Fred Perlberg is an interesting designer. He started his label in 1920 at the grand old age of 19 and continued as the designer until 1968 when he retired. This would be from just before that. It is a great representation of what the label did so well - make mid-priced party and dance dresses that followed the current trends. They were well made in small production runs and hold up well to the passing of time. This one is a simple silk sheath with the waist nipped in and a long lean skirt. It is completely covered with rows of ivory sequins that are set on long squiggling lines vertically up the dress. The bodice is cut with a plunge front and a slit runs up one side of the skirt. I love how the edges around the neckline and waist have a tighter panel of sequins going in the opposite direction. It is a nice touch to highlight and add some texture and interest to the piece. The sequins have a pearlized iridescent quality to them so that the dress has a nice glow without being overwhelming. Excellent condition.

Fully lined in an ivory organza and closes with a back painted metal and nylon zipper. Hand finishes

Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 42" from waist to hem, slit 20"

Modern Sizing Equivalent: MED-LRG

Item# DD3108

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This evening coat is incredible. I love the silk brocades from this time period and this one does not disappoint. The coat is exquisite in person and even better then how it photoed. The coat is made from a beautiful embroidered brocade that has gold and silver threads running through it. There are also threads in tones of pink and the combination of that against the soft ivory of the base. Even though the entire coat has a metallic glint to it, the soft pastel palette used makes it seem subtle and refined. The lines of the coat are beautiful and very representative of this time period. I love the rounded and padded collar and how the snap is set in at its end so when closes you get a complete circle effect. The inner silk is stitched in a intricate design that gives hidden detailing that only the wearer will know about until the coat opens or you take it off. It buttons to just past the hip and the shape gradually widens out as it nears the hem. It is so chic and so rich feeling - you would be hard pressed to find anything like it again. It was undoubtedly a custom piece. Excellent condition

Fully lined in a beautiful ivory silk that is stitched in an Asian pattern all around the under edges. This stitching/quilting effect runs up along the edge of the front and around the top inner neckline. The coat closes with fabric covered buttons down the front. The piping along the collar has a hidden snap to fully close the two ends together. Hidden pockets along the inset front seams

Shoulders: 14.5"
Bust: 21" flat across from side seam to side seam
Waist: 22" flat across from side seam to side seam
Hips: 24" flat across from side seam to side seam
Length: 54" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C485

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason his work is not under the Haute Couture category is because he was not an official member of the association.

I love the light and airy feel of the dress that is created by the yards and yards of silk chiffon used under the top layer of netted lace used in its construction. Working in this type of fabric is already difficult and this would have taken many hours of work to execute the making of this dress by hand. The silk layers underneath are all cut on the bias and this gives it a lovely movement and makes it very comfortable to wear once on the body. The dress is suspended from the single shoulder and falls from there with a loose and billowy effect as it widens out to the hem. The top layer of the dress is made of a netted ivory with a lace feeling pattern that runs over that. This is then detailed with gold thread that gives the dress a slight touch of sparkles. Once the dress gets past the bust it widens out to be quite full by the time it reaches the hem so that when you move you get an unexpected bit of volume. it is also gathered up at the side toward the back and this gives it a little extra volume there, shows off the layers underneath the top layer and also helps to create that asymmetrical hem. Excellent condition

Fully lined in an ivory silk chiffon under the top lace and net layer and closes with a hand set, painted metal zipper set off side at the back. Has four full layers of silk chiffon under the top netting layer under the skirt

Bust: to 16" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Length: 56" from top of shoulder to longest point of hem

Modern Sizing Equivalent: XS-SML

Item# DD3107

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful Emilio Pucci dress is made out of a luxurious mix of cashmere, silk and wool. This mix makes for an incredibly fine, soft fabrication that holds the color exceptionally well and feels wonderful on the body. Covering every square inch of the dress is a stunning print that is a mix of blue, purple, green and black, all mixed masterfully together. The neckline is high with a contrasting print circling the collar.  This border also circles the waist for added detail and each sleeve is finished with the contrasting print at the cuff. The cut is a simple and classic with a slight A-line cut as the skirt nears its hem and an inverted pleat that runs down the center of the skirt. This gives it a touch of volume when you move. The sleeves are long and simple with a slight pouf to them. This is a classic Pucci silhouette that is instantly recognizable and very sexy despite it not being super form fitting. And you just cannot beat that beautiful fabric. Excellent condition.

