The 1940s feel to this dress is distinctive and it was this feature that allowed me to find the date of the collection. We tracked down a photo of Karl with a model in 1974 wearing a dress from that years collection that has that same 1940s feel to it that as we see on this example. The date also matches what I was told about the purchase date by the original owner. It is these collections during the years between 1969 and 1975 that we still see heavily influence the modern bohemian feel of Chloe today. Examples of his work during this time period are held in museums around the world and are rare finds.

At first glance you would think this is a dress straight off the 1940s runway. It has that same cut and feel and even the silk used has that feel of the early crepe silks. You can see the more modern touches (for 1974 that is) with the black lace that edges the sleeves and finishes the hemline. In person it is even better then how it photoed as you can really get lost in that gorgeous print of dragonflies, flowers and butterflies that cover the entire surface. The cut is classic forties in feel with a loose and easy fitting bodice whose cap sleeves are en extension of the fabric used for the bodice itself. So there are no seams there to break the line or disrupt the pattern. The skirt under that falls just past the knee and is also cut to be loose and easy. At the hips on either side sit bows that combine a matching printed fabric with a coral silk that add detail and a touch of volume there. The dress is made from a  fine black silk that has  that wonderful design screened over it surface in a way that give it the appearance that it was hand painted. It came with its matching fabric tie that you can use to cinch in the waist or tie around the neck. Excellent condition

Unlined and closes with a back, hidden set  painted metal& nylon zipper. Has its matching tie belt. Hand finishes throughout

Bust: to 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to waist
Skirt: 30.5" from waist to hem
Tie: 45" x 2.5"

Modern Sizing Equivalent: XS-SML

Item# DD3050

Reference Photo: Karl Lagerfeld and a model for Chloé Spring/Summer 1974 Fashion Show.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This really spectacular piece by Pauline Trigere that is one of her best documented pieces. It was photoed for Vogue in 1966 by Henry Clark while on location in Turkey. The fashion details in that issue described this piece: "High waisted drift of sun printed chiffon with a toga-scarf, and its own little body stocking to wear underneath. By Trigere of Staron silk". This editorial is instantly recognizable and it is a pleasure to have this piece in the shop. 

When you look at the photos from Vogue at first glance, especially the published one, you think this is a dress. However it is actually an extremely wide cut legged jumpsuit. It is also surprising in how it is constructed - it seems to lie half way between a dress and a half jumpsuit. Looking at the photos again the model appears to be wearing a nude halter underneath in the shots. There is a built in body suit inside and you can see that on the mannequin it is sitting too low. If you are short through the body it might come up just to, or over your bust line, otherwise you would wear it as a high waisted full pant. A long panel of fabric is attached at the front. This can be swooped up and over one shoulder. Again, referring to the shoot photos you can see that this is what they did. It  is constructed from layers of a printed silk chiffon that combine pink, pale mint and tangerine The silk used is almost weightless. It flows to the floor and when on you can barely tell that it is indeed pants as they are so wide and full. The front panel extends down past the hem and I have just scooped it up and over one shoulder. It is a very unusual design and will take some styling but it is a rare and historically documented piece. I purchased this years ago I and was told it came from a models closet so suspect that it might just be the actual piece used in this shoot. It is very beautiful. Excellent condition with one small note below.

Has an attached crepe bodysuit in a nude color. This zips up the back with a painted metal zipper. The silk over this snaps in place to close. Hand finished. Has a hand numbered tag inside #159. Slight wear to the fabric on the inside band of the waist where it hooks to close. 

Top band of waist/Underbust: to 14" flat across from side seam to side seam
Hips of inner body suit: 19.5" flat across from side seam to side seam
Length of inner suit: 23.5" from top of band to inner seams
Pant length: 45" from top of band to hem with a 4.5" turned up interior hem
The front attached fabric panel is 56" long from where it is inset to the hem

Modern Sizing Equivalent: XS-MED depending on how how you wear it

Item# DD2996

(1) Editha Dussler in Pauline Trigere, from the editorial Eastward to Eden, Vogue, December 1966. Shot by Henry Clarke. (2) Outtake from that same shoot.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love this full circle skirt by Yves Saint Laurent with its strong nod back to the 1950s in feel. It is made out of a crisp cotton that has been printed with a wonderfully bright, abstract tangerine design that covers the entire skirt from waist to hem. It cinches in with a fitted waist and below that the skirt is a full circle skirt. I styled it both over a light crinoline and without. There is enough room that you could actually do a very full crinoline under it if you really wanted that true fifties look. The pretty print and options on how full you can wear the skirt depending on what goes underneath make it very versatile and you will be able to dress it up or wear it casually. Excellent condition

Unlined with a side zipper and flat hook and eyes at the waist. A pocket sits along the seam beside the zipper side. Tagged a vintage YSL 34. Appears unworn. A touch more vibrant tangerine orange then how it photoed. Better in person.

