Geoffrey Beene was one of the great American fashion designers and he was recognized for both his artistic and technical skills. He launched his label in 1963 and a piece from his very first collection landed on the cover of Vogue. A Coty award followed a year later. In 1984 the Council of Fashion Designers created the annual Geoffrey Beene Lifetime Achievement award in honour of Beene's fashion legacy. This is an absolutely fantastic dress and one of my favourites that I've ever had come into the shop.

This dress is absolutely gorgeous and as good as it looks in the photos, it is even better in person. The deep deep blue silk jersey fabric glides effortlessly over the body and falls like a dream. The jersey is light and fine and this allows it to move beautifully as you walk and move. The dress is suspended from a single wide strap that curves over one shoulder. At the front the jersey extends out from the bodice to meet that strap at the top of the shoulder. It angles down low across to the other side and then curves around to the back. The back is set on a softer angle to leave the one side of your upper back bare. I love that in both sides where the strap curves over the shoulder there is a cut out that leaves an extra little keyhole of skin bare and exposed. Starting just under the bust on the more bare side of the bodice is a small padded seam that curves down towards the other side. Another seam sits under that that curves on an opposite angle and part of that seam is also padded. This gives a slight definition around the waist and plays on the bias cut of the dress. From under that the skirt opens out and falls to the floor in a beautiful column widening out as it nears the floor.There is more fabric in the skirt than you at first expect, and as you walk, this moves fantastically around you. The effect this has once on and when you move is fantastic. It is fabulous on the body. Excellent condition.

Unlined and closes with a hidden set side zipper. The bias cut of it does have some stretch and should allow it to fit a range of sizes. 

Bust: 15-19" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Length: 62" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD4474

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Mary McFadden patented her Fortuny inspired pleating technique just a couple of years after launching her label in 1973. By the eighties she had many licensing agreements and her dresses were being made on a larger scale. She called her pleated fabric 'marii' after her own name. She went around the world to source the fabric she wanted and her pieces ended up being made out of a synthetic charmeuse that she sourced from Australia. The fabric was then sent to Japan to be hand-dyed and the pleating technique was done by a machine press in the United States. Mary was known to say frequently that there was no greater beauty than pleated cloth on the human body and she said then when she developed her 'marii'fabric her aim was to have it 'fall like liquid gold on the body, like Chinese silk.' This is from her higher end couture line that had a more limited production and sold at higher end shops. It is an amazing example of her work. 

This dress is made from McFadden's fabric in her signature pleating technique. Like many of her best pieces the pleating gives it the comfort of a bias cut and it is very sexy while still feeling refined. The colour combination of this one is brilliant. A deep blue makes up the majority of the dress and that is the colour of one sleeve and then it angles across the body with the entire lower portion of the dress being that colour. An angled stripe of a dusty sapphire blue cuts down the center and then runs up the back. The remainder of the dress is that amazing dusky pale pink. The lightness of the fabric lets the dress fall over you beautifully and skims over your body. The neckline is scooped and the sleeves are set to just above the elbow. The pleating on them allows them to adjust to fit your arm. The dress skims over you from the shoulder to the hem and it has its matching belt that you can use to cinch the dress in at the waist or you can wear it very loose and open. The belt itself is gorgeous. It's extra extra long so you can wrap it around the waist or you can even tie it in different ways around the bodice or hips. It is made by braiding strips of the different colours used in the dress and each end has long fringes of all those colors. The bottom of the dress ends in a ruffle of the same pleated fabric for an extra little kick when you walk. The dress is very long and these longer pieces were not always seen in her later work. She came to prefer to design pieces that ended well above the ankle so you could see the shoe underneath so the longer pieces are a bit rarer and harder to find. No matter how good it is in the photos it is better in person and it is wonderful once on the body. It is beautiful example of her work. Excellent condition

Unlined and slips over the head to wear. Hand finishes. The easy cut and give of the fabric should allow it to fit a range of sizes. It looks to have been worn very little if at all. A tiny strip of padding at the edge of each shoulder.

Sleeves: 13" and the upper arm will expand to 22" around if needed and fit any size smaller then that
Shoulders: 15"
Bust: 19-28" flat across from side seam to side seam
Waist: 16-30" flat across from side seam to side seam
Hips: 18-29" flat across from side seam to side seam
Length: 61" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD4475

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This fabulous dress is the twin of the dress from the Resort 1986 Yves Saint Laurent Rive Gauche collection. I was so pleased that we were able to find multiple shots of it on because it really shows you just how much it comes to life when worn. An interesting thing to note about this dress is that it is a version of the 1973 plunge dress that I have shared on my Instagram in the past and he repeated this look very closely in black with slight adjustments at the waist detail for the Spring collection. I always find it interesting to see how Yves revisited ideas throughout his career. I love having such a well documented piece in the shop and it doesn't hurt that it is drop dead gorgeous.

This is a dress that is insanely sexy and bare feeling and yet that gorgeous blue colour and minimal lines keep it feeling fresh. The dress is made out of a silk jersey that has amazing drape and feels easy-to-wear once on the body. The bodice has a halter style front that plunges to the waist but crosses over itself a bit at the very base so doesn't feel so bare. The sides are also left open and bare to the waist and there are teeny tiny little snaps there is you prefer to have them closed a touch. Despite its bareness at the font and sides it is cleverly cut so that when you have it on it stays perfectly in place. The waist has an extra wide 9" band of the same fabric that has been gathered in soft pleats of jersey that are stacked on top of each other. This banded detailing sits just under the base of the plunge. Under that the skirt flows to the floor in a sweep of silk jersey. There is a more fabric in the skirt then you think at first glance and this gives the skirt beautiful movement when you move. It is stunning and a dress you can wear in many different ways, on its own, with things layered over it, or under. Excellent condition

The dress lined behind the waist area and then the bust and skirt are unlined. It closes with a side zipper. The backing in the waist area gives it a little added structure. Tagged 42. It appears to have been worn very little if at all.

Bust: each front panel covers from 9" across to 15" with no true side seams
Top seam of waist panel: 16" across from side seam to side seam
Natural waist: 15" flat across from side seam to side seam at the middle seam of the waist
Bottom seam of waist panel: 16-18.5" flat across from side seam to side seam and open under that
Bodice: 14.5" from top of bodice to top seam of band
Banding: 9"
Skirt: 36.5" from the bottom seam of band to hem
Total Length: 60" 

 Modern Sizing Equivalent: MED-LRG

Item# DD4476

Reference photos: Yves Saint Laurent Rive Gauche 1986 Resort Collection Advance.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love all of the pieces by Bill Tice that I bring into the shop. Most, including this one, were made in the 1980-1981 time period. His easy-to-wear and glamorous pieces have been worn by countless celebrities for the red carpet and events. Every girl that has bought one of his pieces through me has absolutely loved it. I recently put a long open jacket that would match this dress in the shop that you can see here.

The dress is made out of a pretty peach jersey fabric that is meant to mimic the feel of silk jersey. This is one of those things that is a fail-safe piece that you know is going to work every time you put it on. This fabric has the added bonus of traveling very well. It is the kind of piece you can throw into your suitcase and slip on over just about anything upon arrival with either flats or heels and you are instantly ready to walk out the door. It is cut to feel long and slim with pleats running down its full length. The dress is cut to be  loose and easy over the body. It is suspended from the shoulders by two straps made of the same jersey fabric. The neckline scoops across ad plunges in the center with a tiny open keyhole that is very sexy. The cups of the bodice are detailed with his signature gold banding for a little bit of glitz. The back is a panel of elastic for even more added comfort. From there it falls to the floor in a loose and open cut around the waist and hips as the jersey drapes down and around your body. It widens out as it nears the hem. It is pure ease mixed with sexiness. Excellent condition

Unlined through the body and slips on to wear. The easy cut and open front should allow it to fit a range of sizes

Bust: 16-18" flat across from side seam to side seam
Waist-hips: open
Length: 57" from top of the shoulders to hem

Modern Sizing Equivalent: XS-MED

Item# DD4471

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The spring 2008 collection was called 'La Dame Bleue' and was a tribute to his mentor and friend Isabella Blow who had committed suicide on May of 2007 after a long bout of illness. His statement of the show was this; 'Isabella flew. The collection is exuberant and excessive. It's about her way of thinking and that way of thinking brought light into fashion. Even when she was down she was up with what she wore. I had the best times with Isabella. I remember going to Mauritius with her and I'd come back from scuba diving and it would be 100 degrees and she'd be standing on the beach head to toxin McQueen with a Philip Treacy Hat on. Or we'd be sitting around the pool and she'd still be head to toe in McQueen with a Philip Treacy hat on. I've though a lot about why she would wear things like that and she wore them because it made her feel like a diva. She was a diva in what she wore. She pulled it off. I never blinked at what she wore. It just seemed normal. So this was a collection about Isabella ad about wearing clothes that transform you." The entire show was a beautiful testament to someone he loved dearly. This dress is a version that combines the look of the one shoulder dresses in the same colour combination and the strapless butterfly dresses that were shown on the runway that season. It would have been one that was produced for the shops as an alternative to the runway piece.  This was the fifth last collection of his career and these last collections are considered to be some of his most brilliant. 

