This is an incredible Haute Couture dress that came to me from the niece of the original couture client and is unlabeled. In our hunt for more information on it we found the runway photos from the 1979 Yves Saint Laurent dress and you instantly see that it is its twin in all ways except for the length. It is always the prerogative of the couture client to change some elements of the dress to suit their needs and in this case, this woman attended many functions where a full length dress was required. She frequented the Yves Saint Laurent, Christian Dior, Givenchy and Ungaro ateliers. She often removed the labels to avoid customs and it is fantastic to be able to verify which designer and collection this one is from as many of the records she kept were lost. The dress is completely made by hand to Haute Couture standards and it is incredible. I love having the runway photos so that you can see just how amazing it is in the body.

The dress is made from a crisp black silk and this fabric choice allows it to hold those beautiful lines that you see. It's beautiful shape is a testament to the level of workmanship that you only see in true couture pieces. At the front the neckline dips into a V and the dress is vertically seamed to follow the curves of the body. The sleeves are amazing. Each is cut on a curve to follow the shape of the arm in the traditional manner of making a sleeve. They are set into the shoulders with a beautiful series of soft pleats so that you get a bit of volume at the shoulder. They puff out slightly around the upper arm and then narrow down at their ends. At the back the dress scoops low to give you a bare expanse of skin. The back has a low set seam under the open scoop and this allows the top of the back skirt to lift slightly off and away from the body. A tiny detail that feels very sensual on the body. That same seam curves around the hips and angles up towards the waist at the front and then the skirt at the front is cut on a stunning curve that widens out as it reaches the hem. The back is fuller and it also falls a touch longer to give it the feel of it sweeping out behind you. Built in underneath the skirt is a ruffled black silk net underskirt and when you move or sit you see just a peek of the ruffle around the inner hem. Built inside the top of the inner skirt are layers of silk net that help to hold the fullness around the hips. The dress is detailed with hand applied sequins to form little varying sized circles that run over the entire bodice, the waist and the top part of the skirt. Two types of sequins have been used, tiny silver sequins one and others that are an iridescent pale blue. The blue ones catch the light and range in colour from silver to an ice blue. It is incredible. Mixed into that are some circles that are made from little glass crystal beads. All are hand applied and the entire dress is completely hand made to couture standards. I have taken some detail shots of the interior seams for you to see the fine Haute Couture workmanship inside. It is an incredible piece and just beautifully made. Excellent condition with a small note below

The bodice is unlined and the skirt is fully lined with a built in underskirt in a black silk net and taffeta. Built in panniers around the hip area that I have photoed. It closes with a hand set back zipper and the skirt snaps into place with silk covered snaps over that. Hidden set zippers at each wrist. Hand finished throughout. There is the occasional sequin or crystal missing on the dots here and there and I have photoed one area for you to see as an example. Please see the last detail photo for that. Unlabeled. Made to Haute Couture standards with a tremendous amount of detail put into its construction.

Sleeves: 24"
Slightly inset shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 60" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD3677

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is just exceptional. Its twin walked the runway that season and we found the barest second of it on the runway as the model walked back down the catwalk. We have included that little bit of film along with a couple of stills taken from the clip for you to see. They are not the best photos ever but we were still very happy to have confirmation that the twin of this one was indeed a runway piece. We also included an editorial shot from Marie Claire that season that shows a different piece from the show in the same fabric. This fabric in a variety of different colour ways was integral to the show and there was a an entire section of the show devoted to them. The dress is gorgeous and its so very rare to find these more exceptional YSL pieces anymore.

