• This remarkable piece of Emilio Pucci dates to Spring 1968
• It was made under the creative direction of Emilio Pucci.
• It's near twin was famously shot on Marissa Berenson that year.
• By the 1960s and 1970s, Pucci was a world-wide phenomenon. Hollywood stars like Marilyn Monroe, Sophia Loren and even first lady Jackie Kennedy were huge fans. For all of the many attempts since to catapult the label back to the height of its glory, the days when Emilio himself oversaw the label and designed the prints will always be the most special to me.
• It is made out of one of his more rare and hard to find velour or velvet finished terrycloths. I love that pieces in this fabric could of course be worn as cover-ups over bathing suits, but you could also wear it on its own as well.
• Each of their dresses were made of a custom designed print. On this one a beautiful classic Pucci floral print runs over the entire dress. The print combines pinks, pale, tangerines, soft greys and pops of black. A smaller floral print sits inside the contrast in borders worked throughout the print.
• A zipper runs partway up the front. I love how this allows you to zip it as high or low as you wish. It ends just about the top of the thighs and is open from there to the hem allowing for a bare flash of leg to show.
• It will also open up completely, so you can wear it as an almost cape kind of peace as well.
• I love how the contrasting edging that is built into the print highlights the cut of the piece and adds very pretty lines on all sides of the cover-up.
  
• The shoulders are soft and the arm holes are slightly squared off. This allows for that contrasting band a print around the top of the bust to sit perfectly all the way around you.
• You can zip and hook the collar all the way up and around your neck and the piece comes with its original hood. The hood matches the rest of the cover-up and remarkably it is made so that it snaps into place along the inside of the collar so you can wear the piece with or without the hood.
• It is cut more loose and generous through the body as it skims over the bust, waist and hips. It flares out as it nears the hem and this is helped by a fold over pleat that attaches in near the armholes and expands out all the way to the hem. There is a ton of fabric in it so it has great movement when you move.
  
• These original Pucci coverups are getting harder to find and this one is an outstanding condition and is absolutely gorgeous. The fact that it is documented to its year is just added bonus.
• The piece is unlined with the more traditional terrycloth feeling side against the body. It closes with a front metal zipper. I do see some small discolouration here and there and there is some minor fading and grubbiness to the collar. I see some minor seam separation and a tiny repair where the arm hole fits into the bust at the front. I have taken several photos so please review the the ones after the label shot. This is not unusual for pieces from this period and in this fabric because they were worn and loved. I think it's still an outstanding condition. The printed part of the fabric is signed throughout. Hand finishes throughout. 
• Tagged a vintage Pucci 10
• Great condition
  

Bust: to 19" flat across from side seam to side seam
Waist-hips: open
Total length: 56" from the neck at the seam under the 2" collar to hem. The front slit is 27" from the hem to the base of the zipper.

Modern Sizing Equivalent: OSFA

Item# DD5721

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 2004 McQueen show.
• It was made under the creative direction of Alexander McQueen.
• The runway pieces were not produced in significant numbers and were often only found at the flagship stores in very limited quantities.
• For this collection McQueen was quoted as saying that he wanted to 'strip away all theatrics and focus purely on design'. The colours in the show focused on a nude palette and these more taupe pieces were a predominant element in the collection. He also kept the embellishments to the bare minimum throughout the collection. 
• The dress is made from a very fine knit that has a slight sheen to it.
• The various seams have been either surged and top stitched, or have been covered and highlighted with a silk cording. This use of the seams as a way to create design details within the dress is a very McQueen feeling signature and its use highlights the cut and line of the dress.
• The neckline on the dress is a wide ribbed panel that has a lot of stretch. You could wear it up and off the shoulders but it is best worn as shown on the runway, stretched and pulled down to leave the shoulders bare and fully exposed.
• The bodice is cut to skim over you and the sleeves are long. Each sleeve has some fullness above its four inch cuff. On the runway, they pulled the cuff up and inside so you just saw the part that blouses over and not the cuffs itself. 
• From there it continues past the hips to the floor. If you thought the way the seams have been detailed on the bodice was well done the skirt is magical.
• Stacked side by side are peaked panels whose tops sit at different heights around the entire skirt. Each has a touch of open cut work around their seams which gives the dress more depth and detail. This piecing of the side by side panels also allows the skirt to have more of a flare at its bottom. You can see how beautifully it moves in the runway video here.
• This is an iconic piece of McQueen's history.
• The dress is fully lined in an ivory stretch lingerie type fabric and slips over the head to wear. The stretch of the fabric should allow it to accommodate a variety of sizes. The measurements below are the comfortable range when the dress is laying flat. I see a tiny area on the knit where it misses a stitch and there is a snag in the knit just above the hem at the back and a pull on the back of the arm. Please see the photos after the label shot. Any change in colour you see is just the lighting. 
• Tagged a McQueen 38. 
• Excellent condition with the note above.

Sleeves: 25"
Shoulders: variable
Bust: 17-21" flat across from side seam to side seam
Waist: 11.5-15" flat across from side seam to side seam
Hips: 17-22" flat across from side seam to side seam 
Total length: approx 60" from the top of the natural shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5706

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2002 runway as Look 79.
• It was made under the creative direction of the original Mr. Valentino.
• The dress was one of a group of seven presented near the end of the show.
• I think it was the best of that group and it is a wonderful example of Valentino's work for his main line during this time period.
• I love having the runway photos and video of the dress for reference so that you can see just how amazing it is on an actual body and how beautifully it moves.
  
• The dress is very light and easy to wear because of the crepe silk chiffon it is made out of.
• I love its bareness at the top and the bandeau feeling bust that leaves that little keyhole of bare skin at the centre. It has a very sexy feel to it in a very easy way, yet it still manages to feel elegant and refined.
• It is a dress that really comes alive on the body.  It is cut to perfectly fit and skim over the body.
• The silk is completely covered in a dot pattern and I love how he has mixed two different size dots. This brilliantly plays on the different parts of the dress. The main body of the dress uses a tiny white dot so that the red seems to be more prominent and then the bust and ruffle around the skirt have a larger white dot that really give impact.
• The bodice is cut across the front and ties at the centre with the little opening under the tie. The larger dot fabric continues all the way around the back so you get the sense of it being its own little bandeau top.
• It skims over you from there and there is no seam at the waist to break the eye. The vertical seaming and slight bias cut to the silk simply curves it in and creates shape.
• Under that the skirt flows to the floor and gradually widens out as it nears the hem. It is wider then it feels standing still and the skirt is cut a little longer at the back to give the feel of a slight sweep behind you.
• Starting at around the hips is a ruffle that is set on a curve. As this wraps around you it dips down low at the back to create the bottom skirt there. The ruffle is made out of a single layer of the silk chiffon. This allows it to really pick up the air as you walk or move and creates a pretty movement around you. It is made out of the same larger white dotted red silk and this perfectly picks up on the fabric used for bodice.
• It is a beautiful example of Mr Valentino's work.
• The dress is fully lined in a red silk crepe and closes with a hidden set side zipper on the exterior and a second zipper on the boned inner corset. The front ties into place and can be adjusted for bust size.
• Tagged a vintage Valentino 4
• Excellent condition

Bust: 16" flat across the back and the front ties can be adjusted to allow up to 18" flat across
Seam under the bust: 13.5-14" flat across from side seam to side seam 
Inner waist: 12" flat across from side seam to side seam, outer waist 12-13.5"
Hips: to 19" flat across from side seam to side seam
Length: 50" from top of bodice to front hem, 54" to back hem

Modern Sizing Equivalent: XS-SML

Item# DD5704

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1973 YSL collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress is very well documented. Its twin was shown on the runway that season and one was photoed on Marlene Dietrich with Yves himself. I love that. 
• Its modern day provenance includes being worn by Emmy Rossum and the dress that she wore is one that came from us.
• The dress is not perfect so please make sure to read the entire description before purchasing. It is completely wearable as found.
• This is one of my favourite dresses that Yves ever did. I believe there was a remake of it a couple of years ago, but the remake do not come close to the quality and level of craft that the originals have.
• The dress is made out of a fine slinky silk jersey in black.
• Two triangles sit at the front and come in around the waist and tight little gathers. They narrowed to the top of the shoulder where they are held in place by brass chain and loops. They appear to have been made by hand and they have a beautiful touch of patina to them. I love how these are the only embellishment on the dress.
• The triangles are set into the front and back in a way that allows the dress to plunge on all four sides
• The front is set in a V right to the waist seam as is the back. And then because the triangles are set the way they are, you also get a deep plunge down each side.
• I love how this leaves an unexpected flash of skin all the way around you but the way it's constructed holds the triangles perfectly in place once on the body.
• The waist is set slightly high and inside there is a wide band of grosgrain ribbon that hooks into place and holds the dress around you. 
• The skirt falls from there beautifully to the floor. It is from a single layer of the black jersey that is very full and then under that is an inner skirt made out of a matching black jersey. The movement this gives the skirt is incredible.
• This is a defining piece from YSL history and an absolutely beautiful dress
• The dress is fully lined in a second layer of the same silk jersey. It closes with a side, zipper and the inner grosgrain ribbon around the waist hooks to close. Around the entire top portion of the skirt there are a series of tiny thinning and holes. They do not appear to be present on the bottom or lower portion of the skirt. They are completely hidden within the pleats, but you do see them if you spread the skirt fully out and hold it up to the light. It is priced at less than half of what it would be if this was not the case. Please see the photo after the label shot for an example of it. 
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: each triangle measures 7 to 10 inches" flat across from side to side
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 59" from shoulder to hem

Modern Sizing Equivalent: XS-MD

Item# DD5691

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is the twin of the dress shown on the runway for the Fall 1974 collection.
• It was made under the creative direction of Yves Saint Laurent.
• Besides being seen on the runway, it was shot for the ad campaign that season and also shot for two separate editorials making it highly documented for that time frame.
• The dress is gorgeous and the black silk jersey that it is made out of is part of what makes it so fabulous. 
• Onto the jersey are braided and cord panels that add the perfect contrast. 
• The shoulders are soft and the sleeve extend out from there. They are a touch fuller near the upper arm and then narrow slightly to their elaborate cuffs. 
• The cuffs on the dress are spectacular. Each one is just under 6 inches wide and feature and elaborate design made of different widths and finishes of black cording. The pattern is stacked on top of each other to follow the shape of the cuff. Five knotted cord buttons  and loops close each cuff.
• I love the way the front is squared off and that same squaring off continues at the back. The entire neckline has the same border of cord work that you see on each cuff.
• The bodice is loosen, easy and skims down to the slightly high waist.
• A silk cord finished with tassels runs through a loop around the waist and this allows you to adjust and cinch in the shape as much or little as you wish. I love that it takes on a sleep column feel if you leave it looser or really shows your shape if you decide to cinch it in.
• It glides over the hips and then widens out as it near the hem so that it has great movement as you move.
• It is a phenomenal and well documented YSL from this time period.
• The dress is unlined and slips onto to wear. The cord at the waist adjusts how fitted it feels and there are five buttons on each cuff. Hand finishes inside. The jersey should allow it to work on a range of sizes. It will drape more on a smaller frame.
• Tagged a vintage YSL 38
• Excellent condition

Sleeves: approximately 26.5" and they are 14" around the upper arms
Shoulders: no true defined seam
Bust: to 18" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam and can be cinched down to where you prefer.
Hips: to 23" flat across from side seam to side seam
Bodice: 13" from top of bodice to waist
Total length: 61.5" from top of the shoulder to hem with 2" turned under the hem.

Modern Sizing Equivalent: XS-MED

Item# DD5686

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The label on this dress date it to the 1970s period.
• It was made under the creative direction of James Galanos.
• In 1951 a 27 year old James Galanos launched his first label called Galanos Originals. By 1954 he had won a Coty award and the Neiman Marcus award.
• His ready-to-wear line was made close to couture standards and with a level of craftsmanship that was on par with the French couturiers. He was truly one of the great American designers and his work is held in all of the major museums around the world.
• I think this is one of the best Galanos' pieces I have ever had in the shop. It is extremely well made with a very high level of construction techniques.
• The dress is made out of a beautiful floral printed silk chiffon in a mix of soft pastels. The print forms large flowers that cascade over the entire dress.
• There is a full inner bodice made of the same printed silk chiffon. This inner piece has straps that curve up and around the shoulders with a scoop at the front and back. Blousing over that is a fuller cut, single layer of the silk chiffon. It has long sleeves that narrow to the cuff and the most incredible beaded butterfly that is completely made by hand adorning the front. It is spectacularly beautiful.
• The waist nips in and the dress comes with a matching silk covered leather belt.
• The silk is gathered into the waist seam on one side so that it wraps around you. There is a high slit hidden underneath the wrap over on one side and another matching high slit on the other side so you get an unexpected flash of bare leg when you move or sit.
• The workmanship on the dress is absolutely stunning and the vast majority of it is all done by hand including the butterfly at the front.
• The inner bodice that sits under the top acts as the lining and then that is lined with another layer of nude silk chiffon. The skirt is made of two layers of chiffon. It zips to close at the back with a hand set zipper and the outer bodice hooks to close at the back of the neck. Each sleeve ends in a little zipper. I see a tiny pinhole just above the butterfly at the front and some very minor repairs - one near the neckline of the back and some near the hem. Please see the photo after the label shot.
• The dress has no size tag so please go by the listed measurements below.
• Excellent condition with the notes above.

