Bill Blass became the head designer at Maurice Rentner in 1959 and soon after that his name started to appear on the labels. In 1970 he bought out the Maurice Rentner label and re-launched it under his own name. These Bill Blass for Maurice Rentner pieces, are some of his earliest and you will find many of them, like the twin of this coat, in museum collections throughout the world. Blass was arguably one of the most famous of all the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seem to have a way of flattering the wearer even at their most extravagant. This piece has the additional bonus of being able to be worn as either a coat or a dress

This early Bill Blass coat is particularly gorgeous with its metallic gold and deep blue silk brocade fabric. The base of the coat is a deep blue silk. Onto this, in horizontal rows that run over the entire coat, is an incredible and intricate design that has been created out of gold lame and gold thread. The gold pops off the blue base and has a lovely way of catching the light. The coat has a bit of a military feel to it and I love how the pattern is laid out to highlight the high collar and cuffs. Flap pockets are placed on the front of the coat. One on each hip and then two more on each breast. They are perfectly set tot follow the pattern and each has a large bead covered dome button to secure its flap closure. The same big bead covered buttons run down the front giving the coat a neat and polished feel. The shoulders are structured but are not padded. There is a subtle fabric epaulette across the top of each shoulder. The sleeves are long and he took the time to make sure that the fabric lines up with the body of the coat. The fairly simple design of the coat allows that beautiful fabric to take center stage. An interesting thing about this one, it closes all the way to the bottom hem so could be worn as a dress as well. Excellent condition

Fully lined in a blue silk and closes with silk covered snaps hidden behind each hand beaded dome button down the front. All four pockets are functional. Hand finished throughout. It appears to have been worn very little if at all. 

Sleeves: 23"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 18.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 37" from neck to hem with 4" turned over under the hem

Modern Sizing Equivalent: SML-MED

Item# C542

Reference Photo: Samantha Jones in Bill Blass, photographed by Richard Avedon, Vogue October 1968.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

True Haute Couture pieces by Chanel are an extraordinary find as they are so very rare and hard to come by. This one, like several other of the Haute Couture pieces in the shop at the moment, are from one of my clients whose mother purchased the majority of her Couture pieces between 1973 to the mid and late seventies.

The dress is made of two layers. There is an inner silk dress that acts as the lining, and then an outer layer over that, made from a semi-transparent silk chiffon. The silk chiffon used on the outer layer is especially fine and it has a beautiful red floral design screened onto the black with a secondary print suggesting an exotic animal print. The straps of the inner dress are made of that same fabric as is the matching belt that cinches in the waist. When the two pieces are layered over each other the result is wonderful. The outer dress gives the dress a very light and airy feel that is very feminine. The dress is so well made that I could not decide which way it sat better. I decided to photograph it both ways. First with the buttons down the front and then with it turned around to have the buttons run down the back. The neckline is collarless and simply ties above the row of silk covered buttons that start a slit keyhole between them and the tie. The bodice is cut to sit looser over the inner slip and the sleeves are full, poufing up above their buttoned cuffs. The skirt is a masterpiece of soft pleat work all the way around the hips. Each individual pleat is done by hand and precisely spaced. These give the skirt it's flounced feel. The matching silk fabric belt hook and ties into place to cinch in the waist. As good as it is on the dress form, it will be even better on an actual body. It is entirely made by hand and has its Haute Couture tag and numbered tape behind the tag present on the interior dress. Excellent condition

The exterior dress is unlined and closes with a tie at the neck and silk covered buttons. It has an inner waist stay that hooks to close. The interior dress act as the lining and closes with a handset side painted metal zip. Matching original belt. Finished to Haute Couture standards. Haute Couture label present with interior tape number 54878. The dress appears to have been worn very little if at all.

Outer Dress
Sleeves: 24.5"
Shoulders: 14"
Bust: 17.5" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 16" from top of bodice to waist
Skirt: 28" from waist to hem

Inner Dress
Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 42" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3010

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

After emigrating to the US in 1933, Rudi Gernreich started working in theater as a costume designer. He worked under Gilbert Adrian for a few years and eventually started his own small independent label in 1948 while still working for various other labels through to the 1952. At this point he started to develop the basis of some of the knits he would become known for while working for  the JAX boutique and doing freelance for several department stores. In 1960, Gernreich finally launched his own company and in 1964 renamed it Rudi Gernreich Inc. He is best known for his own label's work and the work that he was doing for Harmon knits in the 1960s and 1970s. Pieces like this dress are now regraded as being highly collectible.

This dress is from the 1971 season and several variations of this print were done and documented that season. His fascination with this graphic check print seems to have consumed him full force during this time period. Here we see three variations of the check used to maximum effectiveness. The top portion of the dress is done in a small red and navy check. The sleeves are more red in feel with a slightly larger so;id blue check running vertically down them. This balances out the skirt which is cut to be more full. Here the checks are of the same size and are quite large. The original belt that comes with the dress has the same check as the top and it anchors the entire design. The bodice is cut to be fitted and the skirt is set so that is has volume. It is made of his signature light wool knit. It is very rare to see a piece that still has its belt so I am happy to have had that come with it. It is a magnificent statement dress and highly collectible. Excellent condition with some small notes below.

