• The twin of the dress was presented as Look 20 in the Spring 2021 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
• “Everything we do is about fantasy and dreams, but we are located in a moment, and we are a part of what is happening now,” said Kate. A fanciful gown, both designers agree, has little place in today’s world, so instead they channeled their efforts into clothing they would want to wear now “without distilling the ideas".... Vogue continued their review by noting that the floral story continues in the 1940s dresses they played with last season, now relaxed in shape with prints that radiate from the navel or appear in handkerchief-like grids.
• Its twin was worn by Kourtney Kyung Smith and Anya Taylor Joy also wore one to the Venice Film Festival that year. Liz Gillies wore one while in character for Dynasty. 
• The dress is absolutely exquisite and really showcases the charm that the Rodarte collections have and why people love collecting them.
• With its pretty combination of white, pink and red this might also make a fantastic dress for a bride for one of her events around her ceremony.
• The dress is made out of the perfect white and pink bias cut silk that is a beautifully light in weight. It is very soft and supple and the bias cut lets it glide over your curves once it is on. 
• Onto the white and pink base is a gorgeous print that features tiny pink flowers ad black bows nestled among green leaves and dots. These are set in large medallions that cover the entire dress.
• Tiny black silk straps curve up and over the shoulders. The front dips into a shallow V and the back also dips into a V that is set lower for a bare expanse of skin to show above.
• The bias cut lets the dress skim over your bust, waist and hips to fall to the floor. It flares out prettily at the hem and this give it beautiful movement when you walk.
  
• A little silk flower in a pretty pink sits at the base of the V of the front. The flower is detachable so you can move it to where it sits on you best.
• The dress is unlined and slips on to wear with no closures. The flower pins into place and is also labelled at the back. The dress is in its original uncut length. I see a tiny bit of grubbiness near the hem in a tiny hole near the seam at the back of the hem. It doesn't look like the dress was ever worn otherwise so this is probably from improper storage. Please see the photo after the label shot. The bias cut allows for some give so I have put the comfortable range while lying flat below. The length may come up a bit because of the bias cut once it is on the body.
• Tagged a modern Rodarte 
• Excellent condition

Bust: 14-17" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 17-21.5" flat across from side seam to side seam
Total length: 66" from top of the shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD5276

Reference Photos: (1) Spring 2021 Rodarte, Look 24.  /  (2) Model in Rodarte photographed by Kourtney Kyung Smith.  /  (3-4) Anya Taylor Joy at the Venice Film Festival, September 2021.  /  (5) Elizabeth Gillies in the show Dynasty, 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a great Valentino over lay skirt that dates to the 1970s or 1980s and is from the boutique label.
• It was made under the creative direction of the original Mr. Valentino
• Valentino launched his ready-to-wear label in 1962 just two years after opening his first salon in Rome. He often brought in the designs that he created for his main couture label into the boutique work. In these early days pieces were remarkably close in quality and the line between the two labels was often blurred. 
• The skirt is made out of a deep pink and black silk chiffon in a oversized floral print that is gorgeous.
• This was meant to be worn over something else and it is fully opened down the front from the waist to the hem.
• The waist is banded and hooks at the front to close. The silk falls to the floor from there. There is a tremendous amount of silk in this piece so it has a lot of movement around you when you move. 
• I love that you can wear this over everything from boy shorts, to a short or full length skirt, pants, or even a swimsuit. The styling options are endless.
• The overlay is unlined and closes at the front waist with three hook and eye. Under that it is fully open to the floor. Because of how it opens at the front, you could easily make it smaller and there is an inch of fabric that you could use if you needed to make it bigger.
• Tagged a vintage Valentino 8
• Excellent condition
  

Waist: 12" flat across from side seam to side seam
Hips: open
Total length: 47" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD5269

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The skirt dates to the 1960s and is from Scassi's main label
• It was made under the creative direction of Arnold Scaasi
• Scaasi was born Arnold Isaacs in Montreal and the name Scassi is simply his own surname in reverse. He apprenticed at the house of Paquin and then worked with the legendary Charles James. In 1964 he opened own couture salon. He dressed Hollywood stars like Lauren Bacall, Diahann Carroll and Elizabeth Taylor along with  several first ladies. He even once bragged that he refused to give Jackie Kennedy clothes for free. He was the man behind the scandalous 1969 Barbra Streisand sheer trouser outfit that she collected her Oscar in, and he was presented with the Council of Fashion Designers of America Lifetime Achievement Award in 1996. In 2010, The Boston Museum of Fine Arts, who hold the bulk of his archives, launched an exhibit of his work titled "Arnold Scaasi: American Couturier"
• Pieces from his main label were made to order and done to demi and couture standards. 
• There are certain pieces that you come across that seem to go beyond just a piece of clothing and start to belong to the category of being a piece of art. This skirt qualifies. It is one of the most unusual and exceptional pieces I have seen.
• It is almost camp in feel and yet it has an incredible craftsmanship at the same time.
• It is made from looped tufts of wool in a pink, coral, deep burgundy and pale purple, that are independently attach by embroidery to a silk ribbon background. That silk ribbon is then sewed together and stacked row by row with a tiny gap left between each row. This creates this amazing sub-texture underneath the yarn.
• The yarn detailing is set horizontally and they puff out from the skirt so that it has a 3D feel.
• At the waist is a wide red grosgrain ribbon that sits in a bow at one side.
• Under the nipped in waist the skirt falls on an angle to widen out quite a bit by the time it reaches the hem. It somehow manages to stay both soft and feel structured at the same time.
• It is not unwieldy to wear but it does have the feel of substance. 
• Inside it is hand lined in a fine red silk.
• Fully lined by hand in a fine red silk and closes at the back with a zipper and then hook and eye at the banded waist. All the work is done by hand and all of the yarn has been done by hand and applied to the silk ribbon behind it.
• There was no size tag present so please go by the measurements listed below
• Excellent condition 
  

Waist: 12" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 36" from waist to front hem, 38" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5267

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was worn by Noemie Lenoir in 2006 and I love that this shows you just how phenomenal this is once on the body.
• It was made under the creative direction of Roberto Cavalli
• The dress is made from an ivory silk jersey that has an extensive floral pattern in pink with a little bit of gold fused onto the top of the fabric to create that tremendously beautiful print that runs over the entire dress. This is all draped over an inner white body suit that gives you inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a silk chiffon that has the same print as the rest of the dress. This gives you the very slightest bit of transparency on that side. 
• The flower print that covers the dress is so pretty and romantic. I love it.
• The inner white bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. I see some tiny and very minor snags on the skirt here and there. There is so much fabric you would never see them once this is one but they are mentioned for accuracy.
• Tagged a Cavalli 42
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Seam under the bust: 14" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: 16-19" flat across from side seam to side seam
Bodice: 12" from top of shoulder to the seam under the bust
Total length: 55" from top of shoulder to the shortest part of the hem at one side and the other side extends another 25" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5261

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 1987 season.
• It was made under the creative direction of Yves Saint Laurent.
• It is absolutely sensational and I am very pleased that we found photos of it on the runway so you can see how dramatic and amazing it is on the body. He could really push the envelope with some of his designs and this particular dress is a nod back to some of the work that he was doing in earlier decades but in that best of the 1980s kind of way.
• This is not a dress for somebody who does not want to stand out. I think the person that will wear something like this has a certain way of moving through life and doing her own individual thing.
• It combines a brilliant pink silk that has a secondary pattern running through it that catches the light from every angle. Onto that is a black floral pattern that covers the pink. He has used this through the body of the dress and for the very bottom part of the skirt.
• The rest of the dress is made from a sequin detailed lace with black ribbon that has been applied over that for this wonderful layered effect. The texture that all these things together achieve is fantastic and I love the way it catches the light.
• The neckline is cut wide across and the shoulders are soft. The arms are unlined so you see a peak of skin between the net lace, sequins and ribbon detailing. More of the lace goes across the top of the bodice at the front and back. For this part of the dress he gave it a backing of black silk organza so you have just a touch of transparency.
• The pink is set in just at the top of the bust and it is gathered along that seam for extra detail. Those gathers also allow for the dramatic volume that you see through the body of the dress to the top of the hip. Under that is band of the black and there is elastic running through the top of the hip so that you can adjust it up or down and change the length of the dress. The very bottom part of the skirt is a little soft and flirty band of the pink silk.
• It is a very rare and special piece of YSL history.
• The dress is fully lined in a black silk through the body and the lower lace panel. There is black silk organza behind the upper bodice and then the lowest part of the skirt and the sleeves are unlined. It closes at the back with a zipper and each sleeve zips to close at the wrist. It appears to have been worn very little if at all.
• Tagged a vintage YSL 40.
• Excellent condition.