Unlined and closes with a painted metal zipper at the back. Tagged a vintage Pucci 10 but of course, check the actual measurements. The fabric does have slight stretch. The fabric is signed throughout and is a nix of 75% cashmere, 15% wool & 10% silk

Sleeves: 21"
Shoulders: 15"
Bust: 16-18" flat across from side seam to side seam
Waist: 13-13.5" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Bodice: 15" from neck to middle of waist
Skirt: 22" from middle of waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3106

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I believe that like the other Patrick Kelly I just listed, that this one is also from the Fall 1988 collection but could not find an exact reference. I say that because that particular collection featured a lot of feathered neckline pieces. If it is not in that season it would certainly have been around that time period.

The Philadelphia Museum of Art recently hosted an exhibit of the work of Patrick Kelly. The show notes state: "“I want my clothes to make you smile”—that was the goal of late African American designer Patrick Kelly in creating his bold, bright, and joyful creations. Kelly achieved this on the streets, nightclubs, and runways of New York, Paris, and beyond in the heady, inventive, and often-subversive urban milieu of the 1980s....Kelly’s work pushed racial and cultural boundaries with golliwog logos, Aunt Jemima bandana dresses, and his ubiquitous black baby-doll brooches. His playful looks were inspired by his muse, Josephine Baker, and admiration for couturiers Coco Chanel, Elsa Schiaparelli, and Yves Saint Laurent, among others."

The dress is as exuberant and  over-the-top as you would expect from a piece of Patrick Kelly's work. It is made from a black & purple brocade that has a quilted detailing that runs over the fabric. This gives it an almost padded feel to the fabric and is very unusual. It is cut to hug the body and show every curve. The waist is nipped in through vertical seaming and the skirt is cut to follow the hips and sits slim cut below that. Kelly has squared off the single shoulder on the one side and and kept that sleeve long and lean. The sleeve ends in a point which is a small detail that I love for its unexpectedness. The other shoulder is left bare for a flash of skin. I love the fluffy explosion of black feathers that sits all the way around the neckline - this is what gives us the clue to the collection date and makes the dress so wonderful. As you get closer you also notice that the purple bits on the fabric are not just any design - they are each and elaborately done, long feather design, perfectly tying everything together. Excellent condition.

Fully lined in a black silky rayon and dress closes at the side with a hidden set zipper. Light boning through the bodice. Appears to have never been worn. Tagged a 42

Sleeve: 25"
Bust: 18-19" flat across from side seam to side seam
Waist: 15 " flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 39" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3105

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful Emilio Pucci dress is made out of one of his signature silk jerseys. Covering every square inch of it is a stunning print that is a mix of different tones of blue, grey and whites, all mixed together like a master. The bodice crosses over itself and is then detailed at the waist with a contrasting printed border. This border also circles the neckline for added detail. Each cuff is also finished with this contrasting print and covers each wide cuff that the sleeves end in. The cut is a simple and classic with a slight A-line cut as the skirt nears its hem. The sleeves are long and simple with a slight pouf to them. I love those wide cuffs that finish each sleeve off perfectly. This is a classic Pucci silhouette that is instantly recognizable and very sexy despite it not being super form fitting. I love all the contrasting print panels that give the cut visual definition. This mix of blues is always one of my favorite of his prints. They are just soft and pretty and suit pretty much any skin tone. Excellent condition.

Unlined and closes with a painted metal zipper at the side. Tagged a vintage Pucci 12 but of course, check the actual measurements. The fabric does have slight stretch. Each cuff closes with hidden set snaps

Sleeves: 27"
Shoulders: 14"
Bust: 16-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 15" from neck to middle of waist
Skirt: 28" from middle of waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2718

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Cleopatra headpiece features a black velvet base with gold beaded and sequined flowers embroidery and a gold beaded edge. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 9" total height from bottom of band to the top x 10" total width. The height from the center of the band to the top is 3.25". The size of the band can be adjusted to fit any size.

Item #MM2-12

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Nefertiti headpiece features vertical stripes and a a circular pattern embroidery of gold and black beads. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 10" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 4". The size of the band can be adjusted to fit any size.

Item #MM2-11

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Isis headpiece features gold peacock eye embroidery with golds beads and is trimmed with a gold beaded edge. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 10" total height from bottom of band to the top x 10" total width. The height from the center of the band to the top is 4". The size of the band can be adjusted to fit any size.

Item #MM2-10

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Luxor headpiece features shiny gold beads and mirrors and a beaded gold trim on a gold velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 8.5" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 2.75". The size of the band can be adjusted to fit any size.

Item #MM2-9

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Alexandria headpiece features gold metal domes and coral, blue and turquoise beads. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 7.5" total height from bottom of band to the top x 8" total width. The height from the center of the band to the top is 1". The size of the band can be adjusted to fit any size.

