This is a fantastic little Prada top from the Fall 2000 collection and we have added both the runway shot and the ad campaign shot of the dress from that season that has the same cut through the bodice so that you can see how gorgeous it is on.

The top made out of a gold tone silk that is a beautifully light in weight. It is very soft and supple and just glides over you once it is on. I love that it is lined in a matching coloured silk organza. The organza lets it stay very light in weight but feels beautiful once on the body. The straps twist and curve up and over the shoulders. They are caught up with a little band of silk at the front and then the front plunges into a V. Little pleats are gathered into two sewn rows just above a muted gold grosgrain ribbon that is attached all the way around the waist. Under the ribbon it has a little peplum that flares out slightly. The back is phenomenal. The straps twist until they meet the back and then they extend down in that same twisting way to edge the low scoop of the back. This leaves your entire back there and open. It is so pretty. Excellent condition with a small note below

Fully lined in a matching silk organza and closes at the side with a hidden set zipper. I see a tiny bit of a pull in the fabric near the edge of the top stitching and here and there. Tagged a vintage Prada 40.

Bust: 14-18" flat across from side seam to side seam
Waist: 12.5"flat across from side seam to side seam
Bottom seam: 18" flat across from side seam to side seam
Length: 19.5" from the top of the shoulder to the hem

Modern Sizing Equivalent: XS-SML

Item# DD4790

Reference Photos: (1) Fall 2000 Prada Ad Campaign.  /  (2) Fall 2000 Prada, Look 59. Model Colette Pechekhonova.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have two of these in the shop today and this one is the smaller one that is a FR38/US6 in size. The twin of this dress in a different colour walked the runway as Look 47 for the 2018 resort season. The show was held in the remote Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California and Rihanna, Charlize Theron and Solange Knowles were there alongside the fashion pack. The inspiration for the show came from the archives and Chiuri said 'she went to the archives, where she came across the house founder’s Lascaux collection of 1951, inspired by the ancient cave paintings discovered in southwestern France a decade earlier.' The twin of it with the front tacked closed a bit was also worn by Kate Mara in 2017 which shows you how it looks when you do close the plunge a bit. It is also interesting because a very similar dress was shown for the Resort 2008 collection and you can see that progression from the Dior archives to this piece. 

This is a dress that is insanely sexy and bare feeling. I love its bright joyful yellow colour and minimal lines. The dress is a made out of a feather light silk chiffon that tops inner layers of silk tulle and silk. This fabric combination makes it very light and easy to wear and it feels like a dream once on the body. The lightness of it lets it move and float around you beautifully as you walk and move. The front plunges low to the seam at the slightly empire set to the waist. It crosses over itself a touch at the front and the seam under the bust is detailed with a tiny little ruffle in the same silk. The shoulders twist as they curve over your shoulders and then it falls into another deep V at the back. The panels there sit a wider apart where it meets the waist so you get a more open back feel. The sides are equally as dramatic as the plunge in long Vs to the waist. Under that the skirt flows to the floor and widens out as it nears the hem. There is a tremendous amount of fabric in the skirt and this lets the skirt billow out around you as you move. The top layer of the skirt is a silk chiffon that has a touch of texture to it. There are two layers of silk tulle under that and a final inner layer of silk that acts as the lining. The effect all of these layers have once it is on and moving around you is fantastic. It is fabulous on the body. It appears to have been worn very little if at all. Excellent condition

Lined as described above and closes with a back hidden set zipper. Tagged a FR38, UK10, IT42, US6.

Bust: no true side seams but each triangle will cover 7-8" across
Waist: 13.5" flat across from side seam to side seam
Innermost hips: to 21" flat across from side seam to side seam, the outer layers are full and open
Bodice: 14" from top of shoulder to waist
Total length: 57" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD4655

Reference Photos/Video: (1-2) Resort 2018 Christian Dior Runway, Look 47. Model Cara Taylor.  /  (3-4) Kate Mara in Dior at the 2017 Guggenheim International Gala.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Alexandre Vauthier launched his label in 2009. He started his fashion career in 1993 working for Thierry Mugler as an intern and working his way up to assistant designer to Mugler himself. In 1997 he joined Jean Paul Gaultier where he in charge of the Couture collections for the following eight years. He left in 2008 to open his own couture atelier showing his first collection in 2009. From 2011 to 2014 the label was a designated guest member of the Chambre Syndicale de haute couture and since December 2014 he has been a full Couture member. He also designs ready-to-wear and this gorgeous dress is from that part of the label. Versions of the dress where made in a pale blue and this beautiful yellow.