Sleeves: 27" and they are 12" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: open
Hips: 16-19" flat across from side seam to side seam
Total length: 36" from top of shoulder to hem and can be adjusted to sit shorter

Modern Sizing Equivalent: SML-MED

Item# DD5258

Reference Photos: Fall 1987 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress dates to the late 1980s and is mostsimilar to the pieces we see in the 1987 collection.
• It was made under the creative direction of Yves Saint Laurent.
• Yves could really push the envelope with some of his designs and this particular dress is a nod back to some of the work that he was doing in earlier decades but in that best of the 1980s kind of way. Its easy cut and open shape through the body is a strong nod to the pieces from the 1920s.
• The dress combines a brilliant pink silk with black floral patterned lace for the sleeves.
  
• The neckline is cut slightly wide across and the shoulders are soft. The neckline is bordered with a panel of the same silk and the fabric is gathered in along the edge on the front and the back. A buttons with two buttons at the back of the neck and this sits above a small keyhole slit.
• The sleeves are spectacular. They are made out of a very pretty floral black lace. The lace is unlined so you can see a peak of skin between the lace once the dress is on. I love that for the cuffs he used the same pink silk used in the body of the dress for a little contrasting pop.
• It skims loosely over the bust and waist and eventually joins a low set seam around the hip. If you wanted to wear the dress shorter, you could add a belt for a completely different silhouette. The very bottom part of the skirt is a little soft and flirty ruffle that is just under 9" wide and made out of the same pink silk.
  
• The dress is unlined and slips over the head to wear. It closes with two buttons at the back of the neck. Each sleeve has a loop and button to close. Its loose and easy fit should allow it to work on a range of sizes. The pink is slightly lighter than how it photoed here. These are meant to fit slightly oversized.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition.

Sleeves: approx 25.5" and they are full and open around the upper arm
Shoulders: no true defined seam
Bust: to 23" flat across from side seam to side seam
Waist-seam at hip: to 18" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5260

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Oleg Cassini started his career working for Jean Patou, opened his first shop in Rome and eventually moved to the US in 1936. He designed Hollywood costumes starting in 1941 and dressed Hollywood for decades. He also had his own label and was the designer of choice for Jacqueline Kennedy while she was the First Lady.
•  In 2003, The Council of Fashion Designers of America Board of Directors noted Cassini's extraordinary design achievements with their first ever Board of Directors Special Tribute.
• This dress is from his Black Tie label which was his ready-to-wear line in the 1980s.
• The dress is made of a pink silk chiffon and then that has been densely covered in iridescent clear sequins. Mixed in and around the sequins are thousands of little clear glass tube beads that have silver in their centres. The same tube beads are applied to form a border that runs over the straps and around the neckline.
• Pretty straps curve up and over each shoulder and the front neckline is scooped. The back is also scooped and set to sit a little lower so more of your upper back is exposed. My dress form is a bit short-waisted and the front neckline will fall properly on an actual body and will not be as low as it appears here.
• It skims over the bust and is shaped to come in slightly over the waist. From there curves back out over the hips. The skirt falls from there in a fairly straight line to the hem. At the back there is a slit that runs up the centre to allow you to walk easily.
• Inside it is lined in a pink silky rayon, and that combined with the pink silk chiffon of the outer layer, keeps it very light in weight and easy to wear.
• The dress is fully lined in a pink silky rayon and closes with a back hidden set zipper. I do see the occasional loose thread and perhaps a missing sequin or beadhere and there, but I do not see any bare areas.
• Tagged a vintage Cassini 10
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 59" from top of shoulder to hem and the slit is 21" from the ham up

Modern Sizing Equivalent: MED-LRG

Item# DD5254

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a dress from the Spring 2017 collection. It was not a piece shown on the runway but it was shown in the Lookbook for that season and has since become another of her iconic pieces.
• It was made under the creative direction of Pheobe Philo
• As with many of her pieces, this dress and the longer variation of it that were released, were loved by her loyal clients. We have included some photos for reference for you so you can see how this looks on the body.
• The knit has stretch so it is very easy-to-wear dress. This one is the slightly shorter length that has the added patchwork insets of extra colour at the sides. The longer length was a more monotone with the ivory hem. You can see the difference in the reference photos.
• The neck line is cut wider across the top and there is a slight seam that runs underneath the neckline where the striping has been offset for a little added detail. The sleeves are long and are slit at their wrist. There is a gusset set underneath each arm with the stripes set differently there as well.
• From there the dress skims over you to the hem. The stretch and ribbing allow it to expand and contract as needed as it follows the body. She has used seams to cleverly break up the stripes and change the direction of the ribbing. On one side there is an inset of a more densely woven knit that runs all the way to the hem for a block of extra colour.
• The front bottom portion of the hem and around partway to the back is finished with an ivory knit.
• The colours of the net are a pinky-red and an ivory. The way it has been knit creates a beautiful texture and colour over the entire dress.
• The dress is unlined and slips over the head to wear with no closures. It has its original tag attached and was never worn. The easy cut and stretch of the knit should allow it to fit a range of sizes.
• Tagged a Celine large
• Excellent condition

Sleeves: 26.5" from the drop show and are 8-12" around the upper arm
Dropped shoulders: approx 16" 
Bust: 15-20" flat across from side seam to side seam
Waist: 14-20" flat across from side seam to side seam
Hips: 16-26" flat across from side seam to side seam
Total length: 52" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5253

Reference Photo: (1) Spring 2017 Celine Look Book.  /  (2-3) Irina Lakicevic at SS18 Paris Fashion Week, October 2017.  /  (4) Credit unknown.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Due to new customs regulations this dress can only ship to a Canadian address 
• The twin of this dress walked the runway for the Spring 2012 show.
• It was made under the creative direction of Oscar de la Renta 
• On the runway it was styled with a white wrap that sat over the bust and arms and a heavily embellished belt. Once you strip those back and see the dress on its own you realize just how light and pretty the dress is.
  
• Oscar showed the collection in his new showroom on 42nd street. The space had yet to be fully renovated and this gave the atmosphere a raw edginess and the styling reflected that. Vogue called the evening dresses 'entrance making' and the show felt fresh and new from his work of the past few seasons proceeding this one.
  
• The dress is made from a pale nude pink silk base covered in netting. Onto this is an extensive floral applique made out of of silver sequins, silver metallic thread and silver lame insets
  
• The dress is suspended by two little piped silk straps that curve up and over your shoulders. They attached into the peaked fronts of the bodice. Front panels across over each other and then the back has a pretty dip that leaves the upper back bare and exposed.
• It cinches in at the waist and then curves out and over the hips.
• The skirt cascades to the floor from there and is cut slightly longer at the back so that you get a beautiful sweeping feel as you walk away. Onto the skirt is an amazing application of feathers attached onto the top layer of netting. These come up at the front and then widen out to circle all the way around the bottom hem. They curve back upwards at the back. Every feather is stacked and layered over the one underneath. The bottom of the skirt is very full so the combination of the lightness of the silk and netting and the amazing application of feathers create this phenomenal movement when you move.
  
