This could have stepped off the runway now as this silhouette seems to be back full force! This lovely dress is made of a silk fabric with a black lame thread woven through it in a beautiful square check pattern that covers the entire dress. The play of the matte silk with the lame thread is fabulous and gives the dress a bit of a glamorous sheen without making it feel full on lame. The bodice is fitted with wide straps. The interior is all silk and there are built in cups between the inner silk lining and exterior. Its a nod to the level  of construction to have this inner hidden foundation. The skirt is very full and I love how it is set along a pointed drop waist at the front. This elongates the torso and also keeps the full skirt from feeling too over whelming on the body. The skirt has inner layers of tulle to keep that wonderful fullness you see. It's a beautiful dress from an important French house! Excellent condition.

Fully lined with a fine back tissue silk and closes with a back zipper. There are built in cups inside the bodice. The skirt's interior has an inner layer of silk and then an elaborate tulle skirting with many layers through the hem in between that inner layer and the exterior. Another layer of silk organza backs the exterior fabric.

Note that this does close all the way up the back - it was just too small on the mannequin. We have lightened some of the photos to show detail - it is a true black in person.

Bust: 16.5" flat across from side seam to side seam
Waist: 12,5" flat across from side seam to side seam
Hips: open
Bodice: 15" from shoulder to side waist seam
Skirt: 25" from side waist seam to hem

Modern Sizing Equivalent: XS

Item# DD1834

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the Haute Boutique portion of the Nina Ricci empire comes this amazing and sexy little number. These would have been made in house and considered demi-couture level, hand finished and proprietary fabrics made to order for their clients. It is a stunning little strapless dress whose ruffled tiers are placed to suggest flower petals. These are set over a fitted interior that hugs your curves. The waist is nipped in with a wide gathered band. This sits over an interior fitted skirt with two full tiers of silk taffeta that create shape and volume. The bodice is strapless and has a built in corset inside. Over this is yet another shaped and formed panel of silk that opens up and towards the face, highlighting the bust. I love the way it is entirely constructed to emphasize the hourglass silhouette and show miles of leg. The print on the silk is beautiful - it is a washed floral design in muted purples and pinks that are masterfully blended. Excellent condition.

The dress is fully lined in a blue tissue silk. It has an internal built in, boned corset. It closes with two separate zippers an internal one that zips up the inner corset and then the exterior dress zipper over that. Interior waist stay made of grosgrain ribbon that closes with hook & eye. Hand finished.

Bust: 16" from side seam to side seam with A-small B cup room built in
Waist: 12.5" from side seam to side seam
Hips: 20" flat across the back from side seam to side seam
Bodice: 12.5" from top of bodice to dropped waist line
Skirt: 17" from dropped waist line to bottom tier

Modern Sizing equivalent: XS-SML

Item# 2-DD344

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

This is a rare and early Nina Ricci dress that is not perfect but still quite beautiful and important as it would have been made while she was the head of the atelier. It is constructed from a  combination of a heavy black silk taffeta and a dense embroidered lace bodice with a net base. I found some reference photos that show that same lace inset technique used on this dress. I believe the interior structure of the bodice was removed so I will address that first. It has no interior construction and no boning whatsoever so if it does not fit you bang on you will need to add something for support. The advantage of this, and why I think someone deconstructed the interior, is that in the state it currently is in, the bodice becomes semi-transparent between the lace. The top edges do not seem properly finished if you look at them closely and I think this was a result of removing whatever structure use to be inside not a change in the original design. That all said, you could wear it exactly as is and be fine. The bodice follows the body and the waist is cinched with an inner waist stay that holds the dress perfectly in place. It extends past the waist and into the skirt in a series of angled points and these are also semi-transparent through the lace parts. The skirt is made from yards of silk taffeta and finished with a wide ruffled hem. It is in overall excellent condition for what has been done to it and could be worn as is or with some addition to the interior for more support depending on the fit on you.

Unlined and closes with a fine painted metal zipper. Please read full description above.

Bust: 17" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 11.5" from top of bodice to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2879

Reference Photos: (1) "Minuit" Evening Dress by Nina Ricci, 1947  /  (2) Nina Ricci Strapless Evening Gown by Maurice Tabard, 1947.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Nina Ricci Haute Couture house was founded in 1932, at 20 Rue de Capucines in Paris and became one of the pre-eminent couture ateliers in the world. IIn 1954, Jules-François Crahay, Madame Ricci’s design assistant, succeeded her as Artistic Director. The house’s style became structured; the signature curves of its silhouette elongated. Designer Gérard Pipart succeeded Jules-François Crahay in 1964. Throughout the following three decades, his Haute Couture vision celebrated a flamboyant woman and his ready-to-wear found a loyal following among the most stylish women of the day.

