This is just an amazing piece of art-to-wear. Hand made in Mexico in the late sixties, maybe early seventies, this is the epitome of hippie chic and is very easy to wear. The design is based on a classic caftan with wide cut sleeves and a body that widens as it nears the hem.  It is made of a  light, raw feeling cotton with a linen like finish. The base color is a orange that is striped in different hues and over that are sewn different color ribbons that run down the length of the dress. with an explosion of color and movement with those strands of multi-colored ribbon applied to the front. These are hand sewn into place, as are the little rounded corner squares of fabric that are scattered over the caftan. Each of those are done is different color stripes and each has some whimsical little bug, or plant hand embroidered in its center. It is wonderful. Excellent condition.

Unlined and slips over the head to wear. The cut will allow for a variety of sizes to wear it.

Sleeves: 14"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 20" flat across from side seam to side seam
Hips: 24" flat across from side seam to side seam
Length: 55" from natural neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD2828

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This collection was inspired by Zandra's trip to China. She came back with sketchbooks filled from her travels there and was particularly struck by "the trellises and fretwork used by the Chinese, framing everything, making squares, bordering each simple visual plane." This became the foundation for her 'Chinese Square" print that we see here on this dress. In between the angular print is her signature 'scribble heads' that appeared in several earlier collections. The overdress part of this piece appears on page 158 of the book 'The Art of Zandra Rhodes with her catalogue identification of 79/89.

The dress is made from a fine silk chiffon with a high rounded neckline that self ties at the back. The elbow length sleeves are constructed from squares of the Chinese Squares print and each is edged with beads, as is the the edging of the skirt and hip panels. The bodice is lined in a silk, whereas the skirt is constructed so that the silk chiffon panel at both the back and front lay over an interior, almost apron like, over a red jersey skirt in a matching red. Everything is attached at the elastic waist so that it just simply slips on. Beading on the shoulder at the front is the final perfect finish. A remarkable piece from one of her key collections. Excellent condition

The dress is done in the strong red that she used throughout this collection and it is a truer brighter red than how it photoed here. It slips on the wear with an elastic waist and a tie at the back neck. Hand beaded and hand rolled hem. There are a couple of areas were the beads the edge the panels of the over skirt are missing or have lost their coating, but none so bad that you would notice unless specifically hunting for it.

Sleeves: 14" approx.
Shoulders: no defined seam
Bust: 18" flat across from side seam to side seam
Elastic waist: 11-15" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Bodice: 14" from neck to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2826

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a few variations of these caftans landing in the shop. All came from a woman who traveled extensively and spent a lot of time in Morocco during the late 1970s and she apparently wore these there. She had these caftans custom made in a variety of color and fabric combinations. Each is the same loose and easy shape and all are made out of what feels like a silk and linen mix fabric that has just a touch of transparency to it, They are so chic and the perfect topper to just about anything. They move and billow with the slightest bit of movement and are so flattering on. The trim is a flat embroidered panel done in silver thread. It is set on a stiffening back panel that keeps the shape and gives it a slight feel of structure. It also keeps it sitting on your shoulders. The edges are finished with a silver piping. These are almost identical in shape to the iconic Thea Porter's Abaya caftan and you can see this may have been where her inspiration was drawn from. The color of this one is the perfect inky black that will go with anything. Excellent condition

Unlined and has no true closures. There is a bit of a braided cord at the center front that you could use to tie it if you wished.

Width: 63" side to side
Length: 62" top to bottom

Modern Sizing Equivalent: OSFA

Item# C446

Reference Photo: Cherie, Owner of Shrimpton Couture, wearing the black and gold version of this caftan (click here to see). Photo by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a few variations of these caftans landing in the shop. All came from a woman who traveled extensively and spent a lot of time in Morocco during the late 1970s and she apparently wore these there. She had these caftans custom made in a variety of color and fabric combinations. Each is the same loose and easy shape and all are made out of what feels like a silk and linen mix fabric that has just a touch of transparency to it, They are so chic and the perfect topper to just about anything. They move and billow with the slightest bit of movement and are so flattering on. The trim is a flat embroidered panel done in gold thread with just a hint of silver in the design here and there. It is set on a stiffening back panel that keeps the shape and gives it a slight feel of structure. It also keeps it sitting on your shoulders. The edges are finished with a gold piping. These are almost identical to the iconic Thea Porter's Abaya caftan and you can see this may have been where her inspiration was drawn from. The color of this one is the perfect inky black that will go with anything. Excellent condition

Unlined and has no true closures. There is a bit of a braided cord at the center front that you could use to tie it if you wished.

