• The twin of this dress was shown for the Pre-fall 2018 Dior collection as Look 60
• It was made under the creative direction of Maria Grazia Chiuri.
• In Vogues' interview with Maria she said of the house that "We have to maintain our heritage, but at the same time, transform it into something that's very easy to wear - comfortable to." the collection had a significant portion devoted to stars with the evening dresses "...and embellished with constellation artwork from surrealist Jean Cocteau."
• The twin of this one was shown in a trio of these embellished dresses and this one with its beautiful embellished sun on the bodice is absolutely one of my strong favourites of the present presentation.
• The upper most part of the bodice and the skirt are made out of a black netting and this is mixed with the black velvet of the bodice. Onto that is an extensive pattern that combines bead work, sequins and embroidered black chenille thread work.
• The bodice of the dress is meant to be more fitted around you but it does not have any inner corset so it is still soft and easy on the body.
• I love the how the upper most part of the bodice is made out of the two layers of the netting for a little bit of skin too show through and then the inky black of the velvet offers a pretty contrast to that.
• The stylized sun that sits on the bodice has a beaded outline and then it is filled with embroidered thread and gold sequins. It appears that this was all hand done on an applique and then the applique was applied to the dress. It is just fabulous.
• The skirt is cut to be very full. It falls from the nipped in waist and then expands outwards from there. This gives it a soft and easy movement around you as you move. If you lay the skirt of flat it is just short of being a true circle skirt by the time it reaches to hem.
• Two layers of netting sit over an opaque silk inner layer next to your body. The very top layer is heavily embellished with gold sequins in various sizes mixed with black chenille embroidery. This gives it beautiful texture and ties it in perfectly with the sun on the top.
• There is a ton of fabric in a skirt. It is very light in weight so when you stand still it falls with just a slight volume but when you move it really moves around you beautifully.
• It is just outstanding in person and beautifully constructed.
• The dress is fully lined in a black silk. The dress closes with a hidden set back zipper. I see a slight change in the direction of the velvet here and there. It otherwise appears to have been worn very little if at all.
• Tagged a modern Dior FR34, GB6, IT38, US2
• Excellent condition

Bust: to 16" flat across from side seam to side seam
Waist: to 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from shoulder to waist
Total length: 59" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5747

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This two piece set is from the Fall 2019 Christian Dior collection and was Look 83 on the runway.
• It was made under the creative direction of Maria Grazia Chiuri.
• Vogue's Sally Singer noted that; "Chiuri sought inspiration for this collection from Britain’s postwar Teddy Girls, those working-class, rock ’n’ roll–loving beehived vixens who hit the clubs in a mix of men’s Edwardian jackets, full skirts, blue jeans, leather, velvet, and eyeliner galore. She was struck by the similarity in silhouette and the optimistic excess that characterized Christian Dior’s designs of the same period. She was also moved by Yves Saint Laurent’s addition to the Dior pantheon of a men’s black leather jacket for women in the late 1950s. So, heritage, hipsters, and herstory."
• The twin of this look also appeared on red carpets that season.
• At first glance it looks like this is a full dress but it is actually two pieces. There is an inner romper or play suit and then an open front skirt that goes over top of that. I love the versatility and added wearability that having two separate pieces gives you.
• Both pieces are made out of a deep red silk chiffon and have a inner black layer that deepens the colour and adds interesting shadows to the areas where it is gathered or draped. This fabric choice keeps the pieces soft and pretty as well as light-in-weight.
• The bodice of the inner piece is fitted with a built-in corset that is cupped and boned to sit perfectly in place around you.
• I love how the silk is gathered over the bodice to emphasize the bust. The gathering continues down on an angle around the waist to give the illusion of a smaller waist.
• Under the waist it curves out over the hips and becomes a pair of wider legged short shorts.
• The skirt is its own separate piece and snaps into place over top of the shorts. It falls from a banded panel around the waist and then expands outwards from there.
• It closes under a flat bow at the centre front and is open to the hem under that. This gives it a soft and easy movement around you as you move. 
• The skirt is made out of a layer of the red silk chiffon and then underneath are two stacked black layers of a black net. Floating the layers over each other helps it to retain volume and shape around you. It also gives you an interesting colour contrast when the front opens as you move.
• It is just outstanding in person and beautifully constructed.
• The skirt is lined in a black net and the romper in a black silk. Inside the bodice is an attached cupped and lightly boned corset. The playsuit closes with a hidden set back zipper and the skirt closes with hidden set snaps plus hook & eye under the bow at the front. It appears to have been worn very little if at all.
• Tagged a modern Dior FR38, GB10, IT42, US6
• Excellent condition

