Made of a deep burgundy knit with fine threads of gold worked through the fabric, this bias knit dress has a subtle glimmer in the light that is just fabulous. It is completely cut on the bias so shapes itself to your curves as soon as you slip it on. The main body and complete back of the dress is done in a fine ribbing while the body has a puckered, gathered feel that is remarkably like a later theme used by Prada in one of their shows. This is the mainline label so the knit was more then likely very high end and innovative at the time. I love how it creates a long lean line and if you wanted to add more shape the knit is light enough that you could easily belt it. It is a touch too large on my mannequin so on a girl who is the proper size to fit this it will fall even better. A great and early example of his work. Excellent condition.

Unlined and slips over the head to wear. The bias cut knit will fit a variety of sizes. Off the body it is of course very skinny and slim but is meant to stretch over the body so the range of measurements given seems quite large.

Bust: 16-20" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 62" from shoulder to hem (will come up when on the body depending on how much it stretched width wise)

Modern Sizing Equivalent: MED-LRG

Item# DD2343

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Christian Lacroix dress perfectly showcases his mastery in combining colors, fabric and textures. Every element on the gown has a depth and texture to it separate from the others and yet it all works perfectly together. A version of this dress, using the same metallic lace for its skirt, was shown on the Fall 1995 runway giving us the collection date for this piece.

Everything starts with the fabric choices on this one and the cut of the dress is there to simply support those choices. The body of the dress is a metallic lace that has a brilliant array of fall feeling colors. A deep brown lace is finished with a metallic thread that changes from deep coppers and russets to shades of gold. The colors flow into each other in a beautiful mix and cover the dress from just under the empire cut bodice to the extended train at the back. The skirt scoops and under the high set bodice and there is a metallic taffeta ribbon in a deep copper that sits between the bodice and skirt that is finished with a bow at the front. Above that is the bodice and it is done in a pure golden lace. An intricate pattern of flowers are subtly woven through the bust fabric. It is predominately gold but there are also delicate pink toned flowers in there as well. The dress flows to the ground, widening as it nears the hem and it has a longer train at the back. It is just exquisite. Excellent condition.

Fully lined black with a satin lining through the bodice area. It closes with a hidden back zipper and snaps close the gold lace of the bust area over the zipper. Tagged a 38.

Bust: 16.5" flat across from side seam to side seam
Under bust seam to natural waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 13" from top of bodice to waist
Skirt: 45" from waist to hem at the front, 52" to longest point at the back hem

Modern Sizing Equivalent: XS-SML

Item# DD1580

Reference Photo: F/W 1995 Christian Lacroix Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Christian Lacroix set perfectly showcases his mastery in combining fabric and textures. Every element used has a depth and texture to it separate from the others and yet it all works perfectly together. The best example we could find form the runway displays the same colorway and silks used on this set from the Fall 1992 runway giving us the collection date for this piece.

Everything starts with the fabric choices for Lacroix and what fabric choices he made! The corset and the long skirt are both made of a rich copper gold metallic fabric that has black silk medallions scattered over its surface. Each of these medallions is held in place by over stitching in what looks to be a velvet chenille type thread. This gives it a antiqued feel as well as dimension and texture. Mixed in with that and used as a way to highlight the curves other piece are silk chiffon panels. The colors flow into each other in a beautiful mix. The corset bodice is made of two layers with the inner layer being the more fitted and boned inner structure. Iver this is a second bodice that curves and flares as you see. The skirt flows to the ground, hugging the hips and then flaring outwards  as it nears the hem. The front is scooped and gathered and is longer at the back. Excellent condition.

Both pieces and each layer of the corset are fully lined black with a gold silk satin lining. The bodice is boned and structured. The top closes with a side set zipper on the interior part of it and hook and eye on the outer layer. The skirt closes with back zipper. Both pieces are tagged a 42

Top
Inner bust: 17.5" flat across from side seam to side seam
Inner waist: 15" flat across from side seam to side seam
Outer Length: 21" from shoulder to hem

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: approx 35" from waist to shortest point of hem at the front, 45" to longest point at the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD3135

Reference Photo: F/W 1992 Haute Couture Christian Lacroix Runway Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Christian LaCroix launched his Haute Couture house in 1987 and was instantly adored and revered. A ready-to-wear line soon followed along with perfumes and menswear. His collections are always an exotic, lavish affair and his inspirations spanned the decades with their eccentric, exotic glamour. His atelier closed in 2009. This dress is from the Spring 2003 collection. I love that for production they went with this stunning color rather then the graphic black and white that it was shown in for the presentation that season.