Width: 63" side to side
Length: 61" top to bottom

Modern Sizing Equivalent: OSFA

Item# C447

Reference Photo: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Annacat is a label that is very hard to find and rare. When you do find one and it is as sexy and delicious as this one is you really feel like celebrating. In its day, Annacat pieces were often featured in editorials for Vogue UK and Harper's. The label was a heavy favorite of the fashion insiders at the time and worn by the "it girls" and rock stars of the day. This full length maxi dress is an amazing example of the best of what they were producing and why there were wait lists to get your hands on their dresses back then. The bodice is gathered along the center halter piece that ties up and around the back of the neck. Then, each side of the bodice extends into a long fabric tie that you wrap and tie around the waist or tie at the back and leave trailing down. This design leaves the back completely open and bare so it is insanely sexy. The waist nips in with the front halter extending into a wide panel right down the front - it almost acts like a huge pendant or neck piece. The skirt has yards and yards of fabric and it moves wonderfully as it is all cut on the bias. It is made of a cotton fabric that is wash and wear and I love the pretty floral pattern that covers the surface. It is a very rare and very fabulous vintage piece that still feels shockingly modern and sexy. Excellent condition.

Unlined and closes with a back painted metal zipper at the back waist. The front extends on either side and ties in the back and then the halter buttons at the back of the neck. Also if you love this one you may want to see this one as well - its the twin in cut but made of silk.

Bust: variable as it ties
Waist: 12.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 15" from neck to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2824

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The label on this dress instantly gives us a date of between 1970-1974. 1970 was the year Janice Wainwright launched her own label and after 1974 her labels only carry her name, not the full ‘Janice Wainwright at Forty Seven Poland Street,’ that we see here. These four years are what has forever defined Janice and her work. She excelled at these embroidered pieces and the Art Deco & Nature inspired designs that she loved flourished and became one of her signatures.

This dress is a beauty and really a museum worthy piece. Her caftans and dresses by her during this time period and of this quality are harder and harder to find. As mentioned above, it has the added bonus of having the coveted, earliest Janice Wainwright at Forty Seven Poland Street label. Pieces with this label are from the beginning of her career and for me, really showcase her talent and are among the very best of her work. The base of the dress is a cream chiffon. The construction is very interesting. It has a more fitted interior dress that has a straight sleek cut and this inner dress is made form a silky rayon until it nears the hem. It them changes to the chiffon that is extensively embroidered as you see in the photos. Floating over this is an attached caftan that is loose and full. The 'sleeves' of this outer layer  have her signature embroidery runs extensively down each of them and across the back. The front is cut very low with a series of loop and buttons that you can close or leave open for more of a plunging feel. It is beautiful and would even make a fabulous wedding choice for a bohemian bride. Excellent condition

Fully lined in a white silk rayon and closes with a side painted metal & nylon zipper on the interior dress. Fabric covered front buttons on the plunging neckline

Interior bust: 17" flat across from side seam to side seam
Interior waist: 18" flat across from side seam to side seam
Interior hips: 20" flat across from side seam to side seam
Exterior caftan: 58" X 44"
Length: 56" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2823

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

There is just a certain cut and line of a seventies halter that once you find you look for variations of it endlessly. This is that dress. It is super chic and one of those easy to wear pieces that you can just throw into a suitcase and it works for day or night, and at the beach, the country, or the city, and you always feel like a million bucks in it. It is made out of a wash and wear cotton and that stripe gives it a fabulous feel. It's got a element of sexiness to it with that low bare back but still feels sweet at the same time. The front has a halter/bikini cut and ties around the back of the neck. This leaves the back virtually bare with the front is cut low and deep so you get a sexy expanse of skin. The skirt cascades to the floor in a widening sweep of fabric and I love how the stripes are set on an angle on the skirt. Excellent condition.