Sleeves: 23" and they are 14" around the upper arm
Shoulders: 15"
Inner bust: to 17.5" flat across from side seam to side seam
Inner waist: to 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 62" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5683

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1984 Givenchy Haute Couture collection.
• It was made under the creative direction of Hubert de Givenchy.
• The dress would have been completely made by hand in the Paris atelier.
• This is a very recognizable piece of Couture by Givenchy and a rare collectible. Its twin was used for the ad campaign that year.
• This would have been made completely by hand in the Paris atelier. 
• It is the full set comprised of the strapless dress and the matching evening sleeved cape/coat.
• Both pieces are made from a silk organza that has a brilliant floral print covering its entire surface. The fabric choice keeps both pieces very light in weight.
• The dress is strapless and has a full built-in inner boned corset that holds it in place on you. The neckline is detailed with a double layer of ruffles in the same silk and then the silk glides over an inner silk ivory dress to widen out a touch as it reaches the floor.
• The front of the dress is a touch shorter than the back and you get this pretty line as a result. It is very easy to wear because of the ease of the cut through the body.
• Over that is an incredible sleeved evening coat. This is where the piece really takes on its dramatic feel. It is meant to feel oversized and voluminous over the inner dress.
• The outer piece has that same ruffle treatment that follows the entire front edge and hem. More ruffles circle around the top of each shoulder.
• The sleeves are incredibly full above their cuffs and each one has built-in tulle and stiffened netting. That helps to hold the incredible shape once it is on.
• The outer silk layer of the coat sits over an inner silk chiffon layer for the perfect light structure. It billows out from the shoulders down to the floor in a massive bit of volume.
• Shoulder pads sit inside each shoulder for added shape. They could be easily removed if you wanted a softer look. 
• Both pieces are completely made by hand and are of an absolutely beautiful quality.
• The dress closes at the side with a row of silk covered snaps and then the inner built-in corset zips to close under that. There is a hooked stay at the waist and another stay placed just under the bust to help hold the dress properly in place. On the outer coat there is a single hook at the top of the neck. The proper Givenchy Haute Couture label and written couture tape tag under the label are present on both pieces. They also have their attached metal disc Couture hangtag that was added to Couture pieces during this era. They appear to have been worn very little at all.
• There is no size tag present because these are true Couture. Please go by the measurements below
• Excellent condition

Dress
Bust: 16.5" flat across from side seam to side seam
Inner waist: 13" flat across from side seam to side seam
Inner hips: 19" flat across from side seam to side seam
Bodice: 9.5" from top of bodice to inner waist, not including the ruffles
Total length: 49" from top of bodice to front hem and 52" to the back

Evening Coat
Sleeves: 23" and are full and open through the upper arm
Shoulders: approx 16.5"
Bust: to 26" flat across from side seam to side seam
Waist-Hips: open
Total length: 57" from neck to hem

Modern Sizing Equivalent: SML-MED and the coat is OSFA

Item# DD5682

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A shorter version of this dress walked the runway for the Spring 2019 show for Look 25 and then the twin of this longer version walked the runway later that same year at the ARISE fashion week.
• It was made under the creative direction of Esteban Cortazar.
• Esteban first caught the eye of Bloomingdale's in 1999 and they subsequently picked up his first collection. By 2006 his work was at other retailers and he became a member of the American Council of fashion designers. In 2007, he joined Ungaro as the Creative Director and his own label shuttered shortly after in 2008. In 2012 Net-a-Porter had him do a series of capsule collections and that allowed him to relaunch his label in 2014.
• The short version of this dress was first seen in the Spring 2019 show spring season as look 25. Later that same year he did a long version that was shown during the ARISE fashion week in Lagos.
• Vogue said that "Esteban's collection this evening was his impression of Summer – an I'll-go-where-you're-going evocation of breezy days and sultry nights." They noted that "radiant sunset hues were a re-occurring motif. The looks were desirable because of the woman they evoked: someone who is successful, sexy and self-possessed."
• The dress is made out of a combination of woven 'thatched' silk chiffon in a variety of soft pastel colours and then that same fabric is fringed and set in rows to form the skirt.
• The bodice is strapless and the way the fabric was woven to create the pattern that you see is outstanding. It was all meticulously criss-crossed over the entire bodice and then small bands of beads are set with in the pattern at regular intervals. I have taken close-up so you can see how incredible the work is.
• Ont he bodice the colour begins as a deep coral and gradual lightens to a soft pink around the waist area.
• There are twelve distinct rows of the fringe that have been stacked one after another with a slight overlap as they fall down the full length of the skirt from waste to hem. The fringes create incredible movement as you move and walk.
• The fringes are set in a different pastel colours as they work their way down the skirt. This perfectly picks up on the colours used on the bodice.
• The colour combination is just phenomenal. I see that deep coral, a soft, dusty pink, a lighter pink and a pale pastel yellow in the mix.
• The edges of the fringe are all raw cut. Mixed in with the fringes of each row are strands of beads that match the beads used in the weaving of the bodice. I took some close-up so you can see how they combine different colours to make each row.
• The workmanship in this dress is incredible. This dress could be considered Demi Couture.
• Inside the dress has a full built-in bodice that is wired and cupped. The dress is fully lined in a soft pink silk. It closes with a hidden set back zipper and the inner corset has a row of snaps that closes under that. The dress appears to have been worn very little if at all. There is no label present.
• Tagged a modern Cortazar 42
• Excellent condition

Bust: 17.5-19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 9" from top of bodice to the top of the 2.5" band around the waist
Total length: 55" from top of bodice to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5677

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a one off Rodarte dress that was made in 2011.
• It was made under the creative direction of Kate and Laura Mulleavy.
• This is the actual dress that appeared on the first page of the Vogue coverage of Kate Moss's wedding.
• Mario Testino shot the wedding portfolio a week before the actual ceremony. The photos taken then along with some photos from the actual night were included in the write up an interview with Kate in the September 2011 issue
• Rodarte had been requested to make a one-off dress for that shoot. Because Kate did not wear it as part of the wedding it was returned to the label. My client later bought it at a Rodarte sample sale. This is the actual dress that Kate wore in the photo.
• On my Instagram I posted the video of my client's friend who tried it on the day it was purchased at the sample sale. I have also expanded slightly on its history in that post. You can see that by clicking here.
• I have also added two videos taken in my studio of the dress front and the back. Note that in the video the lighting has caused a bit of a pinky tint here and there this is lighting only there is no discolouration on the dress whatsoever.
• There is a lot of handwork in the dress as it would have been custom made in-house. The pricing for pieces during this era were also extraordinarily higher than what they currently can be, with the then pricing being up to and over the 20k mark. I cannot even imagine what this would have cost since it was a one off and for such a special occasion.
• I love how it has a decidedly vintage feel to its cut and it is unbelievably beautiful in person.
• The top layer of the dress is an off-white net that has silver thread embroidery that covers its entire surface to form the prettiest of designs. Underneath that is a very lightweight silver lame fabric that is set through the body of the dress. The lower skirt has multiple layers of a silver grey coloured tulle built-in underneath the top layer to give and hold the volume that you see.
• On top of the silver thread pattern that covers the entire dress are little white tube beads mixed with silver sequins. These follow the more floral parts of the design so the entire dress subtly catches the light from all angles. 
• The sequins and beads were all hand applied and you can clearly see that on the back side of the netting.
  
• The neckline is set high and sweeps directly out from the bodice to wrap around and frame the neck. The lace continues in a small panel that extends out from there as it curves around the neck and then snaps back in underneath the front panel. The lace has all been hand gathered up and around you to appear like it is criss-crossing over you.
• I love how the inner silver layer that sits underneath the embroidered net creates that subtle shimmer of silver underneath..
• The dress glides over the waist and then curves back over the hips. It widens out slightly as it falls over the upper portion of your legs.
• The skirt is phenomenal. It is set low on the skirt. At the front it dips down on a soft downward curve and at the back it curves upwards into a soft rounded peak.
• The skirt is gathered into that seam with the edges left exposed. This creates a slight ruffle detail all the way around you.
• The skirt is set into that seam and tightly gathered all the way around. The upward curve at the back allows for more fabric to have been set into the skirt so you get that gorgeous feel of a slight train behind you. This is emphasized even more by the resulting curve when you see it from the side.
• Underneath the skirt are layers of net and they help to hold the fullness all the way around. Everything has been kept light in weight so it doesn't feel awkward or bulky to move around in.
• The colour in person has a more ivory and silver undertone to it. I think it feels slightly cooler in tone in the photos and video than how it looks in person.
• The dress is absolutely beautiful and a true piece of fashion history. It is the only one that was ever made.
• The dress is fully lined in a combination of the silver lame and netting as described above. It closes with a hidden set back zipper. All of the applique work is done by hand and set onto the dress by hand. There is an amazing amount of hand work in the dress. I see a couple of tiny minor pulls and some minor threads around the edges on the underlying silver fabric. The fabric does that easily and I don't consider it a flaw. It is just mentioned for accuracy. This would be considered to be made to sample level so it has some more raw feeling inner seams which is normal to in-house samples. It has only been tried on at the sale and worn once by Kate for the shoot and is pristine. The inner seams have up to 2.5" on either side to work with if needed.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: 16.5-17" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Bodice: approximately 14" from neck to waist
Total length: 63" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD5667

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway as Look 44 in the Spring 2017 Emmanuel Ungaro collection.
• It was made under the creative direction of Fausto Puglisi
• Puglisi referenced the 1986 video called "Ouragan" by Princess Stephanie of Monaco. "Stephanie was the rebel royal and Decades later it looks like Puglisi aesthetic was in some part formed by that spirit". The review continue to say "we've entered the period of peak ruffle. That means it's a good time to be at Ungaro, a label synonymous with the high flying 80s, which is the last time the world saw frills and flunces on the scale we're witnessing now." Vogue especially noted the purple and yellow combinations he used.
• The dress is made out of a brocade that has a slight 3-D dimension feel to it with race parts within the pattern.
• Joyful flowers and purple and yellow cover the fabric on a ivory backdrop mixed with gold thread. Inside the dress is lined with a bright green muslin that adds a beautiful pop against those already bright colors.
• The front and back are cut into a V and it looks like someone has added a little stitch at the front. If you wanted that front plunge even more that could easily be removed. The shoulders are soft and a double band of ruffles cascade over each shoulder and then sweep down the front and back to the band at the waist.
• The waist has a 2 inch band of the same fabric for shape. On the runway it was belted and if you wanted to really cinch in the waist, you could add a belt.
• The skirt is just fantastic. It curves over the hip and then it's finished with two layers of ruffles that sweep all the way around the hem.
• The ruffles come up on one side and it all perfectly balance is out the ruffles on the shoulders.
• Hidden underneath that one side of the skirt is a very high slit that goes right up to the waist underneath. It is partially wrapped over itself, so you get a flash of leg but not full exposure. It's very sexy.
• This is a gorgeous little dress that combines the joyful for feel of spring with a little bit of sexy.
• The dress is fully lined in the green and closes with a back zipper.
• There was no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 14" from top of the shoulder to the top of the 2" band at the waist
Total length: 34" from top of the shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5665

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this tunic walked the runway in the Fall 1985 YSL Haute Couture collection for Look 43.
• It was made under the creative direction of Yves Saint Laurent.
• This is the collection that the book 'Yves Saint Laurent: Catwalk' notes that "silence reigned during the catwalk presentation for which YSL had decided not to include music. The models processed noiselessly into the salon of the Hotel Intercontinental. This was a collection of essentials for an autumn/winter that was marked by a sobriety, simplicity and purity". French Vogue said "the woman herself was showcased in her typical Parisian elegance". The review specifically noted the use of purple balancing out the more sombre blue, brown and greys. Several variations of the shape of this tunic were shown on that runway.
• In the YSL folio that contains all the drawings from the collection we found the original sketch for the look.
• I love that it started with the scarf that matches the folio drawing and then as the model proceeded down the runway the scarf was removed and she had a fabulous jewelled choker underneath.
• Yves always cut his couture pieces so perfectly. In my opinion owning a piece of his couture work is one of the ultimate vintage acquisitions.
  
• It would have been made entirely by hand in the Paris atelier. 
• The tunic is made from a high-end wool jersey that holds it shape and drapes beautifully.
• This is a gorgeous and versatile piece. It can be worn open and easy. layered under other pieces. or belted. I have added a simple black grosgrain ribbon around the waist for some of the photos to show you how the shape changes once belted. The ribbon is not original to the tunic but I will include it.
• The neckline is scooped and the shoulders have handmade padding underneath to hold that perfect 1980s shape.
• The top of one shoulder is detailed with three buttons and all of these buttons are functional.
• The sleeves are set wide into the body of the tunic and gathered at the top for a slight cap affect. They billow out to be very full and open all the way to the cuff. The cuffs are finished so that the sleeve gather into them. The cuffs themselves are also slightly over-sized in their diameter.
• The body of the tunic is extremely loose and easy and widens out as it nears the hem. It is intentionally made to feel over-sized. This makes it very easy to fit on a variety of body types.
• I love the seam that runs down just inside of the outer edges on both sides. These end in a curve at the hem and there is a slit on both sides. Just above the slits are hidden set pockets.
• The back has a defined seam that runs down its centre and the zipper is hidden underneath it. Once on the body it appears to have no closures.
• It is a fantastic piece of true Couture and an easy way to work in some YSL vintage magic into your wardrobe.
• The tunic is fully lined in a handset matching purple silk through the body and the sleeves are unlined. It closes with a zipper at the back. The buttons on the top of the shoulder are functional. Pockets on each side. 
• There is no size tag present because it is true Couture. Please go by the measurements listed below.
• Excellent condition

Sleeves: 22.5" and they are approximately 20" around the upper arm
Shoulders: 15.25"
Bust: to 21" flat across from side seam to side seam
Waist: to 23" flat across from side seam to side seam
Hips: to 28" flat across from side seam to side seam
Total length: 29" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5664

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2012 collection
• It was made under the creative direction of Fausto Puglisi
• The twin of this dress was used in the Ad campaign and we also found a reference photos from an editorial that took place in the showroom. It was also shot for a magazine editorial that season. I love that we have these reference photos so you can see how fabulous it is once on an actual body.
• When these debuted they sold out worldwide and seemed to be everywhere on all of the fashion people.
• His first collection debuted in 2006 and Italian fashion editor Anna Dello Russo started to wear his pieces everywhere and is largely responsible for bringing his work to the spotlight. His style during this time period was often referred to as "Greco-Roman glitz".
• The dress is made out of a light wool that has a slight texture to it. It is a mix of six different colours. 
• The bodice is a pale purple with soft yellow straps that are cut wide. They curve up and over the shoulders to meet the back.
• Around the waist at the front there is a wide panel of ivory embellished with an over-sized metal and rhinestone medallion.
• The band at the back is done in a soft green and then you have black panels that wrap around the hips to the back zipper on either side.
• The skirt is a deeper purple at the front with yellow used for the back.
• The back of the skirt has been pleated and has slits on either side of the skirt to show even more leg than the short length already does.
• It is beautifully made and is an incredible mix of sexiness and a sense of lightness and fun.
• The bodice is fully lined in an ivory silk and there is light boning at the sides. It closes with a back hidden set zipper and an inner waist stay snaps to close. A touch of a mark on the inner lining. Please see the photo after the label shot.
• Tagged modern a US6, UK10, IT42, FR38
• Excellent condition 

Bust: 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 31.5" from top of shoulder to hem and the slits at the side are 5.25" from the hem up.