The dress is made from a feather light cotton voile that that has enough weight and structure to it to perfectly fall into the line that Yves desired it to have. The fabric has just a touch of transparency to it but at the same time the print and the way it wraps around you covers everything and perfectly the transparency feels like more of a suggestion of sensuality. I love the bold use of all those brilliant colors that covers the entire dress. The print is a stunning abstract and it is just a piece of art in itself. There is a soft strap that curves over one shoulder on an angle from the other side. Inside the bust there is a soft bodice piece built in that has a bit of boning for shape. This zips and hooks into place to hold the dress in place on you. The outer where is gathered in under the strap and then it falls over you to the floor. Part of the fabric at the waist wraps around and snaps in the place and this gives just a suggestion of shape there. The shape is soft as it falls over you and meant to have a bit if a sarong feel. It is cut to skim over the body loose and easy with the only fitted place being that inner built in bodice. The skirt wraps over itself and part of it is longer then the other. This does two things. First, when you walk or sit that opening will open a bit to show some leg and second it allows the skirt to the air and billow around you when you walk. I love that way it drapes around you at the top. It is fantastic on the body and really showcases his genius at both print and cut. It appears to have been worn very little if at all. Excellent condition

Unlined and closes in the inner bodice with a zipper and flat hook and I as described above. The waist snaps and hooks in place.  Light boning in the inner bodice. Tagged a vintage YSL 40.

Bust: to 17" flat across from side seam to side seam
Inner hooked waist: 13" flat across from side seam to side seam
Hips: variable because of the wrap
Bodice: approx 15" from top of shoulder to inner hooked waist
Length: approx 50" from top of shoulder to shortest part of from hem and approx 67" to the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4411

Reference Photos/Video: (1-4) Spring 1991 Yves Saint Laurent Runway.  /  (5) Yves Saint Laurent Editorial, Marie Claire, June 1991

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

A version of this jacket was shown on the runway with a matching skirt for Look 5 as seen on the Fall 2002 Tom Ford for Yves Saint Laurent runway. The Vogue review of that collection stated in part: 'Tom Ford is very, very good at being wicked. The designer was in an adult-erotic frame of mind at Yves Saint Laurent, taking potential clichés such as black satin ribbon, taffeta, velvet, chantilly lace and fur and applying them in an offhand way to extravagant, body-emphasizing pieces that often looked as if they might fall off at the slightest pull of a bow. What, after all, could be more provocative than a woman wearing expensive clothes that look as if they were made to be undone by a lover? ... The show was full of amazingly detailed, sexily cut suits, fabulous coats and sweeping evening gowns delicately inserted with lace.' Ford's work for the Gucci and YSL label during this period has now reached cult-like status and this pant suit is an incredible example of what he was doing to make it that way. 

This is a stunning suit. It fully has the feel of the runway that season and is a classic piece that defines Tom Ford time at the label. Both pieces are made from a black wool cashmere mix that is trimmed with deep black velvet. The construction is immaculate. The shoulders of the jacket are slightly sloped but still shaped with light padding. The sleeves are incredible. They are cut on a curve with no seam at the elbow which is in the proper and traditional tailoring method. Along the inner edge there is strip of velvet and the sleeves are gathered in towards that. This creates a gather all the way down the arm and it is fabulous. The body of the jacket is cut as precisely. It skims over the bust and nips in at the waist and then flares back out over the top of the hips. There is a neat flap pocket on each hip and another pocket on the breast. The collar takes a play from a men's tuxedo and is finished in velvet. The front is gathered slightly down the front like the sleeve detailing is. Two carved button close the front and I love the ribbon detail that follows along all the seams. Each sleeve has four more of the buttons. The pants are equally as fabulous. They are banded around the waist and are cut to sit slightly low on the hip. There is a sharp fold running down the front and back of the pants. The lower half of the pant leg flares out a touch and this gives them a long and beautiful line on the body. Slant pockets on each hip and button slit pockets at the back. This is a remarkable example of his skills as a tailor and his time at YSL. Excellent condition

Fully lined in a black silk with two button closures on the jacket as described above. Lightly padded shoulders and the pockets have their original tacking in place. The pants zip to close at the front. Both pieces are tagged a FR34. It appears to have been worn very little if at all

Jacket
Sleeves: 24"
Shoulders: 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 26" from neck to head 

Pant
Waist: 14" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 41" waist to hem with 2" turned under
Inseam: 30.5" from inner seam to hem
Rise: 14.5" from back waist to inner seam

Modern Sizing Equivalent: XS-SML

Item# DD4337

Reference Photo: Fall 2002 Yves Saint Laurent Runway, Look 5. Model Rie Rasmussen.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the runway for the Fall 1987 show and I love having a runway shot of it for you so that you can see how fabulous it is on the body. We even found one where you can see the model walking back down the runway so you can see how gorgeous it is from the back as well. This has always been one of my favourite dresses ever since I first saw the catwalk photo and I am so pleased to have one in the shop.