Unlined and ties to close at the back neck and zippers at the low back waist.

Bust: adjustable
Waist: 12.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: Approx 15" from neck to bottom seam of 4" band at waist
Skirt: 42" from bottom band at waist to hem

Modern Sizing Equivalent: XS-SML

Item# D580

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The label on this dress instantly gives us a date of between 1970-1974. 1970 was the year Janice Wainwright launched her own label and after 1974 her labels only carry her name, not the full ‘Janice Wainwright at Forty Seven Poland Street,’ that we see here. These four years are what has forever defined Janice and her work. She excelled at these embroidered pieces and the Art Deco & Nature inspired designs that she loved flourished and became one of her signatures.

This dress is a beauty and really a museum worthy piece. Her caftans and dresses by her during this time period and of this quality are harder and harder to find. As mentioned above, it has the added bonus of having the coveted, earliest Janice Wainwright at Forty Seven Poland Street label. Pieces with this label are from the beginning of her career and for me, really showcase her talent and are among the very best of her work. The base of the dress is a black chiffon. The bodice is what gives the dress its caftan feel even though technically it is more fitted then a typical caftan dress would be. The sleeves are cut wide for a kimono feel and her signature embroidery runs extensively down each of them and across the back of the dress. The front is cut very low with a loop and button holding it in place. The waist nips in and is highlighted with red embroidered piping. This same red line runs down the skirt, highlighting the sweeping lines as the skirt gently flares out as it reached the floor. It is beautiful. Excellent condition

Fully lined in a black silk rayon and closes with a back painted metal zipper. The front button on the plunging neckline is also functional.

Sleeves: 21" approx.
Shoulders: no defined seam
Bust: open
Waist: 13" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Bodice: 12" from neck to waist
Skirt: 46" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2813

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The label on this dress instantly gives us a date of between 1970-1974. 1970 was the year Janice Wainwright launched her own label and after 1974 her labels only carry her name, not the full ‘Janice Wainwright at Forty Seven Poland Street,’ that we see here. These four years are what has forever defined Janice and her work. She excelled at these embroidered pieces and the Art Deco inspiration she loved flourished and became one of her signatures.

This set is amazing and really a museum worthy set. Pieces by her of this quality are harder and harder to find. As mentioned above, it has the added bonus of having the coveted, earliest Janice Wainwright at Forty Seven Poland Street label. Pieces with this label are from the beginning of her career and for me, really showcase her talent and are among the very best of her work. It is two separate pieces and the base of both is a black chiffon. Both pieces simply slip on and are very easy to wear. The top "tabard" cut top is fabulous. It is cut into a wide T shaped on both the front and back. This allows the sleeves to be wide and have a kimono feel to them and the front drop over the skirt like an apron. It has elastic that runs through the waist and it ties at each side.  Her signature embroidery is done in sharp geometric angles that follow the cut of the tabard on both sides. The pink and green pop wonderfully against the black. Under this sits a skirt that is completely finished with Fortuny felling pleat finish. It is full length and the solid black of it serves as the perfect base for that spectacular top. Excellent condition

The top is fully lined with the same chiffon fabric as the exterior and slips over the head with elastic all through the wide waist band and ties at each side. The skirt is also lined and closes with a zipper and hook at the waistband.

Top
Length: 54.5" top to bottom
Width: 32.5" side to side

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 21.5" flat across from side seam to side seam
Length: 44.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2811

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of the best Geoffrey Beene gowns that I have seen in some time and is really an outstanding example of his work. My client had this looked at by someone that actually worked closely with Beene and even they said it was one of the best Beene pieces they had seen. I love Geoffrey Beene's work during this time period and this particular dress is just divine. It is really a special piece and Museum worthy. The workmanship is very fine and it is surprisingly light weight despite all that is going on in it. It also has a very refined look to it which is a feat in itself considering how many details and separate elements have gone into its design. It is made form a combination of a gold backe, silk lurexy mixed with netting and chenille velvet yearn embellishments. The prints are a mix of pattern, lines, stripes, dots and  animal prints with a lurex trim detailing.

