This Givenchy coat is made from a very unusual fabric combination for its time period. The underlying fabric is structured and almost feels like a coated felted canvas fabric. These are set in angled rows with diamond shapes top stitched in different directions. Interspersed with those are diamond shaped clusters of a deep brown-black faux fur. This combination makes for this fantastic patchwork feel and gives the coat an unusual finishing texture that is very tactile and 3 dimensional. It is hard to describe but when you have it in your hands you will agree that it is very unique. The fabric choice is also what gives it its structured feel and shape. More faux fut circles the neat and small collar and then runs down the front edges and circles around the hem. Each sleeves ends in a cuff of that faux fur. It wraps over itself and closes at the front with a hidden hook and eye. This gives it a bit of shape through the waist when you wear it closed. I also love that having it close this way keeps it from having any buttons or zippers showing that would break the line of the coat. It skims over the bust and hips and then flares out to the hem. It is very well made with a deep brown silk lining inside and hand finishes. It is absolutely gorgeous in person and even better than it looks in the photos. And it has pockets. It appears to have never been worn or worn very little. Excellent condition

Fully lined in a brown silk. Closes with an interior strap and button and then the exterior hook and eye at the waist. It appears to have never been worn or worn very little. Hand finishes.

Sleeves: 23"
Shoulders: 15.5"
Bust: 18" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 46" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# C606

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

It is almost a miracle to find runway confirmation from address in the late 1970s by Oscar de la Renta. Photos of those shows during this time. Are not as readily available so whenever I can actually date of peace and have a runway confirmation it's very exciting. I also love that having that photo shows just how fabulous this dress is on the body because it's gorgeous as it looks on the dress form it's only really going to come to life once it's on. It's truly one of my favourite little Oscar dresses I've ever had in the shop.

This is such a gorgeous dress. It's made out of an inky black velvet that has bright little coloured rhinestones that are set in groups of two and then scattered over the entire dress. Each little cluster has been hand sewn into place. The way these catch the light as you move is just gorgeous. It also gives the dress this incredibly festive feel and elevates what would otherwise just be a normal little black dress. Inside there is a full built in cupped corset to hold the dress perfectly in place when it's on. It is cut to fit more snuggly to your bodice and then drops to a seam set just across the top of your hips. The skirt flares out from there and widens out a bit as it nears the ham. It's very flattering because it shows off your body but it's not skin tight everywhere. I love the wide grosgrain ribbon bow that sits at the center of the neckline. It's just this perfect little detail that Oscar excelled at. The dress is gorgeous and a favorite. Excellent condition with a small note below

Fully lined in a black silk and has a full built in cupped corset that is boned and closes with hook & eye at the back. It closes with a back zipper over that. I see two areas on the back where the velvet has flattened slightly and catches the light a little differently. One is near the zipper and the other on the skirt below that. Please see the photos after the label shot. If you change the inner corset or remove that you could probably get it at least another inch through the bust and the waist

Inner bust: 15-16.5" flat across from side seam to side seam
Inner waist: 12" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 30" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD4153

Reference Photos: Fall 1979 Oscar de la Renta Runway. Model: Kirat.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a remarkable example of Courreges and the work that Andre was doing during that time period. I know we often associate his work with very mod and short pieces but he also did many dramatic pieces in fabrics like this. It is just incredible and the photos don't come close to conveying how beautiful it actually is in real life. I am sometimes more excited to find these bolder and more unusual pieces from him then the more common mod feeling ones. This one is also numbered on the back of the label. It is just gorgeous.

This beautiful dress is made out of a black silk chiffon and then it has a floral design that it's fused onto the silk. The colours that are used are absolutely gorgeous. They range from this deep fuchsia and pinks and then they slowly change to soft corals and even pale lavenders in parts. The velvet has a glow to it so the effect of the velvet popping off of the transparent silk chiffon is this fantastic play of texture and colour that has to be seen in person. Many of his pieces are a play on volume and proportion and this dress is an amazing example of that. It is a dramatic piece that is cut with a dropped waist much like a twenties piece would be. This blouses over an inner seam set around the top of the hips. The neckline is squared off at the front and again at the back. I love how it is edged in a little black velvet ribbon. Running across the front of the neckline is a skinny little velvet strap that has a flat bow at its center. Each sleeve is full above its own skinny little velvet ribbon edging. The blouse is full and easy and skims over you to that low drop scene under the seam the skirt falls from there and is actually quite full. When you're standing still it hangs straight but when you move you get this beautiful volume and floating affect around you. There's a little attached velvet ribbon on one side of the head that wraps around to tie in the bow on the other. I would love to play on transparency that you get there is a lining inside but you still have this feeling that there's a slight transparency between the flowers. This is Address that really only comes to life once it's on the body as pretty as it looks in the photos it's really when you see it in real life and you realize how much flow the bias cut fabric has how much drape the dress has and how much movement it will have once it's on the body. It's spectacular. It looks to have never been worn or worn very little. Excellent condition

Fully lined in a single layer of silk chiffon through the bodice and has two layers of chiffon through the skirt. Slips over the head to wear and has elastic through the seam at the top of the hips. You can use the ribbon to tighten it further around your hips. Taged a Courreges zero and has a numbered tag on the back of the label. It appears to have been worn very little if at all. The easy cut should allow it to fit a variety of sizes

Sleeves: 14" and the ends are 10.5" around
Shoulders: 15"
Bust: to 20" flat across from side seam to side seam
Waist: open
Elastic seam at top of hips: to 23" flat across from side seam to side seam
Bodice: 22" from top of shoulder to elastic seam at top of hips
Skirt: 29" from elastic seam at top of hips to hem

Modern Sizing Equivalent: XS-MED

Item# DD4149

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had tucked away in my archives for quite some time. This is it gorgeous little caftan dress that can play double duty as a light evening coat. It is a little extra special as I believe it is an early piece from her Greek Street shop in London that she opened in 1964. I was pleased to find a photo of a 1966 piece in a similar feeling vein in the 2015 book "Thea Porter: Bohemian Chic". by Laura McClaws Helms. These button front pieces that fully open down the front were especially loved for their versatility. Of all of Thea's pieces, her caftans have come to represent Thea's work like no other piece of her clothing that she designed. Elizabeth Taylor was a huge fan and collector. This one is just spectacular.

The caftan is very beautiful and is made from a stunning light cotton voile fabric. This fabric is extra special because it's actually signed along its edges and you can clearly see that on the inner seams. The fabric has a glorious floral print with a pink backdrop and then beautiful coral and pink flowers and green leaves run over the entire thing. Around the neck and across the upper back is an added antique gold metal cord embellishment. This goes all the way across the upper back and around to completely cover the shoulders. It then is set all the way down to the waist. It is amazing and it gives a caftan an elevated feel. Thea was known to hunt antique stores and markets during her extensive travels and use what she found in her designs and this is certainly a found antique textile. The dress buttons down the front almost to the hem and then the back has pleating for extra volume that falls from under the gold cording there. The sleeves are magnificent. They have their own lining and then the top layer of floral fabric falls over them and widens out an extremely wide cuff. The caftan is lined and the fabric over it is semi-transparent. This see-through quality gives the fabric depth and a floating feel over the inner lining. You can easily add a soft or structured belt to add shape if you wished and add even more to its versatility. I love that you can wear this in so many ways and one its own or over so many things. This is very special and are early piece of Thea's and  it is also very beautiful. Excellent condition with a minor note below

Fully lined and slips on to wear and then buttons down the front. It's easy and open shape should allow it to fit a range of sizes. Finished by hand throughout. There is some wear, discoloration and shininess to the lining here and there and I see one older repair on the shoulder. Please see the shots after the label photo

Sleeves: 25" to the longest point and the inner lining is 13" around the upper arm
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Length: 52" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4151

Reference Photo: Actress Fenella Fielding in a paisley kaftan on a matching Chesterfield couch in the shop. Photographs from this series ran in every major UK tabloid. Greek Street, London, October 1966. Photograph by William Lovelace. From the book “Thea Porter: Bohemian Chic” by Laura McLaws Helms and Venetia Porter.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Vogue said of the Spring 2018 'La Bomba' show that 'Jacquemus: the young designer, his models, his friends, his sun-drenched South of France Instagram—they’re everything about the French which makes foreigners writhe with envy. Welcome to Paris! ....Not to mention the fact—for goodness sake—that we were all in the Musée Picasso, a national landmark never before used for fashion.' Simon Porte, the man behind the label is self-taught and this collection in particular cemented his cult-like status. The collection was a tribute to his mother who he lost at a young age. 'You see, Jacquemus is my mother’s name,' he said as his models surrounded him at the end of the show. 'She was shy, and she was sexy. It will always be about her, I don’t care! That’s me.' This was the closing look of the show and it was one of the strongest pieces of the season. It was photoed for vogue that season and shown extensively on their social accounts. And one is one of the hardest pieces to get a hold of.

