Ferdinando Sarmi was an actual Italian Count and started his design career working for the Elizabeth Arden couture salon during the 1950s. In 1959 he ventured off on his own and launched his label. He designed for just over a decade before closing up shop. During those ten or so years he was especially known for his evening wear. The fabrics he chose were often opulent or very difficult to work with. This dress was obtained from the same source as the other Sarmi listing today and I have included that one's reference photo from 1964 here. Both dresses were purchased at the same time for a mother and her daughter. 

The dress is very representative of its time period. It has beautiful lines with a very full skirt that is feather light due to its fabric choice of an ivory silk chiffon. Using the silk chiffon for the dress gives it a feeling of lightness and fantasy as it floats around you once on the body. You can get a sense of just how much movement it has in that wonderful reference photo I have added here. The very top layer of the silk has a hint of transparency to it that adds to the feeling of lightness that is created as it floats over the other inner layers of cream silks that make up the skirt. The bodice is strapless and fitted and has been completely covered in a natural mink that wraps around the wearer. It dips down at the front in a sweetheart neckline. The waist is accented with a large chocolate coloured silk ribbon that is finished in bow at the front. From there the skirt gently widens to a beautiful fullness in a cascade of silk. It is very light and airy feeling when on but inside the construction is immaculate with a full inner corseted foundation made of lingerie netting to keep it perfectly in place. Excellent condition

Fully lined in an ivory silk through the skirt and the bodice is finished in silk with an inner corset made of a cotton net. It closes with a back, hand set painted metal zipper. Hand finished. Made to demi-couture standards. There is some very minor grubbiness to the hem here and there.  

Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 6" from top of bodice to top of band and the decorative band is then 2" wide
Skirt: 47" from top of band  at the waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3607

Reference Photo: Brigitte Bauer in chiffon evening gown with mink bodice by Sarmi, photo by Howell Conant at the Lunar Fountain in New York's World Fair, 1964. Shown in Life Magazine, August 1964.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur pieces are final sale.

Ferdinando Sarmi was an actual Italian Count and started his design career working for the Elizabeth Arden couture salon during the 1950s. In 1959 he ventured off on his own and launched his label. He designed for just over a decade before closing up shop. During those ten or so years he was especially known for his evening wear. The fabrics he chose were often opulent or very difficult to work with like fins silk chiffons like this. This dress was obtained from the same source as the other Sarmi listing today and I have included a reference photo from 1964 that depicts the twin of this dress. Both dresses were purchased at the same time for a mother and her daughter. 

The dress is very representative of its time period. It has beautiful lines with a very full skirt that is feather light due to its fabric choice of an ivory silk chiffon. Using the silk chiffon for the dress gives it a feeling of lightness and fantasy as it floats around you once it is on the body. The silk on the skirt of this one has been meticulously knife pleated for an added bit of texture. This also allows the silk to really open and move as you move. You can get a sense of just how much movement it has in that wonderful reference photo I have added here. The very top layer of the silk has a hint of transparency to it that adds to the feeling of lightness that is created as it floats over the other inner layers of cream silks that make up the skirt. The bodice is fitted and has been completely covered in an ivory coloured mink that wraps around the wearer. It is cut straight across at the neckline and has capped sleeves that are also made out of mink that curve up and around each shoulder. The waist is accented with a wide ivory silk ribbon at the front. From there the skirt gently widens to a beautiful fullness in a cascade of silk. It is very light and airy feeling when on but inside the construction is immaculate with a full inner corseted foundation made of lingerie netting to keep it perfectly in place. Excellent condition with a minor note below

Fully lined in an ivory silk through the skirt and the bodice is finished in silk with an inner corset made of a cotton net. It closes with a back, hand set painted metal zipper. Hand finished. Made to demi-couture standards. There is some very minor grubbiness to the hem here and there. A little marking on the ribbon from where the original owner added a pin whenever she wore it. Unlabeled but verified by the reference photo attached and known history of the dress

Bust: 13" flat across from side seam to side seam
Seam under the bust: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 11" from top of bodice to top of band and the decorative band is then 2" wide
Skirt: 48" from top of band  at the waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3609

Reference Photos: (1) Brigitte Bauer in chiffon evening gown with mink bodice by Sarmi, photo by Howell Conant at the Lunar Fountain in New York's World Fair, 1964. Shown in Life Magazine, August 1964.  /  (2) Model wearing Sarmi, 1964.  /  (3) 1964 Sarmi Evening Dress in The MET Online Collection.  /  (4) Mrs. Cornelius Vanderbilt in Sarmi, 1964.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur pieces are final sale.

Ferdinando Sarmi was an actual Italian Count and started his design career working for the Elizabeth Arden couture salon during the 1950s. In 1959 he ventured off on his own and launched his label. He designed for just over a decade before closing up shop. During those ten or so years he was known for his evening wear especially. The fabrics he chose were often opulent or very difficult to work with. This dress is very similar to the one photoed for Vogue in 1961, just with a different fabric design.

I love this dress. The volume through the skirt is expansive and the fabric choice is wonderful. Using the silk chiffon for the dress gives it a feeling of lightness and fantasy as it floats around you once on. You can get a sense of just how much movement it has in that wonderful photo for Vogue. The silk has a hint of transparency to it that gives it an interesting visual effect when the floral design falls over itself as the silk moves. The bodice is cut strapless and fitted and the silk there is gathered across the bust. The waist is accented with a large deep green silk bow at the front. From there the skirt gently widens to a beautiful fullness in a cascade of silk. It is very light and airy feeling when on but inside the construction is immaculate with a fully boned corseted foundation to keep it perfectly in place. I love the romantic feel of the floral print that covers the dress and the soft pastels are wonderful. Excellent overall condition with notes to review below

Fully lined in a pale yellow silk through the skirt and the bodice is finished in silk with an inner corset made of a cotton net. It closes with a back, hand set painted metal zipper. Hand finished. Fully boned inner bodice. Made to demi-couture standards. There is a watermark in some areas down the front and there are repairs and grubbiness to the hem in areas. Because of the amount of fabric through the skirt you would never notice these once on. Please review the photos after the label. Marked well below what it would be otherwise regardless

Dress
Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 6.5" from top of bodice to waist
Skirt: 45" from waist to front hem, 40" to back

Modern Sizing Equivalent: XS-SML

Item# DD3394

Reference Photo: Model on left in Sarmi dress, model on right in Scaasi, Vogue, February 1961. Photo by Bert Stern.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.