• This set is from a late 1970s YSL collection most likely 1979 or 1977
• It was made under the creative direction of Yves Saint Laurent.
  
• Both pieces are made out of a feather light silk in a very unusual muted turquoise that has a gorgeous muted quality to it. The photos are very close to the colour. It is perhaps a touch more pastel in person.
• The neckline of the top is set wide across so you can wear it off of the shoulder for a bare expanse of skin to show. A wide 6" ruffle follows the entire neckline and gives the prettiest flounce all the way around you. At the front the ruffle has been gathered so that it narrows in by a matching band of fabric that slips through an open loop along the seam. I love the added detail that this adds.
• Under that top ruffle there is a second ruffle sitting directly underneath it with stiffening added to its edge to add support. Set under that is another 5" wide ruffle that circles around each arm. These also have a little half ruffle with stiffened edging underneath for added support. The final effect is that of an gorgeous double ruffle set just under each shoulder and it is phenomenal.
• The top is cut wide and generous in a very boxy shape. This width through the body makes it easy to fit and it also is what gives it some volume once it is tucked into the skirt. 
• The skirt is a YSL masterpiece and a phenomenal example of the skirts that he was doing during this time period.
• The waist is banded and comes with a matching silk tie belt that you can cinch in the waist as much as needed. This tie is incredibly long and you can tie it in a bow wherever you wish. I love how it picks up on the bow of the top.
• Tiny gathered pleats are set in all the way around the waist and then the skirt falls under that into beautiful tiers. At the point just past the hips, the lower skirt is set into the top of the skirt with a ruffled seam that circles all the way around you. Built in behind that on the interior of the skirt is a wide band of stiffening that helps to hold the shape and volume. At the hem there is a panel of the same silk that has been tightly gathered into a wide ruffle. All of this perfectly ties in with the ruffles around the shoulder of the top. 
• The skirt is incredibly full but still light in feel because of the lightness of the fabric. If you were to lay this out and open the skirt out, it is more than a full circle around. That volume combined with the lightness of the fabric gives you incredible movement when you move.
  
• This is an absolutely stunning example of his work during this time period and one of my favourite pieces I have ever had by him.
• It is exceptionally rare to find a full set in such a iconic YSL design and in this condition.
• Both pieces are unlined. The top slips over the head to wear and the skirt zips to close with a side set zipper and two flat hook and eye at the waist. The tie belt is original to the dress.
• Both pieces are tagged a vintage YSL 40.
• Excellent condition

Top
The arm opening is 14.5" around
Shoulders: the opening is 32.5" around
Bust-bottom seam: to 20" flat across from side seam to side seam
Total length: 19.5" from top of bodice to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5293

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very pretty late 1970s, early 1980s dress from the Richeline label.
• The Richilene label was launched around 1970 and lasted to about 1990 or so. It was a New York based label and was designed by Ilene Pacun and her husband Richard. The name came by combining their two first names.
• They focused on party dresses for the most part and had a pretty wide range of options price wise. By the mid-1980s their prices ranged from about $200-$2000 and the higher end pieces were very well made.
• This dress combines a soft pastel turquoise and pink floral print with the top and sleeves being done in a silk chiffon and the skirt made out of a silk in the same print.
• The shoulders are soft and the front and the back of the top have a wide scoop that goes almost to the edges of the shoulder.
• The sleeves are incredible. Each is exceptionally wide by the time it reaches the cuffs. They are finished in a beautiful balloon cut. They are cut extra long but once they are closed around the wrist they simply puff out above your hands in the most beautiful way.
• The bodice skims over the bust to a seamed waist for shape. We have added a little turquoise grosgrain ribbon that will be sent with the dress. Inside it is lined in a nude silk chiffon for the upper bodice and shoulders with the rest backed in a blue silk so that it is opaque.
• From there the skirt curves in a very full and open shape over the hips and continues to expand outwards to the floor. There is an immense amount of fabric used in the skirt. It has been gathered in wide soft pleats all the way around the waist and this is what helps to give it its fullness. When you move it moves beautifully around you.
• The dress is fully lined in a blue silk through the bodice as described above and the sleeves are unlined. The skirt has an attached cotton-mix matching blue lining. It closes with a back zipper and there is a hidden snap on each wrist. 
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Sleeves: approximately 26" and are full and open around the upper arm
Shoulders: approximately 14-15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 55.5" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5292

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 1971 collection and we found a reference photo from the 1971 collection that utilized the same type of beading
• It was made under the creative direction of Loris Azzaro.
• Azzaro launched his label in 1967 and quickly defined his trademark looks by using ornate beading, sequins, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved.
• By the seventies and eighties he was experimenting with volume and proportions and new fabrics that at the time were all cutting edge. This is a stunning example of his work during this period.
• The dress is made out of a deep turquoise silk jersey that glides over your curves and is very flattering.
• The neckline plunges in a V at the front and then it has elaborate border with a thick application of beads, sequins and paillettes. These start at the back  of the neck and wrap around to follow the plunge at the front. From there it expands into a wide panel that ends in a almost medallion feeling embellishment that sits at the waist. The beads are densely applied to sit up and off the dress and it is quite incredible to see.
• The sleeves are long and each one expands on a curve to pouf out just above the cuff. Each cuff has the same incredible beaded detailing that you see at the front.
• The deep turquoise silk jersey glides over the bust and comes in at the waist for shape. 
• The skirt falls under that, skimming over the hips and then widening out to fall beautifully to the floor.
• It is the perfect combination of feeling covered yet sexy and the dress is incredibly easy and comfortable to wear.
• Unlined and the dress closes with a hand set back set zipper. Each cuff snaps to close. I see a light bit of colour change to the fabric here and there. It is something that you noticed only when looking really close at the dress and it presents perfectly once on the body. It is there however, and it is priced accordingly. Please see the photos after the label shot for examples. The jersey does have some stretch and the measurements below are the comfortable range when laying flat. The colour is a touch brighter turquoise then how it photoed. Hand finishes throughout.
• There is no size tag present, so please go by the measurements below
• Excellent condition

Sleeves: 26" and are 10-11" around the upper arm with some stretch 
Shoulders: approx 14-15" 
Bust: 16-18" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total length: 60" from top of the shoulder to hem with 1.5" turned under

Modern Sizing Equivalent: XS-MED

Item# DD5291

Reference Photo: Michèle Morgan in Azzaro at his workshop, April 1971.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2000 Richard Tyler Couture collection.
• It was made under the creative direction of Richard Tyler.
• Faith Hill wore its twin to the 2000 Grammy awards. I love that we have this reference photo so that you can see how the dress is once on the body.
• Richard Tyler was the designer to wear in the 1990s and early 2000s. He won the Council of Fashion Designers of America New Talent award in 1993. In 1994 and 1995 he won the Council's Womenswear Designer of the Year award. Julia Roberts, Janet Jackson, and Sigourney Weaver were just a few of the stars who loved his work and his dresses made regular appearances on the red carpet.
• Tyler was known for his impeccable tailoring and finishes and at the time employed some of the best tailors and seamstresses in the business.
• The dress is made from an ultra soft and supple black leather that has been treated like a fabric for the construction of this dress.
• Beaded straps curve up and over each shoulder and then extend down to meet the dress at each side. There are also beaded straps that extend out from each side of the under-bust seam and are attached in at the sides. At the front they run through a little slit on the seams to pass across the plunge. A final beaded strap hooks into place across the low back and gives the illusion of being a part of the strap that wraps around the front. I love these little added beaded details that up the glamour on the dress that little bit more.
• The straps connect to triangles of leather that curve on an inward curve into a front plunge. The beaded strap that runs across the front helps to hold the dress in place and add a little extra detail. I love the how the seams under the bust turn into a dart to add shape. Just having those extra seams also add subtle detail.
• At the back it curves down into a low V at the small of your back, leaving your entire back bare and exposed. It is very sexy.
• It is shaped to come in at the waist and then curve back and over the hips. There is a horizontal seam placed at the bottom of the hips and then the lower panels of leather fall in a pretty column to the floor to give you one long lean line.
• At the back of the skirt there is an extremely high slit that goes all the way up to meet the seam that wraps around the bottom of the hips. These high back slits were a Tyler signature and allows for a flash of bare leg as you walk away.
• The leather is extremely soft and supple. It is not stiff in any way at all. It is so soft that it does act and drape like a fabric. It is incredible.
  
• The dress is lined with a black silk through the upper bodice and then the lower skirt is unlined. Closes with a hidden set side zipper. It appears to have been worn very little if at all.
• Tagged a vintage Tyler 8
• Excellent condition

Bust: each triangle covers to 8" flat across from side to side
Seam under the bust: 15-16" flat across from side seam to side seam
Natural waist: 14" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Bodice: 11.75" from top of shoulder to seam under the bust
Total length: 63" from top of shoulder to hem and the slit is 30.35" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5290

Reference Photos: Faith Hill, in Richard Tyler, at the 2000 Grammys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2005 Cavalli collection
• It was made under the creative direction of Roberto Cavalli
• For that season Cavalli based everything shown on the 'Fashion Traveller' Theme and Vogue proclaimed that to mean "an eclectic throwing-together of hippie-ish trailing print skirts, ruffled cavalier shirts (worn belted at the hip as tantalizing dresses), and nineteenth century Sgt. Pepper-ish frogged military jackets."
• The dress is made of a black bias cut silk that is covered with a gold tone print. The print depicts golden feathers that curve heavily down and over the bodice and then gradually just become the gold parts that trail down and over the skirt.
• The feather print is very detailed and quite beautiful. I love how the pattern is set to accentuate the curves of the body underneath the dress and build on the cut of the dress itself.
• The dress is suspended from two tiny straps in the same silk that curved up and over the shoulders. At the back they cross over each other. The entire upper back is left bare and exposed behind the crossing of the straps and the front comes down in a wide V.
• The dress curves in at the waist with long curving vertical seams and then curves back out over the hips. Everything is cut on the bias and there are no horizontal seems to break the print or lines of the dress.
• The lower skirt flares out with quite a bit of fabric used for its construction. There are extra triangular panels built-in around the sides and back. These are what give the fullness to the lower skirt that you see and create its sweep. The back skirt is cut a little longer than the front so that you have a beautiful bit of fabric behind you as you move. The extra fabric also gives you wonderful movement as you walk. 
• The dress is unlined and closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Cavalli 38
• Excellent condition 

Bust: to 16.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 63" from top of shoulder to the shortest part of the front hem, 71" to the longest part on the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5289

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the all black version of the Spring 2006 pink floral dress from the same collection that we currently have in the shop.
• It was made under the creative direction of Roberto Cavalli
• The twin of the pink version of this dress was worn by Noemie Lenoir in 2006 and we have included those reference photos in this listing because even though it is a different colour it still shows you just how phenomenal this is once on the body.
• The dress is made from a black silk feeling jersey that is draped over an inner black body suit that gives you the perfect amount of inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a black chiffon that gives you the very slightest bit of transparency on that side. 
• If you loved the dress in the flower print but are not a flower kind of girl. This is the version for you.
• The inner black bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: to 20" flat across from side seam to side seam
Bodice:  approx 15" from top of shoulder to waist
Total length: 62" from top of shoulder to the shortest part of the hem at one side and the back extends another 17" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5288

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2022 bridal collection and was named the "Salinas" dress in the collection.
• It was made under the creative direction of Naeem Khan
  
• I love that we have a reference photo of both the back and front of the dress so you can see how beautiful it is once on the body. 
• The base of the dress is an ivory net that keeps the dress light in weight despite its extensive added detailing. Onto the net the dress has been heavily sequinned and beaded by hand. The dress was then lined in an ivory silk chiffon with a nude silk chiffon under that to make it just opaque enough to wear.
• The design that covers the entire dress is utterly gorgeous. It is a series of abstract, soft curving shapes that run over the entire dress. I love how the shapes change form and direction to highlight the curves of the body underneath and the cut of the dress.
• The shoulders are soft and slightly sloped and the sleeves are cut long to the wrist if not slightly past.
• It skims over the bust and then curves back in slightly at the waist for shape. This is all done with vertical seaming so there is no line across the midsection of the dress to break the eye. From there it curves back out and over the hips. The bias cut lets it highlight your shape but without being tight or confining once on the body.
• It comes back in slightly under the hip and then the lower portion of the skirt widens out substantially around you. There are yards of extra fabric worked all around the sides and back of the skirt. As it curves around you it extends and becomes even more full to create a classic train that sweeps out behind you. This creates phenomenal movement and a beautiful silhouette around you.
• The dress is beautifully made and there is a  high attention paid to every last detail.
• The dress closes at the back with a hidden set zipper and each sleeve hooks to close at the cuff. The bias cut of the fabric gives it some light movement and I have put the comfortable range of measurements below. It appears to have been worn very little if at all. 
• There is no size tag present so please go by the measurements listed below.
• Excellent condition.