This coat came out of an estate of an extremely wealthy woman who was a regular couture client during the 1960s. For the 1965 collection Gérard Pipart debuted the side button closure that featured large button closures off to one side, a cloth version of which was photoed on Jean Shrimpton for Harper's Bazaar that year. I also found a reference photo for a similar all fur version. This version is a wonderful combination of the two. The exterior is a quilted silk in an ivory color and the fabric is especially beautiful. That 3D puff effect is not created by the stitching around the patterns that you normally see but by different weights of thread woven into the fabric to create the design. Inside it is lined a a thick sheepskin that makes it warm and cozy. The design of the coat itself is simple with structured lines. The front wraps over itself and buttons with that one large silk covered button near the arm. The edges are detailed with a thick padded piping that runs along the front, around the hem and circles the end of each sleeve. Pockets lie along the seam on each side. It is immaculate in its construction and an absolutely stunning coat. A beautiful example of how refined true Haute Couture can be. Excellent condition with one note to review below.

The entire coat is lined in sheepskin. It closes with the button at the front and there is a button and loop to hold it perfectly in pace on the interior as well. Finished to Haute Couture standards and entirely done by hand. I see no flaws and it appears to have been worn very little. Pockets along the seam. I see a small amount of fraying to the fabric around the back collar but it is stable and does not deter.

Sleeves: 20"
Shoulders: 15"
Bust: to 24" flat across from side seam to side seam
Waist-hips: 24" flat across from side seam to side seam and gently widens out
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# C454

Reference photos: Jean Shrimpton in Nina Ricci for Harper's Bazaar 1965, Avedon; Brigitte Bauer in Nina Ricci for Vogue 1965, William Klien. Historical info on the house verbatim from the Nina Ricci website.

I have a small collection of historically important, key designer labelled vintage furs, fur trimmed & feather pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. All fur coats, fur trimmed & feather pieces are final sale

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Nina Ricci Haute Couture house was founded in 1932, at 20 Rue de Capucines in Paris and became one of the pre-eminent couture ateliers in the world. In 1964, Gérard Pipart succeeded Jules-François Crahay, Nina Ricci's former designer assistant who took over the atelier in 1954. Over the following three decades, his Haute Couture vision "celebrated a flamboyant woman and his ready-to-wear found a loyal following among the most stylish women of the day." This late seventies gown is a wonderful example of Piparts vision for the house and is a stunning example of the work that the atelier was producing during this time period. The gown is made of from a fine silk chiffon that has been dyed to the perfect red. Every stitch is done by hand and the hours that would have been put just into the hand rolling and stitching of all the edges on the various layers on the skirt alone are mind-boggling. The skirt is wonderful with four layers of bias silk layered in tiers and cut to curve up slightly at the front and dip down longer at the back. The layers of silk create a beautiful sense of movement and lightness when you move. The Lesage beaded bodice is beautiful. It is densely beaded by hand in a pretty floral pattern all the way around. This is suspended from the shoulders by tiny silk straps. Along the very top edge of the neckline at the front is an attached panel of silk chiffon that wraps up and around the neck leaving the silk to trail down the back. This little extra detail creates a bit of high drama and intrigue to the design. Excellent condition with one item to note below.

The gown is fully lined in red silk chiffon and closes with a back, hand set, zipper. Finished to Haute Couture standards and entirely made by hand. Note that there are two small areas of a darkened spot on both sides of the attached silk panels (see photos). Depending on how this is tied and styled it does not necessarily show. Haute Couture label present and made to couture standards.

Bust: to 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2369

Quote and historical info on the house is taken from the Nina Ricci Website

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful pink silk voile dress is from the Nina Ricci Boutique ready to wear line. When hunting for a reference to date it by, I happened across a photo from 1976 that has a Ricci dress in a very similar print, color and ruffle trim finish. The Ricci atelier was launched in Paris in 1932, Ricci retired from designing in the early 1950s and then Jules Francois Crahay headed the design team until he left for Lanvin in 1963. That makes this dress land in the era of Gerard Pipart who took over from Crahay and stayed on with Ricci until 1998.

