This dress is a little mystery as to its origins but is made to a very high quality so I would not be surprised to find out one day that it was a designer piece whose label has been lost. It is made of a black silk that has a touch of stiffening to it that really allows it to retain the fullness and shape that you see. It came with a separate stiffened silk organza underskirt and the outer skirt still sits well over this on it s on and the fabric itself is responsible for the fullness you see. There are many couture level details, like the knife pleats set on a curve around the side of the waist. It has been done beautifully and this helps to shape the dress as well as adding detailing.  The bodice is fitted with a shaped bust and pretty curved sweetheart neckline. The sleeves are a masterpiece and truly give the dress its couture feel. Each is poufed high and formed on a curve with pleats caught up at the seam and then expanding up and outwards to form that circular feel. Overall excellent condition with notes to review below

Fully lined through the bodice with a cream colored silk and closes with a back, hand set painted metal zipper. It has an attached silk tie at the waist and its original cream silk organza crinoline. The inner lining is starting to shatter in places. There is a small repair on the back of one arm and there two tiny holes in the skirt that gets lost in the folds. Please see the last two photos after the inner crinoline shot. The crinoline closes with hook & eye at the waist and is in fair condition. It is wearable but has some fraying at the raw edges everywhere and the waist has been taken in a not at some point. It would be easy to let out again.

Shoulders: no defined seams
Bust: 17" flat across from side seam to side seam with generous cups that would probably fit to a C
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 16' from shoulder to waist
Skirt: 28" from waist to hem with 5.5" turned under

Crinoline
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 28"

Modern Sizing Equivalent: SML-MED

Item# D389

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a wonderful dress from the fifties. It has the feel of the hand made dresses coming out of Mexico at the time and I wonder if it is not a more evening inspired piece by one of those artisans. The base fabric, which is a heavy cotton, almost canvas fabric is really the clue for this one. It is like a thicker, more substantial version of the cotton dresses and skirts coming out of Mexico for the tourist market in the fifties. It is such an unusual fabric choice and works so beautifully that it is also a rare example of someone using a very unusual fabric choice for an evening piece in an era where that was definitely not the norm.

The dress has been entirely made by hand. The skirt is cut to be very full and I have photoed it with a crinoline underneath so you can get a true sense of the volume that is there. You could even go fuller if you wished. I have also included a photo of the dress with no underskirt so that you can see how it falls without one (pic 8). If you chose to wear it without any crinoline you would still get a lot of volume and movement. Hand applied onto the skirt are large curving 'leaf' designs. Each of these have been shaped and made by hand out of a thick ivory cotton cording that has been hand stitched into place. Running down each of these leaves are three cords of a metallic gold for a touch of glimmer. These 3D appliques are placed to circle all the way around the skirt and they add a dramatic contrast to the black base. The waist is nipped and above that is a strapless bodice with shaped cups. That same hand place cording applique work swirls over the bust and the top edge of the sweetheart bodice is finished in more of the gold cording. This is an outstanding example of the work being done during this time period. Excellent condition with some minor notes to review below.

Unlined and closes with a back metal zipper. The interior bodice is boned and it has padded cups tacked into the bust. Removing them would give you more room in the cups if needed. It has its original matching fabric slide buckle belt. The belt buckle shows some wear. There is a very slight grubbiness to the cording on the bust and a darkening on the cord on one leaf. A tiny repair to the base of one seam at the back and some light marks on the cotton of the skirt that gets lost in the folds. Please see the last three photos after the shot of the inner cups on the bodice.  The hand work in the dress is easily seen from the back as shown. The crinoline used in the styling is not included

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 10.5" from top of dress to waist
Skirt: 30" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# E613

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress and coat set is extraordinary. After much research I have dated it to the mid-fifties while Christian Dior still presided over the house. You can see a striking similarity to the color and print in the examples shown here from the Haute Couture collections between 1954 and 1956. The label is the Modele Original label that was done one a custom order / custom made basis. The designs were based on the Haute Couture presentation from that season and then special ordered through the London store by clients. The work was considered to be demi-couture. It is not unusual to see variations and small changes from the runway line in these while still retaining the same color and line references found in the Couture examples.

Both the coat and dress are numbered and entirely hand finished and extremely well made. The silk used is very fine with a soft washed floral print screen onto the entire surface of both pieces. The dress is backed in a feather light silk organza while the coat is a double layer of the silk with the organza lining only found in the sleeves. Both pieces are so light that each of the two pieces have hand placed weighted hems in their interiors so that they fall and stay perfectly in place. The seaming is wonderful with the shape deliberately created through the placement of the seams. The inner dress has a voluminous cut that is wider and has more volume through the upper body and then narrows in towards the hips and hem. There is a small notched neckline anchored by a flat bow at the front and the back has a low slung flat bow and strap detailing set at the base of the small of the back. It is cut to be loose and full through the body and has an almost cocoon shape to it. The coat is cut with even more volume. These exaggerated lines and shapes perfectly showcase the feel of that era and would have been cutting edge then and still feel avant garde now. The evening coat is collarless and cut to sit almost off of the shoulders. On an actual body it has an almost slouched feel and the back puffs out tremendously in a beautiful curving swoop. The seams are all cut gracefully on a curve and the sleeves are to the elbow and wide. It is wonderful. Excellent condition with minor notes to review below

Both pieces are lined in hand set silk, the dress in an organza and the coat in the same silk as the exterior and silk organza through the sleeves. The dress closes at the back with a series of hook & eye and snaps at the back and a low set zipper under that. The coat has no closures. Hand placed weights in both pieces. Slight stress points at the corner of the lining under each arm. Please review the photos after the label shot. The dress is numbered 19013 and the coat 19012.

These were made to be worn over-sized. The hips on the dress do narrow down and there is no give there. The generous proportions should allow it to fit a range of sizes.

Jacket
Sleeves: 12.5"
Shoulders: 23"
Bust: 25.5" flat across from side seam to side seam
Waist: 25.5" flat across from side seam to side seam
Hips: 25.5" flat across from side seam to side seam
Length: 40.5" from neck to hem

Dress
Bust: 22.5" flat across from side seam to side seam
Waist: 19.5" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Length: 41.5" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD2674

Reference Photos: (1) Dovima in Dior, 1956. Photo by Henry Clarke.  /  (2) Dior Afternoon ensemble, 1954 from the Chicago History Museum Collection.  /  (3-5) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is incredible. I have seen one or two of these over the years and feel like at one point I saw it with its original designer label way back, but I did not save the information. This one has no label but it is clearly a well made piece. Plus it is just amazing regardless of its provenance and is definitely a dress that stands on its own merit.

The base fabric is a black felted wool and this gives it a soft, artisanal feel. This has then been printed in a bright rainbow of colors that run down the dress in rows of various states of circles, from full ones to just a sliver of a curve. Each of these are then detailed with pink, blue or green sequins that are set in little clusters at the center of each little dollop of color. Around the waist is an elaborately sequin and beaded 'belt' that is not separate from the dress but rather is a part of the dress and has been detailed onto the fabric. The neckline curves up from the shoulder and the sleeves are long. Each sleeve is detailed with a row of 6 hand beaded circular pattern buttons that run down the cuffs. This same pink beaded button detailing is used at the top of the front vent to keep it closed. The waist is defined by the detailing that you see but is actually cut fairly easy with just a suggestion of shape. The skirt falls from below that elaborate sequin belt and gently widens out a touch as it nears the floor. It is incredible and a personal favorite. Excellent condition

Fully lined in a black silk and closes with a back set painted metal zipper. The zipper sticks a teeny bit at times. All of the buttons are decorative only.

