

Fully lined in a similar colored cotton and closes at the front with the buttons as shown. Tagged a 40. Each pocket it still tacked shut across the top opening. The pockets also have access from the sides

Sleeves: 17"
Shoulders: 14.5"
Bust: to 19" flat across from side seam to side seam and it widens out to approx 26" flat across by the time it reaches the hem
Length: 27" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S839

Reference photo: Chloé Spring 2007 Ready-to-Wear Fashion Show, Look 13, Model: Lara Stone

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a great little jacket by Burberry that is the perfect neutral and will pair with pretty much anything. It is a light khaki color and has great lines. The shoulders are shaped but not overly squared off and the sleeves are long with incredible cuffs. Each flips over at their ends and a row of three gold buttons sits above that for a slight nod to the military look. The front buttons with more of those fabulous, gold metallic buttons and the collar is neat and slightly rounded. Three pockets sits on the front and each is finished with its own gold button. The hips slightly flare out from the waist. Excellent condition

Fully lined in a taupey gold silky ribbed rayon and closes with the buttons as shown. The buttons are the cuffs are decorative only. Tagged a 44 but cut on the smaller size

Sleeves: 25.5"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: flares to 20" flat across from side seam to side seam
Length: 23" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# S837

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love this little dress from the early 1950s, maybe the late 1940s, with its covering of flowers made from a taupe ribbon tape that is twisted and shaped to form the design. These are attached to a net base in the same color and then that is layered over an inner ivory taupe lining. The effect is very pretty. I have a soft spot for these ribbon dresses - the work to make the fabric is mind boggling and they have such a fascinating texture to them. The dress itself is a simple sheath that skims over the body. It has little capped sleeves and a simple curved neckline. There is a matching slip belt that is made from the same fabric and this can be used to cinch in the waist and create shape. It is unlabeled but a great little find that is very unique. Excellent condition

Fully lined in a ivory taupe silk and closes at the back with a hand set zipper. Has a matching slip buckle belt that is backed in a grosgrain ribbon. Hand finishes. There are snaps on the belt so hold the end in place - these could easily be moved to make it perfect for you. The close up photo of the fabric is the closest to the actual color.

Shoulders: 14.5"
Bust: to 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: 40" from neck to hem
Belt: 37" from end to end

Modern Sizing Equivalent: SML-MED

Item# D605

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of those absolutely beautiful printed silk dresses that you can only find from the 1940s. It was definitely stored properly for all these years because the colors in the print are as crisp and vibrant as the day it was made. The base of the dress is a deep chocolate brown and then onto this are beautiful sprigs of flowers that have the feel of being hand painted onto the fabric, even though they are of course screened on. The cut is fitted with a high neck that has a neat little pointed collar. The sleeves are capped and the waist is seamed for fit. The skirt is very interesting in its construction. At the front, it wraps over itself and has a curved panel that shows a bit of leg when you move. At the back it is gathered into the waist seam for a little fullness and falls longer then it does at the front. On each side a panel of fabric wraps partially around the hip and then is caught in a loop of fabric on the front of each hip and falls to the hem. This is a very pretty detailing and one I have not seen before. Excellent condition with one minor note below

Unlined and closes with a back painted metal zipper. There is just the slightest touch of color change to the tops of the shoulders - it will not even photo but is mentioned for accuracy. I don't think it impacts at all when on.

Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 14.5 " from top of bodice to waist
Skirt: 24" from waist to shortest point of the front hem, 29" to longest point at the back

Modern Sizing Equivalent: XS-SML

Item# D606

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This coat is quite wonderful and it does have its original department store label which gives us some clue to its origins. Its inner label tells us that it was sold by McCreery & Company out of Pittsburgh. That department store opened its door around 1904 and I found a reference to it as being "described as a place where sumptuous richness is the keynote". They provided high end goods to up until they went out of business in 1938. This gives us a definitive window for dating.