The dress is made from a black bias cut silk that drapes beautifully over the body. t is strapless with a built-in inner cupped bodice that gives you support and holds the dress in place. The cups are shaped for support and to hold the dress properly in place. The top of the bodice has a slight curve to add some softness and then the silk drapes over that. The dress glides over the inner structure and falls in column to the floor. The silk is gathered in towards the center of the front so it is full through the body. At the back it is cut to be fuller and create more volume. There are two opening at each side of the back and you can slip that bright pink patent belt through those which gives shape at the front and then the back has that gorgeous volume over the belt. You could also do the opposite so that the belt only shows at the back and the front has the fullness. The choice of that feather light silk for this one keeps it light and easy and as you move the silk billows around you. It also creates this incredible movement when you walk. The dress is original supermodel length and still has its original tags attached. It is spectacularly beautiful. Excellent condition with a minor note below 

Fully lined in a black bias cut silk and has a built in cupped corset. The inner corset closes with its own zipper and the dress zips to close over that with a hidden set zipper. The belt snaps to close and shows some minor wear on its edges as shown. Tagged a McQueen 44. The inner corset has some stretch. You could have the inner corset adjusted if you needed more or less room. Buttons on the inner bodice to add straps if you wanted. Has its original tags attached

Bust: to 18" flat across from side seam to side seam with a B-C cup
Inner corset waist: 16" flat across from side seam to side seam
Inner hips: to 24" flat across from side seam to side seam
Length: 55" from top of bodice to hem
Belt: snaps are set at 31", 32" and 33"

Modern Sizing Equivalent: MED-LRG

Item# DD4468

Reference Photos: (1-2) Spring 2008 Alexander McQueen Runway (Look 27 & 38).  /  (3) Thandie Newton at the 2008 Orange British Academy Film Awards.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This stunning McQueen dress by Sarah Burton was a red carpet favourite that season and was seen on Priyanka Chopra, Naomie Harris and Jeon Do Yeon in 2014 and then just recently Livia Firth wore one to the 2023 Green Carpet Fashion awards. All four women looked incredible in the dress and I love that we have these reference photos of each of them so you can see how spectacular this dress is on  a variety of women. Sarah Burton has just recently announced her departure from the McQueen label and it is a joy to have such a well documented piece of her work with an amazing red carpet provenance behind it. The dress is stunning and was never worn. It comes with all its original tags and original hanger

The dress is made out of a black silk and is cut with an almost sculptural line. The bodice is strapless and it is shaped to curve over the body to create an hour-glass shape. There are added peplum panels that curve over and out from each hop to add to the hourglass feel. These extend out from the seam at the waist and wrap around each side. They are wired inside to hold their shape and then have been covered with that elaborate design made of gold toned metal leafs, beads and pale pink glass crystals. This little added touch  give the dress a bit of an Old Hollywood feel and it is just stunning to see in person. It curves around the bust and vertical seams run down to the waist to shape and conform the bust to you. Inside it has a full built in corseted piece that is boned and shaped to create shape. The waist is nipped in and then the dress curves over he hips underneath those elaborate hip peplums. The seaming all has that very signature McQueen feel. The dress flares out as it reaches the hem for one final beautiful curve. There is extra fabric set into the back and sides of the skirt and these flare out to create a stunning shape. The back skirt is cut a touch longer then the front skirt for a slight trained effect. No matter what angle you see this dress from there is an interesting angle, curve or flare to show all of your curves off beautifully. It is gorgeous. Excellent condition

Fully lined in a black silk with a built in shaped, cupped and boned inner bodice. The dress closes with a hidden set back zipper and then the peplum closes with its own zipper over that. Built in inner corset that is lightly boned and cupped. Has its original tags attached. Tagged a modern McQueen 40.

Bust: 17-17.5" flat across from side seam to side seam
Waist: to 13.75" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 9.5" from top of the bodice to waist
Skirt" 51" from the waist to front hem and 54" to the back hem.

Modern Sizing Equivalent: SML-MED

Item# DD4470

Reference Photos: (1) 2014 Alexander McQueen  /  (2) Priyanka Chopra at the 2014 Filmfare Awards.  /  (3) Naomie Harris at the London premiere of her movie 'Long Walk to Freedom', November 2013.  /  (4) Jeon Do Yeon at the 2014 Asia Film Awards.  /  (5) GCFA founder and Eco-Age creative director Livia Firth at the 2023 Green Carpet Fashion Awards

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This one of the most spectacular Halston dresses I have had in the shop. It's twin walked the Resort 1980 runway and I am very pleased to have those reference photos for you so that you can see how amazing this piece is one the body. I have also included a photo of Halston with models from the Spring 1981 show because he repeated this dress with slight modifications to create an entire series of pieces with a similar feel to them which I found fascinating. At this point Halston was still in full control of his brand. He had not yet signed the international licensing agreements that would be the beginning of his downfall in 1983. He was at the top of his game and anyone who was anybody was wearing the Halston label. His prices were sky high and the work put into the pieces was impeccable. This is a fabulous example of his work and it really is one of the most special pieces I have had from his label. It is instantly recognizable as being from him. It is a spectacular dress.

This dress is entirely covered with hundreds of thousands of glass beads and yet it drapes and sits on the body in a very balanced way. This was part of his genius and his ability to create these masterpieces that sit perfectly on the body. The cut of this dress is spectacular. The base fabric is a fine red silk chiffon and then the skirt is lined with a layer of a red silk chiffon. The top part only has lining at the very front so everywhere else has a touch of transparency through the silk and beads. It is very sexy. The dress slips on and closes at the waist with a hook and eye closure and then it has hidden snaps under that at the front. It is seamed under that a bit down the center and then it has a high front center slit that shows your legs when you walk. The dress has its original fully beaded, matching belt that you can wrap and tie around you to add more shape at the waist. The dress falls to the floor from there and the skirt widens out slightly as it nears the floor. The top is spectacular. It is cut to skim over you to eh waist and the front plunges to the waist band. Is has a hidden hook and eye if you want to make it a little bit more modest but with the way that it's held closed and the beaded belt sash that goes around the waist, it is actually safe to wear it in its full plunge and how it was worn on the runway. The sleeves begin just above the waist same and then narrowed down at the cuffs. That makes them very full and they just sit beautifully on the body. The beads are the same red as the dress and they catch the light with your slightest movement and from every angle. It is just spectacular. Excellent condition

The skirt and front panels if the bodice are lined in a red silk chiffon. It closes as described above. Original beaded sash tie belt. 

Shoulders: no defined seam
Bust: no true side seams
Waist: to 13" flat across from side seam to side seam and you can cinch in further with the belt
Hips: 19.5" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Skirt: 43" from waist to hem with just over 2" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD4467

Reference Photos: (1-2) Resort 1980 Halston Collection. Model Carla Araque.  /  (3)  Halston with models, December 1981. From the book "Halston: An American Original".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a great little set from the 1980s that would make an amazing holiday piece or that could be worn for any event where you really want to make an impact.

This set is gorgeous. Both pieces are completely covered in thousands of glossy red sequins that have been laid out flat beside each other. This  technique allows the silk underneath to be completely covered but still have the ease of movement that overlapping the sequins would not give it. It also allows for the maximum amount of sequins to show so that the entire suit catches the light beautifully. To highlight the seams of the jacket there is an edging of gold cording and bead work. It also details the tops of the faux pockets, the cuffs and the hem. The edging has an intricate design that builds on a gold silk cord with gold beads, rhinestones and large red dome beads. It's incredible to see and it acts like jewelry on the jacket. The skirt has a simple cut with a silk banded waist and then it widens out slightly as it falls to the floor in a long sleek column. The jacket has no collar and curves down and around to the hem. There are hidden set hook and eye closures down the front so it can be worn on its own or it is equally as good if worn open and over something else. The shoulders have rounded padding inside and it is cut to skim over the body. The sleeves are fabulous. Each cuff has a line of that elaborate detailing running up it. I love the versatility of having the two pieces because you can mix and match them with other pieces, but together they are truly spectacular. The silk base keeps them light in weight and its a very easy to wear set. Excellent condition

Both pieces are fully lined in a red silk. The jacket closes with hidden set hook and eye below the V and the skirt hooks at the waist and zippers to close under that. Padding in each shoudler. Perhaps the occasional loose or missing sequin and a touch of patina on a bead here and there but just being picky

Jacket
Sleeves: 22" approx.
Slightly dropped shoulders: 16"
Bust: to 17" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Bust: to 19" flat across from side seam to side seam
Length: 27" from neck to hem

Skirt
Waist: 12.75" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: 40" from waist to hem with 2" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# 4465

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

It is so hard to find dates for Bob Mackie pieces because he often did create similar pieces over the years. So we were thrilled to be able to exactly date this stunning dress to the Fall 1989 show where its twin walked the runway. On the runway he styled it with a metal belt and I love that with a simple switch of what you choose to wear around the waist you can give the dress a different feel. Bob Mackie became a household name when he started dressing Cher. He started off his career freelancing for costumers Edith Head and Jean Louis and it was while there that he sketched the design for Marilyn Monroe's famous 'Happy Birthday, Mr. President' dress. He met fellow costume designer Ray Aghayan who eventually became his life partner. Together they designed costumes for Hollywood and created a made to order line of RTW. That led to his incredible journey in designing for stars like Cher and Diana Ross for many years and the launch of his own label. His work helped to define an entire era of high glamour on the small screen and beyond.

