• The twin of this dress walked the Chanel 2010 Cruise runway for Look 33 with a jacket over it (that was sold separately in the shops).
• It was made under the creative direction of Karl Lagerfeld
• The show was set on the boardwalk of the Venice Lido at dusk. "Coco at Lido" is how Karl Lagerfeld described this cruise collection. Vogue described the scene as Karl "reinstating the long-lost leisurely sensation of a fashion show as an exceptional one-off experience. The 350 guests reclining on sun beds in the famous white tented cabanas certainly felt privileged to be witnessing the extreme glamour of the designer's learned-but-light invocation of an important part of Coco Chanel's biography." The location was "one of Coco Chanel's favourite summer haunts—she visited Venice for almost ten years beginning in 1919 and met Diaghilev here".
• The inspiration was the twenties and thirties and you can see that in the lines of this dress.
• The dress is made out of a feather light ultra fine silk mesh netting. The fabric is notoriously difficult to work with and yet it all falls into place perfectly once on the body. 
• The netting is covered in a beautiful floral print in dusky pastels done in a way that makes then look like they have been hand painted directly onto the fabric. The base colour is a deep blue-purple and the colour combination of everything together is stunning.
• It is sleeveless and the very upper portion of the bodice is a single layer of the silk so that it has a touch of transparency. It becomes a double layer under that and this skims over the bodice and down to the waist. An attached panel of the same fabric goes around your waist and hooks into place at the back for added shape.
• The dress falls from there in a swoop of that feather light silk netting to the hem that widens out as it near the floor. The back feels slightly fuller than the front so you get this pretty billowing effect around you when you walk. This is a signature Karl silhouette to give the dress as much movement as possible and you can see that in the reference photos here.
• The skirt of the dress is constructed from a single layer of the printed silk and then it has a solid deep blue silk layer underneath.
• The famous double C logo is worked throughout the print of the dress making it impossible to not know that you are wearing Chanel. 
• The dress is lined with the same fabric through the bodice and then a layer of a deep blue silk as described above acts as the lining through the skirt. It closes at the back with hidden set zipper and has a hook and eye at the back of the neck with a keyhole between the two. The dress appears to have been worn very little if at all.
• Tagged a modern Chanel 36
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Inner hips: to 20" flat across from side seam to side seam
Bodice: 15.25" from top of shoulder to waist
Total Length: 59" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5166

Reference Photos/Video: Resort 2010 Chanel, Look 33.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 2007 show for Look 43. He repeated the same design through the upper bodice for Look 18 and we have included a photo of that look here for reference.
• It was made under the creative direction of John Galliano
• In the book 'Dior Catwalk' they note that the Collection "managed to translate the intricate Japanese inspired references and techniques of Galliano's previous Haute Couture show for ready-to-wear, from origami folding and gravity defying pleats to elegant draping, tiered skirts, striking headpieces and bright colors." Women's Wear Daily hailed the collection as "a brilliant blockbuster, a glorious celebration of the grand and glamorous."
• Once worn together, you get the feel of a full length dress, but it is a two piece set with its original belt included. Both pieces are made out of a dusky purple hammered silk that has incredible drape.
• The top slips on and zips to close at the back. The shoulders are soft and the sleeves are cut long and on a curve to follow the shape of the arm. Each sleeve is cut a little longer than a normal sleeve so that when they are on the body they bunch up along your arm just slightly. This was a Galliano signature. There are no traditional armhole seams. Instead, they just curve outward from the body of the top and there are gusseted seams underneath. These are all extra steps that you rarely see anymore in the construction of arm holes and sleeves.
• The neckline comes in a shallow V and then all of the silk is gathered up and into the intricate fold at the front and this is where you see the references outlined in the book quote above. 
• The set comes with its original hand dyed snakeskin belt that you use to cinch in the waist. It is meant to sit over the top of that incredible front fold to create the look that he showed on the runway. The buckle of the belt is finished in deep purple rhinestones.
• The skirt that goes under the top is equally as incredible. It skims over the hips and there is an extra panel of fabric that puddles and drapes down one side from just below the hip and runs all the way to the floor. Under that panel is an incredibly high slit that goes all the way up to the top of the thigh. The skirt flares out as it nears the floor and the hem has a touch of an asymmetrical feel to it with the side with the panel falling longer past the hem than where it starts on the inside portion of the slit.
• On the runway you can see the high slit as the model moves and this skirt has that same detail.
• This is an exceptionally rare set especially since it comes with its original belt.
• The top slips on with a hidden set short zipper at the back of the neck. The belt has a rhinestone encrusted buckle and the skirt closes with a side hidden set zipper. There is a teeny bit of lift on the edges and wear marks on the belt that are minor and if I hold the skirt up to the light I see a tiny bit of stress marks under the waist seam of the skirt but it does not show at all otherwise. I am being very picky. Both pieces otherwise appear to have been worn very little if at all.
• Both pieces are tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Top
Sleeves: approx 26-27" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: to 18.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Bottom seam: 19" flat across from side seam to side seam
Total length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 49" from waist to the shortest part of the hem, 54" to the longest
Slit: 36.5" from the shortest part of the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5167

