From the Spring 1994 collection comes this iconic printed beach towel featuring a mix of some of the most well known items that have come to represent the Chanel brand. The twin of this particular towel was shown on the runway wrapped around Claudia Mason, it also appeared in the Lookbook for that season and was shot for Vogue. The outer border is the soft sea blue color and the back of the towel is white. The background behind the printed parts is the soft pastel pink you see. It is made out of 100% cotton printed terrycloth. Excellent condition with one small snag on the terry cloth that I have photoed and you can see in the last two shots before the reference photos.

Measures 40" x 59"

Item# A377

Reference Photos: (1) S/S 1994 Chanel Runway, Claudia Mason, Look 79. / (2-3) From the S/S 1994 Collection Lookbook.  /  (4) Nikki Taylor and Claudia Schiffer.  (5) Naomi Campbell and Carla Bruni. Both images for Vogue, 1994. Photographed by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dates to the early 2000s and is a remarkable throwback to the deco era in feel with its amazing large Chanel logo print that runs across the bottom of the towel. Three vintage feeling girls, complete with one piece swimsuits and a variety of head wraps, dive and cavort among those letter. The rest of the towel combines a curving print made of two blues and the famous double Cs and its bordered in a red stripe.  The entire back of the towel is white. It is made out of 100% cotton printed terrycloth. Excellent condition with a small amount of normal patina from normal, light wear and washing. Minor marks on the back as seen on the last photo here

Measures 39" x 66"

Item# A376

This garment has been professionally cleaned and is odor free. Thoroughly checked over before shipping, it will be ready to use upon arrival.

From the Spring 1994 collection comes this iconic printed beach towel featuring a mix of some of the most well known items that have come to represent the Chanel brand. The twin of this particular towel was shown on the runway wrapped around Carla Bruni, it also appeared in the Lookbook for that season and was shot for Vogue. The outer border and the entire back of the towel are white, and the background behind the printed parts is a more creamy color. It is made out of 100% cotton printed terrycloth. Perhaps the slightest loss of crispness to the white of the back but very minimal. Excellent condition

Measures 38.5" x 58.5

Item# A375

Reference Photos: (1) Spring 1994 Chanel Runway, Carla Bruni, Look 85.  /  (2) Image from the Spring 1994 Collection Lookbook. / (3) Nikki Taylor and Claudia Schiffer. (4) Naomi Campbell and Carla Bruni. Both images for Vogue, 1994. Photographed by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible belt by Yves Saint Laurent and dates to the time period from when he was creating his famous Russian collection. You can see in the reference photos how this style of belt was used in a variety of colors and finishing details to perfectly set off the collection. This one is a chic cream ivory canvas on a natural leather base combination. It is trimmed with an ivory and gold braiding with long ivory and deep goldr braided ties. At the end of each tie is a knot and a large glossy white bead. It simply wraps and ties at the front and can top just about anything. This is an important piece of fashion history and a rare find. Excellent condition

Marked a brand size 3 and measures 27" from end to end of the actual belt part and then the braided ties extend a 21" on either side. The total length including the ties is 69". The belt itself is 2.5" wide. Perhaps a touch of grubbiness to the braiding but no true flaws

Item# A374

Reference Photos: (1) F/W 1976-77 Yves Saint Laurent evening ensembles from The MET Collection online.  /  (2) 1977 Yves Saint Laurent Rive Gauche Ad.  /  (3) 1976 Yves Saint Laurent Peasant collection for American Vogue.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible belt by Yves Saint Laurent and dates to the time period from when he was creating his famous Russian collection. You can see in the reference photos how this style of belt was used in a variety of colors and finishing details to perfectly set off the collection. This one is a wider cut, more dramatic version of the other two that I have in the shop right now. The main belt part of it is made out of a black canvas on a black leather base combination. It is trimmed with a gold metallic flat piping and gold metallic rick rack and then has a long black and gold braided ties. At the end of each tie is a 4" black tassel. The tie part is not attached to the belt so to wear you simply wrap it around yourself and then use the hooks at each end of the belt to hook and tie it at the front. It can top just about anything and its wider width really defines the waist. This is an important piece of fashion history and a rare find. Excellent condition