Sleeves: 21"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Bodice: 15.5" from top of bodice to waist
Skirt: 40" from waist to hem and including the two inch detailing around the waist. 2.5" turned up under the hem

Modern Sizing Equivalent: SML-MED

Item# E684

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Pauline Trigere launched her label in 1942. She had moved to the US from Paris in 1937 and her designs always have that bit of a French feel to them. By 1949 she had been awarded a Coty and won one again in both 1951 and 1959. The 1959 win coincided with being inducted into the Coty Fashion Hall of Fame. She as a pioneer in the use of cottons and wool for evening, In 1961 she made headlines for being the first major fashion house to use amply an African American model.

This dress is incredible and I love the lines of it. It is made out of fine black wool that has a hand painted design that is worked over the fabric in a variety of metallic paint. There is a gold, a blue and a red. The designs are clusters of little circles bunched in the various circles. Over each burst of color are hand placed and sewn sequins in the matching metallic color. Each sequin is then secured by a matching colored round bead. The fabric is just incredible and the overall effect this creates reminds me of perhaps fireworks. The cut of the dress is equally fabulous. The front plunges in a V and the bodice is more fitted with a curving seam just under the bust. The fabric skims over the wait and then flares out into a very full skirt that falls to about ankle length depending on your height. There is a lot of fabric in the skirt and when you move the movement of it is wonderful. The sleeves are gathered around each shoulder so they have volume and then they narrow down as they reach the wrist. It is even better on an actual body and one of the best Trigere pieces I have seen. It looks like it has been worn very little if at all. Excellent condition

Fully lined in a fine black silk and closes at the back with a metal and nylon zipper. It looks like it has been worn very little if at all. Hand finishes

Sleeves: 21.5"
Shoulders: 16"
Bust: 17.5" flat across from side seam to side seam
Seam under bust: 16" flat across from side seam to side seam
Natural waist: to 16" flat across from side seam to side seam
Hips: open
Bodice: 12" from shoulder to seam under the bust
Skirt: 41.5" from seam under the bust to hem with 2.5" turned under

Modern Sizing Equivalent: SML-MED

Item# DD3535

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is one of the prettiest Oscar de la Renta pieces I have had in the shop. It is a bit unusual in that it is made from a light cotton fabric instead of one of his usual silks or heavier fabrics. The fabric choice gives it a light and easy feel and adds to the sweetness that the dress has. There are yards and yards of a the cotton used to make up all the tiers and ruffles. The bodice is cut into a V at the front and this same V is done at the back as well. A ruffled panel sits on each shoulder to softly fall and flutter over the very top of the arm. It then follows the edge of the neck line at the back and the front. The waist is cinched in and the original matching fabric sash that comes with the dress can be wrapped and tied around it to add more definition. The skirt fall to the floor from under there and it is amazing. It is made with four full tiers of fabric that are attached to the inner skirt. Each tier gets fuller as they near the hem. When you move it has beautiful movement with you. The fabric itself is the perfect finishing detail. It is a soft red with a tiny white and green floral print scattered over the entire surface. I love it. Excellent condition.

The dress is lined in the same fabric through the bodice. The base skirt acts as the lining under the tiers. It closes with a side painted nylon and metal zipper. Original fabric sash belt. The zipper can stick a tiny bit at the waist

Bust: to 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Bodice: 11" from shoulder to top of band at waist and the band is 4" wide
Skirt: 44" from bottom of band at waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3534

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress dates to the early 1980s during the last few years of when Halston was still in control of his brand. At this point in the Halston history, anyone who was anybody was wearing the Halston label.

The dress is made from a black bias cut jersey that once on, molds to the body with an almost spiral dress feel. Inset into the jersey are semi-transparent panels made out of a black netting. These are finished with rows of glossy black tube and seed beads. They are set to curve down and around the body to emphasize the natural curves that you have. One sleeve is made out of the netting and this extends over the shoulder and over one side of the bodice at the front. At the back it dips down to follow along one side of the very low V that is there, and then extends over the lower part of the back to wrap around the opposite hip and curve down the full length of the skirt. The see through quality of the netting make it feel very scandalous. Even with nude undergarments it would definitely warrant an extra look once it is on the body. It is killer on and I have recently seen one of these priced considerably higher then what I have it priced at. Great overall condition with a note below

Unlined and slips on to wear. There are some small areas of beads missing along the netting. I have photoed them and there may be the very occasional single bead here and there. Please review the photos after the shot of the label. The fabric has some stretch

Sleeves: approx 26"
Shoulders: no defined seams
Bust: 16-19" flat across the back from side seam to side seam
Waist: 13-16" flat across the back from side seam to side seam
Hips: 17-21" flat across the inside back from side seam to side seam
Length: 59.5" from top of bodice to hem

Modern Sizing equivalent: SML-MED

Item# DD3530

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a remarkable example of his Courrege and his more extravagant work during that time period. I know we more often associate his work with very mod, strict lines but he also did many dramatic pieces like this using silks and organza's and I am sometimes more excited to find these then the more common mod feeling ones. A version of this one is held at the Munchner Stadtmuseum making it even more special.

This beautiful dress made out of a feather light black silk organza is just absolutely stunning. Many of his pieces are a play on volume and proportion and this dress is an amazing example of that. It is a dramatic piece that is more fitted through the upper shoulders and then flares out very dramatically through the body to the hem. When you think about how this is a look that you really started to see pick up speed a couple of decades later, you really get an idea of just how far ahead of the curve his work really was. The fabric is a very light weight black silk organza that has just enough structure to it that it holds the intended shape and volume while feeling like you are barely wearing anything. The slight sheen and texture to it combined with the absolutely superb seaming details give the dress a rich, luxurious feel. All of the seams are set vertically and there are long lines of ruffles done in the same fabric that run from the neckline down to the hem. Each of these is set to follow the flare of the dress and this added texture to the surface of the dress is a wonderful touch. The same ruffle treatment runs down each sleeve. The neckline is finished with a flat, hand set piping of the same fabric and a sweet little bow that sits at front of the neck. Each sleeve is finished in the exact same manner. The dress somehow is able to feel like a combination of a child's baby doll dress and the most wonderfully edgy avant garde thing you have ever seen. Made to demi-couture standards. Extremely collectible and rare. Adding a modern belt would add shape and change the look and feel of the dress. Excellent condition.

Fully lined in a hand set black silk organza. The lining zips to close at the back and then the layer over that snaps in place in a series of snaps that lie over the zipper. There are 1/2 snaps ringing the interior of the neckline but I think they are placed there for weight and were never intended to actually snap into anything. Hand finished throughout. Tagged a Courreges A but very generously cut through the body. The open cut should allow it to fit a range of sizes keeping in mind that the shoulders have a slightly narrower cut

Sleeves: 22'
Slightly inset shoulders: 13"
Bust: 19.5" flat across the back from seam to seam
Waist-hips: open
Length: 48" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3532

Reference Photo: 1969 Courreges Dress from the Munchner Stadtmuseum Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredibly extravagant set by Bob Mackie for a collaboration he did with the Blanche lingerie brand during the late seventies - early eighties time period. It still has all of its original tags attached and is in perfect condition. Rarely do I bring in lingerie pieces but this one was so fabulous that I could not resist it. The inner gown is made of a slinky gold lurex fabric that has little gold dots printed over the fabric. The neckline is dipped very low at the front and the netting there is detailed with a pattern done in a gold metallic thread. The back dips into another low V and the entire neck line has a caped effect made from a black semi-transparent chiffon. Over this is the outer robe that is made of that same black chiffon. This gives the robe a sexy, transparent effect. The outer robe is absolutely fantastic. The cuffs and neckline have a huge and dramatic feather finish to them. Each sleeve has a wide cut with more of that gold embroidered thread design set above each feather cuff. I love how the sleeves are set on an angle. Around the neck are more of the feathers and it has a decadent Old Hollywood feel. This is everything you want from a Bob Mackie. It is over the top, glamours and extravagant. You could probably get away with wearing either piece out for evening pieces which just adds to the fabulousness of the set. All original tags attached and unworn. Excellent condition.