Waist: 12" flat across from side seam to side seam
Hips: open
Length: 32" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# S815

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is such a pretty skirt that is made out of a fine light weight silk. The print that covers the silk is large, oversized tropical flowers in a muted coral that  are scattered over its surface. Pale green leaves and vines intertwine between the flowers and the backdrop is a yellow with a green undertone. The waist band is fitted and the cut widens out as it nears the hem. In person the fabric has a slight iridescent quality to it that is very pretty. The hem is finished with a wide 14" ruffle that gives it a little bit of drama and a feminine feel. Really pretty and chic. Excellent condition.

Fully interlined in a white silk though the upper skirt and the ruffle is backed in a pale yellow silk. It closes with three hook & eye at the waist and a zipper.

Waist: 14.5" flat across from side seam to side seam
Hips: open to 26" flat across from side seam to side seam
Length: 44" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S814

Reference Photos: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A similar dress in yellow was photoed in 1965 and the dress with its beautiful, almost iridescent peach is even prettier in my opinion. Marc Bohan was only a couple of years into his tenure as head of Dior and the 1965 collection was a study in line and cut. He designed a gown called the "Eloise" that year that has a similar cut and apron technique used in the skirt, it is the obvious that this dress is descended from that. I have included photos of both dresses as reference.

The first thing about this dress that you are drawn to is the color. It is an amazing shade of peach and the camera does not quite capture the slightly iridescent quality that the silk adds to its impact. In person it is gorgeous and the color is richer and has more depth. The dress is immaculately constructed. For example, the edge of each inner seam is painstakingly wrapped in a thin banding of silk chiffon. The work to do this with such a finicky fabric would have taken hours to complete just this one detail and it is a detail that is unseen. The dress has a almost sculptural feel to its shape. The bodice is sleeveless and has a softly scooped neck. It is cut and fitted to skim over the body by perfectly placed seaming. The skirt is deceptive as it appears to be a simple cut but it is actually constructed in layers.  There is an inner fitted skirt that has two slit pockets that sit on each hip. Over this inner layer are two attached panels, one that sits over the front of the skirt and the other that sits over the back. The best way to describe it is like an attached apron that leaves the sides open on either side to see the inner skirt. It is exquisite. Excellent condition with a note to review below concerning the inner lining.

The dress is fully lined in a white silk chiffon on both the inner dress and under the skirt overlays. The inner silk bodice is lined in a silk crepe. It closes at the back with a painted metal, hand set zipper. There is a second hand set metal zipper that closes the inner waist and bodice. Hook and eye are hidden to close the band set at the waist. All the edges of the inner seams are finished with a silk chiffon edging. Some of the inner lining is splitting horizontally here and there as the fabric used was so fine and delicate. I have chose to leave it as found rather then having it removed. It is all original and is stable and wearable as is and of course you do not see the lining when it is on. It appears to have not been worn or worn very little otherwise. The label is numbered denoting its demi-couture status.

Bust: 18.5" flat across the back from side seam to side seam
Waist: 14" flat across the back from side seam to side seam
Hips: 19.5" flat across the back from side seam to side seam
Bodice: 16" from shoulder to waist
Skirt: 26" from waist to to bottom hem

Modern Sizing equivalent: SML-MED

Item# DD953

Reference photo: (1) Marc Bohan for Christian Dior, 1965.  /  (2-3) from the book Dior, Marc Bohan 1961-1989 by Assouline.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