Playsuit
Bust: to 17" flat across from side seam to side seam
Waist: 12.5-13.25" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 8.5" from top of bodice to waist
Total length: 23" from top of the bodice to hem. The inseam is 2.5" and the gusset from the back waist to the inner seam is 17"

Skirt
Waist: to 14.25" flat across from side seam to side seam. You could adjust this up or down a bit by moving the hooks and snaps.
Hips: open
Total length: 45" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5742

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 2007 show for Look 43. 
• It was made under the creative direction of John Galliano.
• Galliano repeated the same design through the upper bodice for Look 18.
• In the book 'Dior Catwalk' they note that the Collection "managed to translate the intricate Japanese inspired references and techniques of Galliano's previous Haute Couture show for ready-to-wear, from origami folding and gravity defying pleats to elegant draping, tiered skirts, striking headpieces and bright colors." Women's Wear Daily hailed the collection as "a brilliant blockbuster, a glorious celebration of the grand and glamorous."
• Once worn together you get the feel of a full length dress but it is a two piece set with its original belt included. Both pieces are made out of a dusky purple hammered silk that has incredible drape.
• The top slips on and zips to close at the back. The shoulders are soft and the sleeves are cut long and on a curve a traditional tailoring technique to follow the shape of the arm. Each sleeve is cut a little longer than a normal sleeve so that when they are on the body they can be bunched up along your arm just slightly or worn slightly over the top of the hand depending on your arm length. 
• The sleeves are cut to curve outward from the body of the top with gusseted seams underneath forgoing the traditional arm seams. This means extra steps during the garment assembly that you rarely see anymore outside of Couture.
• The neckline comes down in a shallow V and then the silk is gathered up and into the intricate fold at the front.
• A hand dyed to match snakeskin belt is used to cinch in the waist. The buckle of the belt is finished in deep purple rhinestones.
• The skirt skims over the hips and there is an extra panel of fabric that puddles and drapes down one side. It runs from just below the hip down all the way to the floor.
• Under that extra added panel is an incredibly high slit that goes to the top of the thigh. The skirt flares out as it nears the floor and the hem has a touch of an asymmetrical feel to it with the side with the panel falling longer past the hem than where it starts on the inside portion of the slit.
• On the runway you can see the high slit as the model moves and this skirt has that same detail.
• This is an exceptionally rare set and an outstanding example of his work for this collection.
• The top slips on with a hidden set short zipper at the back of the neck. The belt has a rhinestone encrusted buckle and the skirt closes with a side hidden set zipper. There is a teeny bit of lift on the edges and wear marks on the belt that are minor and if I hold the skirt up to the light I see a tiny bit of vertical thinning marks under the waist and here and there around the ham of the skirt. They do not show through to the front at all and I am being very picky. Both pieces otherwise appear to have been worn very little if at all.
• Both pieces are tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Top
Sleeves: approx 26-27" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: to 18.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Bottom seam: 19" flat across from side seam to side seam
Total length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 49" from waist to the shortest part of the hem, 54" to the longest
Slit: 36.5" from the shortest part of the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5724