The dress is made out of a stunning ombre deep dusky pink and taupe silk chiffon. Then under the top layer of the silk is a second layer of silk chiffon that has these incredible gold and silver thread leafs worked through the silk. These shimmer through under the top layer and create a beautiful depth and unexpected glimmer when you move and as they catch the light. It is a combination that is stunning to see together. The bodice is strapless and it has an inner shaped corset that is boned and shaped for support and to stay perfectly in place. The top of the bodice is peaked at the sides and then it is slightly rounded as it dips down and into the center. Onto the bodice the silk chiffon has been gathered and softly draped so that it follows the curve of the bust and then slightly overlaps at the front. It does the same at the back where it meets at the center set zipper. The waist cinches in and the dress comes with its original matching silk sash that you can tie and style around the waist or the neck. The skirt flows out from under there and it is made up of yards and yards of feather light silk chiffon. There are two layers of the bias cut silk stacked on top of each other and then an inner silk layer that sits next to the body. The top two layers of chiffon are feather light and the movement they create as they float over each other as you move is just incredible. It is incredible to see in person and the colour has a touch softer feel to it then how it photoed. That little bit of added glamour and drama from the gold and silver under that top layer of chiffon elevates the dress that much more. It is truly one of the best dresses of his that I have seen. Excellent condition

The bodice of the dress is fully lined in a copper silk. The skirt has an inner copper layer of silk under the top tow layers of bias cut silk chiffon as described above. The bodice is shaped and and boned inside and has an inner waist stay that hooks to close. It closes with a back zipper. Hand finishes.

Bust: to 17.5" flat across from side seam to side seam with room for at least a C cup at the front
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 12" from top of the tallest point of the bodice to waist
Skirt: 45" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4459

Reference Photos: Fall 1989 Bob Mackie Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Every so often I am contacted by someone and entrusted with something very special and this wedding set by Romeo Gigli absolutely fits that bill. This incredible set is a one of a kind, Haute Couture made to measure piece that comes directly from its original owner and she has graciously given all of the original documentation on it to share with you along with a full write up on her experience with Romeo and a scan of the Elle article that was written a year after her wedding. 

Romeo Gigli launched his label first in 1981 which failed. In 1983 he partnered with Carla Sozzani and in 1985 he presented a 25 piece collection in Milan. By 1986 he was an international sensation and his collections made world wide headlines. In 1989 he had his Paris debut. His work was romantic but dramatic. Hallmarks included shawl coats, which this set so perfectly displays, along with soft sloping shoulders and silhouettes that narrow as they come down the body. Historical references run through his work and his de-structured lines felt fresh and new.

This set has all of the original pieces that Marion wore on her wedding day and even includes the original boxes and silk bags that the set was delivered in. Every piece was made in studio by hand and when I tell you that my photos do not do the full set justice I have never been more honest as everything is more beautiful in person. This is a once in a life time opportunity to own this incredible and important piece of fashion history. The link to Marion's story is below and a short description of the pieces follows. 

Click here to see the full photo set of Marion in the fittings with Romeo, on her wedding day, see the Elle editorial, and read Marion's story about the experience >

The wedding ensemble consists of a pale pink silk chiffon top, a gold lace hobble skirt and a deep gold silk jacket or top that was worn over those two pieces. An incredible silk chiffon coat that is filled with silk flowers and flows behind you in a knotted train was worn over that. The original pale taupe velvet shoes in their original box are present along with the hand made hair sticks and pins. The two original pink raw silk hand made bags that the skirt and tops were delivered in are included and the entire ensemble comes in its original raw silk covered box. The final piece included is the little hand held green silk bag that Marion carried that day.

The skirt and inner top are the base of the outfit. The top is slightly cropped and made from a pale dusty peach pink silk chiffon. The chiffon has been hand gathered into soft pleats and crosses itself over the front and back. It wraps around you and closes on one side, inside, with a series of silk covered buttons and then the other side wraps over that and closes at the back outside with buttons as well. The skirt is made out of fine gold lace and is banded around the waist for shape. It drapes softly over the body with volume through the hips created by the layers. It narrows down at the ankles for a touch of a hobble skirt in appearance with the ends curving up and under. It is an incredible design.

An oversized silk top goes over this that has a bit of volume through the body. It is made from a deep copper gold silk with a burnished finish. The sleeves are incredibly long and are meant to be gather along the arms and follow the cut and curve of them. The collar is very high and wired so that it stands and frames the face beautifully. One side is longer then the other and you can shape the wire to give it a quirky little curve in the direction and way that works best for you. I love the open cut out just under the collar. It hints at the silk chiffon top underneath and adds an unexpected flash of skin.

The coat is utterly remarkable. It is thoroughly Romeo Gigli in spirit and it is one of the most beautiful, magical things I have ever seen. It has those beautiful sloped  shoulders he was known for and the front flips over into a deep shawl collar. It slips on over everything else with no front closures. It just falls over you in this exceptional drape of chiffon and flowers and then trails out behind you. The end has been knotted and I love this detail as it is absolutely Gigli at his best. The coat is made from a silk chiffon outer and inner layer that has a touch of transparency to it while inside and between the layers are thousands of silk flowers. Each would have been placed by hand one by one to form a solid layer of flowers that shows through the silk. It has weight yet it feels weightless. It has presence yet it feels ethereal.  The top layer of the chiffon is a pale dusty pink and then the inner layer is a pale taupe. The flowers float between the two and it make this light rustling sound as it moves that it magical. It is one of the best things I have ever personally seen.

Finally are the accessories. Her original velvet shoes that slide on and then tie in place, the little green silk bag that is held by the tied straps and the various hand made hair and stick pins in their original box.

The entire set will be sent in it original box hand covered in a deep dusty pink raw silk as it came to Marion from the Gigli ateliers.

Everything is in superb condition. I see a teeny smudge of discoloration under the arms of the inner silk chiffon top and the wear to the soles of the shoes giving away the clue that it was worn that day. The silk on the large box it came in has more wear as seen in the photos

This is a once in a life time, absolutely remarkable piece of fashion history.

Inner top
Shoulders: no true seams
Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Length: 14" from top of shoulder to hem

Skirt
Waist: 14" flat across from side seam to side seam
Length: 47" from waist to hem and including the 4" waist band

Outer top
Sleeves: 39" from the dropped shoulder seam and are around 11" arond after the dropped shoulder
Shoulders: 27" across and meant to drop significantly
Bust: 30" flat across from side seam to side seam
Waist: 27" flat across from side seam to side seam and narrows to 19" flat across from side seam to side seam by the hem
Length: 41" from neck hem
Neck: 13" around

Coat
Is about 36" flat across the inner bust and it is about 120" long from the neck to end past the knot and not including the deep shawl collar. It is pretty much OSFA

Bag
Approx 9.5" tall and about 5-7" in diameter

Shoes
Approx a 40-41

Modern Sizing Equivalent: SML-MED for the inner outfit and the coat is OSFA

Item# DD4458

Reference Photos: Courtesy of Marion Hume. (1-2) Fitting with Romeo Gigli.  /  (3-7) On the wedding day.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a more recent Chloe piece and it is gorgeous. It manages to be both sleek and simple and yet has complete drama at the same time. It is so good and so easy to wear.

