This was Look 16 on the Burberry runway and was one of the chicest pieces of the Spring 2014 show. Its neutral feel worked perfectly over the soft pastels it was shown with. It is classic Burberry and very well made. The Prorsum line is the high end line for Burberry and this coat was over $5000 at full retail. It is new with all its original tags

This is one of those pieces you will reach for over and over because it will go with anything and will never go out of style. It has a simple and classic cut. Through the body it is loose and easy when you wear it open but with the belt you can cinch it in and create a sharp and curvy silhouette. It has no closures other then the belt. The cut is very simple with no true collar around the neck but the front folds over to give it a collar feel at the front. Large top set pockets sit on either side of the hip for detailing. The suede that has been used is ultra soft and supple. It is surprisingly light weight and moves very well while still retaining its intended shape. It appears to have never been worn. Excellent condition.

Unlined and closes with the matching belt. Tagged a size 40. The loose and easy cut should allow it to work on a variety of sizes. Has its original hangtag in the pocket

Dropped sleeves: 20"
Dropped shoulders: 18.5"
Bust: to 21" flat across from side seam to side seam
Waist- hips : to 20" flat across from side seam to side seam
Length: 40.5" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C553

Reference Photo: Burberry Spring 2014 Ready-to-Wear (Look 16)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a super easy set to wear and I love the ease it has once on due to the bias cut of the fabric. The silk is a rust and white stripe that is set on a diagonal to follow the bias cut of the silk. It has a little secondary floral pattern woven through it that gives it some added texture. The skirt is a simple pencil silhouette that falls to just below the knee. It does up along one side and I love the white piped finish at the hem. The top slips on and has a wide, straight cut neck. The sleeves come out from the sides with no seaming so have a soft slouchy feel to them. They each narrow in to the cuffs and are finished with that same white piping. It is very chic and easy to wear and the fabric is very light in weight. Great overall condition with a note below.

Both pieces are unlined. The top slips over the head to wear and has snaps along the seam near its hem. The skirt snaps and hooks to close at one side. One pockets on the skirt where it closes. You could move the hooks up or down probably up to an inch either way to adjust the waist.

Top
Sleeves: approx 19"
Shoulders: no true seams
Bust: to 19" flat across from side seam to side seam
Waist-hem: 17" flat across from side seam to side seam

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 29" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3510

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was obtained from a client who was a long term client of Norell and though it has lost its label it is a Norell. Of course provenance is everything so it is priced far lower then it would be with its label so its a steal.

The dress is chic and sophisticated. I think every collector of vintage cannot go long in collecting before a Norman Norell lands in thier closet. His dresses are cut with a master's hand and every line and seam is deliberately placed exactly where it should be. This particular dress is a classic silhouette and can be worn on its own or with something layered under it or over it. I know it is not as flashy as some pieces are in vintage, but it is beautifully made and the type of dress that is a solid basic for any closet. It is a sleeveless wool crepe shift dress in a deep chocolate. Don't be fooled by it's simplicity - it is seamed and constructed to couture levels and the finishes within it are superb. The front is suspended buy little straps and then it is cut in a chic sheath. At the back, it dips into a soft curve to leave an expanse of skin showing. This is a classic dress that will last you a lifetime and never go out of style. Excellent condition.

Fully lined in a matching brown silk that is entirely hand set. It closes with a hand set side metal zipper. At some point the hem was let down and the edge is finished with the ribbon he used on his inner seams. The inside lining is cut and not attached/finished around the inner edges. It could be worn as is or shortened to your desired length.

Bust: 16.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3512

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean Muir is renowned for her wonderfully cut clothing and her clothes often played on the cuts and styles of the 1940s. When researching her work I found a photo from 1972 that ran in British Vogue of a similar dress in leather. This one was not made to with a belt but you could easily add a belt to get that look. It is a stunning dress and the reference photo gives you a better idea of how great this is on the body. Each of her dresses were made one at a time and by one single person start to finish. This singular attention shows in the high quality of her garments.

This is a stunning example of Jean Muir's work in prints. She definitely tended towards solid colored jerseys so whenever I find one of her prints it's especially thrilling. It is so chic in person. Her dresses really do best with an actual body under them to fully show off the cut and drape. This dress is made from a silk with a satin finish. Onto the silk is screened that wonderful abstract print in a black, rust, yellow and white. The fabric choice allows it to have a beautiful drape and movement. It is  pin tucked on either side of the buttons on the bodice for a pretty detailing. More pin tucking sits at the top of each shoulder. The buttons are covered in the same fabric and these run to the waist. The dress opens fully to the hem and is closed with a series of snaps and hooks hidden down the front of the skirt. The skirt flares out wonderfully and is set into the easy cut waist in a series of soft pleats. Each sleeve is cut very full and wide. A wide ribbon finish circles each sleeve and around the bottom hem.  It presents as excellent condition but does have some minor flaws to review below.

Fully lined in a white silk through the upper bodice and the sleeves and skirt are unlined. It closes with buttons down the front and hook and eye and snaps below the waist. One missing buttons and there are some very faint marks on the fabric near that missing button. The inner lining shows some discoloration and tearing. Please see the photos after the label shot. The outer fabric is strong and wearable.

Sleeves: 23" approx.
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3512

Reference Photo: Model wearing Jean Muir, UK Vogue, 1972.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This coat is instantly recognizable as being by Bonnie Cashin and a version of it is actually held in the Metropolitan Museum of Arts collection. I also found a ad for the coat that ran in both the New Yorker and Vogue for the September issue. Cashin launched her label in 1952 after a successful career in costume design. She was a highly influential innovator who created loose-fitting sportswear and light, layered clothing. In 1972 she was inducted into the Coty American Fashion Critics Hall of Fame and her work continues to be regarded as an important part of fashion history

This is a rare opportunity to own one of her iconic pieces. The coat is a combination of a natural colored suede and a fox. The suede is used for the rounded shoulders and upper bodice all the way around to the back and the wide cut sleeves. It is cut to be more fitted around the shoulders and then flares out to have a ton of volume through the body and to the hem. The fur is used as a neat round collar to frame the neck and then covers the lower portion of the coat. The inside is lined a matching colored jersey which in itself is a very unusual fabric choice. I love that there are hidden pockets along the inset front seams. It closes with simple suede ties at the neck and where the fur starts under the suede part. Excellent condition with a small note below.

Fully lined in jersey and loosely closes with the ties at the front. The coat is in as found condition and does have a slight vintage odor. The pelts are still supple and glossy. There is a bit of grubbiness to the suede here and there and some natural patina from normal wear. There are some small pinholes scattered here and there on the lining. The open cut should allow it to fit a variety of sizes

Sleeves: 21.5"
Shoulders: no true seams
Bust: to 23" flat across from side seam to side seam
Waist: to 26" flat across from side seam to side seam
Hips: open
Length: 33" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C553

Reference Photos: (1) 1960s Bonnie Cashin Coat at The MET Online Collection.  /  (2) 1968 Bonnie Cashin Ad, New Yorker and Vogue 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This is the vintage fur everyone looks for. That simple box cut to just past the hip in a natural red fox. It was the jacket that every 'It girl' of the seventies wore. It has a strong nod to the 1940s in its cut and fits perfectly once on without overwhelming the body. The shoulders on this one are soft and rounded and the cut through the body is loose and generous. It has an almost swing jacket cut to it. All of the pelts run horizontally and I love how they all line up across the sleeves and through the body. Suede insets run between the pelts but the fur is so thick and plush that you don't see them once it is on - they are just there for a touch of structure. It has no collar and the neckline is cut a little wide across the top. Fur hooks are hidden down the front. The pelts are thick and glossy and it looks to have never been worn or worn very little. It is a stunning choice for the girl who believes that vintage fur is a sustainable choice. Excellent condition.