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This Christian dress is from the Spring 1972 Haute Couture collection
• It was made under the creative direction of Marc Bohan 
• In the book 'Dior Catwalk' it notes that the New York Times exclaimed, that "romance, contemporary style, is the provision look for spring." It goes on to declare that Bohans collection for Dior was the best of the season in Paris. "Mark Bohan succeeded in bringing back the fable elegance without becoming historical. There's no pinpointing of the 1930s or 1940s. The clothes look really contemporary".
• I love that we have reference photos so you can see how the dress looks like once in the body. 
• The dress would have been made completely by hand in the Paris atelier.
• It is made out of a beautiful lightly starched blue silk gazaar that is woven on the bias. This is a difficult technique to achieve and allows the dress to retain its more sculptural structure and shape while keeping the dress light in weight. 
• It is cut to sit fully off the shoulders to leave a bare expanse of skin showing.
• Each sleeve is cut to just above the elbow and has a beautiful five inch ruffle flaring out all the way around.
• It skims over the bust and curves in a touch at the waist. The shape is all achieved by the immaculate cut of the fabric.
• Inside there is a full boned inner corset that extends down to the top of the hips. The silk glides over top of this perfectly.
• From there it curves back over the hips and then widens out beautifully to the hem. The entire hem is finished with an eight inch wide ruffle that picks up on the detailing of the sleeves to perfectly tie all of the elements together.
• As good as this dress looks in the photos it is even more beautiful in person.
• The dress is lined in a hand set blue silk organza. The inner corset closes with its own zipper and there is an inner partial waist stay that hooks to close inside the corset. The dress zips to close over that at the side. All of the work is done by hand to Haute Couture standards. It has its proper numbered Couture tag inside.
• There is no size tag since it is true couture. Please go by the measurements listed below.
• Excellent condition

Sleeves: 9.5" and they are 11" around the upper arm
Inner bust: to 16" flat across from side seam to side seam
Inner waist: to It has its proper numbered Couture tag inside. It has its proper.12.25" flat across from side seam to side seam
Hips: 19-21.5" flat across from side seam to side seam
Total length: 55" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5709

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this incredible dress walked the runway for Look 31 for the Fall 2010 collection.
• It was made under the creative direction of John Galliano.
• Vogue's review stated that Galliano's Fall ready-to-wear for Dior was "Equestrian-themed, a follow-on from the daywear strand of the acclaimed Couture show in January. This was to be a brisk albeit slightly perfunctory trot around the circuit of Galliano's longtime favourite 18th century."
• In the book Dior:Catwalk they noted that Galliano had baptized the collection "The Seduction of the Libertine". The collection notes read "Riding in from the hunt that began at the Haute Couture, Dior discovers intrigue and inspiration in gallant riding habits as it goes from the stables to the seductive style and verse of those infamous romantics, the 18th century Libertines"... "This season Dior takes up the heroic spirit of the French romanticism." said Galliano.
• This dress is deceptive in it simplicity. It is completely cut on the bias and this gives it incredible curves once on an actual body. It almost feels like you are wearing nothing because of the soft sand colour and the lightness of the silk chiffon.
• The bodice crosses over itself and there is a silk chiffon ruffle that follows the neckline. This wraps around you and buttons behind the neck. Panels extend out from the top that are cut wide and edged in a ruffle. By tying those around the front of the neck you get that beautiful ruffle falling down the front as seen here and on the runway.
• The bodice skims to the waist and the waist is seamed but with a slightly more generous feel. If you really wanted to add shape you can cinch this in quite substantially.
• The back dips low to leave a bare expanse of skin to show.
• The top layer of the skirt wraps over itself as it attaches in around the waist and there is a substantial amount of silk used for the skirt to give it it's extensive draping. Under that is a second inner silk layer in the same colour. A slit runs up the side of the inner layer. 
• The entire bottom of the skirt has round cut outs in various sizes that circle all the way around the lower skirt. Each of the cut outs are finished with a heavily applied embroidered edge done in a matching coloured thread. This gives the bottom of the dress extraordinary texture and detail.
• This is an incredible and rare documented runway piece.
• The dress is fully lined in a second layer of the same silk chiffon. A row of his signature matching silk covered buttons and loops runs down the side to close the dress. It appears to have been worn very little if at all.
• Tagged a Dior FR36, GB8 IT40, US4
• Excellent condition

Bust: the front bust has open sides and is cut quite generously to fit a variety of bust sizes and shapes
The underbust area where the sides begin is cut on the bias and can range from 16-19.5" flat across from side seam to side seam 
Waist: to 14" flat across from side seam to side seam
Inner hips: 20-23" flat across from side seam to side seam
Bodice: approx 17-18" from neck to waist but meant to blouse over a touch
Total length: approx 70" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5705

