This dress is a little mystery as to its origins but is made to a very high quality so I would not be surprised to find out one day that it was a designer piece whose label has been lost. It is made of a black silk that has a touch of stiffening to it that really allows it to retain the fullness and shape that you see. It came with a separate stiffened silk organza underskirt and the outer skirt still sits well over this on it s on and the fabric itself is responsible for the fullness you see. There are many couture level details, like the knife pleats set on a curve around the side of the waist. It has been done beautifully and this helps to shape the dress as well as adding detailing.  The bodice is fitted with a shaped bust and pretty curved sweetheart neckline. The sleeves are a masterpiece and truly give the dress its couture feel. Each is poufed high and formed on a curve with pleats caught up at the seam and then expanding up and outwards to form that circular feel. Overall excellent condition with notes to review below

Fully lined through the bodice with a cream colored silk and closes with a back, hand set painted metal zipper. It has an attached silk tie at the waist and its original cream silk organza crinoline. The inner lining is starting to shatter in places. There is a small repair on the back of one arm and there two tiny holes in the skirt that gets lost in the folds. Please see the last two photos after the inner crinoline shot. The crinoline closes with hook & eye at the waist and is in fair condition. It is wearable but has some fraying at the raw edges everywhere and the waist has been taken in a not at some point. It would be easy to let out again.

Shoulders: no defined seams
Bust: 17" flat across from side seam to side seam with generous cups that would probably fit to a C
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 16' from shoulder to waist
Skirt: 28" from waist to hem with 5.5" turned under

Crinoline
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 28"

Modern Sizing Equivalent: SML-MED

Item# D389

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a wonderful dress from the fifties. It has the feel of the hand made dresses coming out of Mexico at the time and I wonder if it is not a more evening inspired piece by one of those artisans. The base fabric, which is a heavy cotton, almost canvas fabric is really the clue for this one. It is like a thicker, more substantial version of the cotton dresses and skirts coming out of Mexico for the tourist market in the fifties. It is such an unusual fabric choice and works so beautifully that it is also a rare example of someone using a very unusual fabric choice for an evening piece in an era where that was definitely not the norm.

The dress has been entirely made by hand. The skirt is cut to be very full and I have photoed it with a crinoline underneath so you can get a true sense of the volume that is there. You could even go fuller if you wished. I have also included a photo of the dress with no underskirt so that you can see how it falls without one (pic 8). If you chose to wear it without any crinoline you would still get a lot of volume and movement. Hand applied onto the skirt are large curving 'leaf' designs. Each of these have been shaped and made by hand out of a thick ivory cotton cording that has been hand stitched into place. Running down each of these leaves are three cords of a metallic gold for a touch of glimmer. These 3D appliques are placed to circle all the way around the skirt and they add a dramatic contrast to the black base. The waist is nipped and above that is a strapless bodice with shaped cups. That same hand place cording applique work swirls over the bust and the top edge of the sweetheart bodice is finished in more of the gold cording. This is an outstanding example of the work being done during this time period. Excellent condition with some minor notes to review below.

Unlined and closes with a back metal zipper. The interior bodice is boned and it has padded cups tacked into the bust. Removing them would give you more room in the cups if needed. It has its original matching fabric slide buckle belt. The belt buckle shows some wear. There is a very slight grubbiness to the cording on the bust and a darkening on the cord on one leaf. A tiny repair to the base of one seam at the back and some light marks on the cotton of the skirt that gets lost in the folds. Please see the last three photos after the shot of the inner cups on the bodice.  The hand work in the dress is easily seen from the back as shown. The crinoline used in the styling is not included

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 10.5" from top of dress to waist
Skirt: 30" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# E613

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is gorgeous. It is made out of a black silk that is heavy enough to really hold the shape and lines that you see and has a rich luxe feel to it. The skirt is wonderful and is cut to be very full. It falls to about the mid calf which was the length of this era. I have styled it over a crinoline so that you can see just how full it is and being a true circle skirt, it could go fuller still. I have also included a photo of the dress with no underskirt so that you can see how it falls without an extra crinoline added (photo 8). The waist nips in and it has a wide band that emphasizes the waist even more. The bodice on this one is amazing. The black silk has been formed into two cups that float over the inner bodice giving it a petal feel. Under that is a textured cream fabric that is hand adorned with a spray of rhinestone centered daisy appliques. The straps that you see can be worn as shown or you can tuck them in to make it a strapless dress. It does have an attached underskirt made of a stiffened muslin in the same ivory color as the appliqued bust area so when you move or sit you see a flash of that. It is very well made and a very pretty dress.  Excellent condition.

Fully lined in the same black silk as the exterior with a built in layer of stiffened cream muslin in the skirt acting as a light crinoline. It was photoed with a second crinoline that is not included. It closes with a side painted metal zipper. Hand finishes. Boning through the bodice and you could tuck the straps in and wear it strapless. Each flower is hand-applied and set with a rhinestone at its center.

Bust: 16.5" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: approx 16" from top of straps to bottom waist seam, 10" without the straps
Skirt: 30" from waist seam to hem

Modern Sizing equivalent: XS-SML

Item# D434

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

This dress and coat set is extraordinary. After much research I have dated it to the mid-fifties while Christian Dior still presided over the house. You can see a striking similarity to the color and print in the examples shown here from the Haute Couture collections between 1954 and 1956. The label is the Modele Original label that was done one a custom order / custom made basis. The designs were based on the Haute Couture presentation from that season and then special ordered through the London store by clients. The work was considered to be demi-couture. It is not unusual to see variations and small changes from the runway line in these while still retaining the same color and line references found in the Couture examples.

Both the coat and dress are numbered and entirely hand finished and extremely well made. The silk used is very fine with a soft washed floral print screen onto the entire surface of both pieces. The dress is backed in a feather light silk organza while the coat is a double layer of the silk with the organza lining only found in the sleeves. Both pieces are so light that each of the two pieces have hand placed weighted hems in their interiors so that they fall and stay perfectly in place. The seaming is wonderful with the shape deliberately created through the placement of the seams. The inner dress has a voluminous cut that is wider and has more volume through the upper body and then narrows in towards the hips and hem. There is a small notched neckline anchored by a flat bow at the front and the back has a low slung flat bow and strap detailing set at the base of the small of the back. It is cut to be loose and full through the body and has an almost cocoon shape to it. The coat is cut with even more volume. These exaggerated lines and shapes perfectly showcase the feel of that era and would have been cutting edge then and still feel avant garde now. The evening coat is collarless and cut to sit almost off of the shoulders. On an actual body it has an almost slouched feel and the back puffs out tremendously in a beautiful curving swoop. The seams are all cut gracefully on a curve and the sleeves are to the elbow and wide. It is wonderful. Excellent condition with minor notes to review below

Both pieces are lined in hand set silk, the dress in an organza and the coat in the same silk as the exterior and silk organza through the sleeves. The dress closes at the back with a series of hook & eye and snaps at the back and a low set zipper under that. The coat has no closures. Hand placed weights in both pieces. Slight stress points at the corner of the lining under each arm. Please review the photos after the label shot. The dress is numbered 19013 and the coat 19012.

These were made to be worn over-sized. The hips on the dress do narrow down and there is no give there. The generous proportions should allow it to fit a range of sizes.

Jacket
Sleeves: 12.5"
Shoulders: 23"
Bust: 25.5" flat across from side seam to side seam
Waist: 25.5" flat across from side seam to side seam
Hips: 25.5" flat across from side seam to side seam
Length: 40.5" from neck to hem

Dress
Bust: 22.5" flat across from side seam to side seam
Waist: 19.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 41.5" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD2674

Reference Photos: (1) Dovima in Dior, 1956. Photo by Henry Clarke.  /  (2) Dior Afternoon ensemble, 1954 from the Chicago History Museum Collection.  /  (3-5) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Pauline Trigere launched her label in 1942. She had moved to the US from Paris in 1937 and her designs always have that bit of a French feel to them. By 1949 she had been awarded a Coty and won one again in both 1951 and 1959. The 1959 win coincided with being inducted into the Coty Fashion Hall of Fame. She as a pioneer in the use of cottons and wool for evening, In 1961 she made headlines for being the first major fashion house to use amply an African American model.

