The Spring 2005 Prada show is one of the label's most iconic and recognizable. In her review of the show, Vogue's Sarah Mower stated: Just when the whole fashion world has turned ladylike—thanks, of course, to Miuccia Prada—she's tossed it all in the air, looking for a certain freedom. "A vague idea of birds; birds of vanity, like peacocks, parrots, and swans," was a starting point in her restless search for change, she explained. "I also wanted to move toward something more young and sporty, tall and narrow.... In broad terms, the news from Prada included a different silhouette (short hemlines, worn mostly with flat sandals), a return to one of her favorite palettes (brown-ochre-rust), and as always, lots of artful eccentricity (peacock feathers, flowerpot hats, Bakelite digital watches). There was also a Jamaican dance hall vibe, with reggae on the sound system, Rasta stripes in the knitwear, and Caribbean crochet in the raffia hats and cardigan coats. The birds really took flight for night, in the form of skirts overlaid with peacock feathers, dresses covered with digitalized feather prints, and pretty chiffon gowns whose fan-like pleats hinted subtly at dove's wings."

This is Look 22 from the show and is absolutely infused with that Prada vibe pieces. Here we see her masterful hand at mixing colors. The top of the dress is a combination of eggplant, brown and a startling strip of red, and the skirt is a soft combo of brown and green. It is cut very short with a swingy little silk chiffon skirt and a fabulous one shoulder cut to the bodice. The skirt is just gorgeous. It is made from a pleated silk chiffon and has two rows of horizontal stitching to give it shape over the hips and than flares and swings under that in a light cascade of silk. The top is a light weigh wool and I love the contrast of fabrics. It is fitted and the unusual color combination is fabulous and flattering.  Excellent condition

Fully lined in a deep brown, fine silk and closes with a hidden set side zipper. Hand finishes. Tagged a Prada 40

Bust: 17.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 17" from top of shoulder to waist
Skirt: 16.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2820

Reference Photo: Prada Spring 2005 Runway Show, Look 22. (Model: Kim Noorda)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Spring 2005 Prada show is one of the label's most iconic and recognizable. In her review of the show, Vogue's Sarah Mower stated: Just when the whole fashion world has turned ladylike—thanks, of course, to Miuccia Prada—she's tossed it all in the air, looking for a certain freedom. "A vague idea of birds; birds of vanity, like peacocks, parrots, and swans," was a starting point in her restless search for change, she explained. "I also wanted to move toward something more young and sporty, tall and narrow.... In broad terms, the news from Prada included a different silhouette (short hemlines, worn mostly with flat sandals), a return to one of her favorite palettes (brown-ochre-rust), and as always, lots of artful eccentricity (peacock feathers, flowerpot hats, Bakelite digital watches). There was also a Jamaican dance hall vibe, with reggae on the sound system, Rasta stripes in the knitwear, and Caribbean crochet in the raffia hats and cardigan coats. The birds really took flight for night, in the form of skirts overlaid with peacock feathers, dresses covered with digitalized feather prints, and pretty chiffon gowns whose fan-like pleats hinted subtly at dove's wings."

This is Look 48 from the show and one of my personal favorite pieces. It is in that color mentioned above, a brown-ochre-rusr, with a slight sheen to the silk wool mix fabric. It is cut short and simple with a little A-line cut skirt and that fabulous one shoulder shilhouette. Black insets define the shape and cut and the front middle panel of the skirt is heavily embellished with cut out shapes, beads and crystals anchored over black lace shapes cut to match each embellishment. The fabric choice allows for that wonderful shape to stay true when it is one the body and the jeweled appliques are striking. Excellent condition

Fully lined in a deep brown, fine silk and closes with a hidden set side zipper. Hand set boning through the sides. Tagged a Prada 40

Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 13.5" from top of shoulder to waist
Skirt: 21" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2818

Reference Photo: Prada Spring 2005 Runway Show, Look 48. (Model: Querelle Jansen)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous Azzedine Alaia knit dress is one of his classics. The silhouette and fabric and the pleats he used to create the shape are all instantly recognizable as his work. This is the type of dress that is a mainstay in any Alaia collector's closet. The dress is made from one in his signature ribbed stretch knits. The fabric is has a decent thickness to it and once on acts like a slimming corset and shapes and molds the body into curves you did not even know you had. The dress has three distinct textures. The shoulders and upper bust are a solid knit and then through the waist you see raised rows. These are used to create that hug and shape you inwards. These then flare out and turn into sharp knife pleats that allow the skirt to flare out with amazing fullness. It is fabulous and a classic for a reason. Excellent condition.

