This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress has a touch of a metallic to it. The  of the dress them selves are fairly simple and that really allows the metallic detailing to shine. Onto the pale green silk base of the dress is a gold metallic overlay that covers the dress. Then onto that are hundreds of little gold dangling rows of gold thread and gold sequins. These cover the entire dress so that with the smallest movement they move and flash all around you. The bodice is cut to skim over the chest with a scooped neckline. Over the interior bodice is a more caped piece that floats above the more fitted interior. The sleeves are capped and the waist nips in. The waist is banded and the color under the lave overlay an more nude color. Under that the skirt flares out slightly as it nears the shorter hem. The effect of all this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Very well made to demi-couture standards. Excellent condition.

Fully lined in a pale green silk. It closes with a hand set back zipper. Hand finished throughout. Lightly padded shoulders. It is surprisingly light in weight so easy top wear. It is more a matter gold in person. Main line label that id hand dated

Shoulders: 14
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Length: 31" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3368

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is made out of a fine Indian printed silk and that, along with that vivid color combo of the pink and green, give it a definite wow factor. The print that covers the dress has a gorgeous abstract curving design and this runs over every inch of the dress. There is also a secondary ribbon texture that is woven directly into the silk for added interest. I love the lightness and airiness of the dress created by the yards and yards of the ultra fine silk chiffon used. Working in this type of fabric is already difficult and this would have taken many hours of work to complete this dress. The silk is cut on the bias through the skirt and there are yards and yard of it. The tremendous amount of fabric that was used to make up the skirt allow it have wonderful movement and drape. It seems to float around you at the slightest movement. The neckline is squared off and cut low, with the bodice more fitted under that. The waist is nipped in for shape. The sleeves are cut so that they widen out to be quite full by the time they reach the wrist with a lovely flare shape, ending in a wide and full cut. At the back the dress scoops low for an expanse of skin to show. It has a matching sash that you can use at the waist, neck, or as a head scarf. It will also ship with an additional skinny belt covered int he same fabric (not pictured). Excellent condition with a couple of minor notes below

Fully lined in bright green silk with the sleeves lined in silk chiffon. It closes with a hand set, painted metal & nylon zipper. Hand finishes. The sash has hand rolled edges The inner lining to the skirt has small nicks and thinning to it throughout. It seems stable and is completely wearable as is. No similar issues to the outer layer at all. Some grubbiness to the hem that gets lost in the print. I see one mark on the skirt that gets lost in the print.

Sleeves: 25"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips at Inner lining: to 22" flat across from side seam to side seam
Bodice: 15" from shoulder to waist
Skirt: 44.5" from waist to hem
Sash: 41" x 15.5

Modern Sizing Equivalent: SML-MED

Item# DD3281

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

This beautiful pale green chiffon dress by Bill Blass is absolutely stunning. It is from the Spring 1981 collection and I have included two reference photos of pieces held in Museum collections, one of a dress in this same color that was used throughout the collection that year, and a second with the same ruffle treatment. The dress is beautifully made and the closer you start to look at it the more you start to see the fine detailing on it. The work that would have gone into piecing this together using that fine silk chiffon is astounding. It is completely cut on the bias but also has defined seams so that you get the ease and movement of the bias cut through the skirt but with a defined shape. It slides over the body to define your curves but not in a tight or fitted kind of way. The neckline is a high and scooped. The bodice has two layers, an inner silk piece with tiny silk straps, and a chiffon over piece. Each sleeve is cut long and lean with two silk covered buttons at the wrist. The back hooks at the top of the neck and then over the inner lining leaving an open slit between the neck and the first button down. The waist is seamed for a touch of shape and you could easily add a belt if you wanted more definition. Below that, the skirt falls to the floor in a cascade of ruffles. It is all cut on the bias and it is deceptive as to just how much silk has been used on its construction. The ruffles are set vertically in strips and give a very pretty cascading effect. These vertical ruffles circle all the way around the skirt and this creates incredible movement. Once on, you feel like the silk is just floating around and over you. It is truly beautiful. Excellent condition with one small note below

Fully lined in an interior layer of a slightly deeper color green silk. It closes with a back zipper and then the silk chiffon layer close over that with snaps below the waist and hook & eye above. Each cuff has two silk covered buttons. Hand finishes. The color is absolutely fantastic and even better in person. It is a a touch paler green in person then how it photoed and I think it is even better. The fabric does have some give due to the bias cut but the waist seam is set. There is one tiny mark on the front bodice. Please review the photo after the label shot. 

