• This dress is from the Fall 2003 Cavalli collection and is a variation of Look 30 
• It was made under the creative direction of Roberto Cavalli
• Leopard prints were predominant through the runway presentation and the backdrop of the catwalk was a giant wall of video screens. The runway equivalent to this dress was deeply plunged at the front but this production piece with its corset front is far more wearable and easy to fit in my opinion. We have included runway video and stills to show you the similar fit through the body and how it will move
• The dress is made of a leopard print bias cut silk chiffon that is phenomenal. Within the leopard print there are printed gold chains that run over the dress and accentuate the curves of the body underneath. They also build on the cut of the dress itself.
• The dress is suspended from two tiny straps in the same silk that curved up and over the shoulders. The straps have a touch of elastic inside to help it fit perfectly once on. At the back they curve slightly inwards and attach. The entire upper back is left bare and exposed.
• There is a built-in inner underwired bra that holds everything in place. This gives you the structure you need while still keeping the feel of a bias cut dress over that.
• The dress curves in at the waist with a combination of long curving vertical seams and ones set in peaked angles that curved downwards. It curves back out over the hips from there. Everything is cut on the bias and there are no horizontal seams to break the print or lines of the dress.
• The lower skirt flares out with quite a bit of fabric used for its construction. The back has extra fabric and is cut a little longer than the front so that you have a beautiful bit of fabric behind you as you move. The extra fabric also gives you wonderful movement as you walk. 
• I love how all of the seams around the bodice are pieced together with an obvious brown thread stitching them together. The way this is done allows for a little bit of bare skin to show between the stitches. It is a subtle detail but a fantastic one.
• The final perfect finishing touch is the laced back. This allows you to adjust the fit perfectly to you and it gives the dress the perfect signature Cavalli sexiness.
• The dress is unlined and closes with the laces at the back. The straps have slight elastic in them and there is a built-in underwire bra to create a corset effect. It appears to have been worn very little if at all.
• Tagged a modern Cavalli Small
• Excellent condition 

Bust: to 16" flat across from side seam to side seam when it is tightly laced up. Loosening the laces would give you whatever extra room you needed around.
Waist: 12-14" flat across from side seam to side seam
Hips: open
Total length: the very front centre is 60" from top of shoulder and then it starts to curve around to end up being 67" at the back. 

Modern Sizing Equivalent: XS-SML

Item# DD5479

Reference Photos/Video: Fall 2003 Roberto Cavalli, Look 30.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2016 Roberto Cavalli Collection and it is a piece that was produced for the shops.
• It was made under the creative direction of Peter Dundas.
• The dress is made out of a white jersey that has some stretch to it which makes it very easy to wear and comfortable once it is on the body.
• The neckline is scooped with a slightly wider cut. The shoulders are soft and the single sleeve that the dress has is long and slightly tapered into the wrist.
• It skims over the bust and is gathered in along one side to add some shape to the waist. From there it curves back out and over the hips to fall to the floor in one long sweep of jersey. The dress is in its original uncut length.
• The detailing on the dress is phenomenal. A heavily detailed snake that combines gold tube beading with rectangular and round prong set rhinestones and tiny silver tube beads is set on top of a three dimensional padding. This gives the snake a rounded out shape so that it slightly sits up and off of the fabric.
• The tail of the snake starts on one side of the neckline, wraps around the back collar, and then runs down the front to follow the low cut opening that your arm slips through. It curves around and into the waist, back around the side of the hip, and then the head of the snake sits just above an extremely high slit at the side.
• The snake detail is incredible. I love how he dropped the depth of the arm hole on one side and then balanced that with the high slit on that same side. It feels very sexy but the placement of the snake and the structure that is added by the under padding holds everything perfectly in place once it is on. It is quite ingenious.
• The dress is fully lined through the body with a second layer of the same white jersey and the sleeve has no lining. It zips to close at the back with a hidden set zipper and there is a zipper at the cuff of the single sleeve. I see perhaps the tiniest bit of grubbiness along the inside collar and around the edge of the hem. There are a couple of teeny tiny pulls in the fabric. I have photoed one for you that is at the back near the zipper. Please see the photo after the label shot. These are all extremely minor and noted for accuracy. The fabric does have some stretch so I have put the comfortable range of measurements below.
• Tagged a modern Cavalli 44
• Excellent condition

Sleeve: 24.5" and are 12" around the upper arm
Bust: covers to 15-17" flat across from side to side with no true seam on the side without the sleeve.
Waist: 13-16" flat across from side seam to side seam
Hips: 19-22" flat across from side seam to side seam
Total length: 67" from top of shoulder to hem, the slit is 33" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5473

Reference Photo: credit unknown.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from Spring 2003 and its twin with a gold sequin version of the skirt was worn for Look 19. 
• It was made under the creative direction of Roberto Cavalli.
• Christina Aguilera wore the gold sequin version for an editorial that same year.
• The corset is made out of a yellow printed silk chiffon that has been cut out and applied on a nude netting. So you have parts of it that have a touch of transparency. 
  