This wonderful dress is made out of a fine silk voile, one of my favorite fabrics as it holds color exceptionally well and it is very light in weight but still has a touch of structure to it. This unique combination creates volume where it is required, without adding unnecessary bulk. The dress is very pretty & feminine and  it is cut with a simple hostess dress feel to it which was a popular look for that time period. The bodice has a small ruffle finish around the V of the neck and is left with a touch of transparency through the upper shoulders, back and sleeve. The waist is seamed and under that the skirt billows out with light and airy fullness. The skirt is made of yards and yards of silk that drapes perfectly into place as it flows to the ground. The back of the skirt is cut just slightly longer then the front which gives it a pretty sweep.  I love the little ruffle trim that sits at the end of each cuff and also details the waist and lower tier of the skirt, effectively tying together all the elements of the dress. It is very pretty and feminine. Excellent condition

The dress is fully lined in a pink silk through the bodice and skirt and closes with a  back painted metal & nylon zipper. Each sleeve zips to close.

Shoulders: 16.5"
Bust: to 20.5" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: approx 15" from top of bodice to waist
Skirt: 40" from waist to front hem, 43" to back

Modern Sizing Equivalent: MED-LRG

Reference Photo: (1) Joan Severance for Nina Ricci, 1976.  /  (2-4) Cherie, Owner of Shrimpton Couture, by Erin Leydon.

Item# DD3031

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Nina Ricci Haute Couture house was founded in 1932, at 20 Rue de Capucines in Paris and became one of the pre-eminent couture ateliers in the world. In 1964, Gérard Pipart succeeded Jules-François Crahay, Nina Ricci's former designer assistant who took over the atelier in 1954. Over the following three decades, his Haute Couture vision "celebrated a flamboyant woman and his ready-to-wear found a loyal following among the most stylish women of the day." This gown is from the Fall 1994 collection under his creative direction and I have included the runway reference photo here. In an interview with WWD in 1995, Pipart mentioned the state of couture upon his arrival to Nina Ricci, "When I arrived everyone was predicting the death of couture, so I was keen to get in for what were meant to be the final few years. And, despite what people like Pierre Bergé and many others predicted, couture has lasted a lot longer than anyone ever thought." Pipart's designs were often focused on avant-garde structures like this amazing creation,

This gown, from the Fall 1994 collection, is a wonderful example of Pipart's vision for the house and is a stunning example of the work that the atelier was producing during this time period. The gown is created from a hand made, pale dusty pink lace. Each floral design in the lace has been outlined with a fine silver metallic cording and the interior of each flower detailed with a metallic pink cording. Every stitch is done by hand and the hours that would have been put just into the construction of the dress and the making of the lace are mind-boggling. The skirt is finished in a structured tulip style with the front crossing over itself and set on a beautiful upwards curve, so that when you walk you see a glimpse of leg. At the back is an inset of a matching colored pale pink silk. This inset of silk has has been sharply knife pleated and expands and opens into an extensive train. A decorative row of silk buttons details each sleeve and trail down the back for the perfect finish. My client purchased this fairly recently and wore it for her wedding dress, changing into another dress for the reception. It is the perfect choice for a bride who does not want a traditional wedding gown but would also be a stunning gown for a gala event. Excellent overall condition with notes to review below.

The gown is fully hand lined in pink silk and closes with a back, hand set, zipper.  Has an inner waist stay and has hand set snaps to close the train over the inner zipper. Zippers also run down each cuff behind the buttons. Finished to Haute Couture standards and entirely made by hand. The proper Haute Couture label is present. Note that the dress shows grubbiness and marks under the hem and along the train and the edge of the hem from where it hits the ground. There is some discoloration under each arm on the inner lining and a teeny spot where this shows through along the edge of the seam. It is not anywhere that would show in a photo once on. I have photoed all of these areas and they are provided here after the label photo. Note that my client wore this gown for the ceremony and then changed - all of the current marks on the dress were all present when she purchased it. She had the back silk train re-pleated and the side seams were let out slightly, all done by Madame Paulette's in NYC, work that was approximately $1500 to complete. Everything mentioned is very minor overall and it is stunningly beautiful in person. None of the items mentioned effect its presentation when on.