Reference Photos: Fall 2007 Christian Dior, Look 43 & 18. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal dress that we believe dates to the early to mid 1980s.
• It was made under the creative direction of Thierry Mugler.
• Mugler was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• It is made out of a black silk chiffon that sits over an inner structured and boned bodice. The dress under that is a play on transparency. The way the silk is draped in parts make some of it less transparent. The silk is gathered and placed to wrap around the body and emphasizes your curves.
• A panel of fabric extends up to create a single strap that wraps and hooks into place around the neck. A little half bow extends out to sit at the top of your back shoulder. The strap extends across the back on an angle to leave the rest of your back bare.
• The panels drapes upwards on one side and other panels extends down to wrap around the hips. Panels are caught up at the back of the waist to leave ties hanging down the side, picking up on the tie at the top of the shoulder. The body of the dress extends down to just above the knee, depending on your height. A single layer of bias cut silk chiffon is set in under that to create the lower skirt. It falls to the floor in a sweep of chiffon and adds incredible movement as you move.
• The bodice has a built in corset that closes with a series of hooks and then there is a zipper set under that. There is a layer of chiffon through the body of the dress. The neck strap snaps into place with hidden set snaps.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 60" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5162

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an unlabelled piece that is made to a Demi-haute couture level
• The dress is made of a brilliant feather light pink silk.
• The bodice is cut with a simple feel and then the dress has a wide ruffle on each side that wraps around the shoulders and goes to the back for added drama.
• There is netting inside the ruffle that sits around the shoulders and this helps it to hold its shape and volume. You can also wear this more on the shoulder.
• It is more fitted through the body and has a ruffle that begins at the centre of the bodice extending to wrap down and around the skirt. The ruffle becomes wider as it nears the hem. The back falls longer than the front and it has a beautiful curving line around to the back. Because of the wrap over at the front. when you walk or move you get a flash of leg.
• It comes with its matching little waist band that hooks into place to add more shape to the waist
• It is fully lined in a handset silk and closes with a back zipper . There is an inner waist stay that hooks to close. The matching fabric belt hooks to close.
• There is one faint mark across the one side of the skirt at the back and some very minor fading near the top of the zipper.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition with the note above.

Bust: to 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 29" from top of shoulder to where it splits, 60" to longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5161

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Bust: 15-18" flat across from side seam to side seam
Waist: 14.5-17" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: approx 60" from neck to hem with the length adjustable by how tight or loose you tie it behind the neck

Modern Sizing Equivalent: XS-MED

Item# DD5157

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This amazing dress is from the Spring 1987 Haute Couture collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress would have been made completely by hand in the Paris atelier. 
  
• The dress is made from a black French corded lace and this choice in fabric gives the dress its structure and shape. This is mixed with silk satin details across the top of the bottom, around the hip and finishing the hem.
• The bodice is strapless and is cut to curve across the front. Inside there is a full separate couture corset that is boned and shaped to hold the dress perfectly in place around you.
• It curves in to skim over the waist and curves back out for the hips. Sitting just under the hips there is an attached black silk ribbon that wraps around you and ties in a bow at the front.
• The skirt falls underneath that ribbon detailing to the floor. It widens out quite a bit around you for a lovely movement when you move. The skirt is cut longer at the back so you have extra fabric there and a bit of a sweeping feel behind you. I love how there is a matching dip at the back of the bodice so that there is an illusion of added length created.
• As with all couture pieces they only truly come to life once on the body. This dress looks so simple and easy but it is really a bit of an understated masterpiece in person.
• It is fully lined in a black silk and closes with a side set zipper. The inner corset closes with its own zipper inside that. The corset is lightly boned through the bodice and shaped. An inner waist stay hooks to close.
• There is no size tag present so please go by the measurements list listed below.
• Excellent condition