Sleeves: 27.5" and are 10" around the upper arm
Shoulders: 15"
Bust: 16-17" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 68" from top of bodice front hem and the train extends another 28" past that

Modern Sizing Equivalent: SML-MED

Item# DD5287

Reference Photos: Spring 2022 Naeem Khan Bridal.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the From the Stella McCartney bridal collection for 2014
• It was made under the creative direction of Stella McCartney
• An all silk version of this dress was worn by Nicola Peltz, and Beyonce also wore an all silk version to the Vanity Fair Oscar party in 2015. I love that this lets you see how fantastic this is going to be once on the body.
• This version was made with more of a wedding/bridal point of view and it is made out of a beautiful white lace.
• The neckline is slightly scooped and set higher up. The shoulders are soft and the sleeves are long to the wrist.
• It closes at the back of the neck and then the fabric curves down and over the back of your shoulder from there to leave an open cut out. The cut out starts at the nape of your neck and curves over to each side. It is fully open right to the low back where the top of the skirt is set on a pretty curve. This gives you a beautiful silhouette from the back.
• It skims over the upper bodice with darts for shape. There is a seam set under the bust that tops a panel of the same lace. This wraps around to each side at the front only down to a second seam at the proper waist. That second seam is what curves all the way around to the back to sit under the open cut out.
• It skims over the hips and widens out as it nears the floor. The bottom of the skirt flares out quite a bit so you have a beautiful movement as you move.
• The back sweeps out behind you in a classic rounded train. It is absolutely gorgeous.
• The dress is fully lined in a matching silk chiffon and has very light padding in each shoulder that acts more as a support to the lace than to add shape. There is a slight touch of transparency. It closes with a back hidden set zipper and each sleeve has a hidden set zipper at its end. The dress is new with its original tag and is in its original uncut length
• Tagged a modern 42
• Excellent condition

Sleeves: 24"
Shoulder: 16"
Bust: 17.5" flat across from side seam to side seam
Waist: no true side seams
Hips: 18" flat across from side seam to side seam
Bodice: approx 16.6" from top of shoulder to waist
Total length: 66" from top of the shoulder to front hem, 84" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5285

Reference Photos: (1-2) Nicola Peltz in Stella McCartney at the Transformers Berlin Premiere, 2014.  /  (3-5) Beyonce in Stella McCartney at the Vanity Fair Oscar Party, 2015.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was Look 27 on the Spring 2011 Prada runway.
• It was made under the creative direction of Miuccia  Prada
• On the runway was the first of three variations of dresses that featured extensive and whimsical embroidery over them along with the beadwork around the hem.
• The dress was an instant hit. You saw it in editorials, on celebrities and it was used in the ad campaign that season. It is also featured in the book Prada:Catwalk. This dress is noted in particular in that book where it says "a beachy feel came through in those prints again, and in Mexican embroideries across the front of a white sundress. There were shades of Josephine Baker also here, emphasize by the model slick pin curled hair – just the lightest touch of history in case anyone might forget where they were and the deep understanding of culture that entailed. Bar the furs and jangling plastic beads at hems, the clothes in this collection were entirely made from a cotton – sensible, hearty, humble. The collection was extraordinarily bold: an immaculately executed fashion statement that couldn't have been more confident, clear or right for its time." Miuccia herself called it "minimal baroque".
• This is a fantastically rare dress and it is exceptional and important part of Prada's history.
• The dress is made of a crisp white cotton. Onto that is a heavy finish of embroidery to create that print that you see going across the dress is all the way around the dress.
• It is suspended from the shoulders by straps made of the same white fabric and the dress itself is the simplest of cuts. The front has darts to create a bit of shape around the breast and then it has a touch of a barrel shape through the body. The waist and hips curve outwards and then the hem comes in slightly.
• The back dips down for an expanse of bare skin to show.
• A dancer is in full stride with a huge headdress and skirt are a nod to the great Josephine Baker.
• Bright bold colours swirl across you and around to the back of the dress and the embroidery work is fantastic to see. It has a slight 3D texture as it sits slightly up and off the dress.
• The hem of the dress is equally as fantastic and has a finish of braided silk cord and large beads that dangle and jangle all the way around the hem.
• The dress is fully lined in a white silk and has an offset hidden zipper at the back. It appears to have been worn very little if at all. The open cut should allow it to fit a range of sizes. It will just fit more over-sized on a smaller frame.
  
• Tagged a modern Prada 38
• Excellent condition

Bust: to 16.5" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 17.5" flat across from side seam to side seam
Total length: 38" from top of shoulders to actual hem and the beads extend another 3" past that

Modern Sizing Equivalent: XS-MED

Item# DD5282

Reference Photos/Videos: (1-5) Spring 2011 Prada, Look 27. Model Daphne Groeneveld.  /  (6) Spring 2011 Prada Ad Campaign.  /  (7-8) Bruno Mars and Joan Smalls Photographed by Peter Lindbergh for Vogue, June 2011.  /  (9) Miroslava Duma in Prada, 2011.  /  (10) From the book "Prada Catwalk: The Complete Collections" by Susannah Frankel.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a rare and early example of Galliano's work from the Fall 1999 collection.
• It was made under the creative direction of John Galliano.
• We have included several runway shots that we found that show the same fabric as it was seen on the runway.
• The dress is ultra soft to touch. It is made from a deep creamy ivory and then onto that are tiny little black bows made out of yarn. They form a grid in their centres as they weave through the underlying ivory and then the ends are allowed to extend out on both side sides. This is what forms the bow and also gives it the 3D feel as each end sits up and off of the fabric.
• The dress is done in a simple shift feel with no sleeves and an easy to wear cut. Long vertical seams curve over you to add shape. The bust is simple and set to curve over you. The waist is shaped to come in slightly. From there it curves back out over the hips. 
• The skirt is a simple slim pencil shape that comes in very slightly at the hem. At the back, extra fabric is hidden inside of an inverted vent. The fabric is pleated on both sides, inside the vent, and this allows you to move and walk in the dress. It also gives you a little unexpected flare at the bottom of the back skirt while you are moving.
• It is the perfect minimalist 1990s piece with a Galliano twist.
• The dress is lined in an ivory silk with hand finishes around the neck and arms. It closes with a hidden set side zipper. It appears to have been worn very little if at all.
• Tagged an early Galliano FR38,GB10, US4
  
• Excellent condition
  

Bust: 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 37.5" from neck to hem with approximately 1" turned under the hem

Modern Sizing Equivalent: XS-SML

Item# DD5283

Reference Photos: Fall 1999 John Galliano, Look 12.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely fantastic and very rare piece whose twin walked the Spring 1993 Versace runway.
• It was made under the creative direction of Gianni Versace
• Besides being prominently featured on the runway, it was featured in editorials for the Versace lookbook.
• This collection was an homage to South Beach, a place that Gianni absolutely loved. In 1991 he bought Casa Casuarina, a mansion on Ocean Drive. Two years and $30 million later it was a lavish palazzo, but before that was completed, he created this Spring 1993 show as a love letter to South Beach. Little Havana was referenced in the amazing floral printed silks that we see on this piece.
• On the runway, this was worn over a printed bell bottom pant in a contrasting floral print. In real life, you could certainly re-create that look or pair it with something simpler to let the vest shine on its own. It would look equally as good topping any length skirt, a pant, and you could even go very daring and wear something far more bare underneath.
• The vest is made out of a printed silk that mixes a solid black for the collar and lining. Black silk is also used for the properly finished button holes and the silk covered buttons at the front. It has a slightly softened feel to it that gives it a bit of a washed cast. This is intentional and carries through the entire piece where the black silk has been used.
• The rest of the vest has a brilliant oversized floral print running over it that is spectacular. It mixes all the primary colours and covers the entire piece. I love how the back panel of the vest is a different floral panel pattern for contrast.
• The shawl collar curves down low to the waist and then the vest closes with a double set of silk covered buttons across the front. Long floral covered tails fall around the side of the hip and down the front. These will end around or past the knee depending on your height.
• At the back, seams curve inwards to add shape through the waist and there is a fabric half belt that you use to cinch in and add more shape. The belt buckle and added embellishment on the belt are amazing. They are made out of a gold toned metal with the tops of each piece finished in a red, hand poured enamel. There are two curving pieces, one that secures the belt once buckled and the other to finish the end of the belt strap. Three more straight pieces sit on either side of that for added decoration. It is a very decadent and beautiful extra touch of detail.
• This is an iconic and highly collectible piece of Versace history. That is an easy piece to incorporate some vintage into your existing wardrobe.
• The vest is fully lined in a black silk and closes with the two front buttons that have properly finished button holes. As noted above, the black silk portion of the vest has a slight washed feel to its finish that appears intentional. It does have a fabric and size tag, but it is faded and you can no longer read what size it is.
• The size tag has faded so please go buy the measurements listed below
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: approx 19" flat across from side seam to side seam but because the tails open at the front, there is some wiggle room and it should fit a little larger. The tails would just be spread open more at the front.
Total length: 44" from neck to longest point of the front hem, 20" from neck to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5284

Reference Photos/Video: (1-6) Spring 1993 Versace.  /  (6) Angelika Kallio for Spring 1993 Gianni Versace Miami Collection Lookbook.  /  (7) Backstage at Versace, 1993.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A printed version of this dress walked the runway for the Fall 1974 collection
• The dress made under the creative direction of Ossie Clark 
  
• This is one of his most iconic and collectible designs and it is easy to wear as well. I love that we have reference photos. You can see how gorgeous this sits once on the body.I love that we have reference photos. You can see how gorgeous this sits once on the body. I also highly appreciate the models styling and runway 'attitude' as it does fully capture Osse's viewpoint.
• The dress is made out of his signature moss crepe in a beautiful clear red that is flattering on most skin tones. It is very sexy and instantly recognizable as being an Ossie Clark piece.
• The front is cut in a low plunge that meets the waist. At the waist of the plunge is a little gap so you have a bit of a squared off feeling rather than the typical V. Because of the way it is cut and the angle the front is cut on, it is surprisingly secure once on the body and stays in place very well without exposing you despite that low plunge. A curved shoulder yolk wrapped over the shoulder and extends into the back. The fabric at the front between the seam under the bust seam and those shoulder yokes are gathered vertically for added pretty detail.
  
• The sleeves are phenomenal. Each is a cut very wide and are gathered around the shoulder yolk, giving the illusion that they extend directly out from the front and back. Their width gives them an almost caped feel as they flow over the upper arm.
• The bust skims over you and then comes along a upward curving scene that ends at the base of the plunge. This talks and insert that gives you some definition around the waist and then cursed down the centre front of the skirt. It is all shaped to give you an hourglass feel with no harsh lines to break the eye and line of the dress.
• The skirt curves back out and over the hips where it widens out to be quite by the time it reaches the hem. There are yards of beautiful, moss crepe in its construction. An extra panel of fabric is set along the front horizontal seam just below the hip. This adds even more fabric and gives the dress beautiful movement when you move.
• When you stand still it falls in a beautiful column of moss crepe but when you move you really get a sense of the fullness and the amount of fabric in a skirt
• The dress is unlined and made out of a red moss crepe. It closes with a low back zipper with a keyhole slit between the seam of the shoulder yolk and where the zipper starts. Someone has added two snaps to hold the keyhole closed. I have left them, but they could easily be removed, or left undone, if you wanted it to be more open.
  