This dress is incredible and I love the lines of it. It is made out of fine black wool that has a hand painted design that is worked over the fabric in a variety of metallic paint. There is a gold, a blue and a red. The designs are clusters of little circles bunched in the various circles. Over each burst of color are hand placed and sewn sequins in the matching metallic color. Each sequin is then secured by a matching colored round bead. The fabric is just incredible and the overall effect this creates reminds me of perhaps fireworks. The cut of the dress is equally fabulous. The front plunges in a V and the bodice is more fitted with a curving seam just under the bust. The fabric skims over the wait and then flares out into a very full skirt that falls to about ankle length depending on your height. There is a lot of fabric in the skirt and when you move the movement of it is wonderful. The sleeves are gathered around each shoulder so they have volume and then they narrow down as they reach the wrist. It is even better on an actual body and one of the best Trigere pieces I have seen. It looks like it has been worn very little if at all. Excellent condition

Fully lined in a fine black silk and closes at the back with a metal and nylon zipper. It looks like it has been worn very little if at all. Hand finishes

Sleeves: 21.5"
Shoulders: 16"
Bust: 17.5" flat across from side seam to side seam
Seam under bust: 16" flat across from side seam to side seam
Natural waist: to 16" flat across from side seam to side seam
Hips: open
Bodice: 12" from shoulder to seam under the bust
Skirt: 41.5" from seam under the bust to hem with 2.5" turned under

Modern Sizing Equivalent: SML-MED

Item# DD3535

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a remarkable example of his Courrege and his more extravagant work during that time period. I know we more often associate his work with very mod, strict lines but he also did many dramatic pieces like this using silks and organza's and I am sometimes more excited to find these then the more common mod feeling ones. A version of this one is held at the Munchner Stadtmuseum making it even more special.

This beautiful dress made out of a feather light black silk organza is just absolutely stunning. Many of his pieces are a play on volume and proportion and this dress is an amazing example of that. It is a dramatic piece that is more fitted through the upper shoulders and then flares out very dramatically through the body to the hem. When you think about how this is a look that you really started to see pick up speed a couple of decades later, you really get an idea of just how far ahead of the curve his work really was. The fabric is a very light weight black silk organza that has just enough structure to it that it holds the intended shape and volume while feeling like you are barely wearing anything. The slight sheen and texture to it combined with the absolutely superb seaming details give the dress a rich, luxurious feel. All of the seams are set vertically and there are long lines of ruffles done in the same fabric that run from the neckline down to the hem. Each of these is set to follow the flare of the dress and this added texture to the surface of the dress is a wonderful touch. The same ruffle treatment runs down each sleeve. The neckline is finished with a flat, hand set piping of the same fabric and a sweet little bow that sits at front of the neck. Each sleeve is finished in the exact same manner. The dress somehow is able to feel like a combination of a child's baby doll dress and the most wonderfully edgy avant garde thing you have ever seen. Made to demi-couture standards. Extremely collectible and rare. Adding a modern belt would add shape and change the look and feel of the dress. Excellent condition.

Fully lined in a hand set black silk organza. The lining zips to close at the back and then the layer over that snaps in place in a series of snaps that lie over the zipper. There are 1/2 snaps ringing the interior of the neckline but I think they are placed there for weight and were never intended to actually snap into anything. Hand finished throughout. Tagged a Courreges A but very generously cut through the body. The open cut should allow it to fit a range of sizes keeping in mind that the shoulders have a slightly narrower cut

Sleeves: 22'
Slightly inset shoulders: 13"
Bust: 19.5" flat across the back from seam to seam
Waist-hips: open
Length: 48" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3532

Reference Photo: 1969 Courreges Dress from the Munchner Stadtmuseum Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous little YSL dress form the 1990s that has a fun and exotic vibe to it. The dress is made from a crisp cotton that has enough weight and structure to it to perfectly fall into the line that Yves desired it to have. It has a nod to the Hawaiian dresses of the forties in its color and cut. I love the bold purplish-fuchsia color that is combined with a soft grey and a charcoal to make up the abstract print that covers the dress. The shape is soft and cut to skim over the body. The dress is suspended from wide straps that curve around each shoulder. The bust is more fitted and gathered for fullness. and shaping. The skirt is a faux wrap that overlaps over itself along the side with the bow, So when you walk or sit it will open a bit to show some leg. On the one hip is a large half bow that adds amazing shape and detailing. It is amazing on the body. It appears to have never been worn, or worn very little. Excellent condition

Lined through the bodice in the same fabric and the skirt is unlined. It closes with a side zipper. Tagged a vintage YSL 42. It appears to have never been worn or worn very little

Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from shoulder to waist
Skirt: 26" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3527

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This amazing little dress is flawed but it is too cute to not put out there and I know there I have clients out there who either don't mind vintage that is a little less then perfect or that are a whiz and can work some magic and have it re-cut. The dress is a pink printed crepe that is sleeveless and has a bullet bra cut at the front. You can see that my dress form does not quite give it the shape it can have. Each cup is seamed to a point and on a girl that fills them out properly that definite sixties shape will be far more apparent. It skims over the waist and hips and then the hem is detailed with a wide band of pink dyed feathers. It is is just too cute for words. Please read the full condition report below

Fully lined in cream silk and closes with a back painted metal zipper. There are marks under both arms and I have photoed each side for you to see. It is otherwise in great condition

Bust: to 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 11" from top of shoulder to waist
Skirt: 21" from waist to bottom of the feathers at the hem

Modern Sizing Equivalent: XS-SML

Item# E683

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress looked amazing on the runway that season and I am so pleased to have this one in the shop. Finding runway references for Mugler's work is not always easy as he would often change designs for production and produced many pieces that were not shown on the runway. It's an extraordinary find.

I love the sharp fitted lines of the dress and how the ruffles on the bodice feel almost scandalous with its nod to lingerie. This is classic Mugler and the ruffles gives the dress that overt sensuality that he so often worked into his creations. The dress is made out of a black jersey that is a touch thicker then normal so really molds and accentuates your curves. It is then seamed to further create that fitted shape that you see. The seams are all set into curving lines that move down the dress to create an hourglass shape. The seams also help to give the dress structure, shape and support. The waist nips in and the hips curve out following the lines of the body. Pockets set to curve around each hip, which is a brilliant way to give the hips more shape. The skirt is cut above the knee and curves in slightly at the hem for a fitted silhouette. The bust is spectacular. It is seamed and molded like a bra cup and then little ruffles in an ivory silk are applied to the edge at the front. The tops of the ruffle is jagged and finished with an embroidered edging. So you are completely covered but at the same time it has that French maid, lingerie feel to it. You only have to look at the runway photos included to know how wonderful this one is. Excellent condition

Fully lined in a black silk and closes with a back zipper. Tagged a vintage Mugler 38. The cups will probably fit up to a small B

Bust: 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 34" from top of straps to hem

Modern Sizing Equivalent: XS-SML

Item# DD3518

Reference Photos: Spring 1997 Couture Thierry Mugler Runway Collection, Look 15.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Glossy black sequins that are extra large in size have been densely applied to a structured and fitted base to make this amazing strapless dress. The sequins cover the entire surface of the fabric of the bodice. The dress is strapless and the neckline is cut into a sweetheart shape and the interior is boned and molded. The waist is nipped in and the sequin part curves over the top of the hips for a long and shaped line. Under that is a wide panel of glossy black feathers that gives volume that and movement. This fullness at the bottom adds shape so that your waist and curves are emphasized. It is cut very short and is an amazing vintage find. Excellent condition.