Fully lined in a golden silky rayon and the lining is spotless. Closes with fur hooks down the front. It has been specialty cleaned. Perhaps the teeniest of wear near on the fur at the edges of the cuffs but very minor.

Sleeves: 22" 
Shoulders: no defined seam
Bust: 20" flat across from side seam to side seam
Waist: 21" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C548

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced at this point in Gucci's history. It is made out of a sheepskin that has been brushed out so that is is soft and fluffy. The color is a combination of creamy ivory mixed with a pale taupe that has an almost pink cast to it in some areas. It is a little bit paler in real life then how it photoed and even better. The fur is very soft and very fluffy. The pelts are laid out vertically with bands of suede between them that run down the inside of each sleeve and through the body of the coat. It is cut in a classic swing style with a flared bottom. Big brass and leather buckles run down the front and pockets sit along the horizontal row on each hip. The sleeves are cut straight and full and the collar is also big and full. It is a stunning choice for the girl who believes that vintage fur is a sustainable choice. Excellent condition with one small note to review below

Fully lined in a taupe silk that is embroidered with the Gucci logo throughout. It closes with the buckles down the front. Pockets on each hip. I see no bald spots or shedding, the pelts are supple and soft. There is slight wear at some of the common points - edges of the sleeves. the inner edges pf the collar and hem, but it is very minor. Very light marks on the interior lining. Please see the final photo after the label shot

Sleeves: 23"
Shoulders: no defined seam
Bust: to 23" flat across from side seam to side seam
Waist: 27" flat across from side seam to side seam
Hips: 33" flat across from side seam to side seam
Length: 29" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C550

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

Madame Gres' work has had profound effects on Haute Couture and her influence still resonates to this day. Her attention to detail, master draping techniques and respect for the female form is unparalleled. She was known for designing and creating garments directly on the models and the results were spectacular. She first opened her atelier, La Maison Alix in 1932. A partnership briefly changed the house's name to Alix Barton and then the label went to simply Alix. In 1942 she married, and the label made its last change to became Madame Gres, a partial anagram of her husband's first name, Serge. In 1980 she started a ready to wear line in partnership with designer Peggy Huynh Kinh but by 1983 she took it over in-house so that she had sole control over the entire process. This skirt bears the label produced between 1983 and 1987 and is a rare example of her work during these last few years of her career.

This skirt is utterly fantastic in its own right beyond its historical importance. I am in absolute love with it - the color, the design, the workmanship - everything about it is perfection. Pieces with this label are rare and the beauty of this particular piece really makes it a once in a lifetime find. The fabric is unusual and is a soft woven textile that feels like a mix of silk and maybe a fine wool thread mixed with a silver lame thread. The color is a cinnamon brown with a pattern of black and silver flowers that are woven into the fabric. This lifts them just slightly off the base fabric and adds an extra dimension to the fabric. The main portion of the skirt is cut on in a long and lean line with a band around the waist for added shape and a deep ruffle that circles the lower hem. It comes with its original long suede tie belt that has a large glossy black carved plastic bead to finish each end. The beauty of the color combination is equaled by the fine workmanship that has gone into constructing it. It is really a work of art and in important piece of fashion history. Excellent condition.

Unlined and closes with a painted metal zipper at the waist. Original suede tie belt and an inner hooked waist stay. Pockets along the seam of each hip.

Waist: 13.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 43.5" from top to hem

Modern Sizing Equivalent: SML-MED

Item# S908

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a more modern version of the classic Pucci bag that has the feel of some of the other bags in this collection but with slightly updated features. This one combines a soft pink with taupe and soft lemon for a pretty nod to the iconic Pucci prints. The fabric is a cotton velvet with matching velvet handles. The shape reminds me of the classic frame bag  with soft rounded corners and a curving shape through the body of the bag. It has a top clasp with the Pucci logo embossed onto it and pretty rounded handles that curve up and around from the bag. Excellent condition

Fully lined in a black moire fabric with one large open pocket and a slip pocket on one side. Closes with the top clasp. It looks to have never been used.

8.5" W x 6" H x 3" D and the handles adds 4" to the height

Item# B155

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass became the head designer at Maurice Rentner in 1959 and soon after that his name started to appear on the labels. In 1970 he bought out the Maurice Rentner label and re-launched it under his own name. These Bill Blass for Maurice Rentner pieces, are some of his earliest and you will find many of them, like the twin of this coat, in museum collections throughout the world. Blass was arguably one of the most famous of all the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seem to have a way of flattering the wearer even at their most extravagant

This early Bill Blass coat is particularly gorgeous with its bead and silver threaded fabric. The base of the coat is a deep dark brown velvet that has a rich feel. The brown and silver combination gives it more interest then if it had been a more basic black. Onto the velvet is an incredible and intricate design that has been created out of hand placed and sewn silver thread. The thread pops off the velvet base and has a lovely way of catching the light. The collar, ends of each cuff, down the front of the coat and the hem are padded and piped and this helps the coat to maintain its design and shape. It also gives the coat a neat and polished finish. The shoulders are structured but without any padding. The sleeves are slightly cropped and each one is cut to widen out as they hear their padded ends. It closes down the front with a series of silk covered, hidden snaps so that when it is closes there are no buttons showing to break the lines of the coat. This simple design allows that beautiful fabric to take center stage. Panels of silver tube beads set in a 'braid' pattern follow alongside all of the padded, piped parts of the coat for the perfect final detailing. Excellent condition

Fully lined in a matching brown cotton and closes at the front with silk covered hand set hidden snaps. Pockets along the seam on each hip. Hand finished throughout. It appears to have been worn very little if at all. 

Sleeves: 20.5"
Shoulders: 14.5"
Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 40" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# C541

Reference Photo: 1968 Bill Blass coat from the Indianapolis Museum of Art Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced by designers like Pierre Cardin during this time period. This was the beginning of the movement of treating fur more like a fabric and making coats that had far more style to them then the previous norm. I am no expert on furs but believe this it is Fitch. The color is a rich deep brown that has an undertone ranging from a soft taupe to a creamy ivory. The fur is supple, shiny and very soft. The fur is set in horizontal rows with bands of a black suede in between. It is cut in a classic sixties cut that flares out as it reaches the bottom hem. The sleeves are incredible and each widens out to a flare finish at the cuff. It does up with hooks at the front and the collar is deep and rounded. Pockets sit along the edge of one of the rows at each hip. It has been properly stored and cared for and appears to have been worn very little if at all. No splitting, issues or shedding. Excellent condition with a minor note below to review.