The jersey that this dress is made of is the perfect choice for it to fall and drape perfectly once on the body. The fabric has an almost soft luxury t-shirt feel to it with enough weight so that the drape down the front is perfectly executed, but it is still light enough to feel extremely comfortable once on the body. The simple yet dramatic cut has that nod back to the glamour days of Hollywood. All of the fabric falls from the piping around the neck where it has been gathered into the neckline at the back and front and then it meets on the top of the shoulders. It snaps to close at the back of the neck and then from there the dress drapes down and around you in this supermodel long sheath of jersey. It skims over the body with an almost caftan cut through the body and then flares out at the hem. I love that one half of the front is done in a deep grey for an unexpected twist. Just the dress in its own is fabulous but then they added that dramatic attached caped panels to the back. These are actually attached to the back of the neck and they they drape down into this fabulously dramatic cape down the back. You can wear it draped over the shoulder or more as a panel behind you. It will catch the air when you move and billows around you fantastically. Under that is a deep open scoop so when you move you get this little glimpse of bare skin. It is simple, sexy and perfect. It looks to have never been worn. Excellent condition

Unlined and closes with the snap on the back of the neck. The fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat. The open cut through the body should allow it to fit a range of sizes

Bust: 13-18" flat across from side seam to side seam
Waist-hips: open
Length: approx 58" from neck to hem and the panels extend another 8" beyond the hem

Modern Sizing Equivalent: XS-MED

Item# DD4463

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress in a different colour walked the Fall 1990 runway and we have included the reference photos of that so that you can see just how fabulous this one is on the body. This dress also included the incredible and detailed brooches on both the front and back of the dress as it was presented on the runway. This dress is unlabeled but came to me directly from the original couture client from whom I have, and have had, several other Haute Couture pieces. She was fitted by Christian himself for the dress which makes it that much more special. It is a stunning example of his Haite Couture work during this time period.

The dress is made out of an iridescent silk taffeta that has a slight colour change to it depending on how the light hits it. It can go from a deep bronze to a more iridescent blue / purple tone. I love it. The  sleeves are long and there is a row of five silk covered buttons at each wrist. The body of the dress is cut to skim over you. It is gathered at one side at the front with the first of two incredible jeweled brooches the dress came with. The brooch is hand made from a gold toned metal with large golden topaz glass crystals mixed with brilliant blue crystals. The neckline angles down and across your shoulder to leave one shoulder bare and exposed. At the back the neckline dips dramatically down into a deep open V that leaves your skin bare and exposed. The second huge jeweled brooch sits at the base of that. A panel of silk flares out dramatically to one side to create a half bow, half bustle feel. The interior of that panel has extra structure so that it stays perfectly in place. The skirt falls below that and depending in your height will sit at about the knee or just above. It is fabulous. Excellent condition with minor notes below

Fully lined in a black silk organza and closes with an elaborate mix of a zipper, snaps and hooks at the back. One panel loops through the other over that. There is fused strip of rubber ribbon along the inner neckline to hold it in place and this has degraded a touch here and there. One stone is missing at the bottom of the front brooch. The brooches are tacked into place at present but are removable and you can see little marks on the fabric under them where the pin has been pushed through in different places. There are a couple teeny pinhead snags on the fabric where the brooches have caught on the silk near the brooches. These are all very minor and mentioned for accuracy. Unlabeled. Sourced from the original couture client and Mr Lacroix has mentioned to me on insta that he remembers fitting her.

Sleeves: 19.5"
Bust: to 18" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 36" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3602

Reference Photos: Fall/Winter 1990 Christian Lacroix Haute Couture Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible dress. This was a dress produced for the shops and it is especially interesting because it is a dress that was produced again in 2011 and re-issued in an ivory for the wedding collection that year. I know this because I have that dress listed in the shop now and you can see it here. You will recall that I recently had a lace dress in that was also made under the same circumstances where a original dress done by Lee was re-issued at a later date for a wedding collection. I love having the original and as far as I am aware it was only produced in black and this purple in 2007. It has that same bias cut draped feel as the McQueen that Elle Fanning borrowed and wore recently so that will give you an idea of it on

This is a stunningly beautiful dress. It is one that will come to life even more once it is on an actual body and will only truly come to life when worn. It is a dress that definitely takes inspiration from the bias cut couture pieces of the 20s and 30s. McQueen was a master tailor and the seam work and simplicity of this dress do not hide that fact. It is made from a beautifully weighted purple silk satin that has a slight texture running through it. It has that same liquid feel that the best of the 1930s pieces did that were made from this similar fabrics. Like those dresses of the thirties this is also cut on the bias but with a more shaped silhouette. I love that the fabric is heavy enough and that the dress is lined so that it will not highlight 'flaws' underneath like some bias cut pieces can. It is cut to flow over the body and skims over the bust, waist and hips to the floor. The neckline drops into a V at the front for a bit of skin to show. It glides over the bust and there is this interesting softly curved seam that starts at the bust and runs down into the side seam. This not only helps to add a little shape but it also becomes this interesting design feature and a subtle way for him to work in one of his signature angled seams. The skirt continues past and over the hips and then flares out as it reaches the hem. At the back there is extra fabric worked around the center seam to give you a trained effect behind you. This flaring out at the bottom and the extra bit at the back give you fabulous movement when you walk or move. It also adds to the hourglass shape the dress has. The sleeves are incredible. They are set in these soft loops around each arm. They leave the sides of the shoulders bare and really add to the thirties feel of the dress. They are spectacular. It is in its original uncut length. Excellent condition.

Fully lined in a purple silk satin and closes with a hidden set back zipper. Tagged a McQueen 40. The bias cut fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat. It is in its original supermodel length. The bias cut should allow it to fit a range of sizes. I see perhaps a touch of grubbiness and scuffing near the hem bit it is very minor and mentioned for accuracy only.

Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 62" from top of shoulder to front hem, 72" the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4461

Reference Photo: Elle Fanning in Spring 2008 Alexander McQueen, from our archives, at the Critics Choice After Party, January 2023.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress was made by hand in the atelier of Ady Couture who was based in Lausanne Switzerland. Ady herself was a couture trained seamstress and headed a team who had full permission of the Haute Couture houses she worked with to make the designs they showed in Paris for clients based in Switzerland and the surrounding areas. She would purchase the couture fabrics from the couture houses along with the patterns and then make the actual dresses in her atelier. This arrangement with the couture houses was a way to work around customs during this time period and do fittings for clients unable to travel to Paris. So far we have verified that she had this arrangement with Yves Saint Laurent, Christian Dior, Givenchy and Ungaro. There may have been others but those are the four labels we have documentation on from the runway. This dress is from the Fall 1987 Haute Couture collection. Several variations of this dress where produced and we have included reference photos where you can see the strapless version from the runway. And a shorter version of this dress was also shown on the runway and one was worn by Audrey Hepburn as well.

The dress is made from the most incredible iridescent metallic fabric. It is purple first and foremost but when the light hits here it gets a highlight of a hint of the green that is just amazing to see. The fabric has enough weight to it to hold the shape that you see. The neckline is scooped and the sleeves are set into the shoulders so that you get a bit of a peak where they are gathered into the bodice. They are cut wider near the top of your arm and then taper down to the wrist. The bodice skims over you to the slightly dropped waist seam. Around the hip area is a wide band of gathered fabric that creates that incredible volume. A black velvet bow sits the front. The skirt is cut on a sharp angle that widens out to be quite full as it nears the floor. The cut is meant to feel sculptural and contrast the volume around the hips. The back of the skirt is fuller and set a little longer then the front. One version on the runway was belted and you could easily add a belt to add shape. The interior of the dress is completely finished to couture standards with every single seam done by hand. It is beautifully made and appears to have been worn very little if at all. Excellent condition 

Fully lined in a black silk and closes with a hidden set zipper at the back and there are hidden set zippers at each wrist. Hand finished throughout. It appears to have been worn very little if at all. Made to Haute Couture standards

Sleeves: 26"
Shoulders: 16"
Bust: to 20" flat across from side seam to side seam
Waist: to 16.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 54.5" from top of shoulder to front hem, 58" to the longest part of the back hem 

Modern Sizing Equivalent: MED-LRG

Item# DD3808

Reference Photos: (1) A/W 1987 Givenchy Haute Couture Silver metallic lame brocade strapless gown dress with a black velvet chest and bow and 2-layer puffy skirt. L'Officiel No. 734, September 1987.  /  (2-4) Fall 1987 Givenchy Haute Couture Runway.  /  (5) Audrey Hepburn, in Givenchy, at the Sheraton Hotel in New York City for the 17th Annual International Emmy Awards in 1989.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A few months ago I had the twin of this dress in the shop and am so pleased to have found another one. This one is a slightly different size and in its original length. It is also extra special because it has its original showroom tag indicating it to be the showroom sample piece that all production pieces would have been based on.

It is the twin of the dress shot for the Christian Dior Pre-Fall 2011 collection. This collection was shot as a Lookbook which gives you an amazing glimpse into his styling process. At the time Dior said this of John's collection: ”Dior’s Fall ready-to-wear collection takes its inspiration from the legendary love affair between Mrs. Wallis Simpson and Edward VIII. English romanticism is channeled into Balmoral fringed tweeds and candy-coloured tartans with Prince of Wales checks. Ultimate luxury and expertise create evening glamour in elegant draped gowns and head to toe sequins to ensure that every head is turned.” Vogue commented that: "John Galliano galloped the Duchess of Windsor through This Is Your Life, with richly hued musings on what Wallis Simpson in her prime might've worn at specific times of day and across the decades." I love having the photo reference from that Lookbook so that you can see just how gorgeous the dress is on the body. This was John's second last collection for the house.