• It has an inner bodysuit built-in that snaps to close and holds it in place. Inside it is fully boned and has wired cups. It laces to close at the back and this allows you to adjust the size.
• The skirt is meant to be worn more low slung on the hip so you see the skin between the corset and the skirt. You can also wear it higher if you don't wish to show that little bit of skin.
• The waistband is made out of a denim and then the rest of the skirt is finished in red sequins that are square in shape and set to overlap each other. The button that closes it at the front of the waistband has a little snake circling it and Roberto Cavalli embossed into it.
• This is an extremely rare set and highly collectible.
• The skirt has some of its paint worn off off of the sequins in areas and I am not sure if that is something that has happened over time or if it was a deliberate distressing. These were stored closely together at some point and part of the red has rubbed off onto the laces of the corset a bit and around the edge. Even with that small flaw it is absolutely amazing. The paint on the sequins seems to come off easily with water so it should not be worn if it is raining and they should be stored with something between them.
  
• The skirt zips and buttons to close and is lined in a red silk. The corset laces to close at the back and has a full built-in stretch lingerie corseted bodysuit inside that is boned.
• The corset is tagged a Cavalli vintage medium and skirt is a vintage Cavalli small.
• Excellent overall condition with the notes above

Note that I have measured the corset with the laces fully tightened. You could open the laces as much as you needed from there.

Corset
Bust: 14-16" flat across from end to end with the laces tightened to wear their it shown on the dress form. You can adjust upwards from there by loosening the laces as needed.
Waist: 12" flat across from end to end with the laces tightened to wear their it shown on the dress form. You can adjust upwards from there by loosening the laces as needed.
Bottom seam: 16.5" flat across from end to end with the laces tightened to wear their it shown on the dress form. You can adjust upwards from there by loosening the laces as needed.
Total length: 16" from top to bottom

Skirt
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Total length: 10.25" from waist to hem

Modern Sizing Equivalent:

Item# DD5440

Reference Photos/Video: (1-4) Spring 2003 Roberto Cavalli, Look 19.  /  (5) Christina Aguilera in Roberto Cavalli. Photographed by Mark Abrahams for Marie Claire, 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A shorter cut version of this dress walked the runway for Spring 2004 Cavalli collection.
• It was made under the creative direction of Roberto Cavalli.
• The silk used on the dress is extraordinary and is all cut on the bias. It has a slight texture to it and the pattern that runs over the dress has the feel of being hand painted.
• To achieve this effect the design would have been created specifically for the dress how it lays over the dress pre-planned before the silk was cut. 
• Following the pattern are fused lines made out of a gold metallic glitter for an extra touch of glitz. 
• The dress is suspended from tiny silk straps that curve up and over the shoulders to attached in at the back. Little triangle sit over the bust and they are set in with seams that angle down towards the sides. It skims over your waist and hips, and then the lower skirt falls in different lengths to hem.
• The skirt is made up of panels that are attached into the dress on different angles. This gives it incredible fullness and allows it to open up around you when you move. It is cut longer at the back so you get this pretty sweeping line around you and this adds to the movement that it has.
• The dress is unlined and slips over the head to wear. The bias cut of the silk allows it to drape around you once on. It appears to have been worn very little if at all.
• Tagged a Roberto Cavalli vintage small.
• Excellent condition

Bust: 15-17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Total length: 41" from top of shoulder to shortest part of the front hem, 62" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5430

