This great little Geoffrey Beene top has that classic one shoulder design but with some structure built into the interior for that extra bit of detailing and tailoring that he is known for. The exterior is a knit jersey that has some give but inside there is zip front corset that has built in cups. This interior foundation creates a inner built in bodice that gives support to the wearer. Over this the top buttons to close with white buttons. That white detailing is picked up again with the white piping that finished the edges and details each pocket. One side has a simple cap sleeve and the other leaves the shoulder bare. Love it. Excellent condition.

The bodice is lined as described above and the rest of the top is unlined. It is well finished. It closes with a series of buttons at the front. Functional pockets on each hip. Tagged a vintage Beene 2

Interior bust: 15" flat across from side seam to side seam
Interior waist: 12.5" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 26" from top of shoulder to hem

Modern Sizing Equivalent: XXS-XS

Item# S889

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When Alexa Chung announced that she was doing a collaboration with AG Jeans, the fashion crowd immediately took notice. When the collection was released the pieces sold out worldwide. This little denim mini was the stand out piece from that capsule. The dress is in immaculate condition and appears to have never been worn. It is made from a stretch denim so is extremely comfortable to wear. It closes with a series of snaps down the front, each embossed with the "Alexa Chung for AG" circling around a little flower. That same signature flower is embroidered on one of the pockets at the bust. Both of the pockets at the front also close with that same silver press snaps as do each cuff. Its a very easy to wear and flattering dress and the fact that it completely opens lets it play double duty as a layering piece. Excellent condition

Unlined ad close with the snaps at the front as seen. Snaps on each pocket and each cuff. Tagged a brand size large. The fabric has some give and stretch. As new condition

Sleeves: 24"
Shoulders: 15"
Bust: 18-20" flat across from side seam to side seam
Waist: 15-16" flat across from side seam to side seam
Hips: 20-21" flat across from side seam to side seam
Length: 37" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3312

Reference Photo: Alexa Chung for AG. Photo by Adriano Goldschmied, 2015.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From 2004 until 2012, Stefano Pilati was the head designer of Yves Saint Laurent for 8 years. He did two more collections after the Resort 2012 one. Vogue said of this collection that Pilati had succumbed to the call of the sea for resiort sending "out a cruise collection that was as croisière as it gets, complete with lanyard necklaces, rope-print dresses, and sailor jackets and pants. Afterward, the designer pointed out that Yves Saint Laurent did a nautical collection of his own around 1982. "He showed it with sheer stockings and pumps, and I loved the 'why not?' factor," Pilati said" This dress was Look 23 of the collection and one of the ones that had a definitive nod to the original YSL archives in its lines.

The dress is ain a pretty crepe fabric that has a blue floral print covering it. It has the feel of Yves infamous 'Scandal collection of 1971 in its cut that has a string nod to the forties. The sleeves are capped and gathered along a bad that runs down their tops before buttoning in a cuff detail. The front plunges quite low and ties in two places along that plunge. There is actually a double panel of fabric that extends out from each side to make those ties which is unusual and gives a bit thicker knot for coverage. The bust and waist just skim over the body with no seaming present until you hit the low ruffle of the skirt. This low set skirt has volume so that when you move it moves and gives the dress its flirty feel. Excellent condition.

Unlined and closes with a hidden set side zipper. Ties at the front and each sleeve has a button to close. Tagged a YSL FR40 but cut generously for that sizing.

Inset shoulders: 14"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3313

Reference Photos: (1) Resort 2012 Yves Saint Laurent Runway Collection, Look 23, Model Janice Alida.  /  (2) Cherie, Owner of Shrimpton Couture. (Cherie is also wearing a Recent Prada Jacket)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This darling little dress is from the days when founder Consuelo Castiglioni was the head of the company still and acting Creative Director. The brand launched in 1994 and quickly became known for it innovative prints and the way she mixed and matched colors. This is classic Marni from this time period. The print was featured on the runway in two looks and then for production to the stores they utilized the fabric in this dress as well. It is one of her very easy to wear smock pieces with sleeves that run just past the elbow and a bodice set above a high waist. The collar is neat and pointed and this tops a plunge that runs right to the seam under the bust. There is a bit of a curved yoke at the front and the back as well as a few well placed knife pleats for volume and detail. The dress falls in a loose baby doll, smock feel around and below that. It is very easy to wear and travel with and is a great example of her work during this time period. Plus it has pockets. Excellent condition

Unlined and slips on to wear. Buttons at each cuff and pockets along the side seams. Tagged a 38

Sleeves: 18"
Slightly dropped shoulders: 15.5"
Bust: 17" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: open
Length: 35" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3314

Reference Photos: S/S 2006 Marni Runway. Look 2 (Model: Kim Noora) & Look 4 (Model: Gemma Ward).

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This amazing blue silk Halston dress is a beautiful example of his earlier work. Halston was a master at combining function and ease but without sacrificing glamour. He did this with the very minimum of seaming. His pieces that were bias cut, like this one, seem to almost be shapeless and not very exciting when you see them on the hanger. But, once you slip them on, they drape and settle into place the way they were intended and the transformation is remarkable. There is true genius on their simple cuts and they are addictive. A similar dress in cut was photoed for Vogue in 1974 and that reference photo is included here.

