• The dress is from the Fall 2000 Richard Tyler Couture collection.
• It was made under the creative direction of Richard Tyler.
• Faith Hill wore its twin to the 2000 Grammy awards. I love that we have this reference photo so that you can see how the dress is once on the body.
• Richard Tyler was the designer to wear in the 1990s and early 2000s. He won the Council of Fashion Designers of America New Talent award in 1993. In 1994 and 1995 he won the Council's Womenswear Designer of the Year award. Julia Roberts, Janet Jackson, and Sigourney Weaver were just a few of the stars who loved his work and his dresses made regular appearances on the red carpet.
• Tyler was known for his impeccable tailoring and finishes and at the time employed some of the best tailors and seamstresses in the business.
• The dress is made from an ultra soft and supple black leather that has been treated like a fabric for the construction of this dress.
• Beaded straps curve up and over each shoulder and then extend down to meet the dress at each side. There are also beaded straps that extend out from each side of the under-bust seam and are attached in at the sides. At the front they run through a little slit on the seams to pass across the plunge. A final beaded strap hooks into place across the low back and gives the illusion of being a part of the strap that wraps around the front. I love these little added beaded details that up the glamour on the dress that little bit more.
• The straps connect to triangles of leather that curve on an inward curve into a front plunge. The beaded strap that runs across the front helps to hold the dress in place and add a little extra detail. I love the how the seams under the bust turn into a dart to add shape. Just having those extra seams also add subtle detail.
• At the back it curves down into a low V at the small of your back, leaving your entire back bare and exposed. It is very sexy.
• It is shaped to come in at the waist and then curve back and over the hips. There is a horizontal seam placed at the bottom of the hips and then the lower panels of leather fall in a pretty column to the floor to give you one long lean line.
• At the back of the skirt there is an extremely high slit that goes all the way up to meet the seam that wraps around the bottom of the hips. These high back slits were a Tyler signature and allows for a flash of bare leg as you walk away.
• The leather is extremely soft and supple. It is not stiff in any way at all. It is so soft that it does act and drape like a fabric. It is incredible.
  
• The dress is lined with a black silk through the upper bodice and then the lower skirt is unlined. Closes with a hidden set side zipper. It appears to have been worn very little if at all.
• Tagged a vintage Tyler 8
• Excellent condition

Bust: each triangle covers to 8" flat across from side to side
Seam under the bust: 15-16" flat across from side seam to side seam
Natural waist: 14" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Bodice: 11.75" from top of shoulder to seam under the bust
Total length: 63" from top of shoulder to hem and the slit is 30.35" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5290

Reference Photos: Faith Hill, in Richard Tyler, at the 2000 Grammys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2005 Cavalli collection
• It was made under the creative direction of Roberto Cavalli
• For that season Cavalli based everything shown on the 'Fashion Traveller' Theme and Vogue proclaimed that to mean "an eclectic throwing-together of hippie-ish trailing print skirts, ruffled cavalier shirts (worn belted at the hip as tantalizing dresses), and nineteenth century Sgt. Pepper-ish frogged military jackets."
• The dress is made of a black bias cut silk that is covered with a gold tone print. The print depicts golden feathers that curve heavily down and over the bodice and then gradually just become the gold parts that trail down and over the skirt.
• The feather print is very detailed and quite beautiful. I love how the pattern is set to accentuate the curves of the body underneath the dress and build on the cut of the dress itself.
• The dress is suspended from two tiny straps in the same silk that curved up and over the shoulders. At the back they cross over each other. The entire upper back is left bare and exposed behind the crossing of the straps and the front comes down in a wide V.
• The dress curves in at the waist with long curving vertical seams and then curves back out over the hips. Everything is cut on the bias and there are no horizontal seems to break the print or lines of the dress.
• The lower skirt flares out with quite a bit of fabric used for its construction. There are extra triangular panels built-in around the sides and back. These are what give the fullness to the lower skirt that you see and create its sweep. The back skirt is cut a little longer than the front so that you have a beautiful bit of fabric behind you as you move. The extra fabric also gives you wonderful movement as you walk. 
• The dress is unlined and closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Cavalli 38
• Excellent condition 

Bust: to 16.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 63" from top of shoulder to the shortest part of the front hem, 71" to the longest part on the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5289

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the all black version of the Spring 2006 pink floral dress from the same collection that we currently have in the shop.
• It was made under the creative direction of Roberto Cavalli
• The twin of the pink version of this dress was worn by Noemie Lenoir in 2006 and we have included those reference photos in this listing because even though it is a different colour it still shows you just how phenomenal this is once on the body.
• The dress is made from a black silk feeling jersey that is draped over an inner black body suit that gives you the perfect amount of inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a black chiffon that gives you the very slightest bit of transparency on that side. 
• If you loved the dress in the flower print but are not a flower kind of girl. This is the version for you.
• The inner black bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: to 20" flat across from side seam to side seam
Bodice:  approx 15" from top of shoulder to waist
Total length: 62" from top of shoulder to the shortest part of the hem at one side and the back extends another 17" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5288

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2006 Cavalli collection and from what we understand it is a special edition piece that was released on a very limited basis.
• It was made under the creative direction of Roberto Cavalli.
• Its twin was worn by Christina Aguilera to the 2006 Grammys and I love that this lets you see how beautiful it is once it is on the body.
• The dress made of a beautiful bias cut ivory silk that has the feel and look of the very best of pieces from the 1930s in 1940s.
• Two wide straps curved down from the shoulder and create a deep front plunge. At the base of the plunge the fabric is twisted and brought down and under the bust. The panels over the bodice have a halter top feel to them that again picks up on the pieces from the 30s and 40s. It skims over the waist and then curves back out over the hips.
• As the skirt falls to the floor, long vertical seaming curves it back in under the hips and then it flares out beautifully all the way around the hem. The extra amount of silk used for the lower skirts gives it beautiful movement as you walk.
• The back is spectacular. Almost the entire back is left bare and exposed. The front panels extend into straps that run down each side of the back and connect into a panel that comes across the mid-back. From the top of the shoulder down to where it connects, the straps have been heavily detailed and covered  with crystal rhinestones and beads. It hooks across the middle of your back and this creates a round circle that is completely bare. The entire circle and the panels above have more hand applied glass crystal rhinestones and silver tube beads. I have shown the back hooked in place for all of the shots, however if you needed a bit of extra room, or wanted to be more daring, you can also wear the back unhooked and then it just falls with a more open back edged with all the crystals and beads following the curved line that it creates.
• The dress is unlined and hooks to close at the back. It very much has the feel of a lingerie piece. I see some small, very minor scuffs on the silk here and there, and there are perhaps a couple of beads missing here and there. Very minor but mentioned for accuracy. Please see the photos after the label shot.
• There is no size tag present so please go by the measurements listed below.
• Excellent overall condition

Bust: each triangle covers 6-8" flat across from side to side
Waist if worn unhooked: 11-14" flat across from side seam to side seam
Waist if worn hooked: 11-12.5" flat across from side seam to side seam
Hips: to 17.5" flat across from side seam to side seam
Total length: 59" from top of the shoulder to hem

Modern Sizing Equivalent: XXS-XS

Item# DD5286

Reference Photo: Christina Aguilera in Roberto Cavalli at the Grammys, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is a production piece for the shops from the Spring 2008 collection.
• It was made under the creative direction of Alexander McQueen.
• The dress is made from a purple bias cut silk and you can see the inspiration that the cut and fabric draws from the thirties and forties in its cut. 
  
• Wide straps curve over the shoulders and extend down into a front plunge. The silk is gathered into a centre knot at the base of the plunge. It appears that at some point in the history of this dress, someone has lightly tacked shut about 2" of the plunge so that combined with the way the dress is cut makes it feels very safe to wear and the plunge stays in place.
• Cascading down from the knot is a panel of the same silk. It runs down the centre of the dress all the way to the hem. It creates that beautiful draping you see and also gives the skirt incredible movement. 
  
• Shallow pockets are created along the curve of the front fabric.
• The dress is fully lined in purple silk and closes with a hidden set side zipper. The front has been light tacked shut partway as noted above and could be un-tacked if you wanted a deeper front plunge. It is in its original uncut length. The bias cut should allow it to work on a range of sizes. I have put the comfortable range of measurements below when laying flat.
• Tagged a McQueen 40
• Excellent condition 

Bust: 17-18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 61" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5270

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2007 Collection
• It was made under the creative direction of Roberto Cavalli
• This is an absolutely beautiful bias cut silk dress who's cut is a nod to old Hollywood in feel.
• The entire dress is covered with a very pretty and intricate leaf and bird print. This runs over its entire surface and the print has a slightly metallic feel with colours centring around a deep red, rust and a coral.
• The front is gathered in and up to the neck and at the centre of where it is gathered, there is a gold toned metal snake that is placed so that it sits at the top of the gathers. The silk extends out from there to curve up and behind the neck where it ties into place. There is a tiny keyhole under the snake detail at the front and the front drapes down and over your bust, waist and hips from there.
• The halter neckline leaves the back completely open. I love how the fabric that comes around from the front is set so there is a pretty curve at the base of your back. This is highlighted even more by the silk ties that extend out from the neck trailing down the middle of your back.
• Once passed the hips the skirt flares out beautifully. This full shape at the bottom of the dress is created by the addition of added panels set all the way around skirt to help it flare out. This extra silk placement creates amazing movement when you move.
• This is classic Cavalli and an absolutely beautiful piece of work.
• The dress is unlined and closes with a hidden set back zipper. The ties that extend out from the neck can be tied and left to trail down the back. The dress is cut on the bias so I have put the comfortable range when laying flat. The length will come up a touch once on a body. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below. 
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13.5-17" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Total Length: approx 65" from neck to hem 

Modern Sizing Equivalent: XS-MED

Item# DD5263

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was worn by Noemie Lenoir in 2006 and I love that this shows you just how phenomenal this is once on the body.
• It was made under the creative direction of Roberto Cavalli
• The dress is made from an ivory silk jersey that has an extensive floral pattern in pink with a little bit of gold fused onto the top of the fabric to create that tremendously beautiful print that runs over the entire dress. This is all draped over an inner white body suit that gives you inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a silk chiffon that has the same print as the rest of the dress. This gives you the very slightest bit of transparency on that side. 
• The flower print that covers the dress is so pretty and romantic. I love it.
• The inner white bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. I see some tiny and very minor snags on the skirt here and there. There is so much fabric you would never see them once this is one but they are mentioned for accuracy.
• Tagged a Cavalli 42
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Seam under the bust: 14" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: 16-19" flat across from side seam to side seam
Bodice: 12" from top of shoulder to the seam under the bust
Total length: 55" from top of shoulder to the shortest part of the hem at one side and the other side extends another 25" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5261