Bust: to 15-16" flat across from side seam to side seam
Inner waist: to 12" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 50" from top of bodice to front hem, 54" to the back hem

Modern Sizing Equivalent: XS-SML

Item# DD5158

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 1998 season.
• It was made under the creative direction of the original Mr. Valentino.
• This is a really stunning dress that shows how beautifully Valentino emphasize the female body will always staying within a certain type of elegant.
• It is strapless and cut to curve over the top.
• Under that the dress is covered in a black netting that has little dots worked throughout the tulle. 
• An inner ivory silk layer gives the dress its structure and allows the pattern that you see on the netting to really take centre stage by acting as it's backdrop.
• The dress is gathered down the full length of each side. This is what creates the shape and gathers in the netting that you see. 
• Each side has a detail of a double row of tiny black seed beads running vertically all the way down for a little added glitz as you move.
• The very bottom of the inner skirt peeks out from underneath the netting. It is that so that it flares out with an elaborate pleated ruffle all the way around.
• The ivory acts as the lining through the body and then the bodice is lined with an additional layer of black silk satin. Lightly boned through the inner built-in bodice. It closes with a hidden set side zipper and the inner bodice piece has its own separate zipper. It has its original tag and appears to have never been worn.
• Tagged a vintage Valencia 40
• Excellent condition

Bust: 16.5-17" flat across from side seam to side seam
Waist: 12-13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 56" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5159

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new customs regulations this dress can only ship to a Canadian address 
• The twin of the dress walk the runway for the Resort 2018 Prada runway as Look 19.
• It was made under the creative direction of Miuccia Prada.
• The dress is made from an inner silk chiffon, lace edged dress that you wear a silk organza and feather dress over top of that. The two dresses laying over each other is what creates the depth and airiness that you see.
• The inner dress is a pale ivory and the outer dress is a pale grey. The two together are absolutely beautiful.
• A nude pink silk edges the top of the outer dress and there is a layer of gold connected metal discs set under that.
• The fit is full and open through the body much like a 1920s flapper dress.
• There is a pleated organza that detail the hip area above the feathers. I love how she always adds these tiny details.
• Hand dyed feathers circle around the entire lower skirt and give it incredible volume. They move beautifully as you move.
• The inner dress slips onto to wear with a single button at the side of the bodice and the outer dress closes down the side with hidden set snaps
• There is no size tag present so please go by the measurements listed below.
• Excellent condition and it appears to have been worn very little if at all.

Inner Slip
Bust: to 17.5" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 32" from top of the shoulder to hem

Outer dress
Bust: 16" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from top of the shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5156

Reference Photo/Video: Resort 2018 Prada, Look 19. Model Aira Ferreira.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1989 Haute Couture Runway 
  
• It was made under the creative direction of Emanuel Ungaro
• The dress is made out of a handmade French lace in a pale silver grey with ivory cord overlay and subtle silver thread woven throughout. It is extremely beautiful.
• It would have been completely made by hand in the Paris Atelier
• It is fitted and shaped through the bodice with internal boning and structure. I love the soft curve at the top edge.
• The lace has been hand draped over the bust and it is swept up to one hip with a tiny handmade flower in a matching lace. 
  
• It curves down and over the hips to the top of the thigh and the bottom of the full bodice is set on an angle.
• The skirt is gathered in and up underneath that. It is tightly gathered all the way around the lower portion of the dress which gives it incredible movement when you move.
  
• The dress is fully lined in a silver grey silk and closes with a hidden set, zipper, offset at the back and part of the fabric from the back extends and wraps to hook under the flower at the front. An inner waist stay hooks to close.
  
• Its proper Haute Couture label present
  
• There is no size tag present so please go by the listed measurements below.
• Excellent condition and appears to have been worn very little if at all.