Unlined and closes with a painted back zipper. The belt is backed with leather. The fabric around the round buckle shows signs of separating from the backing but still presents well. I see two nicks out of the fabric that I have photoed. I had this cleaned and temperature treated and the fabric seems stable. Please review the photos after the label shot and before the reference photos. Tagged a vintage S.

Sleeves: 23"
Shoulders: 14.5"
Bust: 16-18" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Skirt: 31" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3402

Reference Photos: (1) 1971 Rudi Gernreich Dress from the Indianapolis Museum of Art Collection.  /  (2-3) Peggy Moffitt in Rudi Gernreich, Fall 1971. Photographed by William Claxton.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Emilio Pucci dress is particularly wonderful with its pretty pink & coral floral print that pops off of the black silk jersey base. The dress is made out of one of his classic silk jerseys that has that gorgeous floral pattern screened onto the fabric. At this point in the Pucci history, Emilio himself would have been creating the prints for his dresses so it is truly like wearing art. The dress has an easy to wear cut to it. The bodice skims over the bust and waist, curves over the hips and ends in a simple cut skirt. As with all his best pieces, his use of a contrasting border highlights both the cut and line of the dress. The neckline, cuffs and hem are all accented by a contrasting white and floral border. A border band of that same print also runs down the center back of the dress. The sleeves are cut long with a slight bit of volume over the cuffs. This is a classic Pucci silhouette that is instantly recognizable and very sexy once on an actual body despite not being super form fitting and clingy. I love all the contrasting print panels that give the cut visual definition and the colors all pop against each other beautifully. Excellent condition.

Unlined and slips on to wear with a handset fine metal zipper at the back. Hand work throughout the interior. The fabric has some stretch. Tagged a vintage Pucci 14

Sleeves: 21.5"
Shoulders: 15.5"
Bust: 19-21" flat across from side seam to side seam
Dropped waist: 18-20" flat across from side seam to side seam
Hips: 20-23" flat across from side seam to side seam
Bodice: 18.5" from neck to dropped waist
Skirt: 24.5" from dropped waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD2448

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous Emilio Pucci dress is made from one of his signature velvet fabrics. These velvet pieces hold color especially well and they have a rich decadent feel to them that is hard to beat with their modern counterparts. The print would have been created by Emilio and then transferred to the velvet. This one uses a rich color palette of fuchsia, pinks, burgundy and browns. The colors all pop against each other beautifully. The dress is kept simple in its cut so that the colors can shine. The bodice skims over the bust with a V neck that scoops down to meet the angled band of contrasting print set at the waist. This tops a simple skirt that curves over the hips and widens out a touch as it nears the hem. Down each sleeve is a panel of one of his signature borders that create contrasting to the print. This same border treatment circles the hem, cuffs and is used to define the waist. This is classic Pucci that is instantly recognizable. Presents as excellent condition with some notes below to review

Fully lined in a white silk and closes with a hidden set, back painted metal zipper that is hidden under a flap of fabric and goes to the waist band only. Has a second hidden set zipper at the side. There is some color run under one arm that is only on the exterior. There is also a slight yellowing on one dot and some fading to the velvet at the back of one sleeve. Once on these are very minor due to the extensive print. Please review the photos provided after the label shot

Sleeves: 20"
Shoulders: 17" (set dropped)
Bust: to 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 15" from neck to actual
Skirt: 23" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2045

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful two piece set shows what a master Yves was with print. The top and skirt share the same floral print and instead of that being overwhelming it only serves to give the illusion that it is a dress instead of the two pieces. Yves was a master at taking fine silks and simple designs and then adding romantic, feminine elements to create something uniquely Laurent in feel. Both pieces are made from a high quality silk. This allows them to move and drape wonderfully once on the body. You will see a lot of his pieces made from this silk during this time period and for good reason. The top has an easy to wear cut and sits loose on the body. It buttons at the front neck so that you can leave it open or close completely to create a higher neckline. There is an attached tie belt at the waist that allows you to add shape. Each sleeve has a pretty amount of volume over the 3" cuff. The skirt hooks and zips to close. It is cut to flows over the hips and ends just past the knee. It is more fitted around the hips and then the pleats opens to create some volume. Excellent condition

Both pieces are unlined. The top buttons partially down the front and has three buttons on each cuff. The skirt zips and hooks to close. Has its original tie belt attached lightly to the top. Both pieces are tagged a 36

Skirt
Waist: 12" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 26" from waist to hem

Top
Sleeves: 24.5"
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 25.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3379

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is such a pretty dress. It has no labels to tell us its origins but it is well made and just pretty beyond words. It is not 100% perfect but its imperfections are mild. The fabric is the star on this dress. It is a ivory silk base that has a super soft chenille feeling applique that has been fused directly to the base fabric. These give it a 3D texture and in incredible sensation when the dress is touched. The form little abstract dots that cover the dress from head to toe. Between each of those dots are hand applied silver tube beads hat catch the light beautifully and give the dress a touch of sparkle. It is sleeveless and the neckline and back are scooped. There is just a suggestion of shape through the waist and the skirt falls below that is a gently widening column of fabric. A slit up the center back allows you to walk comfortably. Excellent overall condition with a note to review below.

Fully lined in a white crepe and closes at the back with a painted metal zipper. Inner waist stay that hooks to close. Hand finishes. There is some darkening to the fabric as it nears the hem and a small area on the bust. They are pretty mild and feel more like shadows when it is on the body. Please review the last three photos.