Modern Sizing Equivalent: XS-SML

Item# DD5663

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This top is from the Spring 1974 collection.
• It was made under the creative direction of the original Mr. Valentino
• Valentino launched his ready-to-wear label in 1962 just two years after opening his first salon in Rome. He often brought in the designs that he created for his main couture label into the boutique work. In these early days pieces were remarkably close in quality and the line between the two labels was often blurred. 
  
• I love that this has the classic seashell print from that year. We included reference photos of similar pieces from the collection. It is a very special and rare piece of original Valentino.
• The top is made out of a beautiful green silk that has the fantastic seashell print made up of several varieties of seashells.
• The seashell pattern has been set onto the silk on an angle and it covers the entire top.
• The shoulders and the way the sleeves are cut on this one are wonderful. The shoulder is deliberately dropped and then the sleeves are cut to be extremely full and generous. They almost have the feel of a pirate sleeve. They are full all the way down and then are brought back in at the buttoned cuffs.
• The cut is boxy and generous through the body for an easy fit. The top came with its original little matching silk string belt that you can use to tie around the waist for added shape. You could always use it around the neck.
• The collar is fantastic. It is pointed in that wonderful feel of the 1970s.
• Not only did this one come with its original little belt but it also came with a triangular shaped matching scarf that you can wrap and tie around the neck or around the head as a head scarf like how I styled it here for you to see.
• This is a fantastic piece of Valentino history, and I love that it has one of his most iconic prints from this era.
• The top is unlined and closes at the front with a series of buttons. Each cuff buttons to close. I see one small mark. Please see the photo after the label shot. The top is meant to feel more loose and generous if you choose to wear it without a belt and un-tucked. It should fit a variety of sizes and just feel more oversized on a smaller frame.
• Tagged a vintage Valentino 8
• Excellent condition

Sleeves: 25" and they are up to 21" around the upper arm
Dropped shoulders: approximately 21"
Bust- hem: to 21" flat across from side seam to side seam
Total length: 26" from neck to hem
Head, scarf: 49 from end to end x 21" at the widest point wide

Modern Sizing Equivalent:XS-MED

Item# DD5659

Reference Photos: (1) Spring 1974 Valentino Ad Campaign photographed by Gianpaolo Barbieri.  /  (2) Spring 1974 Valentino phootgraphed by Andre Carrara.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the Spring 1985 runway.
• It was made under the creative direction of Yves Saint Laurent.
• The red version was used for the 1985 ad campaign shot by Helmut Newton that featured his long time muse Kirat Young.
• This is one of the iconic pieces of that season and I am very pleased to have found this deep blue one. I feel like the darker colour makes it slightly less scandalous feeling and it is something you could wear more often.
• These were made in two versions for production, a more modest cut version that was produced in greater quantities and then the deeply plunged dresses that stayed true to the runway and are harder to find.
• The dress is made from a beautiful deep blue silk jersey that has enough weight and drape to it so that is falls perfectly in the sharp angular lines that Yves wanted it to be shaped in.
• It is a beautiful representation of this time period with its precisely shaped strong shoulders and how the shape of it narrows in as it reaches the hem.
• The dress is cut to skim over the body. It hooks and snaps to close at the waist in behind that spectacular gold and jewel clasp.
• The low cut V of the front is if course what makes it so edgy and the addition of that strong shot of gold at the waist makes it an instantly recognizable piece of YSL.
• The clasp is based on a Robert Goossen design and suggests coral or branches, each tipped with a glittering rhinestone.
• The centre is a large faceted glass stone and this hides the hooked clasp behind it that brings in the waist. The fabric is gathered in towards that clasp to give you shape while still keeping it very easy to wear.
• The dress skims over you from shoulder to hem and each sleeve is long and cut to mimic the shape of the body of the dress by having them be cut wider at the shoulders and then narrow down to the zippered wrist.
• It is amazing on the body and just a beautiful and iconic piece of his work.
• The dress is partially lined through the upper bodice in a matching blue silk chiffon with the rest of the dress unlined. It slips on to wear and hooks in at the waist behind the jewel with a flat hook & eye. The keyhole under that closes with hidden set snaps. There is an attached inner waist stay to help hold the dress in place around you. The waist measurement below is based on that inner stay. If you needed more room, you could easily add to it or remove it. I have added the exterior waist measurement for you as well. Each sleeve zips to close. Padding in each shoulder. The fabric does have stretch so should work on various body types, stretching to accommodate curves and draping on smaller frames. It appears to have been worn very little if at all. 
• Tagged a vintage YSL 36
• Excellent condition

Sleeves: 24" and they are 16" around the upper arm
Shoulders: to 15.5" but meant to be slightly exaggerated
Bust: 15-19" flat across from side seam to side seam
Exterior waist: 13.5-15.5" flat across from side seam to side seam and the current attached inner waist stay is 26.5" from hook to hook.
Hips: 19-22" flat across from side seam to side seam
Total length: 44.5" from neck to hem and the plunge is 17" from neck to the inner hook.

Modern Sizing Equivalent: XS-MED

Item# DD5653

Reference Photos: (1-2) Spring 1985 Yves Saint Laurent Runway.  /  (3) Kirat Young for Yves Saint Laurent Rive Gauche Spring 1985, shot by Helmut Newton, Vogue US March 1985.  /  (4) Another shot from the same shoot used for other publications that year.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This set dates to the late 1970s 
• It was made under the creative direction of George Stavropoulos.
• Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns 'seemed to float on air'.
• He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His gowns are were made by hand and to couture standards in his salon. 
• This is a set made of two pieces and both pieces are made out of a feather light black netting topping two layers of black silk organza.
• The top layer has a combination of little red dots hand embroidered directly onto net mixed with clusters of black dots created from a black metallic fabric that was also hand applied. I love the fantastic pop of colour this gives the entire set.
  
• The neckline is cut in a shallow V across at the front. The top wraps too close and can be fully opened. To wear it you wrap it around yourself and then it closes with a series of hooks and snaps hidden under the red piping to the side.
• Piped red straps curve up and over each shoulder. That same red piping edges is the entire top. I love the sweet little red bows set down the front to the side. The very last bow extends out into long ties that trail down the skirt.
• The skirt wraps and closes around you. The snaps and hooks are hidden along the inner waist line. It wraps over itself to one side and on the side that overlaps you see the red piping all the way to hem.
• The skirt falls in this extravagant sweep of bias cut silk to the floor. I love how much it widens out by the hem. It really is incredibly full and having the three layers of fabric help to hold the shape and also create beautiful movement around you as you move.
• Having two pieces gives you the added versatility of wearing them together to give the look of a dress or you can mix and match them with pieces you already own to extend their wear. 
  
• It is an outstanding example of his work and is an absolutely fantastic piece of vintage.
  
• The top is lined in a layer of black silk organza and the skirt has two layers under the top layer. Both pieces close with combination of snaps and hooks as described above. Hand work throughout. You could adjust the size up or down by moving the snaps and hooks.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Top
Bust: to 18" flat across from side seam to side seam
Waist: to 15.25" flat across from side seam to side seam
Bottom edge: to 18" flat across from side seam to side seam
Total length: 19" from top of shoulder to hem

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: open
Total length: 44" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5650

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Fall 1978 runway.
• It was made under the creative direction of George Stavropoulos.
• Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns 'seemed to float on air'.
• He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His gowns are were made by hand and to couture standards in his salon. 
• I love that we have runway documentation as documentation on his work can be rare.
• The dress is made out of a feather light black silk that has tiny little red lines running over the silk that highlight the cut and line of the dress. 
• The neckline is cut straight across at the front and the back of the dress.
• Tiny straps in a matching black silk curve up and over each shoulder. 
• The seam work is set on angles and it is cut so that the waist is brought in and then it curves back out and over the hips.
• From there the skirt falls in this extravagant sweep of bias cut silk to the floor. I love how much it. widens out by the hem. This allows it to move beautifully around you as you move.
• Underneath the top layer of silk is an unexpected red lining. When you sit or move you get these little flashes of that great red that is fantastic. 
• The same red is used in the stripes that run over the entire dress. These bands of colour are stacked on top of each other and are set on angles running down and around the entire dress to add visual interest and shape.
• There is a slight elastic around the top neckline and this would let you wear this as a strapless piece and just tuck the little straps in if you wanted.
• The dress is fully lined in a red silk and it closes with a side set zipper. It appears to have been worn very little at all.
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: open
Bodice: 15" from the top of the shoulder to the waist
Total length: 60" from top of shoulder to hem, with the inner lining intentionally extending slightly past the hem

Modern Sizing Equivalent: XS-SML

Item# DD5648

Reference Photo: Fall 1978 Stavropoulos Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The set is from the 1976 Christian Dior collection.
• It was made under the creative direction of Marc Bohan.
• This is a shorter skirt version in purple and turquoise of the set that was photoed for L'Officiel in 1976. We had a red version many, many years ago and I am very pleased to have found this one.
• Both pieces are made out of a crepe silk chiffon that is light in weight and moves quite beautifully.
• I love that because it is two pieces you can wear it together to get the full look or you can mix and match it with pieces you already own.
• The top can play double duty as it can be worn as a proper top or you could layer it over other pieces as more of a light jacket.
• The top can be tucked in and left loose and easy, or worn belted, whether tucked in or loose, giving you even more versatility.
• The shoulders are soft and they extend out into sleeves that are cut wide and full for a bit of a kimono feel.
• The neck has no collar and there is a silk covered button at the top of the neck. If you choose to close this, it creates a slit keyhole that runs to the first of seven buttons that sit midway on the top. There are no buttons below that so if you wear it un-tucked it is open at the bottom and very pretty.
• Running around the collar and down both sides of the front is an edging of a pretty gold piping that adds a beautiful finishing touch.
• The skirt has a band around the waist and is cut slimmer around the hips with pin tuck seams for a little detail and shape.
• At the bottom of the hip the skirt opens on each side with a series of soft pleats that give you extra volume on the sides. As you move, this gives you beautiful movement around you. I also love the subtle reference of picking up on the volume of the sleeves
• It is absolutely beautiful and a wonderfully documented set.
• The top is unlined and the skirt is fully lined in a purple bias cut silk. The top buttons to close at the front and the skirt closes with a zipper and hook an eye at the waist.
• There is no size tag present. Please go by the measurements below
• Excellent condition

Jacket
Sleeves: to 19" at their longest points and they are 18" around the upper arm
Slightly dropped shoulders: 17"
Bust: to 20" flat across from side seam to side seam and narrows to 19.5" by the hem
Length: 23" from neck to hem

Skirt
Waist: 15.5" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Length: 30.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5642

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• The twin of this dress walked the runway for the Spring 2016 Celine show as Look 38.
• It was made under the creative direction of Phoebe Philo.
• This is a fantastically documented dress. It was used in the ad campaign that season, shot for various editorials and was seen on multiple occasions being worn and documented on various people.
• Phoebe Philo told Vogue that "It's about taking her out of urban life and putting her feet on the sand. It's where I long to be, more and more. I am somebody who is interested in how clothes makes us feel and and how we behave in different places. I thought if you were travelling for a year what would you need to take with you?" Vogue noted the jersey dresses especially saying "long fluid jersey dresses with high waisted bodices and chaste-medieval scooped necks."
• The dress is made out of one of her signature jerseys and is a remarkable colour that is best described as perhaps a pastel peach with a touch of sand.
• The jersey makes it fluid over the body and easy to travel with.
• The shoulders are soft, and the sleeves are long with hidden set zippers at the end of each cuff.
• As noted in the vogue description, the front scooped with a band of the same fabric, edging and neckline. This goes around to the back where long ties extend out and tie as you wish.
• The back is scooped in a fantastic rounded form to leave a bare expanse of skin showing. I love the sensuality of the ties draping over the skin.
• The waist is banded and at the back there is a little unexpected suede rectangle that snaps over the top of the zipper and is highlighted with two gold studs.
• The skirt falls from under there to between the ankle and knee depending on your height. It's gathered in around the band at the waist and then has quite a bit of jersey so it move spectacularly around you as you move. You can see this in the reference video.
• This is a highly collectible and a fabulous piece from Phoebe's time at the label.
• The dress is online but beautifully finished inside. It closes with a hidden set back zipper, and then that suede piece snaps in place over that the ties tie behind the neck. Each cuff has a hidden set zipper. I see one tiny smudge near hem otherwise the dress appears to have been worn very little if at all
• Tagged a vintage Celine 38
• Excellent condition

Sleeves: 25.5" and they are 10-10.5" around the upper arm
Shoulders: adjustable because of the tie at the neck
Bust: 15-17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 14" from top of the shoulder to the top of the 1.5" band at the waist
Total length: 54" from the top of the shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5640