The dress is made from a beautiful yellow stretch jersey that has enough weight and drape to it so that is falls perfectly in the sharp angular lines that he intended it to be shaped in. I love the precisely shaped strong shoulders and how the shape of it narrows in as it reaches the hem. The dress is cut to skim over the body and highlight it everywhere. The sleeves are cut extra long so that once on the arm they bunch up a touch. The low cut V at the front goes right to the waist. The dress is shaped around the hips so that it sits snugly on the body and there is an inner body suit bottom to hold the dress and the plunge perfectly in place. The fabric is gathered in towards one hip under the plunge and a large panel wraps around you for a bit of a sarong feel. The skirt is crazy sexy. It is slit right up to the base of the panel that wraps around the hips for a mile of leg to show. The skirt itself is cut in an almost long triangle shape that trails out past the hem. It is amazing on the body and it is just a beautiful and very sexy dress. It appears to have been worn very little if at all. Excellent condition

Made from a double layer of the jersey so it is opaque. It zips to close at the back with a hidden set zipper. The inner body suit snaps to close. Padding in each shoulder. A tiny darkening near the end of the skirt hem. The fabric does have stretch and is meant to stretch to accommodate the curves of the body

Sleeves: 29"
Shoulders: 15"
Bust: 15-18" flat across from side seam to side seam
Waist: 11-15" flat across from side seam to side seam
Hips: 16-22" flat across from side seam to side seam
Total length: 67" from top of the shoulder to waist
Slit: 45" from hem up

Modern Sizing Equivalent: XS-MED

Item# DD4654

Reference Photo: Spring 2020 Alexandre Vauthier, Look 10.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

I have two of these in the shop today and this one is the larger one and it is a FR42/US10 in size. The twin of this dress in a different colour walked the runway as Look 47 for the 2018 resort season. The show was held in the remote Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California and Rihanna, Charlize Theron and Solange Knowles were there alongside the fashion pack. The inspiration for the show came from the archives and Chiuri said 'she went to the archives, where she came across the house founder’s Lascaux collection of 1951, inspired by the ancient cave paintings discovered in southwestern France a decade earlier.' The twin of it with the front tacked closed a bit was also worn by Kate Mara in 2017 which shows you how it looks when you do close the plunge a bit. It is also interesting because a very similar dress was shown for the Resort 2008 collection and you can see that progression from the Dior archives to this piece. 

This is a dress that is insanely sexy and bare feeling. I love its bright joyful yellow colour and minimal lines. The dress is a made out of a feather light silk chiffon that tops inner layers of silk tulle and silk. This fabric combination makes it very light and easy to wear and it feels like a dream once on the body. The lightness of it lets it move and float around you beautifully as you walk and move. The front plunges low to the seam at the slightly empire set to the waist. It crosses over itself a touch at the front and the seam under the bust is detailed with a tiny little ruffle in the same silk. The shoulders twist as they curve over your shoulders and then it falls into another deep V at the back. The panels there sit a wider apart where it meets the waist so you get a more open back feel. The sides are equally as dramatic as the plunge in long Vs to the waist. Under that the skirt flows to the floor and widens out as it nears the hem. There is a tremendous amount of fabric in the skirt and this lets the skirt billow out around you as you move. The top layer of the skirt is a silk chiffon that has a touch of texture to it. There are two layers of silk tulle under that and a final inner layer of silk that acts as the lining. The effect all of these layers have once it is on and moving around you is fantastic. It is fabulous on the body. It appears to have been worn very little if at all. Excellent condition

Lined as described above and closes with a back hidden set zipper. Tagged a FR42, UK14, IT46, US10. A tiny pinhole in the lining of the bust. The easy cut should work on a range of sizes.