• Tagged a vintage Ossie UK12
• Excellent condition

Sleeves: 11.5" and are full and open
Slightly extended shoulders: approx 16"
Bust: 16.5-20" flat across from side seam to side seam
Seam under the bust: 16" flat across from side seam to side seam 
Waist: 14" flat across from side seam to side seam
Hips: 21.5" flat across from side seam to side seam
Bodice: 12" from top of shoulder to seem under the bust
Total length: 61" from waist to front hem, 62.5" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5279

Reference Photos: Fall 1974 Ossie Clark.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Victor Costa launched his label in 1974 and was known for producing versions of what was seen on the Paris runways. Costa chose good fabrics for his designs and even though his work was often very close interpretations of other designs, he did add his own unique twist when it came to colours, cut and fabrics.
• The dress is made out of a red synthetic feeling fabric with a slight sheen finish. The red colour is a good clear red that should be flattering on most skin tones.
• It is strapless and the neckline is cut into a rounded sweetheart shape that is very flattering. A band of fabric edges the entire neck line and where it meets in the centre it continues down the front to form a pretty panel to the waist.
• The bodice is gathered inwards towards that centre band giving a lovely added detail. Big domed silver buttons with six large rhinestones set within the dome are added down the centre of the front band for extra detail and a shot of glamour.
• The bodice is shaped with internal boning at the sides so that it cinches in at the waist.
• The skirt cascades outwards from there to fall very full all the way around you. Underneath the top layer of fabric there is a built-in layer of red netting with added panels that help to hold the shape. We did not add any extra crinolines under the skirt but there is definitely room to add more structure underneath if you wanted the dress to be extremely full and more in line with a 1950s shape.
  
• The dress is fully lined through the bodice in a red fabric and then that attaches to the tulle under skirt. The dress closes with a back zipper. 
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Total length: 50" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5280

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1990 collection.
• It was made under the creative direction of Yves Saint Laurent
• I love that the reference photos shows how amazing it is once on an actual body. The dress has a very Old Hollywood / 1940s feel that I also love. This was a look that he touched upon often in his work and this is classic and beautiful Yves.
• The dress is made out of a red silk crepe that drapes beautifully once on. 
  
• The sleeves are fantastic. Each is a big balloon sleeves that puffs out dramatically over the cuffs. They are gathered into where they attach into the shoulder and then they drop and expand out to phenomenal volume above their cuffs.
• The front crosses over itself in a plunge and hear as well we see gathering start from the shoulders. It wraps and snaps into place around the waist on both the inside and outside with all of the closures hidden from view. A hidden snap that lets you close the V more or you can leave it open for a more full deep plunge. 
• The skirt is gathered in under the waist seam with the majority of it, pulled over to the one side. This causes a dripping all the way down to the hem on that side. The skirt itself falls to the floor and gently widens out as it near the hem. This gives it beautiful movement as you move. Everything about the dress is about movement around the body. He was a master at creating shapes that accentuated the body, but without ever having to be very tight and fitted.
• The dress is fully lined in a red silk and closes with a series of hidden set snaps around the waist and behind the opening hidden by the knot of fabric at the side. A hidden set snap at the front where it crosses over into the plunge. Each cuff has a slight elastic in it. There is also elastic around the back of the waist that make the dress very easy to fit. I see one darkened mark near the hem at the front and two little nicks out of the fabric in that same area. These are extremely minor and mentioned for accuracy.
• Tagged a vintage YSL 42
  
• Excellent condition.

Sleeves: 25.5" and are very full through the upper arm
Shoulders: 15"
Bust: 17-22" flat across from side seam to side seam
Elastic waist: 13-17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: approx 17" from top of shoulder to waist and meant to drape over a bit
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5281

Reference Photo: Spring 1990 Yves Saint Laurent Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress was presented as Look 20 in the Spring 2021 Rodarte collection.
• It was made under the creative direction of Kate and Laura Mulleavy.
• “Everything we do is about fantasy and dreams, but we are located in a moment, and we are a part of what is happening now,” said Kate. A fanciful gown, both designers agree, has little place in today’s world, so instead they channeled their efforts into clothing they would want to wear now “without distilling the ideas".... Vogue continued their review by noting that the floral story continues in the 1940s dresses they played with last season, now relaxed in shape with prints that radiate from the navel or appear in handkerchief-like grids.
• Its twin was worn by Kourtney Kyung Smith and Anya Taylor Joy also wore one to the Venice Film Festival that year. Liz Gillies wore one while in character for Dynasty. 
• The dress is absolutely exquisite and really showcases the charm that the Rodarte collections have and why people love collecting them.
• With its pretty combination of white, pink and red this might also make a fantastic dress for a bride for one of her events around her ceremony.
• The dress is made out of the perfect white and pink bias cut silk that is a beautifully light in weight. It is very soft and supple and the bias cut lets it glide over your curves once it is on. 
• Onto the white and pink base is a gorgeous print that features tiny pink flowers ad black bows nestled among green leaves and dots. These are set in large medallions that cover the entire dress.
• Tiny black silk straps curve up and over the shoulders. The front dips into a shallow V and the back also dips into a V that is set lower for a bare expanse of skin to show above.
• The bias cut lets the dress skim over your bust, waist and hips to fall to the floor. It flares out prettily at the hem and this give it beautiful movement when you walk.
  
• A little silk flower in a pretty pink sits at the base of the V of the front. The flower is detachable so you can move it to where it sits on you best.
• The dress is unlined and slips on to wear with no closures. The flower pins into place and is also labelled at the back. The dress is in its original uncut length. I see a tiny bit of grubbiness near the hem in a tiny hole near the seam at the back of the hem. It doesn't look like the dress was ever worn otherwise so this is probably from improper storage. Please see the photo after the label shot. The bias cut allows for some give so I have put the comfortable range while lying flat below. The length may come up a bit because of the bias cut once it is on the body.
• Tagged a modern Rodarte 
• Excellent condition

Bust: 14-17" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 17-21.5" flat across from side seam to side seam
Total length: 66" from top of the shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD5276

Reference Photos: (1) Spring 2021 Rodarte, Look 24.  /  (2) Model in Rodarte photographed by Kourtney Kyung Smith.  /  (3-4) Anya Taylor Joy at the Venice Film Festival, September 2021.  /  (5) Elizabeth Gillies in the show Dynasty, 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked runway for the Cruise 2011 Chanel collection for Look 36.
• It was made under the creative direction of Karl Lagerfeld
• I have had a version of this dress in the shop that had a more tank bodice to it but this is the first time I have had the actual twin of the runway look and I think I love it even more with its one shoulder silhouette.
• The Chanel Cruise collections have an interesting history. Gabrielle Chanel actually sailed and her love of the sport led to her inception of a 'cruise' collection in the 1920s. She was not the first to come up with this concept but hers were among the first to show a complete collection in a fully fledged show. They eventually fell off in popularity within the brand and it was not until Karl Lagerfeld took over Chanel that the Cruise collections started again.
• This was a very successful collection and was lauded by critics. Vogue said that 'It was like something out of a quintessential Riviera movie.... And like the carefree starlets and jet-setters they were channeling, the models traipsed down the street-cum-runway often barefoot, wearing seventies-ish diaphanous caftans, long crocheted dresses, ruffle-lapelled silk jersey trouser suits, and patchwork denim skirts.' They noted that 'Key, of course, is that lightness of touch, the sense of enjoyment and ease. And with fashion once again experiencing a 1970's revival, the show also ended up feeling—as Lagerfeld's Chanel outings often do—very much of the moment.' And the location choice? Karl said the location was a personal choice "I spent many years of my life here," he said. "I know Saint-Tropez like I know Paris. The collection is very casual, very down-to-earth."
• Of course only Karl and Chanel would think a gold knit ribbon dress is casual, to the rest of us this is an incredibly glamorous dress. 
• The dress is beautiful. For all the talk of the seventies influence on this collection this one definitely has a nod to the twenties, a decade that Karl often touched upon.
• The base of the dress is made out of a knit that combines a natural deep linen silk cord that has a gold metallic thread woven through it. Gold grosgrain ribbon is braided through the knit and then additional strands of ribbon and silk cords are set vertically over the different parts of the dress to create the final effect that you see. 
• The knit that edges the neckline has a chunkier feel to it than the knit that runs through the body. The ribbon on those two parts of the dress is also set into the knit differently.
• For the area around the waist and the seam above the final part of the skirt, Karl treated the knit and ribbon differently again. It is quite interesting to see how he used the change of direction of the knit and different finishes of both the knit and the ribbon to separate and highlight the different parts of the design on the dress.
• Through the body the weave of the knit is all set vertically with gold ribbon braided vertically. Long vertical expanses of ribbon are set over the underlying knit layer along with strands of metallic finished cords that are very fine and delicate. These attached into the seam above and below and because of how they are attached and set they sit off of the dress underneath and create its unusual texture and 3D feel. This is an absolute testament to the genius of Karl and his constant pushing forward of the technical aspect of fabrics.
• At the very bottom portion of the skirt, the final 10" of the ribbon and cord are allowed to fall like a long fringe. When you move these create incredible movement as they swish and swoop around you. You also see your leg through the fringes as you walk. It is incredible.
• Once on the body it simply falls over you and is super easy to wear and just a really interesting and unique dress.
• The gold gives it that added glam factor and you could easily wear this for day with sandals and then go all out for an evening look. It would even make a great bridal piece for the bride not looking for something traditional or as a dress for an event surrounding the ceremony. 
• The dress is fully lined through the middle portion in a stretch lingerie feel silk jersey that makes it very comfortable to wear. The bodice is unlined. It has no closures and slips on to wear. It does have some stretch and I have given the comfortable range of measurements below. It appears to have never been worn very little if at all.
  Tagged a vintage Chanel 38 
• Excellent condition 
  

Bust: 15-20" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 14-20" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the bottom of the 2" band at the waist
Total length: 49" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5275

Reference Photo/Video: Chanel 2011 Chanel Runway Collection, Look 36. Model: Sara Blomqvist.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• The silhouette of this dress is very well documented and our research turned up two different ads for a black and gold version that appeared in Vogue. It also made an appearance in one of Vogue's party round up editorials. The ads were from the September issues of both 1980 and 1981.
• It was made under the creative direction of Bill Tice
• Countless celebrities own and have worn the different colours of this dress. Lady Gaga wore a version, as have girls like Rachel Zoe & Nicole Richie and every girl that has bought one through me has loved it. It is one of those fail safe pieces that you know is going to work every time you put it on.
• The dress is insanely sexy and bare feeling with a halter style front that plunges to just above the waist. It ties behind the neck and then the back is left completely open and bare.
• The dress is made of a wash and wear metallic gold that has a slight texture to the fabric. It is very light in weight.
• The cut is very clever so that despite its bare appearance it stays in place perfectly once on the body. At the front of the skirt there is a high slit that shows lots of leg when you walk or sit.
• I love his signature wide top-stitched gold fabric belt at the waist. The belt is attached all the way around the back and then ties at the front to cinch you in exactly to where you want.The belt is really what gives it that signature Bill Tice look.
• The dress has the added bonus of travelling very well. It is the kind of piece that you can throw into your suitcase and slip on with either flats or heels when you reach your destination and be instantly ready to go. It packs down to almost nothing and barely wrinkles. 
  
• Unlined and slips on. Ties at the back of the neck and with the attached belt at the waist. Elastic through the front portion of the waist. The easy fit allows it work on a variety of sizes. The gold is a true bright gold in person. 
• Tagged a vintage Tice 6
• Excellent condition.

Bust: variable as there are no side seams
Partial elastic waist: 12-17" flat across from side seam to side seam
Hips: open
Bodice: approx 15-17" from neck to waist and can be tied to adjust the length if needed
Total length: approx 53" from neck to hem
Front slit: 19" from the hem up

Modern Sizing Equivalent: XS-MED

Item# DD5273

Reference Photos: (1) Bill Tice for Swirl Ad. Vogue US, September 1980. / (2) Bill Tice Ad. Vogue US, September 1981.  /  (3) Nancy Kissinger in Bill Tice, Vogue, October 1980.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This is a very pretty dress from the Spring 2011 Dior collection
• It was made under the creative direction of John Galliano
• I believe that this dress has been slightly altered in some way through the top. Some of the stitching and how it is attached to the strap on the one side are definitely not original. It works the way it is so I have left it. But I do feel like it gives you a bit of leeway in having it re-set to how it will work on you if you wished to make changes.
• The dress is made out of a purple silk chiffon that is layered over an inner attached purple slip that makes it opaque enough to wear
• The bodice has two panels of chiffon that are draped upwards and over the one shoulder. At the back the main panel extends into a little flat bow and the panel that sweeps underneath that one is attached along the strap of the inner dress. 
• The waist is seamed and the bodice blouses over it. The dress came with a pink and purple silk tie belt that is made of two separate cords tied together. Each cord has these gorgeous little handmade silk flowers in red and pink attached at their ends for a total of four flowers. This tie belt allows you to cinch in the waist as much as you wish.
• The skirt skims over the hips from under the seam at the waist and then flows beautifully to the floor. The lightness of the silk chiffon allows it to move around you when you move and the entire dress is light and easy to wear.
• I love how the arm opening on the one side dips a little lower. This adds to the overall Grecian feel that the dress has.
• The dress is fully lined in an inner purple silk and it closes with a combination of silk covered buttons and a series of snaps. I feel like the bodice has been altered at some point as mentioned above and it has been priced accordingly.
• Tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Inner hips: 18-19.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 59" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5272

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is a production piece for the shops from the Spring 2008 collection.
• It was made under the creative direction of Alexander McQueen.
• The dress is made from a purple bias cut silk and you can see the inspiration that the cut and fabric draws from the thirties and forties in its cut. 
  