Both pieces slip on. The robe has ties at the front. Tagged a P (small) and the set has all its original tags. Has never been worn

Inner gown
Shoulders: no defined seam
Bust: to 18" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: open
Length: 56" from neck to hem

Outer robe
Sleeves: 32" to end of feathers
Shoulders: 16"
Bust: to 27" flat across from side seam to side seam
Waist-hips: open
Length: 58" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3531

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Holly Harp opened a shop LA in the late 1960s and created custom clothing under the Holly's Harp label. She tended to create her clothing out of a hodge-podge of new and old materials. In the beginning she favored things like feathers and fringe but her aesthetic became more 'grown up' and glamorous as her career progressed and she started to ficus more on jerseys and draping. She was an avid thrifter and you can often see the influence of earlier decades in her work.

This is an amazing set that is made from a silk jersey in a rich jewel toned deep wine burgundy. It is two pieces. A pair of loose and easy pants and an over dress that you just slip on over your head to wear. The pants are have a partially elastic waist and then are loose and generously cut through the hips. From there they taper down to the ankles. They are cut so that you can wear them loose and long, or pull them up around the calves and create a poufed harem pant feel. By changing the way you wear the pants you get a whole different feel of the outfit. The dress that goes over these has a loose and easy cut that has an almost cape like feel to it. It is cut angled up higher at each side and then ends in a point at the side. The edges are all finished with a gold piping that pops off the burgundy. The neckline is finished with a twisted piping of the same jersey that is the wrapped and secured with the same gold. This subtle pop of gold is wonderful. It is meant to be loose and easy but you could also add a long tie belt in gold for some shape and it would look incredible. If you are brave you could probably wear the top dress on its own. This is a set that really transforms on an actual body and is even better when on am moving. Being two pieces means you will be able to endlessly mix and match it with other pieces too. It present as excellent condition but has a couple of minor things noted below

Both pieces are unlined. The pants slip on with elastic at the back and the top slips over the head and ties at the back of the neck. You could wear the V part and tie at the front as well. Tagged a medium but the pant waist is cut generously. There are a series of tiny repairs to the top on the back longer side. You don't see these once on at all because of the drape. The waist band is very wide. There is elastic at the back only and it looks like the inner band was repaired at come point. If would be easy to bring the waist measurement in if needed. The loose and easy cut should work on a range of sizes

Top
Bust-hips: open
Length: 50" from top of shoulder to longest point, 26" to shortest

Pants
Waist: 15-19" flat across from side seam to side seam
Hips: open
Length: 42" from top of bodice to waist
Inseam: 29"

Modern Sizing Equivalent: SML-LRG

Item# DD3529

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Zandra Rhodes is one of my favorite designers and it is always a treat to have one of her pieces for you. This is an incredible cut velvet fabric that she has had custom made with one of her own proprietary designs. It gives it that incredible Zandra Rhode touch while hearkening back to the decadence of the twenties in feel. 

This is a very wearable, gorgeous piece that can go for a fancier day piece to full on evening wear. The fabric is unusual for her but still showcased one of her signature designs within its patterns. It is done in a rich deep jewel burgundy red and a black chiffon base. The chiffon parts are partially transparent but it is backed in a black fabric so that you get depth but without the dress being see-through. Onto that is the pattern in a fluid devore cut velvet. It is incredible sensual and  feels wonderful when on the body. It is cut to skim over the body with a loose and easy waist. It gently widens out as it nears the hem and this makes it very easy to wear. The bodice has just a touch of detailing across the front with a small detailing of hand applied sequin paillettes and beads. The sleeves are unlined and are cut wide and full to just about the elbow, they are open along the inner seam and slightly overlay there so that when you move they have incredible movement Each is finished with the same bead and sequin detail all around the edge. I love the silk finish around the wide cut neckline. It is the perfect finishing detail. The dress appears to have never been worn, or worn very little. Excellent condition

The dress is fully lined in a black silky rayon and it closes with a back zipper. The bead and sequin work detailing are hand applied. This came from the estate of a very good Rhodes client and may have been a custom order. It looks to have been worn very little if at all. 

Shoulders: 15.5"
Bust: to 19" flat across the back from side seam to side seam
Waist: to 15.5" flat across the back from side seam to side seam
Hips: to 21" flat across the back from side seam to side seam
Length: 53.5" from shoulder to longest points on the hem

Modern Sizing Equivalent: SML-MED

Item# DD3528

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Versions of this dress have appeared in several museum exhibits of his work and I have included a photo from one of the Halston's books that shows a close variation of this style. This is classic Halston from his main label couture line. These one shoulder pieces are one of the most instantly recognizable looks that he ever created. I have versions of these in my own personal collection and this one is a very versatile version of his classic dress

The dress is entirely cut on the bias and utilizes his signature minimal seaming. Halston defined how woman dressed in the 1970s and these one shoulder dresses in particular were tremendously flattering to the body. It is also insanely sexy while still being extremely comfortable to wear. It is feather light and you are barely conscious of wearing anything. The fabric is a very fine light silk chiffon that moves and drapes beautifully. The silk used is on two tones of hand dyed color. The inner dress is a deep raspberry and then one half of the overlay is a deep burgundy. Both  colors are flattering on most skin tones and are a beautiful alternative to black. The inner dress is suspended by a single hook at the shoulder and is made of three full layers of the silk. A second, separate piece is made of the same silk. That second piece is an oversized rectangular constructed from two attached layers of the silk chiffon. This is what allows you to be able to create countless looks. I quickly styled a half dozen variations by tying the over layer in different ways around the inner dress and you could easily get more elaborate if you started using brooches or got more creative. When draped over the shoulder and tied it creates a full second outer layer, cascading down and over the inner layer for his classic one shoulder silhouette. It is spectacular. This is a rare example of Halston at his very best and it is easy to see why it is a piece favored by Museums. Presents as excellent condition but please review the full condition notes below

Constructed in multiple bias cut layers as described above. The inner dress slips on and has a hook at the top of the shoulder and the second outer layer is a double layer of silk in two colors tones. Hand finished and the bias cut should allow it to fit a range of sizes. There are two marks n the inner dress's skirt. One on the hip and one on the lower skirt. You would not see either with the overlay worn over it. The marks are only on the top layer so you could remove the one layer or have it switches to the inside. Note the length will come up when on due to the bias cut

Dress
Bust: 13.5-17.5" flat across from side seam to side seam
Waist: 13-18" flat across from side seam to side seam
Hips: 13.5-21" flat across from side seam to side seam
Length: 62" from shoulder to hem but will come on once one

Outer Layer
80" x 39"

