This is a fabulous silk Sonia Rykiel set that really sums up her chic French girl style that always feels so chic and has so much charm to it. We lost Sonia last August and it feels even more special to know that this was a piece designed by her. The label tells us this is an early piece designed shortly after she launched her label or a few years into that. The silk is scarf weight and I love her signature combination of black with a chic taupe tan color. Stripes were her forte and this set used them beautifully. The pants are just perfection - they are cut wide with a slight flare cut at the ends and each is split deliberately up the sides. This split detail is mimicked on the tunic with also is split up each side. I love the way the stripes sit over each other once the two pieces are layered. The tunic is suspended from skinny straps and is cut to skim over the torso and flare out over the pant. My favorite detail is the front pockets that are sewn apron style and have a slight droop to them, again deliberate. This gives the set the final perfect touch for me. Together they are perfection but you could of course wear them separately as well. Excellent condition

Both pieces are unlined. The top slips on to wear with no closures and the pants close with a fine metal zipper at the side. Handwritten fabric tag. All hand finished inside. The seams on the side of the tunic are set inside out - again this is deliberate and a design detail

Tunic
Bust: 16" flat across from side seam to side seam
Waist: open
Hips: open
Length: 45.5" from neck to hem

Pant
Waist: 14" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 33.5" from waist to hem
Inseam: 22"

Modern Sizing Equivalent: XS-SML

Item# DD2735

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is am amazing piece and a piece for a brave girl who wants to drop jaws. Its about as risque as you can get and even more so when you think of when it is from since it looks like it could have walked off a runway yesterday. The bodice is made of a texture black crepe chiffon with stitched lines running vertically from shoulder to waist. It is left completely sheer and the only thing covering your modesty are those rickrack panels of glossy black sequins. At the back the sequins run down the center of the back. The panels keep your modesty intact and the high neckline keeps it from moving. The waist nips in and is attached to the flared, wide legs. For the lower portion of the jumpsuit Varon used a textured "bubble" 3D fabric. It is amazing and I doubt you will see this one again. Excellent condition

Unlined in a black rayon and closes with a back painted metal zipper. Tagged a vintage UK 10. Pockets hidden along each hip

Bust: 17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 16" from neck to waist
Pants: 39.5" from waist to hem
Inseam: 27"

Modern Sizing Equivalent: XS-SML

Item# DD2734

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely dress is made from layers of black chiffon set in tiers over each other to create that pretty ruffled effect. This combination of ruffled tiers perfectly offset the black of it to give the dress a wonderful romantic feel. Each layer widens gently out as they near the floor and each panel of fabric is set so that it floats above each other and moves when you move. The bodice is cut with a slight scoop across the front and has two tiny straps that go up and around the shoulders. At the back it dips into a slightly lower scoop. I love that the straps and trim are a cream and each ruffled layer is finished with a cream stitch for the a little detailing. Note that it was a teeny bit small on the mannequin so on a girl that it fits properly it will of course zip all the way up, rather then being open at the very top as the photos show. Excellent condition.

Fully lined in a black silky crepe rayon. It closes with a back painted metal zipper.

Bust: 15" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 14.5" from top of shoulder strap to waist
Skirt: 41" from waist to hem

Modern Sizing Equivalent: XS- SML if you are small busted

Item# E636

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a version of this dress in black in the shop already and am excited to now have a red one too. There are 4 or 5 Burrows dresses that I always look for because they are just amazing examples of his work, and still hold strong today. This dress is one of those. It is made of a fine, slinky, sexy jersey in red. This one differs from the black in that it ties around the neck and angles down and around from there. It then falls in a beautiful bias cut and ends with an angled cut. All the edges are finished in his signature lettuce hem seaming. It is the front bodice that is truly spectacular - it showcases a design done in sequins, seed beads and tube beads that pop against the red. This is all hand done work and you can clearly see that on the opposite side of the fabric. It is magnificent and a real collectible from a truly amazing American Designer who was the first African American fashion designer to really achieve international recognition for his work. Burrows won three Coty awards (1973, 1974 and 1977). He was also one of the five American designers to show at Versailles in 1973 when America was pitted against the French couturiers. Excellent condition