Sleeves: 22"
Shoulders: 15"
Inner lining bust: 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 16" from top of bodice to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3280

Reference Photos: (1) Evening dress, 1981 by Bill Blass. Gift of Mrs. Ronald Reagan from the Classic Chicago Magazine.  /  (2) 1981 Bill Blass Dress from the Indianapolis Museum of Art Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean-Louis Scherrer was a Parisian fashion designer and couturier. He trained under both Christian Dior and Yves Saint Laurent while at Dior. He worked briefly for Louis Feraud and then launched his own fashion house in 1962. From 1962 to 1992, Jean-Louis Scherrer dressed some of the most prestigious women in the world, including Jacqueline Kennedy, Princess Paola of Belgium, Sophia Loren, Raquel Welch and many more. His work was known for known for  being opulent, with hand-beading, embroidered and lavish trimmings, all done on the very best of fabrics. It is wonderful to have such a beautiful piece of his work in the shop

This dress is exceptional and a remarkable example of Mr. Scherrer's work. The color is amazing. A bright spring green is mixed with a slightly deeper green and a white to create the floral print that you see. This is screened onto a fine silk gazar that has a secondary floral print woven directly into the silk, adding to the rich feel of the fabric. The skirt is wonderfully full with yards and yards of bias cut silk. This floats over a series of inner silk and tulle skirts that create shape and volume. The bodice is constructed so that it has the feel of a sculpted evening jacket but it is fully attached. The collar is set so that is sits slightly raised and frames the neck. It is also cut wider across so you get this lovely glimpse of the collar bones before it plunges into a mid-V at the front. Large bejeweled gripoix poured glass buttons detail the front. The sleeves taper in as they near each wrist. The waist curves in with a beautiful line and then flares over the hips, curving down and around the back. An attached half belt that is finished with a bow adds additional shaping through the lower back. It is beautiful and has a lovely formal feel but without feeling too stuffy. In excellent condition with one minor note to review below

Both pieces are fully lined in in a fine deep green silk. It closes with middle set zipper at the back and each sleeve has a zipper at its cuff. Under the buttons at the front are hidden hand set, silk covered snaps. The skirt has an two inner skirts, one of which has a tulle layer attached starting just under the hip. Hand finishes. There is one small repair and small marks near the hem of the back skirt near the side seam. Please see the last photo provided here

Sleeves: 22"
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 13.25" flat across from side seam to side seam
Innermost lining hips: 19.5" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 44" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3279

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This gorgeous ball gown skirt and top set is a wonderful example of the work that Blass was doing in this time period. We were able to date it exactly based on a family photo that my client shared with me. He pulled out the stops in the creation of this set. It is made out of two silks, a silk taffeta for the skirt and sash in a brilliant lime green, and a textured silk for the top and detailing at the waist of the skirt in the most beautiful periwinkle color. The skirt is very full and I have not used any crinolines under the skirt for these shots. The fullness that you see is all done through the way it is cut. The choice of the silk taffeta also helps it to hold the shape while still keeping it very light in weight. The skirt has a double silk sash attached around the waist. One part is the same purple as top and the other a soft and pretty blue. The top is a light silk that has a slight texture running through it. It buttons down the front and the way that the buttons are set gives you just the peek of skin between the buttons. Each sleeve is very full and voluminous. It comes with a matching silk taffeta sash that is in the same green as the skirt and I have used it to create a large bow at the neck. You could style the sash a variety of ways other then this but I liked the balance of volume that it created. Having the three separate pieces makes it so versatile as you can wear it all together for the full Blass look, or mix and match with modern pieces from your wardrobe. It is beautifully made and wonderfully extravagant. Excellent condition with some minor notes below.

Both pieces are unlined. The skirt closes with a metal and nylon zipper and a flat hook & eye at the waist. The skirt's hem is finished with a 3/4" strip of horse hair dressmakers tape to give it some weight and structure. The top buttons to close as seen. The tie around the wast is attached and the tie at the neck is a separate sash. There are some faint, minor marks on the skirt and the top. Please review the photos after the label shot.