The dress was one of his first examples of using this modified and updated hoop-skirt. It is made out of a raw feeling cotton linen mix that has a slight texture to it and was left in a natural linen color. The dress is suspended from the shoulders with two tiny straps of the same material. The neckline is cut straight across and the body of the dress is cut slim and more tubular giving it a shape reminiscent of the 1920s. The fabric is softly gathered around the bodice giving it a subtle detail that feels easy and natural over the body. It runs down and past the waist and then flares out to meet the seam set below the hip line. The skirt flares out from that dropped seam and it has incredible volume to it. There is built in heavy stiffened net structure underneath that helps to hold that exaggerated shape through the hips. This gives it the feel of a modified version of the hoop skirts of the 20s and 30s that designers like Paul Poiret and Jeanne Lanvin were doing. The ease and casualness of the fabric give it this great contrast between that historical feel. It is a beautiful dress to wear and I'm glad that we found some video clips so you can see the incredible movement that it has. It is the perfect summer dress and a definite important future vintage piece. It might even make an amazing dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. It appears to have been worn very little if at all. Excellent condition with one note below

Fully lined in a matching cotton through the bodice. It closes with a hidden set side zipper. Internal structure under the hip in stiffened tulle helps to hold the shape along with the seaming. Tagged a modern 38. I see a couple of tiny scattered blue spots at the front that look like they are in the actual weave of the fabric. A small mark inside the bodice. Please see the photo after the label shot

Bust: 16.5" flat across from side seam to side seam
Under bust: 15.5" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Natural hips: 19" flat across from side seam to side seam
Length: 54" from top of shoulder to hem

Modern Sizing Equivalent: XS SML

Item# DD4144

Reference Photos/Videos: (1-2) Spring 2018 Jacquemus Runway, Look 48. Model: Naki Depass.  /  (3) Photo by David Luraschi.  /  (4) Vogue, February 2018.  /  (5) Woman wearing Jacquemus during Paris Fashion Week SS19, September 24, 2018.  /  (6-8) From the Jacquemus Instagram.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of those fantastic things that you'll only find in the vintage world. It is a very unusual piece that has no label but has been immaculately made and is quite fabulous. The piece is completely made by hand using knotting and macramé techniques. The rope that is used has a subtle gold thread running through it which adds a gorgeous texture and just a touch of glimmer. This is mixed with silver metal beads that are used to anchor the knots at the neckline and waist and also add detail across the bodice. To wear it you just slip it on and then tie it at the neck and the waist at the back. The front is an intricate design that covers you like a fantastic and elaborate breast plate. More silver beads are used here to anchor the cross ropes and add detail and interest to the design. Under the waist the skirt falls in a long fringes. The fringes give it incredible movement when you move. It also has sleeves that are anchored to the neckline and then suspended across the shoulder by rope. Long fringes then fall from there to flow around your arm and past the hands and wrists. It is incredible. This is a piece that you would wear over something else and depending on how daring you want to be you could wear it with something absolutely minimal to look like you are completely bare underneath or layer it over a dress or pants. The possibilities to style this are endless limited only by your imagination. It's in immaculate condition and is one of the most unusual and fabulous pieces I have seen. I absolutely love it. Excellent condition

Slips on from the front and ties at the back of the neck and the back of the waist. It should fit a variety of sizes depending on how open you are OK with it at the back. The measurements below are where it is tied so each side perfectly meets but you could extend that as much as you want to give yourself more room as needed.

Sleeves: approx 43"
Front: each side covers approx 6" flat across
Waist: is 29" from end to end and then it can be extended with the ties
Hips: open
Length: approx 63" from top of shoulder to longest point of the fringes

Modern Sizing Equivalent: XS-LRG

Item# E710

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love when I get versions of these Bill Tice dresses in the shop and this black one is especially easy to wear. These were made in the 1980-1981 time period and I have included a shot of Rachel Zoe from 2008 when she wore the twin of this one to the AMAs. She wore her belted and you can see how adding a belt really changes the look of the dress and gives it shape. Versions of these Bill Tice pieces have been worn by countless celebrities for the red carpet and events and every girl that has bought one through me has absolutely loved it. It is just one of those fail-safe pieces that you know is going to work every time you put it on. The dress is made of a liquid, slinky jersey that feels amazing on. This fabric has the added bonus of traveling very well. It is the kind of piece you can throw into your suit case and slip on upon arrival with either flats or heels and you are instantly ready to walk out the door. There is a high slit at one side that shows when you walk or sit. The neckline is cut into a V front and the sleeves come out from the sides of the dress and narrow down to each wrist. It is cut loose and easy through the body and then fall to the floor coming in slightly as it nears the hem. The Tice signature stop stitched gold makes it appearance on the shoulders of this one. This adds an instant dose of high glamour and I love it. This is a very easy to wear dress that can go full on glam if needed. Excellent condition.

Unlined and slips over the head to wear. A slit up one side. The easy fit and elastic waist should allow it to work on a variety of sizes.

Sleeves: approx 23"
Shoulders: no true defined seam as they are dropped
Bust: to 34" flat across from side seam to side seam
Waist: 24" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Length: 58" from neck to hem
Slit: 22" from hem up

Modern Sizing Equivalent: SML-LRG

Item# DD4124

Reference Photo: Rachel Zoe, in Bill Tice, at the 2008 American Music Awards.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Bates founded the Jean Varon label in 1960 and it quickly became known for the futuristic designs and innovative use of fabrics. He dressed Dianna Rigg portraying Emma Peel in the 1965 season of the action TV series "The Avengers" and that helped bring him more commercial success. He was one of the first to play on the idea of ‘underwear as outerwear’ with his use of see through fabrics, mesh and cut-outs. This jumpsuit is a fantastic example of how he could pushed the envelope with those ideas.

This is am amazing piece of vintage. Truly. It is about as risque as you can get and yet its chic and cool at the same time. It is even more remarkable to see when you think of when it was made since it literally looks something  that could have walked off a runway yesterday. The jumpsuit is made out of a combination of a feather light black chiffon that has a textured effect worked through it and this amazing poufed effect fabric for the legs. The top is cut to completely cover you yet the transparency makes it very sexy. The chiffon has vertical top stitched lines that run from the shoulder to the waist for added detail. Wide panels of black sequins run down either side to cover the breasts and at the back the sequins run down the center of the back to conceal the zipper. All of the chiffon between these three vertical panels is see through. More sequins circle the neck and the waist to make it feel like a define top. The waist nips in slightly and below that are the pants. Each pant is cut very wide and flares out as it nears their hems. The fabric is amazing and it has this create organic 3D pouf finish. And it has pockets on each hip. Overall excellent condition  with a note below

Unlined and closes with a back painted metal zipper under the sequins. Tagged a vintage UK 10. Pockets hidden along each hip. There is some flattening around the inner seam of the pants. The width of the pants hide it when on but you can see it when laying flat. Please see the two photos after the label shot

Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 16" from neck to waist
Pants: 39.5" from waist to hem with 1.75" turned under
Inseam: 27"
Full rise: 30" from neck to inner leg seam

Modern Sizing Equivalent: XS-MED

Item# DD4123

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Dsquared2 brand was started by Dean and Dan Canten, identical twins born in Canada. In 1991, the brothers moved to Milan where they worked as designers for the house of Gianni Versace. They also had a short stint as designers with the Diesel brand. In 1995 they launched the Dsquared2 label. This is a more recent piece and it is gorgeous. It manages to be both sleek and simple and yet complete drama at the same time. It is gorgeous

The black jersey this dress is made of is the perfect choice for it to fall and drape perfectly once on the body. The fabric has just enough weight so that the drape down the front is perfectly executed, but it is still light enough to feel extremely comfortable once on the body. The simple yet dramatic cut has that nod back to the glamour days of Hollywood. Straps made from the  same fabric extends from the center of the bust and curve up and around the neck. They twist at the front with a little keyhole underneath that gives a glimpse of bare skin. There are two tiny straps that extend out from that twist that wrap around you and secure tot he back of the dress to help keep it in place. From there the dress drapes down and around you in this supermodel long sheath of jersey. It skims over the body and slightly flares out at the hem. Added to this as that dramatic attached cape. It is actually attached and a part of that front twist. There is a opening that you slip your head through and then it drapes down into this fabulously dramatic cape down the back. You can wear it draped over the shoulder or more as a panel behind you. It will catch the air when you move and billows around you fantastically. It is simple, sexy and perfect. It looks to have never been worn. Excellent condition

Unlined and closes with a back hidden set zipper that disappears under the caped back once on. Tagged a XS. The fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat. 