Reference Photos/Video: (1-4) Spring 2004 Roberto Cavalli, Look 23. Model Elise Crombez.  /  (5) Natalia Vodianova by Glen Luchford for Harper’s Bazaar, 2004.  /  (6) Scarlett Johansson for ELLE Magazine, 2004.  /  (7-8) Sienna Miller at the Serpentine Gallery Summer Party, June 2004.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2007 collection and it is a version of the blue dress that walk the runway for look 14.
• It was made under the creative direction of Roberto Cavalli.
• Rihanna wore its twin to the 2007 Grammys which is an amazing reference for you to be able to see what this looks like on the body.
• It is absolutely beautiful with its intricate pleating that runs over the entire dress. I love how the pleats are set in different directions to pick up on and highlight the cut of the dress.
• It is made out of a light silk chiffon done in the prettiest soft green colour. It feels more of a pastel green in person than how it shot here.
• The front panel is set to run across the body with all of the pleating done on an angle to follow the line of the neck line and of the bottom of the panel that wraps around the waist. Where your arm slips through there is a wide band of green silk that circles over the shoulder and around the arm.
• A second panel extends out from the side of the waist and curves across the back to meet the opening for the arm. This leaves large portions of bare skin showing all the way down one side and above and below the panel of the back. It is very sexy.
• The skirt and waist have a band of the same solid green used around the arm. The band is meant to sit a bit low slung on the hip and you can see that in the photos of Rihanna on the red carpet. If you wear it higher up the top will blouse over more.
• There is a light line of tiny stitching that runs across the lower part of the front of the bodice. This is done so the silk doesn't sit way off the body if you chose to wear the waistline up higher and it blouses over. It is a brilliantly thought out technical detail. 
• There is an incredible amount of fabric in the skirt and the long vertical pleats help it to flare out. The lightness of the silk chiffon combined with the bounce of the pleat creates amazing movement when you walk.
• The bodice is lined in a green silk and there is a built-in bottom part of a bodysuit that sits just inside and under the waist band. It hooks to close and helps hold the dress in place. The skirt is lined in a matching green silk chiffon. I see a couple of very tiny marks in the pleats of the skirt here and there and the faintest possible mark near the edge of the panel that goes under the arm. It closes with a hidden set back zipper and you just slip your arm through the circle at the side of the top. 
• Tagged a vintage Cavalli 42
• Excellent condition

Bust: the front panel covers 14-16" flat across with no true side seams
Waist: 17" flat across from side seam to side seam and meant to sit at the top of the hip
Hips: open
Bodice: approx 21" from the top of the shoulder to the top of the waistband
Total Length: approx 65" from top of the shoulder to hem 

Modern Sizing Equivalent: XS-SML

Item# DD5402

Reference Photos/Video: (1-4) Spring 2007 Roberto Cavalli, Look 14. Model Jessica Stam.  /  (5-7) Rihanna, in Roberto Cavalli, at the 2007 Grammys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2003 Cavalli collection and is a variation of Look 30 
• It was made under the creative direction of Roberto Cavalli
• Leopard prints were predominant through the runway presentation and the backdrop of the catwalk was a giant wall of video screens. The runway equivalent to this dress was deeply plunged at the front but this production piece with its corset front is far more wearable and easy to fit in my opinion. We have included runway video and stills to show you the similar fit through the body and how it will move
• The dress is made of a leopard print bias cut silk chiffon that is phenomenal. Within the leopard print there are printed gold chains that run over the dress and accentuate the curves of the body underneath. They also build on the cut of the dress itself.
• The dress is suspended from two tiny straps in the same silk that curved up and over the shoulders. The straps have a touch of elastic inside to help it fit perfectly once on. At the back they curve slightly inwards and attach. The entire upper back is left bare and exposed.
• There is a built-in inner underwired bra that holds everything in place. This gives you the structure you need while still keeping the feel of a bias cut dress over that.
• The dress curves in at the waist with a combination of long curving vertical seams and ones set in peaked angles that curved downwards. It curves back out over the hips from there. Everything is cut on the bias and there are no horizontal seams to break the print or lines of the dress.
• The lower skirt flares out with quite a bit of fabric used for its construction. The back has extra fabric and is cut a little longer than the front so that you have a beautiful bit of fabric behind you as you move. The extra fabric also gives you wonderful movement as you walk. 
• I love how all of the seams around the bodice are pieced together with an obvious brown thread stitching them together. The way this is done allows for a little bit of bare skin to show between the stitches. It is a subtle detail but a fantastic one.
• The final perfect finishing touch is the laced back. This allows you to adjust the fit perfectly to you and it gives the dress the perfect signature Cavalli sexiness.
• The dress is unlined and closes with the laces at the back. The straps have slight elastic in them and there is a built-in underwire bra to create a corset effect. It appears to have been worn very little if at all.
• Tagged a modern Cavalli Small
• Excellent condition 

Bust: to 16" flat across from side seam to side seam when it is tightly laced up. Loosening the laces would give you whatever extra room you needed around.
Waist: 12-14" flat across from side seam to side seam
Hips: open
Total length: the very front centre is 60" from top of shoulder and then it starts to curve around to end up being 67" at the back. 

