I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

I absolutely love this dress. It is an amazing example of the work that Mr. Blass was doing in the late 1970s, early eighties time period. It is an amazing find with its sleek lines and those wonderful over-sized pockets that sit on each hip. It still feels shockingly modern in a very minimalist kind of way. It is made from a remarkable, baby soft, plush black cashmere that feels like heaven to the touch. This fabric choice has enough of a weight to it that it holds the shape wonderfully and feels so very high end once on the body. I love the squared off bust-line and skinny straps in a matching fabric. I think that if you wished you could even wear this one strapless and it would work amazingly. The front has two big pocket for that classic American ease his clothing has. The Washington Post once stated that "Seventh Avenue thought of Blass as the king of American fashion and his work has always been portrayed as quintessentially American". The dress is cut to supermodel length and the lines of it make it feel even longer. Everything about the cut is done to give the girl wearing it one long and beautiful silhouette. At the back the zipper is hidden along the offset side seam and there is a slit at the bottom part of that same seam that allow for just a touch of leg to show as you walk away. Its simplicity is part of its appeal and it looks amazing once on. Excellent condition.

Fully lined in a black silk and closes with a hidden set zipper along the back, offset side seam. It comes with a matching cashmere scarf/shawl that is photoed separately. Very well made with hand finishes and ribbon edges inner seams. Tagged a vintage 12 and the fabric is slightly cut on the bias so it has a touch of give once on the body.

Bust: 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 59" from top of shoulder to hem with 2.5" turned under the hem
Slit: 17" up from hem
Scarf: 13.5" x 54"

Modern Sizing Equivalent: MED-LRG

Item# DD3254

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

This is a beautiful dress from the late 1970s, early 1980s that showcases the elegance that the best of his work had. The Washington Post once stated that "Seventh Avenue thought of Blass as the king of American fashion and his work has always been portrayed as quintessentially American". The dress is cut to supermodel length and the lines of it make it feel even longer. Everything about the cut is done to give the girl wearing it one long and beautiful silhouette. The shoulders are soft and the sleeves are long. The dress is cut to follow the body underneath in a way that the fabric just skims over you from shoulder to hem. The fabric is a soft wool jersey that feels like it has a touch of cashmere in it. The dress buttons all the way down the front so feels like an extended, full length sweater dress once it is on. The buttons completely open so you could actually wear this is a layered piece over something else underneath if you wished. Big pockets sit on each hip for that perfect touch of ease. The fabric and cut are in direct contrast to the high evening glamour that is created by the addition of glossy black sequins that completely cover the dress. These are all hand applied and shimmer when the lights hit them. It is simple, yet striking, and has not a single unnecessary seam. Excellent condition

Fully lined in a black silk crepe chiffon and closes with the buttons down the front. It appears to have never been worn or worn very little. Very well made with hand finished throughout and hand applied sequins. Tagged a vintage 10 and the fabric does have a bit of stretch. The easy cut should fit a range of sizes.

Sleeves: 25.5"
Shoulders: 15"
Bust: 18-20" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 62" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3253

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

James Galanos made couture-level gowns with a level of craftsmanship that were on par with the French couturiers. Galanos was a master cutter and draper and he used couture techniques in the construction of his dresses and gowns.His work is held in all of the major museums and he is one of my personal favorites.

Here he has used a beautiful, fine silk chiffon that is completely covered with a large purple flower print. The skirt is cut to have a touch of a wrapped, sarong feel to it. It is attached but set into the waist so that a part of it wraps around you and then hooks into place at the side of the waist. This gives it that lovely curved line at the front and the draping down one side that you see. It also lets you see all three layers of silk that he has constructed the skirt from. There is the top floral printed layer, a middle layer that is a solid purple in the same tone, and then the innermost  layer under those is done in an unexpected shot of green. When you move you get flashes of that green and the effect is marvelous. The bodice has a slightly scooped neck and each sleeve billows out on a pouf of fabric above its cuff. The back  of the dress closes with a series of buttons that run from the nape of the neck to the waist. The bodice is constructed with an inner top with tiny straps and then the looser top layer lies over that. It has a long matching silk sash that you can use to define the waist, or you could tie it at the neck, or use as a head scarf. Excellent condition