This dress is entirely cut on the bias with that minimal seaming signature of his best work. The color is a beautiful royal blue that is flattering on most skin tones. It is feather light and you are barely conscious of wearing anything once it is on. The cut through the body is extremely loose and easy, running in one long bias cut sheath to the floor. It is very long and I love the slits that run up each side of the dress. The bias cut gives the dress the slightest of shape as it drapes around your body. The neckline is cut into a V for some skin to show. The neckline, the sleeve edges and those slits on the skirt are all hand rolled and stitched. The work to get this as perfect as it is would have been astounding - there is no trickier fabric to hand stitch then this. Each sleeve is soft and full, the dress laid out flat is a T-shape and the sleeves when laid out are blocked out. Once on these fall in soft and flattering folds. I am pleased to have found a runway reference photo from the show that same year and also a photo of a similar version that was worn by Lauren Hutton. Excellent condition

The dress is constructed from one single layer of a liquid bias cut silk. It is entirely bias cut and just slips over the head to wear. Hand rolled and finished edges. The easy cut will allow it to fit a full range of sizes.

Sleeves: 18" from dropped shoulder seam
Slightly dropped shoulders: 18"
Bust: to 19-21" flat across from side seam to side seam
Waist: to 21" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 60" from top of bodice to dropped waist
Slits: 20" from hem up

Modern Sizing Equivalent: SML-LRG

Item# DD3271

Reference Photos: (1) Model Naomi Sims for Halston Runway Show, 68th St Salon, December 7, 1971. Photo: James Hamilton.  /  (2) Karen Graham, Halston Silk Caftan, Vogue, November 1971. Photo: Irving Penn.  /  (3-4) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Hardy Amies label launched in 1946. In the beginning he only produced couture. it was not until 1950 that he added a more ready-to-wear label, but even that was made to extremely high standards. In 1951 Amies was chosen to design some of the wardrobe for Princess Elizabeth’s tour of Canada. That led to Amies appointment as the Royal Dressmaker in 1955 after Elizabeth became the Queen. Hardy was known for his fine, elegant lines and very high quality fabric choices. A signature touch of Amies is a slightly dropped waistline as he thought it was more flattering and elegant and added length to the torso.

This beautiful full length maxi dress is made of a silk organza that holds color exceptionally well and it is very light but still has a touch of structure to it. It is the perfect fabric choice to create volume without bulk or heaviness. The blue is a lovely and unusual shade, and in person it is even better then how it photoed here. Screened onto this is an pretty print done in rusts and taupe shades. The dress is cut with simple lines. The simple bodice has tiny straps that curve up and around each shoulder. The waist nips in with a seam and under that the skirt billows out with light and airy fullness. The skirt is made of yards and yards of silk that drapes perfectly into place as it flows to the ground. The top layer floats over an inner lining and all the volume you see is created by the way it is set into the waist, the fabric choice and the sheer yardage used to construct it. There is no additional crinolines used on the photos. I love the matching cape that simply ties into place at the neck and floats over the shoulders. It is cut to end just about the waist seam at the back and sits just slightly shorter then that at the front. The edge is finished with a full six inch ruffle that perfectly picks up the skirt's shape and volume. Excellent condition with one note to review below

The dress is fully lined in a blue silk and closes with a back painted metal zipper. There is a light spot that follows the front seam of the skirt - it really gets lost in the pattern and when on is not noticeable - you do see it when its flat and look for it. Please review the photo after the label shot. The cape ties at the neck and is unlined.

Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: " flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 45" from waist to hem
Cape: 18" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1586

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Is there anything better then a full length velvet Pucci skirt? I think they are one of my favorite vintage pieces and everyone should have one in their closet. You can throw them on with just about anything and it works. The colors in them and the prints are just wonderful. It is literally like wearing a work of art. They work as well with flats as they do with a heel. Here we have a stunning version done in A slightly more subtle print for him, but it still has one of his signature designs worked onto the fabric. This one suggests long and winding tassels that are suspended from a diamond grid that circles the hips. The cut is slightly different from his classic  streamlined silhouette. It has more volume and sweep then his usual maxi skirts. This is created by a long inverted pleat that runs down the front and even my photos do not give it justice as far as how full the bottom is by the time it reaches the hem. The velvet gives it enough weight to hold the shape so it always looks perfect once on. On each hip there are slash pockets for the perfect finish. These can be worn year round as they are made out of a cotton velvet so breathes well. It is just fantastic and I love it. Excellent condition with one minor note below

Lined in a black silk and closes with a side, hidden set painted metal zipper and hook and eye at the waist. The zipper seems a little bumpy in the way it is set and was most likely replaces at some point. Hand finished and signed throughout.