This is a very striking dress and I love the rich purple colour of it. The choice of that fine silk satin gives the colour even more depth. This fabric choice is also a nod to the glamorous deco gowns of the later twenties and thirties which was a key start point for this collection. The bodice skims over you with a V at the front. The waist is seamed and it is set in a slight curve for shape. The skirt falls from there in a column at the front and gently widens out as it nears the hem. The back is where you see all the extra detailing on this dress. First he scooped out the back into a low curving V and then gathered the fabric in along a curve at the base. He then added a crossed over strap to hold the dress in place. These attach on either side to create an open keyhole with the silk gathered in towards it as it runs down your back. On the skirt, a panel of fabric comes out from the base of that keyhole and cascades down to the hem. There is quite a bit of fabric there and it is creates a lovely volume at the back. The sleeves give the dress a nod to the thirties in design. They are loops of fabric that are twisted and then gathered along the tops of the shoulder. Your arm slips through and then it drapes down over the top of your arm. They are so pretty. It is a really lovely dress and a collector's piece. The dress is in its original uncut supermodel length. Excellent condition

Unlined and closes with a hidden set side zipper. No size tag. Showroom sample tag. Perhaps a teeny bit of scuffing to the fabric here and there around the hem area but I am being super picky.

Bust: to 19" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 16" from top of bodice to seam at dropped waist
Skirt: 42" from waist to front hem, 46" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4460

Reference Photo: Pre-Fall 2011 Christian Dior Lookbook.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Vogue's coverage of the Fall 1996 started with a refernced back to his Fall show the year before; "Tom Ford's super sexy Fall 1995 show for Gucci was, as Vogue's Sarah Mower has put it, “one of those hitting-in-the-solar-plexus moments” for the fashion set. Two seasons later, his fall 1996 show had the same effect for a much broader audience, now receptive to Ford’s new/old take on glamour, and tiring of the waif. “People were maybe a little bit too afraid to celebrate hedonism on the runway,” Ford later said. Not so the be-stubbled Texan.Vogue dubbed the show, which closed with showstopping white jersey gowns that nodded to Halston and Elsa Peretti, the “fashion equivalent of a one-night stand at Studio 54.” This coat is the twin of Look 29 and it closed a series of white looks in the show that had a variety of coats topping them. This coat has since become one of the most iconic looks from this collection, after those aforementioned white gowns, and it is gorgeous.

The coat is in exceptional condition and appears to have been worn very little if at all. The style is very much like a menswear piece in its cut and that bit of a twist on gender and power is exactly what often made Tom's work for Gucci so powerful and seductive. The collar is wide and full with a notched front and this gives it that perfect touch of drama. The sleeves are cut straight with a bit of fullness to them. The coat is made from a faux fur that has a wonderful feel and is done in an ivory. The fabric is soft to the touch and moves well once on. The fabric choice let him keep the lines and shape of the coat exactly as he intended them. It has a very men's coat feel to it but softened and with that fantastic fit that Tom excelled at. I also love the way he played on the direction of the 'pelts'. Placing them vertically for the body of the coat for length and then horizontally on the sleeves and collar for visual interest.  The front does up with a double row of Gucci etched buttons. It is easy fitting through the body. The bottom portion of the coat flares out in a soft and easy shape. Pockets are hidden low on each hip. Once this coat is on it has this amazing slouchy cool feel that is just unbeatable. I love it and it is also a remarkable piece of fashion history. It appears to have been worn very little if at all. Excellent condition

The coat is fully lined in a Gucci embossed silk lining with braided cording around the inner edge of the coat. It closes with buttons as shown. The buttons have a Gucci logo etched into them. There is a vent at the back to make it easy to walk. Tagged a vintage Gucci 42

Sleeves: 24.5"
Shoulders: approx 16.5"
Inner bust: to 18-19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 49.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4452

Reference Photos/Video: Fall 1996 Gucci Runway, Look 29. Model Georgina Grenville.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Stella McCartney era at Chloe has since become extremely collectible. The fall 2001 show was fantastic. This was the opening look for the show and in Vogue's review they specifically mentioned the faux coats that were treated so glamorously with added details saying; "Stella McCartney continued with her exploration of grown-up, couture-inspired silhouettes for Chloé, without forgetting about the youthful, fun-loving basics that are the label's bread and butter. McCartney's forte is her ability to glam up casual street clothes. Her fitted jeans and corduroy trousers with zipper pockets, face-stenciled T-shirts and pearl-encrusted draped tops all had an air of insouciant cool to them; so did the faux furs with shaved bits that accommodated clusters of silver flowers." This was one of the strongest looks from the show and a true piece of fashion history.

The twin of this coat was the opening runway look and was worn by Angela Lindvall. The show had several piece sin this faux fur but this coat is the hardest to find. You will often see the shorter version that was made of this coat or the shrugs or collars but the actual coat is very rare. These had a pretty hefty price tag and not as many were made. They were only sent to certain stores and were a limited production piece. The coat is a 3/4 length and is made from a thick and soft faux fur. The cut is loose and easy and it widens out as it nears the hem for a bit of a swing coat feel. It has hidden fur hooks to close the top part of the front and then swings open under that. There's a hook at the top of the collar so you can wear it folded down like how I photoed it for these photos to give it a more loose and easy feel or you can close that top hook so that it wraps around the neck like how it was worn on the runway. The sleeves are cut extra long and they are gathered along the inside of the wrist. This gives them a curve so that they follow the curve of the arm and it also lets you wear them up a bit so they get that bit of a gathered slouchy feel you see in the runway pics. The inside is lined in a men's wear shooting fabric that she often used. There are two zippered pockets in the interior that have little chains attached to the zipper pulls. On the exterior there is a pocket hidden along each hip. It is meant to feel a little big and slouchy once on and I love that. The best part about is of course that extraordinary detailing done on the shoulder and collar on the one side of the coat. Fine silver metal strips have been applied to the coat to create a series of medallions. Swirling beads and sequins sit over those to create this fantastic design that goes across the top of the arm. under the shoulder at the front and then runs up and into the collar and around to the back. Its just brilliant and an amazing piece of fashion history. It appears to have been worn very little if at all. Excellent condition.

Fully lined with two interior pockets as described above. It closes with hidden fur hooks at the front. Pockets on each hip. Tagged a vintage Chloe 40

Sleeves: 28"
Shoulders: 16.5"
Bust: 18-19" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 47" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4454

Reference Photos: Fall 2001 Chloe Runway, Look 1. Model Angela Lindvall.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Holly Harp opened a shop LA in 1968 where she created custom clothing under the Holly's Harp label. When she started designing her clothing she tended to create her clothing out of a hodge-podge of new and old materials but once she opened her shop her designs became more slinky, and sexy. They began to reference the glamour of Old Hollywood and she preferred the bias cut feel of the 1930s. She had a huge following of Hollywood and Music stars; Liza Minelli, Diana Ross, Ali McGraw, Sally Field, Janis Joplin and Grace Slick of Jefferson Airplane were all huge fans. This is a phenomenal dress from the early - mid 1970s and it is even better in person.

This is a beautiful example of her work and dresses like this from her are impossible to find anymore. Her work is magical. The dress is done in the most striking jewel toned red coloured silk velvet mixed with a red silk chiffon. It is completely cut on the bias so very easy and comfortable to wear. The neckline is scooped at the front and again at the back. The dress is suspended from two tiny red silk straps that curve up and over each shoulder. I love the delicate little sprinkle of bead work that sits at the base of each strap. The dress skims over you all the way down the body with no lines to break the eye. The top layer of the dress is a red devore silk velvet on a red silk chiffon base. Worked through the velvet is a tiny bit of silver thread and these catch the light fantastically. Under the top layer of fabric there are three layers of silk chiffon and then a final inner layer of red silk. The inner silk chiffon layers stack on top of each other at a hem that is longer at the center of the front and back. Layering the hem like this combined with setting it all on the bias gives the dress incredible movement. When you move it all moves around you and the lightness of the fabric makes it all feel incredibly easy on. The final perfect touch are red silk cording that are set on each side. These hang off the dress as they near the hem and have beads attached to them. These all move and swing as you walk and move and give the dress a little rick and roll edge. It fantastic. Excellent condition

Fully lined an a red silk as described above. Bias cut and just slips on to wear. Hand finishes throughout. It has a large range of movement and should fit a range of sizes.