The inner top of the bodice acts like the lining with the sleeves left unlined. The skirt has three layers of silk chiffon to it as described above. It closes with a low, hidden set painted metal zipper that is hand set onto the interior dress. The exterior layer over the bodice closes with silk covered buttons and hook and eye. Each sleeve closes with a zipper. Bias cut so there is a little  with the measurements whoch I have given below. Appears unworn.

Sleeves: 23"
Shoulder: approx 14"
Bust: 16-19" flat across from side seam to side seam
Waist: 14-14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 16" from shoulder to waist
Skirt: 43" from waist to hem

Scarf: 15" x approx 140"

Modern Sizing equivalent: SML-MED

Item# DD1855

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Halston is one of those rare labels where the more time that goes by since the pieces were originally made, the more relevant his pieces feel. This is one of those pieces that will instantly become a closet staple  for you. It is a no brainer in that you just slip it on and you know that you will look and feel amazing. It has his signature simplicity and ease with a touch of that Studio 54 sexiness thrown in. I normally stick to his main line label when I bring things into the shop but make a few exceptions for certain pieces that I know will work perfectly for my clients. It simply slips on and is a wash and wear jersey. The seam along the top of the shoulder are slightly curved so there is just the hint of shape and interest there. The sleeves are cut wide and full near the body and then narrow down as they reach the wrist. The body of the dress is cut very loose and easy and it narrows down as it reaches the hem. A high front slit allows a bit of leg to show when you move or sit. A V at the front gives the perfect flash of skin and the basic black means you can wear it with just about anything and dress it up or down depending on how you style it. Brilliantly Halston in every way and very easy to wear. Excellent condition

Unlined and slips on to wear. 100% Quiana nylon and wash and wear. The easy cut and fabric should allow it to fit any size and it is tagged as being 'one size fits all'

Sleeves: approx 18"
Shoulders: no true defined seams
Bust:- hips: open
Length: approx 50" from neck to the front hem and 54" to the back hem
Slit: 18" from the front hem up

Modern Sizing Equivalent: OSFA

Item# DD3249

Reference photo: (1) Cherie, Owner of Shrimpton Couture.  /  (2) Rachel Zoe in a similar green version at a Calvin Klein event.  /  (3) Rachel Zoe more recently in Montauk.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Anthony opened his label in 1971 and during the 1970s he became known for making pieces that were sleek & sexy but still felt sophisticated. His business was all done on a made to order basis. That means the majority of pieces found are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces and his work is a personal favorite.

This dress is exceptional and a wonderful example of his work during this time period. It is made from a black silk jersey that allows it to drape beautifully on the body. Its genius lies in its cut that allows for all of your curves to show, but in a way that drapes the jersey over you rather then tightly hug the body. This gives it an inherent sexiness despite the fact that you are covered from head to toe. The sleeves have a full cut at the wrists to create a poufed effect over the cuffs. The neckline is set high and with just a slight scoop. Set along that curve of the neck is a beautiful, hand beaded bird that seems to have been captured in mid-flight as it swoops around the neck. A second bird arches down the hip, drawing the eye down so you have an even longer line.  That second beaded bird also highlights the gathered panel of fabric that is set on that one hip. This panel serves to not only give the dress a bit of a forties feel with its nod to Old Hollywood glamour, it also hides a high cut slit that reveals almost your entire your leg when you walk or sit. It is really incredible and made to demi-couture standards. Excellent condition

Unlined and closes with a back, hand set zipper. Each cuff buttons to close. The birds are hand beaded onto the dress. Appears to have been worn very little if at all. Hand finished. The fabric does have stretch so it should fit a range of sizes. The measurements below give you the comfortable range the fabric has when lying flat.