The body and skirt of the dress is made of a fine metallic silk lurex, with striped netting used  for the sleeves. This same striped netting curves around the back waist and up into the inset bodice. . The bodice has a silk muslin with velvet chenille dot embellishments covering it. It is cut full through the bodice so just skims over the bust and out into the sleeves. The extensive detailing work and lurex piping that details all the design is amazing. From there the skirt floats over the hips to the hem where it is finished with a fine band of black netting set just under the hem line. It is really an amazing dress and a testament to Beene's genius. Note that the dress also comes with a short lurex sash that you can tie around the waist or neck. I chose not to photo it ties around the dress so you could fully see the amazing detail at the waist and neckline. Excellent condition.

The fabric is self backed in gold and the dress unlined. It closes with a back hidden set zipper. Each sleeve has a hidden set zipper at the cuff. I see one small stitch where there was a break on the net at the top of one shoulder.

Sleeves: 24" approx.
Shoulders: no defined seam
Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from neck to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2807

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous dress was definitely inspired by the work that Loris Azzaro was doing during this time period. At first glance you would almost think that it was one of his pieces. It has that same signature looped keyhole neckline that has a highly detailed embellished neckline just like his pieces did. This version is made from a fluid silver-grey jersey that drapes fantastically. The color perfectly off-sets the detail at the neck and it has a cool, chic feel to it. It is gathered up and around the bodice with all the pleat work used for the gathers converging into the center keyhole. The skirt cascade from just below the bus line to flow to the floor in yards of fabric. I love the neckline and it is absolutely the center piece of the dress. It curves up and around the neck and the straps are completely encrusted with faux pearls, densely set, glittering rhinestones and beads scattered in between. It is a fantastically sexy dress. Excellent condition

Fully lined in a matching color silky rayon and closes at the back with a painted metal and nylon zipper. There is some light scuffing/grubbiness along the hem but nothing that detracts.

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: approx 11" from neck to empire waist
Skirt: approx 49" from empire waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2386

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

These were all the rage in the early 1970s and the Biba versions are the best out there. This one is amazing. It is an original Biba sequin vest done in bold stripes. I have a few variations of this in the shop right now and each is as fabulous as the last. This one has bold vertical stripes done in a vivid pink and deep royal blue. The entire top is completely covered in tightly spaced sequins so that every square inch is covered.  The base the sequins are on is a stretch elastic that stretches to fit. It is sleeveless and has a V neckline. You can easily wear on its own or slip it over something else. It's a piece that you can style this a million ways and add an instant touch of 70s glitz and glamour. It is iconic Biba at its best and a true piece of fashion history. Excellent condition.

Unlined and slips over the head to wear. It is elasticized so stretches to fit. The measurements are the approx comfortable range but it would give a touch more if needed

Bust: approx 17-18" flat across the back from side to side
Waist: approx 15-16" flat across the back from side to side
Total length: 17" from the top of the shoulder to bottom

Modern size equivalent: XS-SML

Item# S227

Reference Photos: (1) Biba City Girl, 1973.  /  (2) Biba Ensembles, c1970s.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

These were all the rage in the early 1970s and the Biba versions are the best out there. This one is amazing. It is an original Biba sequin vest done in the prettiest baby blue. I have a few variations of this in the shop right now and each is as fabulous as the last. This is a very rare baby blue and the entire top is completely covered in tightly spaced sequins so that every square inch is covered.  The base the sequins are on is a stretch elastic that stretches to fit. It is sleeveless and has a deep plunging neckline. It crosses over itself and buttons at the front center waist. You can easily wear on its own or slip it over something else. It's a piece that you can style this a million ways and add an instant touch of 70s glitz and glamour. It is iconic Biba at its best and a true piece of fashion history. Excellent condition.