This is a fantastic dress. It is made from a stunning metallic lace that has a blue-purple colour running through it. Over that are thousands of glossy black sequins that are placed onto the lace to follow the pattern underneath. I love how these sequins catch the light from every angle and add a bit of glitz to the dress. The lace is open cut work all through and to make it not completely see-through Yves lined it with a deep blue silk chiffon. That said when this is on it definitely has a touch of transparency to it. Personally I love that about the dress. The dress is cut to sit off the shoulder for a bare expanse of skin. The neckline is finished with a black silk organza ruffle and this choice of fabric gives a just a touch of stiffness so the ruffle holds its shape around you instead of just flopping. The sleeves fall to just passed the elbow and each is finished with a ruffled cuff. The dress it is cut skim over you. It runs over the bust and past the waist with no seaming there to break the line. At the top of the hip there is a seam that has another flounce of ruffles. The skirt falls under that and widens out quite a bit. The bottom hem is also finished with a ruffle edge and I love that the back of the skirt is set to hang longer than the front. This gives you a beautiful curve from the side and also allows the skirt to have attach more volume than it would otherwise. It is just a fabulously gorgeous dress and really showcases Yves' innovative eye and design genius. It appears to have been worn very little if at all. Excellent condition

Fully lined in a dark blue silk chiffon. It closes at the side with a zipper. Tagged a YSL 42. It looks to have been worn very little if at all.

Sleeves: approx 18" from the drop. 12" around the upper arm
Bust: to 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Seam across the top of the hips: 19.5" flat across from side seam to side seam and open under that
Length: 30" from top of center neckline to front hem and 36" to back hem including top and bottom ruffle

Modern Sizing Equivalent: SML-MED

Item# DD4271

Reference Photo: Fall 1987 Yves Saint Laurent Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves showed the twin of this dress on the Spring 1993 runway AND during his Haute Couture presentation for the Fall 1992 collection. On both runways this dress was styled with a belt but otherwise looks identical to this version. Yves was a designer who mixed and matched ideas from couture to ready-to-wear with ease. More so than many other designers. Sometimes the details were exact copies like this one is, with the difference being that one would have been made to measure and completely by hand and this one produced with only some hand finishes and to his standard sizing. This dress has added interest to it because Catherine Deneuve actually owned one of the couture versions produced and it was part of her 2019 sale of YSL with Christie's auction house. This was already special due to its rarity and that little added linked provenance with its history makes it even more special. The dress is absolutely gorgeous and I'm happy to have photo references so that you can see just how beautiful this is on an actual body. Yves Saint Laurent was known for his leopard pieces and this one is exceptional.

In her review of the couture show that season, fashion journalist, Suzy Menkes, said; ‘Laurent took a three minute standing ovation Wednesday for a show that could be summed up in three words poetry, simplicity, authority.' It was also noted that by the time the final evening pieces came down the runway the crowd erupted into 'enthusiastic cries'. Even though this version is not from the couture runway I feel it is relevant to share that bit of her review because the dress is visually identical to the couture one as noted above.