There was recently an exhibit on his work called "When Fashion Danced" and it was the first major examination of Burrows' work. Here is what the museum said of his work: "Stephen Burrows: When Fashion Danced looks at the period spanning the 1970s when Stephen Burrows’s meteoric rise to fame made him not only the first African-American designer to gain international stature, but a celebrated fashion innovator whose work helped define the look of a generation. With vibrant colors, metallic fabrics, and slinky silhouettes that clung to the body, Burrows’s danceable designs generated a vibrant look that was of a piece with the glamorous, liberated nightlife of the era. Through photographs, drawings, and original garments, the exhibition will trace Burrows’s evolution from creating eclectic looks for his friends in the 1960s to his work with the chic 57th Street retailer Henri Bendel to the floor of Studio 54, as he dressed such 70s style icons as Cher, Liza Minnelli, and Diana Ross."

Unlined and slips over the head with no closures. Tagged a vintage 4 but please check actual measurements. The fabric does have stretch so will accommodate a range of sizes - the comfortable range of that stretch when laying flat is noted in the measurements.

Bust: variable as there are no true side seam
Waist: 15-19" flat across from side seam to side seam
Hips: 19-22" flat across from side seam to side seam
Length: approx 58-60" from top of shoulder to longest point of hem, 40-42" to the shortest depending on high you tie the neck

Modern Sizing Equivalent: XS-MED

Item# DD2732

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Adele Simpson dress is wonderful and so pretty once on. The dress is made from layers of a royal blue chiffon that has a pretty panel of contrasting green that runs down the front to create a ruffle effect. The bust is given shape and detail by a gathered detailing down the center. From there tiny straps start at the center front and then circle around the neck, This simple little touch gives it a beautiful soft and sexy feel. Just under the center bust sit panels of chiffon that are gathered and set so that they flow into the full length skirt and where they meet is that fabulous pop of emerald green. It gives the illusion that the wearer has been wrapped like a Grecian statue in layers and layers of chiffon. A really gorgeous piece from a great American designer. Excellent condition.

Fully lined in matching blue silky chiffon and the the skirt has two more layers of chiffon draped over that. The bodice is lightly boned through the sides and has additional layers built in so you can go bare underneath. It closes with a back metal zipper. Hand finishes. Appears unworn.

Bust: 16.5" flat across from side seam to side seam
Seam right under bust: 14" flat across from side seam to side seam
Natural Waist: 14" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: approx 6"
Skirt: 45" from waist to hem

Modern Sizing equivalent: XS-SML

Item# DD1165

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

This gorgeous Estevez dress is perfect for the summer and can easily work during the day or at night. The jersey has an almost swimsuit feel and will travel and wear extremely well. The cut is very flattering with a ling lean body, tiny straps and a built in bodice inside that gives you shape. This inside foundation would even allow you to tuck in the straps and wear this as a strapless dress is you wished.  The base is black and onto this is screened a graphic print of lilies in white and greys. It is so pretty and chic and still feels fresh and current. Louis Estevez worked for Jean Patou for two years before starting his own label in 1955 and had a long and successful career. Excellent condition.

It has a built in bodice with elastic that sits just under the bust and the rest of the dress is unlined. It closes at the back with a painted metal and nylon zipper.Note the straps are extra long and work best if you slip them over your head so they cross as photoed. Or you can shorten them to the perfect length if you prefer then to not cross

Bust: to 17" flat across from side seam to side seam
Waist to hip: widens from 17" to 22" flat across from side seam to side seam
Length: approx 58" from top of shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD2795

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This top is so pretty and romantic. It is made from a scarf weight silk that has a striped worked through the fabric. Between the stripes the fabric is fairly sheer so feels very light and transparent. The body of cut loose and easy. The sleeves are cut with a slight fullness and each cuff is finished with a ruffle of silk. This picks up on the high cut collar that is also finished with a ruffle. At the neck of the collar is a attached ascot that gives the top a touch of rock and roll glamour. Flat, glossy yellow buttons are the perfect finish. Excellent condition.