Bust: 16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 52" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# E677

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Alexander McQueen designed the 2005 collection 'It's Only A Game' around the idea of a chess match between America and Japan. Each ensemble corresponded to a particular chess piece. Vogue said of it; "The presentation summed up all his experience in sharp tailoring, spectacular romantic dresses, couture richness, and downright showmanship." and that it had a "girlish Edwardian theme, starting with tiny sailor jackets, school blazers, ticking-striped shirts, and gray knee-length shorts, then adding lovely white lace blouses and dresses". The twin of this set was presented on the runway that day for Look 8. This show is often referred to as one of his most iconic presentations.

The set is incredible and an important piece of the Alexander McQueen history. It is instantly recognizable and from one of the most important collections. It is a work of art and the fabric alone is astounding. It is made from a fine, light silk that n person is perhaps a touch more on the taupe side then how it photoed here. Into that silk are very fine embroidery that forms the design that you see running over the jacket and the skirt. The skirt is pleated and the pleats close around the hip and then open to give it the volume that you see. The fabric is very light but the way that it has been sewn and pieces together give it the volume and shape you see without needing any interior skirting. I particularly love the fine notched scalloped edging around the hem. The jacket is equally incredible. The lace top you see peaking out from under the jacket is actually attached and part of the jacket. The tailoring is masterful and shows his mastery of line. It has a Edwardian/Victorian flare to it with its row of carved mother of pearl buttons that run down each side of he jacket and little flap pockets on each hip. The attached top underneath is a fine lace and feels the equivalent to a fine antique lace. I love how this buttons al the way up to a high neck and how the ruffles around the neck are the same as those on each sleeve that peak out. The little grosgrain band that extends out from the interior of the jacket is the perfect finish. This is an incredible piece of Alexander McQueen history. Excellent condition

The jacket is lined in a textured striped cotton suiting lining and the edges of the interior with a silk grosgrain fabric. It closes with the buttons down the front. The skirt is unlined and closes with a side zipper. Both pieces are tagged a size 44. It looks to have never been worn or worn very little.

Jacket
Sleeves: 25" to end of lace sleeve
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 22" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 27" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3369

Reference Photo: Spring 2005 Alexander McQueen Runway Collection, Look 8. Model: Dawning Han.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress has a touch of a metallic to it. The  of the dress them selves are fairly simple and that really allows the metallic detailing to shine. Onto the pale green silk base of the dress is a gold metallic overlay that covers the dress. Then onto that are hundreds of little gold dangling rows of gold thread and gold sequins. These cover the entire dress so that with the smallest movement they move and flash all around you. The bodice is cut to skim over the chest with a scooped neckline. Over the interior bodice is a more caped piece that floats above the more fitted interior. The sleeves are capped and the waist nips in. The waist is banded and the color under the lave overlay an more nude color. Under that the skirt flares out slightly as it nears the shorter hem. The effect of all this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Very well made to demi-couture standards. Excellent condition.

Fully lined in a pale green silk. It closes with a hand set back zipper. Hand finished throughout. Lightly padded shoulders. It is surprisingly light in weight so easy top wear. It is more a matter gold in person. Main line label that id hand dated

Shoulders: 14
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Length: 31" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3368

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Haute Couture tape hidden behind the label gives us the exact date on the amazing Emanuel Ungaro dress and jacket set. Ungaro recently passed away and that always makes you look at a designers work with a new appreciation. Ungaro launched his label in 1965 after stints at Balenciaga and Courrreges. He was a brilliant designer who was known for his of extravagant fabrics and flamboyance.

This two piece set is fantastic. The inner dress is signature Ungaro for this time period and is cut to hug every curve of your body once on. It is made out of a metallic silver velvet that has little bits of a silver lame thread worked through it. This is then hand gathered into soft pleats that run the full length of the dress. On the bodice they are set to curve and accentuate the bust with high peaks and a boned interior. The waist nips in and the skirt has more of these same gathers that add shape and emphasis to your curves. There is a thin strip of hand applied sequins that runs down each side of the dress. All applied by hand and incredible. Over this is an ivory silk jacket that has embroidery work, silk netting insets and applique work, in addition to the feathers that you see. The closer you get to that fabric the more astonishing it is. In the lace netting insets the netting is detailed with tiny rhinestones and pearls. These are all connected with the embroidery to give it a touch of a patchwork feel but in a very couture way. The shoulders are gathered and then the sleeves narrow as they reach the cuffs. The waist is shaped in so it almost has the curve of a dandy coat in feel. Then of course the feathers that wraps around the neck, down the front and around the hem, give it the most amazing finish. It is true numbered Haute Couture and remarkable. Excellent condition with a minor note below

The dress is hand lined in a ivory silk and closes with a hand set side zipper. Boning in the bodice of the dress and an interior waist stay that hooks to close.  The jacket has no closures and slips on wit padding in each shoulder. All made to Haute Couture standards and the dress has its Couture label and numbered /dated tape present. There is a slight bit of yellowing to the interior of the dress which of course does not show when on. Please see the last photo after the label shot

Dress
Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice: 9" from top of bodice to waist
Skirt: 24" from waist to hem