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 29" from top of bodice to shortest part of hem, 31" to the longest part of hem

Modern Sizing Equivalent: SML-MED

Item# DD5154

Reference Photo: Fall 1989 Emanuel Ungaro Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 1989 collection.
• It was made under the creative direction of Patrick Kelly.
• The Philadelphia Museum of Art hosted an exhibit of the work of Patrick Kelly in 2014. The show notes state: "“I want my clothes to make you smile”—that was the goal of late African American designer Patrick Kelly in creating his bold, bright, and joyful creations. Kelly achieved this on the streets, nightclubs, and runways of New York, Paris, and beyond in the heady, inventive, and often-subversive urban milieu of the 1980s....Kelly’s work pushed racial and cultural boundaries with golliwog logos, Aunt Jemima bandana dresses, and his ubiquitous black baby-doll brooches. His playful looks were inspired by his muse, Josephine Baker, and admiration for couturiers Coco Chanel, Elsa Schiaparelli, and Yves Saint Laurent, among others."
• Supermodel Iman wore the twin of this on the runway and I love how spectacular she was in it.
• The dress is made out of a fantastic stretch velour fabric that will stretch to hug your curves and show off every bit of the body. That said the velvet keeps it flattering and easy to wear as it gives support at the same time it molds to the body.  This combined with that leopard print is just fabulous.
• The cut through the body hugs your every curve and the dress is molded to your frame all the way down to the hem. The stretch the fabric and the way to lower hem flares out is what allows you to walk. 
• The back is completely open and the front extends out too long extended ties from both side sides. These ties are what allow you to style the bodice in multiple ways. I shot a few here for you and you might find that once it is on you that you can think of more. It makes it an incredibly versatile dress.
• Whether you wear it halter style, as a one shoulder dress, or strapless, as soon as you turn around you get that bare expanse of skin which is very sexy.
• It curves over the hips, narrows back inwards slightly and then flares out beautifully for the lower skirts. The front hem of the skirt curves up a touch and then the back is cut a little longer than the front. The shape once this is on the body is fabulous and it is very easy to fit because of the stretch.
• It is a showstopper and an amazing example of his work. I love everything about this dress and that it is a true piece of fashion history that is extremely well documented.
• The dress is unlined and you just slip it on and tie the top part  as you wish to wear it. At some point the bottom hem was let down and I have left it for that extra length.
• There is no size tag present and it does have stretch. I have put the comfortable range while laying flat below. You probably still have some extra room if needed because of the stretch of the fabric.
• Excellent condition

Bust: variable because of the way it can be tied in multiple ways. It should fit just about any size chest.
Waist: 14-19" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Bodice: the full height of the bodice is 20" from its top to the waist. When you tie it, it will drain or fold and is meant to give you that versatility. For the length I folded the bodice in half so it's 10" from the top to waist.
Total length: 54" from top of the bodice, when folded as noted above, to front hem and the back extends another 8" past that.

Modern Sizing Equivalent: SML-LRG

Item# DD5153

Reference Photos/Videos: Fall 1989 Patrick Kelly.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The Shrimpton Couture Archives

• The twin of the dress was shown for Look 8 in the Pre-Fall 2013 Gucci collection.
• Made under the creative direction of Frida Giannini
  
• One was also worn by Clara Paget that same year
• A gorgeous leopard print covers the entire surface of the top silk chiffon layer of the dress.
• The front crosses over itself at the neck and then buttons in place behind the neck. Under that the top blouses over you and comes in at the waist. This leaves the back almost fully open and bare.
• It was shown with a belt that was sold separately and you could easily wear it with any belt to add more shape or wear it without.
• The skirt falls from the waist and it is incredibly full with yards and yards of chiffon. When you move this catches the air and billows out to move fantastically around you.
• The Gucci logo for this time period is worked within the leopard pattern over the entire dress
• Fully lined in a black silk chiffon and closes with a back hidden set zipper. It buttons to close at the back of the neck
• Tagged a Gucci 40
• Excellent condition with some very minor repairs near the hem of the skirt that you would never see

Bust: covers to 16.5" flat across from side to side with no true side seams
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from neck to waist
Total length: 61" from neck to front hem, 66" to the longest point at the back