Sleeves: 24"
Shoulders: 15.25"
Bust: to 18.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 19.5" from top of bodice to dropped waist
Skirt: approx 26" from waist to shortest part where the front curves meet. It curves to 42" at the sides and drops to 49" at the longest part of the lace covered skirt at the back. The silk pleated train extends to 61" from the dropped waist

Modern Sizing Equivalent: SML-MED

Item# DD3080

Reference Photo: F/W 1994 Nina Ricci Haute Couture

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible Nina Ricco Haute Boutique dress that was most likely made to order on request. It is certainly in synch with the dance craze of that time period. It almost has that exact cut of a dance  or ballet-inspired fit and flare dress but with a more sophisticated twist. The dress is made out of a stretch lame jersey that molds to the body like a glove. The bodice is scooped with a shaped neckline and seaming to highlight the bust. It clings to the bodice and glides over the rib cage and waist. Then at the hips, the fabric suddenly is given volume. The way that this is created is genius. There are no seams and yet as if by magic, soft curving 'pleats' seem to suddenly appear. The skirt has quite a bit of fabric in it to move as you do and create volume. The fabric seems to be coated in the gold and the effect is of molded liquid poured over the body until the skirt flares out. It is quite wonderful. Excellent condition with one tiny note below.

Unlined and slips on to wear with no closures. Tagged a vintage 36 but the fabric does have some stretch. The measurements below are the comfortable range lying flat. This should fit from about a 0-2 - smaller sided 6. Very minor rubbing of the fabric to the edges of the neckline and arms but the base is black an the gold on top give it a bit of an antiqued feel so it looks perfectly fine on.

Bust: 14-16" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Length: 57" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3165

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Nina Ricci Haute Couture house was founded in 1932, at 20 Rue de Capucines in Paris and became one of the pre-eminent couture ateliers in the world. In 1964, Gérard Pipart succeeded Jules-François Crahay, Nina Ricci's former designer assistant who took over the atelier in 1954. Over the following three decades, his Haute Couture vision "celebrated a flamboyant woman and his ready-to-wear found a loyal following among the most stylish women of the day." This late seventies gown is a wonderful example of Pipart's vision for the house and is a stunning example of the work that the atelier was producing during this time period.

This dress is spectacular. One of the best Ricci pieces I have seen and just a fabulous dress regardless. It has the Haute Couture label for the house and every stitch is done by hand. The hours that would have been put into making this dress and ensuring that drape is line are perfect are mind-boggling. The dress is made out of a fine silk done in a crisp clear red that is a touch brighter and clearer in person. This fabric choice gives it that fantastic drape and when you move, the fabric is so light that the various draped parts seem to just float behind you. The neckline is slightly scooped and the silk is gathered up on one shoulder. It skims over the waist and into a low drape over the skirt. There is another gathering of the silk there but this time on the side opposite to the draped shoulder. The creates a lovely long line through the body. The skirt flows in a single layer of silk from under that. It is cut on an angle at the hem and one corner of the back skirt is left longer so that it trails down and past the floor. That same side has a slit up the leg and a tightly spaced row of buttons that run up from there and disappear under the drape of the bodice. The sleeves are amazing. They are each cut to drop to the floor and flow around you every time you move. Here Pipart has again played on the asymmetrical feel he has created for the dress and he has cut one sleeve to be longer then the other, with the longer one set on the same side that the skirt is longer. The final touch is that fabulous pleated double flower at the neckline that gives it the perfect finish. This little extra detail creates that last bit of high drama to the design. Excellent condition with some small notes to review below.

The body of the dress is fully lined in red silk crepe and the skirt and sleeve are unlined. It closes with a side, hand set, zipper and a second one at the top of the shoulder where the flowers are. Light padding in the shoulders. Finished to Haute Couture standards and entirely made by hand. Note that there is some grubbiness on the trailing parts of the silk panels and some very tiny areas of thinning/picking of the fabric on the lower trailing panel of the skirt especially. Some small areas of darkening on the sleeves. Once on these do not detract at all and the fabric and dress is strong and stable. This is more from not being stored properly prior to my acquiring of it. I have included photos after the label shot to review. It is cut on the boas so there is a little play on the measurements. Haute Couture label present and made to couture standards.

Sleeves: the left is approx 62", the right is 52"
Shoulders: 15.5"
Bust: to 16-17.5" flat across from side seam to side seam
Waist: 12-14.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: approx 60" from neck to front hem and the trailing panel extends another 15" longer

Modern Sizing Equivalent: SML-MED

Item# DD3386

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.