Bust: 15-17" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Length: approx 70" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4122

Reference Photo: credit unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a remarkable example of Courreges and the work that Andre was doing during that time period. I know we often associate his work with very mod and short pieces but he also did these more utilitarian pieces and he did them well. I am sometimes more excited to find these more unusual pieces from him then the more classic ones associated with his name. A version of this one in orange resides in the Museum of Decorative Arts. Having a museum reference and date on it makes it even more special as so many of his pieces don't have any provenance.

The jumpsuit is made out of a black cotton velvet with a very flat pile that gives it a wonderful depth and deep inky black colour. It is cut to skim over the body and has an easy to wear feel. The waist has a fuller cut and then there is a cord that runs through and around the the waist. This allows you to cinch it in or leave is looser. It skims over the hips and then each leg is cut straight and wide. Depending on how tall you are they will end at the ankle or below. The pocket details with their silver studs are really what make this piece. Top set pockets are set low on the front just above the waist seam. These are decorative only but do have workable snaps. Slanted pockets with the same stud detailing sit along each hip and these are functional. Then there are two more pockets at the back which are also functional and have the silver studs there as well. I love that little flap at the back that closes with its own stud and adds just a touch of shape and added detail. The front zips to close from below the waist to the top of the neck. This lets you zips it as high or as low as you dare and completely changes the feel from utilitarian to being very sexy. It is gorgeous. It can be worn with flats or boots for day or heels for night. Excellent condition

Fully lined in a black silky rayon and zips to close at the front. Tagged a Courreges 00. It looks to have been worn very little if at all. 

Bust: to 17 " flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 56" from neck to hem of pants with 2" turned under the hem
Inseam: 29" from hem up
Full Rise from neck: 29.75" from back neck to inner seam

Modern Sizing Equivalent: XS-MED

Item# DD4121

Reference Photo: 1971 Courreges Jumpsuit from the Museum of Decorative Arts collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

i think at this point in time everyone pretty much recognizes certain Celine pieces from the Phoebe Philo days and her knit dresses are definitely some of the most recognizable. It is just a joy to see knits done to this level when so many are synthetic fabrics now. Besides being a gorgeous piece of fashion history it is just a wonderful dress

The dress is made from a beautiful knit that feels like a wool, cashmere and silk mix. It has a very dense weave to it and has a wonderful feeling weight. It is made with the absolute minimal seaming. Where there is a seam she made it into a design detail so that you have these perfect lines running down the dress that add just the perfect little touch. The colour is a gorgeous ivory and in person it is richer and better then how it photoed. The dress has a high collar that frames the face. The top edge of the collar is finished with a subtle curve under that again gives it that perfect subtle little detail. The sleeves are cut extra long and meant to be worn bunched up on the arm. Each cuff ends in a wide ribbing. It skims over the body and past the hips to land about mid-calf to just above the ankles depending on your height. It slightly flares out at the hem. It is a beauty. Excellent condition with one small note below

Unlined and slips on to wear. No size tag present. It feels like a wool, cashmere and silk mix. The fabric does have some stretch so should fit a range of sizes. The measurements below give you the comfortable range the fabric has when lying flat. There is a faint blueish line on one sleeve that you see when they are fully down. Once the sleeves are bunched up properly it disappears.

Sleeves: 27"
Shoulders: no defined seam
Bust: 16-21" flat across from side seam to side seam
Waist: 13-17" flat across from side seam to side seam
Hips: 15-20" flat across from side seam to side seam
Length: 51" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4119

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Isaac Mizrahi presented his first collection with a trunk show at Bergdorf Goodman's in 1987. By 1992 Chanel had bought a stake in the company and Isaac's name was everywhere. He was doing custom work for clients and Hollywood on top of his mainline. In 1995 Isaac was the subject of the movie 'Unzipped' based on his Fall 1994 collection. He is known as much for his personality as he was for his clothing. The Council of Fashion Designers of America (CFDA) recognized him with the Perry Ellis Award (now called the Swarovski Emerging Talent Award) in 1988 and the women's wear designer of the year award in 1989. This is a fantastic example of how he could do very luxe evening wear and I love it.

My client worked one on one with Issac when she had this dress made for herself. It is stunningly beautiful. The dress is made to demi-couture standards and to the best of my clients knowledge it is the only one ever made. The bodice is amazing. It is strapless and then the cups are heavily covered with black beads mixed with prong set black glass crystal rhinestones. They are so densely set together that it creates this fantastic 3 dimensional feel. I love that the bead work continues to the sides and then all the way to meet at the back zipper. The top of the bodice is set on a curve and the cups are shaped. The dress falls from directly under the bust and is cut to skim past the waist and hips. The dress is covered in a fine black lace set that over a inner nude silk lining. From a distance this gives the effect that you are covered in just a layer of lace. Once past the hips the skirt sweeps outwards and flares with a ton of volume. Underneath the lower skirt there are layers of attached tulle to help keep the volume. The extra fabric lets it move around you with your slightest move. It is even better in person. Just gorgeous. Excellent condition

Fully lined in a two layers of a nude silk. The skirt has additional tulle built in around the hem to help hold the shape. The bodice has a built in inner corset that closes with its own set of hook and eye and the dress closes over that with a back zipper. Some small marks to the inside of the hems otherwise pristine. 

Bust: 16.5" flat across from side seam to side seam with an approx A-B cup
Inner waist: 14" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Length: 56" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3564

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

McQueen's Fall 2008 collection was called 'The Girl Who Lived in a Tree' and it was inspired by a combination of his trip to India and a 600 year old elm in his garden. I have included two photos from the runway that year and you can see how the elements from these pieces were combined to create this dress. Pieces from this collection are some of the most valued by collectors. The V&A Museum says of this collection: 'McQueen’s Autumn/Winter 2008 collection centered on a fairy tale narrative devised by McQueen about a girl who descends from a tree to marry a prince and then become a queen. It was inspired by a 600-year-old elm tree in the garden of the designer’s Sussex home. At the center of the set stood a giant tree swathed in fabric, inspired by Bulgarian artist Christo, who is renowned for wrapping buildings with material.' This dress feels a bit like the embodiment of that center piece they refer to, as you are wrapped an swathed in fabric once it is on. The impact of this dress is not truly conveyed on the photos and the way that the chiffon trails behind you is fantastic once on the body.

The dress is beautiful. Rarely does one see this level of workmanship in ready to wear. The fabric is a silk chiffon with a soft almost waffle finish texture. The silk is feather light and once the dress in on the body it feels like you are wearing air. The cut is classic McQueen with an almost scandalously low cut squared off neckline. Underneath he has suggested the presence of a seam with a line of hand placed stitches. This tiny little detail adds shape and gives that dress its empire feel. It is lightly gathered over the bust. Inside the bust is structured and supported. The support is genius and done mainly by couture level seam work and fabric rather then extensive boning. The skirt falls to the floor from beneath the bodice and there are many yards of silk used to create that magnificent skirt. On one side under the bust there is a extra panel of the silk that is caught up and drapes to attach to the top of the opposite shoulder. This creates this curved line that sits off of the dress. The skirts are long and extend even longer at the back. The skirt extends out there to trail out behind you in a long train. I love how the fanbric there extends out from the back upper seam ... as you walk this creates this billowing feel behind you that is extraordinary. It is a work of art from one of the greatest designers of our time. The dress has its original hang tags in place and is in its original uncut length. Excellent condition.

Fully lined in black silk satin through the bust and black silk chiffon through the skirt. It closes with a hidden set zipper at the back. The interior bust is shaped and lightly boned at the sides. Original tags attached. Tagged a McQueen 38.

Bust: to 17" flat across from side seam to side seam
Seam under bust: 13" flat across from side seam to side seam
Natural waist-hips: open
Bodice: 10.5" from shoulder to seam under bust
Length: approx 60" from shoulder to shortest point of the front hem, approx 90" to the longest point of the back hem

Modern Sizing Equivalent: XS-MED

Item# DD3473

Reference Photos: (1-2) F/W 2008 Alexander McQueen Runway Collection (Look 7 & Look 27).