Unlined and closes at the front with fabric covered buttons and a snap inside - the row of buttons down the one side are decorative only. It is elasticized so stretches to fit. The measurements are the approx comfortable range but it would give a touch more if needed

Bust: no defined side seams
Waist: approx 14-15" flat across the back from side to side
Total length: 17" from the top of the shoulder to bottom hem

Modern size equivalent: XS-SML

Item# S229

Reference Photos: (1) Biba City Girl, 1973.  /  (2) Biba Ensembles, c1970s.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

These were all the rage in the early 1970s and the Biba versions are the best out there. This one is amazing. It is an original Biba sequin vest done in the iconic rainbow design. These are the rarest of all to find. I have a few variations of this in the shop right now and each is as fabulous as the last. The entire vest is completely covered in tightly spaced sequins so that every square inch is covered.  The base the sequins are on is a stretch elastic that stretches to fit. It is sleeveless and slips on with no closures. It's a piece that you can style this a million ways and add an instant touch of 70s glitz and glamour. It is iconic Biba at its best and a true piece of fashion history. Excellent condition.

Unlined with no closures The measurements given are flat across the back but keep in mind the front does not close so there is room at the front of you need a little extra

Bust: 16" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Length: 17" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S784

Reference Photos: (1) Biba City Girl, 1973.  /  (2) Biba Ensembles, c1970s.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

It is hard not to love such a strong statement piece. Dresses with these over-the-top, elaborate sleeves are always a favorite and this one is just super. Despite all that drama created by the sleeves, the almost weightless silk used for it keeps it light and easy. There is still a soft and sexy element to it. The silk used for the dress is beautiful. It is a brilliant green with a ribbon finish that gives the fabric visual interest. This combined with the pretty pops of color in the pattern is fabulous. The sleeves  are the star of the show on this dress. Each is a dramatic panel of fabric that flows down from the shoulders. They are each a full 28" in length and trail down the sides. The way they move and flow when you move while wearing the dress is just incredible. The full length skirt is the perfect balance to the sleeves. On the bodice, I love the high neck. Again, the full coverage through the body really just serve to highlight those incredible sleeves. The contrast between the colors and the beautiful cut mixed with the volume of the sleeves is wonderful. Excellent condition.

The bodice and skirt are fully lined in a matching green silk and the sleeves are unlined. It closes at the back with a painted metal zipper.

Shoulders: 15"
Sleeves: 17.5" from shoulder to edge with a 28" drop from top to bottom
Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 17" from top of bodice to waist
Skirt: 37" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2090

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress is one of the most incredible Stavropoulos gowns I have had in the shop. I love the lightness and airiness of it that created by the layers and layers of the mint green silk chiffon. In person, the layers give it a depth not quite captured in the images here. The photos don't quite capture the tone of the color the layering creates. Trust me when I say it is even better in person. It is also a touch more of a pastel tone in person. The entire gown is cut on the bias and there are yards and yards of silk that have been used to make this beautiful dress. Four full layers of silk are used in the lining of the skirt alone and that is under and in addition to the top layer. The interior bodice has a simple V neckline that you see under the top layer of silk. A second V at the back mimics the front. The waist is shaped by vertical seaming and gives the dress just the perfect touch of shape. That seaming opens up into deep pleats on the skirt that allow the tremendous amount of fabric that makes up the the top layer of the skirt have full movement and drape. Each sleeve is a single layer of silk chiffon and flow cape-like over the arm. The sleeves are cut very wide and full. Each is fully open along the lower edge so you get a real flowing, cape feel from them. It is beautiful. Excellent condition

George Stavropoulos is one of my favorite designers and his work is extremely overlooked in my opinion. He was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk done on a bias cut. He did not like overt, flashy ornamentation and instead focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. The majority of his gowns are almost entirely made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000 in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason many of his gowns are not considered Haute Couture is because he was not an official member of the association.

It closes with a back painted metal zipper and buttons at the neck above the keyhole. I see one teeny bit of darkening to the fabric about mid-waist on one side and two tiny areas on the back of one shoulder.  The dress is entirely bias cut so it will drape to fit a range of sizes.