The neckline is cut wide across and the distance from the edge of the neck line to the shoulder seam is just over an inch. Built-in underneath is a bit of a specialized padding that runs the width of that and then extends out just past the seam into the arms about a quarter of an inch. Then what gives you that high feel of the shoulder and holds the neckline in place so that it has that beautiful drop at the front. It is padding with the very minimal use of padding and it is genius. It is also important to note that this neckline and shoulder treatment are used in many of his pieces from this point forward and became a bit of a signature for him. From there the sleeves fall from the shoulder narrowing down to the cuff. From just above the elbow to the bottom of the sleeve he has gathered the fabric along the inside edge and then added a zipper at the wrist. The top is loose cut and is meant to billow out over the waist a bit. The silk panne velvet catches the light beautifully and emphasizes the curving lines the draping creates. At the back it falls in a smoother line to the waist and there is a keyhole and button above that for a tiny flash of bare skin. The waist is banded with a one inch band of the same fabric. On the couture runway he added a gold belt but the dress can easily be worn without one. From there the skirt falls to floor widening out a bit as it nears the hem. The fabric is a silk mix panne velvet and it has an exceptionally smooth pile finish that makes it soft to the touch. I love the way the leopard print falls over the dress with the darker part of the print running down the middle of the dress at both the front, back and running along the bottom of each sleeve. This would have been carefully and deliberately planned and placed in this fashion to help add height and draw the eye in when it is on. It is genius and it is beautiful. Poetry. Excellent condition

Fully lined in a brown silk and closes with a side set zipper that extends up and under the arm slightly. Each cuff has a zipper to close. There is a button and loop above a key hole at the back. Light padding on the very edges of the shoulder and little straps and snaps to hold your undergarments in place inside of each shoulder. It appears to have been worn very little if at all. Tagged a vintage YSL 40

Sleeves: 25"
Shoulders: no set seam because of the width of the neck
Bust: to 20" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 16" from top of shoulder to top seam at waist and meant to blouse over a bit.
Skirt: 41" from top seam of 1" band at the waist to hem with 2" turned under

Modern Sizing Equivalent: SML-MED

Item# DD4268

Reference Photos/Video: (1-3) Spring 1993 Yves Saint Laurent Runway.  /  (4-10) Fall 1992 Yves Saint Laurent Haute Couture Runway.  /  (11)  Fall 1992 Yves Saint Laurent Haute Couture long leopard silk velvet dress with gilt-metal belt from Catherine Deneuve's Auction with Christie's.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the runway for the Fall 1982 show and I love that we found photos of it for you so you can see just how spectacular it is one and how the sleeves sit once on a body. This silhouette with its dramatic sleeves and full skirts was an important element for that season. It is just a stunning example of one of his most recognized looks.

The dress is made from a combination of two of his favorite fabrics, silk taffeta and silk velvet. These became signatures of his and ran through his collections from the start of his career to the finish. It is a stunning piece. The top is cut to skim over the bust with a scooped neckline at the front. It is seamed at the waist and then extends down over the top of the hips. There is an attached silk taffeta sash that wraps around the waist and cinches you in for added shape and detail at the waist. The sleeves are full with a beautiful sweeping cut that starts at the shoulders and remains full to just past the elbow. At that point the fabric changes to to a velvet. Four glossy dome buttons  detail the lower part of the sleeve. These are meant to be pushed up slightly to exaggerate that pouf of the upper sleeve even more. The skirt falls from under the velvet and it is beautifully full. The photos do not really do the amount of fabric in the skirt full justice. I love that under the top purple layer of silk there is a lining finished in a coral red silk taffeta. You don't see that inner layer when you are standing, but when you sit or move just right, you get that extra flash of color. It's a small detail that I am obsessed with. The fabric choices helps keep the intended shape and volume. Pieces by Yves from this time period have become an important piece of fashion history and having documentation like this one has makes it that much better. Excellent condition.

Fully lined through the bodice in a black silk satin. The skirt is lined in a deep red silk taffeta and the sleeves are unlined. It closes at the side with a metal and nylon zipper and each cuff buttons to close. The sash is attached at the back. Slight flattening to the velvet here and there along the waist seam that is covered by the belt once on. Tagged a vintage YSL 40.