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Halston did variations of hos famous one shoulder dresses over the course of several years and they are still among the most collectible of all of his pieces. Nothing says Halston like this classic and when you find one in a silk chiffon and this stunning shade of blue it is a joy to see. Versions of this dress have appeared in several museum exhibits of his work and I have included a photo of a similar one from The Met. These are still one of his best and most impactful designs. This one is from his main label. I have had versions of these in the past and some reside in my own personal collection and this one in its brilliant blue colour is one of the best. It is a very special piece of his work and it is gorgeous. It is not 100% perfect but its beauty outweighs it flaws.

The dress is entirely cut on the bias and utilizes his signature minimal seaming. Halston defined how woman dressed in the 1970s and these one shoulder dresses in particular were tremendously flattering to the body. It is also insanely sexy while still being extremely comfortable to wear. It is feather light and you are barely conscious of wearing anything. The fabric is a fine light silk chiffon that moves and drapes beautifully. The silk has been hand dyed to that brilliant blue color. The camera came close to capturing the colour but in person it is better. The blue is more saturated and the colour has more depth. The blue is one that is flattering on most skin tones and it is a beautiful pop of colour to wear. The inner dress is made of three full layers of bias cut silk and then that top caped layer is attached along the neckline to lie over those. The inner dress is made to drape over the body and the bias cut allows it to move with you as you move. The top layer is cut on a soft curve above the hem on one side and then sweeps upward to cover the shoulder and cascade down all the way to the hem. The bias cut and that caped effect on the one side give it tremendous movement as you move. It is spectacular. This is a rare example of Halston at his very best. Presents as excellent condition and is 100% sound but please review the full condition notes below

Constructed in multiple bias cut layers as described above. It slips on with no closures. Hand finished and the bias cut should allow it to fit a range of sizes. There is fading down the top of the caped side and some marks near the neckline and on that side of the cape. If you wore it the other way around you would not see most of these. Once on these fade more into the fabric that is there. There is one mark on the inner dress under the overlay as well. Please see the photos after the label shot. Priced with this in mind.

Bust: 15-21" flat across from side seam to side seam
Waist: 12-19" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Length: 63" from top of shoulder to hem

Modern Sizing Equivalent: XS-LRG

Item# DD4116

Reference Photos:  Silk chiffon dress worn by Lily Auchincloss at the French-American fashion show, Palace of Versailles, 1973. Now part of the collection at the Metropolitan Museum of Art. (First image from the book “Halston”.)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Fall 2003 Chanel collection began with inspiration from the work of painter Kasimir Malevich. In Vogue's review of the collection Sarah Mower stated in part that; 'Lagerfeld mixed things up with his usual polymath flair... The decorative vibe ran through the collection.... In other words, all the usual playfulness of Chanel ready-to-wear was there, done with a light-handed touch that underscored Coco's legacy of flexibility—and fun— in the reign of King Karl." This is a wonderful example of his work from this time period and it is so versatile with the two pieces as you can wear them together or mix and match with other pieces you already own.

The dress set is stunning. It has an easy, sexy feel to it that I love. It is actually a set made up of two separate pieces. The inner dress is made from a fine high end black silk. It is suspended from the shoulders by two little silk straps. The bodice is cut to skim over you and the back dips into a low V. The seam at the waist that is set on a pretty inverted curve for a bit of a play on the twenties, a theme he often touched on. The skirt falls from there, skims over the hips and widens out as it nears the hem. The hem is cut on that same inverted curve as the waist seam at the front and then the back sweeps down into a longer slightly point hem that mirrors the dip on the back. Over that goes the top chiffon piece. This top piece is so well made that you can easily wear it to the back or to the front. I have included photos of it both ways for you. The top layer slips on and buttons into place with a row of glossy black buttons. It has that same  hemline as the under dress with one side set on a curve and the other ending in a point. Depending on which way you wear it you get a totally different feel when it is layered over the inner piece. Both the dress and its matching are edged in a black fur. The lightness of the silk give it beautiful movement once on the body. My photos do not come close to doing it full justice. Excellent condition.

Both piece are unlined. The inner dress closes with a hidden set back zipper and the over lay closes with buttons. Tagged a Chanel 40. It appears to have been worn very little if at all.

Inner Dress
Bust: 16.5" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 16" from top of shoulders to the waist
Skirt: 28" from waist to front hem, 41" to longest point on hem

Overlay
Bust: 17" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Skirt: 35" from waist to longest point of the hem

Modern Sizing Equivalent: XS-SML

Item# DD3868

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

Kiki Hart is a fantastic little vintage label. The dresses were well made and they had gorgeous lines. This one is so pretty and might even make a great bridal piece for the bride not looking for something traditional or as a dress for an event surrounding the ceremony. The dress has a classic one shoulder cut. It is made out of a white chiffon that drapes so prettily to form and define the lines of the dress. The fabric that covers the bodice is set to sweep up and into that single shoulder while the other shoulder is left completely bare. It gathers up and into a metal ring set just below the shoulder. The ring is completely encrusted with tiny rhinestones and adds such a pretty touch. It curves up and then two long panels of chiffon are knotted around it and secured. These then cascade down the back in this fantastic swath of fabric. Each is a single wide layer of chiffon so when you move they billow out behind you in the prettiest of ways. Your upper back is left completely bare which I love. The waist is defined by a wide gathering of the same fabric and then the skirt flows out from under there to the floor. There are several yard of fabric in the skirt and it sits over an inner lining. It catches the air as you move and creates a beautiful sweeping line when you walk. It is just gorgeous. Excellent condition

Fully lined in an ivory chiffon and closes with a zipper at the back.

Bust: 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of shoulder to bottom waist seam and including the 4.5" band around the waist
Skirt: 40" from bottom waist seam to hem

Modern Sizing Equivalent: XS-SML

Item# DD4107

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning Halston that is very rare and very special. I have had it in my archives for a long time and for some reason it feels like it is the time to let it go. That season Halston did a series of pieces using this pleated silk jersey. This was a runway piece and the only photo I have been able to find of it just shows the little bit of it behind a shot of Pat Cleveland. You can clearly see the amazing slevee in the photo. It is also interesting to note that they looked to have added a belt on the dress to style it for the show. I love when you can see how the designer intended it to be styled. At this point in his career pieces would have been made in very limited quantities. That alone makes this dress that much more special never mind to have runway documentation. It is an incredible example of his work from this time period. And it is a killer dress.

The dress is made from a light weight silk that has tiny pleat work throughout. Like most of his best work its design is simple yet impactful. As in many of his pieces his genius lies in the ability to use the least possible amount of seams yet he still manages to create the most stunning lines. The dress wraps around and is secured through the inner waist with snaps and hooks to keep it in place. The waist has elastic running through it that gives it this incredible ease once it is on the body. The front plunges into a low V and there is a tiny snap to hold it more securely in place. I did not use it for these photos but if you wanted a plunge that was a little less extremely you could close it a bit more with this snap. It skims over the bodice and comes in at the waist. You could add a belt if you wanted more shape or wear it as it is. The skirt wraps below that and falls in a cascade of the silk. The pleating gives it a little movement so that it moves wonderfully when you walk and the wrap allows a touch of leg to show when you move or sit. The sleeves are the star of the show on this dress. They are cut extra long and on a curve. They come in at the wrist where they snap to close and pouf and balloon fantastically above that. On my dress form they hang low but you can see in that glimpse of a shot how they billow around the arm and wrist once they are actually on. It is an incredible dress and like many of his pieces it truly will only come to life once there is a body in it. It is remarkable and a true piece of fashion history. This would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event. Excellent condition

Unlined and wraps around you to close. It hooks and snaps in places around the waist. The waist is elastic so there is give there. You could also get less of more room by moving some of the hooks inside if needed. The range given below is the comfortable range where they are now. Each cuff has hidden set snaps to close and there is a bit of room to move those as well. I have put XS-MED and with some moving of the inner hooks / snaps it would probably work on a larger frame as well

Sleeves: 30" but will come up once on
Shoulders: no defined seams
Bust: open on the sides and will accommodate from 15-19" flat " flat across from side seam to side seam
Waist: 11-16" flat across from side seam to side seam
Hips: open
Bodice: 15-16" from top of bodice to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD4106

Reference Photos: (1) Spring 1978 Halston Runway with Pat Cleveland in the front and the dress just behind her peeking out

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Luis Estevez worked for Jean Patou for two years before starting his own label in 1955 and had a long and successful career. By 1968 was based in California and his designs from that period on reflected that West coast vibe. Lana Turner, Rosalind Russel and Eva Gabor, who he even designed for when she had her won label. He loved using white in his work and this dress is one of his most recognizable and coveted pieces. I love it.