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2019 Chloe runway for a Look 52
• It was made under the creative direction of Natacha Ramsay-Levi.
• This is a wonderfully documented piece. A version appeared in the ad campaign, seen on the red carpet and was shot for an editorial. I love that this lets you see how wonderful it is once on the body.
• The Vogue review of the show noted that "Natacha Ramsay-Levi's instincts lead her to Ibiza and Morocco and what she described variously as hippie, modernism and new age Boho." They noted this dress in particular saying "the plisse goddess gown worn by Grace Hartsell" was one of the "clothes with the most persuade of power, exuding and elegant unfettered purity."
• This dress was the stand out piece from the collection in my opinion and it is even better in person.
• The dress is made out of a lightweight chiffon that is pleated and textured in a soft plisse that is set vertically from shoulder to hem. At first glance, you might think that all the colours are separate panels that have been attached together, but it is actually dyed vertical stripes down the length of the dress. I love how where they meet a softly fade into the colour next to it.
• The chiffon is light in weight and the plisse adds such a gorgeous texture. I am very glad that we have both the runway photos and so many reference photos and video for you to see how fantastically it moves once on.
• The front is set in two triangles that meet at a seam just under the bus. This repeats at the back where the panels meet in a more true V.  I love how this gives you four distinct panels and leaves the sides open to that same sea under the bust. Even with the plunging the way that it has been cut keeps it very secure around you.
• A peplum made of the same fabric circles all the way around the waist for a pretty detail.
• Under that screw in a beautiful column of the plisse fabric. There's actually quite a bit of fabric in the skirt that only shows when you begin to move and walk. And the lightness of the fabric gives you beautiful movement around you as you can see in the video.
• At the back panels of the same fabric have been attached at the top of each shoulder with a little ruffle for added detail.
• These panels fall down the back connecting at their centre to create the feel of a cape behind you. They are cut, so they're a little longer on each outer edge to fall slightly past the hem of the dress.
• The panels only add to the beautiful movement that the dress has.
• The the colour is described as being sand brown on the label and it is a very pretty muted colour with the feel of beach or desert sand.
• The lightness of the fabric gives it incredible movement as you move. It is a fantastically cut dress that perfectly encapsulates the Chloe girl.
• The dress is lined behind the panels of the bodice in a matching chiffon, and the skirt is unlined. It closes with a hidden set back zipper. The dress is new with its original tag and appears to have never been worn.
• Tagged a vintage Chloe 36
• Excellent condition

Bust: each panel at the front is 6" flat across from side to side at its widest point
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 12" from top of the shoulder to the seam under the panels
Total length: 61.5" from the top of the shoulder to the hem and the cape extends another 7" past that at its longest points.

Modern Sizing Equivalent: XS-SML

Item# DD5639

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress has a print that was used in and around the 1974 collections. Similar prints were also used slightly earlier.
• It was made under the creative direction of Yves Saint Laurent
• The colours in the cotton are amazing. It has held the colour extremely well and they are as crisp and vibrant as the day it went on the shop floor. 
• Yves was a master at choosing the fabrics that were the perfect compliment to the prints that he used. This dress is no exception to that rule with its riot of bright flowers covering its surface. The choice of the cotton make it feather light and allow the skirt to float around you when you move.
•  This is such pretty and easy to wear dress. It is actually a very simple shape that is meant to skim over the bust, waist and hips.
• It is strapless with band of gathered top stitched fabric around the top of the neck line to hold it easily in place on you. The band is meant to sit just above the bust. 
• The dress floats over the bodice and then there is another wider band of the gathering that runs around the waist. The bodice is cut so that it drapes over the waist a touch.
• The skirt falls in to the floor under the elaborate gathered portion of the waist. The top part of the skirt widens out to a seam around the knee and then the lower skirt is gathered into that.
• The lower skirt has quite a bit of fabric and has a gorgeous flounce around you. It is quite full so has gorgeous movement around you as you move.
• The dress is flattering, easy to wear, and is a really beautiful piece of his work that is very representative of this era of his work.
• The dress is unlined and closes with a back zipper. It appears to have been worn very little at all
• Tagged a vintage YSL 42
• Excellent condition

The band at the top" 15.5" flat across from side seam to side seam
Bust: to 16" flat across from side seam to side seam
Top seam at the waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10" from top of the bodice to the top of the gathers at the waist
Total length: 50.5" from top of the bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5638

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 50 in the Spring 2016 runway.
• It was made under the creative direction of both Maria Grazia Chiuri and Pierpaolo Piccioli.
• The show was based on Africa as its inspiration and at this period of time the world was watching refugees attempting the journey to Italy. In the Vogue review for this collection Maria and Pierpaulo were quoted as saying; 'We probably feel that the greatest privilege in doing our work is that fashion can give a message,” said Chiuri. “We think every person coming here is an individual, and we can show that we can improve ourselves by understanding other cultures.'... 'The message,' added Piccioli, 'is tolerance. And the beauty that comes out of cross-cultural expression.'
• The dress is made from an extremely light in weight cotton with an inner nude cotton layer underneath and then that is entirely covered in a stunning giraffe and fauna print done in a deep orange and navy. 
• Many of the pieces fused both Italian and African traditions , 'They met in the textiles' and the prints in the collection was described as "African-inspired prints with wax block detailed their Spring 2016 collection. The collection was praised for a respectful rather than literal interpretation of African cultural influences."
• The lines of this dress are wonderfully simple and yet it still feels glamorous with the head-to-toe print. 
• The neckline is high and the shoulders soft. It skims over your bust to a slight more generously cut waist. The sleeves are long and narrow in slightly at the wrists.
•  From there it curves over the hips and begins to widen out to the floor. There is a surprising amount of fabric in the skirt, but because of the lightness of the fabric, it falls in a more column silhouette until you begin to move.
• The print that covers the dress is stunning. It is set to highlight the lines of the dress and is specifically placed to accomplish that goal.
• The dress has an inner slip dress made of nude cotton that buttons in place inside the shoulder. It closes with a hidden set back zipper. Each cuff buttons to close. It appears to have been worn very little if at all.
• Tagged a modern 42 
• Excellent condition

Dress
Sleeves: 24" and are 12" around the upper arm
Shoulders: 15"
Bust: 17-18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from neck top of of the 2.5" band around the waist
Total length: 59.5" from neck to hem

Inner Slip
Bust: 16-17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 12" from neck top of of the 2" band around the waist
Total length: 59.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5637

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the 2018 Christian Dior Resort collection.
• It was made under the creative direction of Maria Grazia Chiuri.
• This collection was shown in the Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California. For this collection, Maria went into the archives where 'she came across the house founder's Lascaux collection of 1951 inspired by the ancient K paintings discovered in southwestern France a decade earlier.' she used those sketches throughout the collection, mixing them with nods to the tarot and pretty Prairie dress themes.
• The mix of the floral print and lace seen on this dress can be found on Look 75, while the cut of the dress seems to be a dead ringer of Look 79. We included both those references here so you can get an idea of how fantastic this will be on an actual body.
• The floral printed portion of the dress is made out of a silk chiffon and this is mixed with a cotton lace. Inside it is finished in a black cotton that keeps the dress soft and pretty as well as light in weight. 
• The bodice of the dress is fitted with a built-in corset that is cupped and boned to sit perfectly in place around you.
• I love the edging of lace around the top of the bodice and then this is repeated with a panel of lace that wraps around the waist.
• Curving over each shoulder is a hand beaded strap in a mix of colours pulled from the desert. This unexpected pop is the perfect contrast to the soft floral of the dress.
• Each strap is hand beaded with the phrase J'dore Christian Dior repeated, leaving no doubt as to who you are wearing.
• The skirt is cut to be very full. It falls from under the lace panel around the waist and then expands outwards from there. This gives it a soft and easy movement around you as you move. If you lay the skirt of flat it is just short of being a true circle skirt by the time it reaches to hem.
• Fabulous panels of lace run in angular patterns over the entire skirt. Panels of the floral printed silk are placed in between them. This gives it structure as well as a pretty visual interest.
• It is just outstanding in person and beautifully constructed.
• The dress is fully lined in a black cotton. Inside the bodice is an attached cupped and lightly boned corset. The dress closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Dior FR 40, GB 12, IT 44, US 8
• Excellent condition

Bust: to 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 16" from top of the shoulder to the bottom of the 2.5" waist band
Total length: 53" from top of shoulder to hem

Modern Sizing Equivalent:SML-MED

Item# DD5636

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an absolutely fantastic and rare piece from the Spring 1993 Versace collection.
• It was made under the creative direction of Gianni Versace.
• Similar pieces was seen on the runway worn by Linda Evangelista, versions were shot for Italian Vogue and used for various editorials that season.
• This collection was an homage to South Beach, a place that Gianni absolutely loved. In 1991 he bought Casa Casuarina, a mansion on Ocean Drive. Two years and $30 million later it was a lavish palazzo. But before that completed, he created this spring 1993 show as a love letter to South Beach. Little Havana was referenced in the amazing bell bottom pieces and floral printed silks, both of which are found on this jumpsuit. 
• The jumpsuit is made out of a black and white floral printed silk that has a beautifully soft finish to it which makes it very comfortable and easy to wear once on the body.
• A wide 5" band of the floral printed silk is mixed with a second ruffle made out of a black and white dotted silk. This gorgeous double layer of ruffles circles around the shoulders with a silk covered elastic band that lets it sit perfectly in place on you. I I love the bare expanse of skin this leaves showing across the top of the shoulders. As good as it looks on the dress form it will be even better once it is on a body.
• The body of the jumpsuit skims over you and its cut is shaped to follow your curves. Depending on your preference and size, it can be worn super fitted or have more of a skimming feel over you.
• All of the shape over the bust, waist and hips is created by long vertical seaming. The waist curves to come in for shape and then the silk curves back out over the hips.
• The pants are phenomenal. Each one has a fairly straight leg to about the knee. At that point there is a curving seam that wraps around the waist and into that the bottom of the pant leg has been added. The fabric is done in an extra full flare to create that fantastic bell bottom that you see. It is made out of two layers of silk. There is an inner dotted layer that extends out past the hem and then the floral printed layer over that. When you lay it out each bell bottom is a full 52" all the way around. I love how the dotted fabric peeks out from below the hem and ties the dotted fabric on the ruffle around the shoulders together perfectly.
• The extreme bell shape of the lower pant legs creates phenomenal movement when you move but because the silk fabric is so light and fine they have the perfect amount of fullness when you stand still.
• The jumpsuit is unlined and closes with a back zipper. It appears to have been worn very little if at all.
• Tagged a vintage Versace 40
• Excellent condition

Elastic shoulders: 19-23" flat across side to side
Bust: 16-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Total length: 60.5" from top of natural shoulder to hem
Inseam: 29" 
Gusset: 27" from the top of the zipper to inner seam

Modern Sizing Equivalent: XS-MED

Item# DD5633

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this set can only ship to a Canadian address. If you need further assistance on this please get in touch.
• The twin of this set walked the runway for the Resort 2018 Prada collection as Look 23.
• It was made under the creative direction of Miuccia Prada.
• The set is very well documented. Not only did its twin appear on the runway that season but it was used for the ad campaign, seen on red carpets, and was shot for editorials.
• Both pieces are made from a pale pink crepe with a soft grey design printed over it that incorporates the word Prada in several places.
  
• The tunic has a high collar and the shoulders are soft. The sleeves are long and each has a decadent pale pink feather cuff. I love that the colour of the feathers has been dyed to the same colour as the silk ribbon that sits at the hem of the tunic above the metal finish.
• The metal mesh finish that edges the bottom of the tunic is fantastic. It falls at different lengths all the way around you and is linked together so has pretty movement as you move.
• The fit through the body of the tunic is meant to skim in an almost tubular line from shoulder to hem.
• The pants have a banded waist and flat front. They curve over the hips and then fall in a more wide leg cut that is slightly cropped in length. I love that the width of the legs give them a touch of movement around you as you walk.
• At the bottom of the hem there is a little band of black silk and then a metal mesh circles each hem. The mesh here is different from the mesh on the tunic. It is more compact and tightly done. I have taken close-ups of both and they are both fantastic.
• Pin-tuck detailing creates a very pretty and detailed finish on both the tunic and the pant and it is integral to the design. It also helps a bit of structure to hold the shape of the tunic and pants.
• The perfect finish is the amazing custom print that covers both pieces so elaborately. The combination of the pale pink backdrop and those soft tones of grey are phenomenal.
  
• This is a rare complete set and highly collectible.
• Both pieces are unlined. The tunic closes with a hidden set back zipper and the pants with a hidden set side zipper. On the top I see one tiny faint spot on the top of one sleeve and perhaps the slightest bit of grubbiness inside the collar of the collar. Both pieces have their original hang tag.
• The tunic is tagged a modern Prada 40 and the pants a 42S.
• Excellent condition

Tunic
Sleeves: 25" including the feathers and are 11" around the upper arm
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from neck to hem

Pants
Waist: 16" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Total length: 37.5" from waist to hem
The inseam is 16" and the gusset is 15" from the waist to inner sea

Modern Sizing Equivalent: SML-MED

Item# DD5628

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 55 for the Fall 2019 runway show.
• It was made under the creative direction of Pierpaolo Piccioli
• The Vogue review for this collection touched on Pierpaolos's inspiration for the show saying; "(he is) a man on an intuitive mission to place fashion on a positive plane. 'I feel that people are looking for emotion and dreams—but not distant dreams,' he said today before his ready-to-wear show was about to take to the runway. 'I want to create a community for Valentino. I mean something different from ‘lifestyle,’ which is about owning objects. It’s about people who share values.'"
• I love that we have the runway reference photos and video so you can see just how spectacular this one moves once it is on the body. It is one of my favourite dresses he ever made.
• The dress is made out of yards and yards of a feather-light yellow silk chiffon that is an exceptionally pretty colour. This fabric choice keeps the dress extremely light in weight and easy to wear.
• The neckline is scooped wide across so that the straps sit more on the edges of the shoulders. 
• At the back it is scooped even lower to leave your back bare and exposed. 
• A wide ruffle follows the entire neckline and gives it the prettiest flounce all the way around you. It continues down to follow the scoop at the back and it creates a bit of a pretty caped feel to the upper part of the dress.
• Underneath the ruffle the bodice skims down to the more generously cut waist. These more generous waists became a signature of Piccioli's work and made his pieces exceptionally easy to wear and fit.
• I love that except for that very top ruffle that edges the neckline all of the other ruffles are set in long vertical ruffles that run the full length of the dress all the way to the hem.
• The ruffles start underneath that ruffle around the neckline and then fall in long rows that follow vertical seams set from there to the hem. As they run down the length of the dress they widen out both in how they are spaced apart and also in the width of the actual ruffles.
• The incredible amount of ruffles covering the skirt combined with the lightness of the fabric gives you the prettiest movement when you move. 
• The final perfect touch is that he extended the skirt out past the hem at the back. This gives you a beautiful sweeping effect behind you. 
• This is an absolutely stunning dress and this particular cut of dress is one of my favourites.
• The dress is fully lined in a marching coloured silk chiffon and closes with a hidden set back zipper. The main Valentino tag is missing but it still has its inner tag which I have included in the photos. It appears to have been worn very little if at all.
• Tagged a modern Valentino 38
• Excellent condition

Bust: the front bodice covers to 16" flat across from side to side
Waist: to 14" flat across from side seam to side seam
Hips: open
Total length: 60" from top of shoulder to front hem and the back extends another 12" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5621

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The label on this dress gives us a date range of 1963 to 1977 for it to have been made in. 
• It was made under the creative direction of James Galanos.
• In 1951 Galanos was only 27 when he launched his first label called Galanos Originals. By 1954 he had won a Coty award and the Neiman Marcus award.
• His custom pieces were made close to couture standards and with a level of craftsmanship that was on par with the French couturiers. He was truly one of the great American designers and his work is held in all of the major museums around the world.
• This is a dress that is extremely well made with a very high level of construction techniques.
  