Marked a brand size 2 and measures 25.5" from end to end of the actual belt part and then the braided tie is 54" long. The belt itself is 3.25" wide. Perhaps a touch of grubbiness to the braiding but no true flaws

Item# A373

Reference Photos: (1) F/W 1976-77 Yves Saint Laurent evening ensembles from The MET Collection online.  /  (2) 1977 Yves Saint Laurent Rive Gauche Ad.  /  (3) 1976 Yves Saint Laurent Peasant collection for American Vogue.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible belt by Yves Saint Laurent and dates to the time period from when he was creating his famous Russian collection. You can see in the reference photos how this style of belt was used in a variety of colors and finishing details to perfectly set off the collection. This one is a beautiful cool red canvas on a red leather base combination. It is trimmed with a red, white and blue braiding with long red and blue braided ties. At the end of each tie is a knot and a large glossy red bead. It simply wraps and ties at the front and can top just about anything. This is an important piece of fashion history and a rare find. Excellent condition

Marked a brand size 2 and measures 25" from end to end of the actual belt part and then the braided ties extend a 21" on either side. The total length including the ties is 67". The belt itself is 2.5" wide. Perhaps a touch of grubbiness to the braiding but no true flaws

Item# A372

Reference Photos: (1) F/W 1976-77 Yves Saint Laurent evening ensembles from The MET Collection online.  /  (2) 1977 Yves Saint Laurent Rive Gauche Ad.  /  (3) 1976 Yves Saint Laurent Peasant collection for American Vogue.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a more modern version of the classic Pucci bag that has the feel of some of the other bags in this collection but with slightly updated features. This one combines a soft pink with taupe and soft lemon for a pretty nod to the iconic Pucci prints. The fabric is a cotton velvet with matching velvet handles. The shape reminds me of the classic frame bag  with soft rounded corners and a curving shape through the body of the bag. It has a top clasp with the Pucci logo embossed onto it and pretty rounded handles that curve up and around from the bag. Excellent condition

Fully lined in a black moire fabric with one large open pocket and a slip pocket on one side. Closes with the top clasp. It looks to have never been used.

8.5" W x 6" H x 3" D and the handles adds 4" to the height

Item# B155

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love the softness and prettiness of this Emilio Pucci clutch. This one is perhaps the most romantic of this collection. It is a softer feeling clutch with a slightly less structured body. It is covered in one of his signature floral prints in a mix of soft pinks and greens on a white base. This covers the exterior of the bag and is instantly recognizable as being Emilio Pucci. The body of the bag is a little deeper and it has a pretty curve from the base up to the top. It closes with a gold frame and clasp that is set just down inside the top of the bag. The double set of handles are made from linked gold chains. Excellent condition

The bag is fully lined in a black silk satin and closes with a gold clasp set just down and inside the top. An interior open pocket and two slip pockets on each side between the center part of the bag and the exterior. The silk shows only minor normal wear inherent to its age.

Bag
8" W x 6" H x 2" D - the handle adds 6" to the height

Item# B154

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The print on this Emilio Pucci bag is so pretty. I love the combonation of the soft pinks with the flowers and the darker anchoring black. The fabric is a bit unusual. It is a silk but has an almost raw silk feel to it. The shape reminds me of the classic bowling ball bag but smaller and definitely more chic. I love how the white frame keeps in line with the pastel feel of the bag. The shape is wonderful. It is a mini frame bag that has soft rounded corners and widens from the elaborate top clasp into a solid little base. This one has one of the most elaborate clasps on it I have seen and it adds a touch of glamour to the bag. Excellent condition

Fully lined in white with one large open pocket and a zippered slip pocket on one side. Closes with the top clasp. The silk shows only minimal wear inherent to normal aging on the exterior and on the interior there are a couple of pen marks but no damage. There are no interior markings but the fabric is signed.