• The dress is fully lined in a pale pink silk and there is light boning at the sides of the bodice. It closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern ODLR 0
• Excellent condition

Bust: 15-17" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 63" from top of the shoulder to front hem, 77" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5252

Reference Photos/Video: Spring 2012 Oscar de la Renta, Look 47. Model Kori Richardson.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The closest dress to this that we found is from Spring 1999 from the Couture collection. You can see the very similar shaping through the upper bodice in particular. We believe that this is be ready-to-wear a version of that.
• It was made under the creative direction of Thierry Mugler
• The dress is done in a pale pink that is perhaps a touch paler than how it photoed here.
• The dress is cut with Mugler's masterful eye and attention to detail.
• The openings for the arms are cut inwards towards the neck and the neck line is set on a beautiful curve. All the seaming on the dress is set either vertically or on a curving angle so that it enhances and highlights the curves of the body. 
• The bust and waist are created by the shaping of those beautifully curving vertical seams. I took a shot of the seams that curve over the hips as it is is really a part of what shapes the dress. Once on this emphasizes the curves of the body.
• It skims over the hips and then falls to the floor where the skirt widens out as it near the hem. The back hem of the skirt is cut on a slight downward curve so that it falls a little bit longer and gives a fantastic sweep at the back of the dress. 
  
• The upper portion of the neck line is detailed with a double layered panel of nude mesh. Onto this is a fantastic design that combines iridescent clear tube beads with iridescent mother-of-pearl finished plastic pieces that vary in size. These are all set to curve outward slightly and are in different sizes. It is a really pretty effect.
  
• It is an extraordinary dress that is rare and beautiful.
• The dress is fully lined in the same fabric and closes with a hidden set back zipper. I see one tiny very faint mark on the fabric near the seam of the neck line. Please see the photo after the label shot. There is very minor grubbiness and a tiny bit of fading around the hem. I see a stitch at the very base of the mesh at the front where there may have been one more additional plastic piece. All of these are very minor but mentioned for accuracy. The colour is a bit more of a baby pink than how it photoed. It is in its original uncut length.
• Tagged a vintage Mugler 42
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20.5" flat across from side seam to side seam
Total length: 61" from neck to the front hem, 63" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD5230

Reference Photo: Spring 1999 Thierry Mugler Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This amazing dress is from the Spring 1985 Haute Couture collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress would have been made completely by hand in the Paris atelier.
• The reference photo we found is of a version with a different sleeved, more covered bodice but has that same long front trailing panel down the front.
• The dress has a very Old Hollywood / 1940s feel that I love. This is an era that Yves often touched upon in his work.
• It is made out of a combination of a brilliant pink and a purple with a bit of a pink undertone. The fabric is a silk crepe that drapes beautifully once on.
  
• The front is cut across you and I love how the more purple toned silk has been draped and brought over from the sides to wrap all the way around the bodice. At the front he has created the illusion that you have simply tied the dress in place by draping it over itself at the front and then the fabric left extends down from under that all the way to the floor in a flowing panel.
• The skirt is gathered in under that to fall to the floor. As it reaches the hem it widens out so that when you move it has beautiful movement around you. 
• Tiny piped straps curve over each shoulder and then meet in the centre of the dress at the back.
• The dress is not perfect but is wearable if you do not mind that it does have some small flaws. Please make sure to read the full description below carefully. This is still an outstanding example of his work during this time period.
• The dress is fully lined in a pink silk through the bodice. The inner bodice of the dress is boned for support. It has its own side set zipper to close and then the dress closes with a zipper over that at the side. The purple panel wraps over that to snap and hook into place along the top of the bodice and at the centre of the front. The dress has fading and some marks throughout the purple parts. There are along the hem and it has been re-hemmed at some point. I see a couple of faint marks on the skirt but they are under the front tie once it is on. Please see the photos after the label shot. The actual silk is sound and stable. The dress could potentially be dyed if you preferred not to wear it as is. Sold as found and priced accordingly.
  
• There is no size tag present since it is a Couture piece. Please check the measurements below.
  
• Great overall condition.

Bust: 16-17" flat across from side seam to side seam
Inner waist: to 16" flat across from side seam to side seam and the outer waist is open
Hips: to 25" flat across from side seam to side seam
Total length: 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5229

Reference Photo: Spring 1985 Yves Saint Laurent Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is original Haute Couture piece dating to the late 1980s, early 1990s.
• The set was made under the creative direction of Emanuel Ungaro.
• This would have been completely made by hand in the Paris atelier.
  
• This is a stunning two piece set done in a pale pink silk that has a hint of a lavender undertone. The silk is very high-end quality.
• The top is a classic and easy tank cut. Wider set straps curve over the shoulder and the front is scooped. It has a full and generous cut through the body and flares out slightly at the hem. This is a piece you just slip on and it is very easy to wear. 
  
• Inside there are little handmade straps across the top of the shoulder that snap into placed to hold your undergarment perfectly. Every stitch is done by hand. Little hidden set hand covered silk snaps close the top up one side.
• The skirt has an inner band at the waist and it wraps over itself at the front. It closes with hand covered silk snaps and then has hook and eye at the side of the waist. It is gathered into soft pleats along the front and then is opened down its length where it wraps over itself at the front. When you sit or walk a certain way you get a bit of flash of bare leg. It is cut generously over the hips and then narrows down to the hem. The back is cut slightly longer than the front for a pretty line.
• The top is unlined and the skirt has a nude silk chiffon inner handset lining to just past the hips. The top has snaps up one side as described above and the skirt closes along the waist as described above. A teeny tiny bit of pulling here and there on the back of the skirt. All of the hand work is to Haute Couture standards throughout.
• There is no size tag present because it is couture so please go by the measurements listed below.
• Excellent condition

Top
Bust: to 19" flat across from side seam to side seam
Waist: 18.5" flat across from side seam to side seam and widens to 21.5" by the hem
Total length: 22" from top of the shoulder to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam. 
Total length: 44" from the waist to the longest point of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5228

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this look walked the Fall 2020 runway for Look 29. On the runway it was shown with a addition partial dress worn over it but once it hit the shops it was sold on its own and that added piece was sold separately.
• The dress was made under the creative direction of Alessandro Michele.
• Both Kylie and Rita Ora wore one in 2021 so you can get a great idea of it on the body.
• Vogue noted that "he took cues from “the perfection” of little girls clothes - pinafore dresses, school uniforms - and it seemed from the outfits of those little girls’ minders, nuns to nurses included." You can see that reference in this piece with its pinafore collar and front pleating but in typical Michele fashion he took that as a starting point and then upped the glamour with the added rhinestones and that phenomenal trailing over-skirt.
• One of the things I love best about this is that because it is three pieces you have many styling options with it. You can wear all or part of it and mix and match with other things you already own.
• The dress part of the set is a pretty dusty pink piece made out of a silk organza mix. A silk slip sits under that and I love that that inner slip is opaque enough that you could actually wear it on its own as a slip dress. With the inner slip being completely separate it also allows you to choose how daring you want to wear the dress. Over that is the spectacular over-skirt that wraps around the waist and ties at the front.
• The dress has a little lace collar with the house double G worked into the pattern. It blouses over you at the front and comes in at the waist. The waist is cut more generously and then you use the ties on the over-skirt to cinch it in as much as you want. If you are wearing the dress on its own you can leave the waist more loose and easy or add a belt.
• Running all the way down the front of the dress is a series of little pin-tuck pleats and then between those are wider pleats that have been gathered up in a diamond / marquis pattern and held in place by little prong set rhinestones. I love this little bit of added glitz.
• The sleeves are full with horizontally pleated cuffs. An elaborate handkerchief ruffle sits underneath that.
• Attached inside of the front insides of the skirt of the dress is an added panel in the same silk that hangs past the hem an extra 8.5". It is an unusual and pretty detail that is a nod to the aprons of a nurse or nanny. 
• The dress buttons to close down the back. The final button is set 22" above the back hem.
• The over-skirt is phenomenal and takes the dress from something that can be worn in the day or evening into a full on glamorous gown. It is made from a single layer of the same silk organza and is pleated vertically all the way down to its raw cut hem. A band runs around the waist and this extends into ties. You wrap it around you and slip it through the little belt loops around the waist of the dress and tie into place. It swoops out to create a beautiful trailing feel behind you.
  