• Wide straps curve over the shoulders and extend down into a front plunge. The silk is gathered into a centre knot at the base of the plunge. It appears that at some point in the history of this dress, someone has lightly tacked shut about 2" of the plunge so that combined with the way the dress is cut makes it feels very safe to wear and the plunge stays in place.
• Cascading down from the knot is a panel of the same silk. It runs down the centre of the dress all the way to the hem. It creates that beautiful draping you see and also gives the skirt incredible movement. 
  
• Shallow pockets are created along the curve of the front fabric.
• The dress is fully lined in purple silk and closes with a hidden set side zipper. The front has been light tacked shut partway as noted above and could be un-tacked if you wanted a deeper front plunge. It is in its original uncut length. The bias cut should allow it to work on a range of sizes. I have put the comfortable range of measurements below when laying flat.
• Tagged a McQueen 40
• Excellent condition 

Bust: 17-18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 61" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5270

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The skirt dates to the 1960s and is from Scassi's main label
• It was made under the creative direction of Arnold Scaasi
• Scaasi was born Arnold Isaacs in Montreal and the name Scassi is simply his own surname in reverse. He apprenticed at the house of Paquin and then worked with the legendary Charles James. In 1964 he opened own couture salon. He dressed Hollywood stars like Lauren Bacall, Diahann Carroll and Elizabeth Taylor along with  several first ladies. He even once bragged that he refused to give Jackie Kennedy clothes for free. He was the man behind the scandalous 1969 Barbra Streisand sheer trouser outfit that she collected her Oscar in, and he was presented with the Council of Fashion Designers of America Lifetime Achievement Award in 1996. In 2010, The Boston Museum of Fine Arts, who hold the bulk of his archives, launched an exhibit of his work titled "Arnold Scaasi: American Couturier"
• Pieces from his main label were made to order and done to demi and couture standards. 
• There are certain pieces that you come across that seem to go beyond just a piece of clothing and start to belong to the category of being a piece of art. This skirt qualifies. It is one of the most unusual and exceptional pieces I have seen.
• It is almost camp in feel and yet it has an incredible craftsmanship at the same time.
• It is made from looped tufts of wool in a pink, coral, deep burgundy and pale purple, that are independently attach by embroidery to a silk ribbon background. That silk ribbon is then sewed together and stacked row by row with a tiny gap left between each row. This creates this amazing sub-texture underneath the yarn.
• The yarn detailing is set horizontally and they puff out from the skirt so that it has a 3D feel.
• At the waist is a wide red grosgrain ribbon that sits in a bow at one side.
• Under the nipped in waist the skirt falls on an angle to widen out quite a bit by the time it reaches the hem. It somehow manages to stay both soft and feel structured at the same time.
• It is not unwieldy to wear but it does have the feel of substance. 
• Inside it is hand lined in a fine red silk.
• Fully lined by hand in a fine red silk and closes at the back with a zipper and then hook and eye at the banded waist. All the work is done by hand and all of the yarn has been done by hand and applied to the silk ribbon behind it.
• There was no size tag present so please go by the measurements listed below
• Excellent condition 
  

Waist: 12" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 36" from waist to front hem, 38" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5267

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a gorgeous Haute Couture dress from 1970s Lanvin.
• Made under the creative direction of Jules-Francois Crahay 
• Jules-Francois headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugely desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house.
  
• The dress would have been completely made by hand in the Paris Atelier
• The fabric is a feather light silk chiffon that is covered in a pretty tree and floral print that covers the dress from head to toe.
  
• The bodice of the dress is fantastic. It is cut halter style and hooks to close behind the neck. The neck and the entire edge of the halter all the way to the back are finished with a double row of the same silk that has been perfect perfectly hand pleated to create this phenomenal ruffle that frames the neck and gives the dress a very pretty and feminine feel.
• I also love that the entire upper back is left bare and exposed.
• It glides over the waist and hips and then the skirt falls to the floor from there widening out a touch as it nears the hem.
• If you wanted more shape you could add a belt around the waist and it would completely change how the dress looks.
• Inside everything has been done by hand to Couture standards.
• It is lined in an ivory silk and closes at the back with a hand set zipper. It hooks to close behind the neck.
• There are no size tags so please go by the listed measurements below. 
  
• I see a couple of tiny nicks on the inner lining that do not show through when the dress is on.
• Excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 57" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5266

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal dress in a floral print version of various versions that walked the runway for the Spring 1980 YSL show.
• It was made under the creative direction of Yves Saint Laurent.
• The dress is made out of what feels like a feather light cotton / silk mix. This fabric choice holds the colours beautifully. 
• The neckline is set wide across so that it sits at the edges of the shoulders. If you are not very broad across the shoulders you may be able to wear it fully off the shoulder but for most I think it will sit at the edges of the shoulder like you see on the dress form here. A wide 7" ruffle follows the entire neckline and gives it the prettiest flounce all the way around you.
• Under that the bodice skims down to a low dropped waist that is cut more generously through the middle. I have taken a photo without the belt so you can see how it is cut generously through the body. The dress comes with its matching tie belt that you can cinch in the waist as much as needed.
• The skirt is set into a slightly angled seam around the waist that comes up into a peak at one side. Tiny gathers are set in all along that seam and this is what gives the skirt its incredible volume.
• The skirt falls shorter at the side to match the peak of the seam of the skirt. As it circles around the back it gets longer. If you were to lay this out and open the skirt it is more than a full circle around. That volume combined with the lightness of the fabric gives you incredible movement when you move.
• This is an absolutely stunning example of his work during this time period and this particular cut of dress is one of my favourites from him. I have had it in several colours and patterns now and this is one of the prettiest I have had.
• The dress is unlined and closes with a side set zipper. The tie belt is original to the dress.
• There is no size tag present so please go by the measurements listed below
  
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Total length: 45" from top of shoulder to the shortest point of the front hem, 57.5" to the longest point of the hem.

Modern Sizing Equivalent: XS-SML

Item# DD5265

Reference Photos: Spring 1980 Yves Saint Laurent

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• We believe the dress is from the 1986 collection and Kim Kardashian wore its twin in 2008.
• It was made under the creative direction of Thierry Mugler.
• The fabric that it is made out of is a light in weight metallic gold fabric that drapes beautifully and has a beautiful deep gold tone to it.
• The dress is cut with Mugler's masterful eye and attention to detail.
• The bodice is strapless. One side is curved and is gathered in underneath the other side. There is a peaked panel that folds down to create a little flap on the other side.
• A panel of the metallic gold fabric extends out from the side with the peaked bodice and this buckles into a gold metal buckle belt coming around from the back. This creates a heavy gathering at that side that sweeps up and adds shape through the waist area.
• The buckle is metal and is signed at the back. These would have been specifically made for Mugler.
• The skirt falls under that with a bit of a curving hem at the front so that it is all brought upwards as you can see in the photos. It is meant to feel hourglass in shape.
• This is a spectacular and very rare example of his work.
  
• I love how the entire dress shimmers in the light because of the gold metallic fabric.
• The dress is lined through the bodice with a more structured fabric that creates an inner built-in corset that is boned and cupped. The skirt is fully lined in a lighter feeling silk. It closes at the back with a zipper and then buckles around the waist with the attached buckle belt. The actual interior of the Terry Mugler tag has been cut out.
• Tagged vintage Mugler 42
• Excellent condition with a bit of wear above the grommets and on the belt buckle.

Bust: 17-18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam. 
Hips: to 20" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Total length: 33" from top of bodice to the hem

Modern Sizing Equivalent: SML-MED

Item# DD5137

Reference Photos: (1) Kim Kardashian in vintage Thierry Mugler at the 2008 Video Game Awards.  /  (2-4) Spring 1986 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress has been dated by the one that is its twin and was part of the 2014 exhibit 'Chicago Styled'.
• It was made under the creative direction of Thierry Mugler.
• The dress is made out of a light in weight metallic gold fabric that drapes beautifully and is perhaps a touch paler gold than how it photoed here.
• The dress is cut with Mugler's masterful eye and attention to detail.
• It drapes up and over the shoulders with wide panels of the gold. On one side the fabric is heavily gathered and hooks in at the waist underneath. On the other side the dress comes out from under that and is not as gathered so that it falls more down and over the top of the shoulder.
• The side with the wider shoulder is set into a panel that runs down the opposite side of the dress.
• This panel is finished with gold studs and this is where the dress closes. The panel runs all the way down the side to where it splits for the hem. There is even a weight added inside the base of the panel to hold the dress perfectly in place.
• The body of the dress is all gathered into that side panel. It wraps around you and then is gathered into the panel at the back. This creates incredible draping down the body and around you.
• The vertical side panel draws the dress up a few inches above the hem and this then creates a bit of an angled curve along the lower hem of the dress that beautifully picks up the angles on the bodice.
• This is a spectacular and very rare example of his work.
• The dress snaps to close where you see the studs at the side and underneath that there is a hidden set zipper. A grosgrain ribbon wraps around the waist and is attached to the part of the bodice that tucks underneath the crossing over at the front to hook to close inside the dress. It is very cleverly put together. 
• I love how the entire dress shimmers in the light because of the gold metallic fabric.
• The dress is partially lined through the bodice and fully lined through the skirt. There are little padding shells set through the inner shoulders but it feels like their inner padding has been removed at some point. It would be easy to add padding back in if you preferred a stronger shoulder.
• There is no size tag present so please go by the listed measurements below.
• Excellent condition

Bust: approx 14-19" flat across from side seam to side seam
Inner hooked stay at waist: 12.5" flat across from side seam to side seam. Without the stay the waist is 13.75" flat across
Hips: to 18" flat across from side seam to side seam
Bodice: 14.5" from top of shoulder to inner waist
Total length: 40" from top of shoulder to end of the side panel, 49" to the longest point of the hem

Modern Sizing Equivalent: XS-MED

Item# DD5118

Reference Photo: Gold lame rouched evening dress, designed by Thierry Mugler, 1986. Shown as part of the Chicago History Muesum's November 2014 'Chicago Styled' exhibition.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This wonderful and very rare dress is from the the Fall 1986 "Hiver Russe" collection.
• It was made under the creative direction of Thierry Mugler.
• 'Mugler saw the fashion show as an opportunity to build new worlds of fantasy, to tell the story of a heroine on an extraordinary adventure each season.' Early pieces of his work are particularly hard to find. I have included several reference photos from the show of pieces that share similar fabric, pleating techniques and that amazing shell feel of the bust.
• We have also included some try on photos from the original owner that show you how it looks on. For reference she is about 5'4" and a size 0-2
• The twin of this dress is currently being exhibited in the "Azzedine Alaia/Thierry Mugler 1980-1990" exhibit at the Azzedine Alaia foundation in Paris 
• The dress is a masterpiece. This is a design that has been referenced countless times since it was first made but there is nothing out there that can compare to the original.
• It is made from a lightweight gold lurex that is draped and shaped to cover a fitted inner corset.
• This inner corset shapes the body while the exterior of the dress seems to simply glide over your curves.
  