9" W x 6" H x 5" D and the handles adds 3" to the height

Item# B153

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an absolutely gorgeous little gem of an Emilio Pucci bag and one of the prettiest ones that I have had. The exterior is done in one of his brilliant signature prints in a bright true pink and other bright colors. It is instantly recognizable as being Emilio Pucci and perhaps one of the most coveted color combinations and prints. It closes with a clasp hidden just inside the top frame. The double set of handles are made from linked gold chains.This one is entirely covered in the silk so that its a bright pop of color from every angle. The sleek and simple lines of both pieces still feel modern and fresh. Excellent condition

The bag is fully lined in a black satin and closes with a gold clasp at the top. An interior open pocket and two slip pockets on each side between the center part of the bag and the exterior. The bag looks to have been used very little if at all. In person the pink is a true vivid pink and the colors brighter and more true.

Bag
8" W x 5.5" H x 2" D - the handle adds 5.5" to the height

Item# B152

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Emilio Pucci clutch bag is gorgeous and is quite large. It is covered in his signature print that has been done in shades of blue and purple that make the exterior of this bag instantly recognizable as being Emilio Pucci. The fabric is his classic velvet and this gives the bag an added texture and makes it wonderful to carry in the hand. It is really two bags in one. There is an attached heavy gold chain that can be tucked in for it to be a true clutch or used to be able to carry it as a shoulder bag. I love the way that strap folds around the bag to close at the front and the simplicity of the gold bar that holds it in place. Its sleek and simple lines still feel modern and fresh. Excellent condition

Fully lined in a black silk satin and closes with the slip buckle clasp at the front. The handle is attached and hidden under the top flap. Two interior open pockets and a slip pocket inside. Light marks in the velvet inside consistent with normal aging

11.5" W x 7" H x 1.75" D - the handle adds 18" to the height

Item# B149

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

One of Emilio's signature prints covers the silk exterior of this bag in shades of green and pops of light lavender. It is instantly recognizable as being Emilio Pucci and I love the contrast the print has with the white base and handles. The bag is covered in a silk twill and closes with a gold clasp and has large gold discs at the base of the handles. More gold is picked up on the bottom with the little gold feet. It is sleek and simple lines still feel modern and fresh. Excellent condition with only slight wear tot eh exterior silk

Fully lined in a soft white leather and closes with a gold clasp at the top. An interior open pocket and two slip pockets on each side between the center part of the bag and the exterior. Minor grubbiness to the silk inherent with normal use

Bag
9" W x 6.5" H x 2" D - the handle adds 6.5" to the height

Item# B148

This garment is in clean, as found condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of two incredible 'Made to Order' customs bags from the 1930s-1940s period. Each is amazing and what is even more special about them is that both bear the label John-Frederick. The John part of the label is John Harberger who later became famously known as the milliner behind Mr. John, when he launched that label in 1948. The Frederick part of the label was Frederick Hirst, another famous milliner. John and Frederick formed a partnership in 1929. Seeing a hand bag come out of that partnership is very rare. Each of the bags, though similar, are wonderfully unique.

This one presents with more of the black taking predominance. It has an ivory satin lining and one open and one zipped pocket inside. The exterior is covered in thick, jagged looking rows of gold, black and clear sequins. You can instantly see that these are older, early and original sequins that were used. I believe them to be cellulose acetate sequins, developed by Kodak in the 1930s. These were painted and reflected light wonderfully but could crack under the right circumstances. Fortunately, all of the ones on this bag seem intact and in great condition. They all seem present and there is just the normal patina to some of their painted surfaces here and there that you would expect to see on a piece this age. Thousands of these are worked though cotton thread. These have then been had attached to the inner satin part of the bag. The handle is very wide and set on a twist. There is a zipper that runs across the top with a black ribbon pull. It is remarkable and a rare piece of history from this time period. Excellent condition

Measures 9.5" high and x 11" wide. The hand is approx 3.5" wide and sits above the bag making it 13" high in total laying flat, when you hold it it drops down a touch as you can see in the photos and is approx 14" long