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very glamorous Versace dress that dates to the early 2000s.
• The dress is made out of a deep bronze coloured silk that is flattering on almost all skin tones. 
• It is a dress that is insanely sexy and bare feeling yet you are still very covered. it has a bit of a nod to the Loris Azzaro rung dresses and you have to wonder if that was its inspiration.
• The silk is just heavy enough to give the dress an amazing drape so that it falls perfectly over the body.
• From the top of the hips to the top of  the bodice the silk has been gathered into soft little horizontal folds. These are all gathered into the beaded bands that curves vertically down the front to form three cut outs. The bands extend out to form the straps that curve around the neck and hook into place.
• The waist is shaped to come in slightly and the silk curves back outward over the top of the hips.
• Below that the skirt falls to the floor in a cascade of copper coloured silk. It.skims over the hips and then the lower skirt flares out all the way around you. This gives a tremendous movement when you move.
• I love that the back is cut longer than the front for a beautiful sweep of fabric behind you.
• The dress is fully lined in a matching silk and closes with a hidden set zipper. The neck hooks into place at the back of the neck.
• Tagged a vintage Versace 38
• Excellent condition

Bust: to 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Total length: 60.5" from neck to front hem, 68" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5249

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from Fall 2008 collection and is a piece that would have been produced for the shops.
• It was made under the creative direction of John Galliano.
• The Collection celebrated the 1960s with Simon & Garfunkel's 'Mrs. Robinson' for the opening music. The models were styled with a nod to the 1960s but in a highly exaggerated way.
• Galliano said of the show "I am always looking for heroines who make me dream"
• The dress is made from a muted silver coloured silk. The silk is a beautiful weight and is just heavy enough to keep the shape that he wanted without it feeling too heavy.
• Straps extend outward from the middle of the front and curve over each side of your neck and then are angled back down to connect in the centre of the back.
• The bust is peaked and shaped. Inside it has a bit of a slightly stiffened lining to help hold the shape and mold it over the breasts. The fabric is softly pleated to angle in towards the centre where part of the silk extends out and is twisted to form a pretty 3D flower.
• From under the seam of the bust it falls over the body with a more generous feel. The silk is gathered in and pleated on one side and it does the same on that same side around the back. It has a more generous cut over the waist and hips. The bottom skirt widens out as it near the hem.
• The fabric at the hip on the opposite side of the pleating has been gathered and twisted to form too large flowers. These are a pretty extra detail and tie in the flower at the bust. They also are a clever way for him to have controlled the draping and the way the dress sits over and around you.
• The bit of flare on the lower skirt creates a pretty bit of movement around you when you move.
• The dress is fully lined in the same silver silk and closes with a hidden set side zipper. I see a couple of small faint marks underneath the bust area near the pleats. Please see the photo after the label shot. It does not detract from its wearability but is mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, IT44, US8 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5246

Reference Photos: Heather Graham at a Dior Party during the Marrakech Film Festival, 2008.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2008 collection.
• It was made under the creative direction of John Galliano.
• 2008 was John's 10th year at Dior and it was also the Dior label's 60th anniversary. To celebrated John created pieces for Spring 2008 based on some of his signature looks from the past decade.
• Finding a Dior dress in this colour and in the perfect condition that this dress is in is rare and I am very happy to have such an exquisite example of his work in the shop.
• The dress is made out of a ivory white silk chiffon that has hand embroidery added.
• When you stand still you get a beautiful long silhouette but the second you move the chiffon in the skirt and the back panels are picked up by the air and the dress becomes even more extraordinary.
• The skirt of the dress is made from bias cut ivory silk chiffon that sits over an inner silk lining. It is set around the waist and heavily gathered at one side to create the extra panel and volume on the one side. A small slit runs up from the hem on that side so you get a little bit of leg when you walk. The other side curves down to fall slightly longer and create a beautiful curved shape at the hem.
• The bodice is strapless and the neckline slightly curved at the front. Inside there is a built in boned and cupped corset that extends down to the waist. The chiffon over the bodice has been draped and gathered over to the side to tie in with the skirt. At the back, on that same side, there are two very long panels of silk chiffon. You can allow them to just drape down and behind you to catch the air and move as you walk or you can take one and drop it over the shoulder to get a more caped feel. I have photoed it both ways for you to see. 
• His signature row of silk covered buttons runs down the other side and then the last perfect detail is the extraordinary flowers that are embroidered over the dress.
• The flowers are what take the dress to its magical level of beauty. Soft pastel flowers are heavily embroidered onto the dress by hand so that they have a slight 3D effect. Little gold threads are mixed in between then along with tiny sequins and beads to catch the light. They are reminiscent of the flowers that Mr. Dior often used in his early work.
• It is a magical nod to the archives that perfectly combines past and present.
• Fully lined in an ivory silk. It has a full built in boned and cupped corset. The corset closes with a series of lingerie hooks and the dress buttons to close over that at the side.
• Tagged a Dior FR36, GB8, IT40, US4
• Excellent condition

Inner bust: to 16.5" flat across from side seam to side seam
Inner waist: to 12-14.5" flat across from side seam to side seam
Inner hips: to 19.5" flat across from side seam to side seam
Bodice: 9" from top of bodice to waist
Total length: 56" from top of bodice to the longest point of the hem and the panels extend to 59" from the top of the back bodice.

Modern Sizing Equivalent: XS-SML

Item# DD5245

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in a deep burgundy brown colour for the Fall 2002 collection as Look 65.
• It was made under the creative direction of the original Mr. Valentino.
• The dress is made from layers of a feather light black silk chiffon that is cut on the bias. It is an extremely easy dress to wear and fit because it has a definite caftan feel to it.
• It is cut to sits either just at the edges of the shoulders as I have shot it here or can be worn off the shoulders like how you see it was worn in the runway photos. I love how that bare expanse of skin offsets the fullness of the dress underneath. 
• The sleeves are phenomenal. Each is cut so that it is very full and wide. They cascade down the arm in a double layer of silk and they are split along the upper edge. Each sleeve is cut so that it falls on an angle so that the innermost portion of the sleeve falls much longer than where the outer edge lies creating a cascade of silk down your arm. The lightness of the silk chiffon gives them a ton of movement around the arm when you move.
• The top of each shoulder is gathered into a series of rounded pleats and more of the same rounded pleats sits on the side of each hip. Long panels of silk chiffon fall from under the pleats set on the outside of each hip. These are cut much like the sleeves with a double layer of silk chiffon stacked on top of each other and ending in different lengths. This adds a tremendous amount of movement to the skirt when you move. I love how they tie in the sleeves and skirt together.
• The dress skims over the body and widens out quite a bit as it nears the hem. This is what gives the dress its caftan feel. The back hem is cut longer than the front so you get a sweeping feel behind you. 
• The body of the dress is made from three layers of silk chiffon and these act as the lining. The sleeves are made of two layers of the silk as described above. The dress closes with a hidden set back zipper. It appears to have been worn very little if at all. Be easy cut should allow it to fit a range of sizes. On a smaller frame it will just drape more.
• Tagged a vintage Valentino 12
• Excellent condition

Sleeves: to 33" at their longest points and are full and open around the upper arm.
Bust: 18-19" flat across from side seam to side seam
Waist: to 16.5" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Total length: 61" from top of shoulder to the front hem and the back extends another 10" past that.

Modern Sizing Equivalent: MED-LRG

Reference Photos/Video: Fall 2002 Valentino, Look 65.

Item# DD5227

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in an ivory walked the runway for the Spring 2008 Oscar de la Renta Bridal collection. 
• It was made under the creative direction of Oscar de la Renta
• I had an ivory one in the shop before and know that the original price for the dress at retail was just under $20,000 USD even back in 2008 (the equivalent of just under 30k now). 
  
• Oscar launched his first bridal collection in October of 2002 and his wedding pieces have been worn by some of the most famous women in the world. He once said 'In the same manner that she fell in love with that man, I hope she's going to fall in love with that dress.' 
• The dress is strapless and cut to hug your curves from the bust to below the hips.
• From there is flows into a stunning skirt that sweeps around you and trains outwards at the back.
• Inside is an intricately constructed corset with boning and built in cups to shape and hold you and the dress in place.
• The fabric on this one is just extraordinary. The base is an black silk. Onto this is a complex design that is made up of stiffened black silk ribbon that has been folded into flower like designs that run over the entirety of the dress. These are all placed so that they sit slightly up and off of the fabric so that it has this wonderful 3D feel to it. Interspersed around these are black thread embroidery. The black embroidered parts are a combination of knotting, to add to the dimension of the design, and flat embroidery work. Various sized black beads are then worked into this pattern to add yet another element to the design. The end result is that every inch is covered with this amazing hand work.
• The dress has a true old world Haute Couture feel to it and it is rare to see a piece done so elaborately over every bit of the fabric. No matter how good it looks in the photos it is even better in person and on the body.
• The dress is fully lined in a black silk. The bottom hem of the skirt is finished with an interior wide band of stiffened netting and the dress closes with a hidden set back zipper. It has a built in interior corset bodice that is cupped and boned to be shaped all the way around you. There are pads that just inside the bust and if you need extra room they could easily be removed as they are just tacked in place.The interior corset closes with its own zipper. Finished to couture standards and tons of work by hand. 
  
• Tagged an Oscar size 6
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 55" from top of bodice to hem at the front and the back extends another 15" past that

Modern Sizing Equivalent: SML-MED

Item# DD5221

Reference Photos: Spring 2008 Oscar de la Rental Bridal.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A version of this dress walked the runway for the Fall 2009 collection for Look 29. 
• It was made under the creative direction of Junya Watanabe
• One was also shot for Vogue Korea that season. We have included all the reference photos so you can get an idea of how fantastically this will sit on the body.
• The dress still has its original tags and was never worn.
• The dress is wonderfully avant-garde in every way. It is like wearing a piece of soft sculpture once it is on.
• The dresses made out of a black nylon that is feather light and then inside of the layers through the body have a light padding added. This is what gives it the incredible volume and shape that you see. We have added nothing underneath to any of these photos.
• The sleeves have been create by a single layer of the nylon that extends out from either side of the neck line. An opening is left in each for your arm to slip through.
• The front and back both plunge in a V and are detailed with that big chunky gold toned metal chain. It is just a phenomenal idea and gives the neckline the weight to hold it in place on you.
• The chain curves and crosses over itself at the front and the again at the back. It scoops around to each side with one side showing on the exterior. The fabric. of the dress is all pulled and gathered into this chain and this is what creates the beautiful curving shape.
• There is an open keyhole created at the back where the chain meets. The dress is so well-made that I think you could wear it either way around if you wanted that at the front instead.
• The skirt is phenomenal. It is quilted and lightly padded and scoops back up and under itself at the hem to also attach back into the chain that curves around you on the inside. It is incredibly full and when I lay it out flat it makes a complete circle of fabric.
• His work is highly collectible and this is a phenomenal example.
• The folding back over of the layer of the skirt acts as the lining and the bodice is unlined. It slips on to wear with no closures. Its easy cut should allow it to fit a range of sizes. On a smaller frame it will just feel more oversized.
• The dress was never worn and still has all its original tags attached as well as a small piece of repair fabric in a clear pouch attached to the tag on the inner skirt.
• Tagged a Watanabe size M
• Excellent condition

Bust: approx 16-18" flat across from side seam to side seam
Waist: approx 14-19" flat across from side seam to side seam
Hips: open
Total length: approx 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5204