Top
Shoulders: 15"
Sleeves: 29"
Bust: 20" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 28" from neck to hem

Skirt
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 45" from waist to hem
Matching sash: 84" x 13"

Modern Sizing Equivalent: SML-MED

Item# DD3261

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I think one of my favorite vintage pieces is the full length maxi skirts by Pucci. His velvet are amazing and the print and colors that they were done in can't be beat. You can throw them on with just about anything topping them and it works. The prints are so vibrant and bright that they act like a neutral and they work as well with flats as they do with a heel so are infinitely versatile. This one is done in a brilliant and bright green velvet that has a spectacular grape vine print running over its surface. The skirt also has borders worked into the print that separate out the top from the bottom and give it visual interest. I love the deep purple and blues used to make up that design. They pop off the green beautifully. The cut is classic Pucci and shaped into a simple A-line silhouette that falls to the floor in a graceful sweep of fabric. The velvet gives it enough weight to hold the shape so it falls perfectly once on. These can really be worn year round as the velvet is a cotton version so breathes well. It is just fantastic and I love it. Excellent condition

Lined in a bright green silk and closes with a side painted metal zipper and fabric covered snap at the waist. Hand finished and the velvet is signed throughout. Tagged a vintage Pucci 12, but vintage Pucci is cut small compared to modern pieces

Waist: 13.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S883

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This is a lovely example of Bill's work that has the added provenance of being featured in the September issue of Vogue that in 1986. It's twin was photographed on Paulina Porizkova and I have included that reference photo here. Both the dress and jacket are made out of the most extraordinary fabric. He has used a fine silk velvet that has gold thread lame running through it in the manner of a men's suiting. This gives both pieces an incredible sheen when combined with the velvet. As it catches the light it almost has the feel of a liquid running over you. The dress is strapless with a built in inner bodice that gives it structure internally but from the outside you only see the fabric falling in one smooth line. The bodice has carefully placed hand done gathers that give just the hint of detailing. Under that the skirt falls to the floor in one long lean line. There is no slit on this one, rather the fabric is cleverly laid out so there is hidden volume as it nears the hem. Over this is the remarkable jacket that has a more structured feel to it. The cut is pure Blass with the waist just a suggestion and the shoulders boxed and padded. The sleeves are long and each is finished at the cuff with a wide band of hand done bead and sequin work. This same incredible detailing runs around the collar, down the front and circles all around the hem of the jacket. It is incredible and very chic. Excellent condition

Both pieces are fully lined in silk. The dress closes with a double zipper at the back, with the inner one closing the inner corset. The inner corset is boned and shaped. The jacket closes with hidden snaps at the front and hook & eye at the neck and waist. The bead work is hand done and elaborate.

Dress
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 40" from waist to hem

Jacket
Sleeves: 23"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3260

Reference Photo: Paulina Porizkova in Bill Blass, Vogue UK, September 1986. Photo by Bill King.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s is wonderful. I love the bright fuchsia pink of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright pink with a beautiful floral design. This is then surrounded by a green and deep purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A366

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s, is wonderful. I love the bright vibrant green of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright green with a beautiful floral design. This is then surrounded by a blue and purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A364

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous Yves Saint Laurent scarf from the late 1970s, early 1980s is huge. The print is a beautiful mix of greens and reds done in an elaborate print that is inlaid around the edge and leaves the innermost part of the scarf a solid white cotton. It is made of a fine cotton silk mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece and has a touch of transparency to it. The edges are amazing with a white, looped embroidered lace that is placed all the way around the square. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 55" x 55"

Item# A359

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Madame Gres' work has had profound effects on Haute Couture and her influence still resonates to this day. Her attention to detail, master draping techniques and respect for the female form is unparalleled. She was known for designing and creating garments directly on the models and the results were spectacular. She first opened her atelier, La Maison Alix in 1932. A partnership briefly changed the house's name to Alix Barton and then the label went to simply Alix. In 1942 she married, and the label made its last change to became Madame Gres, a partial anagram of her husband's first name, Serge. Her work spanned over five decades and all of it, with the exception of a short-lived RTW line begun in 1980, was created as Haute Couture pieces.

When researching this garment I happened across a dress that is held in the collection of the Fine Arts Museum of San Francisco, with a similar cut, and what looks to be the same fabric, dated to 1977. The collection notes on that dress even mention a matching cape that is not shown in the single photo provided for that garment (and shared here). It is also interesting to note that the Museum held dress has been exhibited twice. Once for the "New Look to Now", at de Young Museum, 1989-91; and it was lent to the Metropolitan Museum of Art, for "Mme. Gres" in 1994. This 1970s period is also about the time period where she turned her attention from using primarily jerseys to incorporating more taffeta and silks into her work. Her designs were never huge variations on themselves through the decades and we do see similar feeling pieces to this across the decades of her work at times, but I am fairly confident that this is the correct date within a season or two. Especially given the reference photo provided and the fact that the Museum dress also has a matching cape. It is just too coincidental given the same color and similar silhouette, not to be from that same collection.