The cut of this dress is extremely sexy with that barely there feeling coverage of the top and yet it still manages to have a chic elegance to it. It is made from a white jersey that has gorgeous drape and has enough weight to it that it is opaque. The halter top stays in place with a strap that runs up and behind the neck and a second on that extends out from each side and hooks into place across the back. The waist is cinched in and the skirt has a ton of volume as it falls to the floor and gradually widens out. I love how the design of the bodice leaves the back and sides completely bare and open. The barely covered top with the full length of the skirt are the perfect contrast to each other. If all of that were not enough the top is completely covered in square cut rhinestones set in silver edging. This follow the line of the halter and cover both straps and circle the waist. It is stunning. Presents as excellent condition with notes below

The bodice is backed in the same jersey and the skirt is lined in a nylon jersey. It closes with hidden snaps on both straps and a a low set zipper at the back. The skirt has some small faded marks here and there and the top of the zipper shows some grubbiness. I photoed the areas. When it is on you don't notice them because of the volume of the fabric but laid out flat you will find them. Please see the photos after the label shot. Otherwise has no flaws. The snaps and hooks on the back strap could be moved an inch either way if needed but of you moved it to get more room you would get a small area with no rhinestones.

Bust: 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of bodice to waist
Skirt: 42.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4105

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fabulous looking dress that was released for the Pre-fall or Fall that year. It is not a runway piece but one of those great little dresses that would have been made for retail. It is made out of feather weight silk. Think scarf weight. So once on the body it feels like nothing. It is lined in an even lighter weight tissue silk and silk chiffon combination so feels like heaven on. It has an unusual design with the sleeves. They are almost cape like at the front where the fall over the arm with a pretty ruffle effect. Then at the back they are scooped out so the back of your arm is bare and just the bottom wraps around the arm to hold it on place. The rest of the dress is meant to sit easy on the body. The bodice drapes softy over you and then the waist is brought in with vertical seaming. If you wanted to really emphasize the waist you could add a belt. It skims over the hips and falls in a pencil skirt to the hem but in a soft way rather then being overly fitted. The fabric is screened with a classic YSL leopard print done in tone of grey. The YSL logo is also screened throughout. It is a great little dress that is easy to wear and has lots of impact. It looks to have been worn very little if at all. Excellent condition

Lined in a tissue silk and silk chiffon combination and closes with a back hidden set zipper. Tagged a FR36.

Shoulders: no defined seam
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 39" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4103

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Halston IV jumpsuit is a special piece and these jumpsuits are harder to find. Plus they are fabulous. The design is simple but at the same time it has so much impact with its bare and sexy feel combined with the startling plunges around the top. It is an incredible piece that you can wear over and over and style it in a zillion ways depending on what you pair with it.

This is just a wow kind of piece. It is made from a black jersey that drapes over the body like magic. There is a a touch of Studio 54, disco era sexiness thrown in the mix and it just couldn't be better. The jumpsuit simply slips on to wear and has elastic through the waist so that you can get into it. The top has a serious plunge on the front and also one each side with panels of jersey draping over the bodice to the waist. Each plunge goes down right to the waist but the placement of the fabric holds it in place so that you feel safe wearing it. Each shoulder is set wide across the top of the shoulder and then the back drapes down and blouses out a touch. The waist has elastic so its incredibly easy to wear.  You could also add a belt to really cinch on the waist as much as you want to really emphasize the shape or you can wear it loose and easy. The pants have a bit of a peg leg feel to them, with each leg narrowing in a bit by the time they hit the ankles. Around the hips the fabric is set to drape over you for a looser and easy feel. It is so sexy and so very easy to wear. It looks to have been worn very little if at all. Excellent condition

Unlined and has elastic through the waist. The fabric does have some stretch. The easy cut should allow it it fit a range of sizes.

Bust: Each side will cover up to 11" flat across so should fit a range of bust sizes
Waist: 12-20+" flat across from side seam to side seam
Hips: open and generous
Bodice: approx 15" from neck to waist seam but meant to drape a bit
Pants: 44.5" from waist to hem
Inseam: 26" and Gusset: 16"

Modern Sizing Equivalent: XS-LRG

Item# DD4102

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love finding Donald Brooks pieces. They are very well made and his boutique pieces especially have a sense of fun about them that I love. Brooks launched his main line label in 1964. He only designed for a very short time, closing his business in 1973. He had a secondary, boutique line that he started in 1971 that also closed in 1973. This dress is from the boutique line which gives us that small time period from 1971-1973 for its date. I have had that one in the shop before and it is amazing to have another version now for you. 

The dress is insanely sexy and bare feeling with a halter style front that plunges right to the waist. It ties behind the neck and then the back is left completely open and bare. The dress is made of a black silk jersey that drapes like a dream and feels amazing on the body. Despite its bareness at the back it is cleverly cut so that when you have it on it stays in place. The front drapes over you and gathers along the top of the neck. It ties at the back and those ties extend out to extra extra long wide satin ribbon ties. I have tied and wrapped them around the waist for most of these photos but you can also tie them under the bust to create more shape through the body. They are very long so you could probably come up with a few more options too. I love this because it gives you more ways to wear it. The waist cinches in so that the top blouses over it a touch and then the skirt falls from there is a swoop of black jersey, widening out as it nears the floor. I love it. Excellent condition.

Unlined and closes with a low back zipper and hook & eye at the waist. The ties can be tied numerous ways and are attached at the neck.

Bust: variable as there are no side seams and should fit a range of bust sizes
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from neck to waist but can be tied to adjust the length if needed
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4101

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an amazing jumpsuit that is made from a black jersey fabric that has been vertically knife pleated. That pleating treatment gives it this crazy extra volume and movement. As you move the pleats can open and close around you and it is just amazing and so very easy on the body. It is in its original length and the legs are supermodel long. It looks to have been worn very little and it is just wonderful. The cut is simple and easy but sexy. The front dips down into a low V and the the rest of the jumpsuit just falls loose and easy around you. There are two extra long skinny straps that extend out from the base of the arm openings. These can be uses to tie around the body in any way that you wish to add shape. If you prefer to wear the jumpsuit loose and easy you can just let them hang or tuck them inside to hang down inside the jumpsuit. I love this because it gives you more then one look to play with. The legs are cut to be very wide and full. If you hold one out and open the pleats completely each is a full 78" around at the hem. So you looks like you are wearing a dress but have all the ease of a pant. At the back there is another low V to leave some of the back back. It is just an amazing vintage piece. Excellent condition.

Unlined and slips on to wear. Attached ties as described above. Wash and wear jersey.

Bust: to 17" flat across from side seam to side seam
Waist-hips: open
Length: 55" from top of shoulder to hem
Inseam: 29.25"

Modern Sizing Equivalent: XS-MED

Item# DD4100

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

"It was woman as dandy." declared Tom Ford. That was his comment to Vogue's Sarah Mower. Her review talked about 'the sinuous twenties and thirties feel he (Ford) melded into satins and chiffons for YSL's Spring collection....Together with the major frizzed hairdos and sexy high-heeled spectator shoes in leather and canvas, it added up to a new silhouette for the tall, sexually-in-control woman Ford envisions as the spirit of modern YSL.' She went on to talk about the dresses that season saying; 'There followed a line of equally individual gowns in satin and chiffon, worked with curving scalloped layers and plissé skirts and held up by the finest shoulder straps....The visions of pared-down, re-imagined Deco glamour kept coming. There were more sober options in black, with strands of jet beading moving over dark georgette' This is the twin of the dress shown on the runway and worn by Karen Elson. It has a gorgeous twenties inspired feel and sense of sensuality once on the body.