The style of the coat dates it to the 1920s and I would guess that it is from the turn of that decade, or right before, when wool paisley shawls and coats made from them were all the rage. The exterior is a beautiful example of the workmanship being done at this time. The fabric is tightly loomed and intricate. I love the subtle range of colors that run through the design and that get more apparent the closer you look. Inside, the coat is lined in a contrasting silk done in a bright turquoise color with a pink and green design. The cut is a wrapped cocoon style that engulfs the wearer in volume. It has a generous shawl collar that can be worn up or down. I love the huge circular loop and knot that act as a closure at the front. Typical to the time period, the closure is set low on the hip and off set to one side. The sleeves are magnificent. They are cropped and are very wide. I love how their curving, scalloped edges is done to follow the pattern in the paisley. The inner lining is cut and hand stitched into place to follow those same curves. It is exceptional and like most of the pieces from the 1920s, really only shows off its beauty once on a real body. Far better in real life and on then my dress form can ever show. Excellent condition with some small notes below about the lining

Fully lined in a blue printed silk and closes with the large knot and loop closures off set at the front. The label of the coat is slightly offset on the neck and I think the lining had come loose at some point and was resewn in a little off center. I left it as found as I find these small oddities in pieces this old to be quite charming but it would be an easy thing to un-tack and redo. The lining is otherwise sound with just a small touch of shattering here and there - along the neckline seam and the seams at the arms and a small area or two near the back hem that looked to have been stitched to strengthen. All very minor for a piece of this age. I see no flaws to the exterior. Very strong and wearable. The loose and easy cut will fit just about any size. All hand finished. May be hand loomed

Sleeves: approx 18"
Shoulders: relaxed fit with no set seam
Bust-hips: open
Length: 46" from neck to hem

Modern Sizing Equivalent: OSFA

Note that antique and twenties pieces are final sale. They will be packed exceedingly well and we only sell pieces that will stand up to the stress of shipping, however, having pieces potentially shipped multiple times through multiple customs and countries is too hard on garments that are historically important and deserve to be treated with love and care. Please purchase accordingly.

Item# C487

Reference Photo: (1) Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am such a huge Hanae Mori fan and this particular dress is absolutely wonderful. It still feels so fresh and modern even after all the years that have passed since it would have originally been made. The neck is gently scooped at the front with a little ties there and it softly blouses out to the waist. It is sleeveless with an angled cut that leads to the silk straps that wrap around the neck. The skirt flows to the floor in a perfect soft flowing column of silk. It flares out gently as it nears the hem and this allowed Hanae to fully showcase the print that she has wrapped around the lower skirt to its full advantage. The dress is made of the top printed layer of silk chiffon that you see and then inner layer is a nude silk chiffon. The skirt has an additional silk layer under that as well. Even with the layers the dress weighs almost nothing. Once the dress is slipped on, it simply floats around you.The outermost silk has been custom screened with one of her beautiful prints and it is a striking combination of neutral taupe and browns with vivid pops of blue and coral. The design is pure Hanae and the print is just extraordinary and beautiful depicting a sunrise over a beautiful floral backdrop. Excellent condition with one minor note below.

The bodice is interlined lined with a nude silk chiffon and layers of a nude silk chiffon and a pale blue silk line the skirt. It closes at the back with a series of hand covered snaps down the back and these also close the exterior skirt over the zipper that closes the inner lining. There are the lightest faintest little marks here and there on the skirt - maybe faint water marks? They are not seen unless laid out flat and when its on you would never notice. mentioned for accuracy. Hand finished throughout to demi-couture standards. Cut on the bias but waist is seamed

Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Lining hips: 18" flat across from side seam to side seam
Bodice: approx 17" from top of bodice to slightly dropped waist
Skirt: 39" from slightly dropped waist seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD3101

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Mariuccia Mandelli launched the Krizia label in 1954, as one of Italy's first ready-to-wear labels. By the 1980s and 1990s Krizia was a leader in the Italian fashion world with international acclaim. Much of her work was inspired by architecture and you can see a strong sense of that in this dress. I have dated this to the 1982 collection based on the reference photo found and dated to that year. It shares the same striking and unusual 'pockets' that jut out dramatically from the hip at sharp angles as the piece in that photo.

The dress is full length and made of a crinkled iridescent taffeta. Another reference photo found shows Mariuccia wearing an outfit in a similar fabrication. The drama of the hips are balance out by equally dramatic, curved and puffed sleeves. The front is done in an extremely low V that plunges past the waist to an almost unwearable depth. The hips are cut slim and fitted and the back has a high slit that runs up the center seam so that you can move and walk. The panels on each side are functional 'pockets' of sorts and do open down into the very bottom of where they attach along the side of the skirt. I have shown them extended out to each side but also photoed them pinned at the top points so that they curve in and wrap. You could do this to either the front or the back as I have shown. It is a very interesting and avant garde piece of fashion history. Excellent condition