Unlined and closes with a hidden set back zipper. Tagged a modern Alaia 38 but these do fit a touch small. The fabric does have stretch so will accommodate a range of sizes

Sleeves: 21"
Shoulders: 14.5"
Bust: 15.5-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: open
Length: 36" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD2817

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have seen this dress listed at being from the 2007 season but after going through all the runway photos from that season and others, I was unable to verify that. Prada did and does make many styles each season that are not shown on the runway so it may very well be from the 2007 collection still but I only like to give a firm date when I am absolutely sure. The dress is a gorgeous little piece that has those fabulous Prada lines. It is made from a satin backed black crepe and drapes and falls wonderfully. The front and back dip into low V's and a glossed, grosgrain ribbon circles just under the bust for detailing. The same ribbon curves over each shoulder. A glossy bit of fox sits atop each shoulder to give it height and impact. Each cap sleeve is finished with a ribbed cotton and the skirt falls in a sleek column. The fabric has folds and soft pleats worked through it for a final touch of texture. Excellent condition.

Unlined with self backed satin finish fabric. It closes with a low back set zipper. Tagged a Prada 42

Bust: to 18" flat across from side seam to side seam
Under Bust at Ribbon: 15"
Natural Waist: 16" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 11.5" from natural neck to waist
Skirt: 26.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2816

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This amazing little Azzedne Alaia black knit dress is from his Fall 1990 collection. It is made from one of his signature stretch knits that was made to mold to the body like a second skin and exaggerate every curve. It instantly sucks some parts in and emphasizes other and is quite genius in its cut and design. The neckline is scooped low and is set very wide on a curved line that shows off a girls cleavage to full advantage. You can see how it would sit on a body on the reference photo I found from a 1990 Vogue editorial. The dress in that photo was worn by Christy Turlington and is a version of the dress in white with the same neckline but a fuller skirt. On our version, the dress is fitted from shoulder to hem. The seaming on the dress further exaggerates the curves and give it an hourglass feel. At the back the seaming is curved to follow up and around the butt. Each sleeve is cut lean and long. It is sexy as hell. Excellent condition.

The dress is unlined and slips on to wear. Tagged a vintage Alaia medium. The fabric does have stretch

Sleeves: 23"
Dropped shoulders: 16"
Bust: 16-18" flat across from side seam to side seam
Waist: 12.5-15" flat across from side seam to side seam
Hips: 16-19" flat across from side seam to side seam
Length: 31" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD1694

Reference photo credit: Vogue 1990, Hans Feurer

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This matches the coat listed today and is a beautiful 1950s silk dress. It is made from a very fine, high end silk. The silk has a beautiful red thread woven through and used in the black silk base to create the beautiful little floral designs sprinkled over its surface. The red is not a true metallic thread but it seems to almost glow in real life. It is really something special and much better in person then how the camera has captured it here - the color is even richer and more true. (One thing to note - the color is a true red - in the label photo it has more of a orange hue and that is the camera lighting not the true color - the other photos are far closer) The little floral medallions are woven directly into the silk. The sweetheart neckline and front pleating detail on the bust are finished with a little romantic bow. The way this is set into the front bodice is a little unusual and very pretty once on. The dress itself is wonderfully cut with that shaped bodice and simple capped sleeves. The waist nips in and the skirt flares out into a gentle A-line. It is a nice light weight and very well made.  The shop label it still has was a high end one and I would not be surprised if this was a designer piece that has lost its label. Really it is a steal at this price. Excellent condition

Fully interlined in a black silk organza. It closes with a painted metal zipper at the back. Hand finished and beautifully made.

Shoulders: 16"
Bust: 20.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# E639

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This little beautiful Suzy Perette dress is made of a beautiful light weight fabric with a floral pattern in an array of citrus hues. I have not found a really great Perette dress in ages and am so pleased to have such a fine example of her work in the shop today. There never was an actual "Suzy" behind the label but the company that created the line relied heavily on the designs coming out of Paris and the interpretations of the Couture looks, in particular Dior's "New Look", were spot on. This gorgeous little dress dates from the 1950s and has such pretty colors and pretty lines that you can't help but swoon at the sight of it. The top is a simple sleeveless affair with a wide boat neck cut. It is seamed to hug the body and then this flares out and tops a full skirt that has lots of fabric in it and could be worn over a crinoline if you wanted it even fuller. The entire skirt is made from a series of perfectly spaced, crisp knife pleats so it has a lot of movement. The original, matching fabric belt cinches in the waist even more and I love the large flat belt that adorns the belt. The colors are lovely, the cotton voile fabric of very good quality and the lines and cut are wonderful. Excellent condition