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was shown for the Pre-fall 2018 Dior collection as Look 60
• It was made under the creative direction of Maria Grazia Chiuri.
• In Vogues' interview with Maria she said of the house that "We have to maintain our heritage, but at the same time, transform it into something that's very easy to wear - comfortable to." the collection had a significant portion devoted to stars with the evening dresses "...and embellished with constellation artwork from surrealist Jean Cocteau."
• The twin of this one was shown in a trio of these embellished dresses and this one with its beautiful embellished sun on the bodice is absolutely one of my strong favourites of the present presentation.
• The upper most part of the bodice and the skirt are made out of a black netting and this is mixed with the black velvet of the bodice. Onto that is an extensive pattern that combines bead work, sequins and embroidered black chenille thread work.
• The bodice of the dress is meant to be more fitted around you but it does not have any inner corset so it is still soft and easy on the body.
• I love the how the upper most part of the bodice is made out of the two layers of the netting for a little bit of skin too show through and then the inky black of the velvet offers a pretty contrast to that.
• The stylized sun that sits on the bodice has a beaded outline and then it is filled with embroidered thread and gold sequins. It appears that this was all hand done on an applique and then the applique was applied to the dress. It is just fabulous.
• The skirt is cut to be very full. It falls from the nipped in waist and then expands outwards from there. This gives it a soft and easy movement around you as you move. If you lay the skirt of flat it is just short of being a true circle skirt by the time it reaches to hem.
• Two layers of netting sit over an opaque silk inner layer next to your body. The very top layer is heavily embellished with gold sequins in various sizes mixed with black chenille embroidery. This gives it beautiful texture and ties it in perfectly with the sun on the top.
• There is a ton of fabric in a skirt. It is very light in weight so when you stand still it falls with just a slight volume but when you move it really moves around you beautifully.
• It is just outstanding in person and beautifully constructed.
• The dress is fully lined in a black silk. The dress closes with a hidden set back zipper. I see a slight change in the direction of the velvet here and there. It otherwise appears to have been worn very little if at all.
• Tagged a modern Dior FR34, GB6, IT38, US2
• Excellent condition

Bust: to 16" flat across from side seam to side seam
Waist: to 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from shoulder to waist
Total length: 59" from shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5747

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This two piece set is from the Fall 2019 Christian Dior collection and was Look 83 on the runway.
• It was made under the creative direction of Maria Grazia Chiuri.
• Vogue's Sally Singer noted that; "Chiuri sought inspiration for this collection from Britain’s postwar Teddy Girls, those working-class, rock ’n’ roll–loving beehived vixens who hit the clubs in a mix of men’s Edwardian jackets, full skirts, blue jeans, leather, velvet, and eyeliner galore. She was struck by the similarity in silhouette and the optimistic excess that characterized Christian Dior’s designs of the same period. She was also moved by Yves Saint Laurent’s addition to the Dior pantheon of a men’s black leather jacket for women in the late 1950s. So, heritage, hipsters, and herstory."
• The twin of this look also appeared on red carpets that season.
• At first glance it looks like this is a full dress but it is actually two pieces. There is an inner romper or play suit and then an open front skirt that goes over top of that. I love the versatility and added wearability that having two separate pieces gives you.
• Both pieces are made out of a deep red silk chiffon and have a inner black layer that deepens the colour and adds interesting shadows to the areas where it is gathered or draped. This fabric choice keeps the pieces soft and pretty as well as light-in-weight.
• The bodice of the inner piece is fitted with a built-in corset that is cupped and boned to sit perfectly in place around you.
• I love how the silk is gathered over the bodice to emphasize the bust. The gathering continues down on an angle around the waist to give the illusion of a smaller waist.
• Under the waist it curves out over the hips and becomes a pair of wider legged short shorts.
• The skirt is its own separate piece and snaps into place over top of the shorts. It falls from a banded panel around the waist and then expands outwards from there.
• It closes under a flat bow at the centre front and is open to the hem under that. This gives it a soft and easy movement around you as you move. 
• The skirt is made out of a layer of the red silk chiffon and then underneath are two stacked black layers of a black net. Floating the layers over each other helps it to retain volume and shape around you. It also gives you an interesting colour contrast when the front opens as you move.
• It is just outstanding in person and beautifully constructed.
• The skirt is lined in a black net and the romper in a black silk. Inside the bodice is an attached cupped and lightly boned corset. The playsuit closes with a hidden set back zipper and the skirt closes with hidden set snaps plus hook & eye under the bow at the front. It appears to have been worn very little if at all.
• Tagged a modern Dior FR38, GB10, IT42, US6
• Excellent condition