• The bodice is amazing. A weightless knife pleated metallic gold lurex is wrapped around the body to meet in the middle. The bottom portion of this extends and curves down and around the hips where it then flares out to exaggerate your curves. Each breast is held in a high set interior cup and the pleats wrap over these, flaring out in the suggestion of having the breasts cupped and held in place by two shells. A small panel of pleated gold fabric strap sits between the cups for added detailing.
• The pleats curve around the back to meet in the middle there mimicking the front and adding to that hourglass feel.
• The skirt is cut to be fitted and curves in at the hem. 
• Gold coloured snaps close the back and under those lie hidden interior lingerie hooks to close the corseted portion of the interior.
• I love how the entire dress shimmers in the light because of the gold metallic fabric.
• It is a rare dress and showcases his extraordinary approach to the female form and his tendency to made living sculptures out of his models. I have seen pieces selling for the $10,000USD mark and higher recently.
• The skirt is fully lined in an ivory silky rayon and the bodice lined in a the same gold lame used on the exterior. The corset is lightly boned and with formed and sculpted interior breast cups. Above the waist the inner corset hooks to close with lingerie hooks and then the exterior fabric snaps to close over that. A zipper is set below that starting at the waist. I see a couple of minor marks on the interior, a small tear on one side where it was tacked to the inner bodice, and the skirt has been shortened as mentioned above. 
• Tagged a vintage Mugler 38.
  
• Overall excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam. 
Hips: 16-17" flat across from side seam to side seam
Bodice: approx 9" from top of bodice to waist
Total length: 27.5" from top of bodice to the hem

Modern Sizing Equivalent: XS-SML 

Item# DD5261

Reference Photos: (1) Try on photo.  /  (2-6) S/S 1985 Thierry Mugler Runway.  /  (7) Cherie, Owner of Shrimpton Couture, by Erin Leydon.  /  (8-9) "Azzedine Alaïa-Thierry Mugler 1980-1990: Two Decades of Artistic Affinities” exhibit at the Fonudation Azzedine Alaïa in Paris.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• The dress is from the Spring 2007 Collection
• It was made under the creative direction of Roberto Cavalli
• This is an absolutely beautiful bias cut silk dress who's cut is a nod to old Hollywood in feel.
• The entire dress is covered with a very pretty and intricate leaf and bird print. This runs over its entire surface and the print has a slightly metallic feel with colours centring around a deep red, rust and a coral.
• The front is gathered in and up to the neck and at the centre of where it is gathered, there is a gold toned metal snake that is placed so that it sits at the top of the gathers. The silk extends out from there to curve up and behind the neck where it ties into place. There is a tiny keyhole under the snake detail at the front and the front drapes down and over your bust, waist and hips from there.
• The halter neckline leaves the back completely open. I love how the fabric that comes around from the front is set so there is a pretty curve at the base of your back. This is highlighted even more by the silk ties that extend out from the neck trailing down the middle of your back.
• Once passed the hips the skirt flares out beautifully. This full shape at the bottom of the dress is created by the addition of added panels set all the way around skirt to help it flare out. This extra silk placement creates amazing movement when you move.
• This is classic Cavalli and an absolutely beautiful piece of work.
• The dress is unlined and closes with a hidden set back zipper. The ties that extend out from the neck can be tied and left to trail down the back. The dress is cut on the bias so I have put the comfortable range when laying flat. The length will come up a touch once on a body. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below. 
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13.5-17" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Total Length: approx 65" from neck to hem 

Modern Sizing Equivalent: XS-MED

Item# DD5263

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from the special edition 2024 Valentino Summer Escape capsule collection.
• It was made under the creative direction of the in-house team while they were waiting for Alessandro Michele to join the label.
• The capsule pieces were "modern interpretations of the Valentino archives" including plays on the famous chevron striping that you see on this piece. 
• It is a simple giant square of fabric made out of a cotton mix. It is feather light and meant to be a piece that you slip on over other things, from a bathing suit, to shorts, to a simple dress.
• Your arms slip through openings across the top and there is a little stitch that brings the inner edges of the front inwards so that it falls beautifully around you.
• The back is kept simple and the lightness of the fabric allows it to billow out behind you as you move. The lightness of the fabric also gives it a touch of transparency that is very pretty.
• It is covered in a multi-colour pastel rainbow of stripes that have the Valentino name worked  throughout the piece from top to bottom, leaving no doubt as to who you were wearing.
• It is unlined and slips on with no closures. It appears to have been worn very little if at all. Its original retail price was US$2980
• There is no size tag present. Its loose and easy open cut should allow to fit any size.
• Excellent condition

62" across from side to side x 59" from top to bottom
The opening for the arms are 18" around your arm slip through and narrow to just under 12" around by the wrist

Modern Sizing Equivalent: OSFA

Item# DD5262

Reference Photos/Video: (1-2) Valentino's 2024 Escape Collection photographed by Andy Harrington.  /  (3-4) Valentino Escape 2024 Ad Campaign.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was worn by Noemie Lenoir in 2006 and I love that this shows you just how phenomenal this is once on the body.
• It was made under the creative direction of Roberto Cavalli
• The dress is made from an ivory silk jersey that has an extensive floral pattern in pink with a little bit of gold fused onto the top of the fabric to create that tremendously beautiful print that runs over the entire dress. This is all draped over an inner white body suit that gives you inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a silk chiffon that has the same print as the rest of the dress. This gives you the very slightest bit of transparency on that side. 
• The flower print that covers the dress is so pretty and romantic. I love it.
• The inner white bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. I see some tiny and very minor snags on the skirt here and there. There is so much fabric you would never see them once this is one but they are mentioned for accuracy.
• Tagged a Cavalli 42
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Seam under the bust: 14" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: 16-19" flat across from side seam to side seam
Bodice: 12" from top of shoulder to the seam under the bust
Total length: 55" from top of shoulder to the shortest part of the hem at one side and the other side extends another 25" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5261

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 1987 season.
• It was made under the creative direction of Yves Saint Laurent.
• It is absolutely sensational and I am very pleased that we found photos of it on the runway so you can see how dramatic and amazing it is on the body. He could really push the envelope with some of his designs and this particular dress is a nod back to some of the work that he was doing in earlier decades but in that best of the 1980s kind of way.
• This is not a dress for somebody who does not want to stand out. I think the person that will wear something like this has a certain way of moving through life and doing her own individual thing.
• It combines a brilliant pink silk that has a secondary pattern running through it that catches the light from every angle. Onto that is a black floral pattern that covers the pink. He has used this through the body of the dress and for the very bottom part of the skirt.
• The rest of the dress is made from a sequin detailed lace with black ribbon that has been applied over that for this wonderful layered effect. The texture that all these things together achieve is fantastic and I love the way it catches the light.
• The neckline is cut wide across and the shoulders are soft. The arms are unlined so you see a peak of skin between the net lace, sequins and ribbon detailing. More of the lace goes across the top of the bodice at the front and back. For this part of the dress he gave it a backing of black silk organza so you have just a touch of transparency.
• The pink is set in just at the top of the bust and it is gathered along that seam for extra detail. Those gathers also allow for the dramatic volume that you see through the body of the dress to the top of the hip. Under that is band of the black and there is elastic running through the top of the hip so that you can adjust it up or down and change the length of the dress. The very bottom part of the skirt is a little soft and flirty band of the pink silk.
• It is a very rare and special piece of YSL history.
• The dress is fully lined in a black silk through the body and the lower lace panel. There is black silk organza behind the upper bodice and then the lowest part of the skirt and the sleeves are unlined. It closes at the back with a zipper and each sleeve zips to close at the wrist. It appears to have been worn very little if at all.
• Tagged a vintage YSL 40.
• Excellent condition.

Sleeves: 27" and they are 12" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: open
Hips: 16-19" flat across from side seam to side seam
Total length: 36" from top of shoulder to hem and can be adjusted to sit shorter

Modern Sizing Equivalent: SML-MED

Item# DD5258

Reference Photos: Fall 1987 Yves Saint Laurent.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress dates to the late 1980s and is mostsimilar to the pieces we see in the 1987 collection.
• It was made under the creative direction of Yves Saint Laurent.
• Yves could really push the envelope with some of his designs and this particular dress is a nod back to some of the work that he was doing in earlier decades but in that best of the 1980s kind of way. Its easy cut and open shape through the body is a strong nod to the pieces from the 1920s.
• The dress combines a brilliant pink silk with black floral patterned lace for the sleeves.
  
• The neckline is cut slightly wide across and the shoulders are soft. The neckline is bordered with a panel of the same silk and the fabric is gathered in along the edge on the front and the back. A buttons with two buttons at the back of the neck and this sits above a small keyhole slit.
• The sleeves are spectacular. They are made out of a very pretty floral black lace. The lace is unlined so you can see a peak of skin between the lace once the dress is on. I love that for the cuffs he used the same pink silk used in the body of the dress for a little contrasting pop.
• It skims loosely over the bust and waist and eventually joins a low set seam around the hip. If you wanted to wear the dress shorter, you could add a belt for a completely different silhouette. The very bottom part of the skirt is a little soft and flirty ruffle that is just under 9" wide and made out of the same pink silk.
  
• The dress is unlined and slips over the head to wear. It closes with two buttons at the back of the neck. Each sleeve has a loop and button to close. Its loose and easy fit should allow it to work on a range of sizes. The pink is slightly lighter than how it photoed here. These are meant to fit slightly oversized.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition.

Sleeves: approx 25.5" and they are full and open around the upper arm
Shoulders: no true defined seam
Bust: to 23" flat across from side seam to side seam
Waist-seam at hip: to 18" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5260

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the actual dress that walked the runway for Look 31 for the Fall 1992 collection as noted in its hand written tag.
• It was made under the creative direction of Paco Rabanne
• I love that we have runway video of this one so you can see how fantastically that it moves once it is on the body and you are moving.
• The piece would have been made entirely by hand in the Paris Atelier.
• There is an inner built in black silk sheath dress that skims over the body from the shoulder to the hem and then you have the multiple added layers of the black silk and silk chiffon placed over that by hand.
• The fabrics used are incredible. Both the silk and silk chiffon have had a metallic gold eyelash weave in a flat velvet applied that gives the dress an incredible bit of a metallic glint from every angle.
• The very top part of the dress that runs across the shoulders is made from a black silk and then the rest of the top layer of the dress is made out of a black silk chiffon. Both fabrics have the gold overlay done over their surfaces. 
• It has very full sleeves that have no lining so that you have a touch of transparency. They are set to poof out above a wide cuff at the wrist. Each cuff is made out of black silk and zips to close with a handset black zipper.
• The panels that cover the dress are extreme and extravagant. These are what give the piece the movement and volume that a caftan would have except it is all done in the most extravagant of ways. Long panels are split length ways and upwards to various degrees and this is what allows the silk to move with the slightest bit of air around you. This simple and ingenious extra detail with these vertical splits are really what add movement. It also breaks the pattern as you move, and then when you stand still the pattern, all settles back into place. It is quite genius. It also what gives the hem its pointed detailing.
• The neck is cut wide across the shoulders and then the entire top layer of the dress floats down and around you from there.
• The metallic gold pattern that covers the entire dress is perfectly mirrored from one side to the other. Each piece of fabric would have had to have been pre-planned and deliberately made to specifically piece together to achieve the final look of the dress.
• It closes with a hidden set back zipper. The upper portion of the bodice is not lined and the backing has an almost canvas feel to it. The inner sheath part of the dress is lined in a black silk. All of the work is done by hand to Couture standards.
• There is no size tag present so please go by the listed measurements below. Note that it looks like the hem of the inner dress was taken up at some point so I have included how much has been turned under in the measurements below. I see some light marks on the inner dress that do not show but mention for accuracy.
• Excellent condition

Sleeves: 30" and are 17" around the upper arm
Shoulders: 15"
Inner bust: 17-18.5" flat across from side seam to side seam
Inner waist: to 13 " flat across from side seam to side seam
Inner hips: 18-19" flat across from side seam to side seam
Total length: 58" from top of shoulder to inner hem with 2.25" turned under. The outer dress extends another 10" past that.

Modern Sizing Equivalent: SML-MED

Item# DD5257

Reference Video: Fall 1992 Paco Rabanne Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the actual piece that walked the runway for Look 51 for the Fall 1993 collection as noted on its hand written tag. It may be the only one that exists. 
  