Fully lined in a deep brown silky rayon and closes with the fur hooks down the front. Pockets on each hip. I see no bald spots or shedding, the pelts are supple and soft. There is slight wear at some of the common points - near the hooks and the edges of the sleeves, but it is very minor. The fur has no odd odor, is still supple and is stable with no signs of any shedding that would indicate that it is breaking down.

Sleeves: 26"
Shoulders: 15.5"
Bust: to 17.5" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: open
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C534

Reference Photos: (1) Model in Pierre Cardin, 1966.  /  (2) Hiroko Matsumoto photographed in a white fur coat by Pierre Cardin, 1966.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced at this point in Christian Dior's history. It is made out of a sheepskin that has been brushed out so that is is soft and fluffy. You can see in areas where the undercoat is very curly. The color is a combination of creamy ivory mixed with a pale taupe that has an almost pink cast to it in some areas. It is a little bit paler in the photos then how it is in real life. The fur is very soft soft and very fluffy. It is done in rows of fur that are interspersed with rows of a golden colored grosgrain ribbon. The collar is big and oversized. It is cut in a classic coat style with a flared bottom. Fur hooks run down the front and pockets sit along the horizontal row on each hip. The sleeves are cut straight and full. The pelts are thick and glossy and it looks to have never been worn or worn very little. It is a stunning choice for the girl who believes that vintage fur is a sustainable choice. Excellent condition with a minor note below to review.

Fully lined in a deep taupe silk that is embroidered with the Christian Dior name throughout. It closes with the fur hooks down the front. Pockets on each hip. I see no bald spots or shedding, the pelts are supple and soft. There is slight wear at some of the common points - edges of the sleeves. the inner edge, but it is very minor. 

Sleeves: 24"
Shoulders: 15.5"
Bust: to 20" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 44" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C533

Reference Photos: (1) Models in Christian Dior fur coats, L'officiel Magazine, 1971.  /  (2) Christian Dior Coat from The MET Collection.  /  1960s-70s Christian Dior Coat from The Met Collection Online.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This beautiful two piece set shows what a master Yves was with print. The top and skirt share the same floral print and instead of that being overwhelming it only serves to give the illusion that it is a dress instead of the two pieces. Yves was a master at taking fine silks and simple designs and then adding romantic, feminine elements to create something uniquely Laurent in feel. Both pieces are made from a high quality silk. This allows them to move and drape wonderfully once on the body. You will see a lot of his pieces made from this silk during this time period and for good reason. The top has an easy to wear cut and sits loose on the body. It buttons at the front neck so that you can leave it open or close completely to create a higher neckline. There is an attached tie belt at the waist that allows you to add shape. Each sleeve has a pretty amount of volume over the 3" cuff. The skirt hooks and zips to close. It is cut to flows over the hips and ends just past the knee. It is more fitted around the hips and then the pleats opens to create some volume. Excellent condition

Both pieces are unlined. The top buttons partially down the front and has three buttons on each cuff. The skirt zips and hooks to close. Has its original tie belt attached lightly to the top. Both pieces are tagged a 36

Skirt
Waist: 12" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 26" from waist to hem

Top
Sleeves: 24.5"
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 25.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3379

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an extremely rare and early set by North Beach Leather dating to the late 1960s, early 1970s. Michael Hoban and Frank Morgan started the label in 1967 and quickly gained a huge following. Elvis Presley, Tina Turner, Janis Joplin, Jimi Hendrix, Elton John... all major celebrities that wore the label. It was expensive in its day and each piece was made entirely by hand.

The set is entirely hand crafted using a combination of a deep chocolate suede, beads and feathers. The set is made up of two pieces. The top is a tiny halter top that ties onto place with the long braided suede cords that curve over the shoulders, cross and loop into the sides of the halter and then tie at the low back. This leaves you very bare across the back. The front dips low between each side of the halter triangles and the entire midriff is exposed. Hand placed feathers adorn the center. The same feather detailing is picked up on the skirt. The skirt is cut long and then wraps and buttons into place. Each button is hand covered in a matching suede and each button hole hand finished with their signature whip stitching. Feathers are hand placed in little bunches that are each finished with a a leather base that is accented with a hand made clay bead. These run down the high slit on the one side under the buttons and then around the hem. All of the edges are finished with whip stitching and you can easily see the hand work inside as well. It is incredible and a very rare example of the early work they were doing. Excellent condition

Made by hand. The top ties into place and the skirt buttons. Any variation in the suede is natural. Please read the note at the bottom of the description regrading feather pieces

Top
Bust: each triangle measures 4.5" across at its widest point. The base part of the front measures 17.5" across. The ties at the back make it variable in size otherwise
Skirt
Waist: 13" flat across from side seam to side seam
Hips: 16" flat across from side seam to side seam
Skirt: 43" from waist to hem including feathers
Slit: approx 34" from hem up

Modern Sizing Equivalent: XS-SML

Item# DD3351

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs, feather and fur/feather trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur and feather pieces are final sale.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

The crepe fabric on this late seventies, early eighties dress is the perfect choice for it to fall and drape perfectly once on the body. The fabric has just enough weight so that the drape down the front is perfectly executed, but it is still light enough to feel extremely comfortable once on the body. The simple yet dramatic cut has that nod back to the glamour days of Hollywood that you see in his best pieces. The interior of the bodice is has a concealed inner separate panel that is lightly boned and meant to hug and support the bust so you can go completely bare underneath. Straps made from the  same fabric extends from the center of the bust and curve up and around the neck. From the center bust the dress drapes down and around you, curving up at the front allowing for an unexpected flash of leg when you move and down to a longer length at the back. This then tops a second layer of fabric so that the dress falls to a full maxi length. A slit runs up the front so that you get a flash of leg when you move. It is simple, sexy and perfect. Excellent condition with one minor note below.

The bust has a full built in foundation that is lightly boned and closes with its own front set zipper. The exterior layer of the dress closes with a front hidden set zippers that is set along the front middle seam, disappearing under the draping once on. Hand finishes. The ends of the ties are weighted and hand finished. I see one tiny storage mark on one hip. Please see the photo after the label shot. It also comes with a matching cowl like scarf pie that is not pictured but will be sent with the dress

Bust: 17" flat across from side seam to side seam
Inner bodice at waist: 14.5" flat across from side seam to side seam
Hips: open
Length: approx 60" from neck to hem
Front slit: 21" from hem up