Item#B146

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This might be one of the most incredible vintage hats I have ever had in the shop. This is by Christian Dior and it is absolutely wonderful and so very unique. The base is a fine ivory felted wool and the crown of the hat is high and rounded. It  then curves softly down to a small brim. Over this is a wide banding of a gold metallic mesh fabric that curves around the base of the crown. Attached to that are hundreds of hand placed white feathers. Each of these feathers has been hand dipped in gold at their edges and then they have been carefully placed atop each other. The have all been placed in the same direction so that as the thickness of them is built up they softly curl over each other. Just the work to hand dip and then select the feathers based on the right size and shape would have taken hours and hours. The hat is soft but with a shaped crown and not so soft that it is floppy. It feels very chic and modern and is a remarkable example of the work that Dior was doing in this time period. Excellent condition

A wide taupe grosgrain ribbon in the interior. 21.5" inner circumference

Item# A371

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of two incredible 'Made to Order' customs bags from the 1930s-1940s period. Each is amazing and what is even more special about them is that both bear the label John-Frederick. The John part of the label is John Harberger who later became famously known as the milliner behind Mr. John, when he launched that label in 1948. The Frederick part of the label was Frederick Hirst, another famous milliner. John and Frederick formed a partnership in 1929. Seeing a hand bag come out of that partnership is very rare. Each of the bags, though similar, are wonderfully unique.

This one presents with more of the gold taking predominance. It has a black satin lining and one open and one zipped pocket inside. The exterior is covered in thick, twisted  rows of gold and silver sequins. You can instantly see that these are older, early and original sequins that were used. I believe them to be cellulose acetate sequins, developed by Kodak in the 1930s. These were painted and reflected light wonderfully but could crack under the right circumstances. Fortunately, all of the ones on this bag seem intact and in great condition. They all seem present and there is just the normal patina to some of their painted surfaces here and there that you would expect to see on a piece this age. Thousands of these are worked though cotton thread. These have then been had attached to a black knit base over the inner bag. The handle is very wide and set on a slight twist. There is a zipper that runs across the top with a yarn pull. It is remarkable and a rare piece of history from this time period. Excellent condition

Measures 9.5" high and x 12" wide. The hand is approx 3" wide and sits above the bag making it 13" high in total laying flat, when you hold it it drops down a touch as you can see in the photos and is approx 16" long

Item#B145

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

It was Norman Norell who actually e ncouraged a young Frank Clive to become a milliner and he took to it like a charm. He had his own label but also designed many hats for various designers like Oscar de la Renta and Pauline Trigere. He also did lines for departments stores and did custom pieces as well. In 1985, Women's Wear Daily, in their '75 Years of Fashion' issue, cited Mr. Olive as one of the influential designers of the century.

This is a lovely little hat. It is more of a cap really and made of a dusty colored purple wool felt. It is meant to sit just to the side and pop slightly off the head. Set onto this is an amazing long tassel that is made out of an ultra suede dyed to match. This is set in a knot where it is attached to the hat and then dangles down one side in a full 16" long cascade. Excellent condition with a small note below

Inner pink grosgrain ribbon. There is a slight fading to the felt that you can see in the photos. 22 3/4" circumference

Item# A369

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s is wonderful. I love the bright fuchsia pink of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright pink with a beautiful floral design. This is then surrounded by a green and deep purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A366

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exception and huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s, is wonderful. I love the bright vibrant green of it and the quality of the fabric is very high. This fabric choice allows the colors to be fully saturated so the scarf is exceptionally bright and vibrant. This one mixes a bright green with a beautiful floral design. This is then surrounded by a blue and purple border. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk and cotton mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 53"