Bust: 15-17.5" flat across from side seam to side seam
Waist: 14-17" flat across from side seam to side seam
Hips: open
Length: 60" from top of bodice to longest point of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4096

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Pierre Balmain began his career at Molyneux where he worked part-time until 1936. After a brief stint serving in the military he landed at the house of Lucian Lelong. He eventually made the leap to independence and his first show was held on October 12th, 1945 at his salon at rue Francois 1er. This is a dress that perfectly shows that Haute Couture does not always have to be an elaborate over the top creation. Sometimes the beauty of couture lies in the restraint of the cut and a simplicity that belies the hours and hours of handwork put into each piece. This dress is a numbered and a true piece of Haute Couture piece. It is a gorgeous.

The dress is made from deep burgundy red silk. The top is cut into a V at the front with slight gathers where it inserts into the shoulders. The way that it is made gives it the appearance that it is a separate top that sits over a skirt but it is a true dress and one piece. Each sleeves is cut to balloon out slightly above the fitted cuffs. They are cut on a curve in the traditional dressmakers technique and I love how each cuff has a little pleated detail to pick up the pleat work of the skirt. Three silk covered buttons sit on each cuff and each one of those is placed to sit perfectly in the center of a pleat. I love how this small touch shows you how no detail is too small in the world of Haute Couture. The bodice skims over you and falls slightly over the skirt at the waist. The skirt falls from under that and it is attached to its own inner silk bodice. The skirt is fantastic. Each individual pleat is perfectly matched to its neighbor with meticulous precision. When you stand still the dress falls more in a column and then when you move you get incredible movement and fullness because of the pleats. Depending I hate this will be full length or fall to the ankle. It is a brilliantly cut dress. Every stitch has been done by hand and it is a lesson in precision. It appears to have been worn very little if at all. Excellent condition.

Fully lined in a matching red silk and closes with an inner handset back painted metal zipper and then closes with a second zipper on the outer bodice layer over that. The cuffs snap into place under three silk covered decorative buttons. The Haute Couture label is present with couture tape under the tag numbered 157888. Hand finished to couture standards throughout. It appears to have been worn very little if at all.

Sleeves: 27"
Shoulders: no true defined seams
Bust: to 19" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips at inner lining: to 20" flat across from side seam to side seam
Length: 55.5" from shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD2913

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

James Galanos launched Galanos Originals in 1951. He was only 27 years old.  By 1954 he had won a Coty award and the Neiman Marcus award. By 1958 he was producing clothing that could range in price from $200 to $3000, an astronomical price for ready-to-wear for that time period. When you covert to modern dollars the top end figure would be about $31,000 today. His ready-to-wear was made to couture standards and on par with the French couturiers of the time. Grace Kelly was a huge fan and his work is held in all of the major museums around the world. He is one of my personal favourites and this set is an exquisite and very special example of his work.

This set was custom made for, and is from the estate of, 1950s model Betsy Pickering Kaiser. Betsy appeared on several Vogue covers in the 1950s and it was during that time period time period that she met Galanos. They were friends for over 60 years. She collected and wore Galanos pieces her entire life and was his friend and muse. He once told her husband ‘I would rather have Betsy wear my clothes than any other woman’. She was a constant presence on the International Best Dressed List and and was added to the Best Dressed Hall of Fame in the early 1970s.

This is gorgeous. It is made from a beautiful printed light weight silk chiffon that is combined with a red lace that has a metallic finish. The entire set combined weighs ounces. Huge flowers cover the entire surface of the silk chiffon. The pants are made from two layers of the chiffon and they are cut long and wide. An elastic waist makes them very easy and comfortable to wear. You then slip on that long piece over the pants. It is also constructed from two layers of silk that fall from under the lace bodice. Each side is slit open right up to the lace top. This gives the top piece a ton of movement and creates this fabulous floating effect around you when you walk. The bodice part is made of two panels of a metallic red lace that is connected along each side with a bit of a angled plunge above where they connect. The lace has that fantastic metallic finish to it for contrast against the pattern in the silk chiffon. The bodice has an inner nude silk lining so that from a distance you look like you are wearing nothing underneath it. The top is suspended by four tiny silk straps that curve over the shoulders. This set is tremendously good in person and it really needs an actual body to come to life. Cut supermodel long in length. Excellent condition

The pants are made of two layers of silk chiffon and close with a back zipper and elastic through the waist. The outer layer is lined with a nude silk chiffon through the bodice and the skirt is made from two layers of the silk. The outer layer closes at the side with hidden fabric covered snaps. There are a couple of very minor repairs and light snags near the hem of the overlay. This is a one-off, unlabelled custom piece made for Betsy and came from her estate. 

Over dress
Bust: to 18" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: open
Length: 62" from shoulder to hem

Pants
Elastic waist: 15-18" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Pant: 45" from waist to hem
Inseam: 32" from inner seam to hem

Modern Sizing Equivalent: MED-LRG

Item# DD2278

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Hanae was the first woman of Japanese descent to have presented on the Paris and New York runways and the first Asian woman to be admitted as an official Haute Couture house to La Chambre Syndicale de la Couture Parisienne. Her work is exceptional. Hanae Mori excelled at these beautiful prints that combined nature and elements of her homeland. I have two jumpsuits today that both have that very caftan feeling so desired with her work and these are so very hard to find. When I find pieces like this one that is such a stunningly beautify example of her work I am very happy. I feel that pieces like this are among the very best representations of her work.

This is everything you look for in a piece by Hanae Mori. The entire piece has one of her custom designed prints screened onto a feather light silk chiffon. Think the finest silk scarf you could have in terms of weight and feel. It has all been printed with a really outstanding huge floral design and the colours are fantastic. That combination of turquoise and pink cannot be beat. The jumpsuit has a shallow V neck at both the back and front for just a little bit of skin to show there. The top skims over you and has one of the big pink flowers at the front. The waist is generous in cut the jumpsuit comes with its original silk ribbon belt. This belt is made from multiple pieces of silk piece together in rows and then the ends are all left as individual ribbons. When you tie this around your waist it helps to add to the drama of the overall set . The pants fall from under that and are cut to be very very wide and full so you get this incredible movement when you move. To make them opaque enough to wear each pant leg has an inner layer of silk twill with that same print on that inner layer. As with the best of Hanae's pieces the effect of having the same print on the top layer and the inner layer gives the design added dimension and depth as they float over each other. The added width of the pant also let them float and move at your slightest movement. The sleeves on this piece are spectacular. They are attached around the upper two thirds of the arm hole and each is made from two panels of fabric that float all the way down the length of the jumpsuit to just a little past the hem. They are open on each side so move independently from each other. Because each panel is a single layer of that bias cut silk chiffon this means that they catch the slightest bit of air and move and float dramatically around you. The beauty and drama that this creates is astonishing. The floral print that covers the jumpsuit is one of her best. The movement and beauty of this piece is extraordinary. This is a piece that you slip on and feel completely comfortable when wearing it and yet it has as much drama and impact as you could ask for. It is a stunning example of her work and beautifully made. I love it. Excellent condition

Fully lined through the bodice in a white silk and a printed silk twill for the pants. The sleeves are unlined. It zips to close at the back. The belt ties into place. All of the edges have been hand rolled and it is hand finished through out. Tagged a vintage 10. It appears to have been worn very little if at all

Bust: 17.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 16" from top of bodice to waist
Pants: 38.5" from waist to hem
Inseam: 25" from the inner seam to hem
Gusset: 32" from back of neck to inner seam

Modern Sizing Equivalent: SML-MED

Item# DD4451

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Hanae was the first woman of Japanese descent to have presented on the Paris and New York runways and the first Asian woman to be admitted as an official Haute Couture house to La Chambre Syndicale de la Couture Parisienne. Her work is exceptional. Hanae Mori excelled at these beautiful prints that combined nature and elements of her homeland. I have two jumpsuits today that both have that very caftan feeling so desired with her work and these are so very hard to find. When I find pieces like this one that is such a stunningly beautify example of her work I am very happy. I feel that pieces like this are among the very best representations of her work.