The dress is fully lined with a silky black rayon and closes with a back painted metal zipper. Light boning through the bodice. The bust is shaped and would probably fit up to a C cup. Tagged a UK 12. The dress appears to have been worn very little if at all.

Bust: 16.5" flat across the back from side seam to side seam
Waist: 15" flat across the back from side seam to side seam
Hips: 19" flat across the back from side seam to side seam
Length: 28" from top of the bodice to the bottom of the feathered hem

Modern Sizing equivalent: SML-MED

Item# DD3517

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a softer, more romantic feeling version of the dress that Naomi Campell wore  for the ad campaign that year and Christy Turlington wore in Elle UK. Theirs were fitted all the way down to the hem where this one flares out past the waist and is detailed with a large bow at the front. The fabric used is the same for both. This version is perhaps more wearable for most and a little more forgiving then the very fitted silhouette of the other.

The dress is gorgeous and the fabric itself is part of what makes it so fabulous. It is far lighter then what it looks like it should be. The top layer of fabric is a open work lace that is shot through with a metallic thread so that is has a touch of glitz. The pattern in the lace is then detailed with curving rows of glossy black sequins. The bodice and hem are finished with a silk tulle ruffle. I absolutely love this classic YSL touch and it gives the dress a flirty, girlie feel that it would not have without that finish. The dress falls from the shoulder from little straps and I think that if it fit you perfectly you could probably have the option of tucking these on and wearing it as a strapless pieces. The edge of the bodice curves and plunges. It nips in at the waist and there is a large silk satin black bow set at the center front. There is no waist seaming, it just curves in and then flares out for the skirt. Everything about the cut of the dress is done to highlight the curves of the body from the way the ruffles are set on the bust to the curved lines of the skirt as it swings out and away from the body. It is wonderful. Excellent condition

Fully lined in a black silky rayon and closes with a side set zipper. Tagged a vintage YSL 40

Bust: 17" flat across from side seam to side seam

Waist: 14" flat across from side seam to side seam
Hips: open
Length: 38" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3516

Reference Photos: (1-2) Naomi Campbell for Saint Laurent Rive Gauche, 1987.  /  (3) Christy Turlington in YSL for Vogue UK 1987. Photo by Patrick Demarchelier.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Geoffrey Beene was one of the great American fashion designers and he was recognized for both his artistic and technical skills. He launched his label in 1963 and a piece from his very first collection landed the cover of Vogue. A Coty award followed a year later and in 1984 the Council of Fashion Designers created the annual Geoffrey Beene Lifetime Achievement award in honor of Beene's fashion legacy.

This is an incredible set by Beene that is made out of a feather light metallic silk lame. The color of the metallic fabric is a combination of a soft turquoise blue shot through with gold thread. The pattern this creates are a little series of squares and each one has a subtle leopard print worked into them. It is just amazing. Especially when you have it in hand and realize just how light and fine the fabric is. The set is made up of two pieces. The skirt is cinched in at the waist and has a pocket along one side. It widens out as it nears the hem and the lightness of the fabric makes it move wonderfully around you when you move. The matching top wraps around you to close, crossing at the front. I have tied it at the back but you could probably wrap it once more and tie it at the front if and ties at the back. On my dress form it ends up to be quite cropped and depending on how you tie it you can have to sit even higher up or slightly lower to close the gap a bit. Excellent condition

Both piece are unlined and the fabric is incredible. The skirt hooks to close at the waist and the top slips on and ties. You could move the hook on the skirt up or down a 1/2 inch or so in either direction and the top is adjustable with the tie. A pocket on the skirt where it hooks.

Top
Bust: to 19" flat across the back from side seam to side seam and the ties make t adjustable
Length: 16.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 35" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3514

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was obtained from a client who was a long term client of Norell and though it has lost its label it is a Norell. Of course provenance is everything so it is priced far lower then it would be with its label so its a steal.

The dress is chic and sophisticated. I think every collector of vintage cannot go long in collecting before a Norman Norell lands in thier closet. His dresses are cut with a master's hand and every line and seam is deliberately placed exactly where it should be. This particular dress is a classic silhouette and can be worn on its own or with something layered under it or over it. I know it is not as flashy as some pieces are in vintage, but it is beautifully made and the type of dress that is a solid basic for any closet. It is a sleeveless wool crepe shift dress in a deep chocolate. Don't be fooled by it's simplicity - it is seamed and constructed to couture levels and the finishes within it are superb. The front is suspended buy little straps and then it is cut in a chic sheath. At the back, it dips into a soft curve to leave an expanse of skin showing. This is a classic dress that will last you a lifetime and never go out of style. Excellent condition.

Fully lined in a matching brown silk that is entirely hand set. It closes with a hand set side metal zipper. At some point the hem was let down and the edge is finished with the ribbon he used on his inner seams. The inside lining is cut and not attached/finished around the inner edges. It could be worn as is or shortened to your desired length.

Bust: 16.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3512

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean Muir is renowned for her wonderfully cut clothing and her clothes often played on the cuts and styles of the 1940s. When researching her work I found a photo from 1972 that ran in British Vogue of a similar dress in leather. This one was not made to with a belt but you could easily add a belt to get that look. It is a stunning dress and the reference photo gives you a better idea of how great this is on the body. Each of her dresses were made one at a time and by one single person start to finish. This singular attention shows in the high quality of her garments.

This is a stunning example of Jean Muir's work in prints. She definitely tended towards solid colored jerseys so whenever I find one of her prints it's especially thrilling. It is so chic in person. Her dresses really do best with an actual body under them to fully show off the cut and drape. This dress is made from a silk with a satin finish. Onto the silk is screened that wonderful abstract print in a black, rust, yellow and white. The fabric choice allows it to have a beautiful drape and movement. It is  pin tucked on either side of the buttons on the bodice for a pretty detailing. More pin tucking sits at the top of each shoulder. The buttons are covered in the same fabric and these run to the waist. The dress opens fully to the hem and is closed with a series of snaps and hooks hidden down the front of the skirt. The skirt flares out wonderfully and is set into the easy cut waist in a series of soft pleats. Each sleeve is cut very full and wide. A wide ribbon finish circles each sleeve and around the bottom hem.  It presents as excellent condition but does have some minor flaws to review below.

Fully lined in a white silk through the upper bodice and the sleeves and skirt are unlined. It closes with buttons down the front and hook and eye and snaps below the waist. One missing buttons and there are some very faint marks on the fabric near that missing button. The inner lining shows some discoloration and tearing. Please see the photos after the label shot. The outer fabric is strong and wearable.

Sleeves: 23" approx.
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3512

Reference Photo: Model wearing Jean Muir, UK Vogue, 1972.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Zandra Rhodes is one of my favorite designers and it is always a treat to have one of her pieces for you. This print matches pieces from the Spring 1988 collection entitles the 'Fantastic Flower Garden' which featured little flowers set within curved lines in the backdrop and little crosses on the petals of the flowers.

This is a very wearable, gorgeous piece that can go for a fancier day piece to cocktail wear with ease. The fabric is her signature hand painted silk chiffon and this one is done in a flattering deep red with a charcoal print. This lies over a silk satin interior that feels wonderful when on the body. The dress has an asymmetrical hem and panels of fabric that are sewn on in tiers and on the bias to create a floating feel around you. They are set like a softer version of a handkerchief hem. This gives the dress a lot of movement. It is cut to skim over the body with a loose and easy waist and then the skirt flares out. The bodice has just a touch of detailing to highlight some of the floral prints with hand applied sequin paillettes and pretty faux pearls. The sleeves are left unlined and have that same panelled floating technique used on hem of the skirt so that they are light and airy feeling as well. It comes with a matching extra long sash that can be tied around the waist like I have done or you can wrap it around the neck or even tie it like a turban around you head. It is lovely and highly collectible. Excellent condition

The dress is fully lined in red, light silk satin and it closes with a back zipper. The bead and sequin work detailing are hand applied. Comes with a long wide sash and there are several pieces of matching fabric that came with it. This dress may have been a custom order and I think these are fabric swatches sent in advance of the actual making of the dress. It looks to have been worn very little if at all. 