Unlined and buttons down the front. Each cuff buttons to close.

Sleeves: 26"
Shoulders: 13.5"
Bust: 19.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S783

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the Fall 2016 collection is this wonderful, unworn "Cher" dress from Attico. The Attico line has burst on the scene and rapidly is becoming one of the must have labels. Their website says of the two women behind the label: "Italian designers Giorgia Tordini and Gilda Ambrosio, are combining their vastly different aesthetics to push the boundaries of specialty couture, launching their own line, Attico, in February, 2016. Attico, the Italian word for penthouse, is a collection of standout pieces inspired by the classic peignoir but designed to be flaunted. Dripping with artisanal detail, each piece embodies a woman from a different city, modern muses with nostalgic cigarette taste. Each piece will teach, too: how to make thrown together appear dressed up, dressed up feel everyday, and how to make every entrance feel like the entrance. Attico throws tradition on its head, making an antiquated concept contemporary, making chaste sultry, and seduction natural."

This was the showcase piece from the Fall 2016 collection and sold out worldwide. This one is brand new and still has its original tags. It is made from a silk crepe looking acetate blend that drapes and falls beautifully. Onto this are scattered star-shaped bead work that cover the entire surface and add a touch of glamour. Attico pieces are meant to be layered and this one is no exception. It plunges deep at the front and buttons at the waist and is open down the front of the skirt. This allows you to wear it in so many different ways - over another dress for more coverage, or just a skirt if you want that plunge feel. You can even wear it open as as an evening coat. Also has their innovative open under each arm design. Each sleeve is cut extra long and has buttons along the cuff. It looks straight off the rack and is wonderful. Excellent condition.

Unlined and tagged a size 40 or Attico 2. Buttons at the waist and the fabric is self backed in a satin finish.

Sleeves: 28" approx.
Shoulders: no defined seam
Bust: 16-17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Bodice: 16.5" from neck to waist
Skirt: 35.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item#  DD2792

Reference Photo: Look 15, Attico F/W 2016.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful suit is from the Fall 1977 Marc Bohan for Christian Dior Haute Couture collection. Whenever I find true couture pieces I am thrilled and this one is especially wonderful.

Made of a beautiful cream silk that has a secondary pattern woven through it. That pattern is little abstract shapes and I love that every once in a while one of the shapes in that design looks suspiciously like little hearts. The pants are cut with a straight leg and this gives them a bit of width while the silk keeps them soft feeling. The waist lines is banded and the front flat with just a hint of softness there as well. Pockets lie along the seams on each hip. The jacket is wonderful and done in a boxed cut that falls in a slim and straight line. It ends just at the hip which gives the pants the perfect balance. I love the clear lucite buttons with their little silver capped tops that run down the front - they are the only embellishment on the piece. three top set pockets in the same fabric add subtle detailing. The straight cut sleeves and rounded are kept simple as well. It was a teeny bit small on my mannequin so on the right size girl will sit even better. In person it is even better. A true piece of history. Numbered Haute Couture. Overall excellent condition with some notes to review below.

Both pieces are fully lined - the jacket in a rich cream silk satin and the pants are also a silk satin but a slightly lighter version. Entirely made by hand in the Dior atelier as Haute Couture dictates. The jacket buttons to close and pants close with a front painted metal zipper and hook & eye at the waist. Pockets on the jacket and pants. There is a 2 1/4 inch hem on the pants if you needed more length. The pants have a slight line of a yellow mark at the lower front right leg near the hem (see photo). The jacket sows discoloration under the arms on the inside that does not go through. (see photo). There is the slightest darkening to the edge of the collar.