This is everything you look for in a piece by Hanae Mori. The entire piece has one of her custom designed prints screened onto a feather light silk chiffon. Think the finest silk scarf you could have in terms of weight and feel. It has all been printed with a really outstanding scenic design and the colours are fantastic. It is two separate pieces. There is the inner jumpsuit and then you wear the more caped feeling overlay over that. The inner jumpsuit has a V neck at both the back and front and is sleeveless. The top is made out of a pale blue silk chiffon backed in a silk and once this is under the print of the outer later it virtually disappears underneath. The waist is generous in cut and the the chiffon pants are set into the seam. The pants are cut to be very wide and full so you get this incredible movement when you move. To make them opaque enough to wear each pant leg has three layers of silk chiffon. The two inner layers are the same pale blue chiffon as the bodice and then the printed layer is stacked over those. The printed layer has that same scenic print as the cape and you can tell it was all pre-planned to sit perfectly when the entire look is put together. The cape that goes over this is spectacular. It slips over the head to wear and the neckline is set in a slight scoop. It does up down the back with a series of her signature teeny tiny silk covered snaps. The colours start out mainly in that pretty turquoise and then it changes to the scenery all the way around. I took lots of close ups of various parts of the print for you to see. When on that top layer is put on it suddenly takes on a more caftan feel. It fully covers the inner jumpsuit and falls at the front and back to about the knees. It is cut on a curve to be a little shorter on the sides for your arms to be free and is wide and full. As with the best of Hanae's dresses the effect of having the same print on the top layer and the inner layer gives the design added dimension and depth as they float over each other. The movement and drama this creates is extraordinary. This is a piece that you slip on and feel completely comfortable when wearing it and yet it has as much drama and impact as you could ask for. It is a stunning example of her work and beautifully made. I love it. Excellent condition

The cape is unlined and the inner jumpsuit is lined as described above. The inner jumpsuit zips to close at the back and the cape closes with a series of tiny snaps down the back. All of the edges have been hand rolled and stitched including the edges of the inner lining of the pants. Tagged a vintage 10. It appears to have been worn very little if at all

Inner jumpsuit
Bust: 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 15" from top of bodice to waist
Pants: 44" from waist to hem
Inseam: 30" from the inner seam to hem
Gusset: 32" from back of neck to inner seam

Cape overlay
Neck: 15" around
Width: 60" from side to side at the widest point
Length: 41" to longest point when on

Modern Sizing Equivalent: SML-MED

Item# DD4449

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this Dior dress was Look 5 in the Christian Dior Pre-Fall 2011 collection. This collection was shot as a look book that year. At the time Dior said this of John's collection: ”Dior’s Fall ready-to-wear collection takes its inspiration from the legendary love affair between Mrs. Wallis Simpson and Edward VIII. English romanticism is channeled into Balmoral fringed tweeds and candy-coloured tartans with Prince of Wales checks. Ultimate luxury and expertise create evening glamour in elegant draped gowns and head to toe sequins to ensure that every head is turned.” Vogue commented that: "John Galliano galloped the Duchess of Windsor through This Is Your Life, with richly hued musings on what Wallis Simpson in her prime might've worn at specific times of day and across the decades." The Dior team styled the pieces in lavish settings to play on this theme. I think that this was one of the best pieces of the collection and I love having the photo reference so that you can see it on a body. This was John's second last collection for the house.

The dress is a play on a flapper dress with a soft oversized check pattern softened with more pastel coloured version of red and blue. It is printed on a silk chiffon to further soften the feel of the print and give it a bit of a vintage feel. The dress can be worn longer and more straight on the body or you can hike it up to be super short and have the top blouse over as I have done in most of these shots. The front plunges to the waist and then crossed over itself at the base where it meets the seam. It can also be worn long with the seam and the hips and I also shot it that way from the front, side and back. It ties behind the neck and the ties trail down your back. The back is completely bare and it is scooped open right to the waist. A band of the silk chiffon wraps around you at the top of the hips and this is what you use to hold the dress higher or lower on you. The skirt falls under that to the hem and the lightness of the fabric gives it tons of movement. His signature tightly spaced silk covered buttons run down one side of the dress and there is a little bow at the top of the skirt on each hip. These little details are always what makes a Galliano designed piece that much more special. The final detail is the green and red lace that edges the dress. The lace has been stiffened and has deliberate raw edges to further play on that feel of the dress being a piece from the past. It is laid out over a band of ivory velvet and this last little touch ties everything perfectly together. It appears to have been worn very little if at all. Excellent condition with a minor note below

Fully lined in a fine pink-salmon coloured silk. It closes with the buttons down the side and ties around the back of the neck. At some point someone added a snap under the front where it crosses to make it a little more secure. I have left it but it could easily be removed if you wished. I see a bit of residue on the lining on one side of the bust where a double sided tape was used to hold it in place. Tagged a Dior F 36, GB 8, IT 40, US 4. Note that this was very difficult to measure and depending on where you want the band to sit it should fit a range of sizes

Bust: no true side seam and each halter will easily cover a full range of cup sizes
Waist/top of hip at seam: 17" flat across from side seam to side seam and expanding to 17.5 at the bottom seam of the band
Bodice: to approx 21" from top of bodice to top seam of the waist/top of hip
Band: 4"
Skirt: 14" from waist to longest points of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4036

Reference Photo: Pre-Fall 2011 Christian Dior, Look 5. Model: Alina Baikova.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the Spring 1979 runway and I love having that reference photo for you as it shows just how fantastic these are on the body. This is classic Halston from his main label couture line. These one shoulder pieces are one of the most instantly recognizable of all of the looks that he ever created and have had a lasting impact on designers and their work since. Halston defined how woman dressed in the 1970s and these one shoulder dresses in particular were tremendously flattering to the body and have since risen to icon status.

This is an amazing couture Halston dress and a very special find especially since it does have the runway documentation that we found for it. It is entirely cut on the bias and utilizes his signature minimal seaming. It is also insanely sexy while still being extremely comfortable to wear. It is made out of three layers of a feather light bias cut silk chiffon in black. Even with the three layers stacked on top of each other it is so light that you are barely conscious of wearing anything. The lightness of the fabric allows it to move and drape beautifully around you. The dress is suspended by one hook at the shoulder and then you wrap and hook the outer layer around you at the waist. There is an elastic band through the waist that lets you let it sit lower at the top of the hips like I have shot it or wear it higher and belt it for added shape which gives you an entirely different look. One side of the skirt curves up and creates a ruffle and once hooks this sits perfectly at the side of the waist for pretty detail. The back of the skirt is longer then the front and falls to the floor. Where the skirt wraps over itself creates a high slit up the side for your leg to show when you walk or sit. The bodice is cut to skim over you and fall right to the waist in an open V plunge on the one side. It is spectacular. This is a rare example of Halston at his very best. Excellent condition

Constructed from three bias cut layers stacked over each other with elastic through the waist that wraps and hooks to close. It also hooks at the top of the shoulder. Hand finishes. It is all bias cut which should allow for a larger range of sizing. A wide grosgrain ribbon that is not original to the dress will be included (not photoed).

Bust: approx 14-18" flat across from side seam to side seam
Waist: approx 15-17" flat across from side seam to side seam
Hips: no true defined seams because of the wrap
Length: 41" from shoulder to the front shortest point and 65" to the very longest point on the hem but will come up a bit on once on

Modern Sizing Equivalent: XS-MED

Item# DD4445

Reference Photos: Spring 1979 Halston Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Oscar was known for his beautiful and feminine designs and this dress really showcases that. With our modern day obsession with all things eighties and nineties this play on proportions and fabrics still feels extremely of this moment fashion wise. Oscar had an amazing sense of aesthetics and his genius was in making women look and feel beautiful. This is the type of dress you can easily imagine in an editorial of the day on one of the reigning supermodels. It is just gorgeous

There are actually three fabric used in the making of this dress. The sleeves are a perfectly light in weight silk taffeta, the bodice is a black lace and then the skirt is a fine soft black silk with a very fine thin ribbing. The play on those three fabrics together is very romantic feeling. The neckline is scooped low and set wide across the shoulders at the front. At the back it has an even lower scoop out so that you get this great expanse of bare skin there. The sleeves are spectacular. They have built in tulle to help hold their volume and they are cut to be extremely full so that they billow out to just about the elbow. They have elastic running through the edges nearest to the shoulders and you can wear them up and on the shoulder like I have shot them here or I think you can also let them cascade down to leave each shoulder bare. The bodice is covered ion the black lace all the way around and I love the little lace peplum that circles the waist and balances out those sleeves. The skirt fall from under there in a beautiful curve to the floor. The skirt is finished in a fine stripe that I love. Inside the interior of the skirt there is an additional underskirt of silk organza that has a wide ruffled bottom that helps to hold the shape of the outer skirt. When you move the skirt shows it volume and movement beautifully. Excellent condition

The bodice is lined in a black chiffon, The skirt in a black organza and the sleeves have tulle inside them to hold the shape. It closes with a back zipper. Tagged a vintage ODLR 6

Bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 17" from natural shoulder to slightly dropped seam under natural waist
Skirt: 44" from slightly dropped seam under natural waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4444

Reference Photo: 1982 Oscar de la Renta.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the prettiest example of Courreges and the more romantic work that Andre was doing during that time period. I love that it is not his typical mod feel and shows his softer more romantic side as a designer. The photos don't come close to conveying how beautiful it actually is in real life. I am sometimes more excited to find these dreamier pieces from him then the more common mod feeling ones. This one is also numbered on the back of the label. It is just gorgeous.