Waist: 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S882

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you have been looking for a statement dress for the season look no further then this incredible Emanuel Ungaro dress that is absolutely amazing. The color is wonderful. It is a metallic feeling blue on a silk taffeta. This fabric gives it a touch of a shimmer and depth as it catches the light. The fabric is quite light in weight so despite the elaborate construction of the dress is not heavy to wear, but it does hold the intended shape fabulously. The bodice is cut with a strapless, modified sweetheart neckline and hugs the body. It is elaborately gathered and fitted around the bust with hand placed and gathered folds. This was an Ungaro signature and really made his pieces flattering once on. An angled sash wraps and hooks into place to detail the waist even more. Under that the skirt explodes in a pouf of shape and volume. Elaborate gathers mold the shape so the skirt feel asymmetrical on one side and on the other there is a huge half bow that gives even more volume to that hip. The opening of the skirt at the very bottom is deliberately kept to be as minimal as possible, forcing you to move in a way that highlights the shape even more. It is incredible. Excellent condition.

Fully lined in a black silk and closes with a side zipper from the waist up and silk covered snaps under the wait. The bodice is boned. Tagged a vintage Ungaro 10 but cut small. It appears to have never been worn, or worn very little.

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10.5" from top of bodice to waist
Skirt: 24" from waist to hem but can be worn up as high as you wish because of the way the bottom opening is cut.
Skirt opening at the bottom hem 32" in total around

Modern Sizing Equivalent: XS-SML

Item# DD3256

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

For his second ever collection for the Saint Laurent label, Anthony Vaccarello stayed true to himself. Vogue's Mark Holgate said of the collection in his review: "Yves Saint Laurent is of course one of those houses where everyone has an opinion and no two are alike. It’d be nigh impossible to ever reach a consensus on what it should, could, needs to be; everyone is a yay-sayer, or a naysayer, just depends on who you ask. Vaccarello, for his part, realized that his way forward was to be referential, respectful even, just don’t ever get trapped into being reverential. As with last season he was, he said, inspired by one particular dress, an haute couture number with huge sleeves which dates from the early ’80s. “I always relate YSL to parties, to evening,” Vaccarello said backstage. “I couldn’t do a show without those golden years, but I wanted to take that further.” This dress is the twin of the one presented as Look 61 on the runway.

This dress is extraordinary and feels extremely futuristic. The cut is bold and sexy and the color is jaw dropping. The dress is made from a high gloss patent coated leather that molds the shape over you rather then you creating the shape as you would in a more 'normal' fabric. It fits over the body with a startling sculptural silhouette. The shoulders are extreme in their shaping and the top of each shoulder is constructed almost on a completely flat plane. Extra long sleeves fall from there and each is set on a slight curve to mimic the shape of the arm. It zippers up the front and has the ability to completely unzip so that you could potentially wear it as a layered piece. It skims over the body to a short mini length. There is the suggestion of shaping through the waist created by the gathering in towards the center zipper. Along that center line are two rows of ruffles set on either side of the zipper. These are constructed from the same patent as the rest of the dress and feel almost alien in the way they run down the front. It is a daring design made out of an incredible and bold use of leather. Never worn and still has part of the original tag still attached. Excellent condition

Fully lined in a black silk and closes with a front set zipper. Tagged a FR40. Part of the original tag is still present and the dress has never been worn. It has a skinny cut and the blue is even better in person as it is richer and has more depth. The color is more close to the runway photo in real life

Shoulders: exaggerated and are 17" across
Sleeves: cut extra long at 27"
Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 16" flat across from side seam to side seam
Length: 32" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3255

Reference Photo: Look 61 of the F/W 2017 Saint Laurent Runway Collection. Model: Adut Akech.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an extremely rare silk jersey, full length Hermes dress that dates to 1972. The print is by Julai Abadi and is an elaborate version her famous 'Cliquetis' design that has since become an iconic representation of the house and appears on an entire range of their silk scarves both then as now as a re-issue. It is exceedingly rare to find such a wonderful piece from this time period of the atelier's history that is as striking and beautiful as this dress is. This is very rare opportunity to own a rare piece of fashion history that is made even better by the sheer beauty of the dress itself!

The dress was most likely a custom made piece and has been cut supermodel long. It is made from a fine silk jersey that has incredible drape. The length, combined with the stunning lines of it, make you wonder what fabulous woman this must have been made for. The print is incredible and I was very please to have been able to both date and find the artist's name who created it. The dress has straight cut, just past the elbow, sleeves and the bodice drapes and crosses over itself at both the front and back. The crossing of it drops quite low. When I originally received it, it had been tacked into place on both sides but it was readily apparent that this had been added at some later point and it was not really a well done addition. I had it carefully removed as I feel that should its new owner wish to do that same, she should place the the new securing tack, or a hook and eye, where it falls best on her. If you use the inner strips of fabric that sit inside the shoulder and attach these around your undergarment, you may find needing to tack it is not necessary. The waist is cinched in with attached tie belts and leaving these looser or really cinching the waist in gives the dress a slightly different vibe. The skirt is marvelous, with yards and yards of silk jersey used on its construction, all printed with that stupendous design by Julia Abadi. It is absolutely incredible and a real work of art. It appears to heave been worn little and is one of the best vintage Hermes clothing pies I have ever seen. Excellent condition.