Sleeves: 26"
Slightly inset shoulders: 13"
Bust: 15-19" flat across from side seam to side seam
Waist: 14-17" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Length: 58.5" from neck to hem
Slit: 32" from hem to top of slit

Modern Sizing Equivalent: XS-MED

Item# DD2973

Reference Photo: Jamie Mizrahi from her Instagram.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an extremely rare silk jersey, full length Hermes dress that dates to 1972. The print is by Julai Abadi and is an elaborate version her famous 'Cliquetis' design that has since become an iconic representation of the house and appears on an entire range of their silk scarves both then as now as a re-issue. It is exceedingly rare to find such a wonderful piece from this time period of the atelier's history that is as striking and beautiful as this dress is. This is very rare opportunity to own a rare piece of fashion history that is made even better by the sheer beauty of the dress itself!

The dress was most likely a custom made piece and has been cut supermodel long. It is made from a fine silk jersey that has incredible drape. The length, combined with the stunning lines of it, make you wonder what fabulous woman this must have been made for. The print is incredible and I was very please to have been able to both date and find the artist's name who created it. The dress has straight cut, just past the elbow, sleeves and the bodice drapes and crosses over itself at both the front and back. The crossing of it drops quite low. When I originally received it, it had been tacked into place on both sides but it was readily apparent that this had been added at some later point and it was not really a well done addition. I had it carefully removed as I feel that should its new owner wish to do that same, she should place the the new securing tack, or a hook and eye, where it falls best on her. If you use the inner strips of fabric that sit inside the shoulder and attach these around your undergarment, you may find needing to tack it is not necessary. The waist is cinched in with attached tie belts and leaving these looser or really cinching the waist in gives the dress a slightly different vibe. The skirt is marvelous, with yards and yards of silk jersey used on its construction, all printed with that stupendous design by Julia Abadi. It is absolutely incredible and a real work of art. It appears to heave been worn little and is one of the best vintage Hermes clothing pies I have ever seen. Excellent condition.

Unlined and closes with a metal and nylon side set zipper. Has attached belts that wrap to cinch in the waist further. There are little straps that snap into place on the inner shoulders to go around your foundation garment snaps to help hold the dress in place on your shoulders. One set of the snap is missing on the one side and the snap that was there at some point is what discolored the label at the one end as you can see in the photo. I can add another snap before it ships upon request. The fabric has some stretch and the measurements below are the comfortable range of the fabric while lying flat. This will allow it to fit a variety of sizes.

Sleeves: approx 16"
Shoulders: no defined seams
Bust: 14-18" flat across from side seam to side seam
Waist: 12.5-15.5" flat across from side seam to side seam
Hips: open
Bodice: approx 19" from shoulder to slightly dropped waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3248

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Victor Costa launched his own label in 1974 and was known for producing his own versions of what was seen on the Paris runways. He also looked to the Americans for inspiration as well. He used good fabrics and his designs were often very close interpretations of other designs but with his own unique twist when it came to colors and fabrics.

This dress is so pretty with its pale blue color mixed with white and its incredible fabric. The fabric seems simple at first glance but the closer you look the more you realize just how wonderful it is. That leaf pattern is not screened onto the fabric, rather it is a raised design that is woven through the fabric. It is quite fabulous as this gives the dress the most amazing texture. The neck and waist are then detailed with big tear drop plastic beads set within embroidered lace drops that mimic that same shape as the beads. The beads range from a deep milky white color to ones that have a teeniest touch of blue to them. Interspersed in that lace border that circles both the waist and neckline, are also little prong set rhinestones for the most subtle touch of glitz. The bodice is sleeveless with a scooped neckline. The waist is set just a touch high and the skirt goes to the floor in a gently widening curve. The fabric has just a touch of weight to it so helps to hold the shape. It is really incredibly pretty in real life and even better then how it photoed. Excellent condition

The skirt is unlined and the bodice is fully lined in a white silky rayon and closes with a back zipper and the velvet tie at the back of the neck.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from shoulder to waist
Skirt: 41" from waist to hem with 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3247

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason his work is not under the Haute Couture category is because he was not an official member of the association.