• The body of the dress is made from a yellow silk crepe that is cut on the bias and that has a slight texture to it. This is topped with a hand beaded bodice that is completely covered in a combination of yellow and blue glass tube beads.
• The straps are detailed with handset rows of the yellow beads set vertically and stacked side by side as they curve over the shoulders. 
• Over the bodice the beads are set horizontally to form stripes in different thicknesses. I love that they have mixed the deep royal blue beads with the yellow. These run all the way around the entire bodice from front to back.
• At the front, the fabric extends down at touch to attach into the waist and more beads are added there to form a thick band that runs all the way around the waist. Below the seam where they attach there is another inch of beadwork that wraps around you.
• At the front the bodice extends out into the straps and is meant to be more fitted to you. Starting at each side the fabric and beads split and this creates a full cut out open at the back so you get a strip of bare skin exposed. It is fantastic.
• The skirt skims over the hips and then flares out dramatically as it reaches the floor. The extra fabric in the skirt gives you beautiful movement as you move.
• As good as this dress looks in the photos, I think that it is so much better in person it is almost ridiculous. It is a really outstanding piece by him.
• The dress is fully lined in a handset yellow silk chiffon. There is elastic around the inner waist that just helps to hold it in place so it doesn't dip too much at the back. It closes with a side zipper on the bodice and then a second side zipper from the waist down. All of the bead work is done by hand and there are hand finishes throughout the dress. This is made to Demi Couture level.
• There is no size tag present.  Please go by the measurements below.
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Seam under the bust: 14" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 60" from top of shoulder to hem with 1.5" turned under the hem.

Modern Sizing Equivalent: XS-SML

Item# DD5623

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was presented for Look 12 for the Spring 2012 Pucci collection
• It was made under the creative direction of Peter Dundas. 
  
• I love that the photos and videos give you an idea of how gorgeous this is on the body.
• Vogue noted that for the spring collection Dundas "worked a sexpot theme – all mid drift baring peasant tops, visible dentelle knit panties, and suggestively place black laces insets on silk slipdresses. Over the top? At times. But his girls look so smoking hot you'd need a heart of stone to avoid being seduced by the like of Natasha Poly advancing brazenly towards you in a flood tide of Pucci print."
• It is a two piece set that you can wear to give the appearance of either a dress or make it more obvious that it is two different pieces. 
• Both pieces are made out of one of the Pucci label's classic, ultra-light silks and even though there is a lot of fabric in the skirt it still stays very light in weight because of the fabric choice.
• The silk has been completely covered in an outstanding pink Pucci print and I love that Dundas chose these exceptional pinks prints. There is a shot of black in the skirt, and that just shows off the pinks and pastels even more. I have shot of all of the various prints used in a set so that you can see how beautiful they are.
• I love that Peter Dundas chose to take such a strong nod to the house legacy.
  
• For the top, you tie it at the back of the neck and it creates that beautiful soft draping at the front neck line. Then you tie it again behind the back at the waist and because of the softness of the silk and ease of tying it, you can decide if you want to wear it with the point down and over the skirt so that you are fully covered, or if you prefer to wear it folded or twisted so that you leave a bare expanse of skin showing between the top and skirt.
• I took a photo of the top laying out flat to show you it's simple yet brilliant shape. It is one large double-sided silk jersey shape shaped so that it ties into place around you.
• I also shot it laying out flat on both the back and front sides because the top has two different prints on each side. If you remove the label you could wear it either way around and change the look of the top completely.
• The skirt is equally as simple and brilliant. It has no band at the waist. Instead, it just falls into a front point that repeats on the back. On the front it's more a red print and on the back it's a pale pink.
• From there it curves out over the top of the hips and then the fabric is very full below that. All of the fabric in the skirt is completely cut on the bias so you get an incredible amount of movement when you move.
• It widens out from there and falls in for attached panels all the way around you. Each panel widening out significantly by the hem.
• There are four distinct panels with four distinct prints. I have shot each of the four for you to see.
• There is a tremendous amount of fabric in the skirt and between that and the lightness of the silk it has phenomenal movement around you as you move.
  
• The era that Peter Dundas was the creative director at Pucci is 100% my favourite of the modern predecessors to Emilio and this is an outstanding example of that.
• The top is made from a double layer of printed silk. The pointed yolk at the top of the ski skirt is also a double layer of silk, and then the panels are a single layer. The top ties into place as seen and described above, and the skirt closes with a hidden set side zipper. It appears to have been worn very little if at all.
• Tagged a modern Pucci IT40, FR36, UK8, US6
• Excellent condition

Top
Adjustable

Skirt
Waist: 13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 42" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD5618

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 36 of the Spring 2015 collection.
• It was made under the creative direction of Peter Dundas. 
  
• In the coverage for this collection, Vogue said that Peter Dundas "understands the value of power casting; he had Naomi Campbell in his lineup for the first time today. Ogling the models is understandable enough – they are inches from your eyeballs at the Palazzo Serbelloni venue. But if you do, you might miss the artisanal details at Dundas has made as much a contemporary Pucci signature as the Florentine house's famous archival prints." 
• They also specifically tie dye dresses saying that "if they look like the real thing, that's because the prince were based on get your hand, dirty trial and error." I love that we know that these were all specifically developed and done by hand!
• I love that the runway photos and video show you just how gorgeous this is on the body and how it moves. 
• The tie dye is done on an ultra light-in-weight silk chiffon with the upper bodice covered in a mix of domed silver studs embroidery sequins and bead work all done by hand.
• The upper bodice has a yoked front that extends down into a curve point and scoops at the neck line. The straps curved around at the front on either side of the neck and then trail down the outside of your back to meet the top of a low scoop there that leaves your back bare and exposed.
• It is covered in silver dome beads, and then has a pretty pattern that mixes flowers with pink mirrored parts, beadwork embroidery and more various sized silver beads.
• Where that attaches into the dress there are little bits of nude netting with a silk ladder pattern and I love this little unexpected bit of skin that it allows to show through the net.
• There are many many yards of that fantastic feather light silk chiffon used for the dress. It is set on gathered angled panels that skims over the bust and around to the back. 
• Two layers of tie dye chiffon are set in under that and these opens out over the waist and hips and just continue to become wider so that it is extremely full by the hem.
• I love how the front is cut shorter, and then the back swooped out to trail behind. This cut helps the silk to pick up any air at all and out around you. You can see that in the video on the runway.
• The print on the silk combines a beautiful pattern that ranges from deep to soft corals and a purple to a periwinkle.
• I love that the tie-dye on both layers have been matched so you get a print on print depth that would not exist otherwise if they had not done it this way. It is very beautiful.
  
• The skirt has a third layer of a nude silk chiffon underneath the top two tie dyed layers that keeps it very light still but gives it a touch of opaqueness so that it can be worn without being too transparent.
• There is a tremendous amount of fabric in the skirt. The lightness of the silk layers have phenomenal movement around you as you move.
• The dress is one of my favourites of all the modern pieces of Pucci that I have seen and the era that Peter Dundas was the creative director at Pucci is 100% my favourite of the modern predecessors to Emilio.
• The top part of bodice is backed in a matching coral silk and the skirt has three layers as described above. It closes at the back. with a hidden set zipper. The fabric is signed throughout. It appears to have been worn very little if at all. 
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 69" from top of shoulder to the longest part of the back hem, 39" to the shortest part of the front.

Modern Sizing Equivalent: SML-MED

Item# DD5619

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was shown for Look 18 for the Resort 2023 Versace presentation.
• It was made under the creative direction of Donatella Versace.
• The dress is extra interesting because it is an obvious tribute/homage to the famous Spring 2004 dress that was Look 56 of that collection and worn by Isabeli Fontana. It was sold in stores and described as a re-addition of that dress. It was also very expensive. It retailed for $11,000 USD.
• For some odd reason it was shown layered over a black Versace T-shirt. We have included the photos of the 2004 runway so you can get a better idea of how this one will look on the body. 
• The dress is made of a very light in weight silk chiffon that combines a beautiful floral print with the Versace logo.
• Two triangles of fabric overlap each other at the front and then at their tops they twist to become straps that curve down and attach into the back.
• The front has a deep plunge. If you needed it to stay at a specific spot you could always add a little hidden hook or snap. Or wear it as low as you dare.
• The back is scooped low to leave a bare expanse of skin showing.
• Angled seams bring the dress in at the waist but there is no obvious seam to break the eye. It is all completely cut on the bias so simply skims over you all past the waist to the top of the hip.
• The skirt is phenomenal. It is set into curved seams that go all the way around you and then onto those curved seams are individual panels of silk chiffon in a double layer. There is one main panel at the front, one at the back and then a third that curves around the front and overlaps the other front panel slightly.
• In between all of the panels it is slit extremely high right up to those angled seams that run around you. There is so much fabric that you don't realize that there are openings all around you until you walk or move and then they are exposed. It is phenomenal.
• I absolutely love the mix of prints. The top one is a floral print that has the Versace logo in several shades of pale pinks throughout. The flowers range from corals to a pop of lime in colour. Under that, the inner layers of the skirt are made from a different brighter pink that has the white Versace logo repeated over the surface.
• When you move, you get the flash of the different prints and it is fantastic.
• I cannot rave enough about this dress. It is one of the best Versace did both in 2004, and again for 2023.
• The inner layer logo printed pink layer lines the entire dress and it closes with a hidden set side zipper. The dress has its original tags and was never worn.
• Tagged a modern Versace 38
• Excellent condition

Bust: approx 16" flat across the back from side seam to side seam but each triangle is generous in feel. They are each up to 10" flat across from side to side
Waist: 12-13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam at the top of the hip. It is open under that.
Total length: 74" from top of the shoulder to the longest point of the back hem.

Modern Sizing Equivalent: XS-SML

Item# DD5620

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this jumpsuit walked the runway for the Spring 2000 Givenchy show. 
• It was made under the creative direction of Alexander McQueen 
• This is a very rare piece as are all of the pieces that he created while at Givenchy.
• Vogue noted that "Most of the collection was made up of tracksuits with high heels" and variations of the distinctive legs used on this jumpsuit were used through out the show. This jumpsuit and some variations of it was shown in several colours making it a key look of the collection. 
• The jumpsuit is made from a black fabric that has an almost utilitarian look to it. Somewhat like a light weight canvas in a way but without being a canvas. It is still light enough that it falls fantastically over the body. 
• This is a piece that shows his strong tailoring background and detailed knowledge of how to cut a piece to best suit a woman's body.
• The shoulders are lightly padded and the sleeve extend out straight to their ends.
• The collar is a nod to a men's suit with a notch above a graceful curve that falls to just above the waist.
• I love the plunge of the front and how it can be adjusted to sit as high or low as you dare. A zipper runs up the centre front and you can zip it higher or lower. 
• The waist is brought in through the seams at the sides with no horizontal line to break the eye. You could cinch it in even further by adding a belt either at the waist or at the hip like they did on the runway. 
• It glides over the hips with a band in the same fabric that sits just on top of the hip for detail and shape.  
• Each pant leg is cut long with a drawstring cuff at its end.This allows you to wear them with a more straight cut or it creates a more harem effect if you bring the drawstring in.
• Pockets on each hip are the perfect finishing detail and are a clever way to add to the jumpsuits shape. I love that it has these slant pockets on each side of the hip to slip your hands into.
• It is a phenomenal McQueen for Givenchy piece and highly collectible.
• The jumpsuit is fully lined in a black silk with ribbon finished edges. It closes with the zipper at the front. Light padding in each shoulder. What appears to be hand done top stitching on the collar. Drawstring with push metal clasps at each cuff. It will fit with a slightly more oversized, cut on a smaller frame.
• Tagged a vintage Givenchy 38
• Excellent condition.