Unlined and closes with a hidden set, metal and nylon zipper at the back. Tagged a 42IT. Appears to have never been worn, or worn very little

Sleeves: 15"
Shoulders: 14.5"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 17.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 60" from neck to hem
Front plunge is 19" deep and the black slit is 24 from hem

Modern Sizing Equivalent: SML-MED

Item# DD3099

Reference Photos: (1) Krizia, 1982. / (2) Mariuccia Mandelli (designer of Krizia), date unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had this Jean Varon tucked away for a long time because it is so amazing it was hard to let go of. It looks like it was never worn and is incredible condition. From its bare cut top to the beautifully flared skirt, it falls to the floor in yards and yards of a taupe crepe jersey that has the slightest hint of a sheen to its finish. This fabric choice really allows the dress to drape and move wonderfully. It's a definite statement maker and everything about it screams red carpet, Grecian goddess and sex appeal. The skirt is cut on the bias so that it feels like a column when you stand still but when you move, it moves with you and you get a sense of the amount of fabric that was used to construct the skirt. The top is a masterpiece with a halter top cut to plunge to the just below the bust and curve over the shoulders. The first waist seam is set high and just under the bust. Fabric is gathered under this vertically and then a second seam hugs the natural waist to give the dress a Grecian feel. Under the second seam is a flaring hip peplum. The sides are left completely bare with the shoulders extending down into the low waist of the back. These cross over straps that extend from under the bust at the front to create a grid at the side and back that keep the dress in place but leave the sides and back completely bare. I love that the seams that define the bust and waist are highlight with cording in a combination of a metallic gold and taupe. This is old Hollywood meets Madame Gres meets an ancient Grecian goddess and it is fabulous. Excellent condition

Unlined and closes with a low back set zipper and hook & eye to close each of the straps at the back. Note that it was too tiny for my dress form and of course zips and closes perfectly on the correct sized girl. It appears to have never been worn or worn very little. The color is slightly paler in person. Hand finished

Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to bottom of the waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XXS-SM

Item# DD3100

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced at this point in Dior's history. I am no expert on furs but believe this it is mink. The color is a rich deep chocolate that is so dark that at first glance it almost appears to be a black. The fur is supple and soft and very shiny. It is applied on to the coat in series of matching rectangles that each measure approx 5" x 7" and you get a bit of a border where each fur piece meets another. This gives the coat an added bit of texture and a subtle pattern. It is cut in an almost trench coat style with a more structured, flared bottom to it then a soft trench would have. Big, unusual silver buttons run in a double row down the front. Slanted slit pockets sit on each hip and and it has its original matching tie belt that you can cinch to give the coat shape. The sleeves are cut straight and full and the collar is a classic notched wide collar.  It has been properly stored and cared for and appears to have been worn very little if at all. No splitting, issues or shedding. Excellent condition with a minor note below to review.

Fully lined in a black silky satin and closes with the buttons down the front and has an attached tie inside. Slip pockets on each hip and one hidden along the inside edge at the front. Matching tie belt. I see no bald spots or shedding, the pelts are supple, soft and shiny. there is slight wear at some of the common points - edges of the sleeves. the inner edge, but it is very minor. For a vintage fur from such an important designer, I still rate this as near excellent. The fur has no odd odor, is still supple and is stable with no signs of excessive shedding that would indicate that it is breaking down. 

Sleeves: 24"
Shoulders: 15.5"
Bust: to 20" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 44" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C484

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

These little 1950s Hawaiian dresses are wonderful and are cut to give you curves. They have such a classic silhouette that they still feel fresh even after 50+ years. This one is unlabelled and would have most likely come directly out of Hawaii in the movement that was set up to cater directly to the thriving tourist market of that era. These sarong styled sun dresses were worn by Hollywood starlets and girls bought them in droves to emulate their favorite stars. I love the sarong style skirting with its attached illusion of a wrap skirt complete with a little tie of fabric that sits at the side of waist. This one is boned through the bodice for support and the neckline is slightly gathered at the bust for a touch of detailing. The print is a pretty mix of a right tropical orange against a brown and tan backdrop. It is very pretty and very flattering on. The fabric is still crisp and it appears to have never been worn. Excellent condition

The dress is unlined and has boning in the bust area It closes with a side painted metal zipper. Made of a crisp cotton and appears to have never been worn, or worn very little.