Modern Sizing Equivalent: XS-MED

Item# DD2473

Photo Credit: "Halston" by Phiadon, 2001. Various Halston dresses held in The Metropolitan Museum Permanent collection, NYC

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous little YSL dress form the 1990s that has a fun and exotic vibe to it. The dress is made from a crisp cotton that has enough weight and structure to it to perfectly fall into the line that Yves desired it to have. It has a nod to the Hawaiian dresses of the forties in its color and cut. I love the bold purplish-fuchsia color that is combined with a soft grey and a charcoal to make up the abstract print that covers the dress. The shape is soft and cut to skim over the body. The dress is suspended from wide straps that curve around each shoulder. The bust is more fitted and gathered for fullness. and shaping. The skirt is a faux wrap that overlaps over itself along the side with the bow, So when you walk or sit it will open a bit to show some leg. On the one hip is a large half bow that adds amazing shape and detailing. It is amazing on the body. It appears to have never been worn, or worn very little. Excellent condition

Lined through the bodice in the same fabric and the skirt is unlined. It closes with a side zipper. Tagged a vintage YSL 42. It appears to have never been worn or worn very little

Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from shoulder to waist
Skirt: 26" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3527

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The wrap dresses and jumpsuits by Diane Von Furstenberg have become an iconic staple and this is one of the originals. Diane moved to New York with her husband, Prince Eduard Egon Von Furstenberg in 1969. She had design aspirations and in 1970 showed her first collection. It was in 1972 that she first debuted her now-iconic 'wrap dress' for the working woman, revolutionizing American women's apparel. By 1976, she had sold 5 million wrap dresses, landed covers of Newsweek and The Wall Street Journal and was a regular within the pages of Vogue. By then she had added the jumpsuit to her line up and they were a huge success.

Girls bought these jumpsuits in droves and wore them to travel, dance in, and pretty much everything else. You do see Diane's dress versions of these pieces from this time period pop up more often then the jumpsuits do, but I am always on the lookout for these as well. They are harder to find but worth the hunt. This one with its gorgeous floral print in soft pastels is wonderful. The print is screened onto a soft stretch jersey and the design covers the jumpsuit from head to toe. Parts of it almost feel painted on as there is a slight bit of texture to the print. It has long, lean lines and makes you look and feel supermodel tall in it. The top is cut in a halter style and it curves up and around the neck. This leaves the back completely open and bare. It has its original matching tie belt that you can tie around the waist to cinch it in more if you wish. The legs are cut extra wide straight and long so that when you stand still it feels like you are wearing a dress. It is only when you move or sit that you realize that it is legs. The hem of each leg is a full 50" around. The final result is one long, lean, supermodel silhouette. It appears to have never been worn. Excellent condition.

The jumpsuit is unlined, and buttons to close behind the neck and has a low set zip at the back. The fabric is a soft jersey that has an almost heavy T-shirt feeling finish to it. The fabric does have some stretch. It appears to have been worn very little if at all.

Bust:the open back means there are no true side seams
Waist: 13-14.5" flat across from side seam to side seam
Hips: to approx 20" flat across from side seam to side seam
Bodice: approx 15.5" from top of shoulder to waist
Pant length: 41.5" from waist to hem with 2" turned under the hem
Inseam: 31.5"

Modern Sizing Equivalent: SML-MED

Item# DD3525

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The beading technique used on this dress is distinctive and it led me to a dress from this the Fall 1974 collection that uses the same beading technique. That one was photoed by Guy Bourdin for Vogue that season.  And a twin of of that dress was auctioned off at Sotherby's with the final hammer reaching 3000 euros. Examples of Karl's work during this time period are held in museums around the world and are rare finds. This is an important piece of fashion history.

In person, this dress is even better then how it photoed. The cut is simple but it is very sexy with a wrapped feel to the bodice and its long silhouette. The dress is made out of a black silk crepe that has a slight bias cut to it that allows it to flow over the body and mold to your shape. Gold glass tube beads are applied in little angled rows over part of the bodice to highlight that feeling that the dress is wrapped around the body. The beads have been hand applied and are set onto the bodice on the one side up and curve up and around the neckline. From there they wrap around the waist and wrap around the hip in a long curve. This amazing design really emphasizes your curves. The neckline is high and the back curves and dips down quite low to leave the back bare. I love the wrapped illusion created by the way the beading is applied over the bodice and how the neckline curves up and around the neck in such a graceful line. The dress skims over the hips and flares out once it reaches the hem with a touch of a fishtail effect at the back and a side vent that really allows it to flare out as you walk. It is magic once on an actual body. Excellent condition

Partially lined on the same silk through the bodice and the skirt is unlined. It closes with a side painted metal zipper. Hand finished interior and beautifully constructed.

Bust: to 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 60" from neck to front hem,  62" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD3293

Reference Photos: F/W 1973-74 Chloe by Guy Bourdin for French Vogue.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The last dress I had by Pierre Cardin in a similar fabric and from this same time period ended up being purchased by a museum and I am very pleased to have such a wonderful example once again in the shop. It is always nice to have that museum validation as a collector to know that you are buying an important and relevant piece. I have included two reference photos. One of from the dress held in the Met Museum that dates to 1959 showing the origins of his idea for the ruffled 'petal' roundel hem> the other is a shot from the March issue of British Vogue showing a model in a dress and hat made of a similar print.

This dress is extraordinary and any collector of Pierre Cardin will instantly recognize it for the every special piece that it is. The dress is made out of a printed silk organza and I love that if you look closely you will see little hearts worked into the design. The dress is sleeveless and is cut to skim over the body with just a suggestion of curves as it works it way over the bust, waist and hips. The skirt is spectacular and the highlight of the dress. In person the movement it has and the volume created when you move are incredible. Long oval roundels are hand stitched down their centers to the skirt. This leaves each side of the oval free and off the dress so that they move freely. They are spaced tightly together all the way around the hem. I love how they are set so that they are higher in the front and then curve gracefully down to the back where they are set to fall longer and to the dresses full length. It is a stunningly beautiful and rare piece that I am very excited to have in the shop. Excellent condition with a minor note below to review.

Fully lined in a turquoise silk and closes with a hidden set back zipper. Hand finished throughout. There is a tiny repair near the zipper and a tiny repair area near the side seam. Please see the two photos after the label shot.

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 18,5" flat across from side seam to side seam
Length: 49" from neck to shortest point of the front hem, 60" to the back

Modern Sizing Equivalent: SML-MED

Item# DD3520

Reference Photos: (1) Model in Pierre Cardin for Vogue UK, March 1971. Photo by Barry Lategan.  /  (2) 1959 Pierre Cardin Dress from The Met Collection Online.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This vintage Lanvin dress has a brilliant color and print combination on a crisp white base. The jersey fabric it is made of was considered one of the new 'miracle fabrics' of the day as they gave women the option to wash and wear and travel with pieces that needed little or no ironing once you arrived at your destination. Lanvin began producing pieces from these jerseys in the early 1970s to appeal to their younger, jet set clients. I love when I find great examples of these for this time period in the label's history. The dress has long sleeves that pouf out slightly above their buttoned cuffs. It buttons all the way up the front so you have the option of wearing it fully open and over something underneath. The collar is oversized and ends in long points that sit almost in top of the shoulders when the top few buttons are left undone. It falls in a straight line to the hem, widening out very gradually as it nears the bottom. This leave the waist loose and easy. You could easily add a modern belt if you wanted more shape. I love the brilliant, over-sized floral print that covers the dress and the incredible colors that have been used. The fabric is easy to care for and this is a great piece to travel with. Excellent condition.