Shoulders: 14.5
Bust: 17" flat across the back from side seam to side seam
Waist: 14" flat across the back from side seam to side seam
Hips: to 20" flat across the back from side seam to side seam
Length: 45" from shoulder to longest points on the hem
Sash: 17" wide x 102" long

Modern Sizing Equivalent: SML-MED

Item# DD3507

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is likely the early work of Elinor Simmons before her name went on the labels. She designed for the Malcolm Starr label from the early 1960s to 1972. You can see her influence in this classic feeling Malcolm Starr dress with its almost sculptural lines and addition of the rhinestone embellishments on the bodice.

At fist glance the fabric used almost looks quilted, but upon closer inspection you realize that the little quilting lines are pressed directly into the fabric. This gives the dress an instant shot of added texture that is very pretty. The fabric seems to be a cotton or cotton mix. This allows it holds the shape and the colour beautifully. The bodice skims over the torso with darling little capped sleeves. The waist line is defined with a seam and set just a touch higher then the natural waist for a hint of an empire feel. The neck is high with a notched front. The skirt neatly falls from the waist and gradually widens out to just about the knee or slightly under. The fabric is a pretty pinky red that has a bit of a cherry feel to it in person. I love the little sprays of flowers that cover the surface. The centres of the flowers are finished with little coloured rhinestones and this gives the dress a touch of glamour. The colours used are wonderful and the dress is gorgeous. I love that it has pockets hidden away along the seams of the skirt. It is really a lovely dress. Excellent condition.

Fully lined in a red silk and it closes with a painted back metal zipper. It appears to have been worn very little if at all. Note that the colour is more a pink red in person and even better then how it photoed

Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 24" from waist to hem with 2.5" turned under the hem 

Modern Sizing Equivalent: SML-MED

Item# DD3506

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The duo behind the La Mendola label met in Rome in 1960 and started their business making dresses and selling them one by one, piece by piece. In 1967 they opened a shop and women like Elizabeth Taylor and Rita Hayworth become steadfast clients who were buying, and even wait listing for pieces as they were produced. They were located in Italy and their atelier closed in 1974.

The prints that you see on the La Mendola pieces were all done in house. This one is suggestive of long feather rows and it has been screened onto a beautiful silk jersey fabric that is gorgeous and easy to wear. It is also a fabric choice that takes the colour and print of their designs exceedingly well. The set is made up of three separate pieces, a dress, a matching cape, and a turban. The dress has a simple scooped neck and an equally simple cut through the bodice and sleeves. It skims over the waist and then gradually widens out as it nears the hem. The simplicity of the design is a backdrop to how the printed fabric is set to make the the dress. You can see how beautifully it lines up at the centre seams. Over this is goes a cape made in the same fabric. The cape has soft rounded shoulders and slits at the front that you can put your arms through. It is cut to end just below the hem of the dress under it and it is a study of refinement. To tie it all together the set comes with a simple matching turban. Each piece is simple and elegant and when worn all together it makes a dramatic statement. Together they are absolutely beautiful. Excellent condition with one minor note below

All the pieces are lined in a black silk. The dress zips to close at the back and the cape closes down the front with a series of buttons. Hand finished throughout. The top button on the cape is missing its black cap that the others have as shown in the final photo

Dress
Sleeves: 24.5"
Shoulders: 15"
Bust: 18-21" flat across from side seam to side seam
Waist: 16-18" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 40" from neck to hem

Cape
Shoulders: no true seams
Length: 42" from neck to hem

Turban
23" around with slight stretch 

Modern Sizing Equivalent: SML-MED

Item# DD3495

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Roberto Cavalli dress is from the Spring 2006 collection and is very sexy. It's twin walked the runway that season and was worn by Carmen Kass. I have included that reference photo here so you can see how amazing it is once on the body.

It is an easy to wear piece and very flattering once on the body. It is very short and I think you could easily wear it as a tunic as well if you are not brave enough to go that short for a dress. The crispness of the white cotton and that deep front and back plunge pack a lot of punch into the design. The lines are simple and despite its overt sexiness it is surprisingly comfortable to wear. There are long, long ties that go through the dress under the bust and these can be loosened or tightened as needed. I have tied them into bows so they are like how it was shown on the runway but you could also leave them looser and hanging. There is a wide band of elastic at the hips that stretches for the perfect fit. Each sleeve is very full and cut very long with two bands of elastic. One just above the elbow and one above the huge double layered bell cuffs. This allows you to push them up or down to get the most volume through the sleeve and adjust the length. It is fabulous. Excellent condition.

Unlined and slips over the head to wear with ties at the waist to adjust the fit. Tagged a 40. Appears to have been worn very little if at all.

Sleeves:28"
Shoulders: no defined seam
Bust: 16-18" flat across from side seam to side seam
Waist: ties to adjust from about 12" to probably over 17" flat across from side seam to side seam
Hips: will stretch up to 20" flat across from side seam to side seam
Length: 31" from top of shoulder to hem but will come up when on

Modern Sizing Equivalent: SML-MED

Item# DD3488

Reference Photo: Spring 2006 Roberto Cavalli Runway Collection, Look 2, modeled by Carmen Kass.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In the 1960s if you wanted to wear something with a dramatic flare then you chose the work of Ronald Amey. He was known for his original use of fabrics and colors and his dresses were priced into the thousands even in the 1960s. His career was very short-lived. From 1959-1969 he designed under the label Burke-Amey. Joseph Burke, his partner, took care of the business side of things. In 1970s he bought out Burke and renamed the company Ronald Amey where he continued to produce his dramatic clothing until the label shuttered in 1976. His clothing was of very high quality and he incorporated many couture level details into their construction. All of his pieces were sewn in-house at his New York atelier

One of his signatures was to combine prints, fabrics and detailing embellishments in interesting, unusual ways and this dress is a wonderful example of that. This is an absolutely beautiful dress and I think that in person it is even better. The bodice is cut to curve around the body and then it is cinched in at the waist area. The sleeves are spectacular and each is cut to be full and voluminous. The skirt also has volume and is cut in a wide curve that billows out and away from the body. The base fabric is a printed silk organza. This choice of fabric allowed him to give the sleeves the volume you see but it also keeps the dress light in weight. The neckline is high and the detailing on it runs wide across the tops of the shoulders. That metallic band that Amey used to detail the dress is fantastic. It is a lattice made of silver metal thread that has little eyelash tufts attached to it. This is then bordered by a band of gold and silver thread. This curves around the neckline and then down the front all the way to the hem of the skirt. More of this silver and gold detailing runs around the hem, the waist and then is used again for the cuffs on each sleeve. Big dome buttons that are wrapped in a gold metal thread sit at the back of the neck and on each cuffs. Excellent condition with one minor note below.

Fully lined in a pale ice white blue silk throughout. Entirely hand finished. It closes with a back zipper and two gold buttons at the neck. Each cuff has three gold metal dome buttons and loops. There is one gold bead missing on the top button at the back of the neck otherwise the dress appears to have been worn very little if at all. The dress is even better in person. The length will land from midi to just above the ankle depending on your height

Sleeves: 24"
Shoulders: 14.5"
Bust: 17" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to waist
Skirt: 36" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3481

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a rare example of the work that Ossie Clark and Celia Birtwell were doing together in the very early 1970s. It's an early version of what would go on to become one of Ossie's most famous and recognizable designs with that signature plunging squared off neckline. Various versions of these in solid colors are held several museums. I have only seen a couple of these and this one is entirely original.