Jacket
Sleeves: 23"
Slightly extended shoulders: 16"
Bust: to 20" flat across from side seam to side seam
Waist: approx 14" flat across from side seam to side seam
Hips: approx 19" flat across from side seam to side seam
Length: 32" from neck to hem, including the feathers

Modern Sizing Equivalent: XS-SML

Item# DD3367

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of those incredible mystery pieces that you can only find with vintage. It is very well made and has all the hallmarks of a high end piece but whatever label it once had is now gone. It is made from both a beautiful black silk organza for the skirt and side peplum on the dress and a softer silk for the body of the dress. Both fabric choice are almost weightless. The softer silk used for the dress makes it feel comfortable when worn and the organza gives the volume you see.  The inner dress is fitted though the bodice and has one shoulder. A tiny strap curves over the shoulder and the arches across the back leaving a bare expanse of skin. The skirt is fitted and just above the knee. On one side there is a pleated peplum that I put under the over-skirt for added volume and shape but I think you could easily wear the skirt the other way for an interesting effect as well  and a The skirt is  cut on a sharp angle with extra fabric on one side for volume and then it falls to the floor on a point on the other. There is a detachable bow that you can snap at the waist. The edges of the skirt and the bow are trimmed in a black snakeskin. When worn together it looks like one single piece but because it is two you could potentially break it up and wear the pieces separately. Excellent condition wit one small note nelow

The skirt is unlined and the dress is lined a black silk. The dress closes with a hand set, side metal zipper. The skirt closes with a combination of hook & eye and snaps. The bow snaps into place. There is a bit of wear/dryness to the snakeskin along the bottom edge of the detachable bow. Hand finished to demi-couture standards.

Dress
Bust: 14-15" flat across from side seam to side seam
Waist: 11.5" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice:15.5" from top of the shoulder to waist
Skirt: 21.5" from waist to hem

Skirt:
Waist: 11.75" flat across the back from side to side
Hips: open
Length: 4" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# E673

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress is heavily sequinned and beaded. The lines are simple and once on it is extremely sexy and flattering. Onto the black silk base of the dress are hundreds of chevron bands made of a combination of glossy black sequins and tube beads. These are laid out in a sharp chevron pattern that comes together down the center which gives the illusion of an even slimmer silhouette. On the skirt the flare pout to match the incredible sweep of the lower skirt. The exterior of the dress is done in that amazing solid black with just the pattern of the sequins and beads and how they catch and glimmer in the light to catch the eye. As a result the dress is fairly heavy off the body because of that extensive bead-work, and yet once on the body it lies and drapes in a way that it is balanced and not at all unwieldy. The bodice is cut to skim over the chest with a scooped neckline. The sleeves are capped and the waist nips in. Under that the skirt flares out to an extreme at the hem and t it is cut and shaped so that the bottom is a true circle it has so much volume. The skirt is incredible with its built in under-layers on a vivid pink and red. These are set in extravagant, pleated ruffles. If you stand perfectly still you cant see the color underneath but the second you move or sit that vibrant color explodes out. The under-skirts also helps to hold the shape and volume that the lower skirt is meant to have. The effect of this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Extremely well made to demi-couture standards. Excellent condition.

Fully lined in a black silk. It closes with a hand set back zipper. Hand finished throughout. It feels heavy off the body as it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. Attached underskirts in red and pink. Main line label

Shoulders: 15
Bust: 16-17" flat across from side seam to side seam
Waist: 12-13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3361

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This would have been designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been "noted as one of fashion’s great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential." His realm is one of my favorites for the house and the period through the late sixties and into the 70s in particular. He was a genius at print and color and he pushed the envelope in terms of using the "new" fabrics available during this time period.

This vintage Lanvin dress has a gorgeous bright color and print combination on a black base. The wool jersey fabric it is made of is light in weight and held color exceptionally well. The colors are still crisp, bright and true. I love when I find great examples of this label from this time period in the label's history as it is a particular favorite for me. The dress is sleeveless with a V scooped neckline on both the front and back. The back dips lower then the front does. It buttons down the back and I think its amazing that each button is perfectly done so that it has one of the spots exactly laid out over it, so that the pattern at the back is not interrupted. The waist nips in and the skirt falls to just above the ankle depending on how tall you are, and it slightly widens as it nears the hem. I love how those stripes contrast against the dot print and are used to define the cut of the dress. It also has a matching scarf that is hand finished with a yarn trim. Overall great condition with notes below to review

Fully lined and closes with hand covered buttons down the back to the waist and a low back painted metal zipper below that. Has its original scarf. Note that there are some minor nicks out of the fabric around the lower portion of the skirt. I have photoed the two worst areas - please review the two shots after the label photo. There are a scattering of teeny ones here and there around the lower skirt. All are stable and it stood up to cleaning just fine. This was taken into consideration when pricing.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from top of shoulder to top seam at the waist and the band at the waist is 2.25" wide
Skirt: 36.25" from bottom waist band to hem
Scarf: 44 x 14.5

Modern Sizing Equivalent: XS-SML

Item# DD3358

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible dress and jacket set that would be from when Marc Bohan was head of the Dior atelier. It is a beautiful and early example of the work being produced by Christian Dior in this time period. This is the Christian Dior - New York label and is considered to be demi-couture from this time period of Dior's history. These where made for the American market based on the runway designs and with many of the same high standard finishes that Haute Couture pieces incorporated.