Unlined and buttons all the way down the front to close with fabric covered buttons. Each cuff buttons to close. The fabric does have some stretch. It appears to have been worn very little if at all

Sleeves: 24"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 55" from neck to hem with 3" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3519

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Glossy black sequins that are extra large in size have been densely applied to a structured and fitted base to make this amazing strapless dress. The sequins cover the entire surface of the fabric of the bodice. The dress is strapless and the neckline is cut into a sweetheart shape and the interior is boned and molded. The waist is nipped in and the sequin part curves over the top of the hips for a long and shaped line. Under that is a wide panel of glossy black feathers that gives volume that and movement. This fullness at the bottom adds shape so that your waist and curves are emphasized. It is cut very short and is an amazing vintage find. Excellent condition.

The dress is fully lined with a silky black rayon and closes with a back painted metal zipper. Light boning through the bodice. The bust is shaped and would probably fit up to a C cup. Tagged a UK 12. The dress appears to have been worn very little if at all.

Bust: 16.5" flat across the back from side seam to side seam
Waist: 15" flat across the back from side seam to side seam
Hips: 19" flat across the back from side seam to side seam
Length: 28" from top of the bodice to the bottom of the feathered hem

Modern Sizing equivalent: SML-MED

Item# DD3517

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a softer, more romantic feeling version of the dress that Naomi Campell wore  for the ad campaign that year and Christy Turlington wore in Elle UK. Theirs were fitted all the way down to the hem where this one flares out past the waist and is detailed with a large bow at the front. The fabric used is the same for both. This version is perhaps more wearable for most and a little more forgiving then the very fitted silhouette of the other.

The dress is gorgeous and the fabric itself is part of what makes it so fabulous. It is far lighter then what it looks like it should be. The top layer of fabric is a open work lace that is shot through with a metallic thread so that is has a touch of glitz. The pattern in the lace is then detailed with curving rows of glossy black sequins. The bodice and hem are finished with a silk tulle ruffle. I absolutely love this classic YSL touch and it gives the dress a flirty, girlie feel that it would not have without that finish. The dress falls from the shoulder from little straps and I think that if it fit you perfectly you could probably have the option of tucking these on and wearing it as a strapless pieces. The edge of the bodice curves and plunges. It nips in at the waist and there is a large silk satin black bow set at the center front. There is no waist seaming, it just curves in and then flares out for the skirt. Everything about the cut of the dress is done to highlight the curves of the body from the way the ruffles are set on the bust to the curved lines of the skirt as it swings out and away from the body. It is wonderful. Excellent condition

Fully lined in a black silky rayon and closes with a side set zipper. Tagged a vintage YSL 40

Waist: 14" flat across from side seam to side seam
Hips: open
Length: 38" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3516

Reference Photos: (1-2) Naomi Campbell for Saint Laurent Rive Gauche, 1987.  /  (3) Christy Turlington in YSL for Vogue UK 1987. Photo by Patrick Demarchelier.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

John Bates founded the Jean Varon label in 1959 and it became known for the futuristic designs that Bates created. By the late sixties and into the seventies his work tended more towards more floaty, feminine designs. Some of the very best pieces were made during this time period and his caftans and caftan dresses are particularly lovely.

This is one of those caftan dresses that he did so very well. This one is made from two layers of a beautifully printed chiffon. The print is a leaf and flower design that is set on a deep blue background. Layered onto that are a green and a taupe that make up the pretty design that you see. Everything about this piece feels pretty and romantic. The under dress is a long sheath that gradually widens as it reaches the hem. The printed chiffon on this layer flows over a solid lining to give it a touch of structure. Over that inner layer is a second panel of fabric that is set to flow down from the shoulders and floats over the interior dress. It ends in a point and falls cape-like over the arms. The neckline is rounded and under the top chiffon layer the inner dress is sleeveless. I love how you get this sense of depth from the pattern on each layer floating over each other. Excellent condition

Fully lined in a blue silky rayon and closes with a back metal and nylon zipper. The top layer ties at the back of the neck.

Inner bust: to 19" flat across from side seam to side seam
Waist: to 20" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 56" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3513

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Geoffrey Beene was one of the great American fashion designers and he was recognized for both his artistic and technical skills. He launched his label in 1963 and a piece from his very first collection landed the cover of Vogue. A Coty award followed a year later and in 1984 the Council of Fashion Designers created the annual Geoffrey Beene Lifetime Achievement award in honor of Beene's fashion legacy.

This is an incredible set by Beene that is made out of a feather light metallic silk lame. The color of the metallic fabric is a combination of a soft turquoise blue shot through with gold thread. The pattern this creates are a little series of squares and each one has a subtle leopard print worked into them. It is just amazing. Especially when you have it in hand and realize just how light and fine the fabric is. The set is made up of two pieces. The skirt is cinched in at the waist and has a pocket along one side. It widens out as it nears the hem and the lightness of the fabric makes it move wonderfully around you when you move. The matching top wraps around you to close, crossing at the front. I have tied it at the back but you could probably wrap it once more and tie it at the front if and ties at the back. On my dress form it ends up to be quite cropped and depending on how you tie it you can have to sit even higher up or slightly lower to close the gap a bit. Excellent condition

Both piece are unlined and the fabric is incredible. The skirt hooks to close at the waist and the top slips on and ties. You could move the hook on the skirt up or down a 1/2 inch or so in either direction and the top is adjustable with the tie. A pocket on the skirt where it hooks.

Top
Bust: to 19" flat across the back from side seam to side seam and the ties make t adjustable
Length: 16.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 35" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3514

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This was Look 16 on the Burberry runway and was one of the chicest pieces of the Spring 2014 show. Its neutral feel worked perfectly over the soft pastels it was shown with. It is classic Burberry and very well made. The Prorsum line is the high end line for Burberry and this coat was over $5000 at full retail. It is new with all its original tags

This is one of those pieces you will reach for over and over because it will go with anything and will never go out of style. It has a simple and classic cut. Through the body it is loose and easy when you wear it open but with the belt you can cinch it in and create a sharp and curvy silhouette. It has no closures other then the belt. The cut is very simple with no true collar around the neck but the front folds over to give it a collar feel at the front. Large top set pockets sit on either side of the hip for detailing. The suede that has been used is ultra soft and supple. It is surprisingly light weight and moves very well while still retaining its intended shape. It appears to have never been worn. Excellent condition.

Unlined and closes with the matching belt. Tagged a size 40. The loose and easy cut should allow it to work on a variety of sizes. Has its original hangtag in the pocket

Dropped sleeves: 20"
Dropped shoulders: 18.5"
Bust: to 21" flat across from side seam to side seam
Waist- hips : to 20" flat across from side seam to side seam
Length: 40.5" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C553

Reference Photo: Burberry Spring 2014 Ready-to-Wear (Look 16)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a wonderful hip length string coat from the 1970s by the Crissa Cotique of France label. I love these and have had versions of these in the shop. I always look for them. It is made entirely from curved set rows of a soft and fluffy cotton string. Many designers have made versions of these coats since, but there is nothing like the original. You will see these pop up fairly often in the truly cropped length that lands above the hip, but the longer ones like this one are harder to find. I have one of these myself and I always look for the longer ones for the shop. I have included photos of the even longer version of it that I have so you can get an idea of how it looks on, but please note that this one would probably land at about the edge, or just above, of the mini dress I am wearing in the shots.