The dress and gown are made from a deep green silk taffeta. This fabric choice gave her the ability to work in the volume she required for the silhouette whole still keeping the dress light and wearable. It is also a fabric that helps to retain the shapes she wished the set to have. The sleeveless bodice is cut so that the shoulders slightly extends outward giving the silhouette an almost statue-like appearance. The bodice skims over the body in a long lean drop that ends just at the top of the hip. It extends in this same long lean line over the hips, under the skirting and falls to the floor, with a high side slit up one side to allow you to walk. Attached to this inner dress is a dramatic skirt that is cut high at the front and curving down and slightly trained at the back. By tightly gathering the taffeta and adding a second tightly gathered, short ruffled layer underneath around the hips, she has created a form that stands away from the body and gives tremendous volume and shape. On the body it has an airy lightness and the volume of the skirts surrounds you, making you feel like you are a part of a magical fairy tale. Over this is a matching silk taffeta cape with almost monastic simplicity in its lines. It simply hooks into place at the neck with one tiny hook and falls beautifully over the shoulders. The cape flows and extends down longer at the back, picking up on the curved lines of the back skirts and extending the line downwards and back. It is magnificent. Both pieces are made by hand and both have the Gres Haute Couture label present. This is a rare opportunity to own an original Couture Gres ensemble comprised of this extraordinarily beautiful gown and matching cape. Excellent condition.

The Dress and cape are unlined with hand done seams throughout as per the parameters of Haute Couture. The dress closes with a off-set back zipper that is camouflaged along a seam. It also closes along the top of one shoulder with a series of hooks and snaps. The cape has one single hook & eye to close. Under the skirt overlay is tightly gathered ruffle of silk taffeta that gives the skirt overlay support and some extra volume. I see some very tiny marks on the bodice that are negligible but mentioned for accuracy. Note that the bust is more suited for a medium frame and the dress will work well on a smaller frame as well as the volume through the waist and hips is not meant to really hug and fit the body bit to glide over it. The dress has a very faint smell of perfume but it is not unpleasant or overwhelming. It is an extraordinary thing to see in real life.

Dress
Bust: to 18.5" flat across from side seam to side seam
Natural waist: 16" flat across from side seam to side seam
Hips at dropped seam: 20" flat across from side seam to side seam
Natural Hips: to 22" flat across from side seam to side seam
Bodice: 23" from neck to dropped seam where over skirt begins
Inner skirt: 37" from dropped seam where over skirt begins to hem
Total Length: 60" from neck to hem of inner dress, 67" to longest point of the back of the trained top skirt 
Slit: 20" from the hem up

Cape: will fit any size and is 30" in length

Modern Sizing Equivalent: SML-MED

Item# DD3227

Reference Photos: 1977 Madame Gres Dress from the Fine Arts Museum of San Francisco.  /  Cherie, Owner of Shrimpton Couture.

This garment has been professionally steamed and sold in, clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Ken Scott was an American who moved to Italy and ended up in Milan, first designing scarves for Falconetto in the 1950s and eventually opening his own ready to wear line in 1964. He was part of the print movement of the time that included designers like Emilio Pucci, Bessi and La Mendola. Each was creating their own hand done prints and designs which they then screened onto fabric to make into beautiful clothing for the jet set crowd. Scott's garments have a touch of the American sportswear movement to them mixed with that European glamor. I love whenever I find a great piece by him like this dress as it is a label that is not as common as the others are. This dress is stunning. The jersey is printed with a gorgeous mix of soft greens mixed with pops of periwinkle on the palest blue-lavender base. The skirt is long and has a slight flare below the banded waist. Depending on how the waist fits you it will either gather up the fabric above to softly drape over the waist, or as in the last full length shot I have provided here, sit in a longer, less shaped silhouette. Tye way it sits will also effect the length of the skirt. . A tie runs through the upper seam of the halter neckline and gathers the fabric in. At the back there is a small slit between the tie and where the zipper starts. This really gives it a sexy, Grecian  feel. Excellent condition

Unlined and closes with a back painted metal & nylon zipper. It also ties through the neck. The fabric does have some stretch but the waist is a fixed measurement

Bust: loose and open
Waist: 12.5" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Length: approx 59" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3228