Jacket
Sleeves: 21"
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 23.5" from neck to hem

Pants
Waist: 13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 41" from waist to hem
Inseam: 30.5"

Modern Sizing Equivalent: XS-SML

Photo: from the Dior 1976-77 Fall Haute Couture show in Paris

Item# DD2793

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible Thea Porter dress that is absolutely beautiful. When it came to me it was a grubby, dirty cream but once it was properly cleaned I was thrilled to see it in its original crisp white once again. Thea did make wedding dresses and this may have been intended for that use originally. It can be worn for just about any occasion given its cut and lines but would also make a beautiful choice for the bride who wants something different. Thea always began with the fabric when she designed and chose fabrics whose unique attributes then became a part of the design itself whether by texture, color or design. Here we have a beautiful embroidered muslin that appears to be all hand work. I know that Thea often sourced antique fabrics for her work and that is exactly how this feels to me - a Victorian summer weight cotton that is embroidered throughout. Very romantic. The cut is a play on her "Gypsy" design and has the low bodice and seaming that is typical of her work. The edging is done in a deep cream, flat velvet which add a pretty contrast to the white. The sleeves are incredible and with a pin-tuck seaming that gives them fullness through the shoulder and arm before it narrows at the wrists. Appliqued to the front are three butterflies - each a different size, that are embellished with pearls and beads and have a few prong set rhinestones scattered around them. It is an incredibly beautiful piece and very romantic. Excellent condition.

Unlined and has a touch of transparency. It closes with a back painted metal zipper and ties at the top of the keyhole at the front. Each cuff snaps to close with hidden snaps. I added some extra close ups of the fabric and details as the full length photos lose the details because of the light and the dress being white. It is stunning in person.

Sleeves: 23"
Shoulders: 14"
Bust: 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Bodice: 10.5" from neck to waist
Skirt: 46.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2794

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Kloss for Circa were originally intended as lingerie pieces the vast majority are too thin or too sheer to wear as proper dresses now. This one walks the edge, perhaps not to be worn on its own out in public with its open sides, but as a layering piece. It def has a touch of sheerness in a strong light but you could use it as a cover up, be daring and wear nothing but a slip under it, or layer it over just about anything. I love his work. He deliberately chose good weight and quality nylons that held the color well and would drape exactly as he wished. This black tabard cut gown is simple in feel but big on style. It slips over the head with an elastic drawing in and adding shape under the bist and to the waist at both the back and front. It is left completely open on either side with just a simple tie. Quite amazing and daring. Excellent condition

Unlined and slips on. The design will allow it to fit just about any size.

Bust to hips: open
Bodice: 11" from shoulder to waist
Skirt: 39.5" from waist to hem

Modern Sizing Equivalent: OSFA

Item# DD2790

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an extremely rare piece and with the amazing work that Creative Director Alessandro Michele is doing with the house these days and his references to the past, it looks like it could be from the most current runway.  The clothing from Gucci of the 1970s is among my favorites to find. They had a real sexy, hippie feel to them and were meant to be worn by the jet setting beautiful people of the day. The suede and leather pieces were all limited production pieces so are the rare and harder to find. This is an exceptional little top. It is made from a butter soft buckskin on a shade that is just off of white. It is sleeveless and zips up one side so that you can get it one and off. Once on it molds to the body. The front plnges extremely deep and to hold it in place is a classic buckle strap. Once on its sexy as hell and a very versatile piece. Excellent condition.

Unlined and closes with a side metal zipper and buckles at the front. Tagged a vintage Gucci 42. In clean as found condition, it has a very slight patina from normal usage and age with a slight grubbiness here and there but no true flaws other then natural patina.