This dress is not 100% perfect but it is completely wearable as is. If it were perfect it would be double the price it is set at. It is a very collectible runway piece and it is the kind of dress that you see in real life and it makes you swoon. As good as it looks in the photos it only really comes to life on the body. It is made out of the lightest possible silk jersey in the lightest possible shade of a ballet pink. When you move in it the air around you picks up the jersey and it has the most beautiful movement. The dress is cut with a very soft and easy feel much like the dresses of the twenties and thirties. The bodice is suspended from two straps that curve over your shoulders. The center dips down into a very low V and a panel of jersey drapes over the bodice on both sides. At the back the dress is cut to plunge low with panels of jersey set along the edges of the plunge. These move with your slightest movement and the contrast between the panels and your bare back is very sexy. The dress is entirely cut on the bias so that it drapes down and over the bust and waist yet still shows off your curves. There are horizontal seams that run across the top sides of the hips. These dip down in a curve when on the body and a diamond is shaped between them at the front. The dress skims over you to meet the lowers skirts. The skirt is made from two layers of the fabric and cut longer at the center of the front and back. All of the seaming on the dress is done to give a nod to the fantastic seaming of the twenties and thirties. The entire dress weighs ounces and it is almost like having nothing on at all. It is so sexy and yet so refined. It is just amazing and even better in person. It presents as excellent condition but please review the notes below

The layering of the fabric act as the lining. No closures, it just slips over the head to wear. The bias cut and stretch to the fabric should allow it to fit a range of sizes. I see two tiny burn marks on the inside edge of the neckline and one mark on the skirt. There is a little cut out on one hip and a tiny hole in the skirt. Light snagging around the hip area and a repair to the point of the skirt. All individually are very tiny flaws and when on the dress presents perfectly. Please see the shots after the label shot. The fabric has stretch and the measurements below are of it laying flat and at a comfortable range.

Bust: 16-20" flat across from side seam to side seam
Waist: 12.5-15" flat across from side seam to side seam
Hips: open
Length: 52" from top of shoulders shortest part of the front hem, 62" to longest point

Modern Sizing Equivalent: XS-MED

Item# DD4098

Reference Photos/Video: Spring 2004 Yves Saint Laurent Runway, Look 12. Model: Karen Elson.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Guy Laroche began working for Jean Desses in 1949 and eventually launched his own Haute Couture label in 1957 as a full member of the Chambre Syndicale de la Mode Parisienne.  He became known for his color sense and the young, sexy look of his clothes. In 1985 he won the Haute Couture Golden Thimble award and two years later he was awarded the insignia of Chevalier de L’Ordre de la Legion d’Honneur. His second Golden Thimble was given posthumously after his death in 1989. This dress is original Laroche and it is a beautiful example of the work he was doing in Couture. Laroche once was quoted as saying “It is my intention to try and adapt haute couture to modern requirements: to make dresses that are simple and chic.”

This is a spectacular example of his work and a simply beautiful dress in its own right. It was lent to Hannah Bronfman and I love that you can see just how gorgeous it is on her. It is also the actual runway sample and has a written tag identifying it as such. Carla is also written on it and I suspect that it may have been Carla Bruni who wore this one as she often modeled for him. I hope one day to find its runway photo and will send it to the new owner when I do.

This is a dress that makes you draw in your breath the first time that you see it. The dress is made out of a very fine silk chiffon that is printed with a stunning floral print in a colour that lies partway between a red and a pink. The dress is strapless and the bodice is covered with hand draped silk that is gathered in towards the center and secured with a little silk piping in the same fabric. The dress falls to the floor from there and the fabric that makes up the front part of the dress is incredible. It is the same silk as the back and bodice but is has been gathered and hand sewn onto a puffed fabric. This gives it this incredible texture. The print is the exact same but has a completely different look when it is gathered like that. There is this incredible contrast between the gathered silk and the silk that is not treated in this manner. The puffed fabric has beautiful movement and drape. It falls softly over the inner lining and moves with you when you move. The back of the dress is finished in an almost cape like detail and it is spectacular. It falls outwards from the top edge and he attached it down the sides so that it still billows out behind you when you move but falls in a stunning column when you stand still. There are two very long panels of fabric that run down on either side of the zipper at the back. These are attached along the top and are extended from the front bodice. You can use them to style the dress several different ways. I have photoed a few that I came up with and you could probably come up with even more. I love that it gives you options and extends the wearability of the dress. There are endless couture level details put into this one and the workmanship throughout is perfectly and meticulously done. It is an amazing example of the fine workmanship and attention to detail of Haute Couture and it is a true piece of fashion history. Excellent condition with one minor note below

The dress is fully lined in an ivory silk. There is a full built in and boned corset in the bodice. This is the original runway sample and it has its hand written and numbered tag present. Hand finished to couture standard throughout. It closes with a hand set, back zipper. I see a tiny bit of wear the silk at the edge of the top of the zipper. Please see the photo after the label shot

Bust: 16.5" flat across from side seam to side seam with a A-B cup
Inner waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 54" from top of bodice to front hem, 58" to the back hem

Modern Sizing Equivalent: XS-SML

Item#cDD4099

Reference Photos: Hannah Bronfman in this 1982 Guy Laroche styled by Sarah Slutsky.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Holly Harp opened a shop LA in the late 1960s and created custom clothing under the Holly's Harp label. She tended to create her clothing out of a hodge-podge of new and old materials. In the beginning she favored things like feathers and fringe but her aesthetic became more 'grown up' and glamorous as her career progressed and she started to focus more on jerseys and draping. She was an avid thrifter and you can often see the influence of earlier decades in her work like with the kimono-esque hand painting and embroidered work on this piece. This is a dress I have had in my archives for a long time and its spectacula.

This is a beautiful example of her work and dresses like this from her are impossible to find anymore. My personal theory on why that is, is that the women who bought her work either wore them to death or are still hoarding them. Her work is magical. The dress is done in the most striking jewel toned red coloured silk velvet mixed with a red silk chiffon. The colour is so dramatic and rich feeling. It is completely cut on the bias cut and only truly comes to life once on the body. The cut is stunning and everything you want from a dress. The neckline is scooped at the front and again at the back. The dress is suspended from two tiny red silk straps and I love the delicate sprinkle of bead work at the base of each strap. The dress skims over you all the way down the body and is so easy to wear. The top layer of the dress is a fused red velvet on silk chiffon. The fabric is very light in weight. To add a little extra glitz there is this subtle bit of silver thread that runs through the velvet parts and these catch the light fantastically. Under this top layer there are three layers of silk chiffon and then a final inner layer of red silk. These are cut in a rolled edge uneven point that centers sown the back and front. The layers give the dress incredible movement and I love the contrast between the velvet and the silks. And the silk underlays go all the way up and are attached around the neckline. This gives you a smooth finish without adding any bulk. It is incredible and so light in weight. It's bias cut mans that when you stand still it falls in one beautiful sleek column but there is actually several yards of fabric in the skirts. It is only when you move that the amount of fabric that is actually there is revealed. The final perfect touch are those strands of piping that are at each side to suggest that the top layer is gathered up so the underskirts can peek out. The piping is finished with beads and there is also more bead work where they are set in on each side. The bead work there is very fine and elaborate. The dress is very well made and hand finished throughout. It is a beauty. Excellent condition

Fully lined an a red silk as described above. Bias cut and just slips on to wear. It has a large of movement and should fit a range of sizes.

Bust: 15-17.5" flat across from side seam to side seam
Waist: 14-17" flat across from side seam to side seam
Hips: open
Length: 60" from top of bodice to longest point of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4096

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Sant' Angelo was the winner of two Coty Awards and two Council of Fashion Designers of America honors and was known for his innovation and pioneering use of stretch fabrics. He has had an entire museum exhibit dedicated to his work and career and is firmly entrenched as one of the great designers. His work captured a moment in fashion history and his love of color and strong lines will forever be collectible. Pieces reside in museums worldwide including The Met. This one is actually better and has more impact even!

This is a stunning dress. It is entirely cut on the bias and is done with minimal seaming. These jersey dresses that Giorgio did were tremendously flattering to the body. It is also insanely sexy while still being extremely comfortable to wear. The fabric is a beautiful red silk jersey that moves and drapes beautifully. This one is especially interesting because he has mixed in that gold lame with the red. The front is made with a halter neck that curves down into that front plunge. The red on one side extends out into the body of the dress right to the floor. On the other side the bodice is made from a gold lame and I love how it extends up and around the neck to meet the red at the back. The side curve down low and meet at the back where he has continued with that play of the red and gold. There is a large bow at the back and half of it is the red jersey and the other half is the gold. This contrast between the two fabric is fantastic and adds a ton of impact to both sides of the dress. Above the bow the entire back is completely bare and exposed. The body of the dress is cut to skims over the body and the skirt flares out at it reaches the floor. It has a ton of movement when you move. It is spectacular. Excellent condition with a minor note below

Unlined and closes at the back with a zipper. The bow hooks into place over the zipper and along the back seam. There are some very faint areas of darkening on the front. I tried to take a photo and they barely show. It completely fine as is but I pointed it out for accuracy. Please see the shot after the label shot. The jersey does have some stretch

Bust: covers approx 16" flat across from side to side with no true side seams
Underbust area: 14-15" across
Waist: 12-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 59" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4094

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Marc Vaughan is one of the lesser know Couturiers that launched his label in 1953 and then re-named it in his own name the year after. He began solely as a couturier and in 1957 expanded to offer a pret-a-porter line. He concentrated on the European market in the early days only expanding into America in 1963 where his work was sold in New York through the Hattie Carnegie House. In 1966, the year that this set is from he 'used and grouped together the cubes, the pyramids, the squares, the rectangles, the obelisks ... He created there his most authentic creation based on angular forms inspired by the eye of a geometer.' This is also the collection where he showcased his cubic pants, pants that are seamed like these are so that they fall in a more square shape around the leg. We found a photo of a similar pant to this one and we were also able to find one reference photo of a similar set to this. I like this one with its stark silver contrast even better. It is just exceptional and you will never see another.