Unlined and closes with a metal and nylon side set zipper. Has attached belts that wrap to cinch in the waist further. There are little straps that snap into place on the inner shoulders to go around your foundation garment snaps to help hold the dress in place on your shoulders. One set of the snap is missing on the one side and the snap that was there at some point is what discolored the label at the one end as you can see in the photo. I can add another snap before it ships upon request. The fabric has some stretch and the measurements below are the comfortable range of the fabric while lying flat. This will allow it to fit a variety of sizes.

Sleeves: approx 16"
Shoulders: no defined seams
Bust: 14-18" flat across from side seam to side seam
Waist: 12.5-15.5" flat across from side seam to side seam
Hips: open
Bodice: approx 19" from shoulder to slightly dropped waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3248

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Victor Costa launched his own label in 1974 and was known for producing his own versions of what was seen on the Paris runways. He also looked to the Americans for inspiration as well. He used good fabrics and his designs were often very close interpretations of other designs but with his own unique twist when it came to colors and fabrics.

This dress is so pretty with its pale blue color mixed with white and its incredible fabric. The fabric seems simple at first glance but the closer you look the more you realize just how wonderful it is. That leaf pattern is not screened onto the fabric, rather it is a raised design that is woven through the fabric. It is quite fabulous as this gives the dress the most amazing texture. The neck and waist are then detailed with big tear drop plastic beads set within embroidered lace drops that mimic that same shape as the beads. The beads range from a deep milky white color to ones that have a teeniest touch of blue to them. Interspersed in that lace border that circles both the waist and neckline, are also little prong set rhinestones for the most subtle touch of glitz. The bodice is sleeveless with a scooped neckline. The waist is set just a touch high and the skirt goes to the floor in a gently widening curve. The fabric has just a touch of weight to it so helps to hold the shape. It is really incredibly pretty in real life and even better then how it photoed. Excellent condition

The skirt is unlined and the bodice is fully lined in a white silky rayon and closes with a back zipper and the velvet tie at the back of the neck.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from shoulder to waist
Skirt: 41" from waist to hem with 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3247

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely little Christian Dior scarf is from the late 1970s, early 1980s, and it is very pretty. I love the mix of the stark black with that brilliant blue and the way the two colors are divided down the center. This give you a lovely effect once it is tied. It is made of a double layer of fine silk chiffon that has a slight texture to it. This fabric choice makes it extremely light and pliable so that you can easily tie it as you wish. Excellent condition

Christian Dior tag as shown. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 45.5" x 17.5"

Item# A365

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In 1962 Capucci opened his first atelier in Paris and took the fashion world by storm. In 1968 he went back to his native Rome and opened his atelier there. By 1972 his work was presented in a museum in Rome at the Museum of Etruscan Art. A remarkable achievement for a living designer. He exhibited again in 1990 and in 2005 he founded the Roberto Capucci Foundation to preserve his numerous drawing and archives. His pieces tend to be highly architectural and the ones you see in exhibits border on not being wearable, so it is a treat to find a beautiful and highly wearable example of his work.

From the late 1970s comes this fabulous little deep blue chiffon dress that is cut to flow and drape over the body. The neck is cut wide to give a glimpse of the upper shoulders and the sleeves flow from there in an expanse of volume and fullness to above the buttoned wrist. The skirt has yards and yards of chiffon and flows to the floor in a pretty, light expanse of fabric. The back and bodice are especially pretty with their pin tuck lattice design that is detailed with a little clear beads where each pin tuck crosses over the other. It is lovely and a rare example of a hard to find designers work. Excellent condition

Fully lined except for the sleeves and closes with a back zipper on the interior fabric and snaps on the outer. Each cuff closes with a hidden snap under a silk covered button detail. Hand finished inside and hand applied beads.

Sleeves: 24" approx.
Shoulders: no defined seam
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from shoulder to waist
Skirt: 45" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2753

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is absolutely incredible and the workmanship that has been put into making it is just extraordinary. It really is one of the most phenomenal dresses I have ever had in the shop. Philip Hulitar designed under his own namesake label from 1949 to his retirement in 1964. He was known for his sophisticated cocktail dresses and evening gowns. Shortly after the launch of his label, a journalist wrote; 'The star of a gifted designer has risen recently on the fashion horizon'. Prior to launching his own label, Mr Hulitar was the in-house designer and head of the women's dress division for Bergdorf Goodmans for 18 years.