Bust: to 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Length: 18" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S780

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Hawaiian label Kamehameha was launched in 1936 and was named after King Kamehameha who united the Hawaiian islands. They were famous for their brilliant tropical floral prints which they made for the tourist markets. They combined the feel and beauty of Hawaii with the current lines popular on the mainline. The items were manufactured on the island and the prints done in-house.  They primarily used cotton for their designs and this dress is no exception. The fabric is that crisp fifties cotton and it has been screened with a brilliant pattern of tropical leaves and flowers in blues and pops of deep pinks. The bodice is fitted and lined with a starched filler so that it has shape and molds to the bust. The waist is cinched with an attached blue sash whose colors match the piping details and straps of the dress The skirt is very full. I have photoed it without a crinoline but you would get a the full fifties cupcake effect if you decided to add one. As an added bonus, the straps each tie at the top of the shoulder, this allows for the perfect fit and also you can easily tuck these in and wear the dress strapless. Excellent condition.

The dress is fully lined in a white cotton and closes with a back metal zipper. The sash at the waist is attached at the front and ties at the back

Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Skirt: 27" from waist to hem

Modern Sizing Equivalent:XS-SML

Item# DD2788

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

this is a darling little dress from the 1950s with pretty lines. It is labelled - Jeannette Alexander of California - and is well made. It has a fitted, strapless bodice that has a pretty black velvet ribbon circling its upper edge for a little detail. I love how it glides into the skirt and the fullness of the skirt is created by the pleats set along the side of each hip and around the back. This gives the skirt lots of fullness but keeps the front from being bulky and unflattering. I have added a light crinoline and you could wear a far fuller one for e really "cupcake" look, or none for a more modern feel. It's light and airy despite the black of it and it is still in great shape.

Unlined and closes with a back metal zipper. light boning on each side. The fabric shows a touch of sheen from being pressed over the years but its is still in great condition

Bust: 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 9" from top of dress to waist seam and then it has a 4" band before the pleats at the side start
Skirt: 31" from waist seams to hem, 26" from the side pleats to hem

Modern Sizing Equivalent: XS-SML

Item# E635

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous set is by Claude Montana and is a favorite. Montana designed for strong woman and his pieces always pushed the envelope and defined the female form in a way that felt sculptural. Once worn together these look like a dress but it is actually two separate pieces - a body suit and a wrap skirt. The base of both pieces feels like a starched polished cotton and this fabric choice gives the pieces that little bit of body they need to give them the shape he wished them to have. Montana was a genius at creating structure with fabric while still allowing the body to be able to move freely. The bodysuit has a high, squared off neckline with straps the curve around and down  to the waist leaving the back bare. The skirt is fabulous. It wraps and hooks into place and has a signature mirrored piece set at the waist for detail. The skirt is cut in a swirling curve around the body and the entire lower half is finished with a stiffened black netting. It's sexy and naughty but covered at the same time. Extraordinary. Excellent condition

Both pieces are made of a double layer of the exterior fabric and the bottom half of the body suit is made of a stretch jersey. The bodysuit closes with a low zipper at the back and snaps at the bottom. The skirt hooks to close and there are two rows of loops so you can adjust the fit. It would be easy to move and add to these if you needed to go up or down a bit more on the skirt. Both pieces are tagged a size 40.

Bodysuit
Bust: variable with no true side seams
Waist: 13" flat across from side seam to side seam
Hips: will stretch to approx 18" maybe a touch more since it sits so high up
Bodice: 16" from top of shoulder strap to seam at dropped waist
Skirt: 11.5" from dropped waist to bottom

Skirt
Waist: the hook & eye are currently set at 13" & 13.5" flat across from side seam to side seam
Hips: open
Length: ranges from 24" to 37" from waist to bottom of netted hem

Modern Sizing Equivalent: XS-SML

Item# DD2786

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was an amazing designer. He was known especially for his evening wear and his hallmarks were draping, floating panels and bias cut dresses. He disliked overt ornamentation and instead focused on cut and his fabric choices to convey the beauty of each piece he designed. This is a wonderful example of his work and the construction is on par with demi-couture. It is also a beautiful and romantic shade of pink that I love and is very flattering on most skin tones.  The interior of the dress that lies hidden under the lace and silk chiffon is a strapless shift that has been perfectly constructed from a pink silk crepe. This inner dress hugs the body and has a corseted bodice that keeps the dress in place and then from there it skims over the body in a column to the floor. Over this interior structure is three full layers of a soft pink silk chiffon. It is virtually weightless and so fine that it adds no unneeded bulk as it flows under the top layer of lace. It is cut with extra volume at the back and set between where the lace exterior meets so that it peeks out as a design detail down the entire center back and then flows into a small train behind you. The very top layer of the gown is finished in a beautiful pink lace with all of the edges done to showcase the scalloped design of the pattern. It is very beautiful in person and better then how it has photographed. Excellent condition