I love the light and airy feel of the dress that is created by the yards and yards of silk chiffon used for the skirt. This is mixed with a low waist top that is constructed out of a ivory embroidered lace. To highlight the pattern that runs through the lace little iridescent clear beads have been hand set and scattered over it. The silk layers that make up the skirt are all cut on the bias and this gives it lovely movement. The bodice is sleeved and the neckline cut wide across with very light padding in the shoulders for shape. The back is cut into a V so you get a bit of skin showing there. The top layer of the bodice is made of an embroidered cut work lace done in a creamy ivory. Note that in person it is far more a true ivory that the deeper color it has photoed as. The waist has no defined seam and skims over to a the upper hips with gathers on either side. Excellent condition

Fully lined in an ivory silk chiffon and closes with a hand set, painted metal zipper at the back. Light padding in each shoulder. Very well finished. In person it is a true ivory. The photos have given it a bit of a taupe feel and it is not that deep a color in person.

Sleeves: 23"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Length: 62" from top of shoulder to longest points of hem

Modern Sizing Equivalent: SML-MED

Item# DD3254

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This top is fantastic and one of the best of hers that I have had in the shop. Plus, it had the added bonus of having the earliest Janice Wainwright at Forty Seven Poland Street label. Pieces with this label are from the beginning of her career and for me, really showcase her talent and are among the very best of her work.

This pretty little bohemian spirited top is made of a black crepe chiffon and simply slips on, wraps and then ties into place. There is a partially attaches tie belt that allows you to do this. This also adds some detail and shape to the back where it is attached. The wrapping of it give it a plunging front and makes the fit through the bust easy. Each sleeve is cuffed and slightly full above those. Under the waist it has a little peplum effect that is very pretty. Her signature embroidery covers this one in a dense pattern of silver and gold thread peacock feathers. These are highlighted with soft pop of pink too. I love how the edges pick up the silver of the feathers with a silver metallic cording. It's just wonderful. Excellent condition

Fully lined with a black chiffon. It slips on, wraps and then ties. There is some adjustment in size since it wraps so it could fit a range of sizes

Sleeves: approx 24"
Shoulders: no true seam
Bust: to 19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Length: 26" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S877

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This top is the last of the Haute Couture pieces that have come to me directly from the daughter of the Haute Couture client who would have ordered it from the atelier. It has not been on the market prior to this. She shopped primarily with Yves Saint Laurent and Christian Dior and unfortunately the label was removed at some point. This is the only piece that her mother did not document as to which house it came from. I am leaning more towards YSL as it bears a remarkable resemblance to this one, that one we previously sold from this same collection.

Regardless of which house it originated from, it is absolutely exquisite. The top is entirely hand made as the parameters of Haute Couture define. The silk chiffon used is of the finest possible grade and you can feel the difference at first touch. I love the extensive embroidery and bead work that covers the exterior. The level of workmanship is extraordinary and it is certainly the work of the Lesage ateliers. It forms an intricate pattern over the silk chiffon that completely covers the majority of the top and the sleeves. The very bottom portion of the top is left as just the silk so that it does not get ruined when you tuck it onto your skirt or trousers. At the back the zipper extends past the lower hem in the manner that Couture pieces were finished during this time period. I cannot go on enough about the fine workmanship and sheer time that this would have taken to create. It is an absolute work of art and a stunning example of Haute Couture during this time period. Excellent condition with one small note below

Backed in a nude silk chiffon and closes down the back with a hand set zipper that extends beyond the hem in the traditional Haute Couture manner. Entirely hand done. Note that there is a slight texture change to the silk under each arm with minor discoloration. There is no evidence of it on the exterior and it was priced with this taken into account.