Modern Sizing Equivalent: SML-MED

Item# DD3277

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This gorgeous printed ball gown skirt and silk top set is a wonderful example of the work that Blass was doing in this time period. We were able to date it exactly with a family photo that my client shared with me. The skirt is made out of a fine silk taffeta. This was then printed with the most amazing floral print. The backdrop is a golden taupe and the flowers are a mix of soft muted pastels with pops of purple that pick up on the purple of the top. It has a detachable cummerbund in a muted burgundy earth color and the bottom pf the hem is finoshed in a wide strip of a copper colored silk satin. The skirt is very full and I have not used any crinolines under the skirt for these shots. The fullness that you see is all done through the way it is cut. The choice of the silk taffeta also helps it to hold the shape while still keeping it very light in weight. The top is a light silk that has a slight texture running through it. It is made with elastic all through the neckline so that you can wear it on or fully off the shoulders. More elastic is used at the waist which makes it insanely comfortable to wear. I love that you can wear it tucked in, loose and easy or with the belt to really cinch it in.  Each sleeve is very full and voluminous. and this just adds to the fabulous effect the full set has. Having the three pieces makes it so versatile as you can wear it all together for the full Blass look, or mix and match with modern pieces from your wardrobe. It is beautifully made and wonderfully extravagant. Excellent condition with one small note below

Both pieces are unlined. The skirt closes with a metal and nylon zipper and a flat hook & eye at the waist. The skirt's hem has some water staining to it. I photoed the worst area bit there are some more. You really don't notice them once it is one due tot he volume. Please review the photo after the label shot. The top slips on with elastic through the neckline/shoulders and also around the waist and each cuff. The cummerbund closes with hook and eye.

Top
Sleeves: approx 26"
Bust: 20-21" flat across from side seam to side seam
Waist: 12-21" flat across from side seam to side seam
Length: approx 23"

Skirt
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 46.5" from waist to hem
Matching cummerbund: 30" from end to end

Modern Sizing Equivalent: SML-MED

Item# DD3263

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is every inch that classic, couturier inspired, tent coat of the fifties and sixties except it has been done in a soft suede and has the option to cinch in the waist for added shape. I think the cut is wonderful. I have to say that the photos of it on the mannequin do not convey how great that this will sit on a real girl. If you are a fan of these coats then you already know how wonderful these are. To see one made of suede is not something you will see every day. The suede gives it enough body to hold the form and structure of the coat. The cut gives it lots of swing and volume. A pointed collar sits at the neck and each sleeve is cut wide and turns up to make a wide cuff. All of the volume comes out from the shoulder and once on it creates the most dramatic silhouette. It comes with its original matching belt and the suede is soft enough that it easily will cinch and tie for a completely different look and feel. I love the top stitched detailing where the panels of the coat connect and that is has hidden pockets on each hip. Excellent overall condition.

Lined in quilted rayon that is backed with padding. It buttons to close at the front. The suede shows some minor patina from age and normal wear but nothing that doesn't just add to its vintage character. Pockets sit on each hip. The cut will allow for a range of sizes. In person the color is a touch more vibrant and even better.

Sleeves: approx 25" from natural shoulder
Shoulders: no defined seam
Bust: to 23" flat across from side seam to side seam
Waist-hips: open
Length: 43" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C512

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The wonderful little piece merges a top with a jacket perfectly and is a beautiful example of Ferre's work during his time as Creative Director for Dior. The twin of this piece walked the runway and I have included the video of the piece in its debut as well as a still capturing it on the catwalk. The tag is numbered which for the boutique line label usually denotes a custom order or an order by an established client during this time period.

A cornerstone of Ferre's work was his ability to mix textures and fabrics so flawlessly that they created one seamless piece that you could not imagine being made any other way. Here he utilizes four distinct fabrications to make this gorgeous little jacket. The sleeves are cut to be very full and billow above the cuffs. On each cuff there is a filigree silver metal button, a signature of this particular collection. The sleeves are made from a fine silk organza and the execution of each is flawless. I particularly love how they are pleated across each upper shoulder. The back is a raw silk finished with a touch of sheen. The front is made of silk cord that is knotted and swirled. Finishing it off is waxed cord that is set as tassels all along the lower edge. It is remarkable, extremely well made and my client says that it was never worn. Excellent condition.

The front panels are lined in a silk chiffon and the back in a black silk. The sleeves are left unlined. It has no closures at the front. Each cuff buttons to close. The tag is numbered 49407

Sleeves: 24"
Slightly dropped shoulders: 16"
Bust: 17.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Length: 15.5 " from neck to hem at the back, 20" at the front

Modern Sizing Equivalent: SML-MED

Item# S851

Reference Photos: From the Christian Dior S/S 1994 Runway Show Video (below).

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The J.G. Couture was added as a division of Malcolm Starr in 1969 and was produced until 1973 so we know the window from when this jumpsuit would be from.

The jumpsuit is gorgeous and when combined with the gold metallic threads that run from top to bottom and create those little gold dots, it is made even better. The exterior layer is an organza that has a secondary print running over it and under the gold dots. I love the richness of the earthy tones mixed with the gold. The gold is further set off by the braiding that runs down the front, around the waist and highlight each arm where the sleeves are set in. The braiding also circles each cuff. As you get closer you realize that there are flat gold metal discs set in and running along all of the braiding. Each is engraved with a circular pattern to pick up the dots in the fabric even more. There are also little gold dome details and rhinestones. The sleeves are long and slim and the neck is simple and scooped. The pants are very full and flares out in a gentle swoop of fabric as they falls to the floor. At first glance it looks like full length dress but they are indeed pants. It is a beautiful and dramatic piece. Excellent condition.

Fully lined in a hand set taupe silk rayon. It closes with a back painted metal zipper. Each leg is a full 54" around the bottom hem. Hand finished throughout and there is a good 2.5" turned up under the hem of each leg if you meed more length

Shoulders: 15"
Sleeves: 22.5"
Bust: 18.5" flat across from side seam to side seam
Waist: 15" when measured flat across the back from side seam to side seam
Hips: to 27" flat across the back from side seam to side seam
Bodice: 13" from the neck to the waist seam
Pant length: 45.5" from waist to bottom hem
Inseam: (dropped) 29"

Modern Sizing Equivalent: SML-MED

Item# DD3169

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress beautifully combines several textures to work together wonderfully. It also wonderfully showcases the genius of Mr. de la Renta's work and attention to detail. The dress has a beautiful elegance to it and is quite striking. This sense of refinement is a constant in Oscar's work and I particularly love the earlier examples of it. You can see how many of the elements you see here carried through his entire career and body of work.

The dress is made from a sheer black silk chiffon with a built in under dress done in a light, fine silk chiffon. This gives it a touch of sheerness and allows the design that runs over the chiffon to have more if an impact. That pattern is made from a combination of two velvet's fused to the underlying silk chiffon. One is a coppery brown with no metallic sheen to it and the other a full on metallic velvet that gives the entire dress its subtle glint. Each sleeve is left unlined for a touch more transparency. These are both full and poufed above their cuffs and add a touch of high drama. The bodice is cut in a low V at the front and I love the little high cap detailing at the top of each shoulder. The skirt falls to the floor and comes in more as it nears the hem for a lean silhouette. A high slot runs up the center front for a flash of leg and ease to walk in it. It is a beautiful example of his work during this time period. Excellent condition.

