Jean-Louis Scherrer started off working for Dior in 1955, leaving there when Yves Saint Laurent was appointed to the head designer position. He then joined Louis Feraud and stayed there until launching his own couture label in 1962. He was known for his evening wear and soon had a loyal following. In 1971 he launched his ready-to-wear line. The earlier pieces especially were extremely well made and often had many hand finises throughout like this dress does. The construction of this dress in particularly is closer to demi-couture then RTW.

This is the dress you want when you really need to make an entrance and take center stage. It is completely covered in sequins. Every square inch of the exterior of the dress is covered in tiny hand placed and applied sequins. The main color is a pale silvery-gold and then there are copper sequins mixed in to give it that flame effect that you see. The combination of these form an incredible design that covers the entire dress. I call if the 'flame' dress because the shapes at the hem and the way the copper sequins are done, suggest flames scattered over the dress. The bodice is cut into a halter style and the straps curve up and behind the neck. This leaves the back completely bare and open. The dress skims over the waist and hips and then falls to about the ankles depending on how tall you are. The jagged hem lets you see a touch of skin underneath and this is deliberate so that there is no missing out on the incredible way the hem is finished with it jagged little ends. Even these have each been covered in sequins by hand. It is an incredible piece and looks to have been worn very little if at all. Excellent condition

Fully lined in an ivory silk and closes at the back with a metal and nylon zipper. It hooks to close at the back of the neck. It appears to have been worn very little if at all. Hand finishes throughout

Bust: 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: approx 58" from top of neck to longest point at the hem

Modern Sizing Equivalent: SML-MED

Item# DD3411

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The dress is a beautiful example of the level of work being done in the world of Haute Couture during this time period. It is entirely made by hand and the silk is of the highest possible grade. It feels stupendous on. The top has a plunging V neck front and cinches down to a defined waistline. The shoulders have a slightly squared off feel to them that gives the fitted silhouette a strong nod to the forties. Indeed the entire dress is in homage to the 1940s. The skirt narrows around the hip and ends just past the knee for the perfect lady-like fit. Balancing that is a fitted cut through the waist and V neck that hints at an underlying sensuality. I love the floral print with its pink color palette. It is stunning and as vibrant now as when it was made. Jean-Louis began his Haute Couture atelier in 1962 after working first at Christian Dior and then at the house of Louis Feraud. His gained strong cutting skills while at Dior and you can see that influence in beautifully tailored couture pieces like this dress. His Haute Couture pieces rarely come to market so each is very special. A wonderful dress and when you see it in person you will be astounded at the level of craftsmanship and care put into the construction. A masterpiece. Excellent condition.

Unlined with all interior seams and edges hand finished. It closes at the back with a handset, fine painted metal zip. The attached belt at the waist closes with hook & eye. Small padding in each shoulder. Each cuffs zippers to close. Appears unworn  or to have been worn very little. Finished to Haute Couture standards and entirely done by hand. Haute Couture number 000332

Sleeves: 22"
Shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 27" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2472

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean-Louis Scherrer was a Parisian fashion designer and couturier. He trained under both Christian Dior and Yves Saint Laurent while at Dior. He worked briefly for Louis Feraud and then launched his own fashion house in 1962. From 1962 to 1992, Jean-Louis Scherrer dressed some of the most prestigious women in the world, including Jacqueline Kennedy, Princess Paola of Belgium, Sophia Loren, Raquel Welch and many more. His work was known for known for  being opulent, with hand-beading, embroidered and lavish trimmings, all done on the very best of fabrics. It is wonderful to have such a beautiful piece of his work in the shop

This dress is exceptional and a remarkable example of Mr. Scherrer's work. The color is amazing. A bright spring green is mixed with a slightly deeper green and a white to create the floral print that you see. This is screened onto a fine silk gazar that has a secondary floral print woven directly into the silk, adding to the rich feel of the fabric. The skirt is wonderfully full with yards and yards of bias cut silk. This floats over a series of inner silk and tulle skirts that create shape and volume. The bodice is constructed so that it has the feel of a sculpted evening jacket but it is fully attached. The collar is set so that is sits slightly raised and frames the neck. It is also cut wider across so you get this lovely glimpse of the collar bones before it plunges into a mid-V at the front. Large bejeweled gripoix poured glass buttons detail the front. The sleeves taper in as they near each wrist. The waist curves in with a beautiful line and then flares over the hips, curving down and around the back. An attached half belt that is finished with a bow adds additional shaping through the lower back. It is beautiful and has a lovely formal feel but without feeling too stuffy. In excellent condition with one minor note to review below

Both pieces are fully lined in in a fine deep green silk. It closes with middle set zipper at the back and each sleeve has a zipper at its cuff. Under the buttons at the front are hidden hand set, silk covered snaps. The skirt has an two inner skirts, one of which has a tulle layer attached starting just under the hip. Hand finishes. There is one small repair and small marks near the hem of the back skirt near the side seam. Please see the last photo provided here