This set is just spectacular. It has a simple, refined cut that is made glamorous by the wonderful fabric choice. The fabric is a beautiful wool silk that has a touch of weight to it so that the lines are perfectly held. It has a cream base with squares running over its surface. Each is a peach outline that then has a gold and peach medallion in its centers. In person the peach is brighter and better. The metallic gold lame thread is slight raised up from the fabric so it gives a touch of dimension besides the shine. These cover every square inch of the fabric. It is made of two pieces. The inner dress is a simple sheath that is cut so that is skims over the body and slightly flares out as it reaches the hem. It is sleeveless and the neckline is a simple scoop. It comes with a gold metal and rhinestone chain belt that slips through the loops that run around the low waist and then the belt hooks. The belt is real metal and has crystal detailing set along every 4 inches. I love how it ends in a gold tassel that dangels down under where it hooks. Over this is a little matching jacket that is sheer perfection in cut. It has a neat little collar and box cut. There are no closures and it is the perfect finish once it is popped over the dress. What I love about it is that when the dress is worn on its own it has that touch of a mod feel that the sixties were all about but once the jacket is on it has a very refined feel. Excellent condition with a small note below

Both pieces are lined in a heavy cream silk crepe with an additional silk chiffon interlining through the dress. The dress closes with a had set, hidden zipper at the back. The jacket slips on with no front closures. The belt hooks to close. There is a slight grubbiness to the lining of the inside back collar  of the jacket and one very minor nick out of the fabric on the jacket. Please see the photo after the label shot. . Otherwise the set appears to have been worn very little if at all. Hand finished and very well made to demi-couture standards.

Jacket
Sleeves: 22"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Length: 19" from neck to hem

Dress
Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3357

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dramatic little dress by Vicky Tiel is fabulous. It is made from a fantastic metallic gold lace type fabric that has a black base over which the gold has been directly applied. This allows the black to peek through and the gold really highlights the pattern in the fabric. It gives it extra depth and visual interest. This then sits over an inner fitted base that is structured and molded to the body. It is shaped like a corset inside to give you shape with both boning and inner structure. The front has a plunging version of a sweetheart neckline and I love the dramatic curve of it. The bodice is molded tot he torso and covered with gathers that emphasize your curves. Amazing little cap sleeves sit off the shoulders and wrap around the upper arms. The waist nips in and it is fitted around the upper hips. Under that the skirt explodes out in a dramatic pouf of fabric that is fall all the way around. the shape is held by layers of stiffened organza and tulle under the gold. Countless modern pieces right now are based on dresses just like this and I am happy to have this amazing original in the shop. Excellent condition.

Fully lined in a black silk and closes with a back zipper. Very well constructed with the entire inner bodice shaped, boned and fitted. It appears to have never been worn or worn very little. Handwritten tag, marked a vintage 42

Bust: to 18" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Seam at bottom of bodice: 16" flat across from side seam to side seam
Hips: open
Bodice: 19" from top of shoulder to  bottom seam, 16" from top of bodice to bottom seam
Skirt: 16.5" from bottom seam of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3356

Reference Photo: Vicky Tiel in Town & Country Magazine, December 1984.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible and very rare set by Halston from his main line. The top part of the set is very similar in feel to the one worn in the famous 1978 image of his 'Halstonettes" taken in the Halston offices. In that photo, the same metallic lurex is used in a different color way and the gathered bodice tops full pants. Here the pieces are more distinctively separate as a bandeau top and skirt.

This set is magnificent and such a rare fine. Both piece are made from the finest, lightest metallic lurex lame and the color is a deep true purple. The top is gathered on two pints on either side and you can wear these at the side as I have photoed it, or wear the gathers down the center front and back. It is lined in a nude stretch jersey. It simply zips into place and it's done. There is some flexibility on how much midriff you wish to show between the top and the skirt. You can push it up and gather it a touch more to really show off a band of bare skin underneath, or pull the fabric down to almost meet the waist of the skirt as I have photoed it. The skirt underneath is a flirty little thing and it is cut with tremendous volume that only shows itself when you move. The lightness of the fabric allows it to lie fairly smooth when you are standing still, but in reality it is pretty much a full circle skirt. It is unlined and instead is made up of three layers of the feather-light lurex. This gives it just enough opaqueness to not be scandalous but in a strong light you would still see shape underneath. It's amazing and a rare, museum worth piece by on of the greatest of American designer. Excellent condition.

The top is lined in a nude stretch lingerie jersey. It has an inner waist stay that hooks to close. It zips at the back and has boning built in along the side there and at the front middle. The skirt has no lining and is made of three layers of the fabric as noted above. It hooks to close at the waist and snaps under that.

Bandeau
Bust: 17.5" flat across the top from side seam to side seam
Inner waist stay: 13.5" flat across from side seam to side seam
Height: 9" at the boning. The fabric on either side og the boning can be worn more or less gathered for more or less coverage

Skirt
Waist: 13.75" flat across from side seam to side seam
Hips: open
Length: 29" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3354

Reference Photos: (1) Alva Chinn, Halston and Chris Royer at Olympic Tower, September 1978. From the Book 'Halston' by Phaidon.  /  (2) Model in Halston, 1978. From the book 'Halston An American Original'.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When Jeanne Lanvin died in 1946 her daughter took over the business and ran it herself for a couple of years before hiring Antonio del Castillo in 1950. During his time as head designer for the house, the labels bear the name Lanvin-Castillo. He departed in 1962 which gives us a neat little window of time that he worked within. This set has the boutique label but that label is numbered and the interior is finished to couture standards. I think it was most likely a  custom order placed through the boutique that was made in the couture studios based on the level of finishes.