Fully lined with a white muslin and closes with a back painted metal zipper. The belt is in excellent shape as well.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 16" from top of shoulder to waist
Skirt: 26.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2810

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Hawaiian label Kamehameha was launched in 1936 and was named after King Kamehameha who united the Hawaiian islands. They were famous for their brilliant tropical floral prints which they made for the tourist markets. They combined the feel and beauty of Hawaii with the looks popular on the mainline. The items were manufactured on the island and the prints done in-house.  They primarily used cotton for their designs and this dress is no exception. The fabric is that perfect crisp fifties cotton and it has been screened with a brilliant pattern of leaves on an abstract yellow backdrop. The bodice is fitted and cut so that it has shape and molds to the bust. I love the double front panels of fabric around the bust that allow for support but give the dress that interesting detailing. The waist is cinched and the skirt is very full below that. I have photoed it with a light crinoline for that full fifties cupcake effect but it can easily be worn in its own as well. The back is finished with a panel of elastic so the fit adjusts to the wearer. Excellent condition with one small note regarding the elastic to review below.

The dress is unlined and closes with a side metal zipper. Some small areas of the elastic back have loosened out a touch. I am being pretty picky. It is perfect otherwise.

Bust: 15-17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Length: 43" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD2809

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning dress that dates to the late forties, early 1950s combines a beautiful print and color combination with sequins and a pretty feminine feel. The entire dress is stunning and made of a beautiful black cotton voile with a pretty floral print scattered over its surface. The fabric choice helps it to keep its shape and volume and really show off those ruffled tiers perfectly while still keeping it light and summer feeling. Three full tiers make up the skirt and are layered over each other with each getting wider as they near the hem. This creates incredible volume and movement. The top is fitted around the bodice and has a pretty pleated and draped detailing that highlights the bust.Two tiny straps curve over the shoulders. The best part is the finish of green sequins that are hand set everywhere you see the flower print. These early dresses are harder and harder to come by and this one is exceptional. Excellent condition.

Unlined and closes at the side with a metal zipper. Hand finishes and hand applied sequins. Note that there is no tag present but the owner passed onto me that it did have a Fred Perlberg label originally.

Bust: 16.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 17" from top of shoulder strap to waist
Skirt: 32" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# D578

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful dress was created by Ceil Chapman who is often referred to as Marilyn Monroe's favorite designer. It is so beautiful in person and the level of detail put into the construction is wonderful. The dress is constructed from a blue silk crepe that has a touch of stretch to it which allows the dress to move and mold itself the the wearer. The silk is then covered in swirls of blue glass tube beads mixed with iridescent blue sequins that trail over and on top of the beads. Once on, the dress seems to be sculpted onto the body. The skirt hugs the hips and is cut close to the leg with a back vent to allow you to walk. The waist nips in to create that sexy hourglass silhouette. The bodice has an inner boning and a front tulle detail to bring all the attention to the bust. The shoulders, upper back and arms are left exposed. The workmanship is exquisite and it is absolutely stunning and provocative. What I love most is that is is very close in design to the dress that was worn by Marilyn to performing for the U.S troops in Korea, February 1954 (click here to see more on our blog). Excellent condition.

Fully lined in matching blue silky rayon. Boned through the front and back and the interior has hand finishes. It closes with a painted metal side zipper. Note that the color has a slight purple undertone that does not quite come across in the photos. Museum quality

Bust: 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Length: 31" from waist to hem

Modern Sizing equivalent: SML-MED

Item# DD1163

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival

These little 1950s Hawaiian dresses  give you curves and still feel fresh. This one is from Mildreds of Hawaii, on e of the several labels of this era catering to the tourist market. These sarong styled sun dresses were the dress of sex symbols of the day. I love the faux wrap sarong style skirting and the little bow that sits at the waist. Elastic panels run along each side of the bodice so the dress fits you perfectly and is extremely comfortable to wear. The bodice has hand stitched flat paneling detailing that curves in towards that bow at the side. The print is a pretty wash design in shades of blue and greens. It is very pretty and very flattering on. Excellent condition

The dress is fully lined through the bodice in a white cotton and the skirt is unlined. Boning in the bust area and elastic panel on each side. It closes with a back painted metal zipper. Made of a soft cotton

Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 17" from top of shoulder to waist
Skirt: 24.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2789

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

this is a darling little dress from the 1950s with pretty lines. It is labelled - Jeannette Alexander of California - and is well made. It has a fitted, strapless bodice that has a pretty black velvet ribbon circling its upper edge for a little detail. I love how it glides into the skirt and the fullness of the skirt is created by the pleats set along the side of each hip and around the back. This gives the skirt lots of fullness but keeps the front from being bulky and unflattering. I have added a light crinoline and you could wear a far fuller one for e really "cupcake" look, or none for a more modern feel. It's light and airy despite the black of it and it is still in great shape.