This dress is really a thing of beauty and shows the high level of meticulous care put into the execution of design during this time period. The fabric is a high end, luxurious silk in a pale dusty blue. Onto this is a hand screened  custom floral design. The print is set onto the silk in a soft washed feel like a watercolor painting. The silk has then been meticulously hand pleated into rows of sharp knife pleats that are stacked one upon each other. They are set so that the pleats are facing upwards rather then facing down as you would typically see. This gives the fabric a slightly surreal edgy feel and as gravity slightly pulls them and opens them the lines of the body are exaggerated. It is really spectacular in person. The bodice is strapless and fitted. Inside it is boned and shaped. The silk is draped into place by hand draping it to closely follow every curve. It cinches in at the waist and then follows the curve of the hips and narrows at the hem The back is spectacular with a large half bow that sits above a tightly gathered ruffle. This begins at the low back and slowly tapers out just above the knees. Everything on this dress is done to create that highly sculptural shape. Overall excellent condition with some notes to review below

Fully lined in a cream silky rayon and closes with a hand set back painted metal zipper. The interior bodice is boned. The back bow snaps into place. I see some extremely minor pinholes along the one part of the top pf the bodice at the fold and some very minor watermarks on the silk near the hem. It has a area of fading on one hip that I have photoed and placed after the label photo for your review. It can be seen in some of the photos before that as well. You could perhaps shorten it to remove this area or just wear it as is and not worry about it. It is marked a lot lower in price then it would be but for this area.

Bust: 16.5" flat across from side seam to side seam with an A to small B cup
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 39" from top of the bodice to the front hem, 41" to the back hem

Modern Sizing equivalent: XS-SML

Item# DD3214

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a wonderful dress from the fifties that is beautifully feminine and romantic in feel. It is so rare to find these really outstanding fifties pieces any more and I am extra appreciative when they come into the shop. The fabric that has been used for the base is a lightweight soft cotton mix. It is almost surprising to see such a light and supple fabric used for a structured dress like this. It is all the work on the inside that give it the lines that you see. The skirt is cut to be very full. It has a built in underskirt that is made of a starched/stiffened muslin that is then finished with a layer of tulle along the bottom for volume. I then photoed it with an additional crinoline underneath of that layer so you can get a true sense of the volume that is there. You could even go fuller if you wished. If you chose to wear it with no crinoline you would still get a lot of volume and movement. The structure through the bodice comes from the extensive ribbon embellishment. This has been hand applied onto the fabric so that is completely covers the bodice to the waist and then tapers off into pretty tendrils as it trails down and over the skirt. The ribbon on all of these places panels has been shaped and made by hand out of an ivory crinkle ribbon and then the panels hand sewn into place onto the dress. Ivory silk cord is stitched around the tendrils of the skirt so they have a more finished feel. The applique work runs over the full front and back of the dress and add a beautiful 3D element to it. The waist is nipped in and the bodice is sleeveless with a sweetheart neckline at the front and a dipped back. This is a really outstanding example of the work being done during this time period. Overall excellent condition with some very minor notes to review below.

The bodice is lined with the same blue fabric as the exterior and the skirt has a built in skirt as described above. The dress closes with a side metal zipper. Note in person the blue is slightly more a true baby blue and the ribbon has a slightly more ivory tone to it and it not a true stark white. There is a very slight storage spot on  the ribbon on the top of one shoulder (see the very last ohoto) and perhaps some slight grubbiness to the ribbon along the edges here and there but this is more a cause from time and natural patina. I am being extremely picky. The hand work in the dress is easily seen from the back. The crinoline used in the styling is not include.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Length: 46" from top of shoulder hem

Modern Sizing Equivalent: SML-MED

Item# E661

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This extraordinary 1920s flapper dress was completely made by hand and is very feminine and beautiful. It is a wonderful example of the level of craftsmanship being utilized during this time period. It has survived the passing of time exceedingly well with only some minor flaws. The base of the dress is made from a fine light cotton and it is this fabric choice that has allowed it to remain strong and sturdy over the years. The color is a pale dusty blue that was almost impossible to capture and in real life it has a prettier, more unique feel to it that I think is just lovely. Onto this is an intricate design made of glass tube and seed beads that covers every inch of the dress. The main portions of the blue have a dense sprinkling of little semi-transparent white tube beads. Rows pf raised pink and gold flowers flow down the dress on both sides and a band of gold bead work defines the waist. The skirt has more of those glass seed  bead flowers scattered around the hem. The placement of each and every bead is by hand and it is amazing to think of the time it would have taken to create this extensive design. The combination of soft and romantic colors and the density of the beads is absolutely fantastic. I also took a shot of the dress laid out flat so you can see how the skirt is cut with extra fabric worked around each hip to give the skirt extra flare. Overall great antique condition with some notes below to review

The dress is unlined and slips over the head to wear with no closures. The fabric appears to be strong and is wearable with the care it would deserve to be worn with. It is not 100% perfect but still in wonderful antique condition. There are some areas where the beads on the main body are missing. Because of the color of the dress and the color of the beads in these areas its actually not that noticeable. There is some faded discoloration from storage on the bodice. I have photoed the worst of the areas. Note that the shots before the photo of the dress laid out flat are the detail shots of the bead work, and the shots after the laid out dress photo is of of the flawed areas.You can see some of the discoloration in the other photos as well. Even with these defects the dress is remarkably sound and shockingly beautiful. It is almost 100 years old and is considered to be in museum quality condition.