Reference Photos: (1) Fall 2009 Junya Watanabe Runway, Look 29.  /  (2) Vogue Korea, December 2009.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from 2006 and is a very cute little black dress that has a real bit of sexiness to it.
• It was made under the creative direction of Miuccia Prada
• The top portion of the neckline is made from a black silk chiffon so has a touch of transparency. The chiffon carries down the sides and then across and underneath the scoop at the back.
• The body of the dress is made out of a black silk that helps to hold the shape. It skims past the bust, widens out over the waist and then is very full over the hips. At the front it flares out in a pretty and full A-line to the hem.
• The back of the dress has a low open scooped cut out that leaves most of your back bare and exposed. The chiffon on either side and just under the scoop has a touch of transparency. It is so good.
• The back of the skirt is all gathered into a curved seam under that and this gives the fabric all of the volume that you see. Those gathers combined with the way it is cut let it sit up and off the small of your back a touch and this just emphasizes all the fullness back there even more.
• Under the skirt is a built in under skirt made out, helps to provide the volume that you see. I love how it kicks out past the hem of the dress.
• The dress is fully lined in a black silk and closes with a side set hidden zipper. It still has its original tag attached.
• Tagged a Prada 42
• Excellent condition

Bust: 17-18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Total length: 37.5" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5198

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a more modern piece by Giambattista Valli that I believe is from circa 2015.
• It was made under the creative direction of Giambattista Valli
• This is a fantastic day dress that is appropriate for the office but also can be worn to dinner or a cocktail events.
• The base of the dress is made from a stretch mix of silk and wool in a black that has a touch of charcoal feel to it. The stretch allows it to really form around the body but still feel extremely comfortable to wear.
• It is sleeveless and skims over the bodice. The waist nips in and is highlighted with a wide black grosgrain ribbon. From there it curves back over the hips.
• The skirt is cut in a chic pencil shape. A back vent lets you walk easily when wearing it.
• An attached panel runs down the front of the dress. This is made out of a wool that has a nubby thatched texture to it with little silver metallic lurex threads run through the fabric. It is subtle but really elevates the dress and is a beautiful added detail.
  
• The dress is fully lined in a black silk and closes with a black hidden set zipper.
• Tagged a modern Valli 44
• Excellent condition

Bust: 18-19" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the top of the 2" band at the waist
Total length: 39" from top of shoulder to hem with approx 1.5" turned under the ham

Modern Sizing Equivalent: MED-LRG

Item# DD5200

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 2005 show for Look 67 and was worn by supermodel Carmen Kass. 
• It was made under the creative direction of the original Mr. Valentino.
• Vogue said of the collection that "Valentino's couture touch brought exquisite workmanship to filmy lace blouses and brocade jackets as well as evening gowns that captured the seasons passion for Victorian and Edwardian effects." They went on to mention the feel of this gown specifically saying "courtly evening gowns had Tissot trains, composed of tiers of ruffles."
• On the runway they showed the dress with a silk sash around the waist in an olive green. Apparently this was a styling decision only and the dress was not sold with it once it became available.
• The dress is absolutely spectacular and showcases what made these original Valentino pieces so special under Mr. Valentino's direction.
• Tiny net straps in the same colour curve up and over each shoulder. Each one has been heavily detailed with hand set beads and sequins in a matching deep blood red burgundy. It is a subtle bit of added glitz that works perfectly with the dress.
• The dress curves across you at the front and is fitted around the bust. Tiny little gathers are done along the inset seam along each side of the bodice At the back it is scooped so your upper back is left bare and exposed.
• From there it comes in at the waist and then curves back out to glide over the hips. At the front it falls in a more smooth column and then widens out quite a bit for the lower skirt. A wide 10" ruffle  finishes the front hem. Inside of that ruffle, you can feel that there are layers of netting that help hold its volume in shape to create the width you see from the front of the lower skirts.
• At the back is where all of the full on drama of the dress begins. Four very full ruffled panels are set stacked horizontally, one on top of each other, with each one below the one above becoming wider and fuller. Each of the tiers of silk have more netting inside so they hold their shape and volume fantastically. You can see how the entire lower skirt at the back widens out substantially and trails behind you in a swooping train. It is absolutely phenomenal.
• The choice of the silk that he's used as some structure and helps to hold all the shape that you see. The colour is a deep ox blood burgundy that is just phenomenal.
• This is a truly spectacular dress and one that you will not see come around very often if ever again. These would have been special ordered by clients through the boutiques.
• The dress is fully lined in a matching silk and closes with a back hidden set zipper. The ruffles around the lower skirts all have stiffened netting hidden inside them to help hold the shape and volume that you see. More stiffened netting around the inner hem and beautifully made. It appears to have been worn very little if at all.
• Tagged a vintage Valentino 6
• Excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Total length: 62" from top of the shoulder to the front hem and the back extends another 9" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5193

Photos/Video: Fall 2005 Valentino, Look 67. Model Carmen Kass.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• I purchased this many years ago and was told this was a dress made under the creative direction of Olivier Theyskens.
• Theyskens debuted at Rochas in 2003 at the age of 25 and stayed at the brand until Spring 2015.
• The dress has a beautiful Victorian feel to it and the fabric is gorgeous. It is very light in weight and feels like a fine silk organza mix. Onto it is a stunning washed watercolour feeling floral print that covers the entire dress. It is very pretty.
• A pretty ruffle circles the collar and ruffles continue down the front on either side of the buttons. The bodice is detailed with stripes of black flat pile cotton velvet and the buttons are covered in that same fabric. The seams are exposed and deliberately top stitched with a embroidered feeling thread. The sleeves are long and each ends in a wide cuff that has a little bit of velvet detail.
• It skims over the bust and waist and is cut to be more full and easy through the body. The bodice extends down past the waist to a seam that sits on the top of the hip. The skirt is attached above the seam with an exposed serging all the way around you.
• The skirt falls from there to the floor and it is wonderfully full. It is gathered in around the seam at the hip and then opens out as it near the hem. The lower portion of the skirt is covered in the same detailing that we see on the bodice, combining the velvet ribbon, exposed seams and ruffles, but on the skirt it is flipped horizontally to wrap around you. Underneath the skirt is lined in a black woven netting that helps to hold the shape.
• It is beautifully detailed and the design is properly and carefully thought out and executed. Its loose easy cut through the body make it an easy to fit dress. I think you could even belt this to create a completely different feel to the dress and add more shape.
• They bodice is unlined and has a touch of transparency to it. The skirt is lined in black netting as described above. It closes at the front with the black velvet buttons. Each cuff closes with a series of five hidden hook and eye. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Sleeves: 26.5" and are 11" around the upper arm
Inset shoulders: 12"
Bust: 17" flat across from side seam to side seam
Natural waist: 16" flat across from side seam to side seam
Seam at the top of the hips: 18" flat across from side seam to side seam
Natural hips: open
Bodice: 19" from top and shoulder to waist
Total length: 61" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5189

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2008 Fendi runway for Look 19.
• It was made under the creative direction of Karl Lagerfeld
• This was a highly documented collection and this dress and versions of the dress especially were the outstanding pieces. On the runway it was shown with a belt that was sold separately in the shops. A version was included in the Met Museum's 2023 exhibition "A line of beauty". Its twin was used for the ad campaign that season and it, and a version of it, were used in editorials that year.
• The dress is very interesting in how it is made. There is a silk organza outer layer with its circular print on the skirt and more print on the sides of the bodice. Underneath that layer of the skirt is a second silk chiffon layer that has its own different print scattered all the way around the skirt so you get this diffused feel of the print underneath the top organza layer. It is very interesting.
• The dress is suspended by two tiny straps that curve over the shoulders and hook into the low waist at the back. This leaves the entire back bare and exposed.
• At the front, two triangles of fabric curve up to meet those straps and are plunged to the waist. A panel of printed silk has been set in behind those to provide some coverage and also add yet another design detail.
• The waist is defined by a wide band of the organza and then the two layers of the silk fall from there to make the skirt. Depending on your height this will fall mid-calf or slightly lower. The skirt has many yards of silk organza and silk chiffon underneath  that and it has the most incredible movement as a result. The lightness of both those fabrics allow it to pick up the slightest bit of air.
• The printed silk chiffon layer under the skirt acts as the lining and the bodice is backed in silk chiffon. It closes with a hidden set zipper at the back with two button buttons on the waistband. I see a couple of small marks. There are to faint dots underneath the band at the front to the side, a mark in the print of the skirt and another near the hem. All are fairly faint and because of the print and amount of fabric do not create a huge impact. Please see the photos after the label shot
• Tagged a vintage Fendi 38
• Excellent overall condition

Bust: the front triangles covers to a total of 16" flat across from side to side
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 13" from top of shoulder to top seam of the 3" band at the waist
Total length: 50" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5184

Reference Photos/Video: (1-4) Spring 2008 Fendi, Look 19. Model Bruna Tenorio.  /  (5) Spring 2008 Fendi Ad Campaign. Model Raquel Zimmermann.  /  (6) Photo by Mark Seliger.  /  (7) credit unknown.  /  (8) The MET's Spring 2023 exhibition, A Line of Beauty.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the second time we have had this dress in the shop. This one is smaller than the first and if you missed out this is your chance.
• It was made under the creative direction of Donatella Versace.
• The dress is made out of a red silk mix that has a crepe like finish to it that gives it a slightly textured finish.
• It falls from a twisted shoulder that curves up and over on one side. On the other side there is a thin strap that runs over the shoulder, crosses down the back, and then snaps into place along the side.
• Inside there is a full cupped and boned inner body suit corset to hold the dress in place and shape it over you.
• A panel extends out from one side of the waist and loops through a built-in loop to snap into place. This gives the illusion of a panel that drapes down the full front but it is actually all built-in and attached. It is a very clever design.
• Multiple strands of silver tone chains and rhinestones extend out from where that loops sits. They cross & drape over each other to wrap around the waist and down the hip and then attach in along the back.
• Under that the skirt skims over the hips and then flares out from there to the floor. The skirt is very full by the time it reaches the hem.
• All of that fabric that falls from the loop at the waist conceals an extremely high slit up one side so when you walk or move you get a flash of bare leg. It is very sexy. The side with the slit is cut slightly shorter and this gives you a beautiful sweeping effect around you as you move.
• Inside there is a full built-in bodysuit that snaps to close at its base and then the dress closes with a hidden side zipper. I see a bit of grubbiness here and there near the hem.
• Tagged a vintage Versace 42.
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 64" from top of shoulder to shortest part of the hem, 71" to the longest
Slit: 35" from the front hem up

Modern Sizing Equivalent: XS-SML

Item# DD5180

Reference Photos: Tracee Ellis Ross at the Vanity Fair Oscars Party, 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Fall 2004 and it is a very famous Valentino dress. 
• It was made under the creative direction of the original Mr. Valentino
• Pierpaolo later remade this dress as an homage that was almost identical. I have had that dress as well and there are key differences. This is the original version.
• The dress is strapless and made out of a red silk in the signature Valentino red.
• The dress is made out of long set, vertical panels that run from the top of the bodice all the way to the hem. At the front the silk is gathered into both sides of the middle panel. The dress is shaped around the body by manipulating the width of the panels.
• One of the key signatures of this dress are the two large silk flowers that sit on either side of the hip. On the original dress these actually top pockets that you can slip your hands into. The pockets on this dress have their original tacking in place.
• As the dress falls over the body and near the skirt panels wide. There are also triangle shaped silk panels added in around the back of the skirt. This is what allows the skirt to flare out and move so dramatically when you walk.
• The dress is fully lined in a red silk with an inner built-in lightly boned corset piece that zips on its own. The dress zips to close over that with a hidden set zipper that follows one of the seams. I see some minor stress to the fabric on either side of the zipper and couple light dots on the front panel. Please see the photos after the label shot.
• There is no size tag present. The dress is very tiny and there is no give to the measurements. It would be very difficult to let this one out as the marks would show on the fabric.
• Excellent overall condition 

Bust: 13" flat across from side seam to side seam
Waist: 11.5" flat across from side seam to side seam
Hips: 15" flat across from side seam to side seam
Total length: 51" from top of bodice to hem

Modern Sizing Equivalent: XXS - this is tiny! 