The set is gorgeous. It is made from a deep gold colored velvet that instantly give is a rich feel. The top is sleeveless and scooped at the front. Vertical seaming give is a fitted feel and it is cut to nip in at the waist. It is meant to be worn tucked in and the long exposed zipper, done on the couture manner to leave no bump under the skirt, is what tells us that it was meant to be worn that way. The neckline is finished with a beautiful hand applied border of gold metal filigree cut out, faux pearls and gold beads. The skirt has that same beading detail and this is done in wide borders that surround the unusual slit pockets that sit towards the center of the front of the skirt. This picks up and balances the neck detailing perfectly and add a touch of high glamour to the piece. The skirt has a deep inverted front pleat running down the center for volume. The two together are gorgeous and typify that Old Hollywood, glamour that this decade was so well know for. Excellent condition with a couple of tiny notes below

Both pieces are fully lined in a matching silk. The top closes down the side with a painted metal zipper and the skirt snaps to close down one side. Perhaps the most minor of marks to the velvet here and there where the beading pressed in to if from being folded in storage but this is to be expected with the age of the pieces. These will soften as its hung properly. It looks like the hooks on the waist may have been moved at some point to make the waist a touch bigger. Where the corners of the arm opening meet there is the teeniest of nick to the velvet on each side. Please review the photo after the label shot. The interior is made to haute couture standards and appears to be all hand done with hand finished curved couture seaming. The label is numbered but it is very faded. 

Top
Bust: 17.5" flat across from side seam to side seam
Waist: 12.75" flat across from side seam to side seam
Length: 19" from shoulder to hem

Skirt
Waist: 13" flat across from side seam to side seam
Hips: open
Length: 28" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3352

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks that often involved draping and the use of multiple layers of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money.

The simplicity of this dress when you first look at it hides the incredible craftsmanship used to create it. I love the light and airy feel of the dress that is created by the yards and yards of silk chiffon used in its construction. Working in this type of fabric is already difficult and this would have taken many hours of work to execute the making of this dress by hand. The column of silk that you see has been cut on the bias. Incredibly, there are four full layers of silk used to make up the body of the dress. This gives it enough of an opaqueness to wear and also gives it a lovely movement and makes it very comfortable to wear once on the body. The layers sit over each other perfectly aligned and in a sheath silhouette so it is very easy to wear. The sleeves are made of a single layer of the chiffon. On one shoulder is an attached long panel that gives it a caped effect. This trails all the way down to the hem and adds a touch of drama as you move. It flows behind you as you walk and it creates a very pretty effect with its slight transparency. It is very beautiful. Excellent condition with a couple of minor notes below

The body of the dress has four layers of silk chiffon. It closes with a hand set, zipper at the back. Immaculately constructed. It appears to have been worn very little if at all. The bias cut allows for some range in the measurements as indicated below. There is the slightest bit of a pull on one sleeve. I see the slightest bit of teeny snags to the silk here and there but very very minor and just mentioned for accuracy. Please see the last photo after the label shot.

Shoulders: 14.5
Sleeves: 25"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 43" from neck to hem and may come up a little when on due to the bias cut

Modern Sizing Equivalent: XS-MED

Item# DD3346

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a spectacular bold silhouette Balmain dress by Olivier Rousteing. The fabric is great. It's just heavy enough to hold the shape and structure that the dress has but without feeling thick or too structured. The shoulders have Rousteing's signature bold and sharp shape and the sleeves taper to the wrist from there. The fabric on the skirt is draped in towards the center front so that you get the effect that the hips are wrapped in it. The front bodice also is wrapped down and into that center knot giving the illusion of an even smaller waist. The bodice of the dress has a long open keyholes at the front and this is balanced by a high neckline. At the back, the Balmain signature chunky zipper runs down the back. It is spectacular and sexy and a collectible both now and as a future vintage piece. It appears to have never been worn. Excellent condition.

Unlined and closes at the back with the signature chunky brass Balmain zipper. Padding in shoulders. Appears unworn. Tagged a modern Balmain 40. The fabric does have some stretch

Sleeves: 27.5"
Shoulders: to 17" due to the shoulder pads that extend beyond the natural shoulder
Bust: 17-18" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Bodice: 17" from neck to waist
Skirt: 19" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3347

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jacques Heim began his career working at his parents fur business. In 1923 he took that business over and made it into his own vision. Heim began designing a line of made to order, in-house couture pieces that used original fabrics, most notably, those of Sonia Delauney. In 1930 his younf label became an official member of Haute Couture and his self-named label, Jacques Heim, was born. Jacques remained at the helm of his business until his death in 1967. The label was shuttered by 1969.