Bust: 17" from side seam to side seam
Waist: 16.6" from side seam to side seam
Hips: open
Length: 37.5" from shoulder to bottom hem

Modern Sizing equivalent: XXS-XS

Item# E660

Note that antique and twenties pieces are final sale. They will be packed exceedingly well and we only sell pieces that will stand up to the stress of shipping, however, having pieces potentially shipped multiple times through multiple customs and countries is too hard on garments that are historically important and deserve to be treated with love and care. Please purchase accordingly.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Michaele Vollbracht began his fashion career working for Geoffrey Beene in 1969, where he eventually designed the Beene Bazaar line. He stayed there for two years and then moved over to Donald Brooks. After a stint there, he worked for Henri Bendel's and then Bloomingdales as an in-house illustrator. In the latter half of 1978 he decided to go back to fashion and launched his own label. By his second collection he had done so well that he earned a Coty award. Elizabeth Taylor was a huge fan and owned many of his pieces. The company folded in 1985 giving us a small, precise window to date this piece.  

This set is so spectacular that it really belongs in a museum and would certainly be the show piece of any collection or exhibit focusing on Vollbracht's work. It is made of a fine silk with a hand painted floral design that runs down each side the pants and down each side of the matching poncho top. Both the pants and the poncho are cut to fall loosely on the body and the beauty of the piece lies in the way it  drapes once on. It is far far better on an actual body then my dress form and really transforms. Both pieces are made from a fine lightweight silk. The pants are cut wide through the legs and by the time they reach the hem they are a full 29" around. They simply slip on with an elastic running through the waist. This makes them very comfortable to wear. I love how each pant leg is a divided into four quadrants with the two colors and how the hand painted flowers run down each leg, adding length to each. The poncho is equally amazing and also plays on that dual tone of blue and black. What I love about it, is that you can wear the poncho so any of the sides are facing the front. By changing what part of the poncho goes toward the front, it gives you a totally different look with each option. The poncho is made from one long rectangle of silk that folded and with a slit cut out for your head to slip through. One side hangs longer then the other which is what gives you the different options once it is on. You can see that I have styled it in each possible way. By turning it around it creates different lengths and looks from a crop top at the front, to a longer at the front, shorter at the sides, and with the bead design floating down either the shoulders, or the front and back. Onto the poncho is that same hand painted design on both main sides and then these are covered with extensive bead work that follows the pattern on the silk. This gives the fabric a bit of weight and helps it to fall into place perfectly once on. All the bead work is done by hand. The beaded part of the design combines silver and green glass tube beads and this gives the set a subtle added sparkle. There is also a charming little silver beaded butterfly added on both sides of the poncho that I love. The pieces look amazing together and are also very versatile as they can be split up and worn separately. Excellent condition

Both pieces are unlined and slip on the wear. The pants have elastic through the waist. Hand finished and the fabric of both pieces are hand painted and have his logo screened into the silk as well. I have marked it suitable for a variety of frames as I feel on a smaller frame they just drape more.

Poncho Top
Total Width: 25" from top to bottom on one side, 15" from top to bottom on the other side
Total length: 63" from side to side

Pants
Elastic waist: 12-18" from side seam to side seam
Hips: to 22" from side seam to side seam
Length: 43.5" from waist to bottom hem
Inseam: 31.5" from inner seam to hem

Modern Sizing Equivalent: XS-LRG

Item# DD3210

Reference Photo: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci beach caftan is one of those iconic vintage items that is synonymous with the 1960s and that carefree, jet set life that Emilio Pucci and his clients often lived. Variations of this example were heavily featured in the display at the Fondazione Emilio Pucci, Palaxxo Pucci, in Florence. There, they were displayed and encased under glass so that you could see then from every angle and each felt like a sculpture. They are very rare and hard to find as most were worn them extensively and most did not survive intact and in great condition. This example is in wonderful condition and the colors are still bright and true.

The piece is made of a terry cloth, toweling velvet and is a stunning example of this classic piece of Pucci's work during this time period. It has no sleeves and is meant to be worn layered over something else, whether that be a bikini, shorts, another dress or a skirt. The possibilities are endless.It has a geometric print in a gorgeous ocean theme that combines green, purple, a turquoise aqua, black and white. It completely unzips and opens at the side along one seam that I have photoed. This makes it extremely versatile and allows it to slip over just about anything or be worn as a stand alone. The front neckline sits on a V and the sides are open right to the waist. The print is vivid and bright and it one of his signature designs. The fabric is also signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition with one small note to review below.

The body of the dress is unlined but it does have a fine cotton muslin interior border in a aqua blue hand stitched in place around all the edges. It closes with a hand placed metal zipper at the side that completely opens the dress. There is also a row of fabric covered, hand places snaps along the seam of one shoulder. Hand finished throughout. In person the color is more true and vibrant than how it photoed. There are two tiny smudges, one that you can see near the shoulder on the 8th photo and one on the back low hip that I photoed and it is shown in the final shot after the label photo. Both are extremely minor.

Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 55" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3197

Reference Photos: (1) Fondazione Emilio Pucci, Palaxxo Pucci, Florence. A display featuring terrycloth and cotton velvet capes in display cases in the Sala delle Muse. Photo: Santi Caleca/Emilio Pucci Archive, Florence.  /  (2) Photo by Henry Clarke, 1968.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A close version of this dress walked the Fall 1991 Couture runway. The Rive Gauche collections were designed as separate entities but you often saw pieces influenced by the work he did on the couture side of the business. In researching this piece I did see other similar versions done slightly later in the 1990s, but for me this was the one that felt closest to the dress available here today.

The dress is made from a slinky silk jersey that has enough weight and drape to it to perfectly fall in those soft, draped, sexy lines that Yves wanted it to be. It perfectly represents this time period and yet still has a touch of the 1940s that we so often see in his work. There is also a strong nod to his 1971 'Scandal' collection with the way the gathers are set through the waist and upper hip. The shoulders are set to sit slightly awider then the natural shoulder and this gives the illusion of an even smaller waistline. It skims over the bust and is plunged to the top of the high set waist detailing. The extremely low cut V of the front gives it a sexy edgy vibe. Below this the waist is gathered and set to hug your curves all the way through to the top of the hips. The skirt flows to the floor below that and is made of yards of silk jersey that give it movement when you move. Each side also plunges right down to that top seam of the waist and this little detail is the perfect finishing touch. I love that the color is a deep blue that is a touch brighter then a true navy would be. This is a color that is flattering on any skin tone and gives it a softer feel to the dress then had it been done in a black. It is amazing once on an actual body - much, much better then it could ever look on a dress form - and a rare find. Excellent condition

Unlined and closes at the side with a painted metal zipper. Tagged a vintage YSL 38. The fabric does have stretch so should fit a variety of sizes, stretching slightly  to accommodate curves and draping well on smaller frames.

Seam at the top of waist gathers: 13-14.5" flat across from side seam to side seam
Natural waist: to 13" flat across from side seam to side seam
Seam at bottom of waist gathers: 15-17" flat across from side seam to side seam
Bodice: approx 13" from top of bodice to top waist seam
Banding: 8.75" from top waist seam to bottom seam
Skirt: 38" from bottom seam to hem
Length: 59" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3177

Reference photo: Fall 1991 Haute Couture Runway, Yves Saint Laurent

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I just love the print that covers the surface of this wonderful Ungaro top. Its bright and cheerful with a purple, yellow and red print on a blue backdrop. It is made from a scarf weight silk that holds that bright color beautifully. The sleeves are wonderful and each is cut with a slight fullness above the cuffs. They are inset into the shoulder with gathers so are a touch fuller at the top. The body of the top is cut loose and easy as it falls from the padded shoulders. I love the high collar that is designed to stand up to frame the neck. It even has a little hidden snap that closes it off perfectly and holds it exactly in place. It's all drama and high eighties glamour. Excellent condition.

Unlined and buttons down the front. Each cuff buttons to close. Padded shoulders. The loose and easy fit should work on a range of sizes

Sleeves: 25"
Shoulders: 15.5" to ends of padding which extend slightly beyond natural shoulder
Bust: to 18" flat across from side seam to side seam
Waist: 17.55" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S841

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fabulous little dress from the Miss Dior label. It is made out of printed nylon jersey makes it very easy to wear and care for. This is a dress that can go from beach to cocktails to dancing. The fabric reminds me a bit of high end swimsuit fabric but is lighter. It will wear amazingly and you can literally roll it in a ball in your suitcase and wear it with a quick steam as soon as you arrive to where you are going. The front is cut with a scooped halter bodice with straps that curve up and behind your neck. The bodice is defined and made from two layers of the same fabric for a little support and to make it opaque. This sits above a high set waistline. The skirt sweeps out from there in a gentle A-line. It's fabulous and it's Miss Dior. Excellent condition.

The bodice is a double layer of the same nylon jersey and the skirt is unlined. Slips on and buttons to close at the back of the halter neck. The fabric does have stretch it will fit from a 0-2 maybe up to a smaller busted 6

Bust: 13-16.5" flat across from side seam to side seam
Waist: to 12-14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: approx 56" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3168

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When hunting for the date of this dress I found a photo of a dress from 1971 that has similar lines and ruffle details. Based on the other work Mr. Givenchy was doing during this time period it makes perfect sens that this would be from that year's collection. It is the Boutique label but very well made. I found a numbered tape inside the seam of the skirt and it may very well denote a special or custom order.