Item# A364

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Gorgeous and absolutely huge, this Yves Saint Laurent plaid scarf from the late 1970s, early 1980s is a mix of a deep and bright reds with deep blues that are overlaid with shots of metallic blue, red and gold thread. The plaid is surrounded by an intricate paisley printed double border that is also overlaid with this same gold and blue metallic highlights and then the center goes back to the red plaid. The addition of the metallic thread gives the entire scarf a subtle shine that is gorgeous in real life. It is made of a fine silk and wool mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. Hand fringed edges. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric and it is tagged. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 54" x 54"

Item# A363

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Gorgeous and absolutely huge, this Yves Saint Laurent plaid scarf from the late 1970s, early 1980s is a mix of a red and yellow that is overlaid with shots of metallic red and gold thread. The plaid is mixed with an intricate paisley printed inner border that is also overlaid with this same gold and blue metallic highlights and then the center goes back to the yellow plaid. The addition of the metallic thread gives the entire scarf a subtle shine that is gorgeous in real life. It is made of a fine silk and wool mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. Hand fringed edges. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric and it is tagged. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 53" x 54"

Item# A361

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous and absolutely huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s that mixes a pretty and bright red rose design on an ivory silk. The print also has pops of green and taupe to highlight the design. I love the fine fringe edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk. There is one small pinhead mark and a small stain. It has been priced slightly less then its counterparts as a result.  Please review the two photos after the photo of the label. It is freshly cleaned and it looks to have been worn very little if at all other then the two areas noted.

Measures 53" x 53"

Item# A360

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous Yves Saint Laurent scarf from the late 1970s, early 1980s is huge. The print is a beautiful mix of greens and reds done in an elaborate print that is inlaid around the edge and leaves the innermost part of the scarf a solid white cotton. It is made of a fine cotton silk mix that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece and has a touch of transparency to it. The edges are amazing with a white, looped embroidered lace that is placed all the way around the square. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the fabric. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 55" x 55"

Item# A359

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This huge Yves Saint Laurent silk scarf from the late 1970s, early 1980s is gorgeous. I love the bright fuchsia pink of it and the quality of the silk is very fine. This one mixes a bright pink floral design on a backdrop of an ivory so that the pink pops. I love the hand rolled edging to the scarf that adds a pretty and feminine finish. It is made of a fine silk that is extremely light and pliable - it is the same weight and feel as a fine Hermes piece. It is super light weight despite its size. This will allow you to wear it for many purposes, as a scarf, a shawl, a sarong, a head wrap, or anything else you can dream up style wise.

The YSL logo is screened directly onto the silk and the edges are hand rolled.. It is freshly cleaned and it looks to have been worn very little if at all.

Measures 55" x 55"

Item# A358

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This belt is from the 1974 season and has the correct D stamp within a circle for that year. This is a classic and  very chic Hermes belt. It is made of a deep brown crocodile leather and has the signature H buckle. The skin is still very supple, soft and shows no signs of dryness or cracks. The buckle is a gold metal and these would have been gold plated during this time period. To close the belt it just hooks into please under the buckle. Belts from this time period are quite rare and this one is in excellent condition with just a hint of natural patina to the hardware and leather. This just adds to its vintage appeal. Excellent condition

The belt is just under 32" from end to end x 75" wide. The buckle is 1.5" x 1". The belt is currently set to fit a about a 28" waist and can be adjusted up or down accordingly. There is only one hole to hook the buckle into and the size is all done by adjusting the other end. All appropriate stamps and blind marks. Authentic and appears to have been worn very little. There is a bit of a bend to the leather that is turned under the buckle from being adjusted to different lengths over the years but the leather is not cracked.

Item# A351

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very pretty belt from the early 1980s by Emanuel Ungaro. The belt is a deep brown in color made from what looks to be alligator. set between a top and bottom row of gold metallic top stitching with a braided edge to finish. The buckle is gorgeous. It is made out of a metal that has with an open work floral design on either side. It hooks to close in the center of these and then flows across your front like a pretty piece of jewellery. It looks to have been worn very little if at all.

28.25" x 1.75" and the buckle is 4.75" across once hooked. There is some leather folded back under each side of the buckle - just under 3" on either side of you needed to adjust it (see provided photo). Era appropriate logo stamp.