Sleeves: 24" and they are 13" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 14.25" flat across from side seam to side seam
Seam at top of hips: 16" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 20" from neck to seam at the top of the hips
Total length: 60" from neck to bottom of pant legs
Inseam: 31.5" and the gusset is 31" from neck to inner seam

Modern Sizing Equivalent: XS-MED

Item# DD5617

Reference Photos/Video: Spring 2000 Givenchy Runway, Look 12.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal set whose twin walked the runway for the Spring 1989 Nina Ricci show.
• It was made under the creative direction of Gerard Pipart.
• The dress is interesting because it has the main label normal tags but inside it is almost completely made by hand and finished to a demi-couture level. We often see this with pieces that were special ordered and made in the Paris atelier but where the client did not get fitted at the Couture atelier.
• Both pieces are made out of a feather light silk chiffon. This fabric choice holds the colours beautifully. 
• The neckline has elastic all around its edge and this is what allows you to wear it up on one shoulder and then it just falls into place around you. Because it does have that has elastic all the way around you it is extremely easy to fit since the bodice underneath is full and easy.
• It is gathered across the top of that one shoulder and then the sleeve extends out from there. The sleeve is extremely full and easy with a gorgeous balloon cut. More elastic sits at the cuff which lets it hug the wrist while the silk balloons out over it.
• The bodice is draped and easy over you and skims down to an elastic finished waist that makes fitting it very flexible. If you wanted more shape you could easily add a belt.
• The silk skirt is set into a banded waist and then falls in a series of cleats under that. Pleats are set in all along the waist band and then open up from there to the hem. The opening and softness of the pleats as they run down the length of the skirt is what gives the skirt its incredible volume.
• There is so much silk in the skirt and the pictures don't truly portray the amount of movement that it has when you move. If you were to lay this out and open the skirt it is more than a full circle around. That volume combined with the lightness of the fabric gives you incredible movement when you move.
• The sides of the skirt hang slightly longer for added movement.
• This is an absolutely stunning example of his for the label work during this time period. 
• I also love the added versatility of it being two pieces so that you can mix and match either with things you already own.
• Both pieces are unlined. The top has a slight bit of transparency to it because it is only a single layer of silk chiffon. The top slips over the head and the elastic adjusts to the wearer. The skirt closes with a side set zipper and hook & eye on the waistband. It appears that the hooks on the waist have been moved over by one inch at some point. If you needed an extra inch at the waist you could move them back. There is perhaps the slightest bit of fading on the waistband. It is extremely minor and just mentioned for accuracy.
• Both pieces are tagged Ricci 42
• Excellent condition with the minor note above

Top
Sleeve: 23" and it is full and easy through the upper arm
Bust: to 22" flat across from side seam to side seam and will just drape into place on a smaller frame.
Elastic waist: 14-23" flat across from side seam to side seam
Total length: approximately 18" from top of the shoulder to the waist and it extends another 7" past the waist. The fabric of the top is meant to blouse over the waist so you can wear it wherever you want.

Skirt
Waist: 13.5" flat across from side seam to side seam and see note above.
Hips: open
Total length: 42" from waist to the longest part of the hem 

Modern Sizing Equivalent: SML-MED

Item# DD5614

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the McQueen's Fall 2008 collection.
• It was made under the creative direction of Alexander McQueen.
• This is the actual dress worn by Connie Britton to the 2024 Emmys.
• The Fall 2008 collection was called 'The Girl Who Lived in a Tree' and it was inspired by a combination of his trip to India and a 600 year old elm in his garden.
• The V&A Museum says of this collection: 'McQueen’s Autumn/Winter 2008 collection centered on a fairy tale narrative devised by McQueen about a girl who descends from a tree to marry a prince and then become a queen. It was inspired by a 600-year-old elm tree in the garden of the designer’s Sussex home. At the center of the set stood a giant tree swathed in fabric, inspired by Bulgarian artist Christo, who is renowned for wrapping buildings with material.'
• You can see a similar swooping cut that the final pieces on the runway.
• The dress is made out of a beautiful rich black silk and is cut with a sculptural line combined with that bias cut draping.
• Inside there is a more fitted dress and then the length is created by a long panel of black silk that is attached around the neck line and drapes over the inner dress. 
• The dress is strapless and there is a full built-in cupped and boned corset that holds the dress in place and gives you support. The way that the silk panel is draped over the inner dress allows one side of the inner dress to be seen. 
• The inner dress that shows is elaborately finished in a floral hand embroidery and hand set beads. I took several photos holding the draped panel away from the inner part of the dress so you can see how the beading extends even underneath the panel that lies over top of it.
  
• The silk panel that sits over this beautifully constructed inner bodice falls around you all the way to the floor on one side. On the other side the silk is gathered up so that it drapes down and around you. This is a classic and signature McQueen silhouette and is absolutely stunning once on the body.
• The dress is a beautiful mix of exposing just enough of the shape of the body so you don't lose your shape completely while at the same time it showcases the exceptional tailoring skills that he excelled at and how he could control the draping exactly how he wished it to fall.
• I love how the draping slightly exaggerates the shape of the body. No matter what angle you see this dress from once it is on there is an interesting drape or an elaborate beaded detail.
• Inside an inner black silk lining goes to just above the knee and there is a built in inner corset that is lightly boned and cupped. The corset has its own back zipper to close and then the dress zips to close over that with a hidden set back zipper. 
• Tagged a McQueen 44
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Inner waist: to 15.5" flat across from side seam to side seam
inner hips: to 22" flat across from side seam to side seam
Length: 55" from top of bodice to shortest point of hem at one side, 58" to the longest point on the other side

Modern Sizing Equivalent: MED-LRG

Item# DD5609

Reference Photos/Video: Connie Britton in this dress at the 2024 Emmys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1998 collection. 
• It was made under the creative direction of Christian Lacroix.
• I love that we have both runway photos and video for you to see how the dress moves and sits on the body. On the runway it was shown with another piece worn over it and this would be very easy to re-create with a piece you already own if you loved that runway look.
• The dress is made out of a lace overlay that sits over an inner very light silk brocade layer. The two together create a beautiful effect.
• The neck line is cut wide across with the slightest of scoops. The bodice is simple in feel and skims down over you to the waist where it is shaped and brought in slightly but without a horizontal seam to break the pattern on the dress.
• From there it curves back out over the hips and then falls to the floor to widen out a bit as it near the hem. A high slit runs up the back that allows you to walk and gives you have a touch of kick when you walk and move.
• The entire top layer of the dress is made out of a fine net and embroidered lace that is layered over the inner silk brocade. This creates a pattern on pattern feel over the entire dress that is fascinating.
• Layering the lace layer over the silk layer gives it a soft and romantic feel. Putting them together acts as a diffusion of the two patterns to create something entirely new and beautiful. 
• The colour of the lace changes as it moves downwards over the dress. The top part of the dress has the lace being as a deeper rust mixed with pretty tones. The lower portion of the dress changes to a soft washed pastel aubergine mixed with matching tones. There is a definitive change of pattern that happens at the hips to separate the two colours. This is all the beautiful detailing and pattern work that made Lacroix such a master and his piece is so desirable.
• The inner dress underneath is equally as beautiful. It has a soft pale French blue tone to it as the base and then a muted silver gold pattern is created in thread through that with pops of a pink design that has an almost hand-painted feel to it that the net and lace overlay diffuses. The two colours together create a new unique feel and with the change of colour of the lace over the dress added in the mix the final result is magical.
• When you move the light catches the dress in different ways changing the colours subtly. It is very beautiful and an exceptional piece of Lacroix's history.
• The is fully lined in a pale blue silk and closes with a hidden set back zipper. It appears to have been worn very little if at all. I added detailed photos of the underlying fabric for you to see just before the label shot.
• Tagged a vintage Lacroix 36
• Excellent condition.

Bust: 16" flat across from side seam to side seam and the seam under the bust is 15" flat across from side to side.
Waist: 14.5" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Total length: 62" from top of shoulder to hem in the back slit is 21.5" from the hem up

Modern Sizing Equivalent: XS-SML

Item# DD5607

Reference Photos/Video: Spring 1998 Christian Lacroix.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress was Look 17 on the Fall 2014 Dolce and Gabbana runway.
• It was made under the creative direction of Domenico Dolce and Stefano Gabbana.
• This was the dress of the season and it is extremely well documented. It various twins may be one of the most photographed and documented pieces that we have ever had for sale on the site.
• Only a limited amount of these dresses were sent to select D&G shops worldwide.
• This one is still in it's original uncut length as it was sold in the shops at that time.
• The dress is made out of a phenomenal woodland creature printed silk chiffon. The base colour is a deep purple that has a blue undertone to it.
• Onto the silk is a stunning print featuring owls and squirrels mixed with large pink roses that cavort over the entire dress from shoulder to hem.
• The dress is exquisite and I love that you can see just how wonderful it is on the body from the many runway, red carpet and editorial reference photos that we have found.
• There are yards and yards of silk chiffon in the dress but it weighs next to nothing so it floats and moves most beautiful around you when you walk or move.
• The shoulders are soft and each is detailed with three pink crystal rhinestone encrusted metal flowers that are attached along the top of each shoulder. Exquisite little flower has a ring of tiny blue rhinestones and a gold rhinestone centre. I love the little added glitz this adds to the dress. The sleeves extend out from there and fall in a single layer of the silk chiffon to the wrist.
• The silk over the bodice is kept simple and skims over you to a piped band of the same fabric that circles around the waist and is set slightly above the natural waistline.
• I love the shape created around the waist because of the way that the silk is gathered in all the way around and into the waist band.
• The skirt falls to the floor from there. It widens out beautifully as it nears the hem and the soft gathers that are set it around the waist give it beautiful movement as you move. It is exceptionally full with many yards of silk used.
• The skirt is made from two layers of the same printed silk chiffon so you get this soft pattern on pattern effect that is absolutely lovely.
• The back of the skirt is cut longer than the front so you get a stunning sweeping out behind you. You can see how phenomenal this all sits in the reference photos that we have added for you to see.
• I own the twin of this dress and it is a gorgeous piece that is extremely well constructed.
• The dress is unlined through the sleeves and bought us so has a slight transparency. The skirt is constructed from two layers of the same printed silk chiffon. The dress closes with a hidden set back zipper. There is a wide band around the inner waist that hooks to close. I see one blue rhinestone missing off one button on the shoulder and the tiniest catch on the skirt at the bar. Both are extremely minor but mentioned for accuracy. Please see the photos after the label shot. The dress otherwise looks to have been unworn or worn very little.
• Tagged a vintage D&G 38
• Excellent condition

Sleeves: 24" and they are 11" around the upper arm
Shoulders: 14"
Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 13" from top of shoulder to waist
Total length: 59" from top of shoulder to front hem and the back extends another 12" beyond that

Modern Sizing Equivalent: XS-SML

Item# DD5608

Reference Photos/Video: (1-3) Fall 2014 Dolce & Gabbana, Look 17. Model Charlene Hogger.  /  (4-5) Emma Stone in Dolce & Gabbana for the 'Magic In The Moonlight' New Yrok Premiere, July 2014.  /  (6-10) Assorted credits.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 2019 show for Look 86.
• It was made under the creative direction of Maria Grazia Chiuri.
• Maria said of the show that "I wanted to speak about dance with a different point of view, I think that dance and fashion are very close, for they both speak about the body. Modern choreographers speak about freedom." Vogue mentioned the "neo-Grecians frocks" saying that "It is a beautiful set of clothes that Chiuri has proposed for spring and one that takes many of the seasons trending boxes without seeming calculated or forced." 
• It was the second to last look on the runway and one of the best dresses shown. It is absolute magical in person.
• The dress is made out of a light weight muted dusty pink silk that is densely covered in a gold metallic thread. The underlying silk has a pattern worked through it and then the gold has been applied over that. 
• The gold metallic part is done in a leaf pattern that trails over the entire dress. The metallic gold catches the light from all angles and gives it this wonderful added extra texture. 
• As it nears the hem the gold begins to soften and gradually dissipates so that you get that unexpected soft wash of colour around the bottom. 
• The entire dress had been softly pleated and the pleating adds yet another layer of texture to the dress. 
• It is suspended from twisted straps that curve over the shoulder and cross over each other at the back. The front plunges into a V and the back is left bare underneath the crossed over straps. I love the curving angle of the sides. 
• The waist nips in and the skirt falls to the floor under that in a sweep of silk and gold thread. There is an incredible amount of fabric in the skirt. The fabric is feather light and so fine that when you stand still it falls in a column but moves around you with your slightest movement. 
• No matter how great the photos look it is that much better in person. The fabric is stunning. It is a really beautiful and wonderfully made dress. One of the best I have seen from her era at Dior.
• The dress is fully lined in a nude silk chiffon and closes with a hidden set back zipper. It is in its original uncut length and appears to have been worn very little if at all. 
• Tagged a modern Dior FR36, GB8, IT40, US4.
• Excellent condition 

Bust: approx 16-18" flat across from side to side with no true side seams
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 14" from top of natural shoulders to waist
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5603

Reference Photos/Video: (1-3) Spring 2019 Christian Dior, Look 86. Model Fran Summers.  /  (4-5) Spring 2019 Dior Ad Campaign photographed by Harley Weir.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Spring 2001 ODLR runway for Look 38.
• It was made under the creative direction of Oscar de la Renta.
• Vogue said of the show that "Oscar de la Renta never strayed far from his signature brand of elegance but this time around his collection felt lighter and breezier than usual. His well established clientele will certainly go for classic favourites like the playful silk crystal, pleated skirt to the knee worn with preppy, navy cashmere sweaters". Or as in this case, the reverse, with the sweater being the embellished piece paired with a floor length silk skirt.
• The set is absolutely fantastic and I love that you can mix and match both pieces with other things you already own to extend the life and wearability of the piece.
• The sweater is a little masterpiece. It has a pretty pastel pattern done on its base with abstract colours set in rows on the sweater. The colours deepen as they run down the sweater and I love the print.
• Onto the surface of the knit are tiny little seed beads mixed with iridescent sequins in a variety of colours that pull the colours from the sweater. You can clearly see on the back that these have all been hand applied.
• The sweater itself is a simple shape with a boat neck and cap sleeves. The lower part on each side has been slightly gathered for shape around the waist.
• The skirt picks up on the pattern of the top but in a slightly different way and pattern. The colours fall more vertically over the skirt and all the way around you.
• The silk chiffon top layer of the skirt has been loosely pleated and there is a ton of fabric in it so that it swishes and moves fantastically around you as you move. It has a inside band of grosgrain ribbon to hold the shape around the waist and then it falls open and easy around you to the floor.
• Even without video from the show you can see in the runway reference photos how fantastically this moves.
• It is a phenomenal set and a fantastic example of his work during this time period. 
• The sweater is unlined and slips over the head to wear. There is a hidden set side zipper partway up one side and three hook and eye closures along the top of one shoulder. There are some loose threads here and there but no open or bare areas of the embellishment. The skirt closes with a hidden set side zipper and is fully lined in a pale nude silk chiffon.
• The top has no size tag and the skirt is tagged a vintage ODLR 8
• Excellent condition

Top
Sleeves: 6.5" and they are 10-12" around the opening of the arm
Shoulders: 14.5"
Bust: 17-19" flat across from side seam to side seam
Waist: 14-17.5" flat across from side seam to side seam
Total length: 19" from top of shoulder to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 40" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5605

Reference Photos: Spring 2001 Oscar de la Renta, Look 38.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an exquisite Haute Couture Valentino from the 1990s maybe 1980s.
• It was made under the creative direction of the original Mr. Valentino.
• It would have been made completely by hand in the Valentino ateliers.
• The dress is absolutely exquisite. It is a stunning example of Mr. Valentino's couture work during this time period. 
• The dress combines a high-end black silk with a handmade lace on a black netting base.
• The design is so simple but at the same time it has so much impact with its lace detailing and sexy feel created by the easy wrap design.
  