This is a fabulous set that is truly something you will only ever find in vintage. It showcases perfectly that mod feeling of the mid-sixties while also representing the extravagances of couture during this time period. The set is two pieces, a metallic silver pant and a tunic with open sides. The tunic is a masterpiece and I love the fabric. It combined and embroidered black and silver thread on a white silk organza. Each of those black and silver designs that you see are individually added to the base and have a 3D feel to them as they sit on the fabric. Big silver flowers are added over the tunic and each is secured in place by more of the silver thread. It runs straight down and over the body at the front and the back and then the two sides are attached with four wide bands of silver lame. It is open down the sides between the bands. The tunic is just long enough that you could wear it as a dress if you dared which adds another element to its wearability. You could also layer it over other things to get more looks. This tops a pair of silver lame pants and the fabric is an early version of it. It is more like fabric that has been coated with silver then the lame we are more used to now. These are cut with that amazing seaming that lets them sit in a box shape around the outer leg. They are simple in cut with a high waist and flat front. It is quite genius and a gorgeous set that illustrates the leaps and bounds that couture was taking during this time period. Excellent condition with minor notes below.

The top is lined in a silk organza and the pants are lined in a lingerie weight netting. The tunic closes with a back zipper and the pants also zip to close. There is some minor wear on the pants. I see slight rubbing of the silver in the edges of the waistband and there is minor discoloration to the inner lining. The inside lining of the tunic shows some grubbiness and the edges of the silver have the same very minor rubbing here and there. It presents perfectly when on.

Tunic
Bust: 16" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 28" from top of shoulder to hem

Pants
Waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 39.75" from top of bodice to waist
Inseam: 29.5" from waist to hem
Gusset: 13.5"

Modern Sizing Equivalent: XXS-XS

Item# DD4093

Reference Photo: Model wearing Marc Vaughan Couture, 1966.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous Valentino dress from the early to mid 1990s. It is beautifully made and a wonderful example of Valentino's main label and the work that he was doing during this time period. I love this one with its insanely low front plunge. It feels like a Valentino-fied version of the famous Bridget dress that Ossie Clark did with the way it is plunged at the front. It is a little sexier then some of his work tends so be but it still has that refined elegance that you would expect from him combined with a bit of pure drama created in that moment when you first see the dress on and that bare expanse of skin. 

The dress has that feeling of simplicity that the nineties epitomized and yet, still feels modern and fresh even now. There is also a bit of a historic feel to it with the way that the skirt is set under that beautifully beaded bodice. The skirt is made from an inner layer of a black silk that is cut to fall from the slightly high set waist to the floor. It widens out as it nears the floor and is still is in its original uncut length. Attached over the skirt are two layers of a black silk chiffon that are cut on the bias. They wrap around the skirt and end about 2 inches apart at the front. Where they end the line lines up perfectly with the plunge above it to create this beautiful long line. The bias cut of the silk and the soft floating feel of the chiffon draped over the inner silk skirting creates this beautiful movement when you move. Above that the bodice of the dress is fabulous. It is perfectly cut so that it plunges to the high set waist and is open all the way down. This leaves a bare expanse of skin showing and the effect is stunning. The bodice is made from two layers of black netting. Onto the  top layer has an intricate floral pattern that beaded over each breast and then fully across the back. The transparency with the netting behind it makes the bead work stand out even more and it is just fantastic. The sleeves are the same chiffon as the skirt's overlay and they are soft and  gathered so that they drape over the top of your arm. It is just stunning on the body. Excellent condition

The skirt is lined with a layer of silk chiffon and the bodice is made of two layers of the netting as described above. It closes with a hidden set side zipper. Tagged a vintage Valentino 6

Slightly dropped shoulders: 15.5"
Sleeves: 7" long and 11" around at the ends
Bust: 16.5" flat across from side seam to side seam
High set waist: 15" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bust: 16.5" across from side seam to side seam
Bodice: approx 11.5" from top of the shoulder to waist
Skirt: 53" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD4077

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Marie-Louise Carven, who founded her label in 1945, was one of the few female couturiers in the post-Chanel/Schiaparelli days of the Parisian designers. Her work was exquisite and she was a brilliant marketer, launching perfumes and a ready-to-wear line in 1950, something that couturiers still were not doing to a great degree at that time. She was known as being one of the great couturiers of the 'Golden Age' of Haute Couture and her designs became know for being so perfectly French and representing the spirit of Paris. She specialized in making dresses for a more petite sized woman. She was only 5'1" tall and found that there were often no options for herself so she decided to fill that gap saying that the other couturiers had no time for smaller stature women. Green was an integral colour for the house. Her atelier was green and white and her perfumes came wrapped in green and white striped paper. This dress is a stunning and very rare example of her work during this time period and encapsulates all that she meant to achieve with her work.

The dress is made to the typical fashion of her work in this time period. She loved to add collars and trims and often used organdy and linen that were cut out and embroidered. This dress has all of those and it is tremendously beautiful. The workmanship on this dress is amazing. The body of the dress is made from a pale green organdy that has been embroidered around the edges and on each individual piece of the pattern as well. It has open cut outs between the green parts so that you can see the pale ivory silk organza lining underneath. The effect of this layering is wonderful. It gives the pattern even more depth and texture then it would have with just the embroidery work. It is also slightly transparent which adds to its feeling of airiness and lightness. The bodice is cut to skim over you and the waist is seamed and set slightly high. I have added a ribbon to some of the photos and you can wear it with or without a belt for more shape. The skirt widens out as is nears the floor and is cut slightly longer in the back for a pretty sweep of skirts behind you. The neckline is finished with an elaborate silk organza ruffle. The ruffle is made of four layers and each layer is edged with a silk ribbon finish. It can be worn on or off the shoulder. I prefer it off the shoulder so that you get that bare expanse of skin. The hem is finished with the same ruffle technique and this cleverly weights the skirt so that is fall perfectly and also gives it this beautiful little kick with you move. It is an extraordinary and rare piece of Haute Couture and it is fabulous. This is an amazing piece of fashion history and it is a simply beautiful dress. Present as excellent condition with some small things to note below

Fully lined in the ivory silk organza and zips to close at the back. It is in overall great condition and at first glance looks perfect. There are some tiny flaws that I think are inevitable with this type of fabric. There are some well dome repairs here and there to the inner lining that do not show from the exterior. Some tiny areas of darkening here an there to the ruffles. There are some small stress tears around the armholes. I photoed these. Here and there the connecting bridge to another pattern piece has come apart and there is maybe a couple of tiny tears on the fabric here and there. Please see the photos after the label shot. It is completely wearable as it is now. The ribbon tie belt is not original to the dress but will be sent with it. It is slim through the hips

Bust: 17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 39" from waist to front hem, 43" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD4074

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous dress by Karl Lagerfeld for Chanel and its twin walked the runway for the Fall 1998 season. On the runway is was shown with boots and a loose jacket over it but it is as good or better worn on its own. If nothing else it shows how versatile a great LBD like this can be. It was also amazing to find a runway photo from this time period and I love that with it you can see how lovely the dress is on an actual body. It is very hard to find photos from these earlier collections and having that additional documentation makes this dress that much more special.