Playsuit
Bust: to 17" flat across from side seam to side seam
Waist: 12.5-13.25" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 8.5" from top of bodice to waist
Total length: 23" from top of the bodice to hem. The inseam is 2.5" and the gusset from the back waist to the inner seam is 17"

Skirt
Waist: to 14.25" flat across from side seam to side seam. You could adjust this up or down a bit by moving the hooks and snaps.
Hips: open
Total length: 45" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5742

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 2007 show for Look 43. 
• It was made under the creative direction of John Galliano.
• Galliano repeated the same design through the upper bodice for Look 18.
• In the book 'Dior Catwalk' they note that the Collection "managed to translate the intricate Japanese inspired references and techniques of Galliano's previous Haute Couture show for ready-to-wear, from origami folding and gravity defying pleats to elegant draping, tiered skirts, striking headpieces and bright colors." Women's Wear Daily hailed the collection as "a brilliant blockbuster, a glorious celebration of the grand and glamorous."
• Once worn together you get the feel of a full length dress but it is a two piece set with its original belt included. Both pieces are made out of a dusky purple hammered silk that has incredible drape.
• The top slips on and zips to close at the back. The shoulders are soft and the sleeves are cut long and on a curve a traditional tailoring technique to follow the shape of the arm. Each sleeve is cut a little longer than a normal sleeve so that when they are on the body they can be bunched up along your arm just slightly or worn slightly over the top of the hand depending on your arm length. 
• The sleeves are cut to curve outward from the body of the top with gusseted seams underneath forgoing the traditional arm seams. This means extra steps during the garment assembly that you rarely see anymore outside of Couture.
• The neckline comes down in a shallow V and then the silk is gathered up and into the intricate fold at the front.
• A hand dyed to match snakeskin belt is used to cinch in the waist. The buckle of the belt is finished in deep purple rhinestones.
• The skirt skims over the hips and there is an extra panel of fabric that puddles and drapes down one side. It runs from just below the hip down all the way to the floor.
• Under that extra added panel is an incredibly high slit that goes to the top of the thigh. The skirt flares out as it nears the floor and the hem has a touch of an asymmetrical feel to it with the side with the panel falling longer past the hem than where it starts on the inside portion of the slit.
• On the runway you can see the high slit as the model moves and this skirt has that same detail.
• This is an exceptionally rare set and an outstanding example of his work for this collection.
• The top slips on with a hidden set short zipper at the back of the neck. The belt has a rhinestone encrusted buckle and the skirt closes with a side hidden set zipper. There is a teeny bit of lift on the edges and wear marks on the belt that are minor and if I hold the skirt up to the light I see a tiny bit of vertical thinning marks under the waist and here and there around the ham of the skirt. They do not show through to the front at all and I am being very picky. Both pieces otherwise appear to have been worn very little if at all.
• Both pieces are tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Top
Sleeves: approx 26-27" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: to 18.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Bottom seam: 19" flat across from side seam to side seam
Total length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 49" from waist to the shortest part of the hem, 54" to the longest
Slit: 36.5" from the shortest part of the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5724