Unlined and closes with a back metal zipper. light boning on each side. The fabric shows a touch of sheen from being pressed over the years but its is still in great condition

Bust: 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 9" from top of dress to waist seam and then it has a 4" band before the pleats at the side start
Skirt: 31" from waist seams to hem, 26" from the side pleats to hem

Modern Sizing Equivalent: XS-SML

Item# E635

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is certainly later Halston but still from the time period when he was alive and would have still owned the company. In it you can see his move to more modern fabric and feel of the 1980s in it's cut, while still maintaining his signature simplicity. The silhouette is his classic one shoulder design but inside there is far more structure then his earlier pieces would have had. Here he utilizes the stretch lingerie weight nude nylon "bandage" fabric that would have still been a fairly new innovation then, and creates a inner built in bodice that gives support to the wearer. Over this is a matte silk satin and a black crepe falls from there into a slim skirt. Attached ties wrap around the high set waist and tie for detail and at the back the skirt has been wrapped with a panel left to flutter down the side with a backing of the same silk satin as the bodice. Excellent condition.

The bodice is lined as described above and the skirt self backed with a satin finish. It closes at the side with adjustable lingerie hooks at thew side bust and then the fabric wraps and hooks along the back with a series of hook & eye concealed along the seam. The attached ties wrap and tie at the waist.

Bust: the hooks are set at 16", 17" & 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 14.5" from top of shoulder to waist
Skirt: 32" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2787

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Norma Kamali opened her OMO shop in 1978 and I believe this to be one of the early labels from that before she moved to the non-italic script versions. It is not 100% perfect but such a early and representative piece form that time period of her work that it had to go into the shop for her fans and collectors to have access to.  Off the hanger the dress looks incredibly tiny but the T-short like fabric allows it a lot of stretch and it easily for on my mannequin. The dress is strapless and done in a brilliant red. The bodice is gathered and fits like a glove to the waist and then it flares out to form a hip peplum. Under that is a second layer of jersey that acts as the lining  and support for the bodice and also is a full fitted dress to the knee. I love the exaggerated and dramatic lines of the hip flare on that top tier. Over this is a tiny fitted bolero that is just curved fabric with sleeves, huge round padded shoulders and a collar. Really well done and the photos don't do it full justice at all. Present as excellent condition with notes to read below

Both pieces are unlined and slip on with no closures. The dress looks incredibly tiny off the body but does stretch quit a bit. The bolero has various storage marks on it - they are dark smudges. I have photoed the worst of them. It is still wearable as is but these are there. The T-short fabric shows a tiny amount of patina from being washed. 

Bolero
Sleeves: 17" approx.
Shoulders: no defined seam
Bust: open
Length: 18" from neck to hem

Dress
Bust: Will stretch to about a 34-35" bust max and fit anything under that
Waist: 12-13" flat across from side seam to side seam
Hips: 16-16.5" flat across from side seam to side seam
Length: 38" from top of waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2782

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Halston is one of those rare labels that the more time that goes by it actually feels more relevant. It is easy to think of this piece as both a treasured collectible and a closet staple - knowing that every time you slip it on you will look and feel amazing. It has his signature simplicity and masterful draping along with a touch of Studio 54 sexiness thrown in. The dress is made from a deep red, light wool jersey and simply slips on and you hook it into place at the waist. The front crosses over itself with a mid-level plunge that the placement of the fabric and interior hooks hold in place so that you feel safe wearing it. It is cut with the absolute minimal seaming - you can clearly see this especially at the sleeves and how there are no seams to attached them to the bodice, rather they just extend from the same fabric. It is cut on the bias, then wraps and drapes to follow your every curve. The skirt is lean and again it is the crossing over of the fabric that gives you the coverage to wear it and feel secure. The wrapped styling allows the entire front to look like you could step out of the dress at any moment but it is designed to stay in place. The waist is elastic so very comfortable and you could really cinch it in further with a belt. This is signature Halston Studio 54 sexiness but in a dress that you can wear day or night. Excellent condition.