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous little Ungaro top has a gorgeous design in the way that it wraps to close. The entire front of the top crosses over itself to button along the side seam with a series of tightly spaced buttons and loops. Inside it buttons into place to ensure that it sits perfectly. Along the edge of that cross over front, the fabric has been flat pleated to give a nice contrast to the elaborate print that covers the silk. The sleeves are cut in a modified version of the traditional 'Leg of Mutton' sleeve where the sleeve is very wide and full on the upper part of it and then tapers down as it nears the wrist. The top is made from a scarf weight silk that has a gorgeous print covering its entire surface. The body of the top is cut loose and easy as it falls from the padded shoulders. I love the high collar that is designed to stand up to frame the neck. This one came with a matching long silk tie in the same fabric that you can use around the neck like I have, or even as a belt to cinch in the waist. It's all drama and high eighties glamour. Excellent condition.

Unlined and buttons at the side and has one button inside. Each cuff zips to close. Strongly padded shoulders and matching silk tie. It would be an easy job to move the inner button to get the perfect fit as needed. The loose cut should fit a variety of sizes.

Sleeves: 22"
Shoulders: 15.5" to ends of padding which extend slightly beyond natural shoulder
Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 21" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S840

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a killer jacket with incredible lines from the Fall 2014 Isabel Marant runway. It was shown worn open in the show but it is even better closed and tied in my opinion. When worn closed you really get a sense of that incredible flaring at the hip and the tie belt gives it shape. The very bottom edge of the hip flare has an almost raw finish. The shoulders are rounded and high, with interior padding to hold that wonderful, rounded shape. Each sleeves ends in a wide flipped up cuff. It buttons at the front and the buttons are hidden under the front edges. The belt cinches the jacket's waist in. To huge front pockets are the perfect finish and each has an opening from both the top of the pocket and also from their outer sides so you can tuck your hands in if you wish. It appears to have never been worn, or worn very little. Excellent condition

Unlined and closes with the buttons down the front, Has its original tie belt. Extra button present and looks unworn. Padded shoulders. Tagged a modern 36 but cut generously

Sleeves: approx 26" but you can adjust the cuffs
Shoulders: approx 15"
Bust-lower seam above hips: to 18" flat across from side seam to side seam
Length: to 26" from neck to longest point of the front hem, 24" to back hem

Modern Sizing Equivalent: SML-MED

Item# S838

Reference photo: Isabel Marant Fall 2014 Ready-to-Wear Fashion Show, Look 10, Model: Magdalena Frackowiak

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Arnold Scaasi did exquisite work and as time passes I feel his designs are coming to be appreciated by a new audience. He apprenticed for Paquin before moving ot New York and working for Charles James. He launched a ready to wear label in 1956 but 1964 launched a couture salon and scaled back everything else to concentrate  on made-to-order. He cut and created his designs to extremely high standards and the workmanship is fabulous. This skirt is from those early days of his couture salon and is both innovative and exquisite. The fabric is wonderful. It is a cotton patchwork with multiple floral designs making up the squares. The fabric has been cut so that it is set on an angle so that you get that diamond pattern. The flowers are all stitched along their edges so the skirt has a subtle bit of a quilted texture. White lace ribbon is hand set along the lines that separate each square. It has a high set, corset feeling waist that cinches in the waistline severely and then rises above that in a beautiful curved and sculpted line. The skirt widens out as it nears the hem with soft pleats set on either hip just below the waist to help give it the volume and shape you see. It's glorious. Excellent condition.

Fully self- lined in a cream silk and hand finished. It closes with a back, hand set painted metal zipper and a series of hook & eye at the waist. The waist banding has backing to give it additional shape and support.

Hips: to 21"" flat across from side seam to side seam
Length: 40" from top of waist to hem, the front rises an additional 5"aboce the waist at the front

Modern Sizing Equivalent: XS-SML

Item# S818

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Besides its Haute Couture origins, this Emanuel Ungaro set has the added modern provenance of being worn to Madonna's birthday party in Italy by stylist B. Akerlund. It has also been photoed for creative purposes with all those reference photos included here. 