Item# DD5181

Reference Photos/Video: (1-5) Fall 2004 Valentino, Look 53. Model Caroline Trentini.  /  (6-7) Penelope Cruz in Valentino at the 2004 David Di Donatello Movie Awards.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 2001 collection and both this purple and a black version were shown on the runway.
• The dress was made under the creative direction of Thierry Mugler.
• Mugler was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• The dress is extremely difficult to show on a dress form because of the cut through the upper body and arms so please refer to the runway photos for reference. It is spectacular on the body.
• The dress is made out of a purple silk crepe mix that has a slight texture to it. 
• A high collar wraps around the neck and the collar is detailed with a silver metal mesh. Onto the mesh are various sized rhinestones set in silver bases. All of them are stitched on one top spot only so they have this incredible little bit of movement.
• A long keyhole at the front open in a V all the way to an empire set seam at the waist. At the back there is an open slit down to the waist seam so you get a flash of skin there as well.
• The waist is defined with a wide band of the same purple fabric and I love how it curves upward at the front to meet the bottom of the keyhole there.
• The skirt flows over the hips and gently widens out as it nears the hem. There is a high slit up the centre front seam which lets a bit of a leg to show when you walk.
• The sleeves are spectacular. They are split on an angle coming out from the collar. The open split runs all the way down to just above the elbow and then they narrow down to the cuff from there. This gives them an incredible amount of movement around your arms.
• Each cuff ends in the same highly detailed mesh and rhinestone combination that you see on the collar of the dress and I love how this ties everything together. The cuffs are set on an angle where they fall past the hymn of the sleeve with the mesh ending in a point so that it goes down and over the top of your hand.
• The dress is fully lined in a black silk and closes with a hidden set back zipper under the slit. It hooks to close at the back of the neck and each cuff has a zipper closure.
• Tagged a vintage Mugler 42
• Excellent condition

Sleeves: approx 26" and the metal mesh falls another 4.5" past that. The upper arm is open because of the open slits. The neck is 14" from end to end
Bust: 16-18.5" flat across from side seam to side seam
Waist: to 15.5" flat across from side seam to side seam
Hips: 19-20" flat across from side seam to side seam
Bodice: 10.5" from neck to seam under the keyhole
Total length: 62" from neck to hem
Slit: 25" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5165

Reference Photos/Video: Fall 2001 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 2007 show for Look 43. He repeated the same design through the upper bodice for Look 18 and we have included a photo of that look here for reference.
• It was made under the creative direction of John Galliano
• In the book 'Dior Catwalk' they note that the Collection "managed to translate the intricate Japanese inspired references and techniques of Galliano's previous Haute Couture show for ready-to-wear, from origami folding and gravity defying pleats to elegant draping, tiered skirts, striking headpieces and bright colors." Women's Wear Daily hailed the collection as "a brilliant blockbuster, a glorious celebration of the grand and glamorous."
• Once worn together, you get the feel of a full length dress, but it is a two piece set with its original belt included. Both pieces are made out of a dusky purple hammered silk that has incredible drape.
• The top slips on and zips to close at the back. The shoulders are soft and the sleeves are cut long and on a curve to follow the shape of the arm. Each sleeve is cut a little longer than a normal sleeve so that when they are on the body they bunch up along your arm just slightly. This was a Galliano signature. There are no traditional armhole seams. Instead, they just curve outward from the body of the top and there are gusseted seams underneath. These are all extra steps that you rarely see anymore in the construction of arm holes and sleeves.
• The neckline comes in a shallow V and then all of the silk is gathered up and into the intricate fold at the front and this is where you see the references outlined in the book quote above. 
• The set comes with its original hand dyed snakeskin belt that you use to cinch in the waist. It is meant to sit over the top of that incredible front fold to create the look that he showed on the runway. The buckle of the belt is finished in deep purple rhinestones.
• The skirt that goes under the top is equally as incredible. It skims over the hips and there is an extra panel of fabric that puddles and drapes down one side from just below the hip and runs all the way to the floor. Under that panel is an incredibly high slit that goes all the way up to the top of the thigh. The skirt flares out as it nears the floor and the hem has a touch of an asymmetrical feel to it with the side with the panel falling longer past the hem than where it starts on the inside portion of the slit.
• On the runway you can see the high slit as the model moves and this skirt has that same detail.
• This is an exceptionally rare set especially since it comes with its original belt.
• The top slips on with a hidden set short zipper at the back of the neck. The belt has a rhinestone encrusted buckle and the skirt closes with a side hidden set zipper. There is a teeny bit of lift on the edges and wear marks on the belt that are minor and if I hold the skirt up to the light I see a tiny bit of stress marks under the waist seam of the skirt but it does not show at all otherwise. I am being very picky. Both pieces otherwise appear to have been worn very little if at all.
• Both pieces are tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Top
Sleeves: approx 26-27" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: to 18.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Bottom seam: 19" flat across from side seam to side seam
Total length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 49" from waist to the shortest part of the hem, 54" to the longest
Slit: 36.5" from the shortest part of the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5167

Reference Photos: Fall 2007 Christian Dior, Look 43 & 18. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was a part of the Spring 2002 final Haute Couture collection by Yves Saint Laurent.
• "I have chosen today to say goodbye to the craft that I have loved so much. The next show to which I invite you, on Tuesday, 22nd January at 6 PM, at the centre of George's Pompano, will predominantly be a retrospective of my work… Some designs from the currencies will also be shown." This was how Yves the announced his intention to retire and leave the world of Haute Couture. That final show was over an hour long and was presented to a room of 1500 hand picked guests.
• A total of 371 garments were shown that day with pieces from the beginning of his career to the final collection.
• Recreations of some of his most famous dresses were made available and each has the special label that you see in this dress with both the original date of the labels inception and the 2002 date.
• This is one is a recreation of the famous Fall 1984 dress. We have included references of both the original and the twin of this one in the show.
• It is an extremely rare and wonderful piece of YSL history.
• It would have been entirely made by hand in the Paris atelier.
• The neckline sits wide across and the shoulders are soft. The sleeves narrow to their ends and all of the upper bodice is done in a fine black light in weight wool that has a slight texture.
• The waist is defined by two wide panels. They attached and are gathered in along each side and this gives the shape you see. The top panel is a purple and the bottom a deep pink.
• The dress skims over the hips and then falls to the floor flaring outward as it reaches the hem. The back is cut slightly longer than the front and you can see the extra fabric built in there to create a sweeping feel behind you.
• Every line is meticulously thought out and the technique to create the lines of this dress showcase his decades as one of the premier modern Couturiers in the world.
• The dress is fully lined in a hand set black silk and closes with a side set zipper. An inner waist hooks to close and the dress buttons above a small keyhole at the back. Each end of the sleeve closes with zipper. All of the inner seams are done by hand and the entire dress is made to modern Couture standards. Its proper numbered Couture tag is present.
• There is no size tag present so please go buy the measurements listed below.
• Excellent condition and appears to have been worn very little if at all.

Sleeves: 21" and are 16" around the upper arm
Shoulders: 15"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 12" from top of shoulder to top of the 10" band at the waist 
Total length: 56" from top of shoulder to front hem and the back extends another 5.5" past that with just under 2" turned under the hem.

Modern Sizing Equivalent: MED-LRG

Item# DD5140

Reference Photos/Video: (1-3) Spring 2002 YSL Couture, Look 229.  /  (4) Fall 1984 Yves Saint Laurent Haute Couture.  /  (5) Vogue, November 1984.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an amazing example of his work from Fall 2006 and it is gorgeous. It is very similar to a dress that I had in the ship recently but this one is more elaborate and much longer.
• The dress was made under the creative direction of John Galliano.
• This version was made for the shops and like all of the more elaborate bead work pieces he did would have only been released in limited quantities.
• This is a really striking dress that is also very easy to wear because of its simple and bias cut. 
• The dress is made from three layers that are attached at the top of the shoulder and then float over each other from there. The inside layer is a black silk chiffon and then there is a layer of black silk chiffon that has a texture to it over that. The very top layer is that same textured silk chiffon.
• The dress has a very loose and easy cut through the body.
• The bodice has a beautiful draping neckline at the front and it does the same at the back. One shoulder is wider and a panel draped down from it to form the neck line. The other shoulder is a combination of silk chiffon with a raw lace edging. On that side, there is a tide bow at the top of the shoulder.
• The bodice on the side with the wider strap has pinned detailing that runs vertically down the dress, and the side with the more narrow strap is swept up to one side where there's a large flat bow and a bit of a ruffle created. That ruffle continues all the way to the ham so it appears that the dress has been wrapped around you and the bow is holding it all in place.
• Scattered vertically over the dress are a beautiful design that combines tiny seed beads and silver sequins topped by a tiny bead. These are all set by hand and you can see that on the back. They detail the neckline and then run in little cluster set vertically down the length of the dress.
• Many of the edges have a raw finish, which adds a delicate added texture to the dress that is very pretty.
• This side that has the ruffle feel going all the way to the ham has a split on all three layers so you get a flash of skin and it adds to the beautiful movement. The dress has. The back skirting is cut longer than the front so you get this fantastic sweeping field behind you as well. 
  
• Because this dress is all cut on the bias and is so long and easy through the body it really needs a body inside of it to bring it to life. As good as it looks in the photos here it is phenomenal in person and on the body.
• The inner silk chiffon and middle tulle layer act as the lining underneath the top layer. The innermost layer has no closures. The middle layer closes with its own hidden set zipper, and the very top layer closes with one of his signature tightly spaced rows of silk covered buttons.
• The bias cut allows for some range and movement, so I put the comfortable range in lane flat below
• Tagged a FR40, GB12, US6. 
• Excellent condition 

Bust: 15-19" flat across from side seam to side seam
Waist: 14-17.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total Length: approx 61" from top of shoulder to front hem and the back extends another 12" past that. Because of the bias cut, it may come up slightly once on.

Modern Sizing Equivalent: XS-MED

Item# DD5124

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the runway for Look 53 and its an iconic piece. 
  
• Made under the Creative Direction of John Galliano. 
  