Made from a beautifully printed fluid, nylon jersey, this dress drapes and moves wonderfully It is one of those dresses that are very easy to travel with as it is virtually wrinkle free. It is the kind of piece you can throw into a suitcase and be able to wear right away and also has the added benefit of being able to be hand washed. It works from day to night depending on how you style it and what shoes you wear. The black base is the perfect backdrop for the orange print that runs over the dress. If you look closely you realize that the print is actually a combination of stylized dragons and birds. The bust slightly cross over itself at the front and the shoulders can be opened so that they fan out over each shoulder as I have photoed it, or you can bunch the fabric to sit more on the top so it feels more sleeveless. Both the front and back are set into low Vs. The skirt flares to the floor in a gentle sweep of jersey. I love how the print accents the line of the dress to full advantage. The Mac Tac label was produced by a parent company called Leonard Sunshine and in terms of print and quality it is right up there with Leonard  or Pucci pieces in my book. Excellent condition.

Unlined, slips on to wear with a flat elastic through the waist. The fabric has some stretch. Appears to have been worn very little if at all. The fabric does have stretch. Tagged a vintage 8

Bust: 15-17" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 18-23" flat across from side seam to side seam
Bodice: approx 17" from top of bodice to slightly dropped waist
Skirt: 40" from slightly dropped waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2952

Reference photo: from @laurakitty's instagram featuring Susan Smith, Heloise and Anne Holbrook for Mac Tac, 1976.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was designed when Youssef Rizkallah headed the company so would have been made between the years of 1969 and 1975. The years that Youssef headed the line are among some of my favorites and in particular his pieces that utilize quilting and patchwork are truly iconic. Rizkallah was born in Egypt and studied at the Ecole de dessin appliqué and the Ecole des arts decoratifs in Paris. The fabric used is unusual in that it feels like a light wool. It is not a fabric that you see a lot of for this line but it holds the shape and color beautifully. The bodice skims over the torso with darling little capped sleeves that are each finished with a little bow. The  waist line is defined with a seam and set a little higher then the natural waist for just a hint of an empire feel. The neck is scooped and the pattern places on the bodice to highlight the shape and curve of the dress. The skirt cascades to the floor in a widening swath of fabric and the combination of fabric and the quilting detail helps to give it the shape that you see. A decorative row of buttons runs down the front for added detailing. The colors used are wonderful and the dress has a glamorous and exotic feel. I love that it has pockets hidden away along the seams of the skirt. It is really a lovely dress. Excellent condition.

Fully lined in a purple silky rayon through the bodice and self-backed through the skirt. It closes with a painted back metal zipper. The buttons down the front are decorative only. I see a tiny bit of discoloration on the interior lining of the bodice but the exterior is pristine.

Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2947

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

James Galanos was a genius at manipulating the finest of silks and when one finds such an exemplary example of his work like this it is a true joy. You can see the similarities to the dress in that famous Gordon Parks photo of Gloria Vanderbilt. In it she wears a version of a similar dress with the same treatment to the hem.

The construction on this particular Galanos dress is divine. It is made up of layers of a pretty peach colored silk chiffon anchored by a wide panel of a soft taupe anchoring the bottom hem. The silk is as light as a feather and is a difficult fabric to work with under any circumstance but Galanos took it a step further and made the entire dress into an intricate pleated construction. The silk is cut it on the bias and then it was knife pleated in long vertical lines. Even the wide cut, full sleeves have been pleated in this manner. This pleating technique give the dress an incredible movement and overall texture. The top is cut to sit loose and easy with an elastic finish at the waist. It can be worn on its own or with the wide ribbed leather belt that came with it. The skirt swirls out below that to the floor and Very feminine and very pretty. Excellent condition.

Fully lined in the same peach colored silk chiffon and closes with a two separate painted metal zippers at the back. The first closes the interior lining and the second is hidden under the pleats to close the outer layer. Each cuff has elastic. Hand finishes throughout and made to demi-couture standards. The belt shows minor wear - light scuffing here and there but is otherwise in excellent condition. I see two tiny smudges on the back shoulder mentioned for accuracy. The color has more of a pop and brightness to it in a person and the taupe panel is a softer shade in person. The photos do not do this amazing piece justice at all

Sleeves: 24"
Shoulders: 13.5"
Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Inner lining at hips: 19" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 39" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2431