This beautiful dress is made out of a black silk chiffon and then it has a floral design that it's fused onto the silk. The colours that are used are absolutely gorgeous. They range from this deep fuchsia to brilliant pinks and then they slowly change to soft corals and even pale lavenders in parts. The effect of the velvet popping off of the transparent silk chiffon is this fantastic play of texture and colour that has to be seen in person. As with many of his pieces there is a play on volume and proportion in the dress. It has a slight dropped waist that blouses over an inner seam set around the top of the hips. The neckline is squared off at the front and at the back. I love how it is edged in a little black velvet ribbon. Running across the front of the neckline is a thin velvet strap that has a flat bow at its center. Each sleeve is cut full and end in the same velvet ribbon edging. The bodice skims over you and then the skirt falls from there and is actually quite full. When you're standing still it hangs straight but when you move you get this beautiful volume and floating affect around you. An attached velvet ribbon sit on one hip and wraps around you to tie in a bow on the other side. This is a dress that really only comes to life once it's on the body. It appears to have never been worn or worn very little. Excellent condition

Fully lined in a single layer of silk chiffon through the bodice and has two layers of chiffon through the skirt. Slips over the head to wear and has elastic through the seam at the top of the hips. You can use the ribbon to tighten it further around your hips. Tagged a Courreges 0 and has a numbered tag on the back of the label. It appears to have been worn very little if at all. The easy cut should allow it to fit a variety of sizes

Sleeves: 14" and the ends are 10.5" around
Shoulders: 15"
Bust: to 20" flat across from side seam to side seam
Waist: open
Elastic seam at top of hips: to 23" flat across from side seam to side seam
Bodice: 22" from top of shoulder to elastic seam at top of hips
Skirt: 29" from elastic seam at top of hips to hem

Modern Sizing Equivalent: XS-MED

Item# DD4149

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was Look 41 and the second last look of the Spring 2020 collection. Vogie said of the collection in their review: 'Erdem Moralioglu’s long, stately procession of women tread on platform sandals along the gravel of a wide, tree-lined path in a London square. Seeing them silhouetted against the green led to yet another thought: how perfectly they fit into the scenery, like guests at a particularly well-dressed summer wedding.' his inspiration for the show was 'Tina Modotti, whom he characterized as “a romantic and revolutionary, a woman of principle. Each outfit was like a postcard from a part of her life." The pictures of Modotti’s life inspired Erdem’s voluminous proportions, the exaggerated shape of yoke blouses, rose embroideries, and the fringed shawls he tailored to sit on the shoulders without slipping. “It was the waistless-ness, tiers, the combination of Victorian dress and traditional dress that interested me,” he said." This dress exemplifies that Victorian feel that he was after and was one of the best dresses of the collection I think. 

The first thing that strikes you about the dress is the amazing color. It is an almost neon red coral that instantly draws the eye. On the runway it was shown over bare skin but this version includes a matching slip that you can choose to wear under it so you don't get that expanse of skin all the way down through the cut outs. The cut outs are incredible and cover the entire front of the dress. They are embroidered around their edges and have open spaces for your skin to show through between the embroidered flowers and designs. I love how he has carried these from the scooped neckline all the way to the hem and then down each sleeve. The body of the dress is cut to be more fitted across the very top and then widens out considerably as it near is the hem. This dress in particular is where you see that nod to the Victorian era in the way that it has been cut. The lines of it are stunning. The front panel has a more sleek feel and then the sides create volume on each side through vertical panels and then there is a massive amount of volume behind you. The top of the shoulders at the back have the same embroidered cut out continued onto it and then the remainder of the back and side panels are all a solid silk until the bottom of the skirt of the back where the embroidered cut out is again seen. The back sweeps out behind you in a train and I love that he has added a button and loop so you can bring that up so that the length of the back matches the front. This makes the dress that much more wearable because you can now wear it to a more non-formal event where a full train may be too much. It also gives the dress an even more interesting shape when you wear it with the train buttoned up. It is absolutely gorgeous and a wonderful piece of current fashion history. The dress comes with its original tags and has never been worn. Excellent condition

The slip axe as the lining and the dress it's self is unwind. It closes with a hidden setbacks zipper and each cuff buttons to close with for buttons and loops. The train buttons at the back as described above. The originals tags are attached and it has its original price of $6439. The slip is separate and slips over the head to wear. I have provided the slip measurements but you could always wear a slightly larger slip or no slip if you needed a bit of extra room. Tagged a modern UK8, US4, IT40, FR336

Dress
Sleeves: 26"
Slightly inset shoulders: 13"
Bust: to 18" flat across from side seam to side seam
Waist-hips: open
Length: 58" from top of bodice to front hem and back when train is up, 70" at the back when train is down

Bias cut silk slip:
Bust: 15-18" flat across from side seam to side seam
Waist: 13-16.5" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Length: 56" from top of straps to hem

Modern Sizing Equivalent: XS-MED

Item# DD4442

Reference Photos/Video: Spring 2020 Erdem Runway, Look 41. Model Wang Han.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The dress is so good and it isn't even photoing half as good as it is in person. This is one of those pieces that really showcases the higher end work that the label was capable of. The dress is the work of Elinor Simmons who designed for the Malcolm Starr label from the early 1960s to 1972. She excelled at the heavy embellished piece that the label was known for and this is a wonderful example of her work. It is even more amazing in person and the photos cannot convey the impact of the metallic parts and the presence of it. It is gorgeous

This stunning dress is a gorgeous example of the work being done during this time period by them. The best of this label always has lots of drama and impact and this dress has a ton of all of that. The fabric is gorgeous. A heavy dose of a gold metallic thread is mixed into a pattern that combines a beautiful green shade with pinks, soft blues and other colours. The mix of all of these is fabulous. The dress is just heavy enough to hold the shape and volume you see but it is so easy to wear. The bodice skims over the torso and the neck is cut into a low V at the front that meets the heavily embellished waist line. The sleeves are cut so that they widen out as they near the cuffs. At the end of each sleeve is a 3" wide banding that is heavily embellished with gold braiding, paillettes, beads and prong set colored stones. That same heavy detailing wraps around the waist and the waist itself is set a bit higher up to sit just under the bust. The amount of detail in the embellished bands at the cuffs and waist are incredible. They pick up the colours in the dress and add this heavy jeweled element to the piece. The skirt cascades to the floor and widens out quite a bit as it nears the hem. This perfectly balances that shape of the bodice. Hidden pockets sit along the inner seams of the front skirt. There is extra fabric built in along the sides of the skirt and when this is on and you see it in person it has more of a caftan fulfilling through the skirt then how the picture seem. The fabric holds the shape of the dress beautifully and the entire dress has a subtle shimmer in the light. I love it. It is just a beautiful dress. Excellent condition.

Fully lined in a pale green silky rayon and it zips to close at the back. It appears to have been worn very little if at all. Ribbon edged inner hem and hand finishes.

Sleeves: 23"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Seam under the bust: 15" flat across from side seam to side seam
Natural waist: 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 11" from neck to top of the waist banding
Skirt: 47" from top of the 3" waist banding to hem with just under 3" turned under

Modern Sizing Equivalent: SML-MED

Item# DD438

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very interesting feeling John Paul Gaultier suit from the 1990s. The jacket is meant to feel a little oversized. It is made from a men's suiting fabric in a pinstripe that alternates a tiny white stripe with a very subtle red stripe. The jacket has light padding in the shoulders and the seam of the shoulder is slightly in set to give them a touch of a rounded sloped feel - a signature shoulder with his work. The arms are cut long and full with three buttons on each cuff. It buttons down the front and the buttons are set high enough so that you can wear it on its own if you wish. Slanted top flap pockets sit on each hip and the jacket is cut long so that it flares out slightly over your hips. The detail at the top button is very interesting. You can see that there are two top stitched vertical lines there and these have a stiffened bit of wire or plastic inside of them. When the suit is on this causes it to sit up and off the chest slightly and gives it a little support there to add shape. The skirt is cut in a long lean pencil shape. The waist is banded and then it comes out over the hips and narrows down to the hem. A vent at the back allows you to walk. I love the button closed slit pocket on one side of the back  of the skirt that picks up a men's dress pant. The acid green yellow lining inside the jacket is the perfect finishing touch. Excellent condition with one note below.

The jacket is fully lined and the skirt is unlined. The skirt closes with a zipper and button at the waist and the jacket buttons to close. Both pieces are tagged a 44 and both pieces have their original extra buttons. There is a bit of residue inside of the skirt's hem where it looks like someone used double sided tape to wear it shorter at some point. This does not show it all from the outside but mentioned for accuracy. Slight fading on the top of each sleeve. Please see the photos after the label

Jacket
Sleeves: 24"
Shoulders: 15"
Bust: 20" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 29" from top of bodice to waist

Skirt
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 28" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD4434

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.