• The inner acts as the lining and is fully separate from the dress. Little snaps at the shoulders hold it in place once it is on. The dress buttons down the back and then the skirt ties into place over that around the waist. The hem of the skirt is deliberately raw cut. The dress has a more pastel feel in person. All of the pieces appear to have never been worn.
• Tagged a modern Gucci 40
• Excellent condition

Dress
Sleeves: 25" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 58" from top of shoulder to longest point of the hem, 50" to the shorter hem

Inner Slip
Bust: 17.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 49" from top of shoulder to hem

Over-skirt
Waist: adjustable with the ties
Hips: open
Total length: 62" from the waist to the longest points of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5202

Reference Photos/Video: (1-5) Fall 2020 Gucci, Look 29. Model Johana Gavendova.  /  (6) Photo by Bruce Gilden.  /  (7) Kylie Minogue in Gucci, May 2021.  /  (8) Rita Ora in Gucci, February 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1998 Versace show.
• It was made under the creative direction of Gianni Versace.
• This is a rare and early documented example of his work.
• The dresses made of two layers of silk. There is an inner silk layer that is a bright vivid pink and then this is topped with a black silk chiffon that has a touch of transparency. 
  
• Onto the top black layer is an elaborate pattern made of silver metallic thread and little tiny silver sequins. This adds a subtle sparkle over the entire dress.
• Two triangles sit at the front bust and they are brought inwards at the neck leaving an open keyhole underneath. The straps circle around both sides of your neck and then meet at the back. They curve outwards to meet the sides of a full open scoop that leaves most of your back bare and exposed. 
  
• It skims over the waist and hips from there and I love the lingerie effect created by having the black float over the inner pink layer.
  
• The inner pink silk layer acts as the lining. The neck of the dress slips over the head and then the dress closes with a hidden set side zipper. When the dress is off the body the pink under-layer appears to extend past the bottom by a couple of inches but it is bias cut so once on it lines up as shown in the photos here.
• Tagged a vintage Versace 40
• Excellent condition

Bust: each triangle covers up to 8" flat across from side seam to side seam
Seam under the bust: to 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: approx 13" from neck to the seam under the bus
Total length: 60" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5194

Reference Photos: Spring 1998 Versace.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress that was shown over a nude stretch top walked the runway for Look 80 Fall 2016 collection.
• It was made under the creative direction of Pierpaolo Piccioli.
• It was also featured in an editorial that season.
• The dress is incredibly beautiful and it would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.
• The entire dress is made from a pale nude tulle netting that has just a hint of a pink undertone to it. It is lined in a matching silk so that is so opaque enough to wear.
• Scattered over the tulle of the entire dress are little combination of a silver sequin with a little clear bead topping the sequin. These catch the light from every angle and make the entire dress glitter in a pretty and subtle way.
• The dress is suspended from tiny net straps that curve up and over each shoulder. The front scoops across and the the upper back is bare.
• He has attached a panel of the netting all the way around the neck line and as it curves towards the back, it gets wider so it drapes down the sides and just passed the waist at the back. It is such a pretty detail.
• The waist curves inwards and the skirt is cut to flare outwards from there. It is very wide and full by the time it reaches the hem. Under the top layer, there are three more layers of netting in the middle of the three layers has a double hem that helps hold the volume even more. Inside all of that is the opaque silk layer. The fabric choice combined with the built-in under skirting helps to give the skirt its structure to keep the volume and shape that you see.
• Fully lined in a matching silk and closes with hidden set back zipper
• Tagged a modern Valentino 40
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to waist
Total length: 58" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5179

Reference Photos/Video: (1-3) Fall 2016 Valentino, Look 80.  /  (4) Marie Claire Spain, October 2016.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was shown as Look 7 for the Fall 2024 atelier collection
• It was made under the creative direction of Prabal Gurung
• He told Vogue that "We've always had a small private client business". He had soft-launched his Aterlier collection the previous year to bring more clients pieces that are focused around specific occasions and more traditional silhouettes. The Fall 2024 collection was the first publicly shown Atelier collection from Prabal. 
• This is an absolutely beautiful dress that showcases his love of a more traditional silhouette. Even though it is a modern piece it has that perfect feel of the 1950s Hollywood Golden Era in its silhouette.
• The dress is made out of a pale nude net that has a touch of pink to it. Little black chenille dots are fused onto the fabric for the perfect little detailing.
• The bodice is strapless and I love the soft curve to the top edge. Inside there is a boned and cupped built in corset to hold you perfectly in place. It is fitted and the waist comes in and then curves back out slightly.
• The skirt is phenomenal. There is a little peplum of the tulle with netting underneath that sits just under at the waist and then it falls in two more tiers to the floor. The middle tier has a a double layer of tulle under it and then there are more built-in layers under the entire skirt.The innermost layer is a more stiffened net that has bands of stiffening placed horizontally around the hem and through the body of the skirt to hold its volume. I did not add any crinolines under the dress. All the volume you see is because of the built-in construction.
• The back of the skirt trails out slightly behind you and is cut longer than the front.
• The fabric used is still very light so even with the intricate construction of the dress is still feels light and comfortable to wear.
• I love the little bow that falls down one hip. And I love that this is added with a little brooch pin so that if you choose to not wear it you can take it off completely or you can move it to where it suits you best.
• The dress is fully lined in netting as described above with a full built-in corset that is boned and cupped. A waist stay inside hooks to close. The corset closes with its own zipper and then the dress zippers to close over that with a hidden set zipper. The dress appears to have never been worn.
• Tagged a modern Gurung 6
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from top of bodice to waist
Total length: 59" from top of bodice to front hem and the back extends another 6" beyond that

Modern Sizing Equivalent: XS-SML

Item# DD5177

Reference Photo: Fall 2024 Atelier Prabal Gurung, Look 7.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an unlabelled piece that is made to a Demi-haute couture level
• The dress is made of a brilliant feather light pink silk.
• The bodice is cut with a simple feel and then the dress has a wide ruffle on each side that wraps around the shoulders and goes to the back for added drama.
• There is netting inside the ruffle that sits around the shoulders and this helps it to hold its shape and volume. You can also wear this more on the shoulder.
• It is more fitted through the body and has a ruffle that begins at the centre of the bodice extending to wrap down and around the skirt. The ruffle becomes wider as it nears the hem. The back falls longer than the front and it has a beautiful curving line around to the back. Because of the wrap over at the front. when you walk or move you get a flash of leg.
• It comes with its matching little waist band that hooks into place to add more shape to the waist
• It is fully lined in a handset silk and closes with a back zipper . There is an inner waist stay that hooks to close. The matching fabric belt hooks to close.
• There is one faint mark across the one side of the skirt at the back and some very minor fading near the top of the zipper.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition with the note above.