This is an absolute stunning dress from 1998 Chanel fall collection. My client knew that it was a runway piece and after sifting through hundreds of photos we finally spotted it in the photo added here for reference. Everything about it has that chic Chanel feel that makes many of Karl's designs classics forever. It is very beautiful in person and the simple lines and cut make it the kind of dress that you can wear multiple times and the styling and accessories you add will make it feel different each time. It is made of very light black wool crepe. The dress is almost weightless and it drapes over the body perfectly. The dress is actually a strapless sheath that has panels added over it that create that one shoulder silhouette. There is a long panel added to the bodice on both the back and the front and these extend out to meet at the top of the shoulder at the one side. This leaves the other shoulder bare and exposed. Under that is an additional strap that helps to hold everything perfectly in place. What is interesting about this one is that each panel on each side is cut slightly different. The dress is so well made that you can actually wear it either way and by switching it around you get a slightly different shape and feel. I have photoed it both ways for you to see. Its like getting two dresses in one.  The waist is slightly shaped and brought in for a bot of shape but there is no seam that breaks the eye. You could even add a belt if you wanted to add shape and change up the look more. The skirt falls under that to the floor and has an inset panel on one side. This extends down past the hem for a slight trailing effect. It also perfectly offsets the one shoulder feel. It is light in weight so as you move it moves around you. It is a clever way to add movement and interest to the skirt without sacrificing the lean line he has created. It is just stunning. Excellent condition

The main part of the dress is lined with a Chanel logo embossed fine black silk. It closes with a hidden set side zipper. Tagged a Chanel 36 from collection 98A

Waist: 15" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 44" from waist to shortest part of hem, 51" to the longest

Modern Sizing Equivalent: XS-SML

Item# DD4070

Reference Photo: Fall 1998 Chanel Collection Presentation.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a more recent Chloe dress that is incredibly easy to wear. The dress is suspended from tiny silk straps that go up and over your shoulders. These attach to either side of the neck and that causes it to scoop and gather towards the neckline. The top edge of the neckline on both the front and the back have been  gathered and stitched for a pretty feminine touch. The openings from your arms draped down on a curve adding to that feeling that the dress is just this incredibly easy thing that you just slipped on. The dressed falls from there to the floor. It’s extremely loose and easy to wear and the only hint of shape that it has comes if you choose to put your hands in the pockets that are hidden along each hip. It is made from an incredibly lightweight silk in the prettiest dusty pink color. The silk has appliqué work over it made from a blue silk with a floral pattern work through it. Then over all of that are little puffs of fringed fabric that create a feathered feel without actually being made out of feathers. The fringes range from white to pale silver greys to deep blue that match the floral applique colour. Once on the dress falls to the floor and it is in its original supermodel length. It was never worn and it still has all its original tags including its price tag of $3150USD. This is a fabulous dress that is easy to wear, flattering and yet feels like you’re wearing nothing. Excellent condition 

Unlined and slips on to wear. You can adjust the length and where it falls on your chest with the straps. Pockets on each hip. Tagged a 36 but its easy and open bias cut should allow it to fit a range of sizes. All original tags and never worn. The pink is lighter and a dustier feel then how it photoed. Better on person.

Bust: will open to 22" flat across from side seam to side seam
Waist-hips: open
Length: 62" from neck to hem

Modern Sizing Equivalent: XS-LRG

Item# DD4067

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In 1951, 27 year old James Galanos launched his first label called Galanos Originals. By 1954 he had won a Coty award and the Neiman Marcus award. By 1958 he was producing clothing that could range in price from $200 to $3000, an astronomical price for ready-to-wear for that time period. His ready-to-wear line was made close to couture standards and with a level of craftsmanship that was on par with the French couturiers. Galanos was a master cutter and draper and he used many couture techniques in his work. Grace Kelly was an early fan. He was truly one of the great American designers and his work is held in all of the major museums around the world. He is one of my personal favourites. This dress is exceptional and I was very excited to have it come into the shop. It would be red carpet worthy and it would also be an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. It already has the something blue built in. And of course it could also be worn to any non wedding event too. 

I love this dress. The color combination is fabulous together and the two different silks that he used are the highest quality. Galanos excelled at silks and silk chiffon and this dress is a testament to that. It is very difficult to work with these fabrics and have them sit properly. The skirt is really where you see his genius. It is made out of four layers of an ivory silk chiffon with each layer stacked perfectly over the one beneath it. Then on top of those is a fifth printed floral layer. This final outer layer has a touch of texture to it that makes it incredibly beautiful. The layers are attached at the side seams and around the waist so that the hem and shallow slits at the sides can benefit from the full movement created by all the layers. This is what gives the dress movement when you move while still keeping it light as air. Along each side of the skirt is a panel of a liquid finish silk satin. This is a clever way to help the skirt hold its shape and give it weight so that when you move it always sits right. The side panels are actually extensions that run down from the bodice. The top is a simple affair that covers you at the front and leaves the back completely bare. It is gathered in soft horizontal folds across the bust and then those gathers tighten and curve down low at each side. Instead of wrapping around you to the back they drop and extend into those side skirt panels that you see. It is incredible. Tiny straps curve up and over your shoulders and then drop all the way down your back to the waist to hold the dress in place. The inside of the bodice is lightly boned and then lined with what feels like several layers of silk and structure so that you can wear it with nothing underneath. To finish the look he then added this spectacular and huge flower print on both the front and back of the skirt. This bold blue flower covers almost the entire skirt and makes sch a beautiful statement. It is like wearing a piece of art. It would also have had to have been all planned out prior to construction and the silk used for it done separately so that the flowers fell in the exact right position. As with most silk chiffon pieces it really will only truly come to life when on an actually body. It is beautifully made and feather light. Gorgeous. Excellent condition with a small note below.

The multiple layers of silk in the skirt serve as the lining. It closes with a low back hand set zipper. Hand rolled edges and hand finishes throughout. Light boning through the bodice. There is the very faint mark on the side panel of the skirt and some small ones near the hem of the inner lining. Please see the last two photos after the label shot. Slightly more ivory in person then how it photoed.

Bust: the total width of the bust across is about 16" and there is no back
Waist: 13" flat across from side seam to side seam
Inner Hips: to 18" flat across from side seam to side seam
Bodice: 14" from the top of the strap to the waist
Skirt: 42.5" from waist to hem

Modern Sizing equivalent: XS-SML

Item# DD4064

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

At the age of 31, Stephane Rolland took over as Artistic Director for the Jean Louis Scherrer Haute Couture atelier, making him the youngest of the 20 official couturiers at the time. That was in 1997 and he remained as the head of the Couture division until the last showing in 2005 when the house officials shuttered is couture business altogether. This dress is from the Fall 2001 Haute Couture presentation and it is the actual runway sample that was worn on the runway. It was Look 7 In the presentation that day. I have included several runway reference photos for you so that you can see just how spectacular the dress is once on an actual body. In addition this dress was lent and worn by Alexandra Daddario and we have induded those shots here as well so you can see just how fabulous this is on an actual body. This also adds to its provenance and I love that,

Having the actual Haute Couture runway sample is just that much more amazing even in the land of Couture. Having the sample means that the dress is still completely made by hand to Couture standards but has the added touch of all those last minute adjustments that would have been done  by Stephane and the atelier to perfectly fit the model to walk the runway that day. This is an amazing opportunity to see what few see; a dress straight from the atelier, overseen and fitted by the couturier himself for its debut on the runway. The dress is covered with various sized panels of a red silk gazaar. These have been hand set to overlap as they cascade down the length of the dress. The panel size gradually become larger as they run down the dress to the train at the back. By layering the panels the dress has a sense of depth and texture then even the photos can truly convey. It also adds a subtle movement when you move. Each panel is secured to the base fabric just along its edges so that there is a movement and lightness created when it is on and you move about. The bodice is strapless and the panels are set slightly more towards one side so that they form a bit of peak there. The inner part of the dress is cut to above the knee so that you get a long flash of leg at the front. The rest of the dress flows back and around you from there. At the back the train is long and dramatic. The interior is corseted and structured so that it firmly holds the dress on the body and gives you shape. This is an incredible piece of modern Haute Couture. Excellent condition with one small note to review below.

Fully lined in a fine red silk and closes with two zippers. One is on the interior corset and the second is on the outer layer of the dress. The interior corset is boned and shaped. The skirt is lined in a red silk taffeta. Done with Haute Couture construction techniques. The hand written runway sample tag is present. There is some deepening of the colour/ marks on some of the squares of silk that make up the train and some minor grubbiness from being worn for the runway and then stored. The inner zipper pull is missing and has been replaced by a ribbon. Nothing that detracts once the dress is on. It is closest to a true zero

Bust: 15-15.5" flat across from side seam to side seam
Inner waist: 11.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Inner dress length: 26" from top of bodice to hem NOT including panels that go over the edge of the dress a bit above and blow the actual inner structure
Length including train to the very longest point:  Approx 92" from top of bodice to final tip of the train

Modern Sizing Equivalent: XXS-XS

Item# DD3054

Reference Photos: (1-4) Fall 2001 Jean Louis Scherrer Haute Couture Runway Show.  /  (5-8) Alexandra Daddario photographed by Storm Santos.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.