Sleeves: 29"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 17" from shoulder to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2856

Reference Photos: (1-2) Fall 1982 Yves Saint Laurent Runway.  /  (3) Alice Englert wearing this dress for Harper's Bazaar, 2023.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is from the Fall 1990 collection and came to me directly from the original couture client. In the book Yves Saint Laurent: Catwalk they said this of this collection; 'Yves Saint Laurent allowed himself to be truly audacious for this presentation of 137 designs. The Baroque style was evident in outfits were the a fairy tales.' Elle magazine summarized Saint Laurent's work as 'insouciance elevated to the rank of fine art.' .... and of the colours that he chose for the collection the New York Times noted that 'He works with a painter's eye, and the results are always satisfying, never soporific.' They also said that 'Lace is a cornerstone of evening dressing. Sometimes it is thick velvety guipure lace, sometimes spidery Chantilly. It never looks matronly.' This was one of the final dresses of the show and a beautiful example of all of those comments by the press. I am also very happy to have found the runway photo. With 137 looks shown finding this exact one from the handful of shots that are out there of the collection is almost miraculous. In addition to tall of that I have included a snap of the original sketch and fabric swatches from the boxed book set "Yves Saint Laurent Haute Couture: L'oeuvre Integral 1962-2002". The dress has so much structure and form to it but once on the body it sits just perfectly and transforms into something magical.  It is an exceptional and well documented example of Laurent's Haute Couture work that he was doing during this time period.

A silk taffeta in a jeweled toned fuchsia sweeps across the top of the bodice and then extends down to form each sleeve. The fabric is gathered and ruched down the length of each arm. The shoulders are left bare to balance out the volume underneath and have that expanse of skin for a touch of sensuality. Under the fucshia is a wide band of a  slightly metallic copper silk that goes from the top of the bust the the slightly dropped waist. The silk has been gathered along each side to create soft pleats that wrap around you. The skirt comes out from under that in a series of soft gathers that open up to allow it to be quite wide by the time it reaches the hem. The underskirt is made from a pale purple silk and that is covered in a top layer of French black lace. The lace is hand made and has a stunning floral design set within medallions. These are repeated throughout the lace to create the beautiful pattern that you see. I love that the bottom edge of the lace follows the curving shape of the design that is in the lace. To finish Yves wrapped a wide green silk ribbon around the waist. This unusual colour choice is spectacular when you see it all together and on the body. This is a spectacular example of his work and a piece you would only ever normally see in a museum. Excellent condition 

Fully lined through the bodice in a black silk. There is a built in silk covered elastic that is attached and wired right between the breast for a slight bit of support and then that wraps around you and hooks to close. It closes with a side set zipper and has an inner waist stay that hooks to close. There is a series of snaps above the zipper that run under the arm seam. Each sleeve zips to close at the wrist. The exterior layer of the skirt closes with its own a hand set side zipper. The silk ribbon belt is tacked into place on either side of the waist. On the interior of the skirt at the inner waist the fabric has been folded down and it looks like it would be possible to lengthen the skirt from there by just about 4". It looks to have been worn very little if at all.

Sleeves: 20" from where they start off the shoulder 
Bust: to 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to slightly dropped seam at the waist
Skirt: 38" from the slightly dropped seam at the waist to the hem

Modern Sizing Equivalent: SML-MED

Item# DD3598

Reference Photos: (1) Fall 1990 Yves Saint Laurent Haute Couture Runway Collection.  /  (2-3) From the book "Yves Saint Laurent Haute Couture: L'oeuvre Integral 1962-2002"

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous little dress is the ready-to-wear version of the Haute Couture dress that Yves created. I have included the runway photos of the couture version that walked the runway and that was featured in an editorial that year so that you can see how the dress looks on. The ready-to-wear version is a slightly simplified version of it but otherwise looks remarkably the same. He often did this with a few select pieces from his collections so that his non-couture clients had access to his work as well. The 1987 collection is one of my all time favourites and I am very pleased to have this wonderful example from it in the shop for you.