Modern Sizing Equivalent: SML-MED

Item# DD5151

Reference Photos: (1) Pre-Fall 2013 Gucci, Look 8. Model Lin Kjeruif.  /  (2) Clara Paget in Gucci at the Serpentine Summer Party, 2013.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Spring 1993 collection.
• It was made under the creative direction of Karl Lagerfeld
• He did an entire series of dresses in several variations for this collection. We have also added some other shots from the collection for you to see since this particular group of dresses were integral to the collection that year. 
• Examples of Karl's work during this time period are held in museums around the world and are rare finds. This is an important piece of his fashion history. 
• The cut of the dress is simple but it is very sexy with its long silhouette and see through lower skirts.
• The dress is made out of a black crepe that has a slight bias cut to it that allows it to drape well over the body once on.
• The strap detailing that crosses over the body, edges the bust area, and is used for the straps that go up and around the neck, are all made from a wide cotton weave looking ribbon that is applied directly onto the dress.
• Black seed beads were applied onto that ribbon and they catch the light beautifully when you move. The bodice is extensively beaded, sequinned and embroidered. The colours are bright and brilliant and I love how they give the dress a fantastic pop of colour.
• The work completely covers each triangle of the front bust and then wraps all the way around the back. The straps are intricate and hook behind the neck and become a design detail in themselves. 
•  The dress skims over the body and then flares out with that inset of silk chiffon for the very lower part of the skirt.
• Fully lined in a black silk. The lower chiffon part of the skirt is unlined. It closes with a hidden set back zipper and hooks to close at the back of the neck. Hand finishes and beautifully constructed.
• Tagged a vintage Lagerfeld 40
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 58" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4901

Reference Photos/Video: (1-5) Spring 1993 Karl Lagerfeld Runway.  /  (6-7) Kristen McMenamy for Spring 1993 Karl Lagerfeld Ready to Wear Advance.  /  (8) Helena Christensen for Spring 1993 Karl Lagerfeld Ad Campaign.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very rare and unusual piece of YSL because it has the added information on the tags of that it is a piece of Couture.
• At this time Hedi Slimane was the creative director and he had re-opened the Couture division at the YSL label. The couture line was not for the general public but was reserved for a select group of friends and clients, making it even more exclusive than traditional couture.
• A couture collection was presented for Fall 2016 in Paris but it was not officially a part of the Couture schedule.
• All of that sums up to make this dress one of the pieces that he most likely made as a custom-made piece for a client. Because YSL had not officially joined the Chambre Syndicale de la Mode Parisienne it would officially be considered to be demi-couture.
• This is an extremely rare piece from his time at the label made even more special because it has all its original tags in place.
• The dress is made from a fine black wool that has a touch of a texture to it.
• It is sharply tailored and touches on the famous YSL tuxedo variations that Yves' did season to season. The shoulders are shaped with structure and the sleeves are long. Each ends with five hand covered buttons to close the end of the sleeves.
• It skims over the bust, waist and hips and then falls to the floor widening out as it nears the hem.
• The skirt has a very high slit at one side so that you get a flash of leg when you walk.
• At the front there is a panel that has a mesh net inset that has little handset black beads in a mix of a jet black beads and a deep grey glass prong set rhinestones. When this is on you see that bit of skin showing through and the detailing lets it glint in the light.
• Between that mesh covered front cut out and that extremely high slit at the side, it has a very sexy feel once on despite its covered and sculpted feel, making it perfectly representative of Hedi's best work.
  
• It very well could be the only one in existence.
• The dress is fully lined in a handset black silk and closes at the back with a hidden set zipper. Each sleeve buttons to close. Ribbon edged seams and hand finishing throughout. Some of the long seam Work appears to have been done by hand, which is allowed in modern Couture.
• There is no size tag so please go by the measurements below.
• Excellent condition and appears to have never been worn.

Sleeves: 24" and are 11" around the upper arm
Shoulders: 15.5"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the waist
Total length: 65" from top of shoulder to hem with just under 1.5" turned under the hem.