Item# A349

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves repeated various renditions of this hat throughout his collections during the 1980s. A version of this same hat has also just been re-issued by Saint Laurent, a testimony to the enduring impact of this design. This is one of the originals and is wonderful. It is made of an extremely fine braided straw with a wide black, silk grosgrain ribbon wrapped around the brim. The hat is a miniaturized version of the boater and meant to sit high on the head to the side or pushed forward. It has its original elastic that you can wear under the chin or tucked around the back of the head depending on how you angle the hat. It is very chic and collectible. Excellent condition

21" circumference but meant to fit high on the head so will fit any head size. 2" high

Item# A340

Reference Photos: (1) YSL 1982 Haute Couture.  /  (2) YSL 1983 Haute Couture.  /  (3) YSL F/W 1987 Haute Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Chanel hat is amazing and I was very pleased to find a photo of Stella tenant wearing a version of it from the Fall 1996 collection. The hat is made to sit lightly on the top of the head. You can play with which direction you wish the feathers to face. It can literally be worn with the feathers at the front, either side, or at the back, This gives it so much versatility and the feel of it completely changes depends on how you have it sit on the head. It has an attached comb that holds it in place and then the glossy black feathers rise up from there for a very Haute Couture feel. It is an instant shot of high glamour to any outfit and a very collectible piece of Chanel. Excellent condition

Secures to the head with a comb. The base of a black felt wool and the feathers are still glossy and strong with no shedding. It will fit any size head. Each side of the triangle shape measures about 8" long.

Item# A339

Reference Photo: Stella Tennant by Karl Lagerfeld for Chanel F/W 1996.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the second collection of headpieces for Shrimpton Couture, designed and made by hand by the talented Lucia Echavarría of the Magnetic Midnight label. Both this collection and the first that we did together draws its inspiration from some of the most famous headpieces in fashion’s history. Each collection, along with each individual headpiece, is exclusive to Shrimpton Couture.

This collection has been named Egyptomania and Lucia drew her inspiration from ancient Egyptian art and its presence in our cultural imagination. Egyptomania was a term used for the fascination with all things Egyptian in the nineteenth century, a fascination that spread to architecture, art and literature. The movement culminated in the discovery of King Tutankhamun’s tomb in 1922; after which, Egyptian motifs pervaded modern culture, art and fashion, becoming an integral part of the language of Art Deco. Cleopatra, its most famous queen, and her countless portrayals in art, literature and film throughout history, equally embodies this fascination with a magnificent past.

Each of the twelve pieces in the collection plays tribute to the dialogue between old and new in a palette combining rich black and gold velvet with gold sequins, mirrors and beads with hints of turquoise, coral and blue. Each is a one of a kind, made by hand masterpiece that feels modern yet evocative and like an incredible vintage find that is both timeless and unique.

The Sphinx headpiece features stacked wood and metal beads and a black velvet base. This piece is entirely handmade and a one off. As a result it may have slight imperfections, which only add to the uniqueness of the piece. To clean any mirrored surfaces, please gently and carefully wipe with a soft cotton cloth moistened with alcohol. In order to protect this piece, please store it in the hard-sided box that it will ship in.

Measures 9" total height from bottom of band to the top x 9" total width. The height from the center of the band to the top is 2.75". The size of the band can be adjusted to fit any size.

Item #MM2-4

In the 1960s Pierre Cardin produced a series of modernistic animal pendants. They were huge and made out of a silver toned metal. Each has a with a good, decent feeling weight to them and each hangs suspended from the same chunky silver chain. There is at least a half dozen animals in the collection and this is one of two that I currently have in the shop. I love the 'space age' aesthetic they have, a signature of his work during this era. This one features an elephant and the pendant is both massive and dramatic. It is a perfect statement piece that you can wear with anything. It is signed at the back. Excellent condition

The elephant measures 4.5" across at the widest point and is 5.5" top to bottom including the large loop clasp that attaches it to the chain. The chain is 21" end to end and has a clasp closure that allows you to adjust the length.