Fully lined with an inner built in bodice made of a nude and black silk chiffon and a black chiffon through the skirt. The sleeves are left unlined. The inner dress lining closes at the back with a hand set, painted metal zipper. The outer fabric snaps and hooks over that to conceal the zipper. Each cuff closes with a hidden set snap. Tiny padding in each shoulder  - just enough to support that little cap. A long slit up the front that is 21" up from the hem. Hand finished throughout. It looks to have been worn very little if at all

Sleeves: 24.5"
Shoulders: at inset seam approx 13" and to where shoulders sit - approx 15"
Inner bust: to 17" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: approx 16" from top of shoulder to waist and will blouse up a bit over the seam so sits at about 15"
Skirt: 41" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3166

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am such a huge Hanae Mori fan and this particular dress is absolutely wonderful. It still feels so fresh and modern even after all the years that have passed since it would have originally been made. The neck is gently scooped at the front with a little ties there and it softly blouses out to the waist. It is sleeveless with an angled cut that leads to the silk straps that wrap around the neck. The skirt flows to the floor in a perfect soft flowing column of silk. It flares out gently as it nears the hem and this allowed Hanae to fully showcase the print that she has wrapped around the lower skirt to its full advantage. The dress is made of the top printed layer of silk chiffon that you see and then inner layer is a nude silk chiffon. The skirt has an additional silk layer under that as well. Even with the layers the dress weighs almost nothing. Once the dress is slipped on, it simply floats around you.The outermost silk has been custom screened with one of her beautiful prints and it is a striking combination of neutral taupe and browns with vivid pops of blue and coral. The design is pure Hanae and the print is just extraordinary and beautiful depicting a sunrise over a beautiful floral backdrop. Excellent condition with one minor note below.

The bodice is interlined lined with a nude silk chiffon and layers of a nude silk chiffon and a pale blue silk line the skirt. It closes at the back with a series of hand covered snaps down the back and these also close the exterior skirt over the zipper that closes the inner lining. There are the lightest faintest little marks here and there on the skirt - maybe faint water marks? They are not seen unless laid out flat and when its on you would never notice. mentioned for accuracy. Hand finished throughout to demi-couture standards. Cut on the bias but waist is seamed

Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Lining hips: 18" flat across from side seam to side seam
Bodice: approx 17" from top of bodice to slightly dropped waist
Skirt: 39" from slightly dropped waist seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD3101

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Mariuccia Mandelli launched the Krizia label in 1954, as one of Italy's first ready-to-wear labels. By the 1980s and 1990s Krizia was a leader in the Italian fashion world with international acclaim. Much of her work was inspired by architecture and you can see a strong sense of that in this dress. I have dated this to the 1982 collection based on the reference photo found and dated to that year. It shares the same striking and unusual 'pockets' that jut out dramatically from the hip at sharp angles as the piece in that photo.

The dress is full length and made of a crinkled iridescent taffeta. Another reference photo found shows Mariuccia wearing an outfit in a similar fabrication. The drama of the hips are balance out by equally dramatic, curved and puffed sleeves. The front is done in an extremely low V that plunges past the waist to an almost unwearable depth. The hips are cut slim and fitted and the back has a high slit that runs up the center seam so that you can move and walk. The panels on each side are functional 'pockets' of sorts and do open down into the very bottom of where they attach along the side of the skirt. I have shown them extended out to each side but also photoed them pinned at the top points so that they curve in and wrap. You could do this to either the front or the back as I have shown. It is a very interesting and avant garde piece of fashion history. Excellent condition

Unlined and closes with a hidden set, metal and nylon zipper at the back. Tagged a 42IT. Appears to have never been worn, or worn very little

Sleeves: 15"
Shoulders: 14.5"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 17.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 60" from neck to hem
Front plunge is 19" deep and the black slit is 24 from hem

Modern Sizing Equivalent: SML-MED

Item# DD3099

Reference Photos: (1) Krizia, 1982. / (2) Mariuccia Mandelli (designer of Krizia), date unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced at this point in Dior's history. I am no expert on furs but believe this it is mink. The color is a rich deep chocolate that is so dark that at first glance it almost appears to be a black. The fur is supple and soft and very shiny. It is applied on to the coat in series of matching rectangles that each measure approx 5" x 7" and you get a bit of a border where each fur piece meets another. This gives the coat an added bit of texture and a subtle pattern. It is cut in an almost trench coat style with a more structured, flared bottom to it then a soft trench would have. Big, unusual silver buttons run in a double row down the front. Slanted slit pockets sit on each hip and and it has its original matching tie belt that you can cinch to give the coat shape. The sleeves are cut straight and full and the collar is a classic notched wide collar.  It has been properly stored and cared for and appears to have been worn very little if at all. No splitting, issues or shedding. Excellent condition with a minor note below to review.

Fully lined in a black silky satin and closes with the buttons down the front and has an attached tie inside. Slip pockets on each hip and one hidden along the inside edge at the front. Matching tie belt. I see no bald spots or shedding, the pelts are supple, soft and shiny. there is slight wear at some of the common points - edges of the sleeves. the inner edge, but it is very minor. For a vintage fur from such an important designer, I still rate this as near excellent. The fur has no odd odor, is still supple and is stable with no signs of excessive shedding that would indicate that it is breaking down. 

Sleeves: 24"
Shoulders: 15.5"
Bust: to 20" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 44" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C484

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

On June 15, 1978 Lisa Najeeb Halaby wed King Hussein wed and she became the Queen of Jordan. She chose a Christian Dior gown, designed by Marc Bohan, for the ceremony and instantly became a style icon. Harper's Bazaar named the gown one of their 'The Most Iconic Royal Wedding Gowns of All Time'. That same year my client commissioned this version of that dress. I have also included a reference photo from the Metropolitan Museum of a top from the same collection that year that also has the open cut work 'ladder' technique. Charlotte Rampling was also photoed in a version for Vogue. The dress for sale today comes direct from the daughter of the original Haute Couture client who had it commissioned.

The attention to detail shown in every hand done stitch is breathtaking. It is entirely done by hand and the silk chiffon is of the highest possible grade and as fine and light as a feather. The top floats over the torso for an easy fit and is left unlined, which makes it semi-transparent. There is a double row of that open 'ladder' stitch edging the top portion of the bodice. The skirt falls in a column of bias cut silk chiffon. Detailing the lower half of the skirt are six rows of that same open ladder design that is used on the bodice so that it is in perfect balance. It comes with the original flower belt. The belt combines an antique gold metal thread lame that is then detailed with a huge silk flower. You can wear around the waist as intended or even choose to wear at the neck or as a head piece. I also photoed it without the belt so that you can see how versatile it could be. There is also a square silk chiffon scarf that came with it that is not photoed but will be sent with the gown. It is truly a wonderful dress and when you see it in person you will be astounded at the level of craftsmanship and care put into the construction. A masterpiece and fit for a modern day queen. Excellent condition.