Bust: to 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 29" from top of shoulder to where it splits, 60" to longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5161

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this coat can only ship to a Canadian address 
• Resort 2018 Prada runway Look 23
• Under the creative direction of Miuccia Prada
  
• The runway version did not have the gray underneath the chain metal so it was worn more as a tunic. When they added the grey silk band for the shops it allowed it to be worn as a mini dress
• Made from a pale pink crepe with a soft grey design printed over it that incorporates the word Prada on both the front and back
• The lower portion of the skirt is a pale grey stretch silk like fabric. A metal chain mail detailing goes around the top part of that lower skirt
• It has a high collar and the sleeves are long. Each sleeve is finished in a pale pink feather cuff.
• Pin-tuck detailing creates a very pretty and detailed finish at the front of the dress
• The fit through the body is more full and open much like a 1920s flapper dress
  
• It closes with a hidden set back zipper
• Tagged a modern Prada 40
• I see some teeny little marks on the grey silk and one tiny faint spot on the top of one shoulder. It has the slightest perfumey smell, otherwise in excellent condition.

Sleeves: 25" including the feathers and are 11" around the upper arm
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5046

Reference Photos/Video: Resort 2018 Prada, Look 23.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A shorter version walked the runway for Spring 2012 for Look 47
• Under the creative direction of Karl Lagerfeld
• The body of the dress is a pale pink knit whose design is set in little individual scallops that slightly overlap the one underneath. It is very intricate and beautiful 
• The neckline is scooped and there are flowers made out of stiffened silk organza mixed with an iridescent fabric that also is stiffened. These are curled inward to form petals. There is a cluster of five flowers around the neck and then ten run down the centre of the front. More circle around the entire hem. The iridescent petals catch the light and add a beautiful dimension to the dress.
• The sleeves are made out of a ivory silk chiffon and each closes with a little domed Chanel button with the double C logo in gold. A third button sits at the back of the neck. Despite having the Chanel button I think that these sleeves may have been added at a later date or upon request of the client. It would explain why they still have the Chanel buttons but they don't look like they were integral to the dress by the way they are set into the arm. I have left it as found but if you did not like them they could easily be removed.
• The dress is unlined and slips over the head to wear. It buttons to close at the back of the neck and on each cuff.
• Tagged a Chanel 36
• The button at the back of the neck has lost its little gold double C logo. I see a tiny little break in the silk at the top of one shoulder. It otherwise is an excellent condition.

Sleeves: 23" and are 13" around the upper arm
Bust: 15-18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent:  XS-SML

Item# DD5044

Reference Photo/Video: Spring 2012 Chanel, Look 47. Model Anna Selezneva.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Early 1980s dress under the creative direction of Hanae Mori
• Made of a pink striped silk chiffon that has a gold thread shot through the striped pattern. The gold picks the light up to give the dress a subtle shimmer.
• V neck and buttons down the front
• Original tie belt in a matching fabric to cinch in the waist
• The skirt is full and widen out as it needs the hem
• The front of the bodice and the skirt are lined in a nude silk chiffon, and the back and sleeves are unlined.
• It closes with the fabric covered buttons down the front and snapped at the waist. Each sleeve snapped to close. Like padding in each shoulder.
• It appears to have worn very little if at all. Excellent condition.

Sleeves: 22.5" and or 13" around the upper arm
Shoulders: 15"
Bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5026

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a gorgeous little Spring 2001 Chanel set with a tweed boucle jacket and a silk chiffon skirt. The owner paired a Chanel cashmere shell from Fall 1999 with this suit and we are adding that in as a bonus. The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl. You can see some of those colours reflected in this set. It is always nice to have a set with multiple pieces because the opportunity to mix a match with things that you already own just makes it that much more versatile.

The jacket is made from one of the classic Chanel signature fabrics that combines a fine wool with tiny sequins sewn onto some of the stripes woven through the tweed. I love the little shot of glitz this adds. The colour is done in shades of pinks that keep it very rich in feel. The jacket is a great cut. The sleeves are long and I love the addition of the silk chiffon cuffs at the end of each sleeve that ties it perfectly in with the skirt. The collar is notched and vertical panels run down the front on either side of the buttons. Another of these panels runs down the centre of the back. This add structure to the jacket and it is also what the belt of the jacket loops through, which is very clever. The jacket buttons to close down the front and the belt snaps into place. This tops a pretty silk chiffon skirt that is made out of a silk chiffon with the Chanel logo printed in little watercolour painted feeling squares. It has a simple banded waist and the upper part of the skirt is more fitted with closed pleats circling around the hips. These open up from there so the skirt has lots of movement and softness around you. The skirt is lined in deep fuchsia silk. The little bonus shell that goes under this is a perfect purple sleeveless top made of the finest Chanel cashmere. This is classic Chanel and it is exceptional. Excellent condition with a minor note below.

The jacket is fully lined in a Chanel embossed fuchsia silk and buttons to close down the front. The belt loops around the jacket and snaps to close. A classic Chanel chain is stitched along the inner hem. Light padding in each shoulder. Some of the colour has rubbed off of all the buttons. Please see the photo after the label shot. The skirt closes with a MOP button at the waist and zips to close under that. The shell is unlined and slips on to wear. The jacket is tagged a Chanel 36, the skirt has no size tag but feels generous in cut and the shell a size L.

And just a note on their fabrics.... The Chanel boucle and tweeds are created with their proprietary method of weaving that they themselves describe as "by weaving the warp and weft, using a variety of different kinds of threads which creates a unique and somewhat irregular appearance. The warp – vertically strung – is the background of the fabric, the base that will support the assembly of materials. There can be up to 12 different threads used for a single warp. The weft – woven horizontally – gives the fabric its unique character and can have an unlimited number of threads. Tight, perforated, textured, thick, with a relief, plaited, random, twill… the potential number of effects is endless". This technique gives you that classic Chanel look.

Jacket
Sleeve: 23"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 26" flat across from side seam to side seam
Length: 20" from neck to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 23" from waist to hem

Shell
Bust: to 19" flat across from side seam to side seam
Waist-hips: to 18" flat across from side seam to side seam
Total length: 21.5" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5015

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Spring 2006 season and it is gorgeous. This dress was a piece made for production and is a more minimalist version of the dress that walked the runway for Look 40 that season. It has all the things we love about his work presented in a beautifully chic and minimalist package that still has that strong impact of colour that the runway version had.

The dress is made out of a feather light silk chiffon that moves beautifully over the body. It is all cut on the bias so is easy to wear. I love the cut of the bodice. Twisted silk chiffon straps extend out from a peak at the centre front. They curve up and around the neck and then they fall down each side of your back. The entire back is scooped low so you have this bare expanse of skin showing. It drapes over the bodice and skims over the waist with an easy more generous feel. A gathered band of the silk chiffon is wrapped around the top of the hips and a long tie extends down all the way to the hem from where that attached sash meets at the side. From there the dress drapes to the the floor and widens out a touch as it nears the hem. A slit runs up one side of the skirt and this allows the silk to catch the air and move easily around you as you walk. The seaming is a nod to the work you see from the twenties and thirties. The colour and the way that it changes as it moves down the dress is of course one of the most important elements of the piece. It starts out to be a soft taupe at the top and then gradually changes to a pale pink to a vivid pink around the lower skirt and ends in a deep dusty fuchsia. It is stunning to have this brilliant pop of colour. A signature row of tightly spaced silk covered buttons run up one side for the perfect finish. The dress is even better in person and on the body as the static photos cannot fully convey how the dress moves once on the body. Excellent condition.

Fully lined in a matching taupe silk and closes at the side with a series of silk covered buttons. The bias cut allows some movement in the fabric and I have put the comfortable range when laying flat below. Tagged a vintage Dior F40, GB12, IT44, US8

Bust: 16.5-18" flat across from side seam to side seam
Natural waist: 16-17.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: approx 63" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4953

Reference Photos/Video: (1-7) Spring 2006 Christian Dior, Look 40. Model Michelle Buswell.  /  (8) Monica Bellucci wearing Dior at the 2006 Cannes Film Festival.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Dolce and Gabban launched in 1985 by founders Domenico Dolce and Stefano Gabbana  who still run the label to this day. After a shaky start in the first few years, by the 1990s they they had started to open their own boutiques and had become a force in fashion. In 1993 Madonna chose them for her 1993 Girlie Show tour and they gained world wide recognition. They are known for their dramatic designs that are heavily inspired by their Sicilian heritage. This dress came to me from the same owner as the black 2008 one I just put in the shop and she told me it was purchased around the same time period. It is a dress that is incredibly beautiful. It would obviously make an amazing wedding piece for the bride looking to go the non-traditional route or as a part of a wedding weekend of events, but I think it is also a dress that could cross over and be worn to other events. We have found more history in this dress and you can see the story in our instagram by linking here. 