Unlined and wraps to close with flat hooks inside and out at the waist to hold it in place. The waist could be adjusted approx 1" up or down by moving the hooks and has elastic running through it. The wool jersey is a very comfortable and easy weight and feels fabulous on.

Sleeves: 24" approx.
Shoulders: no defined seam
Bust: approx 16-17" flat across but has no true side seams
Waist: 11.5-15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 16" from neck to waist
Skirt: 31.5" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD2781

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Katharine Hamnett opened her own label in 1979 and became a star in the Britich fashion world. She has dressed countless celebrities and music people from Mick Jagger to Gwyneth Paltrow, Madonna, David Bowie, Bob Geldof and Minnie Driver. In 1984 she received the Designer of the year award from the British Fashion Council. This is a stunning and sexy little dress by her done in a deep blue and made of a cotton. It is gathered and ruched elaborately along all the seams through the bust. These travel the length of the dress to just past the hip where a little skirt flares out . The final result is a sexy little shape that hugs and follows your every curve but, at the same time it is completely easy and comfortable to wear because of the fabric choice. I love the little straps that curve up and over each shoulder - they are attached to the dress by buttons and can be removed to make the dress strapless if you wish. Excellent condition with one small note below.

Unlined and closes with a side metal and nylon zipper. The fabric can be hand washed and has been - there is a teeny slight feel of washed cotton to it. This is natural patina but I have priced it with this in mind. For me it just adds to the dress and its easy feel.

Bust: 15-16" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Length: 43" from shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD2776

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a deceptively simple Jean Patou silk dress in a lovely navy silk. Jean Patou once said "Certain dressmakers desire to pass for an artist. I have one ambition: that is to have good taste." and this dress is the very epitome of that statement despite its sexy lines. The dress is numbered and is true haute couture piece that has been made entirely by hand and represents countless hours of dedicated hand work within the atelier. Patou was one of the founders of the sportswear movement and the later designers of the house often hearkened back to this aesthetic. This dress for example, has the lines of the tennis dress, ramped up for evening.  It is constructed from a rich navy silk that is flattering on most skin tones. The bust is plunging halter whose straps curve and hook behind the neck. This leaves the back bare to the waist and offsets the simplicity of the color and cut at the front. The waist is detailed with a padded round piping. Under this the skirt falls in a swirl of fabric cut to flare out and swing. Inside the dress is all handwork and lined in a fine blue silk. Excellent condition.

A hand set silk lining throughout and hand finished seams. Finished to Haute Couture standards. Closes with hand set fine painted metal zipper at the low back. Built in and attached inner waist stay that hooks to close. Hooks to close at the back neck. Numbered label 96773 (or 96113).

Bust: open with no true side seams
Waist: 13.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 14.5" from neck to waist
Skirt: 24" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2775

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a seriously sexy, dramatic strapless dress that was made to hug and create curves whether a girl has then or not. It is all fitted and shaped to give you that Barbie Doll body with the bust and hips exaggerated in just the right way. The actual dress is a strapless little number that is cut above the knee and has a black cotton lace set over a nude base. Between the lace and the inner nude fabric is a layer of the same dotted tulle that makes up that dramatic skirting. This gives the lace an very interesting texture and depth. The sweetheart neckline tops the fitted silhouette of the dress. Circling the hip is a curving overlay of dotted tulle over two other tulle layers. These curve around and down and give the dress the suggestion of a full fifties skirt. Totally '80s and fabulous. Excellent condition

The dress is fully lined in a nude silky rayon and closes with a back metal and nylon zipper.

Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 32" from top of bodice to hem of dress, 36" to longest point of tulle overlay

Modern Sizing Equivalent: SML-MED

Item# DD2773

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a cute and sexy little dress that combines a beautiful silk with a fun, multi-color dot pattern. It is from the D&G label which no longer exists. The cut is classic D&G with a fitted, curving cut that follows the body and is very flattering. The bodice has a full built in corset with cups that keep the dress in place. Over this, the silk skims and drapes, down and around the body. There is a ruffled detail that circles the sweetheart neckline and that ruffle then extends down from one side, curves over the waist, and then runs down one hip. The skirt is cut to come up slightly at the spot where the ruffle ends for a little extra leg. At the back is one of their signature, large chunky zippers and the silk is all set to drape inward towards that. Signature, adjustable, lingerie straps sit at the shoulder and can be removed to make it a strapless dress. It is fabulous on and I love the colorful dots. Excellent condition