• The dress slips on and ties into place with two silk ties that extend out from both sides of the waist. One goes inside and slips through a notch along the waist seam at the side and then wraps around to meet the other and tie. Hidden set snaps on that side helping to hold everything perfectly in place.
  
• I love that the wrapping all happens at the back so you get an unbroken line at the front.
• The way that it wraps and secures into place keeps you fully covered but still allows for the skirt to open to show your legs when you walk.
• Tiny black piped silk straps curve up and over the shoulder and attach in behind the wide band of lace that details the top edge of the neckline. It has a slight V at the front and scoops at the back.
• The silk that sits between the top lace and the wide band that runs around the waist is pin tucked and this is all done by hand stitching the fabric into those little tucks.
• Under the band at the waist you have another series of hand done pin tucks that add subtle detail and allow the skirt a touch of fullness under that.
• The dress falls to just past the knee from the waist and the skirt widens out slightly as it nears the hem.
• The bottom portion of the skirt is spectacular. Here we see the lace placed by hand onto the skirt to show off how spectacular its pattern truly is.
• It runs a full 16.5 inches up from the hem in beautiful patterns that circle all the way around the skirt. The lace has all been carefully cut out and placed on a black net backing. 
• Between the floral parts of the lace you have a touch of transparency through the black net backing. You see that slight play on transparency around the neckline and all the way around the skirt. It is the perfect little bit of sexuality that the best of Valentino pieces have but done in the most elegant of ways.
• This is an outstanding and beautiful piece of Valentino Couture.
• The dress is fully lined and wraps and snaps to close as described above. The dress could be easily adjusted by moving the snaps at the waist if needed. The measurement below is where everything is when those are snapped closed. You could move them as needed or just tie it without doing up the snaps.
• There is no size tag present because it is true Couture. Please go by the measurements listed below.
• Excellent condition

Bust: approx 16-17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 17" from top of shoulder to waist including 4" band around the waist
Total length: 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5602

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2015 collection.
• In 2015 Valentino was headed by both Maria Grazia Chiuri and PierPaolo Piccioli.
  
• The dress references pieces seen in both the ready-to-wear and Couture shows. We have included photos from both of those so you can see.
• The fabric is a heavier weighted black silk that is finished so that it has an almost fine wool feel to it. 
• The front is cut straight across the neckline and then it is brought straight down on each side. I love how it extends and attaches over the seam at the waist instead of inside the waist seam. Running down the back is a long open keyhole so you get a peak of bare skin from neck to waist.
• Having the front and back panels constructed like this leaves the sides open and bare. If you were to layer the dress over something else, you will see the full sides of whatever you have underneath it and the styling possibilities are endless.
• The waist is brought in for shape and and then the skirt falls from there. 
• The skirt has far more fabric in it than it first appears. The silk has been flat pleated and inserted into the waist. The top 3.5" of the pleats from the waist are sewn closed and then they open outwards at that point. Inside of each of the pleats under that point are four additional top stitched knife pleats that all gradually open more as they reach the hem. The detail that this creates all the way around the skirt when you move is amazing. When you stand still everything falls like a normal pleated skirt but when you move and the pleats open the entire thing just comes to life. It is beautifully executed and even better in person.
• The dress is fully lined in a black silk through the bodice and the skirt is unlined. It closes with a button and loop at the back of the neck and a hidden set zipper that starts at the waist. It appears to have been worn very little if at all.
• Tagged a modern Valentino 40.
  
• Excellent condition

Bust: the sides are open and the front panel is 11.25" flat across from side to side
Slightly dropped waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5601

Reference Photos: (1) Fall 2014 Valentino Couture, Look 8. Model Malaika Firth.  /  (2) Fall 2015 Valentino, Look 40. Model Irina Djuranovic.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This spectacular dress is a very rare piece from the Spring 1999 collection.
• It was made under the creative direction of John Galliano
• For this show the Dior Catwalk book noted that "Galliano took a trip on the Trans-Siberian railway and drew inspiration from Russian avant-garde as well as the Chinese red army."
• The dress was worn over an elaborate white top on the runway and I love that this shows how it can be styled and worn in different ways. It can be worn on its own as well.
• This is one of his signature bias cut dresses and it is absolutely stunning.
• The dress is made from a bias cut black synthetic that he used often during this time period. It is completely cut on the bias. When you put it on, it simply drapes over you and highlights every curve without ever being too tight anywhere.
• The dress falls from two wide straps that curve up and over the shoulders. The front falls in a soft curving drape. One side is slightly gathered just below the shoulder and I love how this gives it a slight asymmetrical feel. Incorporating a little bit of asymmetry in his designs is a Galliano signature.
• The back is scooped low to the waist to leave your entire upper back bare with only the wide straps that extend down from the shoulders and cross over each other adding minimal coverage.
• The draped front is a clever way to add shape while still keeping the entire dress soft and with little formal structure.
  
• Set just above the hip at the front is a jagged seam that attaches the skirt into the top of the dress. At the back there is a more simple downward pointed seam. A subtle detail that helps to shape the way the dress curves over you. 
  
• It skims over the bust, waist and hips and then comes in naturally just under the hips because of the bias cut. The very lower skirt flares out quite a bit under that. This is achieved by using that same jagged seam work all the way around the lower skirt to allow it to flare out beautifully.
• This gives you an incredible movement when you walk and finishes the dress beautifully. This flowing hourglass shape was a Galliano signature and this one is absolutely spectacular.
  
• The dress is an exceptional example from his very early days. A true piece of fashion history.
  
• The dress is unlined and closes at the side with a row of fabric covered tiny buttons. It is completely cut on the bias so there is a lot of movement and range to the fabric. It is an easy fit and the bias cut should allow it to fit a range of sizes. I have put the range when laying flat in the measurements below. On a smaller frame it will drape more. I see a small areas of thinning of the fabric on one button. Please see the photo after the label shot. It is very minor and mentioned for accuracy.
• Tagged a vintage Dior FR 36, GB eight, US2
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 12-12.5" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Total length: approx 50" from top of shoulder to hem. The length may come up a touch once on because of the bias cut.

Modern Sizing Equivalent: XS-SML

Item# DD5600

Reference Photos/Video: Spring 1999 John Galliano, Look 11. Model: Colette Pechekhonova.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 2017 collection for Look 39.
• It was made under the creative direction of Pierpaolo Piccioli and the print was done in collaboration with Zandra Rhodes.
• Historically, this was an important collection as it was Pierpaolo's first solo show at Valentino. It was also his first collaboration with Zandra Rhodes.
• The dress is beautifully documented on the runway the dress and one was also shot for Vogue that season. I love this show shows you how gorgeous it is once on the body especially since it is a tough one to photo on a dress form without arms.
• The dress is made out of a beautiful lightweight silk chiffon that has a custom Zandra Rhodes print covering the entire dress. The colour is a deep, dusty pink, and the print on it is a mute metallic gold and deep copper paint fuel that is done in her proprietary manner in studio.
• The shoulders are bare with a single ribbon, silk strap running over them. The neckline is heavily gathered and this detail extends down and into each side of the sleeves. The sleeves lace up down their lengths along the top and then are full and easy under that. I love the gathered ruffle that follows the line of lace and extends around the entire neckline. 
• This cut leaves your shoulders bare and also lets a little bit of skin peek out between the laces of the sleeves. The sleeves themselves are a single layer of the silk chiffon so they have a beautiful delicacy to them. 
• The dress skims over the bust and drapes easily over the body to a more generously cut waist. The waist is gathered to pick up on the finish of the neck line and hear you see another ruffle that runs all the way around you.
  
• The waist is cut more generously so that you have a beautiful flow from head to toe. You can see this in all of the various reference photos and how it sits on the body. This cut was to become one of Pierpaolo signatures.
• The skirt flows to the floor from there and it is beautifully full and easy. It has a second silk chiffon layer underneath in a solid version of the same colour so that it is opaque enough to wear. The amount of fabric used through the skirt gives it a ton of movement when you walk and move. 
• The lightness of the silk and the way that it lays over the body allows it to move spectacularly over you and it will pick up the slightest bit of air.
• The dress is fully lined in a matching silk chiffon. It closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a Valentino 38
• Excellent condition

Sleeves: approximately 11" and they are 12" around the upper arm when the laces are fully tied close. Loosening the laces will give you more room.
Bust: 16-18" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of shoulder to slightly dropped waist
Total length: 60" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5599

Reference Photos/Video: (1-8) Spring 2017 Valentino, Look 39.  /  (9) Photographed by Hao Zeng for Vogue.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this look walked the Fall 2020 runway for Look 29. On the runway it was shown with a addition partial dress worn over it but once it hit the shops it was sold on its own and that added piece was sold separately.
• The dress was made under the creative direction of Alessandro Michele.
• Both Kylie and Rita Ora wore one in 2021 so you can get a great idea of it on the body.
• Vogue noted that "he took cues from “the perfection” of little girls clothes - pinafore dresses, school uniforms - and it seemed from the outfits of those little girls’ minders, nuns to nurses included." You can see that reference in this piece with its pinafore collar and front pleating but in typical Michele fashion he took that as a starting point and then upped the glamour with the added rhinestones and that phenomenal trailing over-skirt.
• One of the things I love best about this is that because it is three pieces you have many styling options with it. You can wear all or part of it and mix and match with other things you already own.
• The dress part of the set is a pretty dusty pink piece made out of a silk organza mix. A silk slip sits under that and I love that that inner slip is opaque enough that you could actually wear it on its own as a slip dress. With the inner slip being completely separate it also allows you to choose how daring you want to wear the dress. Over that is the spectacular overskirt that wraps around the waist and ties at the front.
• The dress has a little lace collar with the house double G logo is worked into the pattern. It blouses over you at the front and comes in at the waist. The waist is cut more generously and then you use the ties on the over-skirt to cinch it in as much as you want. If you are wearing the dress on its own you can leave the waist more loose and easy or add a belt.
• Running all the way down the front of the dress is a series of little pin-tuck pleats and then between those are wider pleats that have been gathered up in a diamond / marquis pattern and held in place by little prong set rhinestones. I love this little bit of added glitz.
• The sleeves are full with horizontally pleated cuffs. An elaborate handkerchief ruffle sits underneath that.
• Attached inside of the front insides of the skirt of the dress is an added panel in the same silk that hangs past the hem an extra 8.5". It is an unusual and pretty detail that is a nod to the aprons of a nurse or nanny. 
• The dress buttons to close down the back. The final button is set 22" above the back hem.
• The over-skirt is phenomenal and takes the dress from something that can be worn in the day or evening into a full on glamorous gown. It is made from a single layer of the same silk organza and is pleated vertically all the way down to its raw cut hem. A band runs around the waist and this extends into ties. You wrap it around you and slip it through the little belt loops around the waist of the dress and tie into place. It swoops out to create a beautiful trailing feel behind you.
  
• The inner acts as the lining and is fully separate from the dress. Little snaps at the shoulders hold it in place once it is on. The dress buttons down the back and then the skirt ties into place over that around the waist. The hem of the skirt is deliberately raw cut. The dress has a more pastel feel in person. All of the pieces appear to have never been worn.
• Tagged a modern Gucci 40
• Excellent condition

Dress
Sleeves: 25" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 58" from top of shoulder to longest point of the hem, 50" to the shorter hem

Inner Slip
Bust: 17.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 49" from top of shoulder to hem

Over-skirt
Waist: adjustable with the ties
Hips: open
Total length: 62" from the waist to the longest points of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5597

Reference Photos/Video: (1-5) Fall 2020 Gucci, Look 29. Model Johana Gavendova.  /  (6) Photo by Bruce Gilden.  /  (7) Kylie Minogue in Gucci, May 2021.  /  (8) Rita Ora in Gucci, February 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal dress in a floral print version of the dresses that walked the runway for the Spring 1980 YSL show.
• It was made under the creative direction of Yves Saint Laurent.
• The dress is made out of what feels like a feather light cotton and silk mix. This fabric choice holds the colours beautifully. 
• The neckline is set wide across so that it sits at the edges of the shoulders. If you are not very broad across the shoulders you may be able to wear it fully off the shoulder but for most I think it will sit at the edges of the shoulder like you see on the dress form here. A wide 7" ruffle follows the entire neckline and gives it the prettiest flounce all the way around you.
• Under that the bodice skims down to a low dropped waist that is cut more generously through the middle. I have taken a photo without the belt so you can see how it is cut generously through the body. The dress comes with its matching tie belt that you can cinch in the waist as much as needed.
• The skirt is set into a slightly angled seam around the waist that comes up into a peak at one side. Tiny gathers are set in all along that seam and this is what gives the skirt its incredible volume.
• The skirt falls shorter at the side to match the peak of the seam of the skirt. As it circles around the back it gets longer. If you were to lay this out and open the skirt it is more than a full circle around. That volume combined with the lightness of the fabric gives you incredible movement when you move.
• This is an absolutely stunning example of his work during this time period and this particular cut of dress is one of my favourites from him. I have had it in several colours and patterns now and this is one of the prettiest I have had.
• The dress is unlined and closes with a side set zipper. The tie belt is original to the dress.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Total length: 45" from top of shoulder to the shortest point of the front hem, 57.5" to the longest point of the hem.