• This collection marked Dior's 60th anniversary and it was also Johns 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide and both colour versions were produced in very limited quantities.
• The red has also been seen on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.
• The dress is made out of a luxurious black silk. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do.
• It is all cut on the bias.
• The bodice is strapless with an inner boned and cupped corset that holds the dress in place.
• Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front.
• At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist.
• From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties.
• The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a sweeping feel behind you as you walk.
• A row of signature tightly spaced buttons & loops in the same silk run up one side.
• It is an incredible example of his work and looks to have been worn very little if at all.
• Fully lined in a black silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I have given the comfortable range when the dress is laying flat below. 
  
• Excellent condition

Inner bust: 17-18" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 56" from top of the bodice to front hem, 78" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD5114

Reference Photos/Video: (1-4) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (5) Aishwarya at the IIFA 2008.  /  (6) Lucy Hale at the People's Choice Awards, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Fall 2005 runway for Look 51.
• Made under the creative direction of John Galliano.
• The dress has all of the elaborate over the top details that you would expect from a Galliano runway piece.
• The bodice of the dress is elaborately pleated. The black silk jersey that it is made out of has been draped and gathered into a V at the front that is edged in velvet. The rest of the bodice is made from a silk with stiffened ribbon shown on the exterior all the way around. This sits over an inner corseted and cupped bodice.
• Straps connect to a silver D ring at the centre of the neckline and then they curve up and over your shoulders and attach at the sides of the back. On the runway, they were gathered so they appear more narrow, but you can also wear them to create a little almost capped cape feel like I have shown here. I love that you have the versatility of wearing it either way. 
• The waist is seamed and a cord finished with little Dior embossed clips runs through the waist and allows you cinch it in as needed.
• The skirt falls from under there in a beautiful bias cut. The entire top portion of the hip is gathered into elaborate panels to pick up on the box all the way around you. The skirt falls from there and widen out as it near the hem. An oversized and elongated pocket is top stitched onto one side and elaborate velvet, sequin and net flowers sweep over the entire skirt.
  
• The upper back is left bare and I love that little curving peak that he has added there for extra detail.
  
• Fully lined with an inner silk skirt and a fill built-in silk cupped and boned inner corset bodice. It zips to close with a hidden set zipper.
• Tagged a FR36, GB14, IT46, US10. 
  
•  Excellent condition
  

Bust: 18.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Bodice: approx 17" from top of shoulder to waist
Total length: 52" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5096

Reference Photo/Video: Fall 2005 Christian Dior Runway Collection, Look 51. Model: Irina Bondarenko. 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This is a variation on Look 52 that walked the runway for the Spring Prada 2004 show
• Made under the creative direction of Miuccia Prada
• Vogue said of this collection: "Over almost a decade of ground-breaking experimentalism, Miuccia Prada has explored everything from irony to deliberate ugliness to intellectual subversion. She’s been there, done that, and has the souvenirs to prove it. For Spring 2004, the designer turned her attention to the stiffest fashion challenge of the day: how to make feminine, happily nostalgic clothes without rehashing the clichés of vintage?“ It was about tourism and craftsmanship, many things,” she said of a show that revisited the optimistic fifties to bring back a full set of densely packed suitcases." 
  
• The dress is made of of an ultra fine, ultra light cotton in a deep ivory.
• It is strapless and the fabric has been done in extremely fine pleats with embroidered edges on some of the pleats. These sweep across and around the bodice. One one side the pleats are hand tacked down in a line that curves down one side. On the other side of that tacking the pleats begin to open up to sweep downwards and start to form the skirt. 
• The skirt is made of five tiers of the cotton with attached under layers of silk and netting. This creates an extraordinarily beautiful  draping all the way down the skirt.
• The cotton is printed with an ultra fine pattern made of fine little dots to form tiny clusters of flowers. These cover the entire dress. It is extremely beautiful and has a very delicate and feminine feel.
• Inside there is a net and cupped bodice that is lightly boned for support.
• It closes with a back zipper. An inner waist stay hooks to close. The construction of the dress is a nod to the dresses of the 1950s and it is very beautifully done.
• Tagged a Prada 42
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Inner hips: to 17" flat across from side seam to side seam
Total length: 36" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5090

Reference Photo: Spring 2004 Prada, Look 52. Model Elise Crombez.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Fall 2007 dress by John Galliano
• Made of a combination of an ivory silk chiffon that is covered in an ivory net lace
• The dress has a strong nod to the 1920s. It is generously cut through the waist and has a scooped neckline.
• Silk chiffon has been formed into little rosettes on either side of the buttons that run down the side of the dress. Panels of chiffon wrap around the waist from the flowers to add a bit of detail and shape.
• There is a long panel of silk that hangs from one of the rosettes at the front. You can allow it to just trail down the front or hook it over one of the rosettes at the back to create a pretty draping down the full side of the skirt.
• The dress is very light in weight. The silk chiffon underlay acts as the lining.
• It closes with the series of silk covered buttons down the side
• Tagged a Galliano FR38, GB10, US6
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 46" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5092

Reference Photo: Fall 2007 John Galliano, Look 6.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a signature bias cut dress from the Spring 2002 collection by John Galliano
• Made under the creative direction of John Galliano
• There are no closures on the dress. It is completely cut bias and you just slip it over the head to wear and it just falls into place skimming over the body from head to toe.
• The cut of the dress has a strong nod to Couture pieces of the 1930s and 1940s decades that he continuously referenced in his collections.
• The fabric has a silk like finish and is a deep black. Various Galliano logos have been woven directly into the fabric in a different finish thread so as you move these catch the light. The effect is fantastic once it is on the body.
• The fabric obviously would have been custom designed by Galliano and made specifically for this dress
• It scoops down into a V at the front and the back with a band highlighting the entire neckline. It skims over the waist and hips from there and flares out at the lower hem. 
  
• The back is cut longer than the front so you get this fantastic sweeping feel behind you. It is in its original uncut length.
• A high slit runs up one side for a flash of leg when you walk.
• Unlined and slips on to wear with no closures.
  
• The measurements have a lot of range because of the bias cut and no closure so I have given the comfortable range for all below when laying out flat. There is probably a little extra room beyond my measurements, but I do not like to over pull when measuring.
• Tagged a FR42, GB14, US8
• Excellent condition and it appears to have been worn very little if at all.

Bust: 16–19" flat across from side seam to side seam
Waist: 14–17" flat across from side seam to side seam
Hips: 18–21 " flat across from side seam to side seam
Total length: 60" from top of shoulder to front hem and then it extends another 8" past that at the back

Modern Sizing Equivalent: SML-MED

Item# DD5080

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This jacket is from the Spring 2006 collection and it is a beautiful classic and timeless Chanel jacket. 
  
• Make it under the creative direction of Karl Lagerfeld
  
• The collection was called "Coco meats, James Dean" and the idea was that Lagerfeld organized this imaginary meeting between the two. In real life they had never met but in his eyes he saw them as being rebellious figures and wanted to explore the meeting of the two stylistically.
• The jacket has a gorgeous woven feeling to it tweed exterior and is a mix of silk and cotton.
• The shoulders have very light padding but are soft and shaped to the body and the sleeves are slightly cropped. Each sleeve has a fringe finish to it.
• The collar is scooped with the same fringe finishing and then the jacket closes down the front with hand made buttons to look like wax seals. A double C has been stamped into each button.
• Two tiny top set pockets sit on each side and these also have a fringe finish.
• The jacket has elaborate vertical seaming that pieces all of the panels together to give shape to the jacket.
• Triangle inserts have been done all the way around the hem so that it flares out with this fabulous little peplum. The bottom hem of the jacket is finished in fringe.
• Inside it is lined with a meticulous black silk that follows the pattern of the jacket. There is a signature silver chain that runs around the inner hem.
• Tag a Chanel 38
• Excellent condition

Sleeves: 20" and are 12" around the upper arm
Shoulders: 14.5"
Bust: 16.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Total length: 21.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5066

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A very pretty little dress by the Chloe label
• The Fall 2006 collection was designed by the in-house team
• The dress is strapless and gathered across the bodice. The waist nips in under that and then the chiffon of the skirt flares out and is brought back in under the skirt.
• Underneath the edge of the skirt there is a pretty little scalloped ruffle set in three layers so you just see a touch of it peeking out from the edge of the hem.
• Some of the chiffon has been gathered along one side of the waist and then a wide, deeper ivory, panel of fabric wraps around the waist and is brought into a half bow on one side with the ends trailing down.
• An exposed zipper closes it at the back
• The dress is fully lined in an ivory silk 
  
• Tagged a Chloe 36
• I see some shallow marks under each arm and tiny bit of fraying along the edge. 
  

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 6.5" from top of bodice to waist
Total length: 30" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5060

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress walked the Spring 2009 runway for Look 62 
• Under the creative direction of Karl Lagerfeld
• This is the actual dress that was worn by Catriona Balfe for the Season 5 premiere of Outlander in 2020. 
• In the book "Chanel Catwalk" the notes on this collection tell us that for this show they rebuilt the facade of 31 rue de Cambron inside of the Grand Palais. The collection played homage to classic Chanel style. The palette of the show was mainly black, white, pink and grey. Many of the pieces had a touch of a lingerie inspiration in them, including this gorgeous dress. It was one of the outstanding pieces in the show and it is even more beautiful in person. My photos don't come close to doing it justice. 
• The upper bodice and shoulders of the dress are made of a fine silk netting that has a touch of transparency to it. It breaks at the back to leave a bare expanse of skin down the centre. 
• A muted silk satin, with a more matte finish, is used to create a tiny little bodice piece that wraps around you.  A little bow sits at the centre front for a pretty and feminine touch.
• The skirt falls from that empire cut and flows outward to the floor, expanding by quite a bit as it nears the hem.
• It is made of four layers, a top black silk net layer, a more ivory layer under that, and then two inner black silk organza layers that sit next to the skin.
• Fully lined in silk behind the bust area and the inner two layers of the skirt are a black silk organza.
• The bodice buttons to close  with two pewter coloured silver metal buttons at the back and the dress zips to close under that.
• Tagged a Chanel 38.
• I see a couple of very tiny and little minor pulls and breaks in the skirt near the hem that don't affect it at all but are mentioned for accuracy and a repair near the edge of the arm opening. Overall excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Seam under the waist: to 15" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Bodice: 10.5" from top of shoulders to waist
Total length: 62.5" from top of shoulders to hem

Modern Sizing Equivalent: XS-SML

Item# DD5050

Reference Photos/Video: (1-4) Spring 2009 Chanel Runway, Look 62. Model Kim Noorda.  /  (5-6) Catriona Balfe, in this dress, at the season 5 premiere of Outlander, February 2020.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in the Spring 2003 show for Look 64
• Under the creative direction of the original Mr. Valentino
• It was the only dress shown in this entire collection that season that was done in his signature Valentino red. So when you look through the collection photos it really stands out.
• The show was a huge success and Vogue especially loved the evening pieces; "For the evening review, it gets even better. Valentino's communiqués from his couture collection show up as delicate metallic-embroidered chiffons made into fragile capes, cardigans or dresses. And for the grand occasion, there's a full battalion of the designer's fabulous signature chiffon gowns." 
• Suspended from the shoulders by two tiny straps in the same red silk. The bodice is seamed just under the breasts and have minimal darting. 
  