Modern Sizing Equivalent: XS-SML

Item# DD5479

Reference Photos/Video: Fall 2003 Roberto Cavalli, Look 30.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2007 runway and it is an absolute stunner.
• It was made under the creative direction of Stephane Rolland.
• The dress is made of a beautifully printed feather light silk chiffon and the bow details are a brown silk.
• Wide straps extend up from the two front triangles and wrap and button at the back of the neck. This leaves a plunge right to the wide band that circles around the waist. The result is a low plunge, but because of the way the halter is cut and the width of each side, everything is held perfectly in place once on.
• The waist is defined by a wide band of the same fabric. It starts high up above the waist and is gathered horizontally around you ending at the top of the hip.
• All of the gathering through that area has all been hand tacked into place. I love the shape that it adds to the dress.
• The back is equally spectacular. It is completely bare and exposed from the strap that curves around the neck down to the top edge of the band that details and add shape to the waist.
• The skirt is spectacular. At the front there is a draped panel that falls down the centre and then is caught up with a deep brown bow underneath where is flounces. The lower tier of the skirt widens and flows out from there with extra fabric gathered in.
• The back of the skirt is cut so that it falls a little longer than the front. This creates a really pretty sweeping movement behind you as you walk.
• I love that the print is soft. All of the browns are more on the tawny feeling side to create this pretty softness over the dress. I think in person it feels even less of a contrast in the print than how it photos. It is very pretty.
• The dress has its original tag with its price of €4250 or just under €6500 in modern dollars.
• The dress is lined in a nude colour silk chiffon and closes with a hidden set back zipper. There are three buttons at the neck. It appears to have been worn very little if at all.
• Tagged a vintage Scherrer 42
• Excellent condition

Bust: each triangle covers approximately 7" flat across from side to side
Band under the bust: to 15" flat across from side seam to side seam
Natural waist: 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 13" from neck to top of the 8.5" band at the waist
Total length: approx 68" from neck to front hem and the back ham extends another 5" beyond that

Modern Sizing Equivalent: SML-MED

Item# DD5477

Reference Photos/Video: Spring 2007 Jean Louis Scherrer.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the 2007 Alexander McQueen season.
• It was made under the creative direction of Alexander McQueen.
• The cut of the dress is a play on a traditional men's tux. McQueen often pulled from menswear to add touches and play on gender and this is a gorgeous example of that.
• The dress is made from a beautifully weighted black silk that has a very slight texture running through it.
• It has that same liquid feel that the best of the 1930s pieces did that were made from this similar fabrics.
• Like those dresses of the thirties this is also cut on the bias but with a more shaped silhouette. I love that the fabric is heavy enough and that the dress is lined so that it will not highlight 'flaws' underneath like some bias cut pieces can.
• It is cut to flow over the body and skims over the bust, waist and hips to the floor.
• The neckline drops into a V at the front and has an amazing collar. The cop the part that runs behind the neck is small and neat, and then the larger dropped. Part of the collar has been completely covered in curving patterns of tightly spaced black sequins. I love how these pick up the light from every angle.
• The shoulders are soft and the sleeves have the slightest bit of flare at their ends.
• It glides over the bust and there is a a little faux slip pocket on one side. Everything is cut on the bias. It curves in slightly for shape around the waist and then back out and over the hips. 
• The skirt continues past and over the hips and then flares out as it reaches the hem. As it near the floor, it curves down and around you for a dramatic trained feel..
• This flaring out at the bottom and the extra silk at the back give you fabulous movement when you walk or move.
  
• The dress is fully lined in a black silk and closes with a hidden set side zipper. The bias cut fabric has some stretch so should allow it to fit a range of sizes. The measurements below give you the comfortable range the fabric has when lying flat. It is in its original length. I see perhaps a touch of dustiness along the seam of the inner arm but it is very minor and mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• Tagged a McQueen 40.
• Excellent condition

Sleeves: 24" and are 11.5" around the upper arm
Shoulders: 15"
Bust: 15-18" flat across from side seam to side seam
Waist: 12-15.5" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Total length: 63" from neck to front hem, 86" to the back hem