This dress is a wonderful example of his work in the 1950s. The label has the additional wording of 'sur autorization speciale, Maria Carine Paris' (made by Maria Carine Paris with special authorization). Garments with this label are best explained by this excerpt: 'Maria Carine was owned by Maria Moutet-Chenu. She worked with four couturiers: Heim, Desses, LaRoche, and Lanvin. After the couture showings, each couturier would give her sketches based upon the garments they had just shown. Moutet-Chenu made the toiles which were approved by the designers. Then each garment was cut individually by hand in the Maria Carine workrooms in Paris using the same fabrics that were used for the couture garment. Maria employed hundreds of seamstresses, many of whom worked in their own homes. They sewed each garment individually to exacting standards. This was the highest of early high-end ready-to-wear.'

In other words - this is a fully authorized piece by the couture house. It would have been completely overseen by Heim and was the way the house would have produced demi-couture and ready-to-wear pieces for their clients. Maria and her seamstresses were only utilized to produce garments in this method for a small window of time before more mass market production methods took over that were a lot cheaper. It is a wonderful example of a very small moment in time when the quality was still very high.

I love the classic cut of this dress. It is cut to skim over your curves of the bodice and the sleeves are an extended curve of the fabric of the bust so that there are no seams at the shoulder or arm to break the line. The waist nips in and the skirt is cut slightly slimmer at the front and then very full at the back. I have styled it over a light crinoline to show you the shape. If you wished to get a very full skirted look you could but not without adjusting the inner lining which is cut in a more straight shape. The fabric is wonderful. It is a deep, non-metallic French gold lace that is applied over a fine black silk net. I love that all the edges are left so that the follow the floral pattern in the lace to give them a softer, curving scalloped finish. The sleeves are cut tot he elbow and they, along with the upper shoulders, are left unlined so you see a peek of skin through the lace. It is simplicity mixed with a masterful seaming and cutting and extraordinary fabric. Hand finishes and extra detail throughout. Excellent condition

Fully in a black taffeta and closes with a back painted metal zipper. Pinking shear finishes to the interior seams and hand finished throughout. The added crinoline is not included.

Shoulders: no defined seam
Sleeves: approx 14"
Bust: 17" flat across from side seam to side seam, with a good C cup at least
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Skirt: 28" from waist to hem

Modern Sizing Equivalent: SML-MED

Excerpt in the description taken verbatim from the Vintage Fashion Guild

Item# DD1207

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an exceptional piece of vintage Chanel and a rare find. This is a very early piece of Karl's work for Chanel. His first collection was in 1983 and  it is amazing to have a verified piece from just a few short years into his long career there. A version of the dress made of the same fabric walked the runway that season and we were able to find that reference photo. The hand written tag on the dress is also marked 1986 and there is a special order tag from Bergdorf's with the exact date and client name. It is a wonderful example of the work that Karl was doing for Chanel during this time period.

The dress is made from a of a metallic gold thread set on a black silk chiffon. The effect that this gives is that it is a gold lace. You only realize that it is made of that fine gold metal thread as you get closer to it. This fabric treatment also gives it a touch of a 3D feel. Under the top part of the dress is a inset bodice made out of black silk chiffon. This leaves the upper shoulders and arms covered in just a single layer of the chiffon and gold so you get a touch of transparency there. The cut of the dress has been kept fairly simple so that the fabric can take center stage. The neckline is set slightly wide and the edges of it follow the lace pattern. The sleeves are long and the bodice is cut to skim over the buts and waist. This  then flares out to the hem of the skirt. The front is cut to a more cocktail length and this curves down into a longer back skirt that is a true maxi length by the time it reaches the longest point of the back hem. This high low cut is tremendously fabulous and it lets the dress have more range. You are able to wear it to both a less formal cocktail affair, yet it will still work for a formal event as well. It has the Chanel boutique label with a hand written label below that with the date and other information. It is beautifully made. Excellent condition

Full lined in a fine black silk chiffon with an inner chiffon bodice suspended by tiny straps and in inner silk skirt. Hand finishes. The inner bodice has its own zipper to close it and then the outer layer closes with a series of buttons and loops down the back.Buttons and loop at each cuff. Cut slightly on the bias so may come up a touch in length when on depending on your frame

Sleeves: approx 23"
Shoulders: no true defined seam
Inner bust: to 18" flat across from side seam to side seam
Inner waist: to 14.5" flat across from side seam to side seam
Inner hips: 19" flat across from side seam to side seam
Length: 49" from top of shoulder to front hem, 60" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD3345

Reference Photo: Ines de la Fressange models for Chanel 1986-1987 Fall-Winter collection. Photo by Pierre Vauthey.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This exquisite Pierre Balmain Haute Couture dress is a stunning and very rare example of what the house was producing during this time period. It is true Haute Couture and has been entirely made by hand to Haute Couture standards. You can see a striking resemblance to the  Fall 1954 "Ecume" dress combined with elements from the "Clorinde" dress from that same season. There is also an even closer resemblance to that famous photo of the model and dress captured back stage by Mark Shaw that season. You can easily imagine that this dress was derived from the different elements of these, while tweaking the details to be more perfectly reflective of the clients personal style. It is wonderful and a joy to have it come into the shop.