The dress is made from a pale nude silk tulle net that has a touch of a pink tine to it. This is then layered over inner layers of more tulle, lace netting and silk. The bodice is strapless and has a heavy application of cut out flowers added over the tulle all the way around you. They are placed to fall past the seam that sits under the bust and over onto the top of the tulle as it begins to flare out into that incredible top layer. As the dress moves down to the ham, you see more cut out flowers scattered over the entire dress. At the front, there is a cluster of soft silk chiffon flowers that add a beautiful detail. Small versions of these are also scattered over the top layer of the dress, all the way to the hem..This incredible treatment on the top layer of the dress really adds to the depth and texture of the dress. That entire top layer of tulle tents over the dress to create volume all the way around you and to sweep out behind you. Under those layers is an inner dress that has a dotted lace. I love the effect of this peeking out tulle. More layer sit under that. Besides the visual effect this creates, this technique of multiple layering also gives the dress some of its structure so that it holds the shape around you once on. The bodice is strapless and cut on a soft curve across the neckline. There is a built in boned corset on the inside for shape and to hold the dress in place on you. It curves in just slightly to skim over the waist and then curves back out for the hips. The top skirt is set to fall to the floor with all of the beautiful volume that you see in the photos. The top layer of the skirt gets progressively wider so that it is very full by the time it reaches the hem. The inner hem falls to the floor, but that top outer layer falls slightly longer all the way around you and then it sweeps out behind you. It is incredibly beautiful and romantic. Excellent condition with a minor note below.

Fully lined in a soft nude pink silk. The innermost layer of stretch silk goes to just above the knee. It closes with a back zipper and then the tulle layer snaps over that to hide the zipper. Inside the bodice is a cupped and boned corset. I see one vertical repair in the tulle of the skirt at the back otherwise it appears to have been worn very little if at all. Tagged a Dolce & Gabbana 36

Bust: 13-15.5" flat across from side seam to side seam with an approx A cup built into the front
Waist: 11-12.5" flat across from side seam to side seam
Inner hips: to 18" flat across from side seam to side seam
Bodice: 5.5" from top of bodice to seam under the bust
Total length: 60" from top of bodice to front hem, 69" to the back hem

Modern Sizing Equivalent: XXS-XS

Item# DD4955

Reference Photo: Kylie Minogue for her 2012 release of the single ‘Flower’.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of the dress was Look 34 in the Resort 2016 lineup. The show was designed by Peter Copping and if you count the bridal collection that he did for the label, this was his third show since being appointed Creative Director at that time. In the Vogue review they noted that Copping stated: "I wanted to embrace color, pattern, and the house's general joie de vivre." And as promised, the clothes were bright, generous with embroideries, and blooming with flowers and ruffles.' They went on to rave about the evening pieces saying that "they captured De la Renta's flair for drama but retained a youthful, playful spirit." This was the second last look of the show and for me, it was one of the strongest. It is an incredibly beautiful dress and a highlight from Copping's time at the label.

This is a dress that instantly captures your attention and I feel like the colours in person are far more striking than how they photoed. There is a richness and depth to them that wasn't quite captured on the camera. The top is strapless and made out of a deep pink silk. It is caught to hug the body and has one of his signature built-in boned and wire cupped corsets inside. I love how the cups at the front have an extra panel of the pink silk set over them. This gives the illusion of a slightly larger bust and also adds a bit of an old Hollywood feel to the top of the dress. At the back it curves beautifully around you. The waist is cinched for shape. On the runway, they showed it with a belt and as far as I am aware that was sold separately. I think the dress works perfectly well on its own without one, but it would be very easy to add a belt if you wanted more shape. The skirt skims over the hips below that and then falls to the floor in a fairly straight column of a spectacular emerald coloured silk. Running down the front on each side is a trailing floral and vine pattern. The vines are made from a thick raffia cord in a deep blue that has been embroidered onto the silk. The flowers are elaborately done and made from deep blue sequins and beads in various shapes and sizes. They are set so that they set up and off of the skirt for the gorgeous 3D effect. There is a high slit that runs up the back of the skirt to allow you to walk comfortably and show a flash of leg. The dress has its original hang tag in place, in its original uncut length and was never worn. It is phenomenal. Excellent condition.

The dress is lined through the bodice in a matching pink silk and has a built-in corset that is boned and cupped. The skirt is lined in a matching green silk. It closes with a hidden set zipper at the back and the inner corset closes with its own zipper.  An inner waist stay hooks to close. Ribbon edge finished inner hem. Tagged a modern ODLR 8.

Bust: 16.5-17.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Bodice: 9.5" from top of bodice to waist
Total length: 56.5" from top of bodice to hem with just over 1.5" turned under the hem
Back slit: 26" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD4894

Reference Photo: Resort 2016 Oscar de la Renta, Look 34.

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No matter how good you think that this dress looks like in photos it is even better in person and moving. The heavy copper / gold coloured metal wire and rhinestones that were used to create the pattern on the silk catch the light from every angle when you move. The dress is made out of the palest ballet pink silk. The dress is cut on the bias so it just glides over the body. It buttons down the back in a row of tightly spaced silk covered buttons and it is cut to just fall over you in a sweep of bias cut silk. The dress is suspended from the shoulders by two tiny silk straps and the front falls over the bust with a V neck plunge at the front and the back. The dress skims over the waist and hips with seams that are reminiscent of the couture dresses of the thirties. All are done so that the bias cut of the silk follows your curves and highlights the body underneath without it being too tight and fitted. Once past the hips the dress flares out as it nears the bottom and it is incredibly full. A wide panel circles all the way around the lower skirt and there is stiffened netting placed behind it so that it holds the fullness around you. When you walk or move the skirt kicks out to add beautiful movement and volume. The final perfect detail is that spectacular design made out of a combination of metal wire in a deep copper gold tone. This is set so that it curves up and off the silk for a 3D effect. Prong set rhinestones are scattered in and among the designs on the bust and around the hips. These catch the light beautifully as you move. It is just wonderful. Over all great condition with a note below

Fully lined with a pale pink silk chiffon and closes with the buttons down the back. The measurements given below are the comfortable range when the dress is laying flat. The bias cut of the dress should work on a range of sizes. On smaller frames it will drape more and be more fitted on larger frames. The very slightest yellowing to the silk here and there and around the waist area in particular. You can see it in the photos presented and I would say the photos make it look worse than it is in real life. I see a couple of loose threads and missing beads at the back. Very minor. Tagged a Cavalli XS

Bust: 14-17.5" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 64" from top of shoulder to front hem, 70" to the back hem

Modern Sizing Equivalent: XS-MED

Item# DD4825

Reference Photo: Jaime Tisch attends a preview gala dinner for the Metropolitan Museum's "Wild: Fashion Untamed" exhibition, hosted by fashion designer Robert Cavalli, on December 6, 2004.

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This suit is from Christian Lacroix's Luxe label that was only produced the very first couple of seasons after launching his label. It was very high-end expensive ready-to-wear that was made to demi-couture standards and was available primarily to his couture clients and a select few beyond that. It was also the predecessor to his regular ready-to-wear collections. It is said that this label only lasted a couple of seasons because some of the couture clients complained at how close the garments were to their Haute Couture pieces. Very few pieces were made of this line so they are almost as rare as finding one of his Couture pieces.