The dress is unlined and closes with a back zipper. There is a full boned bra/net corset inside the bust area. Tagged a 42

Bust: 17" flat across from side seam to side seam with approx an A-B cup
Waist: 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: approx 43" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD2772

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fun little 80s dress is made from a combination of ruffled lace and sequins. The bodice is fitted and strapless and set to hug your curves. It has a black lace base that has rows of glossy black sequins adorning its surface. More sequins are set around the upper hip to define the band above the skirt. From there the skirt mimics the fullness of the fifties and flares out in an explosion of black lace ruffles. The lace  from the bodice extends down and is again used for the base fabric of the skirt and then it also has panels of the same lace set on curving angles all around the skirt. These have wired edges so that the resulting ruffles have curving, curling edges and give the skirt even more fullness and flounce. Underneath the exterior of the skirt is a layer of tulle with an extra panel set around the hem for added fullness, and then a lining under that for comfort. It is very flirting and fun. Excellent condition.

Lined a silky black satin and the bodice is lightly boned. The skirt has an additional tulle layer between the lining and the top skirt layer. It closes at the back with a painted metal and nylon zipper.

Bust: 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from top of bodice to waist
Skirt: 20" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2771

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Arnold Scaasi did absolutely exquisite and elaborate designs and the best of his work featured heavy adornment . His work is for when you want to have all eyes on you. He worked under Charles James at the beginning of his career and you can see that influence of that time in the lines of his own work. He cut and created his designs to extremely high standards and the workmanship is fabulous. This dress and jacket set combines the richness of a black cotton velvet with an elaborate and brilliant design. The work and attention to detail is incredible. Onto the velvet base is a dense application of gold braid, sequins and beads that are all hand applied and set in this amazing 3D design that covers both pieces. Many of the paillette used are shaped and colored to form flowers and petals. The dress is a strapless, sculpted piece that hugs the bodice and then falls away from the body in a pretty A-line. The jacket is cropped and sits over this and you can close it for a very fitted feel. It has pro[per curve cut sleeves and I love the pink lining. I love that the applique design is left off the very top and bottom of the dress so that it becomes a natural design element without having to add a third element to the design. The two pieces are is equally stunning worn together or as separates and adds to the versatility of the piece by being able to wear it together or separate. Scaasi dressed actresses, socialites and first ladies.  He also studied at the Chambre Syndicale de la Couture Parisienne and you can see the evidence of that in work like this set. He was never an official member of the Chambre so even though this is made to couture standards it, like his other work from his main atelier, is considered demi-couture. Excellent condition.

The dress in fully interlined in a black silk through the bodice and hand finished and aslo has a second lining in the skirt. It closes with a back, hand set painted metal zipper and a second metal zipper on the interior bodice. The bodice is boned. The jacket is fully lined in a fine, high end pink silk and is hand finished. It closes with fabric covered snaps. If you even remotely like it in the photos you will be extremely pleased in person as it is wonderful. There may be a missing or broken shaped sequin paillette here and there but nothing that needs to be pointed out as a jarring flaw. Someone cut the interior lining of the skirt at some pint so it now falls just past the hip and has an unfinished edge. It is left as found.

Dress
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 29" from top of strapless bodice to hem

Jacket
Slightly dropped sleeves: 19"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Length: 19" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD2762

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fun little piece is an absolute dream to wear and just begs to go out, have fun and dance the night away. It is cut to fit and hug your curves in a way that is extremely flattering and sexy. The shoulders are strong and padded (though you could easily remove the padding for a sifter look) and the back is scooped low so you get a bare expanse of skin. The elaborate fringing around the bottom hem gives it movement and a strong nod to the twenties that it is inspired by. More fringes circle each short sleeve. The surface of the black silk base of the dress is entirely covered in a dense covering of beads and sequins. The beads and sequins that cover the dress are all sewn on by hand. The colors used are bright and vibrant and I love how the fringes are all different colors that pick up the colors in the dress. It's fantastic and so amazing once on. Excellent condition.

Fully lined in a silky black and closes with a back zipper. Padding in each shoulder that could easily be removed.

Wide set shoulders: 17"
Bust: 16.5" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: 16.5" flat across from side seam to side seam
Length including fringes: 37" from neck to longest point of fringe on the hem

Modern Sizing Equivalent: XS-SML

Item# DD2761

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.