The color of the cotton string on this one is a light ivory/off-white color that is consistent from top to bottom. Any variations of color in the photos is the lighting only. The cut is loose and easy and it is open down the front with large sized, hidden snaps to close it. It has slouchy pockets on either hip. The inside is unlined and you can clearly see the way the string has been set onto the base and finished. It is meant to be big and slouchy once on so the size is almost irrelevant as they will fit pretty much any size. These can be styled for high, sexy glamour or keep it soft and romantic. These coats can top absolutely anything from jeans to an evening dress, making them an extremely versatile piece to have in your wardrobe. It is a timeless piece of instant glamour and a fabulous alternative to any type of fur, whether it be faux or real. Excellent condition with a minor note below to review

Unlined and closed with hidden set, large snaps along the front. The color is consistent and the strings are strong and stable. These were cut to be worn over-sized and slouchy and it will fit a variety of sizes. There is a mark near the label that is only on the interior and does not show at all on the outside. A touch of grubbiness to the strings to the edge of one side at the bottom. Please see the two photos after the shot of the label

Sleeves: 28"
Shoulders: no defined seam
Bust: to 21" flat across from side seam to side seam
Waist to hips: open
Length: 33" from neck to hem

Modern Sizing Equivalent: XS-LRG

Item# C554

Reference Photos: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced at this point in Dior's history. I am no expert on furs but believe this it is mink. The color is a pale ivory with touches of a natural tint to it that is stunning in person. The fur is supple and soft and in very good condition. It is applied through the body of the coat in series of horizontal rows that become a design feature in themselves. In between the rows are bands of snake skin that contrast against the fur. The sleeves are a solid pelt with a large wide cuff defined with another snake inset above it. Each sleeve is cut straight and full and the collar is a classic notched wide collar. It is cut in an easy style that gradually widens out to a bit of a flared bottom. Pockets are hidden along the top of one of the snake insets on each hip. It has been properly stored and cared for and appears to have been worn very little if at all. There is one small issue to review below but is otherwise in excellent condition.

Fully lined in an ivory silky satin with velvet detailing on the inner front edges and has an attached tie inside. It has fur hooks at the front but I think they have been replaced at some point as the don't close 100%. If you wear your coats fully closed you will need to take this onto account. You could easily just wear this with a belt and wrap it. Slip pockets on each hip and one hidden along the inside edge at the front. I see no bald spots or shedding, the pelts are supple, soft and shiny. There is a break that goes right through the pelt of the of the fur under one of the snake insets at the back. It is fairly small and could be repaired from the back. Please see the photo after the label shot. Perhaps the faintest storage odor. For a vintage fur from such an important designer, I still rate this as near excellent. The fur is still supple and is stable with no signs of excessive shedding that would indicate that it is breaking down. 

Sleeves: 21.5"
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 41" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C555

Reference Photo: 1969-72 House of Dior Coat from The Met Online Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This is a super easy set to wear and I love the ease it has once on due to the bias cut of the fabric. The silk is a rust and white stripe that is set on a diagonal to follow the bias cut of the silk. It has a little secondary floral pattern woven through it that gives it some added texture. The skirt is a simple pencil silhouette that falls to just below the knee. It does up along one side and I love the white piped finish at the hem. The top slips on and has a wide, straight cut neck. The sleeves come out from the sides with no seaming so have a soft slouchy feel to them. They each narrow in to the cuffs and are finished with that same white piping. It is very chic and easy to wear and the fabric is very light in weight. Great overall condition with a note below.

Both pieces are unlined. The top slips over the head to wear and has snaps along the seam near its hem. The skirt snaps and hooks to close at one side. One pockets on the skirt where it closes. You could move the hooks up or down probably up to an inch either way to adjust the waist.

Top
Sleeves: approx 19"
Shoulders: no true seams
Bust: to 19" flat across from side seam to side seam
Waist-hem: 17" flat across from side seam to side seam

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 29" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3510

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Jean Muir is renowned for her wonderfully cut clothing and her clothes often played on the cuts and styles of the 1940s. When researching her work I found a photo from 1972 that ran in British Vogue of a similar dress in leather. This one was not made to with a belt but you could easily add a belt to get that look. It is a stunning dress and the reference photo gives you a better idea of how great this is on the body. Each of her dresses were made one at a time and by one single person start to finish. This singular attention shows in the high quality of her garments.

This is a stunning example of Jean Muir's work in prints. She definitely tended towards solid colored jerseys so whenever I find one of her prints it's especially thrilling. It is so chic in person. Her dresses really do best with an actual body under them to fully show off the cut and drape. This dress is made from a silk with a satin finish. Onto the silk is screened that wonderful abstract print in a black, rust, yellow and white. The fabric choice allows it to have a beautiful drape and movement. It is  pin tucked on either side of the buttons on the bodice for a pretty detailing. More pin tucking sits at the top of each shoulder. The buttons are covered in the same fabric and these run to the waist. The dress opens fully to the hem and is closed with a series of snaps and hooks hidden down the front of the skirt. The skirt flares out wonderfully and is set into the easy cut waist in a series of soft pleats. Each sleeve is cut very full and wide. A wide ribbon finish circles each sleeve and around the bottom hem.  It presents as excellent condition but does have some minor flaws to review below.

Fully lined in a white silk through the upper bodice and the sleeves and skirt are unlined. It closes with buttons down the front and hook and eye and snaps below the waist. One missing buttons and there are some very faint marks on the fabric near that missing button. The inner lining shows some discoloration and tearing. Please see the photos after the label shot. The outer fabric is strong and wearable.

Sleeves: 23" approx.
Shoulders: 15.5"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3512

Reference Photo: Model wearing Jean Muir, UK Vogue, 1972.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of two leopard printed pony hair jackets that I have in the shop this week that originate from Mexican during the 1960s or 70s. These would have been made by hand by local artisans for the tourist market and represent an important part of the artisanal history during this time period. This one has a single row of matching buttons that run down the front and a very wide collar that is rounded off at its edges. The sleeves are long and the waist is seamed so that is nips in a bit. The skirt of the coat flares out from under that. The coat has a ton of swag to it and is amazing in person. I love the little flap pockets on the hips. The coat is not 100% perfect but its in great condition and still very wearable.

Lined in a silky deep red rayon and closes with the buttons at the front. The very bottom button is missing. There is a small repair on the back of the coat that I have photoed.  The inner fabric around the label is also a bit grubby. The coat is in as found condition and does have a slight vintage odor. The pelts are still supple and glossy.

Sleeves: 22.5"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 16,5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 35" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C552

Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This coat is instantly recognizable as being by Bonnie Cashin and a version of it is actually held in the Metropolitan Museum of Arts collection. I also found a ad for the coat that ran in both the New Yorker and Vogue for the September issue. Cashin launched her label in 1952 after a successful career in costume design. She was a highly influential innovator who created loose-fitting sportswear and light, layered clothing. In 1972 she was inducted into the Coty American Fashion Critics Hall of Fame and her work continues to be regarded as an important part of fashion history

This is a rare opportunity to own one of her iconic pieces. The coat is a combination of a natural colored suede and a fox. The suede is used for the rounded shoulders and upper bodice all the way around to the back and the wide cut sleeves. It is cut to be more fitted around the shoulders and then flares out to have a ton of volume through the body and to the hem. The fur is used as a neat round collar to frame the neck and then covers the lower portion of the coat. The inside is lined a matching colored jersey which in itself is a very unusual fabric choice. I love that there are hidden pockets along the inset front seams. It closes with simple suede ties at the neck and where the fur starts under the suede part. Excellent condition with a small note below.