Modern Sizing Equivalent: SML-MED

Item# DD5142

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was a part of the Spring 2002 final Haute Couture collection by Yves Saint Laurent.
• "I have chosen today to say goodbye to the craft that I have loved so much. The next show to which I invite you, on Tuesday, 22nd January at 6 PM, at the centre of George's Pompano, will predominantly be a retrospective of my work… Some designs from the currencies will also be shown." This was how Yves the announced his intention to retire and leave the world of Haute Couture. That final show was over an hour long and was presented to a room of 1500 hand picked guests.
• A total of 371 garments were shown that day with pieces from the beginning of his career to the final collection.
• Recreations of some of his most famous dresses were made available and each has the special label that you see in this dress with both the original date of the labels inception and the 2002 date.
• This is one is a recreation of the famous Fall 1984 dress. We have included references of both the original and the twin of this one in the show.
• It is an extremely rare and wonderful piece of YSL history.
• It would have been entirely made by hand in the Paris atelier.
• The neckline sits wide across and the shoulders are soft. The sleeves narrow to their ends and all of the upper bodice is done in a fine black light in weight wool that has a slight texture.
• The waist is defined by two wide panels. They attached and are gathered in along each side and this gives the shape you see. The top panel is a purple and the bottom a deep pink.
• The dress skims over the hips and then falls to the floor flaring outward as it reaches the hem. The back is cut slightly longer than the front and you can see the extra fabric built in there to create a sweeping feel behind you.
• Every line is meticulously thought out and the technique to create the lines of this dress showcase his decades as one of the premier modern Couturiers in the world.
• The dress is fully lined in a hand set black silk and closes with a side set zipper. An inner waist hooks to close and the dress buttons above a small keyhole at the back. Each end of the sleeve closes with zipper. All of the inner seams are done by hand and the entire dress is made to modern Couture standards. Its proper numbered Couture tag is present.
• There is no size tag present so please go buy the measurements listed below.
• Excellent condition and appears to have been worn very little if at all.

Sleeves: 21" and are 16" around the upper arm
Shoulders: 15"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 12" from top of shoulder to top of the 10" band at the waist 
Total length: 56" from top of shoulder to front hem and the back extends another 5.5" past that with just under 2" turned under the hem.

Modern Sizing Equivalent: MED-LRG

Item# DD5140

Reference Photos/Video: (1-3) Spring 2002 YSL Couture, Look 229.  /  (4) Fall 1984 Yves Saint Laurent Haute Couture.  /  (5) Vogue, November 1984.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a spectacular and very recognizable Chanel whose twin walked the Fall 1986 runway.
• It was made under the creative direction of Karl Lagerfeld.
• Karl's first collection for Chanel was in 1983 which makes this a piece from one of his early collections. I was happy to be able to find reference photos of the twin of this dress on the runway that season.
• Bella Hadid famously wore a version of this dress in 2022.
• The dress is made out of a beautiful deep blue netting mixed with a blue silk that has a gold metallic stripe running through it. These fabric choices give the dress the structure to hold the shape but still keeps it fairly light in weight once on the body.
• The bodice is strapless and there is inner boning for support. The boning continues down the sides and to the top of the hip for a beautiful fit. The waist curves in and then the skirt is set in just at the top of the hip.
  
• The entire bodice is finished with soft horizontal gathers and I love how this contrasts with the gold stripes in the fabric.
• The skirt is very long and full. The top layer sits over an inner second layer of netting and then there is a inner silk layer under that.
• The bottom hem is finished in a 12" band of the same striped silk used for the bodice to tie things altogether and add a bit of structure. 
• The sleeves are incredible. They are separate pieces from the dress. To wear them you slip them over your arm. They have stiffened tulle inside the part that puffs out which helps to hold that shape and then there is a more fitted sleeve attached that runs down the bottom of your arm. Each sleeve ends in a point to cover the top of your hand.
• It is incredibly hard to photo this on a dress form, so please take a moment to look at the photos on the runway as it really is the twin of that.
• The bodice is lined in a deep blue silk and the skirt is lined as described above. It closes with a back set zipper underneath a row of gold medal buttons and embossed with the Chanel perfume bottle. There is an extra spare button sewn into the lining inside. The sleeves have tulle inside to help hold the shape and elastic on the upper arm and the lower cuff zips to close.
• Tagged a vintage Chanel 38.
• Excellent condition.

Sleeves: approx 30" long. The elastic at the top will stretch to fit. 
Bust: 16" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Seam at top of hips: 16.5" flat across from side seam to side seam
Hips at inner lining: to 21.5"flat across from side seam to side seam
Bodice: 13" from top of the bodice to the low seam
Total length: 52" from top of the bodice to hem with an entire second width of the lower 12" hem turned under