It is said that the original design of these front plunging dresses were loosely based on the designs of a graduation gown. If that is the case Ossie somehow managed to take that rather conservative feeling piece of clothing and work in the flow and drape that he was known for. His pieces always have a touch of an overt sexuality that became one of his trademarks and here we see that in the ultra low front plunge. This one also has a touch more shape through the waist then we see on the longer maxi versions with that same neckline. On this dress, the plunge dips into a deep squared off shape that is cut to just above the seam at the waist. The waist is banded all the way around with attached ties on both sides. These wrap around and ties to cinch in the waist and it also keeps the plunge from moving. The skirt flows out from there with lots of fabric in it that gives it tons of movement when you move. The sleeves are slim cut and have a row of silk covered buttons at each wrist. The fabric itself is a silk crepe with a deep navy base. Onto this is that spectacular fan print by Celia Birtwell in blue, green, yellow and red. This label is from the couture Ossie Clark line and it also has the Jeeves Dry Cleaning, Quorum recommended, tag. The midi length makes it extra versatile and it is a dress that you will wear over and over, easily able to go from day to night. Excellent condition with a minor note below

Unlined and slips over the head to wear with attached ties at the waist and a side set zipper. Each cuff has three fabric covered buttons at the wrist. There is a small faint mark at the front. Please see the photo after the label shot. Tagged an vintage UK 10. The flowing silhouette, waist tie and deep decolletage suit a variety of figures and sizes.

Sleeves: 22.5" but come up when cuffs are buttoned
Shoulders: 15"
Bust: to 20" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam and can be cinched in more by the attached tie
Hips: open
Bodice: 15" from neck to waist
Plunge: 13" from neck to bottom
Skirt: 34" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3467

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Attico brand was founded by street-style stars Gilda Ambrosio and Giorgia Tordini and the line has a vintage vibe to it that I love. This is a more recent dress from the Spring 2019 collection that was shown in the presentation as a long piece and then produced in that same fabric in this shorter version. It was a favorite of the brands founder, Giorgia Tordini, who wore this dress and posted it on her Instagram.

This is a gorgeous and sexy dress from the Spring 2019 season that is brand new, unworn and with all its original tags.The dress is made from a black cotton mix that has metallic stripes of color worked through the fabric. The fabric itself has a touch of transparency to it that adds to its light and sexy feel. It has an easy, open shape through the body that is flattering and comfortable to wear. The front plunges down into a V at the neck and the sleeves are to the elbow with elastic at their cuffs and tons of volume above. It is cut to skim over the body and then flares out in a flirty little skirt. It is cut very short and you can see just how short it sits on the photos of Giorgia wearing it. It is brand new with all original tags still attached. Excellent condition

Unlined and zips to close at the side with a hidden set zipper. Tagged a size 46. All original tags and unworn.

Sleeves: 22"
Shoulders: 16" and cut to drop slightly
Bust: to 20" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 33" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3466

Reference Photo: (1) Spring 2019 The Attico Collection, Look 29.  /  (2) Giorgia Tordini, April 2019.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress was used for the 1991 ad campaign shot by Arthur Elgort that featured the stunning Yasmin Le Bon. Two shots were used from that shoot so Yves must have especially loved this dress. It was also presented on the 1991 runway as seen on the beautiful Amalia Vairelli. This was one of the iconic pieces of that season and I am very pleased to have found this example.

The dress is made from a slinky silk jersey that has enough weight and drape to it to perfectly fall into the lovely draped lines that Yves desired it to have. The dress perfectly represents this time period and you can see the transition from the stronger, more angular shaped of the eighties slowly moving into simpler shapes for the 1990s. The vivid color and touch of excess from the 1980s is still there and present, but the shape is softening. It skims over the body and the skirt is made to look like it has been wrapped into place. A intricate series of hooks and snaps hold that lovely draping perfectly in place and it is these interior details that really showcase the high quality that Yves put into his designs. The neckline is slightly scooped and set in a wide crew neck. The gathers at its base and the masterful cut keep it firmly and remarkably in place. The waist is gathered across and a panel of draped silk jersey hang down over one leg. This sits over a high slit underneath that  is created by the wrap over shows off some leg when you walk, sit or move. It is amazing on the body and a rare find. Excellent condition with a small note to review below

Unlined but with a inner silk inset that is about 5" wide and circles the low waist so that the skirt sits perfectly. This inset is attached to the side zipper and hooks with a flat hook as well. The dress then closes above and below this on that same side with a series of hook & eye and snaps. Tagged a vintage YSL 42. There is a small scattering of marks on one shoulder which I have photoed and shown after the label photo. It gets lost in the print but mentioned for accuracy and priced accordingly

Sleeves: 18"
Slightly dropped shoulders: 17"
Bust: 17-18" flat across from side seam to side seam
Inner waist: 14" flat across from side seam to side seam
Inner hips: 19" flat across from side seam to side seam
Bodice: 18" from top of shoulder to dropped waist
Skirt: 24" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3136

Reference Photo: (1) S/S 1991 Yves Saint Laurent Ad featuring Yasmin Le Bon.  /  (2) S/S 1991 Yves Saint Laurent Ad from Vogue US, March 1991. (Both photos by Arthur Elgort.)  /  (3) Amalia Vairelli for S/S 1991 Yves Saint Laurent Rive Gauche.

Reference Video (below): S/S 1991 Yves Saint Laurent Runway Show from Fashion Channel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Claire McCardell is remembered as a being a true pioneer of American fashion. She was one of the most influential women's sportswear designers of the twentieth century. She studied at Parsons and worked as a fit model before a series of small jobs in fashion.  in 1929 McCardell landed a job as a design assistant to Robert Turk, an independent designer and dressmaker. It was he that took her along with him when he became the chief designer at Townley Frocks in the early 1930s. When he passed away in 1932 she became the head designer for Townley and eventaully a partner due to her success with the label. She gravitated towards natural fabrics like cotton, denim and wool. Her silhouettes flattered the female form and even now they seem shockingly modern. In 1954 Audrey Hepburn was photoed by Mark Shaw for Mademoiselle Magazine in her dressing room backstage at Ondine. In those series of photos she is wearing a paisley print dress that is remarkably like this one.

This incredible dress is likely from that same 1954 collection as Audrey's was from and is made out of a soft cotton that has a satin finish to it. This gives the fabric a slight sheen that is very pretty. The bodice is fitted with a simple scooped neck and sleeveless silhouette. The waist nips in and then the skirt flares out from there. It is not excessively full but it does have a touch of fullness due to the way the skirt is set into the waist with that series of soft pleats that you see. The dress hangs sleek and slim when you are still and then will flare out a touch more when you move. I have photoed it without its belt as the belt did not fit on my mannequin properly but with the belt in place I think the dress is even better. It is wide so really cinches the waist in and the large gold toned belt buckle at the front feels very modern. It is gorgeous and the perfect little summer frock. Excellent condition with a note below

Unlined and closes with a metal zipper at the side. The belt has a double buckle to close. There is one area of discoloration on the side of the skirt that gets lost in the patter. The fabric on the belt shows minor grubbiness. Otherwise the dress is is very crisp and fresh feeling

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from neck to waist
Skirt: 29" from waist to hem with 4.5" turned under the hem
Belt: will accommodate 24" - 27"

Modern Sizing Equivalent: XS-SML

Item#DD3453

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I sold a white cotton pique version of this dress last year that ended up being a part of a wedding for my client, Paulina. I have included some of her photos here so you can get a sense of how these dresses look like on the body. This one is slightly different from the white - it is a smooth cotton fabric and the skirt is even all the way around. Because of that you can add a crinoline for a fuller look. They do share a similar sculpted bodice and this one is even more elaborate then the white was.