Bust: no true side seams but each triangle will cover 7-9" across
Waist: 15" flat across from side seam to side seam
Innermost hips: to 24" flat across from side seam to side seam, the outer layers are full and open
Bodice: 14" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD4653

Reference Photos/Video: (1-2) Resort 2018 Christian Dior Runway, Look 47. Model Cara Taylor.  /  (3-4) Kate Mara in Dior at the 2017 Guggenheim International Gala.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Madame Gres' work has had profound effects on Haute Couture and her influence still resonates to this day. Her attention to detail, master draping techniques and respect for the female form is unparalleled. She was known for designing and creating garments directly on her models and this became a signature of her work. She opened her first atelier, La Maison Alix in 1932. A partnership briefly changed the house's name to Alix Barton and then the label went to simply Alix. In 1942 she married, and the label made its last change to became Madame Gres, which was a partial anagram of Serge, her husband's first name. Her work spans over five full decades with the vast majority of it, with the exception of a short-lived RTW line begun in 1980, dedicated solely to creating Haute Couture. She is one of the greatest couturiers of our time and her pieces are very rare and hard to find. This set is from the early to mid-seventies and it is fabulous.

This is an amazing vintage set. I love the camel coloured wide legged jersey pants with their wide cut legs. The jersey they are made out of is the soft wool that she used extensively during this time period and it has a soft finish to it that looks and feels heavenly once on. The pants are banded at the top with a wide gathered sash of a pale yellow jersey for contrast to the camel colour below. This hooks to the one side and there is built-in boning at the sides to hold its shape around the waist. It is a touch wider on one side then the other to create a pretty curve. The pants fall to the floor and widen out to be 64" around at each hem. The top has a metallic finish to it and the contrast between the two fabrics is fantastic. The silk has actual metal thread woven through it and this gives it a subtle glint from all angles. A design runs through the silk and the metal thread is woven onto that in a floral design The neckline is scooped and it skims over you to the waist. The sleeves are long and simple. It ties into place at the back with ties made of the same fabric. These sit on an angle that starts at the neckline, run across to one side and then go straight down to the hem of the top. This leaves a little bare expanse of skin showing between the ties. I photoed the top un-tucked and tucked as it can be worn either way. Both pieces have a Haute Couture label in them and the top has an additional handwritten numbered tag inside. This is an incredible and rare opportunity to own a beautiful piece of her work and it is that much more versatile with the two pieces since you can mix and match with pieces from your exiting wardrobe. Excellent condition with a small note below.

Both pieces are unlined and have been completely finished by hand. The pants close with hook and eye at the band and a zipper under that. There's a small repair to the jersey inside the inner structure of the band and then one of the fold along one side. Neither is seen once on. The top ties to close at the back.

Top
Sleeves: 21"
Shoulders: 14"
Bust: 17" flat across from side seam to side seam
Bottom seam: approx 12-13" flat across from side seam to side seam
Length: 12" from shoulder to hem

Pants
Waist: 12" at top of band and narrows to 11.5" flat across from side seam to side seam of true waist
Band: 3.5" high on the boned hook closure side and the other side will widen to approx 9"
Hips: open
Length: 40" from true waist to hem
Inseam: 29"
Rise: 15" from true waist to inner seam

Modern Sizing Equivalent: XXS-XS

Item# DD4182

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The program notes told the audience of the Spring 2009 runway show that Mcqueen had been thinking of Charles Darwin's theory of the survival of the fittest and 'the deleterious results of industrialization on the natural world'. The show was title 'Natural Dis-tinctions, Un-Natural Selection' and the McQueen book notes that 'the cat walk was filled with antique taxidermy, including an elephant giraffe tagger zebra and polar bear, in an art space that was formally of Paris morgue.' The twin of the dress was a part of the second portion of the show that was meant to 'continue to draw inspiration from natural forms, flowers, crystals and minerals, but here they were engineer with a hard as an enhanced to convey the synthetic qualities associated with modernity and human touch. Prints were angular and invoked crushed crystal, metallic structures such as the Eiffel tower and a granite mountain that was borrowed from a Dan Holdsworth triptych.' This collection was noted as being one of his most commercial to date during this time period and these print pieces especially had instant appeal.

This is a very recognizable Alexander McQueen piece. While there may be many of his pieces out there that only die-hard collectors would know at first glance, this is one of the dresses that has that wonderful print that you instantly can identify as being a McQueen. The colour is amazing. This dress sold out world wide when it was produced and there are very few out there. The fabric is almost like a neoprene in the way it looks and feels and yet it is not a true neoprene. It is lighter and thinner with just enough weight to it to hold the shape that he wanted but without it feeling restrictive on the body. The shape is built into the dress beginning at the shoulders which are padded so that they sit up on top of the shoulders. It skims over the bust, nips in at the waist and then curves out at the hips. The shoulders and hips balance each other out and even when laying flat you can see the shape built into the dress. At the neckline there is a keyhole that has a nude netting in behind it. This adds to the unique feel of the dress. I love the way that the seams at the hip curve in and over the waist to just under the bust. This precise seaming and cut are all done to give that exact distinct shape that he wished the piece to have. When styled on the runway with the plastered hair around the face it had an almost alien feel to it that was unbelievably fantastic. This was one of the lauded crystal prints from the collection and it is just spectacular. The dress looks to have never been worn and is in mint condition. It is an extraordinary piece of Alexander McQueen history and having a runaway pieces from him in the shop are always an exceptional thing. Excellent condition