Fully lined in pink silk crepe. The interior lining is constructed so it is like a full finished dress inside and out, over which the chiffon and lace layers lie. It closes with a back painted metal zipper. Hand finished throughout. The bodice has interior boning through the lining and smaller, fabric encased boning spaced around the bust area for a little additional support. The pink is a more pastel, prettier pink in person. 

Bust: to 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam the inside dress
Hips: to 21" flat across from side seam to side seam the inside dress
Length: 48" from top of bust to hem at the front, extending to 52" to the back

Modern Sizing equivalent: XS-SML

Item# DD927

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Bias cut, silk chiffon layers give this beautiful dress a light as a feather feel. Stella McCartney makes exquisite evening pieces and I love this one from the pre-fall 2008 collection. Pre-fall and pre-spring collections are always produced in smaller numbers and that makes the pieces from them them more valuable as vintage for the future. This dress was also a favorite on the red carpet that season and was seen on both Scarlett Johansson and Poppy Montgomery. It is made of a soft bottle green silk chiffon that is cut on the bias with a second inner layer in a matching silk. The lightness of the fabric and its bias cut allows it to drape and flow beautifully. It feels more like a column when the wearer is standing still but once you move you get a wonderful fullness. The way it is cut is very couture in feel and it has a definitive Madame Gres, classic Greek feel to it. The entire dress suspends from the tie at the single shoulder and the final effect is very romantic and feminine. I love the pleating through the bodice that extends down into the waist and then softly opens into the skirt. Excellent condition.

The skirt is fully lined in a second layer of matching colored silk chiffon that is also bias cut. The bodice is lined a a matching silk. It closes with a hidden side zipper and ties at the top of the one shoulder. It is tagged a modern 40 but McCartney pieces fit small so you should know your sizing in this label or make sure to check the measurements below

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 62" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD2328

Runway reference photo credit: voguerunway.com 
Poppy Montgomery & Scarlett Johansson credit: coolspotters.com
Photoshoot Reference Photos: Photographed for creative purposes by Nikki Ormerod, Styling: Nadia Pizzimenti, Hair & Makeup: Ashley Readings, Model: Constance from Plutino Models.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Scott Barrie was one of a group of black designers and models based out of New York's Seventh Avenue in the late 1960s. He quickly became known for his sexy designs and in particular how evening wear. Naomi Sims was a fan. His own label closed in the early 80s when he went on to join Krizia where he worked up to just before his passing in 1993  of brain cancer. This gives us a very small window for his work and since many of his pieces were of very limited production and the early pieces were even made by him out of his apartment on a makeshift cutting table and domestic sewing machine. To me this makes each of his found pieces that mush more special.

This dress is stunning and shows his range with fabric and the more romantic side of his work. He is known for his work in stretch jerseys but I rather love this silk chiffon dress, maybe even more then some of his jerseys. It is very sexy in a very pretty and romantic kind of way. It is made from a bias cut, almost weightless silk chiffon that is printed with huge pink and coral tropical flowers on a vivid green backdrop. It is almost too pretty for words and the silk seems to almost float around you when you move. The bodice is fitted and each sleeve is a pretty flutter of silk. The back is left completely open and bare with a small ruffle of silk edging the opening. It is just absolutely stunning. Excellent condition

Fully lined in a green tissue silk and closes with a low back zipper and ties behind the neck. There are some teeny tiny watermarks on the skirt here and there - they do not detract because of the pattern but are present if you inspect it closely and flat with the fabric spread out.