A brilliant mix of bright, primary colors have been used to create this wonderful couture skirt and top set. Both pieces are made from high quality silks that have subtly different weights and finishes to them. The top is more of a soft draped silk, while the skirt is made from a silk taffeta to give it more shape and volume. The finishes on the silk also are different and become a part of the design itself. The top has a subtle floral design woven into the silk and the skirt has dots. The top is a deep red silk cut loose and easy with billowing sleeves that button at each cuff. The front plunging keyhole is edged and highlighted with gold cord and has inset bands of silk. The green taffeta skirt has a cinched and banded waist done in a bright yellow silk. It  extends out into extra long, attached ties that are wrapped and tied around the waist. On the skirt there is an attached front panel of fabric in a play on an apron,  that has a beautiful painted scene. Perhaps inspired by Paul Gauguin? The contrast of the jeweled colors and the painted panel on the skirt give it a wonderfully couture folk art feel. Excellent condition with one small item to note below.

The skirt is backed in a white, fine silk organza and closes at the waist with a zipper and flat hook and eye at the waist. The top is unlined and slips over the head. Both pieces are completely made and finished by hand as per the standard of haute couture. The top is labeled and the skirt has the interior cross stitch that couture pieces of this time period have to indicate the front. There is an area of very slight discoloration on the back of the skirt skirt and a water mark that falls under the apron that you do not see when it is on. One small smudge on the sleeve. All photoed

Shoulders: no defined seam
Sleeves: 26"
Bust: to 22" flat across from side seam to side seam
Waist: open
Length: 25" from neck to waist

Skirt:
Waist: 12.5" flat across from side seam to side seam
Hips: open
Length: 45" from waist to hem

Modern Sizing equivalent: XS-SML

Item# DD1181

Reference photos: (1-3) Photographed for creative purposes by Nikki Ormerod, Styling: Nadia Pizzimenti, Hair & Makeup: Ashley Readings, Model: Constance from Plutino Models. (4-6) B. Akerlund and Madonna from B's instagram account.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Malcolm Starr is stunning. The fabric hits you right off - it is a beautiful metallic brocade with a slightly raised pattern in gold running over its surface that has a touch of dimension to it so you really get an amazing play on light. The color is equally unusual with its pale lime green base that has that gold shot through it so it becomes neither of those two colors but something unique unto itself. The dress is cut with a baby doll silhouette at the top and a full length maxi skirt that widens out with a wonderful sweep as it nears the floor. The waist line is high and sits just under the V of the neckline. The neckline does not plunge quite into the empire waist but could if you wished. there is currently a little extra panel of fabric there that could easily be removed if you wanted the full plunge effect. Just under that sits a jeweled gold bar and rings that attach to the piping at the waist. These are encrusted with rhinestones so add a little extra glitz and also emphasizes the cut. The sleeves are long and each is cut to pouf out slightly above the notched cuffs. Here too sits a rhinestone encrusted extra bit of bling on the button. The detail I love the most are those fabulous full length pleats that sit on other side of the hip that add length and volume to the skirt. The fact that a hidden pocket that goes right through to the other side, almost like a muff would, is just an extra bonus. Excellent condition.

Fully lined in a pale lime silk and closes with a back painted metal zipper. The front metal plate is inlaid with rhinestones and I see no missing stones. A long front pocket under the front middle panel. Rhinestone encrusted buttons at each cuff. Hand finished.

Sleeves: 24"
Shoulders: 15.5"
Bust: 19.5" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 23" flat across from side seam to side seam
Bodice: 13" from neck to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD2975

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

These little 1950s Hawaiian dresses are wonderful and are cut to give you curves. They have such a classic silhouette that they still feel fresh even after 50+ years. This one is was made by Mildreds of Hawaii, one of the several labels of this era coming out of Hawaii that catered directly to the thriving tourist market of that era. These sarong styled sun dresses were worn by Hollywood starlets and girls bought them in droves to emulate their favorite stars. I love the sarong style skirting with its attached illusion of a wrap skirt complete with a little tie of fabric that sits at the side of waist. Elastic panels run along each side of the bodice so the dress adjusts to fits you perfectly. This also makes it very comfortable to wear as it move with you. The bodice has a hand stitched, gathered detailing of fabric that curves around towards that bow at the side for a flattering line. The print is a pretty wash of colors in tropical themed shades of blue, green and sunset yellows. It is very pretty and very flattering on. Excellent condition

The dress is fully lined through the bodice in a white cotton and the skirt is unlined. Boning in the bust area and elastic panel on each side. It closes with a back painted metal zipper. Made of a soft cotton

Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 17" from top of shoulder to waist
Skirt: 24.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2789