The dress is constructed from a hand made ivory Chantilly French lace that is outlined with a fine silk cording. The cord has been meticulously hand applied to the lace. It follows the outline of, and defines each delicate motif within the lace's pattern. The lace portion of the dress begins just under the high and defined waist and the entire lower portion of the exterior layer of the dress is done in that stunning lace. I love how at the very hem the lace edges have been meticulously hand stitched into a silk organza so that the hem is perfectly straight. The bodice is kept with a more simple silk jersey fabric to contrast the high level of workmanship that the lace has. It is strapless and the cups are shaped and molded underneath the jersey. The silk has been is hand draped so that is sits  in soft folds over the bust. The folds are set on a slight angle and one section in the middle has been used to create a wide open loop. Through that opening winds a wide black silk taffeta sash that drapes down at the front to follow the curved angle of the bust line and then ties at the back. I have tied it into a more formal bow but you could also leave this to trail down the back. The use of the contrasting black ribbon adds both a simple and romantic touch and also visually cinches in the waist area even more then the interior corseting already does. The skirt billows out to a beautiful fullness beneath the tapered in waist. The shape and fullness that you see is built into the skirt through layers and layers of silk netting and tulle underneath. The inner construction of the dress is absolutely exquisite with a boned and corseted interior made entirely made by hand and to Haute Couture standards. Under the skirt there are a three full layers of silk tulle and netted underskirts to achieve the shape that you see. I did not add any additional crinolines here but you could create an even fuller shape by adding a separate underskirt if you wished. It is a beautiful example of the very early work that the House of Balmain was doing and a wonderful example of the golden years of Haute Couture. Excellent condition with some small notes to review below.

Fully lined in a ivory silk with extensive boning, inner construction and skirting. It closes with an intricate combination of the Balmain signature, multiple chest and waist stays and two zippers. One to close the inner corset and the other to close the exterior dress The inner layers of the skirt are attached with some having addition half layers at their hems for additional volume. The innermost skirt is interlined with netting and the built in corset is made of lingerie netting and hand done padding. It is boned with metal boning. There is perhaps some very minor darkening to the lace here and there. Very small areas here and there of darkening to the inner bodice. On the exterior bodice there are areas of light yellowing that run across the sides. It is very faint and once on I think you would never even notice it as they are across the fabric and in the folds mainly. None of this compromises the strength or integrity of the dress and it is strong and wearable with the care. All of the photos to show the stunning details of the dress are before the shot of the label and the shots to show the sides of the bodice mentioned above are after the label shot. It really is in remarkable condition. Proper Haute Couture label and tape underneath, though the writing on the couture tape under the label has faded to almost nothing.

Bust: 15" flat across the back from side seam to side seam with cups built in that would fit an A or smaller
Waist: 11.5-12" flat across from side seam to side seam
Hips: open
Bodice: 5" from top of bodice to seam under front cups
Skirt: 36" from seam under the cups to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3344

Reference Photos: (1) Model Ann Farrar in Pierre Balmain A/W 1954-55 "Ecume" Dress. Photo by Philippe Pottier.  /  (2) Backstage at Balmain, 1954. Photo by Mark Shaw.  /  (3) Marie-Thérèse in an evening dress called "Clorinde" by Pierre Balmain, Fall/Winter 1954-1955 Collection.

This garment is sent in clean, as found condition and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am so in love with this dress. The lines of it are pure Yves Saint Laurent for this time period and it is just extraordinary. The dress is made from a combination of a deep silver grey silk taffeta that he has used for the body of the skirt and the matching ruffled shawl, combined with a black, sequin detailed lace bodice. That same sequin lace is also used to finish the lower part of the skirt's wide hem. The dress is suspended from the shoulders by two thin silk ribbons. You could also easily tuck those in and wear this as a strapless piece if you wanted. Under those straps the bodice is covered in a black silk lace netting that has a secondary design made from applied silk organza to give it a 3D feel. Over this are black sequins that have been used to highlight the design created by the silk and netting. The bodice is backed with a black silk but on the hem of the skirt, where the same fabric has been used to finish it, it is not backed. This gives you a touch of transparency there that is very sexy as some parts of the skirt are actually cut quite high up the leg when you just look at where the grey silk part falls to. The skirt itself is extremely full so that when you move you will get a lot of volume and movement. It has a long matching silver silk sash that cinches in the waist as much as you wish. It also comes with its original matching shawl. The shawl is very large and finished with a wide ruffle all the way around. As good as it looks on a dress form, on a real body it really comes alive. Excellent condition with a couple of minor notes below

Fully lined through the bodice with a black silk and the grey part of the skirt has a black silk chiffon inner skirt. It closes at the side with a metal and nylon zipper. Tagged a vintage YSL 42. There is a faint mark on the side of the skirt near the seam and bottom of the grey part of the skirt that you only would see if you lay it out flat as I have. The straps show some wear and fraying at their very tops. Please review the first two photos after the label shot. The shawl has a small blue mark near a seam and there are some watermarks/scuffs to the fabric. These are shown in the last two shots. All are minor.

Bust: to 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of shoulder to waist
Skirt: approx 42" from waist to longest points and approx 25" to shortest
Shawl: 57" x 46"

Modern Sizing Equivalent: SML-MED

Item# DD3342

Reference Photo: Model in Yves Saint Laurent F/W 1981-82 Rive Gauche Collection. Photo by Helmut Newton. From the book "Yves Saint Laurent: Icons of Fashion Design" by Schirmer/Mosel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.