Bust: variable with no true side seams
Waist: 12" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 15" from neck to slightly dropped waist
Skirt: 42" from waist to front hem, 44" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD1262

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The near twin of this dress is held at The Metropolitan Museum which enables us to exactly date it. The difference between the one in The Met's collection and this one is that this one is opaque top to bottom so even though it would have originally been intended as lingerie piece you can easily wear it out as a dress now. The vast majority of John Kloss pieces that one finds are usually too thin or too sheer to wear as proper dress, but every once in a while you find a fabulous little exceptions like this one. John Kloss was a contemporary of Ossie Clark and I love how you can see that same British sense of sexiness in his pieces. This gown has a simple but sexy cut that really shows off the body once on. The halter cut bodice has an almost scandalous plunging front that goes right to the waist. At the point where the waist and the halter join is an elaborately beaded pair of swan set so they highlight the plunge and add a beautiful detail. At the back it is cut so you have an almost slight cowled effect and the entire back is left bare above that. From there it flows to the floor in a column of bias cut nylon jersey. A slit up the front shows miles of leg. Kloss was genius at choosing extremely high quality nylons that held the color well and would drape exactly as he wished. Excellent condition.

Unlined and slips on to wear and ties at the back neck. Tagged a vintage Kloss for Circa Small but please check measurements. The fabric does have some stretch so the size range is slightly more variable then usual.

Bust: variable with no true side seams
Waist: 14-16" flat across from side seam to side seam
Hips: 26" flat across from side seam to side seam
Length: 55.5" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD2785

Reference Photos: John Kloss, 1971. Both from the MET Collection. ( 1  /  2 )

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Norma Kamali opened her OMO shop in 1978 and I believe this to be one of the early labels from that before she moved to the non-italic script versions. It is not 100% perfect but such a early and representative piece form that time period of her work that it had to go into the shop for her fans and collectors to have access to.  Off the hanger the dress looks incredibly tiny but the T-short like fabric allows it a lot of stretch and it easily for on my mannequin. The dress is strapless and done in a brilliant red. The bodice is gathered and fits like a glove to the waist and then it flares out to form a hip peplum. Under that is a second layer of jersey that acts as the lining  and support for the bodice and also is a full fitted dress to the knee. I love the exaggerated and dramatic lines of the hip flare on that top tier. Over this is a tiny fitted bolero that is just curved fabric with sleeves, huge round padded shoulders and a collar. Really well done and the photos don't do it full justice at all. Present as excellent condition with notes to read below

Both pieces are unlined and slip on with no closures. The dress looks incredibly tiny off the body but does stretch quit a bit. The bolero has various storage marks on it - they are dark smudges. I have photoed the worst of them. It is still wearable as is but these are there. The T-short fabric shows a tiny amount of patina from being washed. 

Bolero
Sleeves: 17" approx.
Shoulders: no defined seam
Bust: open
Length: 18" from neck to hem

Dress
Bust: Will stretch to about a 34-35" bust max and fit anything under that
Waist: 12-13" flat across from side seam to side seam
Hips: 16-16.5" flat across from side seam to side seam
Length: 38" from top of waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2782

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you are a regular you will recognize this dress. I have had it in the shop for a bit. The owner of this is motivated to sell and it is a brand new price now - about 1/2 of what it was previously. So if you have been eyeing it up now is the time. Personally I am astounded that it has not already flown out the door as it is exquisitely beautiful and one of the best pieces form him that I have ever seen. It feels as fresh and relevant now as when it was made in 2002.

The dress is exquisite and only 20 of these with this rose print were produced worldwide. It is from the "Dance of the Twisted Bull" Collection of 2002. Digitally produced roses flow across the fabric and get denser as they near the hem. The dress is constructed with two layers of the silk chiffon fabric layered over each other so that you get this fantastic sense of depth with the screened design showing through. Each sleeve flows down the arm and then ends in a tiered full cuff whose edges are left raw. The skirt has that same deconstructed treatment to its hem and is  made from layers of silk set over each other. It skims over the hips and then cascades into different lengths that float around you as you move. The neckline is beautiful and has ties that curve up and around the neck and can be tied several ways. The shoulders are left bare.  You can instantly see the Spanish influence that Alexander McQueen strove for in this piece. It is a even more beautiful in person. Excellent condition.