This suit is everything you want to see in a Lacroix. The colour is that bright vibrant Lacroix pink that is now associated with his name. The colour is even better in person than how it photoed too. Both pieces are made of an almost grosgrain ribbon feeling silk that has black velvet dots fused onto the top of the fabric. The fabric choice allowed him to cut the suit to really hold the shape that he intended. The jacket has a gorgeous notched collar and big faceted black jet buttons down the front. It closes with hidden set snaps behind those buttons. I love that you can close it all the way up to the neck which means you don't have to wear anything underneath it or you can leave it partially or all the way open. The shoulders have some padding and the sleeves are set into the shoulder with a slight capped feel. Each sleeve ends with an upturned cuff. The jacket is meant to fit the body with a structured and seamed waist and then the hips have a peplum that adds to the hourglass feel that the suit has. I love the extra flap that gives the peplum a double hem. That skirt is high waisted so that your waist is very defined and then it is a poufed, almost bubble skirt under that. It goes out and around the hips and then comes in at the hem. This was a Lacroix signature shape and it is gorgeous. Everything about the suit is meant to invoke curves and I love the play on curves with the curve of the dots on the pink silk. It is gorgeous. Excellent condition with a minor note below.

All pieces are lined in a black silk. The jacket snapped to close and the skirt closes with a hidden set side zipper. There is minor wear to some of the velvet on the dots here and there. Both pieces are tagged a vintage Lacroix 38.

Jacket
Sleeves: 23.5" and are 13.5" around the upper arm
Shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips at the bottom seam: to 22" flat across from side seam to side seam
Bodice: 15" from neck to waist
Total length: 22" from waist to hem

Skirt
Waist: 12-13" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total length: 22" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4821

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In 1952, Hubert de Givenchy founded his namesake house on Rue Alfred de Vigny in Paris and quickly rose to fame as one of the grand couturiers. 16 years later for the 1968-69 season he added a ready-to-wear line of clothing and accessories called 'Givenchy Nouvelle Boutique'. The line was initially sold in the United States exclusively through Bergdorf Goodmans and was eventually made available at other retailers. The line was high end and extremely well made. This part of his brand was created specifically to appeal to his non-couture clients who wanted to be able to purchase a piece of the Givenchy dream. This label continued until 1992 when it was retired and re-branded as the Givenchy Couture label. This dress is from those early days of the label and it is one of the prettiest Givenchy dresses I have seen. 

Modern Sizing Equivalent: XS-SML

Item# DD4721

Reference Photos: Spring 1982 Lanvin Couture. Model Anna Bayle.

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Bill Gibb was one of the most influential designers in 1970s Britain and his clothes were sought out and worn by the rich and famous. His work has a high fantasy element and he was crowned Designer of the Year in 1970. Much of his work verged on couture and he was unrelenting in striving for perfection. I love finding his worn becasue its rare and exceptionally well made. It represents the more fantastical side of British fashion during this time period and I love that. 

The dress is made from a silk chiffon that has been dyed to a deep fuchsia that gradually darkens to a deep mauve as it loves across the dress. I love the depth this creates and how it highlights the parts of the dress. The sleeves are wide and come out from just above the gathered waist. They narrow down to their ends from there. The front and back both dip into a deep V and the neckline sits wide across the shoulders. There is a little silk flower finished with sequins nestled at the base of the V. From just under the bust to the top of the hips the silk is gathered and fitted for shape. The skirt falls to the floor from there in a sweep of silk chiffon. Pink glitter is fused onto the silk and it catches the light with your every move. Under the top layer of silk on the skirt is an inner lining in a pale silver blue . The two colours layered over each other adds an extra dimension to the skirt that is even better in person. It is gorgeous. Excellent condition.

The dress is fully lined in a pale silver blue silk and closes with a side metal and nylon zipper. There are hook and eye along part of the bottom seaming of the arm on that side as well. Big iridescent glass buttons on each cuff. Small areas here and there where the glitter has fallen off but it is minimal and I am being picky. 

Sleeves: approx 23"
Shoulders: no defines seam
Bust: no true side seams so open and variable
Natural waist: 14.5" flat across from side seam to side seam
Seam at bottom of gatherings 24" down from the shoulder: 18.5" flat across from side seam to side seam, skirt is open under that
Length: 57" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3068

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress is very special and an extremely well documented piece from Spring 1988. It has the special added provenance of being the twin of one of the four dresses portrayed in that instantly recognizable photo taken in his atelier that year. That photo is perhaps one of the most famous photos in the Lacroix history. The dress is from his Luxe label that was only produced the very first couple of seasons. It was very high end expensive ready-to-wear that was made to near couture standards and was available primarily to his couture clients and a select few beyond that. It was the predecessor to his later regular ready-to-wear collections. It is said that this label only lasted a couple of seasons because some of the couture clients complained at how close the garments were to their Haute Couture pieces. We found numerous reference photos of the dress as it appeared on the runway so you have an amazing idea of how this dress looks on the body.

The dress is gorgeous. It is made out of a textured silk organza that has a slight texture running through it. Onto that is a glorious floral pattern in pinks and yellow with pops of green. It feels so vibrant and beautiful with that gorgeous print. The sleeves are long and they are cut on a slight curve in the traditional couture manner. The shoulders are lightly shaped and the front falls into a shallow V. The dress has a little bit of gathering just at the bust area down the centre seam and then it falls smoothly  to the hem under that. It is cut to skim over you through the body with just a suggestion of shape through the waist. At the back the bottom 9 inches of the skirt has an inset bustle. The fabric there is gathered into a curving seam and there are three black organza half bows stacked one on top of the other to create a bustle feel. This is one of his most famous dresses and its amazing. It appears to have been worn very little if at all. Excellent condition

The body of the dress is fully lined in a black silk and the sleeves are lined in a white silk. The dress zips to close at the back and each cuff has a zipper to close it. Light padding in the shoulders. Tagged a vintage Lacroix 44

Sleeves: 22.5" and 13" around the upper arm
Slightly dropped shoulders: 17"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 16.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Total length: 35" from top of shoulder to hem with 2" turned under the hem

Modern Sizing Equivalent: MED-LRG

Item# DD4401

Reference Photos: (1-5) Spring 1988 Christian Lacroix Collection.  /  (6-7) Models in Christian Lacroix Haute Couture Atelier, Paris, 1988. Photos by Arthur Elgort.

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The twin of this gorgeous Monique Lhuillier was Look 15 in the presentation and we also found a photo of one on the beautiful Dee Hilfiger. This was one of the strongest looks from the presentation and the dress is beautiful. The Lookbook was shot at a picturesque French château and Lhuillier  said of the show that she "wanted the clothes to be seen in the place where they might be worn”. How magical would it be to have that happen? Although in reality this is a dress that would instantly make anywhere it ended up being worn feel magical. 

This was part of her ready-to-wear collection and it might even make for a magical dress for a bride who wants to go the non-traditional route and wear something that was not white. It would also make for an amazing wedding guest option or for any gala or fabulous event. The bodice is strapless and fitted and meant to hug you and shape your curves. The peaks at the front are high and I love how she has wrapped the netted tulle over the bodice and used variations in colour on the bodice to add a bit of interest and depth. Inside it boned and shaped and I love how it scoops down and around the back. The waist is nipped in and then the skirt explodes out from under that. The skirt is spectacular. It is layers and layers of tulle set on top of each other and cut in different sections to get that elaborate shape that you see. Underneath each layer is netting cut to follow the shape above and then that has a wide panel of stiffened netting that goes all the way around you and follows every single cut and pattern in the skirt. This helps to hold the shape that you see. As good as it looks on the dress form, I think seeing it on the two women shown here really gives you an idea of how it sits and floats around you once on the body. The layers also give it a sophistication and keep it from being just another big puffed tulle skirt. The back is cut a little longer so that you get a bit of a trailing effect behind you. This is the ultimate dream dress for the girl that wants to make an entrance. It appears to have been worn very little if at all. Excellent condition.