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The La Mendola label is highly collectible and sought after. The duo behind the label met in Rome in 1960 and started their business making dresses and selling them piece by piece. In 1967 they opened a shop and women like Elizabeth Taylor and Rita Hayworth that were buying and even wait listing for pieces as they were produced. Here we have  an early piece by them that is made form a beautiful, light wool knit jersey. It is cut into a loose and easy shape that flows out from the shoulder to almost caftan proportions. The design is a beautiful mix of blues and green with pal pops of a soft lavender. It has a simple cut with an undefined waist, a scooped neckline and long bell cut sleeves. I love how it covers the body completely and how the fabric drapes and skims over your curves so it is still sexy. It is also a larger size so very wearable. It really has a lot of fabric through the skirt and in person you get more of a feel of volume when you move. You could easily  belt and cinch in the waist for more shape. The length is supermodel long at 64" from shoulder to hem. It is an amazing piece. Excellent condition

Unlined and closes at the back with a painted metal zipper. The bias cut stretch fabric and forgiving design of the dress will allow it to work on a range of sizes. I have given the measurements at a comfortable stretch lying flat but the fabric does have stretch beyond them a touch even

Sleeves: 24"
Shoulders: 16"
Bust: 24-27" flat across from side seam to side seam
Waist- hips: open
Length: 64" from neck to hem

Modern Sizing Equivalent: MED-XL

Item# DD2949

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci butterfly print is one of my favorites. He designed and drew all of these early designs and this one in particular feels like you are wearing a piece of art. The combination of print and color is wonderful and instantly recognizable as being a Pucci. The base color is a yellow-green tone. Onto that is a beautiful butterfly print done primarily in purples mixed with shots of other colors. I love the use of his signature, contrasting borders that define and anchor the waist and hem. The dress is made from a light, scarf weight silk that makes it very easy to wear and it feels lovely and light once on. It is cut in a simple column that gently flares as it nears the hem. This simple cut allows that beautiful butterfly print to shine. A wonderful example of the more sophisticated side of Pucci. Excellent condition with a small note below to review.

Fully lined in a neutral silk and closes at the back with a hand set, hidden set zipper. The fabric is signed throughout. I see two tiny storage spots on the front of the dress. These are both extremely minor. Tagged a Pucci size 8

Bust: to 16.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 56.5" from natural neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD2529

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Elinor Simmons designed for the Malcolm Starr label from the early 1960s to 1972 and you can see her handiwork in this classic Starr piece with its almost sculptural lines and elaborate bead, sequin and rhinestone work. The dress itself has a simple A-line cut with capped sleeves and a high scooped neck. The upper portion of the shoulders and sleeves are finished in a silk organza that is the same color as the more shaped silk used through the body. Onto that is absolutely beautiful hand done detailing that runs across the neck and on each sleeve. The bead work and rhinestones here really catch the light and it is quite beautiful. The bodice skims over the torso with darling little capped sleeves and a high set waist line. The skirt comes out from under the seam at the waist in a widening curve of fabric and I love the fullness of it. The silk used has a almost polished cotton finish to it but with a touch more texture. The fabric choice really holds the shape of the dress beautifully and the color is wonderful. I love that it has pockets hidden away at the inset seams that run down the front. It is really a lovely dress. Excellent condition.

Fully lined in a pale green silk and closes with a low painted back metal zipper. It is open between the zipper adn the hook at the neck It looks to have been worn very little if at all. Note that color is a little more of a 'celery' then how it photoed. The elaborate rhinestone, sequins and beads on the upper bodice are all set by hand.

Shoulders: 14.5"
Bust: 18.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 26" flat across from side seam to side seam
Bodice: 14.5" from neck to waist
Skirt: 27.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2927

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

It is always wonderful to have a true piece of Haute Couture and this Chanel suit is to absolutely beautiful. It has the added binus of being a documented piece as its near twin is held in The Met Museums collection and I would hazard to say that our version is even prettier and the buttons on ours makes it that much more special (see the final reference photo provided). The current cost of a Chanel Haute couture suit is in the tens of thousands of dollars so the investment in a vintage version is not only smart but a prudent use of your dollars.