If you are a Yves Saint Laurent fan the second that you saw this dress you would have known that it was his work. This was a definitive look of the Couture collection and I love that he made a ready-to-wear version. I am also glad I have reference photos for you because if there was ever a dress that needed be seen on a body this is it. It really is not being done full justice on my dress form but it is gorgeous on the body. The dress sits off the shoulders to leave a bare expanse of skin. The sleeves are cut to follow the arm to just past the elbow. A pretty chiffon ruffle edges the entire neckline and then another ruffle curves around each wrist. The bodice skims over the bust and comes in at the waist. Under that the skirt flares out dramatically and is quite full. The front of the skirt is cut to the knee, or just above depending on your height, and then the edges of the skirt curve down and around to a full length at the back. The fullness and the length change give it a ton of movement when you move. The fabric is a segment in itself. It is made from a black silk net backed by a black silk tulle. Then onto the top net layer is a design made of black raffia. This gives the dress an incredible texture and the raffia catches the light fantastically. It also means that the parts of the dress that are not lined have a touch of transparency which is very sexy. This is an incredible piece of Yve's history and an absolutely gorgeous dress. Excellent condition with a minor note to review below 

Lined in a layer of tulle as described above and then there is a inner lining though the bodice and to just past the hips that is made out of a gold nude toned silk chiffon covered in a layer of black silk chiffon. It closes with a side set zipper. The raffia has small breaks in it here and there. I have never seen a vintage piece with raffia detailing that does not do this as it ages. It is inherent to the material and normal wear. 

Sleeves: 18"
Bust: 18" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam before it flares out
Length: approx 35" from natural shoulder to front hem, 52" to lowest pint of the back hem

Modern Sizing Equivalent: XS-SML

Item# DD3888

Reference Photos: (1-2) S/S 1987 Yves Saint Laurent Haute Couture Runway Show.  /  (3) Brynja Sverrisdottir in S/S 1987 Yves Saint Laurent Couture. Photo by David Bailey.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This little Yves Saint Laurent dress has such a joyful feel to it. I am always excited to find examples of Yves' work from this time period and this one is extra special because it is the twin of the dress that was shown on the 1983 runway. We also found a editorial shot from that season with the same dress in a solid colour that was shot for L'Officiel magazine. I love the solid colour version as well but the printed one just has so much colour and joy to it I can't help but love it a little more. 

This is a gorgeous little day dress that you could easily style to work into the evening, especially during the warmer months. The colours are amazing and absolutely pop off of the cotton fabric that he chose for this dress. Cotton takes colour extremely well and it is the perfect choice to get these crisp vibrant tones. It also holds the shape well so that the dress has volume where Yves wanted it. Yves Saint Laurent was a master at choosing the fabrics that were the perfect compliment to the prints that he used. This dress is no exception to that rule with its riot of bright flowers covering its surface. The cut is pure Yves and a wonderful example of the work he was doing during this time period. The sleeves end just below the elbow and are cut with a full balloon sleeve pouf above their wide and easy elastic cuffs. The bodice is fitted with a V neckline at the front. The upper portion of the bodice is done in the same floral fabric as the sleeves and skirt but he then inset a blue fabric to define the waist and visually cinch it in. He then plays with proportion by adding a blue cotton peplum that runs all the way around the hips and flares outwards. Below that the skirt flares out with a pretty swing feel. And there are pockets hidden along each hip under the peplum. The combination of the prints and the cut is genius. Excellent condition with a minor note below

Unlined and zips to close at the side. It is tagged a vintage YSL 36. It appears to have been worn very little if at all but there is some fading to the tops of the curves on the peplum. You notice it more when it is off the body and laying flat but not when on. Please see the photo after the label shot. 

Sleeves: 19"
Shoulders: 14"
Bust: 18" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist
Skirt: 25" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3653

Reference Photo: (1) S/S 1983 Yves Saint Laurent Rive Gauche Runway.  /  (2) Yves Saint Laurent Rive Gauche, L'Officiel, 1983.  /  (3) S/S 1983 Yves Saint Laurent Ad Campaign.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.