Modern Sizing Equivalent: XS-SML

Item# DD5133

Reference Photos: (1-2) Fall 1986 Chanel Runway.  /  (3-4) Bella Hadid in Fall 1986 Chanel, Cannes, 2022.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 1972 season as noted on its Haute Couture tag we were lucky enough to find photos from the collection and you can see how beautiful it is once on.
• It was made under the creative direction of Marc Bohan for Christian Dior. 
• There is very little documentation on this particular collection, but in the book 'Dior Catwalk' it notes that the New York Times exclaimed, that "romance, contemporary style, is the provision look for spring." It goes on to declare that Bohans collection for Dior was the best of the season in Paris. "Mark Bohan succeeded in bringing back the fable elegance without becoming historical. There's no pinpointing of the 1930s or 1940s. The clothes look really contemporary".
• With such little documentation of the collection it makes a piece like this that is documented even more special and rare.
• This would have been made completely by hand in the Paris atelier.
• The dress is made out of a beautiful stiffened or starched blue silk gazaar that is woven on the bias so that the dress has a more sculptural structure and shape while still staying very light in weight. The colour is a deep blue.
• It is cut to sit fully off the shoulders though I think you could also wear it on the top edge of the shoulders if you wished.
• Each sleeve is cut to just above the elbow and has a beautiful ruffle all the way around.
• It skims over the bust and curve in a touch at the waist. Inside there is a full boned inner corset that goes to the top of the hips. This holds the dress perfectly in place around you once it is on.
• From there it skims over the hips and then flares out beautifully to the hem. The entire hem is finished with a wide ruffle that picks up on the detailing of the sleeves.
• What makes this dress especially interesting is the way that it is almost sculpted because of the fabric treatment. As good as it looks in the photos it is even more beautiful in person.
• The dress is lined in a grey-blue silk organza. The inner corset closes with its own zipper and there is an inner partial waist stay that hooks to close inside the corset. The exterior dress zips to close over that at the side. All of the work is done by hand to Haute Couture standards.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Sleeves: 9.5" and they are 11" around the upper arm
Inner bust: 16" flat across from side seam to side seam
Inner waist: 12.25" flat across from side seam to side seam
Hips: 19-21.5" flat across from side seam to side seam
Total length: 55" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5132

Reference Photos: Spring 1972 Christian Dior Haute Couture. (Second photo by Frédéric Scheibe)

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• This is a gorgeous Demi-Couture dress from 1970s Lanvin.
• Made under the creative direction of Jules-Francois Crahay 
• Jules-Francois headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugely desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house.
• The Lanvin label is numbered and the dress has been made to demi-couture standards.
• This dress is made from a fine blue silk tulle that has a floral pattern embroidered over its surface in the same blue. The lining is done with a deep purple silk and this gives it this very unusual colour that lies somewhere between a deep blue and a deep purple.
• Onto the top silk net there is an exquisite floral design done with a metallic gold thread. That same gold thread also circles around the lower skirt in two horizontal panels done in a open chain link design. More of the floral netting separates those panels.
• The result is even better on person as the gold feel more prominent. I love how the gold catches the light from every angle.
• The bodice skims over you and the sleeves are long. Each sleeve has a bit of puff above the elastic cuff.
• The waist is cut more generously and you could add a ribbon or a belt to cinch it in.
• The skirt skims over the hips to the floor and widens out as it nears the hem. The added panels of gold on the skirt help to give the skirt support and help hold its shape.
• Fully lined in a purple silk chiffon through the top and a purple silk through the skirt. It closes with a back hand set zipper and there is elastic in each cuff. Hand finishes and hand finished inner seams.
• The label is numbered.
• There is no size tag present and the bias cut of the lining and the net give it a little give so I have put the comfortable range of measurements where it will give a bit. 
  
• Excellent condition 
  

Sleeves: 26"
Shoulders: 14.5"
Bust: 17-19" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 15" from shoulder to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD3925

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the second time that I have had this dress in the shop and I still love it as much now as I did then.
• The twin of this dress walked the runway for Look 41 for the Spring 2013 collection.
• Vogue said of the Collection; "When Peter Dundas inherited this historic Florentine house—famous since the 1960s for its kaleidoscopic prints—he made reworked archival patterns a major part of his story line. Last season and this one, though, he's started inching away from them. These days, the label is just as well known for Dundas' confident, louche brand of glamour as it once was for its founder's graphic swirls and geometries." 
• It was one of three white dresses that close the show before the final red look. 
• The dress is made out of a light silk that is light in weight but just heavy enough to keep the structure. It is very close to a true white.
• The front neckline is done in a halter style with the upper part above the bust line finished an a white netting that has a secondary abstract print work through it. This allows you to see the skin underneath. The front is gathered over the breasts almost like a bandeau and seamed in the centre.
• Under that is an open cut out for a bit more skin to show.
• The dress curves in to follow the waist under that and and skims over the hips.
• The skirt falls to the floor and widens out quite a bit as it nears the hem. This gives the dress incredible movement when you walk and you get a sense of that in the runway video.
• I love the loose slightly draped pockets that sit on each hip.
• The back is mostly open with a criss cross of straps and an open cut out between the waist and the back strap.
• Decorative frog knots sit at the low waist for added detail.
• The dress is fully lined through the bodice and the skirt is unlined. It closes at the side with a hidden set zipper. Light boning and padding through the bodice.
• Because the upper body is lined and padded when it is off the body it feels like the fabric is a touch darker as it is completely opaque. Once on its fine and the lining is needed
• Tagged a modern Pucci IT42, FR38, US8, UK10.
• Excellent condition with some faint marks here and there around the hem.