It is always a privilege to have true Haute Couture pieces pass through the shop. Haute Couture is the very pinnacle of the fashion experience and I would hazard to say that vintage versions are even a little more special. You also get a lot for your money in many ways with vintage versions as the cost of current Haute Couture has skyrocketed.

Bust: 16.75" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 21.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# S876

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is a personal favorite and it shows the range of what Hanae Mori was capable of. The dress is simple and beautiful but still striking. It dates to the late 1970s, early 1980s and it is an absolute work of art. Hanae was the first woman of Japanese descent to have presented on the Paris and New York Runways and the first Asian woman to be admitted as an official Haute Couture house to La Chambre Syndicale de la Couture Parisienne. Her work is exceptional.

This dress is a wonderful example of her range as a designer. It also showcases her extraordinary and meticulous attention to detail. The inner construction on this one is partially finished to Haute Couture standards and I have included a photo of the hand finished inner seams. I think that it may have been a special order placed through Saks Fifth Avenue based on the level of detail on the inner finishes. The dress is as light as a feather to wear because of the silk chiffon she has chosen to make it out of. The silk was then woven through with a gold lame thread that creates that beautiful design of huge stylized flowers that cover the dress entirely. The gold gives the dress its impact and the lightness of the silk chiffon is easy to wear. The bodice is suspended from the shoulders and has an almost chemise feel to it with the straps set slightly inwards. It skims down and over the body to the waist. The back closes with a series of silk covered snaps and her signature tiny snaps. Below this the skirt falls to the floor in two tiers of chiffon layered over each other for just a touch of fullness. It is astonishingly beautiful. Even more beautiful in person and the photos cannot convey the quality and feel of the high grade silk and the lightness of the dress when on. Excellent condition

Fully lined in a black silk and closes at the back with silk covered snaps to the waist and a series of her signature tiny snaps under that. Hand finished to couture standards throughout the interior. Tagged a vintage Mori 10. It will fit more like a loose chemise on a smaller frame and more fitted through the bust on a larger

Bust: 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam of the inner corset
Hips: open
Length: 59" from top of shoulders to hem

Modern Sizing Equivalent: XS-MED

Item# DD3244

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Halston used this sequin technoque predominantly between about 1973 to 1978. Instead of layering and overlapping the sequins, they were laid out flat, side by side, to cover every inch of the fabric. The Fall 1976 collection featured this asymmetrical neckline heavily and I have included reference photos of jersey versions of the dress from both The Met and the Boston Museum of Fine Arts. In December of 1976 the New York Times wrote that: 'This season there are three things that the ladies must wear: Adolfo's taffeta skirt, Halston's asymmetrical neckline and Mollie Parnis's tunic and satin pants.... Babe bought the first asymmetrical neckline dress and Jackie bought the second. If you do not know their last names you do not know the ladies.' This is a stunning and rare version that is full sequinned and could not be more of an impact once it is on.

The dress is made from a black stretch jersey as the inner layer, which also acts as the lining and the outer layer is the same fabric but in a lighter, thinner weight than the inner layer. That outer layer is what the sequins are attached to. The sequins have all been placed and attached by hand and completely cover the dress from shoulder to hem. The sequins are a deep gunmetal grey and depending on the light they can reflect back as a true black, a deep grey, a lighter grey or even have a touch of a blue grey tone to them. This makes the dress absolutely incredible to see in person. They also make the dress feel almost alive as it skims over the body and the the light reflecting off the sequins make it seem like you have been poured into a liquid metal. The sleeves end just about the elbow and the bust curves to fit. It skims over the waist, hugs the hips and then flares out slightly as it reaches it's supermodel length hem. That signature neckline dips deeply to one side to expose the upper chest and this is mirrored at the back. It is amazingly comfortable to wear because the jersey and the stretch of the jersey also make it easy to fit. Excellent condition with a note below.