This dress is wonderful with its bias cut that hearkens back to the Old Hollywood days of high glamour. It is made entirely from a fine, bias cut silk. The color combination is gorgeous, with a deep raspberry red mixed with pink. Part of the pattern has large dots that curve over the surface and highlight the cut of the dress. The fine, curved seaming done on the dress is a nod to the type of costumes being worn by starlets of the 1930s and designers working with bias cut fabrics like Madame Gres and Madeleine Vionnet. It really has that same feel once on but the graphic dot print in those vibrant colors gives it a modern touch. The bias cut and curved set seams allow the dress to both hug the body and still move with you so it is extremely light and comfortable when on. The bodice is hand draped across the bust with one side cut to sit a little higher. The dress is suspended from a tiny strap on the side that dips down, while the higher set side curves up into a wider strap. At the back it is the wider strap that dips low down the back to leave an expanse of skin while the thinner strap acts to anchor the fabric higher on the back on that side. It is cut to curve around your body, skimming over the waist and flowing softly into the long skirt. The construction of the skirt is remarkable. High slits sit on either side of the front panel of the skirt for a peek of your legs. At the back of the skirt, there is an extra panel of silk set over the inner skirt. This panel cascades down the back and extends into an offset train of silk to one side, perfectly balanced by the wider strap. It is absolutely beautiful and a dream to wear. Excellent condition

Fully lined in a matching pink, textured silk chiffon and closes with a hidden, side set zipper. Tagged a size 42. Finished to demi-couture standards. The bias cut will allow it to fit a larger range of sizes, though if you are small busted and a smaller frame you will almost be sure to have to adjust the straps to fit perfectly. Note the color on the mannequin is closest to the true color.

Bust: 15-20" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 63" from shoulder to front hem, 73" to end of train at the back

Modern Sizing Equivalent: SML-LRG

Item# DD2803

Reference Photos: (1) Cherie, Owner of Shrimpton Couture, by Erin Leydon. Cherie is also wearing a 1920s Reversible Cape (sold), (2) Christian Lacroix Spring 2003, Look 5.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Christian LaCroix launched his Haute Couture house in 1987 and was instantly adored and revered. A ready-to-wear line soon followed along with perfumes and menswear. His collections are always an exotic, lavish affair and his inspirations spanned the decades with their eccentric, exotic glamour. His atelier closed in 2009. This dress is from the Spring 2006 collection and was shown on the runway. I love that for production they went with an even longer length.

I love this dress and how it showcases LaCroix's love of drape and a bias cut. It has the added benefit of being a version of the dress that was shown on the runway that season in a slightly shorter length. It is suspended from the shoulders by tiny straps that are made from the same silk as the dress. Triangle cups cover the bust at the front with just a small hint of gathers to the fabric at the center and at the back it scoops down for a little extra skin to show. From there the dress falls in a sweeping bias cut that gradually widens out as it nears the hem. The skirt is made up of yards and yards of silk and there are little pleats set just under the bust to give it even more volume and movement. The whole dress has an easy and sexy scarf dress type of feel to it. I love the print that runs over the silk. It is set onto the fabric like a patchwork of design that should all clash but because the tones are all kept in a similar palette it all works perfectly. It is so simple but so very sexy. Excellent condition

Fully lined in an ivory silk and closes with a hidden set side zipper. Tagged a size 42. It appears to have been worn very little if at all.

Bust: to 17" flat across from side seam to side seam
Seam under bust: 16" flat across from side seam to side seam
Natural waist: to 17" flat across from side seam to side seam
Hips: open
Bodice: 12" from top of shoulder to seam under the bust
Skirt: 47" from seam under the bust to hem

Modern Sizing Equivalent: SML-MED

Item# DD3027

Reference Photo: Christian Lacroix S/S 2006, Look 61.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Christian LaCroix launched his Haute Couture house in 1987 and was instantly adored and revered. A ready-to-wear line soon followed along with perfumes and menswear. His collections are always an exotic, lavish affair and his inspirations spanned the decades with their eccentric, exotic glamour. His atelier closed in 2009. This dress is from the Spring 2006 collection. I love that for production they went with this stunning full length version rather then the shorter dress as it was shown in for the presentation that season.

LaCroix was the master at creating pieces that combine color and textiles and this is a wonderful example of his work. The dress is strapless and fitted through the bodice and the silk voile applied so that it peeks up and over the upper edge. It is hand draped and shaped across the bust. Trailing down and across the bodice on a curved line are hand applied floral applique work that are edged in beads and anchor the silk over the bodice. That same applique is also used on the matching shawl along one corner. The bodice is fitted through to the waist and then the skirt flows out from there into yards and yards of fabric. At the back it trails out to create an expansive train. The back skirts are gathered at the small of the back and there is a tie that runs though for you to adjust how tightly this sits there. The print that runs over the gown is stunning and a beautiful combination of blues that give it an ocean feel. Presents as excellent condition with condition notes to review below.

Fully lined in black silk gazaar and it is lightly boned and shaped through the bodice. It closes with a hidden set zipper at the back. I see a some small repairs to the fabric at the waist on one side and around some of the lower edges of the flowers, near the base of the zipper and to the train near the back hem where a heel caught the fabric as some point. It presents extremely well once on. All areas have been photoed.

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips of interior lining: 21" flat across from side seam to side seam
Bodice: 9.5" from top of bodice to interior corset waist
Skirt: 46" from interior corset waist to front hem, 58" to the back hem

Shawl: 23" x 78"

Modern Sizing Equivalent: XS-SML

Item# DD2908

Reference photo: Christian Lacroix Spring 2007 Runway Show, Look 50. Model: Natasha Poly.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.