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This Christian dress is from the Spring 1972 Haute Couture collection
• It was made under the creative direction of Marc Bohan 
• In the book 'Dior Catwalk' it notes that the New York Times exclaimed, that "romance, contemporary style, is the provision look for spring." It goes on to declare that Bohans collection for Dior was the best of the season in Paris. "Mark Bohan succeeded in bringing back the fable elegance without becoming historical. There's no pinpointing of the 1930s or 1940s. The clothes look really contemporary".
• I love that we have reference photos so you can see how the dress looks like once in the body. 
• The dress would have been made completely by hand in the Paris atelier.
• It is made out of a beautiful lightly starched blue silk gazaar that is woven on the bias. This is a difficult technique to achieve and allows the dress to retain its more sculptural structure and shape while keeping the dress light in weight. 
• It is cut to sit fully off the shoulders to leave a bare expanse of skin showing.
• Each sleeve is cut to just above the elbow and has a beautiful five inch ruffle flaring out all the way around.
• It skims over the bust and curves in a touch at the waist. The shape is all achieved by the immaculate cut of the fabric.
• Inside there is a full boned inner corset that extends down to the top of the hips. The silk glides over top of this perfectly.
• From there it curves back over the hips and then widens out beautifully to the hem. The entire hem is finished with an eight inch wide ruffle that picks up on the detailing of the sleeves to perfectly tie all of the elements together.
• As good as this dress looks in the photos it is even more beautiful in person.
• The dress is lined in a hand set blue silk organza. The inner corset closes with its own zipper and there is an inner partial waist stay that hooks to close inside the corset. The dress zips to close over that at the side. All of the work is done by hand to Haute Couture standards. It has its proper numbered Couture tag inside.
• There is no size tag since it is true couture. Please go by the measurements listed below.
• Excellent condition

Sleeves: 9.5" and they are 11" around the upper arm
Inner bust: to 16" flat across from side seam to side seam
Inner waist: to It has its proper numbered Couture tag inside. It has its proper.12.25" flat across from side seam to side seam
Hips: 19-21.5" flat across from side seam to side seam
Total length: 55" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5709

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this incredible dress walked the runway for Look 31 for the Fall 2010 collection.
• It was made under the creative direction of John Galliano.
• Vogue's review stated that Galliano's Fall ready-to-wear for Dior was "Equestrian-themed, a follow-on from the daywear strand of the acclaimed Couture show in January. This was to be a brisk albeit slightly perfunctory trot around the circuit of Galliano's longtime favourite 18th century."
• In the book Dior:Catwalk they noted that Galliano had baptized the collection "The Seduction of the Libertine". The collection notes read "Riding in from the hunt that began at the Haute Couture, Dior discovers intrigue and inspiration in gallant riding habits as it goes from the stables to the seductive style and verse of those infamous romantics, the 18th century Libertines"... "This season Dior takes up the heroic spirit of the French romanticism." said Galliano.
• This dress is deceptive in it simplicity. It is completely cut on the bias and this gives it incredible curves once on an actual body. It almost feels like you are wearing nothing because of the soft sand colour and the lightness of the silk chiffon.
• The bodice crosses over itself and there is a silk chiffon ruffle that follows the neckline. This wraps around you and buttons behind the neck. Panels extend out from the top that are cut wide and edged in a ruffle. By tying those around the front of the neck you get that beautiful ruffle falling down the front as seen here and on the runway.
• The bodice skims to the waist and the waist is seamed but with a slightly more generous feel. If you really wanted to add shape you can cinch this in quite substantially.
• The back dips low to leave a bare expanse of skin to show.
• The top layer of the skirt wraps over itself as it attaches in around the waist and there is a substantial amount of silk used for the skirt to give it it's extensive draping. Under that is a second inner silk layer in the same colour. A slit runs up the side of the inner layer. 
• The entire bottom of the skirt has round cut outs in various sizes that circle all the way around the lower skirt. Each of the cut outs are finished with a heavily applied embroidered edge done in a matching coloured thread. This gives the bottom of the dress extraordinary texture and detail.
• This is an incredible and rare documented runway piece.
• The dress is fully lined in a second layer of the same silk chiffon. A row of his signature matching silk covered buttons and loops runs down the side to close the dress. It appears to have been worn very little if at all.
• Tagged a Dior FR36, GB8 IT40, US4
• Excellent condition

Bust: the front bust has open sides and is cut quite generously to fit a variety of bust sizes and shapes
The underbust area where the sides begin is cut on the bias and can range from 16-19.5" flat across from side seam to side seam 
Waist: to 14" flat across from side seam to side seam
Inner hips: 20-23" flat across from side seam to side seam
Bodice: approx 17-18" from neck to waist but meant to blouse over a touch
Total length: approx 70" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5705

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.