I love this dress by Thierry Mugler with its sculptural bodice that gives it a sense of high drama. That is in direct contrast to the cotton fabric that it is made of and I think that it is this contrast between the lines of the dress and the fabric choice that make the dress so fabulous. The amazing bright color is an added bonus. In real life that bright orange color is slightly more saturated and richer then how it photoed. It is a wonderful summer piece that still feels fresh and of this season despite its vintage heritage. The bodice is fitted and sculpted with that fabulous curving cut that loops over itself to form a keyhole. The other side curves up and around the shoulder for the perfect one shoulder silhouette. The interior of the bodice is finished with a stiffening fabric to keep its shape. This helps it to mold it to your frame and create shape. The waist is cinched in and then the skirt below is cut to be extremely full with yards and yards of fabric in it and the sweep extends to a full circle skirt. I have shown it without and without a crinoline underneath in the shots here and you can see how full it can get. It is wonderful. Excellent condition

Lined through the bodice with the same fabric and stiffened and molded with the seaming for support. It closes with a series of  snaps offset up the back. Pockets on each hip. Note that it did not close all the way on the mannequin and of course will close properly on the correct sized person. Crinoline not included

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: approx 16" from top of shoulder to waist
Skirt: 26" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3446

Reference Photos: Paulina Ortega (@paulinapaige) in Thierry Mugler from Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When hunting for the date of this dress I found a strikingly similar dress from the runway that had additional shoulder detailing but is otherwise remarkably like this one. It gives you a great idea of how amazing this one will be once on an actual body. 

The fabric and color are fantastic. It is a metallic silk that blends a vivid coral with gold lame thread and if you love it the photos you will love it even more in real life. This fabric catches the light and intensifies the coral color. The fabric itself is quite light in weight so despite the elaborate construction of the dress is not heavy to wear. Inside the dress is quite structured for support which means that despite the lightness of the actual fabric the intended shape is held in place. The bodice is cut with a strapless, modified sweetheart neckline and hugs the body. It is elaborately gathered and fitted around the bust with hand placed and gathered folds. This was an Ungaro signature and really made his pieces flattering once on. On this one the gathers and shape run from the bust right down and over the hips so your shape is very emphasized. Under that the skirt is set with panels of fabric, each individual set on an angle to achieve that explosion of volume that you see. This technique also allows each piece to move freely so that whenever you move it does as well. A little box at the back is the perfect sweet detail. It is incredible. Excellent condition.

Fully lined in a coral silk and closes with a back zipper and the bow snaps into place over the top of that. The bodice is boned. Tagged a vintage Ungaro 6 It appears to have never been worn, or worn very little.

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 29" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD3417

Reference Photo: F/W 1988-89 Emanuel Ungaro Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass became the head designer at Maurice Rentner in 1959 and soon after that his name started to appear on the labels. In 1970 he bought out the Maurice Rentner label and re-launched it under his own name. These Bill Blass for Maurice Rentner pieces, are some of his earliest and you will find many of them, like the twin of this coat, in museum collections throughout the world. Blass was arguably one of the most famous of all the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seem to have a way of flattering the wearer even at their most extravagant. This piece has the additional bonus of being able to be worn as either a coat or a dress

This early Bill Blass coat is particularly gorgeous with its metallic gold and deep blue silk brocade fabric. The base of the coat is a deep blue silk. Onto this, in horizontal rows that run over the entire coat, is an incredible and intricate design that has been created out of gold lame and gold thread. The gold pops off the blue base and has a lovely way of catching the light. The coat has a bit of a military feel to it and I love how the pattern is laid out to highlight the high collar and cuffs. Flap pockets are placed on the front of the coat. One on each hip and then two more on each breast. They are perfectly set tot follow the pattern and each has a large bead covered dome button to secure its flap closure. The same big bead covered buttons run down the front giving the coat a neat and polished feel. The shoulders are structured but are not padded. There is a subtle fabric epaulette across the top of each shoulder. The sleeves are long and he took the time to make sure that the fabric lines up with the body of the coat. The fairly simple design of the coat allows that beautiful fabric to take center stage. An interesting thing about this one, it closes all the way to the bottom hem so could be worn as a dress as well. Excellent condition

Fully lined in a blue silk and closes with silk covered snaps hidden behind each hand beaded dome button down the front. All four pockets are functional. Hand finished throughout. It appears to have been worn very little if at all. 

Sleeves: 23"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 18.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 37" from neck to hem with 4" turned over under the hem

Modern Sizing Equivalent: SML-MED

Item# C542

Reference Photo: Samantha Jones in Bill Blass, photographed by Richard Avedon, Vogue October 1968.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

True Haute Couture pieces by Chanel are an extraordinary find as they are so very rare and hard to come by. This one, like several other of the Haute Couture pieces in the shop at the moment, are from one of my clients whose mother purchased the majority of her Couture pieces between 1973 to the mid and late seventies.

The dress is made of two layers. There is an inner silk dress that acts as the lining, and then an outer layer over that, made from a semi-transparent silk chiffon. The silk chiffon used on the outer layer is especially fine and it has a beautiful red floral design screened onto the black with a secondary print suggesting an exotic animal print. The straps of the inner dress are made of that same fabric as is the matching belt that cinches in the waist. When the two pieces are layered over each other the result is wonderful. The outer dress gives the dress a very light and airy feel that is very feminine. The dress is so well made that I could not decide which way it sat better. I decided to photograph it both ways. First with the buttons down the front and then with it turned around to have the buttons run down the back. The neckline is collarless and simply ties above the row of silk covered buttons that start a slit keyhole between them and the tie. The bodice is cut to sit looser over the inner slip and the sleeves are full, poufing up above their buttoned cuffs. The skirt is a masterpiece of soft pleat work all the way around the hips. Each individual pleat is done by hand and precisely spaced. These give the skirt it's flounced feel. The matching silk fabric belt hook and ties into place to cinch in the waist. As good as it is on the dress form, it will be even better on an actual body. It is entirely made by hand and has its Haute Couture tag and numbered tape behind the tag present on the interior dress. Excellent condition

The exterior dress is unlined and closes with a tie at the neck and silk covered buttons. It has an inner waist stay that hooks to close. The interior dress act as the lining and closes with a handset side painted metal zip. Matching original belt. Finished to Haute Couture standards. Haute Couture label present with interior tape number 54878. The dress appears to have been worn very little if at all.

Outer Dress
Sleeves: 24.5"
Shoulders: 14"
Bust: 17.5" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 16" from top of bodice to waist
Skirt: 28" from waist to hem

Inner Dress
Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 42" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3010

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous Emilio Pucci dress is made from one of his signature velvet fabrics. These velvet pieces hold color especially well and they have a rich decadent feel to them that is hard to beat with their modern counterparts. The print would have been created by Emilio and then transferred to the velvet. This one uses a rich color palette of fuchsia, pinks, burgundy and browns. The colors all pop against each other beautifully. The dress is kept simple in its cut so that the colors can shine. The bodice skims over the bust with a V neck that scoops down to meet the angled band of contrasting print set at the waist. This tops a simple skirt that curves over the hips and widens out a touch as it nears the hem. Down each sleeve is a panel of one of his signature borders that create contrasting to the print. This same border treatment circles the hem, cuffs and is used to define the waist. This is classic Pucci that is instantly recognizable. Presents as excellent condition with some notes below to review

Fully lined in a white silk and closes with a hidden set, back painted metal zipper that is hidden under a flap of fabric and goes to the waist band only. Has a second hidden set zipper at the side. There is some color run under one arm that is only on the exterior. There is also a slight yellowing on one dot and some fading to the velvet at the back of one sleeve. Once on these are very minor due to the extensive print. Please review the photos provided after the label shot

Sleeves: 20"
Shoulders: 17" (set dropped)
Bust: to 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 15" from neck to actual
Skirt: 23" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2045

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful two piece set shows what a master Yves was with print. The top and skirt share the same floral print and instead of that being overwhelming it only serves to give the illusion that it is a dress instead of the two pieces. Yves was a master at taking fine silks and simple designs and then adding romantic, feminine elements to create something uniquely Laurent in feel. Both pieces are made from a high quality silk. This allows them to move and drape wonderfully once on the body. You will see a lot of his pieces made from this silk during this time period and for good reason. The top has an easy to wear cut and sits loose on the body. It buttons at the front neck so that you can leave it open or close completely to create a higher neckline. There is an attached tie belt at the waist that allows you to add shape. Each sleeve has a pretty amount of volume over the 3" cuff. The skirt hooks and zips to close. It is cut to flows over the hips and ends just past the knee. It is more fitted around the hips and then the pleats opens to create some volume. Excellent condition