• It was made under the creative direction of Paco Rabanne
• The piece would have been made entirely by hand in the Paris Atelier.
• It is such an incredible statement piece and it is very light in weight which makes it so easy to wear.
• The fabric is gorgeous. The base black silk netting has been hand painted with a deep rich gold and then heavier coatings of the same gold creates patterns within the design. The outlines of each of the designs that cover the entire coat are highlighted with a hand applied gold cording. This combination is what makes that spectacular pattern that covers over the entire piece. Once you start looking closely, you see that he has used three different types of netting to achieve the final effect. The use of all that gold gives the coat an incredible glint from every angle.
• A single hook sits at the neck and the shoulders are soft and slightly gathered across their tops.
• It has very full sleeves and like the rest of the coat they have no lining so that you see a bit of skin underneath the netting. The sleeves widen out as they near their ends to be a full 38" around. This gives them incredible movement and it is just striking to have those beautiful wide sleeves.
• The rest of the coat is equally as extreme and extravagant. It falls outward as it drapes over you  to the floor and it is extremely wide and extremely full by the hem. You can see how beautifully this allows the pattern to fall in soft folds. It is also extremely long so that it trails and billows around you as you move. 
• The pattern that you see on the netting is perfectly mirrored from one side to the other. Everything would have had to have been pre-planned and deliberately made to specifically piece this together to achieve the final look of the piece.
• This is an incredible piece of true Haute Couture and is the perfect thing to add over any piece to add instant high drama and glamour.
• It has a single hook at the top of the neck. It would be very easy to add hidden set snaps or hooks down the front if you wanted to wear it fully closed and more as a caftan. It is unlined so has a touch of transparency. All of the work is done by hand to Haute Couture standards.
• There is no size tag present being Couture so please go by the listed measurements below. Its easy cut should it allow it to fit a full range of sizes.
• Excellent condition

Sleeves: approx 27" and are 17" around the upper arm
Slightly dropped shoulders: 17"
Bust-hips: open
Total length: 63" from neck to hem. The back hem extends another 3" past that.

Modern Sizing Equivalent: OSFA

Item# DD5255

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a dress from the Spring 2017 collection. It was not a piece shown on the runway but it was shown in the Lookbook for that season and has since become another of her iconic pieces.
• It was made under the creative direction of Pheobe Philo
• As with many of her pieces, this dress and the longer variation of it that were released, were loved by her loyal clients. We have included some photos for reference for you so you can see how this looks on the body.
• The knit has stretch so it is very easy-to-wear dress. This one is the slightly shorter length that has the added patchwork insets of extra colour at the sides. The longer length was a more monotone with the ivory hem. You can see the difference in the reference photos.
• The neck line is cut wider across the top and there is a slight seam that runs underneath the neckline where the striping has been offset for a little added detail. The sleeves are long and are slit at their wrist. There is a gusset set underneath each arm with the stripes set differently there as well.
• From there the dress skims over you to the hem. The stretch and ribbing allow it to expand and contract as needed as it follows the body. She has used seams to cleverly break up the stripes and change the direction of the ribbing. On one side there is an inset of a more densely woven knit that runs all the way to the hem for a block of extra colour.
• The front bottom portion of the hem and around partway to the back is finished with an ivory knit.
• The colours of the net are a pinky-red and an ivory. The way it has been knit creates a beautiful texture and colour over the entire dress.
• The dress is unlined and slips over the head to wear with no closures. It has its original tag attached and was never worn. The easy cut and stretch of the knit should allow it to fit a range of sizes.
• Tagged a Celine large
• Excellent condition

Sleeves: 26.5" from the drop show and are 8-12" around the upper arm
Dropped shoulders: approx 16" 
Bust: 15-20" flat across from side seam to side seam
Waist: 14-20" flat across from side seam to side seam
Hips: 16-26" flat across from side seam to side seam
Total length: 52" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5253

Reference Photo: (1) Spring 2017 Celine Look Book.  /  (2-3) Irina Lakicevic at SS18 Paris Fashion Week, October 2017.  /  (4) Credit unknown.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Due to new customs regulations this dress can only ship to a Canadian address 
• The twin of this dress walked the runway for the Spring 2012 show.
• It was made under the creative direction of Oscar de la Renta 
• On the runway it was styled with a white wrap that sat over the bust and arms and a heavily embellished belt. Once you strip those back and see the dress on its own you realize just how light and pretty the dress is.
  
• Oscar showed the collection in his new showroom on 42nd street. The space had yet to be fully renovated and this gave the atmosphere a raw edginess and the styling reflected that. Vogue called the evening dresses 'entrance making' and the show felt fresh and new from his work of the past few seasons proceeding this one.
  
• The dress is made from a pale nude pink silk base covered in netting. Onto this is an extensive floral applique made out of of silver sequins, silver metallic thread and silver lame insets
  
• The dress is suspended by two little piped silk straps that curve up and over your shoulders. They attached into the peaked fronts of the bodice. Front panels across over each other and then the back has a pretty dip that leaves the upper back bare and exposed.
• It cinches in at the waist and then curves out and over the hips.
• The skirt cascades to the floor from there and is cut slightly longer at the back so that you get a beautiful sweeping feel as you walk away. Onto the skirt is an amazing application of feathers attached onto the top layer of netting. These come up at the front and then widen out to circle all the way around the bottom hem. They curve back upwards at the back. Every feather is stacked and layered over the one underneath. The bottom of the skirt is very full so the combination of the lightness of the silk and netting and the amazing application of feathers create this phenomenal movement when you move.
  
• The dress is fully lined in a pale pink silk and there is light boning at the sides of the bodice. It closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern ODLR 0
• Excellent condition

Bust: 15-17" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 63" from top of the shoulder to front hem, 77" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5252

Reference Photos/Video: Spring 2012 Oscar de la Renta, Look 47. Model Kori Richardson.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 1976 Collection
• It was made under the creative direction of Roy Halston
• Halston made several of these dresses in different colours. Mostly they were produced in a bias cut silk or a hammered bias cut silk. Even the silk versions are hard to find and finding one in a terry cloth is very unusual and rare.
• It is said that before even putting scissors to fabric, Halston already had a mental image of how he wanted to dress to look. He believed that evening pieces should be as easy-to-wear and comfortable as day wear but absolutely elegant at the same time. When these dresses were shown for the first time in 1976 the press dubbed them as being "clean and and yet still with sex appeal".
• This is from the main Halston label and at this point in the brands history most of these pieces were custom-made or made to order.
• The dress is strapless and ties at the front of the bust. This creates a little discreet keyhole under the tie. It also allows you to adjust the fit by how loose or tight you tie it.
• The cut is very forgiving as it skims over the bust, comes in slightly at the waist and then curves back out over the hips. It is not meant to be super fitted and this is a dress that is easy to fit. On a smaller frame it drapes more and the bias cut will allow it to move to accommodate if you need more room.
• From there it continues to skim over the body all the way to the hem widening out slightly as it nears the floor.
• The seaming is all set on an angled curve that wraps around the body. This means the entire dress is made out of one piece of terrycloth which is incredible. Don't underestimate its simplicity. Creating the dress in this way is actually quite complex and a technical challenge. Without seaming at the sides, the shape of the dress completely relies on the way it drapes, making it a much more difficult task and complex problem to have it fall over the body as perfectly as it does.
• The dress is made of a light weight terry cloth in a beautiful chocolate brown. The fabric has been set on the bias with how it was laid out and pieced together so it is very forgiving. The fabric choice makes it wash and wear and easy to travel with and to pack.
• The dress is unlined and slips on to wear with a tie at the front that you can adjust for fit. It is in its original uncut length.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: 16-20" flat across from side seam to side seam with the ability to adjust the size at the front because of the tie
Waist: 15.5-19" flat across from side seam to side seam
Hips: 21-24" flat across from side seam to side seam
Total length: 54.5" from top of bodice to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5250

Reference Photos: (1) ‘The Strapless’ in Women’s Wear Daily, August 1976. / (2) ‘The New York Collections: Easy Winners!’, Jacques Malignon for Vogue, September 1976. / (3) ‘Your Night to Star’, Ladies Home Journal, December 1976. / (4) Elizabeth Taylor in Halston at the 1976 Oscars. / (5) Marisa Berenson in Halston, Vogue 1976. Photo by Richard Avedon. / (6) "Yves Saint Laurent + Halston. Fashioning the 70s" Exhibit at the Museum at FIT, 2015. / (7) Halston's original sketch for the tie-front strapless dress & Lee Radziwell, 1976. From the book "Halston: An American Original."  / (8) Rachel Zoe in Halston at the Zoe Report Dinner, 2014.  /  (9) Cherie, Owner of Shrimpton Couture.  /  (10-12) Spring 1976 Halston Runway.  /  

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very glamorous Versace dress that dates to the early 2000s.
• The dress is made out of a deep bronze coloured silk that is flattering on almost all skin tones. 
• It is a dress that is insanely sexy and bare feeling yet you are still very covered. it has a bit of a nod to the Loris Azzaro rung dresses and you have to wonder if that was its inspiration.
• The silk is just heavy enough to give the dress an amazing drape so that it falls perfectly over the body.
• From the top of the hips to the top of  the bodice the silk has been gathered into soft little horizontal folds. These are all gathered into the beaded bands that curves vertically down the front to form three cut outs. The bands extend out to form the straps that curve around the neck and hook into place.
• The waist is shaped to come in slightly and the silk curves back outward over the top of the hips.
• Below that the skirt falls to the floor in a cascade of copper coloured silk. It.skims over the hips and then the lower skirt flares out all the way around you. This gives a tremendous movement when you move.
• I love that the back is cut longer than the front for a beautiful sweep of fabric behind you.
• The dress is fully lined in a matching silk and closes with a hidden set zipper. The neck hooks into place at the back of the neck.
• Tagged a vintage Versace 38
• Excellent condition

Bust: to 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Total length: 60.5" from neck to front hem, 68" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5249

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from Fall 2008 collection and is a piece that would have been produced for the shops.
• It was made under the creative direction of John Galliano.
• The Collection celebrated the 1960s with Simon & Garfunkel's 'Mrs. Robinson' for the opening music. The models were styled with a nod to the 1960s but in a highly exaggerated way.
• Galliano said of the show "I am always looking for heroines who make me dream"
• The dress is made from a muted silver coloured silk. The silk is a beautiful weight and is just heavy enough to keep the shape that he wanted without it feeling too heavy.
• Straps extend outward from the middle of the front and curve over each side of your neck and then are angled back down to connect in the centre of the back.
• The bust is peaked and shaped. Inside it has a bit of a slightly stiffened lining to help hold the shape and mold it over the breasts. The fabric is softly pleated to angle in towards the centre where part of the silk extends out and is twisted to form a pretty 3D flower.
• From under the seam of the bust it falls over the body with a more generous feel. The silk is gathered in and pleated on one side and it does the same on that same side around the back. It has a more generous cut over the waist and hips. The bottom skirt widens out as it near the hem.
• The fabric at the hip on the opposite side of the pleating has been gathered and twisted to form too large flowers. These are a pretty extra detail and tie in the flower at the bust. They also are a clever way for him to have controlled the draping and the way the dress sits over and around you.
• The bit of flare on the lower skirt creates a pretty bit of movement around you when you move.
• The dress is fully lined in the same silver silk and closes with a hidden set side zipper. I see a couple of small faint marks underneath the bust area near the pleats. Please see the photo after the label shot. It does not detract from its wearability but is mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, IT44, US8 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5246

Reference Photos: Heather Graham at a Dior Party during the Marrakech Film Festival, 2008.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from the Halston IV line and is a made from a silver lurex lame that has the slightest bronze undertone. This is one of the hardest colours to find. 
• The simple classic design makes it an easy way to be instantly dressed up and still entirely comfortable. 
• Rachel Zoe owns and wears the twin of this in the gold version and she has worn and posted herself wearing hers a few times on her Instagram account.
  
• Whenever I get these metallic ones I feel that they are just that little bit extra special. It is a dress that is so easy to wear. It can go from the beach, to entertaining at home with flats, to full on evening glamour.
• The caftan is cut deceptively simple with a slit front neck and a second slit that goes up from the hem along the centre seam at the front.
• The cut is loose and meant to skim over the body. The sleeves come out directly from the body of the caftan and then narrow down towards the wrist. The skirt flows to the floor and widens out as it reaches the hem. The waist is open and easy.
• If you wanted more definition you could easily add a belt to add shape.
• This is a wonderful piece with all the minimalist lines that we all love about Halston.
• The caftan is unlined and slips on to wear. The fabric has a slight transparency to it. I see some very tiny pulls in the fabric here and there and this is very common with this particular fabric. The loose and easy cut should allow it to fit a range of sizes. 
  