Modern Sizing Equivalent: XS-MED

Item# DD5589

Reference Photos: Spring 1980 Yves Saint Laurent

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was worn by Noemie Lenoir in 2006 and I love that this shows you just how phenomenal this is once on the body.
• It was made under the creative direction of Roberto Cavalli
• The dress is made from an ivory silk jersey that has an extensive floral pattern in pink with a little bit of gold fused onto the top of the fabric to create that tremendously beautiful print that runs over the entire dress. This is all draped over an inner white body suit that gives you inner structure and holds the dress perfectly in place.
• That inner corset is lightly boned through the front and the bust area is shaped with inner padding and wire. The jersey on the exterior is draped into place over that and gathered over towards one side. At the base of where it gathers there is a decorative panel that has a tie running through it and little gold metal loops. You could use the ties to wrap around the waist or just let it hang down over the hip as I have done for these photos. 
  
• A single layer of the jersey drapes down from there to form the skirt. The skirt is incredible. It falls to extend down long and dramatically on one side so you get a sweeping feel around you as you move. On the other side there is an inset triangle made out of a silk chiffon that has the same print as the rest of the dress. This gives you the very slightest bit of transparency on that side. 
• The flower print that covers the dress is so pretty and romantic. I love it.
• The inner white bodysuit is shaped and made of a stretched lingerie netting to give you support and shape. It zippers to close at its side and then hooks to close at the bottom. The dress closes over that at the side with a hidden set zipper. I see some tiny and very minor snags on the skirt here and there. There is so much fabric you would never see them once this is one but they are mentioned for accuracy.
• Tagged a vintage Cavalli 42
• Excellent condition

Bust: 15-16.5" flat across from side seam to side seam
Seam under the bust: 14" flat across from side seam to side seam
Inner waist: 12-14" flat across from side seam to side seam
Inner Hips: 16-19" flat across from side seam to side seam
Bodice: 12" from top of shoulder to the seam under the bust
Total length: 55" from top of shoulder to the shortest part of the hem at one side and the other side extends another 25" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5590

Reference Photos: Noemie Lenoir attends the 'Quand J'Etais Chanteur' premiere during the Cannes Film Festival, 2006.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Chanel 2010 Cruise runway for Look 33.
• It was made under the creative direction of Karl Lagerfeld
• The show was set on the boardwalk of the Venice Lido at dusk. "Coco at Lido" is how Karl Lagerfeld described this cruise collection. Vogue described the scene as Karl "reinstating the long-lost leisurely sensation of a fashion show as an exceptional one-off experience. The 350 guests reclining on sun beds in the famous white tented cabanas certainly felt privileged to be witnessing the extreme glamour of the designer's learned-but-light invocation of an important part of Coco Chanel's biography." The location was "one of Coco Chanel's favourite summer haunts—she visited Venice for almost ten years beginning in 1919 and met Diaghilev here".
• The inspiration behind much of the show was the twenties and thirties and you can see that in the lines of this dress.
• The dress is made out of a feather light ultra fine silk chiffon whose weave gives it the feel of a fine netting or mesh. 
• The silk is covered in a beautiful oversized floral print in dusky pastels done in a way that makes then look like they have been hand painted directly onto the fabric. The base colour is a deep blue-purple.
• The dress is sleeveless and the very upper portion of the bodice around the shoulders is a single layer of the chiffon so that it has a touch of transparency. It is cut to skim over the bodice down to the waist. An attached panel of the same fabric wraps around your waist and hooks into place at the back for added shape and subtle detailing.
• The dress falls from there in a swoop of feather light silk to the hem which widens out as it nears the floor. The back feels slightly fuller than the front so you get this pretty billowing effect around you when you walk. This is a signature Karl silhouette to give his dresses as much movement as possible.
• The famous double C logo is worked throughout the floral print of the dress making it clear that you are wearing Chanel. 
• The dress is lined with the same fabric through the bodice and the skirt is lined with a layer of a deep blue silk. It closes at the back with a hidden set zipper and has a hook and eye at the back of the neck with a keyhole between the two. The dress appears to have been worn very little if at all.
• Tagged a modern Chanel 36
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Inner hips: to 20" flat across from side seam to side seam
Bodice: 15.25" from top of shoulder to waist
Total Length: 59" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5583

Reference Photos/Video: Resort 2010 Chanel, Look 33.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 2000 Chanel collection as Look 72.
• It was made under the creative direction Karl Lagerfeld
• Three versions of this dress in this print were presented on the Fall 2000 runway that season. The twin of this one was worn by Trish Goff.
• Vogue's review of the collection states in part; 'Fall 2000 was, overall, the season of the lady. One who had polish—and, likely, two homes and one eye on the fluctuating stock market. “With the Dow Jones and Nasdaq soaring and plunging like a late-sixties hemline,” wrote Sally Singer in Vogue, “it was perhaps inevitable that many designers would choose for fall 2000 to forgo fantasy and get back to basics—luxe basics, that is.”
• I think this was one of the best dresses in that collection and it is an absolute favourite.
• The dress is a stunning example of the work that Lagerfeld was doing during this time period.
• It has an easy sexy feel to it. It feels like the kind of dress that you just throw on and walk out the door in and feel fabulous.
• The dress is made from a feather light silk chiffon that has an amazing print combining pinks and purple that covers the entire surface. 
• The fabric is draped and gathered over the body to create the very feminine silhouette. There is an inner purple lining that goes to just below the hip so that the silk has something to attach to and the dress is opaque enough to wear. Over that the silk is gathered in soft sweeps around the body.
• A curved panel of fabric attaches in along one hip and drapes down and around the hips. Another panel is attached at the top to drape over one shoulder.
• The panels are a single layer of silk so that they have an interesting play on the overlapping of the pattern as they float over each other.
• The part of skirt below the inner lining also has a touch of transparency that gives a glimpse of the shape of the leg underneath. It is cut on an angle to play on the asymmetrical feel of the dress.
• A slit runs up one side of the skirt so when you move it can catch the air and it move around you.
• The famous double C logo is worked through the print for the perfect finishing touch.
• The dress is lined in a purple silk chiffon through the main body of the dress and upper part of the skirt. It closes with a hidden set side zipper. Light boning on either side of the bust. It appears to have been worn very little if at all.
• Tagged a vintage Chanel 40.
• Excellent condition

Bust: 16.5" flat across from side seam to side seam 
Seam under bust: 14.5" flat across from side seam to side seam 
Natural waist: to 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 6" from top of the bodice to the seam under the bus
Total length : approx 65" from top of shoulder to longest point on hem

Modern Sizing equivalent: XS-SML

Item# DD5582

Reference Photos/Video: Chanel Fall 2000 Runway Collection, Look 72. Model: Trish Goff.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This amazing dress is from the Fall 1987 Haute Couture collection and is a colour variation of the ivory dress that walked the runway that season.
• It was made under the creative direction of Yves Saint Laurent.
• The dress would have been made completely by hand in the Paris atelier. 
• In the book YSL:Catwalk they note about this collection that "The year 1987 was marked by the Yves Saint Laurent retrospective at the new South Wales Museum of Sydney and it was also the 25th anniversary of the Couture's first collection. L'Officiel said 'under the expert hands of the magician, the drapery falls fluidly and intangibly, like myriads of fantastic bodies'."
• As good as the dress looks in the photos the colour of the green is even better in person. The silk that it is made out of is so rich and decadent that it almost seems to have an inner glow when you see it in person.
• The dress is strapless and elaborately draped over the bodice on one side. It comes over and is gathered in to form the 'knot' of the bow that sits on the other side. On the side of the bow, a panel of fabric is draped and attached over the strapless bodice, then runs underneath the gathering, and then extends down to form the bottom loop of the bow.
• Bows were integral to the work of Yves Saint Laurent and this is a beautiful example of how he used them to manipulate the shape of the body.
• The silk of the skirt is cut in a curved panel that circles around you to the back and then back to the front to fall under the top layer of silk. When you walk or move the curved skirt at the front allows for more leg to show.
• You will note in the photos that there are the absolute minimum seams used in the dress. All of the shape and structure is created from a single bias cut piece of silk that is wrapped and shaped around you with the seams primarily along the zipper The draping and inner structure are what create the shape over you.
  
• Inside there is a full built-in structure to hold the dress in place around you.
• This is a remarkable example of his Couture work from this time period and it is an absolutely stunning little dress in its own right.
• The dress is lined in a matching green silk and there is a full built in boned and structured corset that holds the dress in place. Inner hooks sit at the waist and just under the bust for additional support. All of the edges of the inner hem are ribbon finished by hand. Perhaps a tiny scuff on the fabric here and there but I am being very picky. Every stitch is done by hand and it is an absolutely remarkable thing to see.
• There is no size tag present because it is true Couture. Please go by the measurements listed below.
• Excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 12.25" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 9" from peak of bodice to inner waist
Total length: 29" from peak of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5581

Reference Photos: Fall 1987 Yves Saint Laurent Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was Look 5 for the Resort Givenchy collection.
• It was made under the creative direction of Ricardo Tisci
  
• This was his fifth year at the label and in the Vogue review of the show they noted that Tisci told them that the colour palette of black, red and white mixed with the occasional leopard was inspired by Frida Kahlo and her animal-filled paintings.
  
• The dress is made out of a black net with a red lace overlay strategically placed over the dress to emphasize the cut and design.
• The dress is is suspended from two tiny straps that curve up and over the shoulder. The very upper edge of the bodice is finished with leather piping.
• The bodice is cut to skim over you and I love how the red has been applied on the black to give you extra coverage and really highlight the cut and flow of the dress.
• It continues down to skim over the waist in a more loose and generous feel and then it curves back out over the hips.
• The skirt cascades outward from there to the floor and it is fuller by the time it reaches the hem. The lace applied around the bottom and the way it is cut helps to hold the shape around you.
• That combination of red lace and netting that has been applied over the dress creates a beautiful and striking pattern. The pop of red against the transparent black net is even more striking once on the body and you see the transparency through it that contrast against the red lace and netting.
• The width of the lower skirt allows the dress to move beautifully around you as you move.
• The inner black silk chiffon slip acts as the lining. Both the dress and the inner slip have no closures and slip over the head to wear. I see a couple of tiny repairs in the net near the raw edge finish of the skirt. Very minor but mention for accuracy.
• Tagged a Givenchy 40
  
• Excellent condition

Dress
Bust: 16-17" flat across from side seam to side seam
Seam under the bust: 15-16" flat across from side seam to side seam 
Waist: 14.5-15.5" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Bodice: 14" from top of shoulder to lowest part of the seam under the bust at the sides
Total length: 67" from top of shoulder to hem

Inner slip
Bust: 15.5-17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 36" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5577

Reference Photo: (1) Resort 2011 Givenchy, Look 5. Model Daphne Groeneveld.  /  (2) Ciara in Givenchy by Cameron Smith for Wonderland Magazine, Nov 2010.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2018 Valentino collection.
• It was made under the Creative Direction of Pierpaolo Piccioli 
• This was a red carpet favourite and its twin was seen on both Nicole Kidman and Nicky Hilton.
• Over the course of his time at Valentino Pierpaolo did several variations of these elaborate ruffled and embellished dresses in different fabrications and each is beautiful. The cut of the dress makes it easy to wear and it is very flattering once on the body. It has a beautifully feminine feel and is very striking with the addition of the ruffles. The pink is infinitely gorgeous on almost every skin tone. 
• The dress is even better in person than how it photoed here.
• It is made from a pink silk organza mixed with panels of lace set in a chevron pattern that runs down the bodice and top of the skirt on both the back and the front. These fabric choices keeps it light in weight but still give it enough structure to hold that gorgeous shape that you see.
• The neck is cut high with a band of lace running around the neck. A little ruffle of organza runs around the bottom of the collar and this sets the tone for the rest of the dress.
• A ruffle details the top of each shoulder, at each of the cuffs, and then more ruffles are set throughout the dress and around the hem.
• The bodice is cut to skim over you and I love the bit of play on transparency with the very top of the bodice and the sleeves with them being a single layer of the organza. The shoulders are soft and the sleeves are long and slightly taper down to a ruffled wrist.
• The waist is detailed with more ruffles and is cut slightly on the more generous size. This is a signature cut for him and makes the dress very easy and flattering to wear. 
• The skirt falls from there to the floor. It is wonderfully full and extremely elaborate. Chevron panels of lace detail the top portion of the skirt and then panels of organza continue down set on angles for the full length of the skirt. Every second panel of organza has a ruffle peeking out from underneath. The skirt is very wide by the time it reaches the hem and it has wonderful movement. 
• Over the entire dress is an absolutely gorgeous mix of hand set rectangular silver metallic sequins that are set vertically over the dress. These are mixed with hand set pronged rhinestones that follow the design of the dress. On the sleeves they are set in vertical rows and then throughout the dress they are set in angled rows to follow the chevron design of the lace and organza. 
• This was a special order piece and very few were made.
• The dress is fully lined in a pink silk. It closes with a hidden back set zipper and buttons at the back of the neck. Each sleeve has a button at the wrist. It is in its original uncut length. It has its original tags attached and was never worn.
• Tagged a Valentino 40
• Excellent condition

Sleeves: 27" including the ruffle that is just under 2" wide. Each sleeve is 11.5" around the upper arm. The neck is 14" around
Bust: 16-17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 14" from neck to the top seam of the 2" band around the waist
Total length: 64.5" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5575

Reference Photos/Video: (1-3) Nicole Kidman at the Critics Choice Awards, 2018.  /  (4-5) Nicky Hilton at the Fall 2018 Paris Couture Valentino Fashion Show.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.