Fully lined in jersey and loosely closes with the ties at the front. The coat is in as found condition and does have a slight vintage odor. The pelts are still supple and glossy. There is a bit of grubbiness to the suede here and there and some natural patina from normal wear. There are some small pinholes scattered here and there on the lining. The open cut should allow it to fit a variety of sizes

Sleeves: 21.5"
Shoulders: no true seams
Bust: to 23" flat across from side seam to side seam
Waist: to 26" flat across from side seam to side seam
Hips: open
Length: 33" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C553

Reference Photos: (1) 1960s Bonnie Cashin Coat at The MET Online Collection.  /  (2) 1968 Bonnie Cashin Ad, New Yorker and Vogue 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This is one of two leopard printed pi y hair jackets that I have in the shop this week that originate from Mexican during the 1960s or 70s. These would have been made by hand by local artisans for the tourist market and represent an important part of the artisanal history during this time period. This one has a double row of shiny buttons that run down the front and a very wide collar that is rounded off at its edges. The sleeves are long and the waist curves in slightly. The coat has a ton of swag to it and is amazing in person. I love the top set pockets on the hips. Each one is detailed with a patent leather piping that runs down dividing the pocket visually into three panels. This picks up on the patent covering the front buttons. The coat is not 100% perfect but its in great condition and still very wearable.

Lined in a silky black rayon and closes with the buttons at the front. One button is missing its cap. There is a small nick on the fur on the collar where the crease is and a small bald spot under one pocket. The coat is in as found condition and does have a slight vintage odor. The pelts are still supple and glossy. Should fit a range of sizes depending on how you like to wear your coat

Sleeves: 23"
Shoulders: 17"
Bust: 20" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 41" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C551

Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This is a gorgeous purple print Yves Saint Laurent jacket whose fabric has a fabulous top stitch, quilted detailing that has been done with a gold metallic thread. The gold has been done in a diamond shaped pattern over the entire jacket so that it has a subtle glimmer. The cut is beautiful. The shoulders have a touch of padding in them and the sleeves are slightly capped at the top and are cut to narrow in as they reach the wrist. The waist is seamed and there is a slight peplum under that seam that glides over the top of the hips. You can exaggerate this flared hip even more by adding a belt.  The print is a mix of purple and blues. It is finished with flat gold toned buttons that run down the front and tie in with the gold top stitching. A stunning Yves Saint Laurent piece. Excellent condition

Fully lined in a purple silk and closes at the front with the buttons as shown. It looks to have never been worn or worn very little. Still has its extra button sewn inside. Tagged a vintage YSL 44

Shoulders: 16"
Sleeves: 23"
Bust: 20" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# S918

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is such a sharp looking jacket. Its an inky black medium weight wool that has a wide ribbed texture running through it. It is cropped to just above the hip and the sleeves are long. The body of the jacket is cut in a squared off boxy shape and it closes at the front with a double row of gold toned and black buttons. The collar is the star of the show on this one and it is cut to sit big and bold. I love its notched design and the extra long points. It's perfect to pop over a dress, over pants, a skirt or even go casual in jeans. Excellent condition

Unlined and buttons at the front as seen. One tiny repair at the fold of the back collar that is not seen when worn.

Sleeves: 22"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 21.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# S917

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Vogue magazine raved about this collection saying in part; 'With pop chanteuse Regina Spektor at the grand piano in his 583 Park Avenue show space, the designer sent out a Fall collection of impeccable clothes for gals young and old who are accustomed to the good life' .... They then went on to mention this gown specifically; 'Come evening, the collection went two ways: understated, as with a trio of black columns in velvet, hammered satin, and silk crepe; or gala. Gustav Klimt's work was a reference point not only for a strapless floral chiffon embroidered dress accessorized with several strands of beads, but also for a pair of black gowns—one in a realistic (gold-) leaf motif and the other in a more abstract brushstroke style.' The twin of this dress was the brushstroke dress they referred to and was Look 61 on the runway.

The dress is made out of a very light weight black matte satin silk. The light weight of the fabric is absolutely intentional. It is just heavy enough to be able to hold and carry the hand painted brush strokes that have been applied onto it, but is still light enough that with every move it billows out around and behind you. I have included the clip of Jessica Stam walking the runway in it so that you can see the effect as it moves. The bodice is strapless and the fabric is hand gathered over it in soft folds. It is shaped to accentuate the bust. Below that, the skirt is very full and billows out and around you beautifully. It skims over the hip and then flows to the floor. At the back it is longer and extends out into a train. At the base of the back there is a large bow made out of the same fabric and even this is done in just a single layer of silk so that it too moves and flows with you as you walk. From the side this creates a beautiful curving angle from the waist to back hem. No matter what angle you see the dress it is stunning. The fabric itself has been hand painted with gold and copper brush strokes and to further highlight these there are little areas of hand applied gold sequins, others are detailed in a gold glitter and there are rhinestones scattered here and there as well. It is stunning. Excellent condition

Fully lined in a black silk through the bodice and a black silk organza through the skirt. It closes with a back hidden set zipper.  Light boning through the bodice. Tagged a modern ODLR 8. It appears to have never been worn or worn very little. All of the detailing has been done by hand

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 7" from top of bust to waist
Skirt: 44" from waist to front hem, 51" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD3508

Reference Photos: (1) Model Jessica Stam walks the F/W 2008 Oscar de la Renta Runway. Look 61.  /  (2) Cherie, Owner of Shrimpton Couture.
Reference Video below: F/W 2008 Oscar de la Renta Runway Show.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is a personal favorite and it shows the range of what Hanae Mori was capable of. The dress is simple and beautiful but still striking. It dates to the late 1970s, early 1980s and it is an absolute work of art. Hanae was the first woman of Japanese descent to have presented on the Paris and New York Runways and the first Asian woman to be admitted as an official Haute Couture house to La Chambre Syndicale de la Couture Parisienne. Her work is exceptional.

This dress is a wonderful example of her range as a designer. It also showcases her extraordinary and meticulous attention to detail. The inner construction on this one is partially finished to Haute Couture standards and I have included a photo of the hand finished inner seams. I think that it may have been a special order placed through Saks Fifth Avenue based on the level of detail on the inner finishes. The dress is as light as a feather to wear because of the silk chiffon she has chosen to make it out of. The silk was then woven through with a gold lame thread that creates that beautiful design of huge stylized flowers that cover the dress entirely. The gold gives the dress its impact and the lightness of the silk chiffon is easy to wear. The bodice is suspended from the shoulders and has an almost chemise feel to it with the straps set slightly inwards. It skims down and over the body to the waist. The back closes with a series of silk covered snaps and her signature tiny snaps. Below this the skirt falls to the floor in two tiers of chiffon layered over each other for just a touch of fullness. It is astonishingly beautiful. Even more beautiful in person and the photos cannot convey the quality and feel of the high grade silk and the lightness of the dress when on. Excellent condition

Fully lined in a black silk and closes at the back with silk covered snaps to the waist and a series of her signature tiny snaps under that. Hand finished to couture standards throughout the interior. Tagged a vintage Mori 10. It will fit more like a loose chemise on a smaller frame and more fitted through the bust on a larger

Bust: 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam of the inner corset
Hips: open
Length: 59" from top of shoulders to hem

Modern Sizing Equivalent: XS-MED

Item# DD3244

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I just sold the twin of this a couple weeks ago and buy some strange twist another came in that is slightly longer then the other one was. The dress is a wonderful and easy to wear caftan dress by the Young Innocents by Arpeja label. Arpeja was based out of California. They had several lines that were very on trend and targeted towards a more youthful audience. The Young Innocents label launched in 1964 and lasted into the early 1970s. They were an early proponent of sourcing fabric that were from organically grown sources.