• There is no size tag present, so please go by the measurements listed below
• Excellent condition

Sleeves: approx. 20"
Shoulders: no defined seam
Bust: to 20" flat across from side seam to side seam and it widens to approx 24" flat across around the hips
Length: 56" from shoulder to hem with 1.5" turned under the hem
Slit: 14" from hem up

Modern Sizing Equivalent: SML-LRG

Item# DD5247

Reference Photos: Rachel Zoe wearing Halston (from her Instagram)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This gorgeous dress is one that was made for the shops and I believe is from the early 2010s.
• It was made under the creative direction of both Maria Grazia Chiuri and Pierpaolo Piccioli. 
• Even with only the dress form shot it is so gorgeous. It is not hard to imagine just how beautifully this one will be on the body and how it moves. 
  
• The base of the dress is made from stocking layers of silk chiffon and silk done in a deep pewter-silver colour. It is then heavily embellished from top to toe. The embellishments give it some weight but the silk layers underneath keep it from being too heavy once on the body. 
• The dress is suspended by two straps that curve up and over the shoulders. The front neckline is scooped. At the back we see another scoop and there it is softened by a draping layer of embellished silk chiffon that falls softly over the scoop. 
• Vertical lines of clear beads with silver applied to their centres are applied over the bodice. The beading is done in different sizes and mixed in with tiny silver sequins. These stop at the seam under the bust. At the back the bead work is applied more on an angle all the way up to the edge of the silk chiffon draped panel there.
• A heavy band of glass crystal rhinestones sit just under the seam where the bust ends. These top a 3.5" expense of a double layer of netting that is embellished with a diamond pattern done and silver metal thread. Little clear beads top where each intersection happens within the pattern. This panel is transparent so you get a glimpse of skin underneath. Where the panel ends there is a second wide band of the glass crystal rhinestones. All of the rhinestones are prom set, and this would all had to have been applied by hand.
  
• The skirt falls from under there, curving over the hips and widening out to a pretty fullness by the time it reaches the hem. The skirt has three full layers of silk in its construction, and I love that the back is cut longer than the front. This gives you a beautiful slight sweeping feel, and picks up on that pretty drape at the back. It is fantastic.
• The dress is fully lined in a marching silk behind the bodice. The panel at the waist is transparent. The skirt is made of three layers of silk and silk chiffon. The dress closes with a hidden set side zipper. There is perhaps the tiniest bit of grubbiness along the very edge of the arms. It is extremely minor but mentioned for accuracy.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 17.5" flat across from side seam to side seam
Bodice: 11" to the seam under the bust and 15" from the top of the shoulder to the bottom seam of the waist.
Total length: 58" from top of shoulder to front hem and the back extends another 6.5" past that

Modern Sizing Equivalent: XS-SML

Item# DD5248

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an amazing 1950s wedding dress by Fred Perlberg.
• Perlberg started his label in 1920 at the age of 19 and continued as the designer until 1968 when he retired.
• The Perlberg company dresses were well made and done in small production runs so that they could focus on good quality pieces. 
• The dress is made out of an ivory rayon that drapes and falls beautifully over the body. The fabric has enough weight so that it holds the intended shape you see.
• The bodice is strapless with a pretty pleating detail that runs over the entire bodice. Light boning has been hidden inside to hold the dress in place around you.
• The waist is nipped in for shape and then the skirt curves out over the hips. The fabric of the skirt is gathered up and into the top side of each hip and this is what creates the pretty curving draping down the sides and across the front of the skirt. As it near the floor it narrows back inward slightly which also adds to the draping effect.
• At the back there are extra panels of fabrics built in to give it more fullness and volume. It is elaborately gathered and draped at the back. There is enough fullness created in the back skirts that you could even add a back half crinoline underneath if you wanted this to be even more full through the back for that classic 1950s feel.
• The dress is fully lined in a silky rayon through the top and the skirt is lined with a stiffened cotton muslin netting. It closes with a back zipper and the interior bodice is lightly boned for shape. I see a couple of tiny spots here and there. I have photoed some of them for you to see. There is some grubbiness along the edge of the hem.
• No size tag is present so please go by the measurements listed below
• Great condition.

Bust: to 17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Bodice: 11" from top of bodice to waist
Total length: 52" from top of bodice to front hem, 56" to the back

Modern Sizing Equivalent: SML-MED

Item# DD5243

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2010 wedding dress collection.
• It was made under the creative direction of Oscar de la Renta.
• The twin of the dress was used for the ad campaign that season.
• The gown is made out of a pale ivory that combines silk organza and silk chiffon with a silk netting. The colour is very soft and flattering. The fabric itself is very light in weight and it is only the tremendous amount of fabric in the dress that adds any weight. The lightness of all of those layers allow it to move beautifully around you once on. 
  
• The bodice is strapless with a slight curve over the bust. A pretty double layer ruffle made of silk chiffon starts at the very top and then layers of ruffles continue all the way down the entire dress. Inside the bodice there is a full built-in cupped, wired and lightly boned stretch corset to hold everything in place.
• The layers run horizontally over the bust and waist in beautiful bands of silk chiffon that all overlap each other. The edges of each band are left raw so that it adds a touch of texture. It continues down and around the waist. By the top of the hip panels of silk organza that are caught wider start to be interest first in to the bands.
• The ruffles of the skirt start all the way up at the top of the hip and they continue down horizontally all the way to the hem. As you get lower down the skirt, the bands become wider and they start to mix a silk chiffon with a silk organza. This widening of the ruffles coincides with the widening of the lower skirt.
• I love how the volume increases as you go down the dress to give the lower skirts their massive volume and pretty romantic sweep.
• For the very lowest ruffles there is a white netting done in ruffles underneath circling the very bottom hem. Inside there are wide, weighted hymns with stiffening and this is all a clever way to help. Hold the shape around you when you stand and move.
• The back and sides extend out longer than the front so that the entire dress sweeps around and behind you beautifully.
• As beautiful as it looks in the photos this is a dress that is even better in person once moving and on an actual body.
• I love that they have made the little straps that you hang the dress on a hanger with out of a wite ribbon with the ODLR in a beautiful soft pale blue that instantly gives you a "something blue" already built into the dress.
• There is a full built-in corset that zips with its own zipper and has a inner waist stay that hooks to close. The dress is lined in a silk under that and there is an inner skirt supporting the volume of the skirt. The inner layer of the skirt is finished with stiffening around its hem to help hold the shape and volume. It closes with a back hidden set zipper. I see a bit of grubbiness along the very edge of the inner hem here and there. I think that is just from hitting the floor as it was hung in the past. It is very minor but mentioned for accuracy.The colour is slightly more ivory in person.
• Tagged and ODLR 8
• Excellent condition

Bust: to 16" flat across from side seam to side seam
Inner waist: 12-13" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 10" from top of bodice to inner waist
Total length: 54" from top of bodice to front hem in the back extends another 15" beyond that

Modern Sizing Equivalent: XS-SML

Item# DD5244

Reference Photos: Spring 2010 Oscar de la Renta Bridal. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2008 collection.
• It was made under the creative direction of John Galliano.
• 2008 was John's 10th year at Dior and it was also the Dior label's 60th anniversary. To celebrated John created pieces for Spring 2008 based on some of his signature looks from the past decade.
• Finding a Dior dress in this colour and in the perfect condition that this dress is in is rare and I am very happy to have such an exquisite example of his work in the shop.
• The dress is made out of a ivory white silk chiffon that has hand embroidery added.
• When you stand still you get a beautiful long silhouette but the second you move the chiffon in the skirt and the back panels are picked up by the air and the dress becomes even more extraordinary.
• The skirt of the dress is made from bias cut ivory silk chiffon that sits over an inner silk lining. It is set around the waist and heavily gathered at one side to create the extra panel and volume on the one side. A small slit runs up from the hem on that side so you get a little bit of leg when you walk. The other side curves down to fall slightly longer and create a beautiful curved shape at the hem.
• The bodice is strapless and the neckline slightly curved at the front. Inside there is a built in boned and cupped corset that extends down to the waist. The chiffon over the bodice has been draped and gathered over to the side to tie in with the skirt. At the back, on that same side, there are two very long panels of silk chiffon. You can allow them to just drape down and behind you to catch the air and move as you walk or you can take one and drop it over the shoulder to get a more caped feel. I have photoed it both ways for you to see. 
• His signature row of silk covered buttons runs down the other side and then the last perfect detail is the extraordinary flowers that are embroidered over the dress.
• The flowers are what take the dress to its magical level of beauty. Soft pastel flowers are heavily embroidered onto the dress by hand so that they have a slight 3D effect. Little gold threads are mixed in between then along with tiny sequins and beads to catch the light. They are reminiscent of the flowers that Mr. Dior often used in his early work.
• It is a magical nod to the archives that perfectly combines past and present.
• Fully lined in an ivory silk. It has a full built in boned and cupped corset. The corset closes with a series of lingerie hooks and the dress buttons to close over that at the side.
• Tagged a Dior FR36, GB8, IT40, US4
• Excellent condition

Inner bust: to 16.5" flat across from side seam to side seam
Inner waist: to 12-14.5" flat across from side seam to side seam
Inner hips: to 19.5" flat across from side seam to side seam
Bodice: 9" from top of bodice to waist
Total length: 56" from top of bodice to the longest point of the hem and the panels extend to 59" from the top of the back bodice.

Modern Sizing Equivalent: XS-SML

Item# DD5245

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the runway for the Fall 2005 show for Look 82 and was worn by Erin Wasson. 
• It was made under the creative direction of the original Mr. Valentino.
• Vogue said of the collection that "Valentino's couture touch brought exquisite workmanship to filmy lace blouses and brocade jackets as well as evening gowns that captured the seasons passion for Victorian and Edwardian effects." They went on to mention the feel of this gown specifically saying "courtly evening gowns had trains, composed of tiers of ruffles."
• On the runway they showed the dress with the ruffles backed in a silk taffeta in what looks to be a more coral red. When the dress was produced for shops this version has a pink behind the bows and it is lined in pink for just a hint of colour. The silk ruffles cascading down dress have no lining in a different colour. I think the dress is more striking this way. It is not so busy as how it looks and was presented on the runway.
• The dress is absolutely spectacular and showcases what made these original Valentino pieces so special under Mr. Valentino's direction.
• The dress is strapless and curves across you at the front and is fitted around the bust. Inside there is a built-in corset that is lightly boned to keep the dress perfectly in place.
• From there it is shaped so that comes in at the waist without any seams to break the eye. It curves back out to glide over the hips.
• The skirt widens out to be very full by the time it reaches the hem. The back of the skirt is cut longer than the front so that you get a beautiful sweeping feel behind you.
• Beginning just under the bust is the first ruffle. It is 7.5" wide and is set to curve down and around you before dipping lower at the back for a very pretty line. And its long longest point in the back it extends to 12". A bow in a matching silk sits at the top centre of the front and this is backed in a pink silk for a tiny touch of colour.
• The second ruffle begins just under the waist and this one follows that same beautiful curve around you. It dips lower and longer at the back to a full 21" at its longest point. This ruffle is also topped by a pretty black and pink silk bow at the front.
• Each of the tiers is gathered in lightly along where they are set into the dress so that they have lots of volume and movement. Under the last ruffle the entire lower skirt at the back widens out substantially and trails behind you in a swooping train. Under the skirt is a pink silk organza lining that is finished with a pink edging made of the same pink silk that the bows are backed with. When you move and your legs kick the dress outward you get a little hint of the pink and it all perfectly ties in with the pink of the bows.
• This is a truly spectacular dress and one that you will not see come around very often if ever again. 
• The dress has a built-in black silk corset that is lightly boned and zips with its own zipper. The dress closes with a hidden set zipper over that. Where the ruffle goes over the zipper, there is a series of hidden snaps to fully close the ruffle over the zipper so that it is all hidden. The skirt is lined in pink organza as described a book. The dress appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: to 16" flat across from side seam to side seam
Inner waist: 12" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Total length: 56.5" from top of the bodice to the front hem and the back extends another 9" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5240