The bodice has a built-in netted and lightly boned corset, and the skirt is lined in a pink silk. Layers of netting underneath the tulle as described above. This gown was over $10,000 and was done in very limited quantities. Tag a modern 4.

Bust: 16" flat across from side seam to side seam with some room at the front cups to fit at least a B cup maybe a small C
Waist: 12" flat across from side seam to side seam
Inner lining at hips: 22" flat across from side seam to side seam
Bodice: 12" from top of the peaks at the front of the bodice to waist
Total length: approx 60" from top of the peaks at the front of the bodice to the front hem and aprox 75" to the back

Modern Sizing Equivalent: XS-SML

Item# DD4580

Reference Photos: (1) Spring 2019 Monique Lhuillier, Look 15.  /  (2) Dee Hilfiger in Monique Lhuillier.

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Every so often I am contacted by someone and entrusted with something very special and this wedding set by Romeo Gigli absolutely fits that bill. This incredible set is a one of a kind, Haute Couture made to measure piece that comes directly from its original owner and she has graciously given all of the original documentation on it to share with you along with a full write up on her experience with Romeo and a scan of the Elle article that was written a year after her wedding. 

Romeo Gigli launched his label first in 1981 which failed. In 1983 he partnered with Carla Sozzani and in 1985 he presented a 25 piece collection in Milan. By 1986 he was an international sensation and his collections made world wide headlines. In 1989 he had his Paris debut. His work was romantic but dramatic. Hallmarks included shawl coats, which this set so perfectly displays, along with soft sloping shoulders and silhouettes that narrow as they come down the body. Historical references run through his work and his de-structured lines felt fresh and new.

This set has all of the original pieces that Marion wore on her wedding day and even includes the original boxes and silk bags that the set was delivered in. Every piece was made in studio by hand and when I tell you that my photos do not do the full set justice I have never been more honest as everything is more beautiful in person. This is a once in a life time opportunity to own this incredible and important piece of fashion history. The link to Marion's story is below and a short description of the pieces follows. 

Click here to see the full photo set of Marion in the fittings with Romeo, on her wedding day, see the Elle editorial, and read Marion's story about the experience >

The wedding ensemble consists of a pale pink silk chiffon top, a gold lace hobble skirt and a deep gold silk jacket or top that was worn over those two pieces. An incredible silk chiffon coat that is filled with silk flowers and flows behind you in a knotted train was worn over that. The original pale taupe velvet shoes in their original box are present along with the hand made hair sticks and pins. The two original pink raw silk hand made bags that the skirt and tops were delivered in are included and the entire ensemble comes in its original raw silk covered box. The final piece included is the little hand held green silk bag that Marion carried that day.

The skirt and inner top are the base of the outfit. The top is slightly cropped and made from a pale dusty peach pink silk chiffon. The chiffon has been hand gathered into soft pleats and crosses itself over the front and back. It wraps around you and closes on one side, inside, with a series of silk covered buttons and then the other side wraps over that and closes at the back outside with buttons as well. The skirt is made out of fine gold lace and is banded around the waist for shape. It drapes softly over the body with volume through the hips created by the layers. It narrows down at the ankles for a touch of a hobble skirt in appearance with the ends curving up and under. It is an incredible design.

An oversized silk top goes over this that has a bit of volume through the body. It is made from a deep copper gold silk with a burnished finish. The sleeves are incredibly long and are meant to be gather along the arms and follow the cut and curve of them. The collar is very high and wired so that it stands and frames the face beautifully. One side is longer then the other and you can shape the wire to give it a quirky little curve in the direction and way that works best for you. I love the open cut out just under the collar. It hints at the silk chiffon top underneath and adds an unexpected flash of skin.

The coat is utterly remarkable. It is thoroughly Romeo Gigli in spirit and it is one of the most beautiful, magical things I have ever seen. It has those beautiful sloped  shoulders he was known for and the front flips over into a deep shawl collar. It slips on over everything else with no front closures. It just falls over you in this exceptional drape of chiffon and flowers and then trails out behind you. The end has been knotted and I love this detail as it is absolutely Gigli at his best. The coat is made from a silk chiffon outer and inner layer that has a touch of transparency to it while inside and between the layers are thousands of silk flowers. Each would have been placed by hand one by one to form a solid layer of flowers that shows through the silk. It has weight yet it feels weightless. It has presence yet it feels ethereal.  The top layer of the chiffon is a pale dusty pink and then the inner layer is a pale taupe. The flowers float between the two and it make this light rustling sound as it moves that it magical. It is one of the best things I have ever personally seen.

Finally are the accessories. Her original velvet shoes that slide on and then tie in place, the little green silk bag that is held by the tied straps and the various hand made hair and stick pins in their original box.

The entire set will be sent in it original box hand covered in a deep dusty pink raw silk as it came to Marion from the Gigli ateliers.

Everything is in superb condition. I see a teeny smudge of discoloration under the arms of the inner silk chiffon top and the wear to the soles of the shoes giving away the clue that it was worn that day. The silk on the large box it came in has more wear as seen in the photos

This is a once in a life time, absolutely remarkable piece of fashion history.

Inner top
Shoulders: no true seams
Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Length: 14" from top of shoulder to hem

Skirt
Waist: 14" flat across from side seam to side seam
Length: 47" from waist to hem and including the 4" waist band

Outer top
Sleeves: 39" from the dropped shoulder seam and are around 11" arond after the dropped shoulder
Shoulders: 27" across and meant to drop significantly
Bust: 30" flat across from side seam to side seam
Waist: 27" flat across from side seam to side seam and narrows to 19" flat across from side seam to side seam by the hem
Length: 41" from neck hem
Neck: 13" around

Coat
Is about 36" flat across the inner bust and it is about 120" long from the neck to end past the knot and not including the deep shawl collar. It is pretty much OSFA

Bag
Approx 9.5" tall and about 5-7" in diameter

Shoes
Approx a 40-41

Modern Sizing Equivalent: SML-MED for the inner outfit and the coat is OSFA

Item# DD4458

Reference Photos: Courtesy of Marion Hume. (1-2) Fitting with Romeo Gigli.  /  (3-7) On the wedding day.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a gorgeous example of his work and I love that I can date it based on the very similar one that was used the a Vogue shoot that year. It gives you a better idea of how it will look like once on a body.

The dusty pink mauve coloured sequins that cover that entirely this dress are so densely applied that they actually overlap one another. There are hundreds of thousand of sequins used and it is incredible. Mixed in with those is a band of gold beads that wrap around the hips. This is set around the on one side and widens out over the hip and then narrows to a point where it meets the low set waist seam. Another triangle feeling band sits at the hem of the skirt on the opposite side. This time done in silver sequins. It is cut in that fabulous eighties big volume on top over a fitted skirt. The shoulders are strong and padded for shape. The neckline is scooped and the sleeves are long. The bodice is cut long and it is meant to blouse out over the skirt. Inside there is a silk lining in that same purple and then the sequin fabric is also lined in silk. It buttons down the back and you get a tiny glimpse of skin between the buttons. The sequins catch the light at your slightest move and its fabulous in person. Excellent condition.

Fully lined in silk with a low set inner zipper at the waist and a series of buttons down the back. Padding in the shoulders, It is meant to be oversized at the top so the hips are the most important measurement to consider.

Sleeves: 22"
Shoulders: 14.5"
Bust: to 19" flat across from side seam to side seam
Natural waist: open
Seam at top of skirt: 15.5" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 19.5" from top of shoulder to seam at top of skirt
Skirt: 22" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3953

Reference Photo: (1) Models in Bill Blass, Vogue, October 1982.  /  (2-4) Fall 1982 Bill Blass Collection. Model Alva Chinn.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.