This beautiful suit has all of its proper Chanel Haute Couture labels and numbered tapes and it has all of the hallmarks of the Chanel suit present. The chain at the inner hem, the vertically stitched inner quilt effect used during this time period and the fine, inner workmanship, all done entirely by hand. It is constructed from a classic Chanel boucle that upon close inspection is actually a mix of a green, blue, coral and purple wool. all woven and thatched together. The proprietary boucle Chanel uses gives the fabric structure and stability one way and a slight bias cut effect the other. This is what creates that perfect fit that Chanel suits have. The fabric has the movement to really sculpt to the wearer and yet retains the shape and cut at the same time. The skirt falls to just below the knee with a slight flared cut and exactly spaced pleats at the front with a more sleek shape at the back. The jacket is classic Chanel with the two low set signature pockets at the front, each highlight with a floral shaped button. These buttons that sit there, down the front and at each cuff are very special in themselves. Each is hand made and constructed by hand wrapping the wire to form the camellias that you see. The matching top is equally as beautiful with an intricate pleated front, French cuffs button with those same wonderful buttons and the silk it is made out of exactly matches the inner silk lining of the jacket. Everything about it is special to the last detail. The suit is in excellent condition and the top has some issues so please review the full condition notes below

Both the skirt and jacket are fully lined in a hand set green silk. The jacket closes with hand woven brass wire flower buttons and the skirt closes with a zipper. Both the jacket and skirt have vertical quilting seams. The jacket has a brass chain at its inner hem. The top closes at the front with hidden set buttons and is entirely hand made. Each cuff on the top has french set buttons that match the jacket. There is very minor discoloration at the inner seam under one arm of the jacket. The top shows more noticeable damage under each arm and I see some small storage spots here and there as well. The set is priced based on the jacket and skirt only. The top is being included for free so that the set is historically accurate. It could be worn if the jacket was kept on and the fabric is sound and odor free. The entire set was specialty cleaned (as is everything of course). Each piece is numbered under the Couture label in sequence 53422, 53423, 53424

Jacket
Sleeves: 22"
Shoulders: 13.5"
Bust: 18" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 23" from neck to hem

Shirt
Sleeves: 24"
Shoulders: 13"
Bust: 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 25" from neck to hem

Skirt
Waist: 12" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 28" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2928

Reference Photo: Chanel F/W 1976-77 Suit, The MET Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

What a chic and pretty spring coat by the Lee Parker Originals label. The bright lime green color is fantastic and the cut is really special. It is like an instant pop of spring. It is cut on a pretty A-line swing that widens out from the more fitted shoulder and bust. The collar is kept neat and simple while little round green buttons adorn the front from the neck to the waist for a pretty finish. Under that row of buttons the coat has no closures and that helps to give it the lovely movement it has once one. The entire lower portion of the coat is set in wide pleats and these give it the prettiest look. It is just darling. Excellent condition

Fully lined in a green silky rayon and buttons to close at the front from the waist seam to the neck. No pockets along the front seams. Note that any yellow tone you see in the photos is just the light - it is slightly more a pastel lime then shown in real life and the color is entirely even. It is open though the waist but smaller fitting through the shoulders

Sleeves: 22"
Shoulders: 15"
Bust: 19.5" flat across from side seam to side seam
Waist: 19.5" flat across from side seam to side seam
Hips: open
Bodice: 11.5" from neck to waist
Skirt: 24.5" from waist to hem

Modern Sizing Equivalent: XS-SML, maybe a medium if you are narrow through the shoulders

Item# C462

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Antony Price launched his self-named label in 1979 and quickly became know as one of the more glamorous designer of the eighties. His work tended to have a mix of femininity, high glamour and edginess. His designs showed off the body and often had dramatic, over-the-top finishing touches. You see an example of that on this dress from his Fall 1989 collection with its two large bow details that sit on the back of each draped shoulder. On the runway they were stiffened to heighten their drama but for retail the bows are softer and drape beautifully. The front of the bodice is cut low and wide across the neck. From there the velvet curves around the shoulder and and each shoulder is tied into a bow of matching velvet. You can wear these at the top of the shoulder, have them pushed down to drape and fall towards the back and have them act as a weight and show more skin there. Or, you can choose to not wear them at all for a more traditional feeling line. The back edge of the neckline is finished in elastic so it sits properly no matter where you decide to place the bows. The fabric is a deep bottle green cotton velvet whose color seems to be illuminated from within. The waist nips in and the skirt is cut to be slim and fitted. It is hard to really show off this dress on a mannequin to its full advantage but on a proper girl it is even more spectacular. Excellent condition.

Fully lined in a black silky rayon and closes with a back metal and nylon zipper. Appears unworn. Note that the provided reference photos are taken from the runway footage. Apologies for their low quality. You can see the dress in the video at about the 14:00 mark

Bust: 18-19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 11.5" from top of middle back to waist
Skirt: 24" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2706

Reference Photos: Stills from the video of the Antony Price A/W 1989 Runway Show.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.