Reference Photos: Fall 2005 Valentino, Look 82. Model Erin Wasson.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2016 runway for Look 34.
• It was made under the creative direction of Sarah Burton.
• Vogue declared that it was the prettiest and most personal collection since she took over as the Creative Director at McQueen. Sarah declared that she wanted the collection to be "believable, touchable, soft.". Vogue's review noted that "The beautiful dresses speak for themselves. Everything about them in times when every camera phone has a zoom lens and can be examined in all their extraordinary detail, down to the finest stitches and the Couture level embroidery. 
• This was one of the series of lace pieces in the show and I love the contrasting black-and-white lace used for the dress and how it is all set on a nude netting.
• On the runway the front buttons were left open above and below a single closed button at the centre. A jewelled body harness was worn underneath and over the dress for added detail and it was styled over pants, showing how you are able to style this in many ways. 
• The dress is set high around the neck with cut outs between the straps that wrap around the neck and the ones curving over each shoulder. The front lace inset is a deep white ivory and it closes with black silk covered buttons that are all functional. Black lace panels wrap around you to the back.
• At the back you see the same combination of the white lace running down the centre of the dress and the black around the sides. Here there are deep open cut outs on either side of the white lace. There is another row of buttons there as well and these are also functional.
• Leaving buttons opened or fully close changes the look of the dress substantially.
• More buttons sit around the waist cut outs and you could in theory button them high and change how the dress sits. Leaving them open leaves the sides of your waist open and exposed.
• The skirt is absolutely magnificent. It is made out of layers of black lace set in overlapping ruffles. At the front there are two layers of ruffles and then the dress is quite open under that down the full front. We included a photo of an all white version of the dress from the runway so you can clearly see what length the front will fall once on the body.
• The skirt fall down from there on either side of you and curves around to the back. There are six layers of the ruffles and they are all set on a black lace backdrop. This gives the entire skirt a touch of transparency while at the same time the stacked ruffles play on that transparency. It is fantastically full by the bottom hem and you can see from the runway video how beautifully this moves. 
• This is an extraordinarily rare dress from the Sarah Burton era and it is absolutely exquisite in every way 
• The body of the dress is backed in a nude netting and the skirt is unlined. It buttons at both the front and back. It appears to have been worn very little if at all. If you wanted a more bare look you could wear boy shorts or a barer or more covered option underneath.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: 15-17" flat across from side seam to side seam with the buttons fully buttoned.
Waist: 14" flat across from side seam to side seam above the cut outs, 13-14.5" flat across from side seam to side seam under the cut outs.
Hips: to 18" flat across from side seam to side seam of the inner piece above where the tiers start. The skirt is full and open under that.
Bodice: 11" from top of the shoulder to the highest point at the side where the cut out begins, approx 16" to the the same under the cut out and 24" to the sea of the inner piece the hips were measured at.
Total length: 27" from top of the shoulder to the shortest point of the front hem, 62.5" to the longest point of the back hem.

Modern Sizing Equivalent: XS-SML

Item# DD5241

Reference Photos/Video: Spring 2016 Alexander McQueen, Look 34. Model Wangy Xinyu. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Act 1 Fall 2010 Chanel collection. The Act 1 is the collection done for shops between the Pre-Fall collection and the runway shows. These are often specialized items that are made on an extremely limited basis.
• It was made under the creative direction of Karl Lagerfeld.
• The dress is made out of a slightly more open feeling woven cotton mix knit. The base net is a deep navy and then that has a silver metal thread running through it. This gives the entire dress a subtle shimmer.
• These amazing textiles are a testament to the commitment that Karl had to continually developing and pushing the envelope when it came to fabrics. This is a fabric that was specifically developed for Chanel.
• The weave of it gives it a touch of transparency and the dress comes with a little silk chiffon half slip to be worn underneath and make it wearable. I love that the slip is separate because it gives you the option to wear something more bare under it and play on its touch of transparency.
• The openings for the arms are extended low so they are longer than a normal arm hole. Curving around each is a wide hand braided band made out of blue and white silk cord. There is also a white silk cord that has been hand covered in silk chiffon so that it breaches the colour of the darker blue and white. Chanel's iconic glass pearls are then looped through the cording on each side of the braiding. These have a slight movement to them and it's incredible. A wider band of the same textile is that all the way around the sea that sits at the top of the hip.
• Given the cost of jewellery with those famous glass Chanel pearls I cannot even imagine the cost to produce this now.
• The bodice skims over you from its wide, scooped neck line to that seam at the top of the hip creating one long line through the body.
• At the back there is a long slit that runs from the button at the neck to the seam at the top of the hip. There is a hook hidden about midway down that you can choose to wear it more closed or you can leave that slit open all the way.
• The skirt falls to the floor from there and it is gathered softly into the band that circles the top of the hip. It widen out slightly as it near the floor and there are high slits that run along the outer edge on both sides so that you get a flash of leg when you walk.
• This is a spectacular Chanel and my photos are not coming close to doing it justice.
• The inner matching slip acts as the lining and slips on with no closures. The outer dress slips on and hooks at the back of the neck. There is a hook halfway down the opening of the back and then it has hidden set hooks on the band that circles around the top of the hips.
• It is brand new with its original hangtags and its Chanel packet and was never worn. These fantasy level dresses are currently $15-30K+ at Chanel.
• Tagged a vintage Chanel size 38.
• Excellent condition

Outer dress
Bust: 16-18" flat across from side seam to side seam
Natural waist: to 15.5" flat across from side seam to side seam
Band at the top of the hips: to 17" flat across from side seam to side seam
Bodice: 21" from top of shoulder to the band at the top of the hip
Total length: 63" from top of shoulder to hem but may come up once on, depending on where the band sits on the top of your hips
Slits: 24" from the hem up

Inner slip
Bust: 16-17" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: 20-21" flat across from side seam to side seam
Total length: 36.5" from top if the shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5238

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 42 for the Fall 2010 collection.
• It was made under the creative direction of Peter Dundas. 
• Both Constance Jablonski and Rachel Zoe have worn the twin of the dress and I love that all of this documentation lets you see how amazing it is once on the body.
• The dress is made out of a deep royal blue silk chiffon that gives the dress incredible movement around you as you move and walk.
• The front is a halter style and is gathered in all around the neck line. It hooks at the top of a slit that runs from the neck to the waist.
• Where it hooks there are suede tassel ties dyed to a matching blue and detailed with bronze metal beads that create a gorgeous bohemian feeling detail.
• The sides dip deep to the waist and at the back it has an almost racer back cut so when you move you get flashes of bare skin.
• The waist is elastic so it is very easy to fit. On the runway it was shown with a very wide corset belt but it looks equally good without a belt or with a skinnier one.
• The skirt falls to the floor and widens out as it goes. It is made of two layers of the blue chiffon and has a high front slit for a flash of leg as you walk.
• The cape effect that the dress has is phenomenal. The panels that create the cape are attached and made from a single layer of the same silk chiffon. It falls to the floor and extends past the hem. It is fantastic. When you move and walk it billows and floats out around you. I love that you can wear it either over or behind the shoulders for two very different looks.
  
• The main body of the dress is made from two layers of the chiffon. It slips over the head to wear with an elastic waist and then hooks at the top of the front neck as described above. It is in its original length and appears to have never been worn.
• Tagged a modern Pucci IT44, FR40, UK12, US10.
• Excellent condition

Bust: each front triangle covers 6-7" flat across from side to side with no true side seams
Elastic waist: 12-17" flat across from side seam to side seam
Hips: open
Bodice: approx 17" from neck to waist and will blouse over a bot once on
Total length: 65" from neck to front hem and the back hem and cape extends up to another 14" beyond that.
Slit: 36" from the front hem up

Modern Sizing Equivalent: XS-MED

Item# DD5237

Reference Photos:/Video (1-3) Fall 2010 Emilio Pucci Runway, Look 42. Model Jac.  /  (4) Constance Jablonski and Peter Dundas at the amFAR’S Cinema Against Aids Gala, May 2010.  /  (5-6) Rachel Zoe, in Pucci, on Gossip Girl Season 4 Episode 7.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• We believe the dress to be from the Spring of 1983 based on the reference photo that we found with a similar design especially given the cut of the lower skirt of that dress.
• It was made under the creative direction of Thierry Mugler 
• The fabric of the dress is a black raw silk which helps to hold the design and intended shape.
• The construction of the dress is quite brilliant. Long vertical panels of the fabric have been pieced together side-by-side from the top of the strapless bodice to the hem of the skirt. The long lines created by piecing the panels together like this become a part of the design and the entire dress has been shaped by the manipulation of the sizing and placement of the strips.
• The bodice is strapless and the tops of the ribbons are set at different heights all around the neck line. Where they rise above the top edge they are not sewn together so you get a very distinctive ribbon feel. I love the added detail this creates.
• It is meant to fit the bodice and then curves in at the waist. Inside there is for built-in corset that is lightly boned and holds the dress in place around you.
• From there it curves out and over the hips, comes in slightly just below the knee, and then flares outward again for the lower skirts.
• Just under the knee the panels open up and are no longer stitched together. This is what gives it the added volume there and creates a 'car wash' feel around you. Behind the panels are three layers of stacked black silk chiffon When you walk you get that bit of transparency between the the panels and it feel very interesting and unexpected. You get a sense of what that will be like in the runway reference photo.
• The dress is not 100% perfect but is wearable as is. Please make sure to read the condition notes below in full before purchasing.
• The inner nude silk corset acts as the lining behind the bodice. It is lightly boned and closes with its own side zipper. And attached waist hooks to close. Under that into the top of where the panels open on the skirt, it is lined in a black silk. Three layers of silk chiffon are attached behind the lower portion of the skirt as described above. The dress closes with a hidden set zipper placed over the inner corset zipper. I see fading on the fabric most notably around the the bodice and around the waist. Please see the photos after the label shot. It may be possible to dye the dress to a true black once again. It is wearable as is but the fading is present.  All of the fabric is sound.
• Tagged a vintage Mugler 42
• Excellent overall condition 

Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 10.5" from top of inner edge of the bodice to inner waist
Total length: 53" from top of inner edge of the bodice to hem and the ribbons extend beyond the top edge of the bodice from 1.5-2.5".

Modern Sizing Equivalent: SML-MED

Item# DD5232

Reference Photos: Spring 1983 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• George Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns 'seemed to float on air'.
• He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas.
• The majority of his gowns are almost entirely made by hand and to couture standards.
• The dress is made out of a layer of a bias cut black silk that sits over two more layers of black silk chiffon. The inner layers are also bias cut and the three layers float over each other perfectly to drape over the body.
  
• The neckline is scooped across the front and the shoulders are soft.
• From there the dress falls in this extravagant swoosh of bias cut silk. It is cut very long and it falls over you with the seaming shaping the dress and giving it the shape that you see.
• It skims loosely over the bust and comes in at the waist. A seam starts just under the arm and curves down in an elongated point at the front. This is what gives the waste shape. I love how the silk has been lightly gathered in along that seam for a tiny touch of detail. The same same repeats at the back.
• From there it widen out to curve over the hips. The skirt falls to the floor under that with several yards of silk making up the skirt. The skirt is quite full by the time it reaches the hem and is close to a full circle around.
• The bias cut lets it swirl and drape around the body underneath and at the same time it feels insanely comfortable to wear.
• The sleeves are incredible. Each is cut so that they get wider as they reach the ends and then they have been gathered so that they balloon up and over a wide cuff. This gives them stunning movement as well as adding a striking element to the dress. 
• It is immensely flattering once on and should work an a wide variety of shapes. If you wanted more shape you could cinch the waist in with a belt and it would transform the dress into a different feel altogether. This is a dress you will want to wear over and over for every occasion from day to evening.
• The dress is lined with two layers of silk chiffon through the skirt as described above. The bodice has a black silk lining and the sleeves are unlined. It closes with a back set zipper. Each cuff closes with two hidden set, silk covered snaps. The bias cut does have some give so should fit a variety of sizes. Hand finishes throughout and should be considered to be demi-Couture.
• There is no size tag presence so please go by the listed measurements below
• Excellent condition

Sleeves: 29" and will come up of touch once on. They are 14" around the upper arm
Shoulders: 14.5"
Bust: 17-18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total length: 58" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5231

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.