Item# A344

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Hermes is the gold standard when it comes to producing bags and the ones done in the 1950s and into the 1960s are among my favorites. This is a stunning example of the work they were doing during this time period and it pairs exquisite style with excellent craftsmanship. The bag would have been assembled entirely by hand and is a testament to the excellence demanded by the Hermes ateliers. This bag is made from a calf box leather in a wonderful shade of blue. This is the only one I have ever seen in this color so can only imagine that it was a special order as it is very unique. It has both a long, adjustable one shoulder strap and a wooden top handle. The detailing is done in a gold.  The bag opens out completely at the top and is secured by a double turnlock closure. The interior is a combination of blue fabric and leather and features one zip pocket, one slip pocket, and four adjustable leather loops to secure the contents. This would have been used as a vanity or train case in its time period and is just the right size to be used as a bag in our modern times. It presents as being in great condition with some notes to review below.

This bag is in very good overall condition. There is very light, normal scuffing to the exterior leather, minor, normal wear scratching to the hardware. Overall the exterior is in excellent condition with wear consistent with its age and normal use. The interior fabric is discolored and the bottom leather base, the side leather loops and sides shows wear and discoloration. There are no signs of alarming odors or real damage. The interior flaws are all surface damage only. General signs of wear and age. The bag is still infinitely wearable with years and years left to it.

11" Width x 8" Height x 8" Depth. The strap adds 18" to the height

Item# B144

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Iradj Moini is a renowned designer of couture jewelry with work and/or exhibited in several museums around the world including, the New York Metropolitan Museum of Art and the Louvre Museum. This is a particularly beautiful piece that blends fresh water pearls with citrine, semi-precious stones and mother of pearl. Eight full strands of pearls circle the neck and meet at the huge brass clasp. This is a Iradj signature and the clasp on this piece is especially beautiful. It is adorned with stones, crystals and mother of pearl to form a beautiful spray of large flowers. The clasp slides into itself to close and the necklace is signed. Excellent condition.

Measures 16" from end to end and the clasp is approx 2.5" x 1.75"

Item# A333

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

-- Yves Saint Laurent, 1977.

Yves Saint Laurent is one of the most influential fashion designers of our time and his jewels have as much relevance as his clothing. He created exquisite jewellery to complement each of his collections and the creations that incorporate poured glass and the vivid colors of his collections are among the most coveted.

This is an exceptional piece with an over-sized fringe tassle that I believe is a Coppola e Torro detail that is also combined with poured glass. YSL has his jewellery created by many different sources and Torro did many pieces For The Haute Couture designers including Elsa Schiaparelli, Valentino, Pucci, Christian Dior, Yves Saint Laurent, Ken Scott And Roberta Di Camerino. I believe this is one such piece. It is  large - the dangling pendant/brooch measures a full 6 inches long and 3 inches across the top portion. This pendant piece slips onto that a thick gold knot chain with a hook and once detached can be worn as a brooch. A very unusual combination. The round accent pieces are a mix of opaque and a more translucent poured glass, combining an opaque coral with blue and green. The tassel is feels like glass beads and are strands of green with each ending in a single red bead. It i s a beautiful piece of costume jewellery.

The pendant is 3" wide x 6" long and the chain is 16" with a slip closure. The logo plate can be found on the back of the pendant. The pendant has a large brooch closure as shown.

Item# A332

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am a little obsessed with this fedora by Christian Dior. It has a small, neat brim and sits at a jaunty angle once on. It is made of a felted wool and the band that circles the crown is an ultra-suede. The textures those two fabric have when combined are delicious and the colors make it the perfect chic neutral. I love love love the little "arrow" detail that give illusion of going through the hat and how each side of that detailing is anchored with a little gold piece. Trust me - you will wear this one over and over. Excellent condition

Appears unworn other then a slight patina to the gold detailing on the banding. Grosgrain ribbon edging on the interior

21" inner circumference

Item# A309

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.