Sleeves: 22"
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 13.25" flat across from side seam to side seam
Innermost lining hips: 19.5" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 44" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3279

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

At the age of 31, Stephane Rolland took over as Artistic Director for the Jean Louis Scherrer Haute Couture atelier, making him the youngest of the 20 official couturiers at the time. That was in 1997 and he continued as the head of the Couture division until the last showing in 2005 when the house closed is couture atelier. This gown is from the Fall 2001 Haute Couture presentation and is the actual runway defile sample presented and worn on the runway, Look 7.

I love when I have any Haute Couture piece in the shop and to have the actual runway sample is even that much more amazing. The dress is glorious and nether the photos on the mannequin or the runway photos really do it justice. In person the impact of the layering of the red silk gazaar panels that are hand set to overlap and cover the entire dress from bodice to train give it far more depth and texture then even the photos can convey. It also moves wonderfully and is very sexy. The main body of the dress is cut above the knee and then the dress forms and flows around this. Trailing out and behind you is a massive train of fabric that has an almost organic feel to it with its ever increasing sized patches of red covering its surface. The bodice peaks up on one side and is highly corseted and structured inside to firmly hold the dress onto the body and give you shape. The skirt is a masterpiece  with its beautiful lines and flowing cut. It is an incredible piece of modern Haute Couture. Excellent condition with one small note to review below.

Fully lined in a red silk and closes with two zippers, one on the inner highly structured, formed, boned and shaped corset and the second on the outer layer of the dress. The skirt is lined in a red taffeta. Hand work throughout. The hand written runway sample tag is present. There is some deepening of the color/ marks on some of the squares of silk that make up the train and general grubbiness. Nothing that detracts once the gown is on. Otherwise it is immaculate. It is Couture runway model size tiny - probably closest to a true zero

Bust: 15-15.5" flat across from side seam to side seam
Inner waist: 11.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Inner dress length: 26" from top of bodice to hem NOT including panels that go over the edge of the dress a bit above and blow the actual inner structure
Length including train to the very longest point:  Approx 92" from top of bodice to final tip of the train

Modern Sizing Equivalent: XXS-XS

Item# DD3054

Reference Photos: F/W 2001 Jean Louis Scherrer Haute Couture Runway Show.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

At the age of 31, Stephane Rolland took over as Artistic Director for the Jean Louis Scherrer Haute Couture atelier, making him the youngest of the 20 official couturiers at the time. That was in 1997 and he continued as the head of the Couture division until the last showing in 2005 when the house closed is couture atelier. This gown and feather cape is from the Fall 2004 Haute Couture presentation and is the actual runway sample that was presented and worn on the runway, Look 35

I love when I have any Haute Couture piece in the shop and to have the actual runway sample is even that much more amazing. The dress is absolutely stunning and neither the photos on the mannequin or the runway photos really do it full justice. In person the impact of the color of the blue silk and blue feathers of the cape is far more then what a photo could ever convey. It is made up of yards and yards of silk chiffon and this creates the most beautiful movement when you move. The silk is set to flow down from the structured bodice and is as light as the air so that it billows and flows around you as you move. It is very sexy and made more so by the way the silk is wrapped and secured to the base of the bodice structure. It is down to leave a slit that opens almost scandalously high when you walk or sit. .The silk through the skirt is also unlined so it has a sense of semi-transparency to it. It is meant to be worn with just a body suit underneath so that you are just draped in silk and nothing else. The bodice is highly structured and formed with a full inner structured boned and shaped bodice that zips to close at the back. It is highly corseted and structured inside to firmly hold the dress onto the body and give you shape. I absolutely love the way the back is shaped to be more like an attached cape then anything and it also creates a trained feeling behind you. Topping this masterpiece is a unstructured capelet that you just hold in place. It is covered in hand dyed feathers and adds the final touch of absolute glamour to an already high glamour ensemble. It is an incredible piece of modern Haute Couture. Excellent condition

The bodice is fully lined in a blue silk and closes with a back zipper. It is a highly structured, formed, boned and shaped corset and is wired around the inner top as well. The skirt is unlined. Hand work appropriate to runway sample level work throughout (see the photo after the tag for the way it is hand tacked onto the main corset. The hand written runway sample tag is present. The father cape is back in a black silk and the feathers are hand applied to a white organza on the front side. There is a little loop for your hand and for hanging it. It is Couture runway model size tiny - probably closest to a true zero or even less then that!