• It skims over the waist and hips and then from there it falls to the floor in a beautiful column of the red silk crepe.
• The back of the dress is cut slightly longer so you have a tiny bit of a sweep behind you.
• Two panels of silk chiffon wrap around the waist area to add detail and shape the dress. The panels are attached all the way around you and then loop through openings at the front of the dress. The ties are cut extra long and fall to just above the hem at the front of the dress.
• The dress closes with a hidden set side zipper.
• The top panel of the bodice is lined in a red silk and the rest of the dress is unlined.
• Tagged a vintage Valentino 10.
• I see a touch of grubbiness here and there around the hem but otherwise excellent condition

Bust: 17-17.5" flat across from side seam to side seam with a A-B cup
Seam under the bust: to 17" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: just under 4" from top of bodice to seam under the bust at the middle and it is 10" from the top of the strap to the seam under the bust
Total length: 61" from top of shoulders to front hem, 63" to the back hem. 

Modern Sizing Equivalent: SML-MED

Item# DD4916

Reference Photos/Video: Spring 2003 Valentino, Look 64.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this gorgeous suit walked the Fall 2008 runway as Look 37
• Under the creative direction of John Galliano
• The show celebrated the 1960s with the opening music Simon & Garfunkel's 'Mrs. Robinson'. The models were styled with a nod to the 60s but in a highly exaggerated way.
• Galliano said of the show "I am always looking for heroines who make me dream"
• The suit is a brilliant green silk /cotton mix which keeps it light in weight but has enough structure to allow it to hold its intended shape perfectly.
• The collar is wide and exaggerated and the suit closes with matching silk covered buttons and hidden set snaps down the front.
• A little bow sits at the centre of the front and little flap pockets still have their tacking in place on each hip. The hips are shaped to curve outwards.
• The end of the sleeves and the around the entire hem is heavily embellished with big round silver discs, glass or stone polished pieces, mixed with little gold sequins.
• The skirt is cut in a little bit of a flare and will sit just above the knee depending on your height.
• Both pieces are lined in a green silk
• The jacket snaps and buttons to close down the front and the skirt closes with a hidden set side zipper
• The jacket is tagged at FR42, GB14, IT46, US10. The skirt is tagged FR36, GB8, IT40, US4.
• I see a teeny darkened mark on the skirt near a seam and a teeny faint spot on the back that is very minor. There are some missing embellishments here and there. Otherwise, it is in excellent condition.

Jacket
Sleeves: approx 20" and are 12" around the upper arm
Shoulders: no true seam
Bust: 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Bottom of jacket: 20" flat across from side seam to side seam
Total length: 21.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 19.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5027

Reference Photos/Video: Fall 2008 Christian Dior, Look 37. Model Heidi Mount.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a gorgeous little Spring 2001 Chanel set with a tweed boucle jacket and a silk chiffon skirt. The owner paired a Chanel cashmere shell from Fall 1999 with this suit and we are adding that in as a bonus. The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl. You can see some of those colours reflected in this set. It is always nice to have a set with multiple pieces because the opportunity to mix a match with things that you already own just makes it that much more versatile.

The jacket is made from one of the classic Chanel signature fabrics that combines a fine wool with tiny sequins sewn onto some of the stripes woven through the tweed. I love the little shot of glitz this adds. The colour is done in shades of pinks that keep it very rich in feel. The jacket is a great cut. The sleeves are long and I love the addition of the silk chiffon cuffs at the end of each sleeve that ties it perfectly in with the skirt. The collar is notched and vertical panels run down the front on either side of the buttons. Another of these panels runs down the centre of the back. This add structure to the jacket and it is also what the belt of the jacket loops through, which is very clever. The jacket buttons to close down the front and the belt snaps into place. This tops a pretty silk chiffon skirt that is made out of a silk chiffon with the Chanel logo printed in little watercolour painted feeling squares. It has a simple banded waist and the upper part of the skirt is more fitted with closed pleats circling around the hips. These open up from there so the skirt has lots of movement and softness around you. The skirt is lined in deep fuchsia silk. The little bonus shell that goes under this is a perfect purple sleeveless top made of the finest Chanel cashmere. This is classic Chanel and it is exceptional. Excellent condition with a minor note below.

The jacket is fully lined in a Chanel embossed fuchsia silk and buttons to close down the front. The belt loops around the jacket and snaps to close. A classic Chanel chain is stitched along the inner hem. Light padding in each shoulder. Some of the colour has rubbed off of all the buttons. Please see the photo after the label shot. The skirt closes with a MOP button at the waist and zips to close under that. The shell is unlined and slips on to wear. The jacket is tagged a Chanel 36, the skirt has no size tag but feels generous in cut and the shell a size L.

And just a note on their fabrics.... The Chanel boucle and tweeds are created with their proprietary method of weaving that they themselves describe as "by weaving the warp and weft, using a variety of different kinds of threads which creates a unique and somewhat irregular appearance. The warp – vertically strung – is the background of the fabric, the base that will support the assembly of materials. There can be up to 12 different threads used for a single warp. The weft – woven horizontally – gives the fabric its unique character and can have an unlimited number of threads. Tight, perforated, textured, thick, with a relief, plaited, random, twill… the potential number of effects is endless". This technique gives you that classic Chanel look.

Jacket
Sleeve: 23"
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 26" flat across from side seam to side seam
Length: 20" from neck to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 23" from waist to hem

Shell
Bust: to 19" flat across from side seam to side seam
Waist-hips: to 18" flat across from side seam to side seam
Total length: 21.5" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5015

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this gorgeous Spring 2001 Chanel set walked the runway that season. The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl. Models had logos written on their faces and even their nails with a 'specially produced varnish embellished with diamante chips'. This look was heavily styled with accessories for the show and I loved when you see the pieces paired back you understand just how fantastic they really are. No one does cashmere like Chanel. The fabric of the skirt is yet another amazing example of just how high -end their fabrications for ready-to-wear are. 

This Chanel set is so good. These are the kind of pieces that you see in real life and it makes you swoon. As good as it looks in the photos it only really comes to life on the body. Both pieces are absolutely beautiful. The sweater is so pretty in its own right. There is a definite nod to the tennis sweater in its design. The cashmere has a defined ribbing through the body and sleeves, and then the cuffs, hem and neckline are done in a finer ribbing for contrast. Also like a tennis sweater, it has a classic striping around the neck line and the cuffs. It is cut to sit soft and easy on the body so that it feel simple with the perfect amount of casualness. I love the little pocket that sits on one hip and there is a little Chanel emblem under that. It has the double C logo on a grid which to me is a little nod to the tennis net. The skirt is equally as amazing. Here we have wide ribbed cashmere detailing around the waist and then we have a beautiful Chanel tweed boucle done in soft coral and peaches on a ivory backdrop. Big oversized belt loops sit along the the waist line and they have little snaps in behind at their centres in case you want to wear a different size belt, or have a belt sit higher or lower. They are held in place at their bottoms by a dome pearl button that has Chanel embossed on it. There are little pockets set along the inset front seams. The skirt is cut in a sharp little A-line. I love how the sequins done in a mix of pastel peach, coral and white, are used to highlight the grid pattern of the tweed. This is a superb Chanel set that is just exceptional. Excellent condition.

The sweater is unlined and the skirt is lined in a Chanel embossed ivory silk. The sweater slips on to wear and the skirt closes with a hidden set back zipper. Both pieces appear to have been worn very little if at all. The colour and textures are even better in person. Both pieces are tagged a Chanel 38. The sweater has some stretch and the comfortable range of measurements while laying flat are below.

Sweater
Sleeves: 24" and are 11-14" around the upper arm
Shoulders: 15"
Bust: 19-22" flat across from side seam to side seam
Bottom of sweater: 13.5-18" flat across from side seam to side seam
Total length: 22" from neck to hem

Skirt
Waist: 12.5-17" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 23" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD5009

Reference Photos/Video: (1-3) Spring 2001 Chanel.  /  (4-5) From the book "Chanel Catwalk: The Complete Collections".

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress walk the runway for the Fall 2001 Chanel show. The show title was "Coco Pop" and part of the show had references to pop artist Roy Lichtenstein. Stripes were an important part of the collection and I love how that is picked up with the sequins that adorn the front of this jacket. You also have that grid pattern on the rest of the dress that is made from combining little closed rectangles of stripes placed against each other resulting in that pretty design. I love having the reference photos for you so you can see how gorgeous this is once on the body.

The dress is a simple shift with little cap sleeves and a scooped collar. In person it is a bit more of a pastel pink tone and even prettier than how it photoed here. All of the seams through the body of the dress are set vertically. As they move over the body they gently create the curve of the dress so that it skims over you and is very flattering. I love the combination of wool and sequins. It is unexpected and lets the dress work for both day and evening. Only the front of the dress is a done in sequins. Karl kept that front-only detail even on the cap sleeves who have sequins only on their fronts. The sequins run horizontally on a panel set down the centre of the dress. Across the waist there is a strap adorned with two Chanel buttons. If you look closely at the buttons, he incorporated that same pattern in the wool part as the background of each button. I love that detail. The fabric is light in weight but is still has structure so that Karl was able to sculpt the shape he desired. It is so pretty and easy to wear. Excellent condition.

Fully lined in a peach silk chiffon and closes with a hidden set back zipper. This one has its original Chanel placket with extra fabric and an extra button inside. There is a very minor, slight change in colour near the edge of the inner lining under the arms. Please see the photo after the label shot. Tagged a Chanel 36.

Sleeves: 11" around the opening
Shoulders: 14.5"
Bust: to 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5011

Reference Photos/Video: Fall 2001 Chanel Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This gorgeous little dress was a dress was based on a combination of Looks 10 and Look 52. This version has been done in all black, it has the one shoulder cut of Look 10 combined with the bead work and embellishments that you see on look 52. Vogue said that the collection was done "in an electric-bright palette.. and channelled Barbara Hutton's sixties—a glittery, lame, paisley, and leopard-print world of muumuus, bikinis, capri pants, trapeze dresses, cat-eye sunglasses, and scarf-wrapped hats. It bordered on camp... and Kitschy or not, there was no denying the workmanship that went into crafting the large collection." I love that the photo of the blue dress still shows you how fantastic this is on the body.

The dress is made out of a black silk chiffon that has a slight bit of texture to it. It is cut on the bias with seaming at the waist for a bit of structure. The wide shoulder panel curves over to the back and at the front it drapes across the bust. On both sides of the bodice there is a spray of intricate floral appliques detailed with black jet beads and sequins. These catch the light beautifully as you move. The waist nips in and the dress comes with its original belt that lets you cinch the waist in as much as you like. I love the big jewel buckle of the belt. The skirt flares out under that to the hem. There is a good amount of silk chiffon through the skirt which gives you gorgeous movement when you move. It is stunning. A signature row of tightly spaced buttons run up one side. A very pretty and wearable example of his work. Excellent condition with a small note below

Fully lined in a black silk and closes at the side with a series of silk covered buttons. The belt comes in its original Dior pouch. I see one tiny hole near the hem. Please see the photo after the label shot. Tagged a FR42, GB14, IT46, US10.