This caftan dress is bright and colorful and so very pretty with its mix of a true bright blue and a soft apple red. It has an almost smock feel to its construction The sleeves are exceptionally wide and the effect once on a real person is wonderful. The neckline is cut into a V at the front and trimmed with a wide border of the red floral fabric. This same red is used for the attached ties that you can use to cinch it in at the waist. Under that the skirt falls to the floor, gently widening as it nears the hem. More red edges each wide sleeve and then is used in a wide band around the hem. It is a made out of cotton so it is very easy to care for. I love the combination of the red and blue and the big floral print that covers both colors. The fabric also has an unusual 'puffed' ribbon effect running through it that adds an extra layer of texture. The dress is magical. Excellent condition

Closes with a back zipper and the attached ties will allow you to cinch in the waist as much as you wish. Easy to care for and can be machine or hand washed. The loose and easy cut should work on a variety of sizes.

Sleeves: approx 19"
Shoulders: no true shoulder seam
Bust: open with no true side seams through the bust area
Waist: 16" flat across from side seam to side seam
Hips: open
Bodice: 14" from top of bodice to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# D624

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Zandra Rhodes is one of my favorite designers and it is always a treat to have one of her pieces for you. This print matches pieces from the Spring 1988 collection entitles the 'Fantastic Flower Garden' which featured little flowers set within curved lines in the backdrop and little crosses on the petals of the flowers.

This is a very wearable, gorgeous piece that can go for a fancier day piece to cocktail wear with ease. The fabric is her signature hand painted silk chiffon and this one is done in a flattering deep red with a charcoal print. This lies over a silk satin interior that feels wonderful when on the body. The dress has an asymmetrical hem and panels of fabric that are sewn on in tiers and on the bias to create a floating feel around you. They are set like a softer version of a handkerchief hem. This gives the dress a lot of movement. It is cut to skim over the body with a loose and easy waist and then the skirt flares out. The bodice has just a touch of detailing to highlight some of the floral prints with hand applied sequin paillettes and pretty faux pearls. The sleeves are left unlined and have that same panelled floating technique used on hem of the skirt so that they are light and airy feeling as well. It comes with a matching extra long sash that can be tied around the waist like I have done or you can wrap it around the neck or even tie it like a turban around you head. It is lovely and highly collectible. Excellent condition

The dress is fully lined in red, light silk satin and it closes with a back zipper. The bead and sequin work detailing are hand applied. Comes with a long wide sash and there are several pieces of matching fabric that came with it. This dress may have been a custom order and I think these are fabric swatches sent in advance of the actual making of the dress. It looks to have been worn very little if at all. 

Shoulders: 14.5
Bust: 17" flat across the back from side seam to side seam
Waist: 14" flat across the back from side seam to side seam
Hips: to 20" flat across the back from side seam to side seam
Length: 45" from shoulder to longest points on the hem
Sash: 17" wide x 102" long

Modern Sizing Equivalent: SML-MED

Item# DD3507

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of the most incredible things I have ever had. At first glance I thought that it must be from the 1940s but I actually think it is earlier that that, largely due to the fused/glued on sequins that are attached directly onto the fabric. You usually see this done slightly earlier in the timeline. Beyond dating, it is just incredible. The set consists of two pieces; a soft halter and a sarong style skirt. The halter is soft and wireless as fitting for the time period and it is backed in an ivory silky rayon. I photoed the back of it for you to see. It simply hooks into place and ties around the neck with nude coloured ribbon. It is cut fairly wide and has just a simple seam down the front. The sarong is equally as simple. It wraps around you and hooks into place under the attached ties that extend out from the skirt. It slightly overlays but is open all the way down under where it hooks. I photoed it at the side but you could also wear it with it hooked just under the belly button. The fabric is absolutely incredible and a really stunning example of textiles from this era. It is a soft coral tinged red that has an extensive print covering its surface that depicts Hawaiian life. I have photoed several of the vignettes for you to see. Worked into the design are words that include Aloha. Highlighting this are hundreds of little sequins in red, green and gold that are fused directly into the fabric. These catch the light and give the set an extra shot of glam. You could easily see some Hollywood starlet wearing this and it is truly incredible. Excellent condition 

The halter is backed in a silky rayon and hooks to close and the back and ties around the neck. The ribbons seem to be original. The skirt is unlined and hooks to close. The sequins show some patina from age but overall for its age I would rate it as excellent. A remarkable find

Halter
Bust: measures 31" flat end to end from where the hooks are currently set 
Height: each cup is 6" tall at its widest point

Skirt
Waist: 14" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 34" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# D624

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is likely the early work of Elinor Simmons before her name went on the labels. She designed for the Malcolm Starr label from the early 1960s to 1972. You can see her influence in this classic feeling Malcolm Starr dress with its almost sculptural lines and addition of the rhinestone embellishments on the bodice.

At fist glance the fabric used almost looks quilted, but upon closer inspection you realize that the little quilting lines are pressed directly into the fabric. This gives the dress an instant shot of added texture that is very pretty. The fabric seems to be a cotton or cotton mix. This allows it holds the shape and the colour beautifully. The bodice skims over the torso with darling little capped sleeves. The waist line is defined with a seam and set just a touch higher then the natural waist for a hint of an empire feel. The neck is high with a notched front. The skirt neatly falls from the waist and gradually widens out to just about the knee or slightly under. The fabric is a pretty pinky red that has a bit of a cherry feel to it in person. I love the little sprays of flowers that cover the surface. The centres of the flowers are finished with little coloured rhinestones and this gives the dress a touch of glamour. The colours used are wonderful and the dress is gorgeous. I love that it has pockets hidden away along the seams of the skirt. It is really a lovely dress. Excellent condition.

Fully lined in a red silk and it closes with a painted back metal zipper. It appears to have been worn very little if at all. Note that the colour is more a pink red in person and even better then how it photoed

Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 24" from waist to hem with 2.5" turned under the hem 

Modern Sizing Equivalent: SML-MED

Item# DD3506

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is the vintage fur everyone looks for. That simple box cut to just past the hip in a natural red fox. It was the jacket that every 'It girl' of the seventies wore. It has a strong nod to the 1940s in its cut and fits perfectly once on without overwhelming the body. The shoulders on this one are soft and rounded and the cut through the body is loose and generous. It has an almost swing jacket cut to it. All of the pelts run horizontally and I love how they all line up across the sleeves and through the body. Suede insets run between the pelts but the fur is so thick and plush that you don't see them once it is on - they are just there for a touch of structure. It has no collar and the neckline is cut a little wide across the top. Fur hooks are hidden down the front. The pelts are thick and glossy and it looks to have never been worn or worn very little. It is a stunning choice for the girl who believes that vintage fur is a sustainable choice. Excellent condition.

Fully lined in a golden silky rayon and the lining is spotless. Closes with fur hooks down the front. It has been specialty cleaned. Perhaps the teeniest of wear near on the fur at the edges of the cuffs but very minor.

Sleeves: 22" 
Shoulders: no defined seam
Bust: 20" flat across from side seam to side seam
Waist: 21" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# C548

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was