Both pieces are unlined. The top buttons partially down the front and has three buttons on each cuff. The skirt zips and hooks to close. Has its original tie belt attached lightly to the top. Both pieces are tagged a 36

Skirt
Waist: 12" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 26" from waist to hem

Top
Sleeves: 24.5"
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 25.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3379

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is such a pretty dress. It has no labels to tell us its origins but it is well made and just pretty beyond words. It is not 100% perfect but its imperfections are mild. The fabric is the star on this dress. It is a ivory silk base that has a super soft chenille feeling applique that has been fused directly to the base fabric. These give it a 3D texture and in incredible sensation when the dress is touched. The form little abstract dots that cover the dress from head to toe. Between each of those dots are hand applied silver tube beads hat catch the light beautifully and give the dress a touch of sparkle. It is sleeveless and the neckline and back are scooped. There is just a suggestion of shape through the waist and the skirt falls below that is a gently widening column of fabric. A slit up the center back allows you to walk comfortably. Excellent overall condition with a note to review below.

Fully lined in a white crepe and closes at the back with a painted metal zipper. Inner waist stay that hooks to close. Hand finishes. There is some darkening to the fabric as it nears the hem and a small area on the bust. They are pretty mild and feel more like shadows when it is on the body. Please review the last three photos.

Bust: 16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Length: 52" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# E677

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress has a touch of a metallic to it. The  of the dress them selves are fairly simple and that really allows the metallic detailing to shine. Onto the pale green silk base of the dress is a gold metallic overlay that covers the dress. Then onto that are hundreds of little gold dangling rows of gold thread and gold sequins. These cover the entire dress so that with the smallest movement they move and flash all around you. The bodice is cut to skim over the chest with a scooped neckline. Over the interior bodice is a more caped piece that floats above the more fitted interior. The sleeves are capped and the waist nips in. The waist is banded and the color under the lave overlay an more nude color. Under that the skirt flares out slightly as it nears the shorter hem. The effect of all this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Very well made to demi-couture standards. Excellent condition.

Fully lined in a pale green silk. It closes with a hand set back zipper. Hand finished throughout. Lightly padded shoulders. It is surprisingly light in weight so easy top wear. It is more a matter gold in person. Main line label that id hand dated

Shoulders: 14
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 17" flat across from side seam to side seam
Length: 31" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3368

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Haute Couture tape hidden behind the label gives us the exact date on the amazing Emanuel Ungaro dress and jacket set. Ungaro recently passed away and that always makes you look at a designers work with a new appreciation. Ungaro launched his label in 1965 after stints at Balenciaga and Courrreges. He was a brilliant designer who was known for his of extravagant fabrics and flamboyance.

This two piece set is fantastic. The inner dress is signature Ungaro for this time period and is cut to hug every curve of your body once on. It is made out of a metallic silver velvet that has little bits of a silver lame thread worked through it. This is then hand gathered into soft pleats that run the full length of the dress. On the bodice they are set to curve and accentuate the bust with high peaks and a boned interior. The waist nips in and the skirt has more of these same gathers that add shape and emphasis to your curves. There is a thin strip of hand applied sequins that runs down each side of the dress. All applied by hand and incredible. Over this is an ivory silk jacket that has embroidery work, silk netting insets and applique work, in addition to the feathers that you see. The closer you get to that fabric the more astonishing it is. In the lace netting insets the netting is detailed with tiny rhinestones and pearls. These are all connected with the embroidery to give it a touch of a patchwork feel but in a very couture way. The shoulders are gathered and then the sleeves narrow as they reach the cuffs. The waist is shaped in so it almost has the curve of a dandy coat in feel. Then of course the feathers that wraps around the neck, down the front and around the hem, give it the most amazing finish. It is true numbered Haute Couture and remarkable. Excellent condition with a minor note below

The dress is hand lined in a ivory silk and closes with a hand set side zipper. Boning in the bodice of the dress and an interior waist stay that hooks to close.  The jacket has no closures and slips on wit padding in each shoulder. All made to Haute Couture standards and the dress has its Couture label and numbered /dated tape present. There is a slight bit of yellowing to the interior of the dress which of course does not show when on. Please see the last photo after the label shot

Dress
Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice: 9" from top of bodice to waist
Skirt: 24" from waist to hem

Jacket
Sleeves: 23"
Slightly extended shoulders: 16"
Bust: to 20" flat across from side seam to side seam
Waist: approx 14" flat across from side seam to side seam
Hips: approx 19" flat across from side seam to side seam
Length: 32" from neck to hem, including the feathers

Modern Sizing Equivalent: XS-SML

Item# DD3367

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of those incredible mystery pieces that you can only find with vintage. It is very well made and has all the hallmarks of a high end piece but whatever label it once had is now gone. It is made from both a beautiful black silk organza for the skirt and side peplum on the dress and a softer silk for the body of the dress. Both fabric choice are almost weightless. The softer silk used for the dress makes it feel comfortable when worn and the organza gives the volume you see.  The inner dress is fitted though the bodice and has one shoulder. A tiny strap curves over the shoulder and the arches across the back leaving a bare expanse of skin. The skirt is fitted and just above the knee. On one side there is a pleated peplum that I put under the over-skirt for added volume and shape but I think you could easily wear the skirt the other way for an interesting effect as well  and a The skirt is  cut on a sharp angle with extra fabric on one side for volume and then it falls to the floor on a point on the other. There is a detachable bow that you can snap at the waist. The edges of the skirt and the bow are trimmed in a black snakeskin. When worn together it looks like one single piece but because it is two you could potentially break it up and wear the pieces separately. Excellent condition wit one small note nelow

The skirt is unlined and the dress is lined a black silk. The dress closes with a hand set, side metal zipper. The skirt closes with a combination of hook & eye and snaps. The bow snaps into place. There is a bit of wear/dryness to the snakeskin along the bottom edge of the detachable bow. Hand finished to demi-couture standards.

Dress
Bust: 14-15" flat across from side seam to side seam
Waist: 11.5" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Bodice:15.5" from top of the shoulder to waist
Skirt: 21.5" from waist to hem

Skirt:
Waist: 11.75" flat across the back from side to side
Hips: open
Length: 4" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# E673

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress was designed by Bob Mackie. Mackie was best known for dressing Cher and for his undying love of opulence and bead work, both of which he incorporates heavily into the best of his designs. He worked for both Edith Head and Jean Louis prior to working as a costume designer and co-designing with Ray Aghayan. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years. In some ways he and his creations defined their careers and that era of glamour. I think he secretly always designed for the big screen and the bygone glamor of Hollywood as his work is always over the top and extravagant.

Every square inch of this gorgeous little dress is heavily sequinned and beaded. The lines are simple and once on it is extremely sexy and flattering. Onto the black silk base of the dress are hundreds of chevron bands made of a combination of glossy black sequins and tube beads. These are laid out in a sharp chevron pattern that comes together down the center which gives the illusion of an even slimmer silhouette. On the skirt the flare pout to match the incredible sweep of the lower skirt. The exterior of the dress is done in that amazing solid black with just the pattern of the sequins and beads and how they catch and glimmer in the light to catch the eye. As a result the dress is fairly heavy off the body because of that extensive bead-work, and yet once on the body it lies and drapes in a way that it is balanced and not at all unwieldy. The bodice is cut to skim over the chest with a scooped neckline. The sleeves are capped and the waist nips in. Under that the skirt flares out to an extreme at the hem and t it is cut and shaped so that the bottom is a true circle it has so much volume. The skirt is incredible with its built in under-layers on a vivid pink and red. These are set in extravagant, pleated ruffles. If you stand perfectly still you cant see the color underneath but the second you move or sit that vibrant color explodes out. The under-skirts also helps to hold the shape and volume that the lower skirt is meant to have. The effect of this is far more dramatic and fabulous on a real body and it really shows off the legs. If you even remotely love it in the photos you will dance when you see it in person as it is so, so, so much better in real life. Extremely well made to demi-couture standards. Excellent condition.