Inner bust: 18.25" flat across from side seam to side seam
Waist: 14.75" flat across from side seam to side seam
Hips: open
Bodice: 18" from the top of the shoulder to the waist and meant to blouse over the waist a bit
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4800

Reference Photos: Cruise 2008 Christian Dior. (1) Look 10. Model Chanel Iman.  /  (2) Look 52. Model Mariya Markina.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Note that due to new regulations this can only be shipped to a Canadian address

This is the twin of Look 27 from the runway and it is an exceptional piece of Gucci history. It was featured in Vogue that season on Natalia Vodianova and I love that these show you how great this is on the body. The Vogue review said 'The Gucci girl’s got legs—long, tan, flawless ones striding along on silver peep-toe sling-back pumps. Follow them all the way up, and around two weeks later, they eventually meet the hem of the minutest piece of clothing that was ever called a skirt or dress. For spring, in a word, Tom Ford says short. Using lustrous fabrics in subtle makeup colors from blush to tawny brown, pearly gray and silver, Ford draped and wrapped his gorgeous girls in clothes that navigated that dangerous Gucci line between innovation and vulgarity. The tousled hair, the jackets and tops poised to fall off shoulders—the whole presentation stirred sensations that fashion hasn’t felt since the last days of the great supermodels. Still, don’t think tacky. Ford’s obsession now is integrating fine workmanship into abbreviated silhouettes." The feather dresses were mentioned specifically; "He brought couture finesse to racer-back feathered dresses with the merest flip of a skirt....it was a confident statement in the power of glamour. And fashion needs that.' To this day this is one of the most recognizable of his pieces. 

This dress is thought of as one of the top ten Gucci pieces that Tom Ford designed. The dress is meant to be worn very short and daring. It shows off miles of legs. The top plunges low at the front and the back curves in to create a racer-back leaving your back bare on either side. It skims over the waist and hips and then flares out at the skirt. The skirt has two tiers of feather detailed ruffles and this extra little flounce gives it movement when you move. It is made from two layers of weightless silk with a silk grosgrain ribbon edging. The feathers are a mix of a dyed soft pale yellow mixed with some soft light taupe natural feathers for depth and interest. I took a photo of the back of the silk of the skirt and you can see that each feather was hand placed onto the silk  Vogue referenced couture in the review I added above. It snaps to close under the ribbon at the side so there is no break anywhere with a zipper. It just looks like it somehow magically formed it on you. It is an incredible piece of Tom's history with the brand. Excellent condition. 

Fully lined in a pale taupe nude silk chiffon and has hidden set snaps at the  side to close. Tagged a YSL 42. Some of the ends of the feathers have separated a bit on the natural spots it curves but this is just part of aging for a piece like this. I don't consider this a flaw but its mentioned for accuracy.

Bust: approx 16" flat across from side seam to side seam with open sides. each halter is 6" wide at its widest point
Under-bust to waist: 13.5" flat across from side seam to side seam
Seam at top of hips: 16.5" flat across from side seam to side seam
Length: 30" from neck to hem but can be pulled up as short as you want

Modern Sizing Equivalent: XXS-XS

Item# DD4001

Reference Photos/Video: (1-8) Spring 2003 Gucci Runway Collection, Look 27. Model: Louise Pedersen.  /  (9) Natalia Vodianova, wearing Gucci, Vogue, February 2003. Photo by Steven Klein.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The program notes told the audience of the Spring 2009 runway show that Mcqueen had been thinking of Charles Darwin's theory of the survival of the fittest and 'the deleterious results of industrialization on the natural world'. The show was title 'Natural Dis-tinctions, Un-Natural Selection' and the McQueen book notes that 'the cat walk was filled with antique taxidermy, including an elephant giraffe tagger zebra and polar bear, in an art space that was formally of Paris morgue.' The twin of the dress was a part of the second portion of the show that was meant to 'continue to draw inspiration from natural forms, flowers, crystals and minerals, but here they were engineer with a hard as an enhanced to convey the synthetic qualities associated with modernity and human touch. Prints were angular and invoked crushed crystal, metallic structures such as the Eiffel tower and a granite mountain that was borrowed from a Dan Holdsworth triptych.' This collection was noted as being one of his most commercial to date during this time period and these print pieces especially had instant appeal.

This is a very recognizable piece that can instantly  identify as being a McQueen. The colours are amazing. The fabric is almost like a neoprene in the way it looks and feels and yet it is not a true neoprene. It is lighter and thinner with just enough weight to it to hold the shape but without it feeling restrictive on the body. The shape is built into the dress beginning at the shoulders. Each is lightly padded so that they sit up on top of the shoulders. It skims over the bust, nips in at the waist and then curves out at the hips. Even when laying flat you can see the shape built into the dress. At the neckline there is a keyhole that has a nude netting in behind it. I love the way that the seams at the hip curve in and over the waist to just under the bust. This precise seaming and cut are all done to give that exact shape that he wished the piece to have. When styled on the runway with the plastered hair around the face it had an almost alien feel to it that was fantastic. The dress looks to have never been worn and is in mint condition. It is an extraordinary piece of Alexander McQueen history and having a runaway pieces from him in the shop are always an exceptional thing. Excellent condition

Fully lined in a ivory tissue silk and it closes at the back with a hidden set zipper. Tagged a McQueen 38. It appears to have been worn very little if at all. 

Bust: 15.5" flat across from side seam to side seam with room for an A-small B cut at the front
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4360

Reference Photos/Video: (1-2) Spring 2009 Alexander McQueen Runway, Look 24. Model Alex Sandor.  /  (3) Page from the book 'Alexander McQueen' edited by Claire Wilcox.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists or in the very occasional circumstance that there are similar pieces only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 2004 collection and is the original sample from his archives. 

The first thing you notice about this jacket is the extensive embroidery. It is incredible. The base is a brown velvet and onto that is an extensive pattern made from hand applied black silk cording, little metal mesh pieces formed into leaves and thousands of different size gold beads and sequins that are hand applied over that. It has a beautiful tailored cut with light padding in the shoulders and long sleeves. The waist is brought in with meticulous shaping and seaming so it has a beautiful curve. There is a hidden hook and eye to keep it closed. The hips flare out from there for beautiful shape. It is meticulously tailored. John told me that creating jackets was one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. The collar is a rich chocolate coloured silk and it is a neat rounded shape that plunges down the front in a sleek V. The beads, silk cording, sequins and other appliques are all applied by hand and are set into a dense pattern that covers the entire jacket. To think of the man hours put into this jacket is incredible. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $10,000 and more during this time period which would be around $25k in modern dollars to recreate at this level. This is the original sample jacket. Excellent condition

Fully lined in a black silk with a hook and eye closure at the front. Padding in each shoulder. Made by hand. A one of a kind.

Sleeves: 25" long and 12" around the upper arm
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Lower seam: 18.5" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4578

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This dress is from John Galliano's own label and is an incredible example of his work from this time period. This is a production piece that was not shown on the runway but would have been made in limited quantities for the shops. For this season he had emphasized a glamorous hourglass shape mixed with nods to pinup girl lingerie style dressing. These bias cut dresses always harken back to his love of the 1930s and 1940s and you can see that influence in them. This dress with its cut out detailing and that fantastic draping of fabric across the shoulders is absolutely beautiful. This is classic Galliano and is extremely flattering once on the body.

The dress is made out of a deep purple silk that has a slight bit of texture to it. It is completely cut on the bias in that signature cut he does so well and that we all love. The dress falls from a delicate strap that curves up and behind the neck and then it drapes down and over the body to the floor. The bias cut of it allows the dress to skim and drape over you so that it shows every curve but is not overly fitted. The fabric has been pieced together with dropped and angled panels throughout to create the beautiful shape that you see. The dress is suspended from tiny straps that curve up and around the neck. At the back, the strap meet behind the neck and then drop down the centre of the back and panels of silk are suspended from it. These curving panels can be worn either down and under the arms or you can drape your arms through them to create a beautiful curving 'sleeve' effect over the arm. I think that on a real body you might even be able to get clever and do some other styling tricks with them as well. The dress glides over the body past the bust, waist and hips and then flares out as it reaches the hem. It buttons to close down the side with a row of his signature buttons covered in the same silk and then on the other side the fabric is gathered in and up into a wired circle. The circle is open in the centre and the panels that gather into the circle have been cut out and opened so that it forms the shape of a flower trailing over one hip. The dress is lined in a crepe silk but you could choose to remove that lining and have that side be completely bare so that your skin showed through if you wished. I have seen this dress in another colour where someone did that and it looked great. It is an incredible feat of patterning. The dress is even better in person and on the body as the photos cannot fully convey how a bias cut dress moves. It will only truly come to life when worn. Excellent condition with a minor note below.

Fully lined in a slightly deeper purple silk crepe and closes at the side with a series of silk covered buttons. I see perhaps a tiny pull in the fabric here and there which happens with this fabric and a bit of shininess here and there from pressing near seams. All minor and mentioned for accuracy. Tagged a FR42, GB14, US8. The bias cut should allow it to fit a range of sizes with it just draping more in a smaller frame

Bust: 16-19" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 63" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD4599

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Spring 2006 season and it is gorgeous. This dress was a piece made for production and is a more minimalist version of the dress that walked the runway for Look 40 that season. It has all the things we love about his work presented in a beautifully chic and minimalist package that still has that strong impact of colour that the runway version had.

The dress is made out of a feather light silk chiffon that moves beautifully over the body. It is all cut on the bias so is easy to wear. I love the cut of the bodice. Twisted silk chiffon straps extend out from a peak at the centre front. They curve up and around the neck and then they fall down each side of your back. The entire back is scooped low so you have this bare expanse of skin showing. It drapes over the bodice and skims over the waist with an easy more generous feel. A gathered band of the silk chiffon is wrapped around the top of the hips and a long tie extends down all the way to the hem from where that attached sash meets at the side. From there the dress drapes to the the floor and widens out a touch as it nears the hem. A slit runs up one side of the skirt and this allows the silk to catch the air and move easily around you as you walk. The seaming is a nod to the work you see from the twenties and thirties. The colour and the way that it changes as it moves down the dress is of course one of the most important elements of the piece. It starts out to be a soft taupe at the top and then gradually changes to a pale pink to a vivid pink around the lower skirt and ends in a deep dusty fuchsia. It is stunning to have this brilliant pop of colour. A signature row of tightly spaced silk covered buttons run up one side for the perfect finish. The dress is even better in person and on the body as the static photos cannot fully convey how the dress moves once on the body. Excellent condition.

Fully lined in a matching taupe silk and closes at the side with a series of silk covered buttons. The bias cut allows some movement in the fabric and I have put the comfortable range when laying flat below. Tagged a vintage Dior F40, GB12, IT44, US8

Bust: 16.5-18" flat across from side seam to side seam
Natural waist: 16-17.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: approx 63" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4953

Reference Photos/Video: (1-7) Spring 2006 Christian Dior, Look 40. Model Michelle Buswell.  /  (8) Monica Bellucci wearing Dior at the 2006 Cannes Film Festival.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Dolce and Gabban launched in 1985 by founders Domenico Dolce and Stefano Gabbana  who still run the label to this day. After a shaky start in the first few years, by the 1990s they they had started to open their own boutiques and had become a force in fashion. In 1993 Madonna chose them for her 1993 Girlie Show tour and they gained world wide recognition. They are known for their dramatic designs that are heavily inspired by their Sicilian heritage. This dress came to me from the same owner as the black 2008 one I just put in the shop and she told me it was purchased around the same time period. It is a dress that is incredibly beautiful. It would obviously make an amazing wedding piece for the bride looking to go the non-traditional route or as a part of a wedding weekend of events, but I think it is also a dress that could cross over and be worn to other events. We have found more history in this dress and you can see the story in our instagram by linking here. 