It closes with a hidden set, side zipper and the fabric has stretch. Fully lined in a black stretch jersey as described above. Hand set sequins and wide ribbon, hand set inner hem. There is the occasional sequin missing but there are sequins in the inner seams that could be used if this bothered you. It is so densely covered that its somewhat irrelevant. Some of the sequins show a little patina on their finish. The one shoulder above the dipped side feels slightly stretched out to me, though I think on a taller girl it would be fine. I left it as found as I think it is better to have the woman who buys it have it fitted to her specifically. These are all very minor and were taken into account when pricing. The stretch of the fabric should allow it to fit a range of sizes and the measurements below are the comfortable range when lying flat. Note that due to the rarity and expense of this gown it is sold as a final sale.

Sleeves: 14"
Shoulders: no defined seams
Bust: 16-19" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 19-23" flat across from side seam to side seam
Length: 62" from shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD3243

Reference Photos: (1) 1976 Halston Evening Dress from The MET Online Collection.  /  (2) 1977 Halston Dress from the Museum of Fine Arts Boston Collection.  /  (3-5) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I just love the pretty butterfly bow print that covers the surface of this Chloe top. they are done in a gorgeous red on a navy backdrop. There is also a secondary print in a a different finish blue thread and the effect is wonderful. The top is made from a scarf weight silk that holds the color beautifully. The sleeves are shorter on this one making it perfect for warmer weather. I love that they have a slight poufed shape to them and that each is finished with a turned up cuff. The collar is cut to be small and neat collar and the top still has its tie that you can tie into a proper bow tie if you wish to emulate on the print. The body of the top is cut loose and easy as it falls from the shoulders. This makes it equally great to wear tucked or un-tucked. There is a little button detail on one side of the front that is the perfect finishing touch. It is chic and easy to wear. Excellent condition.

Unlined with buttons down the front. The loose and easy fit should work on a range of sizes

Sleeves: 6"
Shoulders: no true seams
Bust-hips: to 21" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S874

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I just love the print that covers the surface of this Chloe top. It has the cool tones of the earth with corals, orange and taupes on an ivory backdrop. It is made from a scarf weight silk that holds that bright color beautifully. The sleeves are shorter on this one making it perfect for warmer weather. The body of the top is cut loose and easy as it falls from the shoulders. I love the small and neat pointed collar and the extra bit of fabric at the back under the seam to give it a touch of fullness. This makes it equally great to wear tucked or un-tucked. The little pocket on one side of the front is the perfect finishing touch. It is chic and easy to wear. Excellent condition.

Unlined with hidden buttons down the front under a panel of silk. The loose and easy fit should work on a range of sizes

Sleeves: 11.5"
Slightly dropped shoulders: 15.5"
Bust-hips: to 21" flat across from side seam to side seam
Length: 24.5" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S873

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s is wonderful. I love the bright fuchsia pink of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright pink with a beautiful floral design. This is then surrounded by a green and deep purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A366

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely little Christian Dior scarf is from the late 1970s, early 1980s, and it is very pretty. I love the mix of the stark black with that brilliant blue and the way the two colors are divided down the center. This give you a lovely effect once it is tied. It is made of a double layer of fine silk chiffon that has a slight texture to it. This fabric choice makes it extremely light and pliable so that you can easily tie it as you wish. Excellent condition

Christian Dior tag as shown. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 45.5" x 17.5"

Item# A365

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s, is wonderful. I love the bright vibrant green of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright green with a beautiful floral design. This is then surrounded by a blue and purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A364

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci playsuit is one of those iconic vintage items that is synonymous with the sixties and seventies and that carefree, jet set life that Emilio Pucci and his clients often lived. They are very rare and hard to find as most were worn them extensively and most did not survive intact and in great condition. This example is in wonderful condition and the colors are still bright and true.