Sleeves: 31"
Shoulders: 14"
Bust: 16-17" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: open
Length: 60" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD2502

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the second time I have had a version of this dress in the shop and each time I find one love it even more. It is one of those perfect, pretty, easy summer dresses that you can wear to just about any event and it easily goes from day to evening. It is utterly gorgeous and has all the hallmarks of the best of what Hanae Mori could do. The colors are stunning and the palette she used for it are vibrant and bright. The soft backdrop print is a brilliant mint green that has touches of blue in it and this has been screened onto a soft, polished cotton feeling fabric. Onto that pretty backdrop are a design that has huge exotic birds flying over its surface. These bold and beautiful birds fly across the dress in an array of bright pinks and corals and they seem about to fly off the green backdrop. It is cut in an easy to wear caftan style with an elastic through the waist. A tie belt in the same fabric allows you to cinhc it in for more shape if you want. The bodice is full and easy and the skirt widens as it nears the hem. Hidden front pockets are hidden along the front seaming detail that runs down the dress. The bodice is left loose and easy and the neckline is cut  a V. The sleeves are left loose and wide with no seams at the arms to break the lines of the print. I actually own one of these myself and wear it endlessly. An absolutely wonderful piece. Excellent condition.

Unlined and slips on to wear with elastic at the waist. It has its original tie belt that can be used to cinch in the waist more. The color in person is a touch more vibrant and more of a true green in person then how it photoed. The easy cut allows for a range of sizes.

Shoulders: no true defined seam
Bust: no true defined side seams
Waist: 14-17" flat across from side seam to side seam
Hips: to 21.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to top waist seam
Skirt: 40" from top waist seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD1829

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Like the other dress by Biba that I have in the shop right now, the sleeves on this dress stand out immediately. They are just amazing and really take this simple black dress to a whole new level. Each sleeve ends in a full circle cuff that circles the wrist and gives you really dramatic movement once the dress is on. In typical Biba fashion, the rest of the dress is kept simple and easy with a figure hugging silhouette. It is that perfect British mix of saucy, sexy and girl next door. The fabric used for the dress that fabulous black moss crepe that was favored by the British designers during this time period. The front bodice is fitted and plunges in a V. From there the black moss crepe fabric is cut on the bias and flows out from just under the V neckline on the bust all the way to the floor in a beautiful sweep of fabric that widens as it nears the ground. It is an amazing, original Biba dress that is extremely collectible and still very wearable and fresh feeling. A real treasure. Excellent condition.

Unlined and closes with a back painted metal zipper. The occasional but of sheen to the fabric here and there from it being cleaned and pressed over the years but nothing that really takes away from the dress or would be considered anything but normal vintage wear and patina.

Sleeves: 28.5"
Shoulders: 11.5"
Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 54" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD2571

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an absolutely incredible dress and once on the body it flows and drapes into place beautifully. It is from the 1970 collection and is documented in the "A To Biba" where a photo of a model wearing its twin was captured at the press launch party for the Biba make-up range on Kensington High Street in April of 1970. This is everything you look for in Biba dress, from the signature black moss crepe fabric that is so representative of this era, to the incredible flowing bias cut, to those amazing  Bishop cut sleeves. Those sleeves are the star of the show on this dress and they are incredible. This is classic Biba at its best and each billows out in a huge pouf of fabric above the elastic cuff. Above that they narrow to a slimmer fit over the upper arm which gives them balance and mimics the flared cut of the bodice and skirt. The front bodice is fitted and plunges quite low and it is gathered with seaming just under the bust. From there the black moss crepe is cut on the bias and flows from just under the bust to the floor in a beautiful sweeping column that widens as it nears the ground. The cut is supermodel long so it adds height to the girl wearing it. This is Biba at her best and even now feels incredibly relevant and modern. Excellent condition

Unlined and closes with a back painted metal zipper. Elastic at each cuff

Sleeves: 32" but pouf up and shorten once on
Shoulders: 14"
Bust: to 17" flat across from side seam to side seam
Under-bust: 14.5" flat across from side seam to side seam
Natural waist: 14.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 12" from neck to under-bust
Skirt: 45" from under-bust to hem

Modern Sizing Equivalent: XS-SML

Item# DD1290

Reference photo credits: Image from the "A To Biba" book by Barbara Hulanicki, Blogger Anita Clarke of "I Want, I Got"

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.