Reference Photos: (1) Vulkan Magazine, March 29 2016. (Photographer/Art Director: Michael Kai Young.  Fashion Director: Georgia Groom.  Hair & Makeup: Robert Weir @ Judy Inc.  Models: Erin Forster @ Elmer Olsen/Andrew Podolio @ Elite Toronto/Want Management.) / (2) Outtake from the same shoot.  /  Gloria Vanderbilt in James Galanos, 1961, by Gordon Parks.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Earlier this week I listed a Bill Tice that I own the twin of and I have to confess that I also own a twin of this one. I wear it endlessly - most often without the jacket. It is super sexy with that low demi-cup halter bodice and little bare keyhole just under the center front. The straps are tiny and curve up and around your shoulders and its cut so it feel like the back sits slightly off the body. It is made of a peach jersey that is meant to mimic a silk. It feels amazing on and has the added bonus of traveling very well. It is the kind of set you can throw into your suit case and slip on with either flats or heels when you reach some far off destination and be perfectly ready to go. The inner dress is long and slim with pleats running down its length and a pretty print that slowly turn more of a pale green as it nears the hem. The jacket has that same print treatment and just slips on ans ties at the neck. There is a high slit up one leg of the dress that shows when you walk or sit. I love the flat piping detail that runs across the bust. Excellent condition.

Unlined and both pieces slip on. Ties at the top of the neck of the jacket. The easy fit allows it work on a variety of sizes as long as the bust fits.

Jacket
Sleeves: 24.5"
Shoulders: 12.5"
Bust: open
Waist: open
Length: 19.5" from neck to hem

Dress
Bust: 16-18" flat across from side seam to side seam
Waist: open
Hips: open
Length: 55" from shoulder strap to hem

Modern Sizing Equivalent: XS-MED

Item# DD2941

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gown is made from a polished cotton which is an unusual choice for an evening piece. That, combined with the amount of details put into it, gives it a very special feel and I adore it. The fabric is very pretty with a floral palette that is made up of a combination of pink and coral flowers on an abstract taupe and white backdrop. The pattern is done to give it the feeling of a watercolor and this pretty effect just adds to its allure. The skirt is very full and cut so that it sits slightly longer and fuller at the back. Extra fabric is gathered just under the mid-back to give it that pretty fullness. Under the skirt is an attached crinoline made of a yellow, ruffle edged tulle for fullness and the skirt itself is lined with dressmakers paper so that it holds and keeps its shape. At the front there are angled, flat pleats that are set to work in and up towards the center waist so that you get shape without bulk. To highlight the waist there is a wide mustard colored silk satin sash that wraps around the waist. At the back, this sash is set in a large half bow and then the ends trails almost to the floor in two wide panels. The bust is suspended from the shoulders with teeny straps that curve down and into the low back. It is finished internally with boning for added structure. It is elaborately finished with curving trails of sequins, prong set rhinestones and the most amazing 3D floral appliques made of the same floral fabric. It is wonderful and with all those 1950s details that makes pieces from this time period so very special. Excellent condition.

The skirt and waist are backed with dressmakers paper. The bodice has an additional partial lining of a cream silky rayon and is boned. There is an inner attached tulle net skirt that ties to close behind the zipper at the waist. The bow is attached and hooks and snaps into place. It closes with a back painted metal zipper. It appears to have been worn very little if at all.

Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 12" from shoulder to slight empire waist
Skirt: 42" from slight empire waist to front hem, 53" to back hem

Modern Sizing Equivalent: SML-MED

Item# E497

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Liza Bruce started designing high end Swimwear in 1982 and she was known for her use of Lycra which made her suits cling to the body. She used as little seaming as possible in her suits and structured her suits to emphasize a girls curves while narrowing the body. This version is a fabulous coral and orange and is actually made up of two separate pieces that are worn layered over each other. I have put the coral layer over the orange one and probably even wear them over other pieces you already own. This is the best of eighties swimwear and still feels modern now. Excellent condition 

Tagged a SML and the fabric has stretch so should fit an XS-MED

Item# S794

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had the twin of this in the shop before but the first was a little smaller then this one is. It is from earlier in his career and I love the statement making combination of that classic 1960s orange and yellow color palette with the starkness of the black. The top part of the jumpsuit is cut like a little button down shirt with pointed, notched collar and short sleeves. The print is set in the highlight the cut. A row of black, decorative buttons trails down the front and I love how the pattern is used to create the illusion of 'cuffs' on each sleeve. The bottom is a pant that has wide panels of fabric wrapped over each wide cut leg so that depending on how you stand it appears to be a full length skirt. Each outer side of each leg has a sexy slit that is cut to just past the knee for a little flash of skin Excellent condition.