Bust: 14.5-15" flat across from side seam to side seam
Inner waist: 12" flat across from side seam to side seam
Hips: open
Inner corset: 10" from top of bodice to inner edge at the waist
Length: 57" from top of bodice to shortest point of the front hem, 61" from top of bodice to longest point of the back hem

Modern Sizing Equivalent: XXS-XS

Item# DD3122

Reference Photos: F/W 2004 Jean Louis Scherrer Haute Couture Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

At the age of 31, Stephane Rolland took over as Artistic Director for the Jean Louis Scherrer Haute Couture atelier, making him the youngest of the 20 official couturiers at the time. That was in 1997 and he continued as the head of the Couture division until the last showing in 2005 when the house closed is couture atelier. This gown is from the Spring 2000 Haute Couture presentation and is the actual runway defile sample presented and worn on the runway, Look 16. This particular collection is very poorly documented and I have included reference photos of a similar gown using comparable techniques from the Fall collection of the season before so that you can get a sense of how it sits on the body.

I love when I have any Haute Couture piece in the shop and to have the actual runway sample is always wonderful as it truly represents the designer's vision. The dress is even more stunning in person and the photos really can't do the impact that the head to toe silver mesh and sequins justice. In person the entire dress shimmers and seems like some kind of fantastical second skin as it flows over the body. It has the slightest hint of transparency to it which is very sexy and adds to the allure of the gown. The fabric is an actual silver metal mesh with hundreds of thousands of silver sequins hand applied to cover every inch. It is cut with a classic one shoulder silhouette from which the dress flows down and over the body to highlight every curve. It is cut long and with a slight train that add to the illusion of height. The bodice curves up and over one shoulder and then the mesh acts like a bias cut fabric on the body and hugs and moves with you as you move. Onto the dress are hand applied, ivory dyed horsehair detailing that cure around the body and create a Haute Couture fantasy. The dress is a masterpiece  with its beautiful lines and flowing cut. It is an incredible piece of modern Haute Couture. Excellent condition

Unlined and closes with hidden set back zipper.  Hand work throughout. Unlabeled. This is the actual runway sample worn on the presentation. The fabric gives it the flexibility of a bias cut so has a bit more range of sizing them a more structured piece would have. It weighs several pounds because of the metal mesh used.

Bust: 16-17.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Length: approx 63" from top of shoulder to the front hem, approx 69 to the back hem including the train to the very longest point

Modern Sizing Equivalent: XS-MED

Item# DD3058

Reference Photos: F/W 1999 Haute Couture Jean Louis Scherrer Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean-Louis Scherrer was on of the great French couturiers in the grand Parisian style. He counted Sophia Loren and Jackie Kennedy as fans in his heyday and his work in the 1970s especially was wonderful. Opulence, hand beading and rich passementerie were his trademarks. He launched his own Haute Couture house after working at Christian Dior and stayed there until his dismissal in 1992. By that time period he had sold out all but 10% of his company. In 1977, the year that this gown was made, he was just reaching the top of his game as a couturier.

This dress, with its matching ruffled silk shawl, is tiny but perfect. I love the soft yellow silk organza that has been used for the skirt and the shawl. This choice of fabric allows it to have the volume that you see but without adding any weight at all. The skirt is cut to skim over the hips and that drops to that first extravagant ruffle. There are three ruffles in total that circle the skirt and each is wide and has yards of fabric in them. The skirt under the ruffles gradually widens as it reaches the hem. The movement and airiness the skirt creates in person is amazing. The shawl is made of the same silk as the skirt and is very long and finished with the same ruffled treatment we see on the skirt. It can be wrapped or just lightly held. Once this is removed that bodice of the dress is revealed and here is the true magic. It is strapless and fitted to the bust which balances against the volume of the skirt perfectly. Tiny sequins are hand placed to create that stunning floral design that you see. The edges of the green sequin leaves are done in the smallest glass tube beads. Little glass crystals edge other parts of the design and create a border across the top of the bodice. The workmanship is exquisite and the care and time to have created the design using only the finest, smallest of beads and sequins is astonishing. The entire dress is finished to Haute Couture standards and it is even more beautiful in person. Excellent condition with a small note to review below

Fully lined in the same silk organza that is used on the exterior. All of the work throughout is done by hand done to the edgings of the inner seams. It zips to close with a painted metal zipper and the exterior skirt snaps to close over the zipper. An inner waist stay hooks to close. The bodice is lightly boned. It will of course close all the way but was small on my dress form. I see one tiny dot of a mark just under the bodice seam and a tiny repair near the base of the back closure. Numbered tag 002576

Bust: 15" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 9" from top of bodice to waist
Skirt: 42" from waist to hem
Shawl: 9' long x just over 5' wide

Modern Sizing Equivalent: XXS-XS

Item# DD3393

Reference Photos: (1) 1976-1977 Fall-Winter Women's haute couture runway show.  /  (2) Jean Louis Scherrer with model, 1977.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.