The piece is made of his signature silk jersey and is a stunning example of Pucci's work during this time period. It is an all in one playsuit with short sleeves and built in shorts. The print is a gorgeous curving geometric design that combines shades of purple with soft, pale blues and ivory. The front neckline is cut into a low V that meets the angled border that defines the loose cut empire waistline. The silk jersey glides over the body and ends in short shorts. I love the contrasting borders on it and how they run down the back as well. It is a joy to look at from every angle and it combines sexy with that girl-next-door innocence feel perfectly. The fabric is signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition

Unlined with a fine ivory silk jersey interior border set around all the interior edges. It closes with a back metal & nylon zipper. The inside is clean and it appears to have never been worn or worn very little. The fabric does have some stretch which I have accounted for in the measurements below. The colors are a touch brighter then how it photoed in real life.

Shoulders: 14"
Bust: 16.5-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Length: 30" from shoulder to inner seam

Modern Sizing Equivalent: XS-SML

Item# DD3239

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Gorgeous and absolutely huge, this Yves Saint Laurent plaid scarf from the late 1970s, early 1980s is a mix of a deep and bright reds with deep blues that are overlaid with shots of metallic blue, red and gold thread. The plaid is surrounded by an intricate paisley printed double border that is also overlaid with this same gold and blue metallic highlights and then the center goes back to the red plaid. The addition of the metallic thread gives the entire scarf a subtle shine that is gorgeous in real life. It is made of a fine silk and wool mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. Hand fringed edges. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric and it is tagged. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 54"

Item# A363

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Gorgeous and absolutely huge, this Yves Saint Laurent plaid scarf from the late 1970s, early 1980s is a mix of a red and yellow that is overlaid with shots of metallic red and gold thread. The plaid is mixed with an intricate paisley printed inner border that is also overlaid with this same gold and blue metallic highlights and then the center goes back to the yellow plaid. The addition of the metallic thread gives the entire scarf a subtle shine that is gorgeous in real life. It is made of a fine silk and wool mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. Hand fringed edges. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric and it is tagged. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 53" x 54"

Item# A361

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous and absolutely huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s that mixes a pretty and bright red rose design on an ivory silk. The print also has pops of green and taupe to highlight the design. I love the fine fringe edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk. There is one small pinhead mark and a small stain. It has been priced slightly less then its counterparts as a result.  Please review the two photos after the photo of the label. It is freshly cleaned and it looks to have been worn very little if at all other then the two areas noted.

Measures 53" x 53"

Item# A360

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous Yves Saint Laurent scarf from the late 1970s, early 1980s is huge. The print is a beautiful mix of greens and reds done in an elaborate print that is inlaid around the edge and leaves the innermost part of the scarf a solid white cotton. It is made of a fine cotton silk mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece and has a touch of transparency to it. The edges are amazing with a white, looped embroidered lace that is placed all the way around the square. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 55" x 55"

Item# A359

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s is gorgeous. I love the bright fuchsia pink of it and the quality of the silk is very fine. This one mixes a bright pink floral design on a backdrop of an ivory so that the pink pops. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled.. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 55" x 55"

Item# A358

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This lovely piece from the 1960s is done in a combination of a pink organza that has a metallic gold lurex thread that has been applied to the organza. The gold thread is done to create huge butterflies and this flit over the entire surface of the dress from top to bottom. The gold catches the light beautifully and really adds detailing to the piece. The fact that it is a butterfly print just adds to its fabulous factor to me. The cut is simple but dramatic and fully covers the body. The neck is high with a small neat collar. The sleeves are long and cut with a flare shaped finish that I love. The skirt mimics that same shape, flaring out and widening as it flows to the floor. It zips up the front under a notched collar with allows you to wear it over just about anything. The fabric choice gives the dress a touch of structure so it holds the shape. This is an easy to wear, but glamorous summer dress. Excellent condition.

Unlined and is partially transparent. It closes with a front hidden set metal & nylon zipper. The organza feels synthetic. Note that in person the pink feels a little more prominent and is a touch brighter and more a true deep pink.

Sleeves: 24.5"
Shoulders: 13.5"
Bust: 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 58" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# E663

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.