Item #MM2-8

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Nephthys headpiece is covered with peacock feathers and is trimmed with a turquoise bead edge. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 8.5" total height from bottom of band to the top x 8.5" total width. The height from the center of the band to the top is 2.5". The size of the band can be adjusted to fit any size.

Item #MM2-7

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Hartor headpiece features large metal gold beads and a gold velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 9" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 3". The size of the band can be adjusted to fit any size.

Item #MM2-6

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Sekhmet headpiece has a sun shape and features a gold velvet base with gold beaded and flower and leaves embroidery. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 12" total height from bottom of band to the top x 12.5" total width. The height from the center of the band to the top is 5.5". The size of the band can be adjusted to fit any size.

Item #MM2-5

Reference Photos: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Sphinx headpiece features stacked wood and metal beads and a black velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 9" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 2.75". The size of the band can be adjusted to fit any size.

Item #MM2-4

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Selene headpiece features small round mirrors and matte gold pearl beads on a black velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 7" total height from bottom of band to the top x 8.5" total width. The height from the center of the band to the top is 1". The size of the band can be adjusted to fit any size.

Item #MM2-3

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Sesen headpiece features a fan shaped lotus flower motif with sequins and turquoise, coral and blue beads on a black velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 9" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 2.5". The size of the band can be adjusted to fit any size.

Item #MM2-2

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Aswan headpiece is a small headband that features gold beaded leaf and flower embroidery on a black velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 7.5" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 1.5". The size of the band can be adjusted to fit any size.

Item #MM2-1

The Philadelphia Museum of Art recently hosted an exhibit of the work of Patrick Kelly. The show notes state: "“I want my clothes to make you smile”—that was the goal of late African American designer Patrick Kelly in creating his bold, bright, and joyful creations. Kelly achieved this on the streets, nightclubs, and runways of New York, Paris, and beyond in the heady, inventive, and often-subversive urban milieu of the 1980s....Kelly’s work pushed racial and cultural boundaries with golliwog logos, Aunt Jemima bandana dresses, and his ubiquitous black baby-doll brooches. His playful looks were inspired by his muse, Josephine Baker, and admiration for couturiers Coco Chanel, Elsa Schiaparelli, and Yves Saint Laurent, among others."

This super sexy black knit Patrick Kelly dress is wonderful. It is made from a black knit that hugs the body to show every curve. Kelly has squared off the shoulder and kept the sleeves long and lean. The cut through the body hugs every curve and the dress is molded to just past the hip. At that point the skirt flares out dramatically and when you lay it out flat you realize that he has built in an entire circle of fabric into this low, dropped skirt. This is what give it the tremendous movement and volume that is has as soon as you move. It also offers a striking contrast to the super fitted cut through the body. I love the curved seaming that sits discreetly across the bust - this is what gives us the clue to the collection date and makes the dress a more subtle version to his famous heart dresses. Excellent condition.

The dress is wool knit jersey with some stretch. It closes at the back with a hidden set zipper. Light padding in each shoulder. Appears to have never been worn. The fabric does have stretch and the measurements provided are the comfortable range when laying flat. Tagged a US8. FR40, GB12

Sleeves: 24"
Shoulders: 15.5"
Bust: 17-19" flat across from side seam to side seam
Waist:13.5-15 " flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Length: 43" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3104

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The early little black dresses that Ceil Chapman made on the late 40s and early 50s are some of the best examples of her work out there. This piece is quite fabulous with its mix of inky black velvet and ivory silk matte satin. I hope that the girl that decides to make it hers will truly love and cherish it. These early Chapman pieces are very hard to come by and you can see the masterful seaming techniques she employed in this piece. The ivory silk on the bodice inset bodice is sharply pleated across the waist and in the offset notch of the bust. I love how she has set this detailing off center so it looks like the wearer is wrapped into the dress. The skirt is cut slim and long to just past the knee. At the back two black velvet panels drape down the skirt on either side of the center. These are finished with a backing of the same ivory silk used on the bodice so that you get the perfect, unexpected, flash of ivory as you move. An extraordinary piece that is highly collectible. Excellent condition with one minor note below

Fully lined in a combination of an ivory rayon backing the bodice and a black silk through the reminder of the dress. It closes with a back painted metal zipper and is boned through the bodice. There is perhaps an area or two where the velvet's pile is not laying the same way as the rest but this is normal on a velvet dress of this age so more a sign of normal patina then a flaw but still mentioned for accuracy.