Fully lined in a black silky cotton mix and closes with a hand set, back painted zipper. The buttons at the front are decorative only.

Shoulders: 16"
Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from neck to waist
Skirt: 43" from waist to hem
Inseam: 30"

Modern Sizing Equivalent: SML-MED

Item# DD2822

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous dress is by Bob Mackie and from his main line which can be considered as demi-couture. He Mackie is best known for dressing Cher. His work showcases his love of over-the-top opulence and often showcase extensive bead work and applique work. He worked for both Edith Head and Jean Louis before starting his own label. This early entry into costume design and the glamor of Hollywood continued to influence his work through his career. His designs are always extravagant and glamorous in the best possible way. Here we have a piece from the 1980s and it has that opulent feel in spades. The gown in made in delicious shades of metallic golds through the bodice mixed with a pastel coral based metallic silk for the skirt. The bust is strapless and has a gold cord embroidered "lace" applique that covers it all the way around. This is layered over the same silk the skirt is made up of. Scattered over this are gold and clear crystals that catch the light when you move. The skirt is fabulous and the silk is a nod to Fortuny in the pleating treatment. The silk here has a lame feel to it and seems to glow. The underskirt is a gold silk taffeta and there is a lot of fabric there so it really has fullness and movement when you move. The bodice is very structured and molded. It feels like couture once on. Extremely well made. Excellent condition with two small condition notes to review below.

Fully lined in a muted gold silk though the bodice and the silk taffeta underskirt is interlined in a silk organza. The bodice has a built in, molded bra and boned corset built in under the lining. There is also an inner waist stay. It closes with a back painted zipper. Hand finished throughout. There is a small repair to the silk near the hem at the front and another near the base of the zipper. The pleating treatment to the silk effectively hides these when on but mentioned for accuracy and I have photoed both.

Bust: 17.5-8" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam and the inner waist stay hooks to fit a either a 26-27" waist, if you need the full 28" you can leave the stay undone or remove it
Hips: open
Bodice: 9.5" from top of bodice to true inner waist
Skirt: 43.5" from true inner waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2814

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This little beautiful Suzy Perette dress is made of a beautiful light weight fabric with a floral pattern in an array of citrus hues. I have not found a really great Perette dress in ages and am so pleased to have such a fine example of her work in the shop today. There never was an actual "Suzy" behind the label but the company that created the line relied heavily on the designs coming out of Paris and the interpretations of the Couture looks, in particular Dior's "New Look", were spot on. This gorgeous little dress dates from the 1950s and has such pretty colors and pretty lines that you can't help but swoon at the sight of it. The top is a simple sleeveless affair with a wide boat neck cut. It is seamed to hug the body and then this flares out and tops a full skirt that has lots of fabric in it and could be worn over a crinoline if you wanted it even fuller. The entire skirt is made from a series of perfectly spaced, crisp knife pleats so it has a lot of movement. The original, matching fabric belt cinches in the waist even more and I love the large flat belt that adorns the belt. The colors are lovely, the cotton voile fabric of very good quality and the lines and cut are wonderful. Excellent condition

Fully lined with a white muslin and closes with a back painted metal zipper. The belt is in excellent shape as well.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist
Skirt: 26.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2810

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Chiffon layers edged in prong set rhinestones give this pretty, pastel coral dress a light as a feather feel. The bodice curves over the bust and the chiffon is set in vertical pleats for detail. The neckline and high waist are banded and detailed with a scattering of [prong set rhinestones. The skirt swoops to the floor from there and there is actually quite a bit of fabric that has been used in its construction but because it is cut on the bias it feels more like a column when the wearer is standing still and only displays its wonderful fullness once you move or twirl. Over the chiffon of the skirt is a angled panel that balance the one shoulder bodice and this panel is also detailed with rhinestones along its edge. The shoulder from which the entire dress suspends is topped by a dramatic bow made of the same fabric and it is placed there and secured by a final double row of rhinestones. So pretty and romantic. Excellent condition.