Modern Sizing Equivalent: XS-MED

Item# DD5475

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from one of the 2000s Richard Tyler Couture collection.
• It was made under the creative direction of Richard Tyler.
• Richard Tyler was the designer to wear in the 1990s and early 2000s. He won the Council of Fashion Designers of America New Talent award in 1993. In 1994 and 1995 he won the Council's Womenswear Designer of the Year award. Julia Roberts, Janet Jackson, and Sigourney Weaver were just a few of the stars who loved his work and his dresses made regular appearances on the red carpet.
• Tyler was known for his impeccable tailoring and finishes and at the time employed some of the best tailors and seamstresses in the business.
• The dress is made out of silk and is beautifully structured. It is cut to appear like it just drapes into place, but with its lining and infrastructure around the bodice area, it does have more structure than it appears at first glance.
• This gorgeous little number is in amazing condition and is cut beautifully. It is suspended from the shoulders by tiny straps that curve over and down the back.
• The dress is cut to follow the curves of your body but without being super tight.
• The neckline dips into a wide cut V at the front that allows the straps to sit at the edges of your shoulders.
• There are ruffled gathered panels that are set over the dress to highlight the cut and shape. You see this across the front bodice as they follow the curve, shape and angle down towards the waist, and then start their angled descent down the length of the full dress.
• When you turn around, the back has a low scoop that leaves most of your back completely bare and exposed. It is very sexy.
• The shape through the waist is cleverly created by those inset panels that curve over the body.
• From there, it curves back out over the hips and then falls to the floor. The skirt comes in slightly around the knee area and then the lower part of the skirt widens out substantially as it reaches the hem. Extra fabric has been worked through the back of the skirt where it is cut on a curve that is longer than the front hem. This gives you a sweeping feel as you walk away.
• There are added weights around the lower skirt and the piping that finishes the bottom hem has a touch of padding and weight to it. This has all been done to help hold the shape and volume of the lower skirt around you.
• It looks so simple on my dress form but this is a dress that is a bombshell piece once it is on an actual body. It is so good.
• The dress is fully lined in a black silk and closes with a hidden set side zipper. There is vertical boning on the sides of the bodice to help hold it in place. Perhaps a tiny bit of grubbiness and wear to the edge of the hem but this is extremely minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• There is no size tag present, so please go by the measurements listed below.
  
• Excellent condition.

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 61" from top of shoulder to front hem in the back extends another 6.5" past that.

Modern Sizing Equivalent: SML-MED

Item# DD5476

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2003 Dior collection.
• It was made under the creative direction of John Galliano.
• The twin of this dress was worn by Jennifer Aniston to accept her award at the 2003 Golden Globes. 
• This is a dress that was made for the shops on a limited basis. A version with no sequins or lace, was also made that season, but this one with the extra detailing was only produced for a very limited amount of shops or special order.
• The dress is made from a bias cut black silk that has a slight texture to it. This is mixed with a black lace and then the dress has additional sequin and bead detailing.
• The front curves over you and then dips low at the back. You can see in the try on photos that when this is on an actual body it dips lower down the back and on more of a curve. This leaves your entire upper back bare and exposed.
• Two straps extended out from the centre of the bodice and hook into place behind the neck. There is a heavy detailing of beads and sequins that follow the neckline of the dress and then scatter over and down the bodice. Both the straps are finished with a heavy detailing of beads and little black prong set black glass rhinestones. Where the straps attached at the front there is a panel of silk shaped to feel like the ends of a tie. This is made from one piece of silk that has been folded over onto itself and then cut into angles at its ends. It is heavily detailed with a beautiful scalloped pattern created by shiny black sequins and tiny little glass beads.
• The top blouses over the waist and then there is a wide 11" panel of gathered black lace that starts at the waist seam and curves over the top of the hips. The fabric has some stretch so that you can adjust where it sits on you. 
• The skirt falls to the floor in a beautiful line. It is cut to curve over your hips and then flares out dramatically for the lower portion of the skirt. A slit runs up the front centre for some leg to show and this combined with the flaring cut creates incredible movement as you move.
• It is a really exceptional dress and is extremely sexy once on the body. 
• The bodice is fully lined in a black silk chiffon and the skirt is unlined. It slips on to wear with no closures. In its original length. The bias cut and slight stretch of the fabric gives it some movement. I have given the comfortable range of the measurements while laying flat below. It appears to have worn very little if at all. 
• Tagged a vintage Dior US4, GB8, FR36. 
• Excellent condition

Bust: to 18.5" flat across from side seam to side seam. The smaller you are through the bust the more the back will drape since the halter holds it in place at the front.
Waist: 12.5-15.5" flat across from side seam to side seam
Hips: 15.5-19" flat across from side seam to side seam
Bodice: 25" from neck to waist but once on the top drapes over the waist seam and it is approximately 15 to 16" from the neck
Total length: 73.5" from neck to hem but once on and the top drapes over it is approximately 63.5" long. There is some play with the length depending on how high you hike the area around the hips.
Slit: 27"

Modern Sizing Equivalent: XS-MED

Item# DD5467

Reference photos: Jennifer Aniston in Dior at the Golden Globes, 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.