The dress is made from a pale nude silk tulle net that has a touch of a pink tine to it. This is then layered over inner layers of more tulle, lace netting and silk. The bodice is strapless and has a heavy application of cut out flowers added over the tulle all the way around you. They are placed to fall past the seam that sits under the bust and over onto the top of the tulle as it begins to flare out into that incredible top layer. As the dress moves down to the ham, you see more cut out flowers scattered over the entire dress. At the front, there is a cluster of soft silk chiffon flowers that add a beautiful detail. Small versions of these are also scattered over the top layer of the dress, all the way to the hem..This incredible treatment on the top layer of the dress really adds to the depth and texture of the dress. That entire top layer of tulle tents over the dress to create volume all the way around you and to sweep out behind you. Under those layers is an inner dress that has a dotted lace. I love the effect of this peeking out tulle. More layer sit under that. Besides the visual effect this creates, this technique of multiple layering also gives the dress some of its structure so that it holds the shape around you once on. The bodice is strapless and cut on a soft curve across the neckline. There is a built in boned corset on the inside for shape and to hold the dress in place on you. It curves in just slightly to skim over the waist and then curves back out for the hips. The top skirt is set to fall to the floor with all of the beautiful volume that you see in the photos. The top layer of the skirt gets progressively wider so that it is very full by the time it reaches the hem. The inner hem falls to the floor, but that top outer layer falls slightly longer all the way around you and then it sweeps out behind you. It is incredibly beautiful and romantic. Excellent condition with a minor note below.

Fully lined in a soft nude pink silk. The innermost layer of stretch silk goes to just above the knee. It closes with a back zipper and then the tulle layer snaps over that to hide the zipper. Inside the bodice is a cupped and boned corset. I see one vertical repair in the tulle of the skirt at the back otherwise it appears to have been worn very little if at all. Tagged a Dolce & Gabbana 36

Bust: 13-15.5" flat across from side seam to side seam with an approx A cup built into the front
Waist: 11-12.5" flat across from side seam to side seam
Inner hips: to 18" flat across from side seam to side seam
Bodice: 5.5" from top of bodice to seam under the bust
Total length: 60" from top of bodice to front hem, 69" to the back hem

Modern Sizing Equivalent: XXS-XS

Item# DD4955

Reference Photo: Kylie Minogue for her 2012 release of the single ‘Flower’.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is a gorgeous little set that was one that was produced for the shops that season. It is very pretty and has that perfect feel of the work that Galliano was doing for the label during this time period. 

I always love finding a pretty little set like this because it just gives you more options to be able to style the pieces. With this particular set you also get the option of wearing the top tucked into the skirt or letting it lay above the skirt's waist-line for a softer feel. Both pieces will also mix and match with other things you already have in your closet. The pieces are made from a pretty silk that has a secondary deeper ivory flower woven into it with a different finishing thread. There are also little medallions of embroidered clusters of flowers as well as a scattering of gold flower and leaves. This gives the fabric in almost antique feel that is gorgeous. The top buttons to close and is suspended from the shoulders by tiny straps that come out from the centre of the top and cross over the upper back on the other side. The top has the feel of a lingerie piece with soft gathered cups and little insets of lace underneath the breasts. Both the top edge of the camisole and the bottom hem are detailed with a lace finish that has a pretty ivory ribbon running through it. It buttons to close up the front. My dress form doesn't have quite enough chest to really have this sit on it properly but it will be better on an actual body. The skirt is a little masterpiece. It has a banded waist for shape and then it is made of several panels placed horizontally on curving bands down the skirt. When you lay it out flat it is tremendously full across the bottom and this is what lets it fall in those pretty folds that you see here. It is a gorgeous little set. Excellent condition.

Both pieces are unlined. The top closes with a series of MOP appearing ,Dior engraved, buttons down the front. The very bottom button is missing. The skirt zips to close with hidden set snaps on the waistband. Tagged an FR36, GB8, IT40, US4

Top
Bust: to 16.5" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total Length: 23.5" from top of bodice to waist
Skirt: " from waist to hem

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: open
Total Length: 26" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4937

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is the second time that I have had this dress in the shop and I love it even more now. Three versions of this dress in this print were presented on the Fall 2000 runway that season. The twin of this one was worn by Trish Goff. Vogue's review of the collection states in part; 'Fall 2000 was, overall, the season of the lady. One who had polish—and, likely, two homes and one eye on the fluctuating stock market. “With the Dow Jones and Nasdaq soaring and plunging like a late-sixties hemline,” wrote Sally Singer in Vogue, “it was perhaps inevitable that many designers would choose for fall 2000 to forgo fantasy and get back to basics—luxe basics, that is.” I think this was one of the best dresses in that collection and I am very pleased to have it again.

The dress is a stunning example of the work that Lagerfeld was doing during this time period. It has an easy sexy feel to it. It feels like the kind of dress that you just throw on and walk out the door in and feel fabulous. The silk chiffon is feather light and has an amazing print in pinks and purple that covers the entire surface. The fabric is draped and gathered over the body to create the very feminine silhouette that you see. There is an inner purple lining that goes to just below the hip so that the silk has something to attach to, and the dress is opaque enough to wear. Over that the silk is gathered in soft sweeps around the body. There is a curved panel of fabric attached along one hip that drapes down and around the hips and then another panel attached at the top that drapes over one shoulder and that you can wear straight down and over the top of your arm. Because all of the panels are unlined you get this interesting play on the overlapping of the pattern. The skirt that falls beneath where the lining ends has a touch if transparency that gives a glimpse of the shape of the leg underneath. It is cut on an angle to further play on the asymmetrical feel of the dress and slit up one side of the skirt. This means that when you walk and move the slightest bit of air catches that layer of chiffon and it moves beautifully around you. The famous double C logo is worked through the print for the perfect finishing touch. It appears to have been worn very little if at all. Excellent condition.

Fully lined in a purple silk chiffon through the body of the dress and closes with a hidden set side zipper. Light boning on either side of the bust. Tagged a vintage Chanel 40. Because it is bias cut the length will come up once it is on.

Bust: 16.5" flat across from side seam to side seam 
Seam under bust: 14.5" flat across from side seam to side seam 
Natural waist: to 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 6" from top of the bodice to the seam under the bus
Total length : approx 65" from top of shoulder to longest point on hem

Modern Sizing equivalent: XS-SML

Item# DD4928

Reference Photos/Video: Chanel Fall 2000 Runway Collection, Look 72. Model: Trish Goff.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When searching for the date of this dress, we found a runway piece from Fall 2003 that has very similar bead work through the skirt and was shown with a different bodice at the front, but with the same crossed over strap open cut back. I love that you can get an idea of how well it moves by the runway video. It is truly a beautiful and extraordinary dress and a gorgeous example of the work the original Mr. Valentino was doing for his self named label.

I love the bareness at the top of the dress with its bare back and the front draping neckline. It is a dress that really comes alive once on the body. It is very light in weight despite its extensive bead work and sequins that cover the dress. It is all cut on the bias so once you slip it on it just skims over the body. The dress is made from a bias cut black silk chiffon combined with a silk netting. The netted portions are covered with thousands of tiny black sequins and beads in a variety of shapes. A little beaded strap curves up and over the shoulders to criss cross over your bare back. A panel of silk chiffon at the front creates a pretty drape. It skims over the waist and then curves over the hips. The skirt flows to the floor from there and widens out a bit as it nears the hem. It is cut a little longer at the back to give a slate sweeping feel behind you. Panels of silk chiffon run down the back for a little added detail. Excellent condition with a minor note below

Fully lined in a black silk chiffon and closes with a back hidden set zipper. Hand finishes. I see minor missing beads and wear to the back hem and there is a couple small areas where the netting has popped out of the seams a tiny bit. Please see the photos after the label shot. All minor. Tagged a vintage Valentino 6

Bust: no true side seams but will cover up to 16" flat across the front bodice
Waist: 12-12.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 63" from top of shoulder to front hem, 68" to back hem

Modern Sizing Equivalent: XS-SML

Item# DD4632

Reference Photos/Video: (1-4) Fall 2003 Valentino, Look 70.  /  (5-6) Rupi Kaur in this dress for the South Asian Excellence at the Oscars Event, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This set is from Spring 2002 and it is fabulous. On the runway this print was shown throughout the first part of the show and the jacket and pant that make up the set were shown separately. I love that this gives you some styling ideas when you don't want to wear them together as the full set. The book Versace:Catwalk noted that Donatella's "graphic floral prints echoed Andy Warhol's multi huge floral paintings as did the backdrop". I love that.

This two piece set combines a beautifully cut jacket with pants that are beaded from the knee down. I always love a suit because of the ability this gives you to mix and match the pieces with things you already own. The incredible floral print give the suit this incredible rock 'n' roll feel. The jacket is tailored with a sleek cut that follows the curves of the body. It has no collar and the sleeves are long with a notch opening up each wrist. A series of tightly spaced, hidden set, hook and eye close the jacket at the front. It comes in at the waist a touch for shape and is meant to follow the curves of the body, but without being too tight. The floral print that covers the jacket is spectacular to see. The fabric of the jacket is an almost canvas feeling cotton mix with a slight texture that gives the perfect backdrop to the print. The pants are made of a super light in weight stretch fabric that lets the pants hug the body like a second skin. There is a small band at the waist that is meant to flip inwards and then nothing else to break the eye as they fall in a fairly straight boot cut to the floor. From about the knee down the floral print is covered in matching coloured beads and sequins. These catch the light terrifically as you move. It is fabulous and a great little piece of fashion history. Excellent condition

The jacket is lined in an ivory Versace logo embossed fabric and hooks to close at the front. The pants are unlined and close with a back zipper. Padding in each shoulder of the jacket. Both pieces appear to have been worn very little if at all. The pants are tagged a 42 and the jacket has no size tag present. The hips of the pants have some stretch and the comfortable range is given in the measurements below.

Jacket
Sleeves: 24" and each arm is 14" around the upper arm
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Bottom seam: 17.5 flat across from side seam to side seam
Length: 23" from neck to hem

Pants
Waist: to 15.5" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Length: 40" from waist to hem with 2" turned under the hem
Inseam: 31.25" and the gusset is 14" from back of waist to inner leg seam

Modern Sizing Equivalent: SML-MED

Item# DD4895

Reference Photos/Video: (1-9) Spring 2002 Versace (Look 9 (jacket) & Look 51 (pants)).  /  (10) From the book "Versace: Catwalk".  /  (11) Spring 2002 Versace Ad Campaign by Steven Meisel.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.