The skirt is lined in second layer of the same silk used on the exterior while the bodice is unlined. It is completely made by hand as the parameters of Haute Couture dictates. It closes with a handset, low side painted metal zip below the waist and and above that the bodice closes with a series of hand set, silk covered snaps. Inner waist stay the hooks to close. Note there is no label but it is true Haute Couture Dior. Note the color has a slight hint of terra cotta to it in person

Bust: 17" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 18" from shoulder to waist but drapes to approx 15" when on
Skirt: 39.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2365

Reference Photos: (1-2) Queen Noor in a Christian Dior Gown & King Hussain of Jordan on their wedding day, 1978 (credits unknown)  /  (3-4) Graco of Monaco in Yellow Christian Dior for the wedding mass of Caroline of Monaco, 1978.  /  (5) Princess Caroline of Monaco and Philippe Junot civil wedding, June 28,1978.  /  (6-7) Dior Evening Ensemble from The Metropolitan Museum of Art's Online Collection  /  (8) Charlotte Rampling in Dior, March 1978, Vogue US. Photo by Helmut Newton.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Spring 2005 Prada show is one of the label's most iconic and recognizable. In her review of the show, Vogue's Sarah Mower stated: "Just when the whole fashion world has turned ladylike—thanks, of course, to Miuccia Prada—she's tossed it all in the air, looking for a certain freedom. "A vague idea of birds; birds of vanity, like peacocks, parrots, and swans," was a starting point in her restless search for change, she explained. "I also wanted to move toward something more young and sporty, tall and narrow.... In broad terms, the news from Prada included a different silhouette (short hemlines, worn mostly with flat sandals), a return to one of her favorite palettes (brown-ochre-rust), and as always, lots of artful eccentricity (peacock feathers, flowerpot hats, Bakelite digital watches). There was also a Jamaican dance hall vibe, with reggae on the sound system, Rasta stripes in the knitwear, and Caribbean crochet in the raffia hats and cardigan coats. The birds really took flight for night, in the form of skirts overlaid with peacock feathers, dresses covered with digitalized feather prints, and pretty chiffon gowns whose fan-like pleats hinted subtly at dove's wings."

This is Look 22 from the show and is absolutely infused with that Prada vibe. Here we see her masterful hand at mixing textures with color. The top of the dress is a combination of eggplant and purple, anchored by an almost startling strip of red at the waist. A bright purple grosgrain ribbon details the sides of the bodice. The skirt is a combination of a deep brown and a moss green pleated & textured silk chiffon. The cut is micro mini short and the skirt has lots of movement and it is just gorgeous. The silk chiffon it is made from is feather light and it is given shape and structure by the addition of two rows of horizontal stitching placed over the hips. The top is a light weigh wool and I love the contrast of fabrics. The one shoulder silhouette balances the length of the skirt nicely and the unusual color combination is fabulous.  Excellent condition

Fully lined in a deep brown silk and closes with a hidden set side zipper. Hand finishes. Tagged a Prada 40

Bust: 17.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 17" from top of shoulder to waist
Skirt: 16.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2820

Reference Photo: Prada Spring 2005 Runway Show, Look 22. (Model: Kim Noorda)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Anthony opened his label in 1971 and during the 1970s he produced some really outstanding pieces at a couture level, that were sleek, sexy and sophisticated. His business was all done on a made to order basis. That means the majority of pieces found are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces and his work is a personal favorite. This dress is wonderful and is constructed from a fine brown colored lace that is placed over an double layer of nude silk chiffon. This layering effect gives it just enough coverage to keep it from being see-through but keeps it very light and easy to wear. It also give the allusion that the wearer has one less then she actually does. The combination of lace and silk give it a slight lingerie inspiration feel that i love. It is constructed to demi-couture standards and is hand finished with exquisite touches. The lace is detailed with clusters of round copper colored beads that are sewn into place by hand and scatted over the entire gown. The interior bust is supported by a built in bodice that is cleverly concealed by another layer of silk so seems to not exist when on the body. It hugs and molds to the body and the strapless silhouette is very flattering. The legs are given extra attention with a high cut side slit. All of the edges have the lace peaking over the inner seam work so you can see the scalloped edges. Excellent condition.

Fully lined with two layers of a fine nude colored silk chiffon and an additional layer of tissue silk through the bodice. It closes with a hand set back painted metal zipper and the exterior lace closes over that and secures with hook & eye. Boning through the bodice. Hand sewn finishes and the bead work is hand placed and hand sewn.  Note that is does fully close at the back on the proper sized girl

Bust: 15" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 50" from top of bodice to hem

Modern Sizing Equivalent: XS

Item# DD1578

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Many people do not know that Emanuel Ungaro took a position with Balenciaga in 1958 and in 1960 he became the chief designer of the house, staying there until 1964 before he briefly went on to Courreges before opening his own couture atelier in 1965. The house has fallen from its former glory of the sixties through to the eighties, but in its heyday, the label was a force in the world of Haute Couture. By the 1970s his brilliant use of print and color combined with soft fluid tailoring made him a darling of the jet set. This gorgeous little day dress is a beautiful example of the more conservative end of his range in cut, but it still has that pop of a print that he was known for. It is made of a fine printed silk with a mod feeling print that covers its entire surface. It can be worn for the day or for cocktails with proper accessorizing. I love the refined cut and those full, balloon cut sleeves. The fabric is very light in weight and backed in a fine silk that gives the dress a very sensual feel once on. No shortcut was taken in the construction and it is of course, entirely made by hand. The neckline is high and yoked with the shoulders and bodice softly gathered. A fabric tie runs around the waist so that you can wear it loose  and easy in more of a shift shape, or you can tie them in to cinch it for added shape. The skirt has two little slant pockets that sit on each hip. However much you think this looks fabulous in the photographs it is far better in person and on a body. Excellent condition with one small condition note below about the lining.

Fully lined in a hand set silk of very high quality. It closes with a hand set, painted metal zipper and hook and eye at the back. Each cuff has a fine hand set zipper and hook & eye. The belt is partially attached and snaps into place where it is not. Note that the exterior has no flaws whatsoever, but there is a small amount of shattering under each arm to the lining only. It is stable enough to wear as presented. Finished to Haute Couture standards and entirely made by hand. Haute Couture tape label present under label #H205-5-74

Sleeves: 25" approx.
Shoulders: no defined seam
Bust: to 20" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 14.5" from shoulder to waist
Skirt: 28" from waist to hem

Modern Sizing Equivalent: SML-MED

Item#DD2522

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Richard Blackwell launched his line in the late 1950s and even then his dress sold for between $800 and $1000 (or up to $10,000 in the modern terns). He dressed many of the stars of the day including Jane Russell, Dorothy Lamour and Jayne Mansfield. Here we have a piece from the 1960s done in a combination of a darker brown chiffon organza and a gold lurex thread that has been applied to the organza in a series of circles that cover the dress from tip to toe. The gold catches the light beautifully and really adds detailing to the piece. The cut is simple but dramatic and fully covers the body. The neck is high and the sleeves are long and cut with a huge pouf balloon sleeve finish that I love. The skirt is quite full and it flows to the floor in a lovely cascade of fabric that is almost a full circle skirt on the outer layer. This is the glamorous version of the hostess dress and very chic. Excellent condition.

Fully lined in the same synthetic organza as the exterior and a brown silky rayon through the skirt. The sleeves are left unlined. It closes with a back, painted metal zipper. Each sleeve has hidden set, fabric covered snaps to close.