Bust: to 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Skirt: 26" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# D598

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In an interesting turn of event, Alessandro Michele has recently re-issued the Flora and Fauna print that adorns this original vintage piece, including some dresses that bear a striking resemblance to the original. This dress is well documented having been featured in a couple of ads in its time period and versions of it reside currently in the permanent exhibit hall at the House of Gucci in Florence. The original  Flora print was created by artist Vittorio Accornero in 1966 and has become a house signature. This dress is absolutely gorgeous and is instantly recognizable. The cut is a forgiving shift shape that falls fairly straight from the shoulders to the hem. The neckline, cuffs and hem are finished with a gold toned silk border that anchors the print. The front dips down and I love the little horseshoe buttons attached to each other by a loop of chain that runs across. The print is spectacular and the colors are bright and vibrant. These naturalistic prints are said to have up to 37 colors making them, something that at the time was unheard of because of the high cost of using that many screens to create the prints on the silk. This is a true piece of fashion history and feels as modern now as it did when it was created. Presents as excellent condition with a note below.

Fully lined in a cream silk and slips on to wear. There is a modesty panel behind the front plunge that is sewn into place on one side and snaps into place on the other. Each cuff buttons to close. There are some faint marks under each arm. I photoed in on the dress form and also lying flat so that you can see how much of an impact it makes. It is very light and I feel that the dress is completely wearable as it is. Please review the provided photos of the area. They are the ones after the label and before the reference photos. Priced accordingly and otherwise is perfect. Gucci label present and the silk is signed as well.

Sleeves: 21"
Slight drop shoulders: 18"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 35" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3086

Reference Photos: (1) Gucci Ad, 1970s.  /  (2) The Gucci Flora Pattern Dresses, 1970s Ad.  /  (3-4) From the House Of Gucci in Florence.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a super little dress from the Mignon label. At first glance it looks like a combination of a print and a silk chiffon but upon closer inspection you see that the floral print is actually embroidery. The embroidery is done in a autumn feeling combination of colors and the patterns covers the dress from just below the shoulders to the hem. I love how the upper shoulders and bodice are left as just the silk chiffon and how this is even carried over onto each sleeve. Each sleeve is cut with a bit of fullness and ends in a little ruffled finish. There is a strip of velvet ribbon circling the wrist just above the ruffle and another velvet ribbon circles the empire cut waist and then ends in a long bow and ties at the front. It is very pretty and feminine. Excellent condition with one small note below to review

The bodice is lined with the same chiffon and the skirt is unlined and closes with a hidden set zipper at the back and a hook and eye at the neck above the slit opening above the zipper. Each sleeve snaps to close.There are two tiny areas of thinning to the chiffon at the back. I have photoed them and you can review in the photo provided after the shot of the label

Sleeves: 24"
Shoulders: 14.5"
Bust: 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 13" from top of bodice to waist
Skirt: 31" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3085

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Christian Lacroix dress perfectly showcases his mastery in combining colors, fabric and textures. Every element on the gown has a depth and texture to it separate from the others and yet it all works perfectly together. A version of this dress, using the same metallic lace for its skirt, was shown on the Fall 1995 runway giving us the collection date for this piece.

Everything starts with the fabric choices on this one and the cut of the dress is there to simply support those choices. The body of the dress is a metallic lace that has a brilliant array of fall feeling colors. A deep brown lace is finished with a metallic thread that changes from deep coppers and russets to shades of gold. The colors flow into each other in a beautiful mix and cover the dress from just under the empire cut bodice to the extended train at the back. The skirt scoops and under the high set bodice and there is a metallic taffeta ribbon in a deep copper that sits between the bodice and skirt that is finished with a bow at the front. Above that is the bodice and it is done in a pure golden lace. An intricate pattern of flowers are subtly woven through the bust fabric. It is predominately gold but there are also delicate pink toned flowers in there as well. The dress flows to the ground, widening as it nears the hem and it has a longer train at the back. It is just exquisite. Excellent condition.

Fully lined black with a satin lining through the bodice area. It closes with a hidden back zipper and snaps close the gold lace of the bust area over the zipper. Tagged a 38.

Bust: 16.5" flat across from side seam to side seam
Under bust seam to natural waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 13" from top of bodice to waist
Skirt: 45" from waist to hem at the front, 52" to longest point at the back hem

Modern Sizing Equivalent: XS-SML

Item# DD1580

Reference Photo: F/W 1995 Christian Lacroix Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.