Fully lined in a matching silky rayon. It closes with a painted metal and nylon side zipper. It is unlabeled but did have one - you can see the outline of it where it was cut out unfortunately. In person it is a touch more towards the pastel hue of this coral then how it photoed.

Bust: 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to bottom of the band at waist
Skirt: 43" from bottom of the band at waist to hem

Modern Sizing Equivalent: XS-SML

Item# E632

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had this Frank Usher tucked away for a long time because it is so amazing it was hard to let go. If it does not sell quickly it might just disappear back into my archives so count yourself forewarned. It is really amazing. It drapes to the floor in a slinky column of jersey that is gathered all along the center front. This makes it so forgiving on the body and flattering. The fabric choice really drapes and moves wonderfully. It's a definite statement maker with that brilliant orange-coral color and has a Grecian goddess feel to it. It is cut on the bias so falls and drapes to follow your every curve. The skirt is long and lean and glides into the halter top that wraps around the neck. You can cross the ties over themselves or wear it with more of a V at the neck. Those ties are miles long and fall almost to the hem at the back which gives the back its own drama. Add to that a low scooped back that leave your back bare and it is a knock-out. The fabric is almost a swimsuit jersey so is washable, travels exceptionally well and won't wrinkle. I love it. It's all old Hollywood meets Madame Gres meets an ancient Grecian goddess and it is fabulous. Excellent condition

Made from a double layer of the jersey. It slips on the wear with a low back zipper and an enclosed elastic that wraps around the waist and hooks. The halter ties at the back of the neck. Tagged a vintage UK38/US12. The fabric has stretch so it will fit a range of sizes. I have given the comfortable range of stretch when measured flat below.

Bust: variable since it has no true side seams and has stretch
Waist: 13.5-15.5" flat across from side seam to side seam
Inner layer hips: 18-23" flat across from side seam to side seam
Length: somewhat adjustable but approx 56-58" from neck to hem it will vary a little depending on how you tie it at the neck

Modern Sizing Equivalent: SML-LRG

Item# DD2774

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful silk chiffon jumpsuit by the American couturier James Galanos and really showcases just how great he was at working with fine, light silk chiffon. Galanos was known as the designer that could rival the French in terms of construction and design. He launched his atelier in 1951 and though he was never a designer whose label was formally made a true Haute Couture atelier, he certainly produced clothing with many of the hallmarks that define couture, thus giving him the status as being known as one of the "American Couturiers". I consider mos of his pieces demi-couture for that very reason. I love the coral and taupe print that completely covers the jumpsuit and its contrasting coral-red lining that peeks out at the cuffs and those fantastic cut legs. The silk chiffon fabric that he chose to use is wonderful and the lightness and airy feeling it creates is the perfect balance to the bold print. It moves beautifully once on and really gives the otherwise tailored jumpsuit a sensual and luxurious feel. The top is cut with a simple scoop neckline and long sleeves that each end in a double ruffle of silk. The waist is nipped in and you could add a belt to create even more shape. The pants are amazing. Each is cut wide and full so that if you are standing still it appears that you are wearing a maxi skirt. When you move you realize that each is slit almost the the top of the thigh and the fabric wraps over. Standing they look solid, but when you move they give a flash of skin. They, like the ruffle on the cuffs are lined in a second layer of red so that contrast is there as well. It is fabulous. Excellent condition.

Fully lined  in a red silk chiffon and hand finished edges. The top buttons to close at the back and with a zipper under that below the waist. Appears unworn. Also after photoing this I feel like perhaps the buttons could also be worn at the front. I think you can wear it either way making it that much more versatile.

Sleeves: 26.5"
Shoulders: 16"
Bust: 20.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 19.5" from neck to waist
Skirt: 44" from waist to hem
Inseam: 36"

Modern Sizing Equivalent: MED-LRG

Item# DD2759

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exceptional Mollie Parnis dress was showcased on Beverly Johnson for Vogue in 1973 and I am very pleased to have it in the shop. It is cut to follow and skim over the body with a beautiful one shoulder silhouette. I especially love the strong coral red that dress is done in. It is the kind of color that flatters many skin tones and makes a strong statement despite the simple lines. The dress cascades from that single shoulder in a swooping column of fabric. The shoulder that is present is cut wide to slight sit over the cap of your shoulder while the other side is left bare. It zips up at the side of the inner column dress but there is a layer of jersey that sits over this that is caught up under the arm and set slight towards the back so you have a little extra detail there and the fabric falls in soft drapes. This setting of the closure more toward the back also allowed the dip that is created to be set even lower then it could have been if it was set under the arm like usual and this gives you a sexy expanse of skin. It is truly a gorgeous piece. Excellent condition.