Sleeves: 25"
Shoulders: 14.5"
Bust: 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips at inner lining: 20" flat across from side seam to side seam
Bodice: 16" from shoulder to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2971

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Thea Porter dress, produced in 1970, was one of the dresses that I lent from my archives and was displayed in the 2015 exhibit "THEA PORTER 70s Bohemian Chic" at the Fashion and Textile Museum in London, curated by Laura McClaws Helms. You may also recognize the dress as being the one worn by Nicole Richie when she celebrated her birthday in it back in 2006. The textile design that runs over the dress was done by Sheila Hudson.

It is wonderful to have such an iconic dress and to have become a part of its provenance. The Nicole connection has made the dress instantly recognizable world-wide. Like all of Thea's pieces, only a very few were produced. I have decided to let this one go and I know that I will most likely ever see another one in my career. The dress features a hand-sequined and beaded bodice. These are set so that they follow the textile design underneath and add the perfect little touch of high glamour to the finished product. The bodice is fitted to the bust and has wide straps made of the same silk chiffon that tie around the neck. The skirt is set into the waist on the bias and this makes the chiffon seem to float around you and feel light as air. At the very bottom hem there is a ribbon of purple velvet to finish. The dress is not 100% perfect but still sound and very beautiful. Please review the condition notes below. This is a once in a life time opportunity to own a marvelous and very rare example of one of Thea's best work.

The dress is lined in a tissue silk. The museum staff added structural support under each arm in the interior (photoed). You can see a small amount of thinning to the exterior (also photoed) and the inner addition of fabric was done to stabilize this. The hem is finished with parts of it being longer than others. The interior lining shows fading and marks but is sound. Finally there is evidence of some repairs to the skirt and neck tie. All as found and in the condition exhibited it. All of this has been taken into consideration when pricing.

Bust: approx 15.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of bodice to waist
Skirt: is slightly shorter in the front at about 31" and the back goes to about 37" from slight empire waist to hem

Modern Sizing Equivalent: XS (through the bust this is a true size 0)

Item# DD2954

Reference Photos: (1-2) Nicole Richie in Thea Porter, 2006.  /  (3-4) From the 2015 "Thea Porter, 70s Bohemian Chic" Exhibition at the Fashion and Textile Museum.  /  (5) Vogue, April 1970.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Givenchy Haute Couture dress is as chic and wearable now as it was when first made. It is entirely finished by hand and would have been made under the direct supervision of Hubert de Givenchy himself. Haute Couture is the very pinnacle of the fashion experience and this is a wonderful example of his work.

The dress is a stunning affair made of a brown silk chiffon that has dots covering its surface. Each dot is made form a metallic lame thread woven through the silk and these vary in color from gold, to silver to copper.  This gives the dress a beautiful glow in the light as you move. The construction details are wonderful. The bodice has been pleated by hand to create a series of vertical pleats that run down the center of the dress at the front and the back. On the sides of the dress the fabric is left unpleated and this small detail adds tremendous texture to the dress. The shape is loose and easy so it can be worn by almost any body type. You could also add a belt to change the shape if you wished. It falls to the hem in a column of light silk. The sleeves are soft and full above their buttoned cuffs and the collar is accented with a squared off mink fur collar. No shortcut was taken in the construction and it is a stand out piece. Proper Haute Couture label and numbered tape. Excellent condition.

The dress is lined in a hand set brown silk with the sleeves unlined. It closes on the interior silk lining with a hidden hand set, painted metal zipper that is hidden under the edge of the pleats at the back. The sleeves button to close.  Finished to Haute Couture standards and entirely done by hand. Haute Couture tape label #59349

Sleeves:  approx 25-26" but there is no set shoulder seam
Shoulders: approx 15" but there is no set shoulder seam
Bust: to 17" flat across from side seam to side seam
Inner lining waist: to 17" flat across from side seam to side seam
Inner lining hips: to 21" flat across from side seam to side seam
Length: 51" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML, maybe a MED if the bust works

Item# DD2936

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I always love finding a great example of Pauline Trigere's work and this dress is one. The first thing that strikes you when you pick this up is that it weighs far less then you would think. You tend to think velvet will be heavy but this is a fine silk velvet fused onto silk chiffon and this allows for that feeling of lightness and movement that the dress has. Once on it is heavenly to wear. I love how she has used the curving design of the velvet bits to define the dress and "shape" the body. When you see this dress on the hanger you don't realize just how fabulous it is. It is only once on that you really see the masterful way she used the cut and drape of the fabric to create a kind of subtle sexiness. You are really only covered by a layer of nude chiffon that lays under the transparent silk chiffon between the fused velvet. But at the same time the two layers are enough that you do feel covered. The sleeves are not lined so you get a more blatant glimpse of skin through the fabric. The neck is high and there is an attached tie there. I have shown it loose and easy but you could add a belt or sash to give it more curves. It is elegant and regal but sexy. Excellent condition.

Fully lined in a nude silk chiffon except for the sleeves and closes with a painted metal & nylon zipper. Each sleeve has an individual zipper at the cuff. Hand finished and beautiful construction. Light padding in each shoulder

Sleeves: 26"
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 15.5" from neck to waist
Length: 41" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2875

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have seen one other of these ever and I suspect this particular design was made in very limited quantities. The tag is number #8/BO and I suspect the number detonates the production model number. I can confidently date it to just after 1987 as it has a Fred Hayman Beverly Hills tag which came into being that year.

The dress is pristine and even the tags inside are still crisp and brand new looking. Azzaro was a beloved label and worn on a regular basis by women like Raquel Welch, Sophia Loren and Marisa Berenson. It was a label that defined sexiness and had a certain French flare that women world-wide loved. Loris launched his label in 1967 and quickly defined his trademark looks with color, ornate beading  & Sequins, daring cut-outs and avant garde ways of defining the body. This dress is as over the top as you can get and yet works. It is a figure hugging sheath covered in a dense  application of hundreds of thousands of cooper sequins. Once on these glow in the light and seem to take on a life of their own. It covers you from head to toe with long slim sleeves and a body conscious cut. The back skirt extends a little longer and has modified, slightly trained mermaid cut. The top is wonderful. Both the back and front plunge with the sequins forming a little peak. A iridescent copper silk taffeta is pleated and fanned out and around the shoulder on both the back and front for the most dramatic framing of the shoulders and face. It is truly a magnificent piece and one that will stop people in their tracks. Excellent condition

Fully lined in a copper silk and closes with a back painted metal & nylon zipper. Each sleeve has its own individual zipper at the cuff. Tagged a 38. the fabric has a little stretch as it is bias cut.