I love color and the design, the color, the workmanship - everything about this dress is perfect. At first glance the fabric appears to be a metallic silk brocade, but as you go closer you realize it is much more special then that. It is actually a fine and light woven netted lace with a blue metallic lurex thread running through the design. The play of the metallic thread against the non-metallic bits adds its own texture to the already textured lace. It is amazing and also very light in weight. The fabric has just a touch of transparency to it. Once you get past the sheer brilliance of the fabric you begin to notice the workmanship that has gone into constructing this. The bodice is cut to skim over the bust from the rounded neckline and then cinches into the waist. It has its original belt that can cinch the waist in more. I have photoed it both with and without the belt as you could wear it bot ways. The sleeves are cut long and slim and are finished with a ruffle that creates a beautiful bell shape. The skirt falls to the floor from there and gently widens out as is nears the hem. it is finished with that same ruffled detail to perfectly tie the dress together. Really a work of art and feels very fresh and current. Excellent condition with one small note to review below.

The bodice is unlined and the skirt is fully lined with a blue silk organza. It closes at the back with a fine metal zipper. Inner waist stay hooks to close. The belt closes with hooks. There is the teeniest of marks along the inner edge under the seam at the inner arms but they do not show through. Please refer to the photo after the label shot. There is a numbered tape along the inner skirt seam that I also photoed. Note that if you required more length it would be possible to move the ruffle down as it is set higher up the skirt rather then at the very edge of the hem. I think you could get a good 6" more in length. The sleeves are set the same way.

Sleeves: 24.5"
Shoulders: 14.5"
Bust: to 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 16" from top of bodice to waist
Skirt: 40.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3167

Reference Photo: Jours de France Issue 844, 1971. 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This collection was featured in the video we have included here for 'Throwback Thursdays with Tim Blanks'. In the  introduction to the video Blanks states: "The designer was famous for his runway spectacles, but this one in particular lingers with our Editor-at-Large, not because it featured a rookie model by the name of Gisele Bündchen, but because of its extraordinary emotional resonance. 'It's proof that he was a magician.'". Vogue's review of the collection that year explains how the name of the collection became 'Untitled'; "While there was plenty of pain in Alexander McQueen's work, there was usually pleasure, and often some poetry as well. Such was the case with spring 1998’s Golden Shower show, renamed Untitled when the sponsors balked at the lasciviousness of the former title. Models walked down a runway made of water-filled Lucite tanks wearing tight snakeskin dresses and tailored intarsia suits. They were dressed in all white for the finale and were treated to a shower that made their mascara run and their all-white clothes see-through."

This suit is one of the the versions produced from that show and mentioned in Vogue's review above. His very early pieces are more rare and this one is a fabulous find that is still extremely wearable and highly collectible. It is in remarkable condition and is a bold statement piece. The fabric is the same as a men's suiting and it has a blue pinstripe that runs through it. Depending on the light, the base looks either black or a deep deep blue-black.  The lining is a periwinkle blue so when the jacket opens you get a flash of that bold color. On the pants the blue is used even more boldly, borrowing from the runway, with a wide inset ribbon in a blue checked wool insets into the fabric. This inset of fabric runs down one leg and then another wraps all the way around the hip. The tailoring has a strong nod to a menswear suit in its cut and the the lines are precise. The trousers are flat fronted and straight legged. The jacket has a beautifully tailored cut with a notched in waist line and strong shoulder. I love how he has set the two buttons on each cuff right at the bottom edge of the sleeve and that the cuffs on the pants are precisely 1 1/4". Excellent condition

The jacket is lined in a fine grade periwinkle silk. It closes with buttons at the front. Each cuff has two buttons and the buttons holes are finished but decorative only. There is an extra button sewn inside the waist band. Pockets at each hip of the pant and hidden pockets lie along the seam of the jacket. There is also a buttoned interior pocket and one exterior pocket on the breast. Both pieces are tagged a vintage McQueen 44 but check actual measurements below for sizing

Jacket
Sleeves: 24"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 27" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 41.5" from waist hem
Inseam: 31.5" from inner seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD1985

Reference photos: (1) Alexander McQueen S/S 1998 Runway.  /  (2) Amanda Lee Shirreffs by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Resort and Spring 1977 collections were some of the few that Halston worked some prints into the collections. He normally focused on a solid color palette and I love seeing this side of his work. I found a runway reference photograph and you can see the similar print done on a long silk tank dress. This shorter, day version still employs the minimal seaming that Halston excelled at but is finished in his iconic wrap cut. The photo is from a Halston book and in it there is a quote by Bob Colacello that says; "His colors were so American, they were like out of a Crayola crayon box. Halston's red and purple and green were like true colors; they weren't pastels, they weren't dark, they weren't iridescent - they were very true and very American" and this really sums up the true, beautiful blue that the silk is done in. The waist has a long attached tie belt that you wrap and cinch it in for as much shape as you wish. The silk is scarf weight so drapes beautifully over the curves of the body. I love the pops of color brought in by the abstract print that covers the dress. Excellent condition

Unlined and wraps to close. Hook & eye along the plunge that if left open will give you a deeper plunge then shown. Hand finished. he blue is a touch deeper in tone then how it photoed. It appears to have been worn very little if at all.

Sleeves: 21"
Shoulders: 15.5"
Bust: 18" flat across from side seam to side seam
Waist: 12-18" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Length: 42.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2348

Reference photo from the book: Halston, An American Original, Eliane Gross and Fred Rottman, 1999

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.