The McQueen site says of the  collection: Body-skimming jersey cutaway to mimic harnessing is paired with sharp, low-slung tailoring, crisp white shirts are layered with laced corsetry in traditional Savile Row fabrics. Jewel encrusted epaulettes, polka dots, ruffled, tiered skirts and more crafted out of what look like Spanish fans are all executed with the complexity of pattern and attention to detail the designer is known for.", and Style.com's review said: "The Dance of the Twisted Bull" was the title of Alexander McQueen's highly anticipated collection, his first since partnering with Gucci Group and deciding to show in Paris. McQueen pulled off a bravura, Latin-themed romp. One particularly theatrical dress came equipped with banderillas—the long spears with which bullfighters pique bulls—that seemed to impale the wearer in order to support a long ruffled train in the back. Another, a severely deconstructed blood-red señorita dress, had part of a jacket attached at the waist, while a matador-inspired strapless gown featured a built-in sword. An assortment of polka-dotted frocks were layered over matching stockings, and cinched with corsetlike straps and holster-inspired tops. Alongside these dramatic statements came plenty of carefully tailored, eminently wearable clothes, deftly proving McQueen's ability to mix iconoclastic statements with commercially viable product. Razored jackets were softened via seashell-like pleated skirts with gently upturned fronts; flared-sleeve eyelet shirts, layered skirts, and embroidered white jeans all looked confident, as did the cut-out dresses and sharp-as-a-tack toreador suits." The full show is shown below.

Fully lined in a second layer of the same printed silk chiffon with more layers in the skirt. It closes with a hidden side zipper and the halter can be tied in several ways. Hand finishes. Purposely deconstructed edges. Museum quality

Bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" max flat across from side seam to side seam
Length: 57" from top of shoulder to longest points of the asymmetrical hem but it is cut on the bias so will come up some when on the body as bias cut dresses do

Modern Sizing equivalent: XS-SML

Item# DD939

Reference runway photos from style.com / Third reference photo from the ediorial "Dark Angel" Vogue UK, March 2015 by Tim Walker.  Stylist: Kate Phelan.  /  Last three photos: Amanda Lee Shirreffs. Click here to see her original blog post on this look >

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Halston is one of those rare labels that the more time that goes by it actually feels more relevant. It is easy to think of this piece as both a treasured collectible and a closet staple - knowing that every time you slip it on you will look and feel amazing. It has his signature simplicity and masterful draping along with a touch of Studio 54 sexiness thrown in. The dress is made from a deep red, light wool jersey and simply slips on and you hook it into place at the waist. The front crosses over itself with a mid-level plunge that the placement of the fabric and interior hooks hold in place so that you feel safe wearing it. It is cut with the absolute minimal seaming - you can clearly see this especially at the sleeves and how there are no seams to attached them to the bodice, rather they just extend from the same fabric. It is cut on the bias, then wraps and drapes to follow your every curve. The skirt is lean and again it is the crossing over of the fabric that gives you the coverage to wear it and feel secure. The wrapped styling allows the entire front to look like you could step out of the dress at any moment but it is designed to stay in place. The waist is elastic so very comfortable and you could really cinch it in further with a belt. This is signature Halston Studio 54 sexiness but in a dress that you can wear day or night. Excellent condition.

Unlined and wraps to close with flat hooks inside and out at the waist to hold it in place. The waist could be adjusted approx 1" up or down by moving the hooks and has elastic running through it. The wool jersey is a very comfortable and easy weight and feels fabulous on.

Sleeves: 24" approx.
Shoulders: no defined seam
Bust: approx 16-17" flat across but has no true side seams
Waist: 11.5-15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 16" from neck to waist
Skirt: 31.5" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD2781

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.