Fully lined in a black silk. It closes with a hand set back zipper. Hand finished throughout. It feels heavy off the body as it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. Attached underskirts in red and pink. Main line label

Shoulders: 15
Bust: 16-17" flat across from side seam to side seam
Waist: 12-13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD3361

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This would have been designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been "noted as one of fashion’s great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential." His realm is one of my favorites for the house and the period through the late sixties and into the 70s in particular. He was a genius at print and color and he pushed the envelope in terms of using the "new" fabrics available during this time period.

This vintage Lanvin dress has a gorgeous bright color and print combination on a black base. The wool jersey fabric it is made of is light in weight and held color exceptionally well. The colors are still crisp, bright and true. I love when I find great examples of this label from this time period in the label's history as it is a particular favorite for me. The dress is sleeveless with a V scooped neckline on both the front and back. The back dips lower then the front does. It buttons down the back and I think its amazing that each button is perfectly done so that it has one of the spots exactly laid out over it, so that the pattern at the back is not interrupted. The waist nips in and the skirt falls to just above the ankle depending on how tall you are, and it slightly widens as it nears the hem. I love how those stripes contrast against the dot print and are used to define the cut of the dress. It also has a matching scarf that is hand finished with a yarn trim. Overall great condition with notes below to review

Fully lined and closes with hand covered buttons down the back to the waist and a low back painted metal zipper below that. Has its original scarf. Note that there are some minor nicks out of the fabric around the lower portion of the skirt. I have photoed the two worst areas - please review the two shots after the label photo. There are a scattering of teeny ones here and there around the lower skirt. All are stable and it stood up to cleaning just fine. This was taken into consideration when pricing.

Bust: 15.5-16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from top of shoulder to top seam at the waist and the band at the waist is 2.25" wide
Skirt: 36.25" from bottom waist band to hem
Scarf: 44 x 14.5

Modern Sizing Equivalent: XS-SML

Item# DD3358

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible dress and jacket set that would be from when Marc Bohan was head of the Dior atelier. It is a beautiful and early example of the work being produced by Christian Dior in this time period. This is the Christian Dior - New York label and is considered to be demi-couture from this time period of Dior's history. These where made for the American market based on the runway designs and with many of the same high standard finishes that Haute Couture pieces incorporated.

This set is just spectacular. It has a simple, refined cut that is made glamorous by the wonderful fabric choice. The fabric is a beautiful wool silk that has a touch of weight to it so that the lines are perfectly held. It has a cream base with squares running over its surface. Each is a peach outline that then has a gold and peach medallion in its centers. In person the peach is brighter and better. The metallic gold lame thread is slight raised up from the fabric so it gives a touch of dimension besides the shine. These cover every square inch of the fabric. It is made of two pieces. The inner dress is a simple sheath that is cut so that is skims over the body and slightly flares out as it reaches the hem. It is sleeveless and the neckline is a simple scoop. It comes with a gold metal and rhinestone chain belt that slips through the loops that run around the low waist and then the belt hooks. The belt is real metal and has crystal detailing set along every 4 inches. I love how it ends in a gold tassel that dangels down under where it hooks. Over this is a little matching jacket that is sheer perfection in cut. It has a neat little collar and box cut. There are no closures and it is the perfect finish once it is popped over the dress. What I love about it is that when the dress is worn on its own it has that touch of a mod feel that the sixties were all about but once the jacket is on it has a very refined feel. Excellent condition with a small note below

Both pieces are lined in a heavy cream silk crepe with an additional silk chiffon interlining through the dress. The dress closes with a had set, hidden zipper at the back. The jacket slips on with no front closures. The belt hooks to close. There is a slight grubbiness to the lining of the inside back collar  of the jacket and one very minor nick out of the fabric on the jacket. Please see the photo after the label shot. . Otherwise the set appears to have been worn very little if at all. Hand finished and very well made to demi-couture standards.

Jacket
Sleeves: 22"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Length: 19" from neck to hem

Dress
Bust: 17.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3357

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dramatic little dress by Vicky Tiel is fabulous. It is made from a fantastic metallic gold lace type fabric that has a black base over which the gold has been directly applied. This allows the black to peek through and the gold really highlights the pattern in the fabric. It gives it extra depth and visual interest. This then sits over an inner fitted base that is structured and molded to the body. It is shaped like a corset inside to give you shape with both boning and inner structure. The front has a plunging version of a sweetheart neckline and I love the dramatic curve of it. The bodice is molded tot he torso and covered with gathers that emphasize your curves. Amazing little cap sleeves sit off the shoulders and wrap around the upper arms. The waist nips in and it is fitted around the upper hips. Under that the skirt explodes out in a dramatic pouf of fabric that is fall all the way around. the shape is held by layers of stiffened organza and tulle under the gold. Countless modern pieces right now are based on dresses just like this and I am happy to have this amazing original in the shop. Excellent condition.

Fully lined in a black silk and closes with a back zipper. Very well constructed with the entire inner bodice shaped, boned and fitted. It appears to have never been worn or worn very little. Handwritten tag, marked a vintage 42

Bust: to 18" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Seam at bottom of bodice: 16" flat across from side seam to side seam
Hips: open
Bodice: 19" from top of shoulder to  bottom seam, 16" from top of bodice to bottom seam
Skirt: 16.5" from bottom seam of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3356

Reference Photo: Vicky Tiel in Town & Country Magazine, December 1984.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible and very rare set by Halston from his main line. The top part of the set is very similar in feel to the one worn in the famous 1978 image of his 'Halstonettes" taken in the Halston offices. In that photo, the same metallic lurex is used in a different color way and the gathered bodice tops full pants. Here the pieces are more distinctively separate as a bandeau top and skirt.

This set is magnificent and such a rare fine. Both piece are made from the finest, lightest metallic lurex lame and the color is a deep true purple. The top is gathered on two pints on either side and you can wear these at the side as I have photoed it, or wear the gathers down the center front and back. It is lined in a nude stretch jersey. It simply zips into place and it's done. There is some flexibility on how much midriff you wish to show between the top and the skirt. You can push it up and gather it a touch more to really show off a band of bare skin underneath, or pull the fabric down to almost meet the waist of the skirt as I have photoed it. The skirt underneath is a flirty little thing and it is cut with tremendous volume that only shows itself when you move. The lightness of the fabric allows it to lie fairly smooth when you are standing still, but in reality it is pretty much a full circle skirt. It is unlined and instead is made up of three layers of the feather-light lurex. This gives it just enough opaqueness to not be scandalous but in a strong light you would still see shape underneath. It's amazing and a rare, museum worth piece by on of the greatest of American designer. Excellent condition.

The top is lined in a nude stretch lingerie jersey. It has an inner waist stay that hooks to close. It zips at the back and has boning built in along the side there and at the front middle. The skirt has no lining and is made of three layers of the fabric as noted above. It hooks to close at the waist and snaps under that.

Bandeau
Bust: 17.5" flat across the top from side seam to side seam
Inner waist stay: 13.5" flat across from side seam to side seam
Height: 9" at the boning. The fabric on either side og the boning can be worn more or less gathered for more or less coverage

Skirt
Waist: 13.75" flat across from side seam to side seam
Hips: open
Length: 29" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3354

Reference Photos: (1) Alva Chinn, Halston and Chris Royer at Olympic Tower, September 1978. From the Book 'Halston' by Phaidon.  /  (2) Model in Halston, 1978. From the book 'Halston An American Original'.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.