Sleeves: 23.5"
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 17-19.5" flat across from side seam to side seam
Length: 60" from shoulder to front hem, 63" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD2874

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Char label is one of the best of the hand made leather goods labels from the sixties and seventies. It has a cult like following because of the quality and sheer fabulousness of their pieces. This skirt is wonderful and an excellent example of their work. They hand-dyed their textiles using colors that instantly make you think of the desert and they loved to use a combination of suede, leather and deer skin that they hand cut and whip-stitched into place. Here they have made a fabulous wrap skirt that has a wonderful patchwork landscape scene that goes all the way around the entire skirt. Char made these pieces, by hand from approx 1968 to about 1975-76 in Mexico. Some of the best leather craftsman in the world were there at the time and the piece made are fantastic. A really unusual piece. Excellent condition

Unlined, hand made and whip-stitched. It closes with a combination of hook & eye and leather ties. You could easily adjust the hooks and ties to fit a variety of sizes. I have given the measurements of the back seam to seam but you can easily go up or down a couple inches in either direction. It shows normal patina for leather of this age with the occasional scuff and wear that just adds to its authentic vintage feel.

Waist: 12" (variable with ties)
Hips: 18" (variable with ties)
Length: 22" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# S791

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have this in both a taupe-chocolate and black, and I think they are very chic. They have that cool, sleek minimal feel that Halston excelled at. The longer cut makes them incredibly versatile as well since you can wear it as a top or layer it and use it as a long, fitted cardigan. This is the brown version and it is made of a stretch jersey in two weights. A heavier, more opaque version is used for the front and sides and then a lighter, semi-transparent version gives a sexy twist to the sleeves and back. These fit skinny and fitted and were a bit tiny on my mannequin, hence the low button front. They do button up one more from what you see. It is insanely comfortable once on and very sexy. Excellent condition

Unlined with an opaque front and sides. The sleeves and back are semi-transparent. Buttons to close at the front and there are two buttons on each cuff.

Sleeves: 26.5"
Slightly inset shoulders: 12.5"
Bust: 15-17" flat across from side seam to side seam
Waist: 12.5-14.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 30" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S758

Reference Photos: Halston pieces from The MET Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This particular coat from the Givenchy label is not only wonderful but a little unusual. It is made of an unusual fabric that feels almost coated. I think its a cotton mix that has been finished with a waterproofing material perhaps. This gives it a really odd texture that is not unpleasant just different. Its hard to describe but when you have it in your hands you will agree I am sure that it is unique. The treatment of the fabric also helps it to keep its wonderful structured feel and the soft taupe and white abstract pattern combine it make it a fabulous statement piece. The effect created by these two elements is dramatic and beautiful. The coat itself has classic lines with a pretty notched collar and an A-line cut through the body. It is extremely well made with a silk taffeta lining and all the buttons are properly finished. I love the thick round silver tone buttons that run down the front in a double row. It is absolutely gorgeous in person - better then the photos portray. Excellent, appears unworn condition

Fully lined in a chocolate silk taffeta. Proper finished buttonholes and interior buttons to keep it perfectly in place when buttoned. Appears unworn. Hand finishes. Tagged a vintage 38 but please check measurements

Sleeves: 22.5"
Shoulders: 14.5"
Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 40" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# C414

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is from the famous Russian collection from the Fall/Winter of 1976-1977 and these are rare and hard to find. The now legendary 'Russian Ballet and Opera' or 'Opéra Les Ballets Russes' Haute Couture collection by Yves Saint Laurent for Fall/Winter 1976/1977 was one that took the fashion world by storm and has been endlessly re-interpreted since. Here we have a leather and fur coat from the Yves Saint Laurent Fourreres line and it combines the practical with all the style and chicness that the Russian collection inspired. These leather and fur versions are rather rare and this particular coat is in exceptional condition. The leather is a soft lamb and the edges and dull upper inside bodice lined in a deep chocolate fur that is very soft and fine. I love how all the  edges are top stitched with a deep red thread, placed to emphasize the lines of the coat and give it that Russian Cossack feel. Highly polished buttons close the coat down the front and the skirt is amazingly constructed with lots of fullness. It really transforms when on a real girl and is just wonderful. Amazing and rare piece of fashion history. In excellent, museum quality condition.

The upper bodice and cuffs are lined in fur and the sleeves and skirting of the coat are quilt lined. It closes with the buttons at the front. Tagged a vintage YSL 44. It has been specialty cleaned.

Sleeves: 24.5"
Shoulders: 16.5"
Bust: 20.5" flat across from side seam to side seam
Waist: 18.5" flat across from side seam to side seam
Hips: 25-26" flat across from side seam to side seam
Bodice: 19.5" from neck to waist
Skirt: 29" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# C404

Reference Photos: (1) The Peasant Collection 1976 as photographed by American Vogue  /  (2) Coat from the MET  / (3) Catherine Baba at the S/S 2017 Haute Couture Shows in Paris. (Top Photo by Nabile Quenum; Bottom Photo by Phil Oh)

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful silk blouse was produced and made by hand by the Chanel atelier. It is a true, numbered Haute Couture. Haute Couture is the very pinnacle of the fashion experience and I would hazard to say that vintage versions are even a little more special then modern ones. This piece comes direct from the daughter of the original Haute Couture client so has not been on the market prior to this.

The top is amazing and has a beautiful and classic cut and silhouette that is and will remain timeless. It is entirely done by hand and the silk is of the highest possible grade. It feels stupendous on. The top is loose fitting and the sleeves slightly voluminous above their deep French cuffs. I love the play on the tuxedo shirt through the panels of fabric that run down the front and hide the off-set buttons and snaps that close it down one side. It is truly a brilliant piece that when you see it in person you will be astounded at the level of craftsmanship and care put into the construction. A masterpiece. In excellent overall condition.

Unlined with all interior seams hand finished. It closes with hand set, hidden buttons at the front side and a series of silk covered snaps. French cuffs, however they do not have the buttons - it did come with one french cuff link but they are not marked Chanel so I cannot be sure if it is original - I will send with it regardless . My client recalls her mother wearing these with jeweled cuffs and we suspect she ordered it without buttons since she wore her own jeweled version. Entirely hand done as one would expect from Haute Couture. I see a very very slight color change here and there but only if inspected in certain light - at first I thought this was a play of the light and fabric. I have priced it accordingly but do not think this impacts it all when worn.

Sleeves: 23.5"
Shoulders: 13"
Bust: 18.5" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 26.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S727

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love Geoffrey Beene's work during this time period and this particular dress is just divine. Really a special piece. The workmanship is very fine and it is surprisingly light weight  while still keeping a sculptural feel to it - a tough balance to keep when you put this many details into a piece. The body of the dress is made of a fine black silk crepe, with the bodice and sleeves entirely covered by deep copper sequins. The sequin work is quite beautiful and they are applied in dense overlapping rows making the fabric seems almost liquid as it moves with you. It is cut full through the bodice so just skims over the bust and that curves inset of black between the sequins creates length and slimness. The extensive seam work that runs up that curved part and opens into the waist is amazing. These flat sewn pleats open into soft curving gathers that create the shape of the waist. From there the skirt skims over the hips to the hem. It is really an amazing dress and a testament to Beene's genius. Excellent condition.

Fully lined in a fine black silk and closes with a back hidden set zipper. Each sleeve has a hidden set zipper at the cuff. Exceptional interior finishes. Rounded padding in each shoulder

Sleeves: 23.5"
Shoulders: no true defined sleeves
Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2394

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.