Fully lined in a ivory tissue silk and it closes at the back with a hidden set zipper. Tagged a McQueen 38. It appears to have been worn very little little bit

Bust: 15.5" flat across from side seam to side seam with room for an A-small B cut at the front
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4360

Reference Photos/Video: (1-2) Spring 2009 Alexander McQueen Runway, Look 24. Model Alex Sandor.  /  (3) Page from the book 'Alexander McQueen' edited by Claire Wilcox.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The Vogue review of the Spring 2003 show was done at the height of Ford's vision for Gucci and he could do no wrong in their eyes. The review said 'The Gucci girl’s got legs—long, tan, flawless ones striding along on silver peep-toe sling-back pumps. Follow them all the way up, and around two weeks later, they eventually meet the hem of the minutest piece of clothing that was ever called a skirt or dress. For spring, in a word, Tom Ford says short. Using lustrous fabrics in subtle makeup colors from blush to tawny brown, pearly gray and silver, Ford draped and wrapped his gorgeous girls in clothes that navigated that dangerous Gucci line between innovation and vulgarity. The tousled hair, the jackets and tops poised to fall off shoulders—the whole presentation stirred sensations that fashion hasn’t felt since the last days of the great supermodels. Still, don’t think tacky. Ford’s obsession now is integrating fine workmanship into abbreviated silhouettes." The feather dresses were mentioned specifically; "He brought couture finesse to racer-back feathered dresses with the merest flip of a skirt....it was a confident statement in the power of glamour. And fashion needs that.' To this day this is one of the most recognizable and desirable of his shows to find and collect pieces from. This is the twin of Look 27 from the runway and it is an exceptional piece of Gucci History. It was also featured in Vogue that season on Natalia Vodianova

When researching this look I came across a few references that declared this dress one of the top ten Gucci Tom Ford pieces. While you often see the other version of this dress in a brown and white feather, this pale yellow version that is the twin of the runway dress shown is a true rarity. One of the things that makes this dress exceptional is that it is true to the runway. The dress is meant to be worn very short and daring. Once on you just see miles of legs topped by this extraordinary piece. The top plunges low at the front and the back curves in to create a sexy racer-back. It skims over the waist and hips and then flares out at the skirt. The skirt is actually two tiers of feather detailed ruffles and this extra little flounce gives it movement when you move. The body of the dress is made from two layers of virtually weightless silk with a silk grosgrain ribbon edging and detailing the lines of the design. It has an almost twenties feel to it and it is fantastic. The feathers are a mix of a dyed soft pale yellow mixed with some soft light taupe natural feathers for depth and interest. I took a photo of the back of the silk of the skirt and you can see that each feather was hand applied and fused into place onto the silk. Hence the couture reference in the Vogue review above. It snaps to close under the ribbon at the side so there is no break anywhere with a zipper. It just looks like it somehow magically formed around you. It is an incredible piece of the Tom Ford history with the brand and is one of the most recognizable pieces from his tenure with the label. It appears to have been worn very little if at all. Excellent condition. 

Fully lined in a pale taupe nude silk chiffon and has hidden set snaps at the  side to close. Tagged a YSL 42. Some of the ends of the feathers have separated a bit on the natural spots it curves but this is just part of aging for a piece like this. I don't consider this a flaw but its mentioned for accuracy.

Bust: approx 16" flat across from side seam to side seam with open sides. each halter is 6" wide at its widest point
Underbust - waist: 13.5" flat across from side seam to side seam
Seam at top of hips: 16.5" flat across from side seam to side seam
Length: 30" from neck to hem but can be pulled up as short as you want

Modern Sizing Equivalent: XXS-XS

Item# DD4001

Reference Photos/Video: (1-8) Spring 2003 Gucci Runway Collection, Look 27. Model: Louise Pedersen.  /  (9) Natalia Vodianova, wearing Gucci, Vogue, February 2003. Photo by Steven Klein.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.