All the layers are made of the same jersey with the inner dress made of a double layer of it and the outer exterior layer draping over that. The inner dress closes with a painted metal zipper. and the outer layer closes with hook & eye. I see a couple of teeny pinholes near the hem but nothing detracts and the fabric is strong and stable. Hand rolled edge. The fabric does have some stretch

Bust: 15-18" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Bodice: to 60" from top of shoulder to hem but will come up some as its bias cut

Modern Sizing Equivalent: SML-MED

Item# DD2708

Reference Photo: Beverley Johnson in Mollie Parnis for Vogue, December 1973. Photographed by Kourken Pakchanian.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous little runway piece from Altuzarra is not a vintage piece yet, but with the star power of a girl like Rihanna wearing a version of the same print it will definitely be on the collector wish list of the future. It was look 28 from the Spring 2015 show and the production on it was limited so not a dress you saw everywhere and a little harder to find then most. Vogue.com's review of the show noted "His spring collection was focused, realistic, sensitive, and, in its final passages, romantically beautiful in a way he’s never quite attempted before." This version stays true to what walked the runway and is so pretty and romantic. Made of a light scarf weight silk it simply slip over the head and buttons and ties in place. Literally a take on the nineties slip dress it is as light as wearing its lingerie counterpart. Ties sit at each shoulder to adjust the fit and the back scoops ultra low and closes with a combination of ties and pearl buttons at the base of that bare expanse of skin. I love the bands of crossed threads that piece the sections together and glimpse of skin this allows to show through. It is really a gorgeous dress that still has a lovely vintage feel. Excellent condition.

Unlined and closes with ties and buttons as described above. Slips over the head. Tagged a modern size 40IT but with a generous cut. Please check the measurements below or know your size in this label.

Bust: 17.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 43.5" from shoulder strap to hem

Modern Sizing Equivalent: SML-MED

Item# DD2599

Reference Photos: S/S 2015 Altuzarra, Look 28 (vogue.com)  /  Rihanna (with Kim Kardashian West) at the Roc Nation Pre-GRAMMY Brunch 2015.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Vogue Runway's said of this show: .".... in sharp contrast to the austerity of her Fall show, this one had pretty draped-back dresses in camel color-blocked with pastels; cheeky scarf-print bikini briefs with ties at the hips, worn with neon-bright button-downs; and eye candy in the form of little duffel bags in colorful florals that matched the models' ankle-tie sandals. The bow was a recurring motif, appearing at the neckline and elbows of an asymmetrically draped black top, at the hem of narrow underskirts, and at the back of float-y, vaguely 1920's-ish wallpaper-print dresses. The cumulative effect was appealingly unstudied. Call it Prada's antidote for trying fashion times."

This is a fantastic little dress that is similar to the other I have listed but with a different, more form fitting cut. Both are covered with one of the prettiest prints from Prada that I have seen. Again this one is slightly different version from Look #25 that walked runway, but it is done in the same colorway and the cut of this dress is the most form fitting of all. Prada often delivers to stores several versions of the runway dress and I often think that the after versions are better as they have the added benefit of feedback from the buyers. The dress is constructed from a gorgeous, feather light cotton voile, whose slight transparency give the dress a layer of texture and depth over the inner white silk lining. The bodice is kept simple with a scooped neck and no sleeves. The waist nips in and the skirt has a long fitted pencil cut detailed with a white panel worked into the print at the back. This makes it very flattering and gives the wearer a beautiful long, lean line. It is beautifully cut and constructed. A wonderful little frock that you can just slip on and instantly feel pretty in. Excellent condition

Fully lined in white silk and closes with a hidden set side zipper and grosgrain ribbon ties at the back of the neck. Tagged a Prada 42. Please know your size in Prada and check the measurements given as Prada runs small.

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Bodice: 15.5" from neck to waist
Skirt: 25.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2528

Reference runway photo: VogueRunway.com, Model: Julia Hafstrom

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.