Shoulders: no true defined seam
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 46" from shoulder to hem with the back hem about an inch longer and the panels extending about 2" past that

Modern Sizing Equivalent: SML-MED

Item# DD3103

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am such a huge Hanae Mori fan and this particular dress is absolutely wonderful. It still feels so fresh and modern even after all the years that have passed since it would have originally been made. The neck is gently scooped at the front with a little ties there and it softly blouses out to the waist. It is sleeveless with an angled cut that leads to the silk straps that wrap around the neck. The skirt flows to the floor in a perfect soft flowing column of silk. It flares out gently as it nears the hem and this allowed Hanae to fully showcase the print that she has wrapped around the lower skirt to its full advantage. The dress is made of the top printed layer of silk chiffon that you see and then inner layer is a nude silk chiffon. The skirt has an additional silk layer under that as well. Even with the layers the dress weighs almost nothing. Once the dress is slipped on, it simply floats around you.The outermost silk has been custom screened with one of her beautiful prints and it is a striking combination of neutral taupe and browns with vivid pops of blue and coral. The design is pure Hanae and the print is just extraordinary and beautiful depicting a sunrise over a beautiful floral backdrop. Excellent condition with one minor note below.

The bodice is interlined lined with a nude silk chiffon and layers of a nude silk chiffon and a pale blue silk line the skirt. It closes at the back with a series of hand covered snaps down the back and these also close the exterior skirt over the zipper that closes the inner lining. There are the lightest faintest little marks here and there on the skirt - maybe faint water marks? They are not seen unless laid out flat and when its on you would never notice. mentioned for accuracy. Hand finished throughout to demi-couture standards. Cut on the bias but waist is seamed

Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Lining hips: 18" flat across from side seam to side seam
Bodice: approx 17" from top of bodice to slightly dropped waist
Skirt: 39" from slightly dropped waist seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD3101

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Mariuccia Mandelli launched the Krizia label in 1954, as one of Italy's first ready-to-wear labels. By the 1980s and 1990s Krizia was a leader in the Italian fashion world with international acclaim. Much of her work was inspired by architecture and you can see a strong sense of that in this dress. I have dated this to the 1982 collection based on the reference photo found and dated to that year. It shares the same striking and unusual 'pockets' that jut out dramatically from the hip at sharp angles as the piece in that photo.

The dress is full length and made of a crinkled iridescent taffeta. Another reference photo found shows Mariuccia wearing an outfit in a similar fabrication. The drama of the hips are balance out by equally dramatic, curved and puffed sleeves. The front is done in an extremely low V that plunges past the waist to an almost unwearable depth. The hips are cut slim and fitted and the back has a high slit that runs up the center seam so that you can move and walk. The panels on each side are functional 'pockets' of sorts and do open down into the very bottom of where they attach along the side of the skirt. I have shown them extended out to each side but also photoed them pinned at the top points so that they curve in and wrap. You could do this to either the front or the back as I have shown. It is a very interesting and avant garde piece of fashion history. Excellent condition

Unlined and closes with a hidden set, metal and nylon zipper at the back. Tagged a 42IT. Appears to have never been worn, or worn very little

Sleeves: 15"
Shoulders: 14.5"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 17.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 60" from neck to hem
Front plunge is 19" deep and the black slit is 24 from hem

Modern Sizing Equivalent: SML-MED

Item# DD3099

Reference Photos: (1) Krizia, 1982. / (2) Mariuccia Mandelli (designer of Krizia), date unknown.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had this Jean Varon tucked away for a long time because it is so amazing it was hard to let go of. It looks like it was never worn and is incredible condition. From its bare cut top to the beautifully flared skirt, it falls to the floor in yards and yards of a taupe crepe jersey that has the slightest hint of a sheen to its finish. This fabric choice really allows the dress to drape and move wonderfully. It's a definite statement maker and everything about it screams red carpet, Grecian goddess and sex appeal. The skirt is cut on the bias so that it feels like a column when you stand still but when you move, it moves with you and you get a sense of the amount of fabric that was used to construct the skirt. The top is a masterpiece with a halter top cut to plunge to the just below the bust and curve over the shoulders. The first waist seam is set high and just under the bust. Fabric is gathered under this vertically and then a second seam hugs the natural waist to give the dress a Grecian feel. Under the second seam is a flaring hip peplum. The sides are left completely bare with the shoulders extending down into the low waist of the back. These cross over straps that extend from under the bust at the front to create a grid at the side and back that keep the dress in place but leave the sides and back completely bare. I love that the seams that define the bust and waist are highlight with cording in a combination of a metallic gold and taupe. This is old Hollywood meets Madame Gres meets an ancient Grecian goddess and it is fabulous. Excellent condition

Unlined and closes with a low back set zipper and hook & eye to close each of the straps at the back. Note that it was too tiny for my dress form and of course zips and closes perfectly on the correct sized girl. It appears to have never been worn or worn very little. The color is slightly paler in person. Hand finished

Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to bottom of the waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XXS-SM

Item# DD3100

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.