Bust: to 17" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 64" from top of neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5127

Reference Photos/Video: Spring 2013 Emilio Pucci Runway Look 41. Model Kasia Struss.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This is one of his most iconic and collectible designs.
• The dress made under the creative direction of Ossie Clark 
  
• Ossie named all of his couture dress and this one is known as the Cuddly.
• To wear the dress you simply slip it on and wrap it at the waist where it ties into place.
• The dress is made out of his signature moss crepe.
• The front is cut in a low plunge because of the wrap and the back has a large triangle cut out that leaves your full back bare and exposed. 
  
• It is very sexy and instantly recognizable as being an Ossie Clark piece.
• The sleeves are phenomenal. Each is a huge bishop cut sleeves that are puffed and full above the cuffs.
• The skirt skims over the hips and then widens out to be quite full with yards of fabric in its construction.
• The wrap leaves a long overlapped slit at the front. When you stand still it falls and closes but when you move or sit you get a flash of leg and depending on how tight you tie out around the waist you can show the entire leg.
  
• The dress is unlined and made out of a black moss crepe. 
• One tie is a little shorter then the other but does not appear to have been altered. The wrap style should allow it to fit a variety of sizes. 
• Tagged a vintage UK10
  
• I see some very minor bit of lighter areas on the moss crepe here and there. This is a natural patina on this type of fabric as in ages and is only mentioned for accuracy. 
  
• Excellent condition

Sleeves: 28" and meant to pouf up when on
Bust: adjustable to approx 18" flat across from side seam to side seam
Waist: adjustable to approx 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to top of band at the waist
Total length: 59" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5125

Reference Photo: (1) June Ritchie, in an Ossie Clark Cuddly dress, at a photo call for Gone With The Wind at the Theatre Royal Drury Lane, 1972.  /  (2) Madeleine Hinde, in Ossie Clark, at the premiere of British horror film 'The Fiend' in London, April 7 1972. Photo by M. McCarthy.  /  (3-4) Suzanna Leigh, in Ossie Clark, by Allan Warren, 1973.  /  (5-6) Pink in Ossie Clark, from Shrimpton Couture, for her 'Walk Me Home' music video, 2019. See below for video.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an amazing example of his work from Fall 2006 and it is gorgeous. It is very similar to a dress that I had in the ship recently but this one is more elaborate and much longer.
• The dress was made under the creative direction of John Galliano.
• This version was made for the shops and like all of the more elaborate bead work pieces he did would have only been released in limited quantities.
• This is a really striking dress that is also very easy to wear because of its simple and bias cut. 
• The dress is made from three layers that are attached at the top of the shoulder and then float over each other from there. The inside layer is a black silk chiffon and then there is a layer of black silk chiffon that has a texture to it over that. The very top layer is that same textured silk chiffon.
• The dress has a very loose and easy cut through the body.
• The bodice has a beautiful draping neckline at the front and it does the same at the back. One shoulder is wider and a panel draped down from it to form the neck line. The other shoulder is a combination of silk chiffon with a raw lace edging. On that side, there is a tide bow at the top of the shoulder.
• The bodice on the side with the wider strap has pinned detailing that runs vertically down the dress, and the side with the more narrow strap is swept up to one side where there's a large flat bow and a bit of a ruffle created. That ruffle continues all the way to the ham so it appears that the dress has been wrapped around you and the bow is holding it all in place.
• Scattered vertically over the dress are a beautiful design that combines tiny seed beads and silver sequins topped by a tiny bead. These are all set by hand and you can see that on the back. They detail the neckline and then run in little cluster set vertically down the length of the dress.
• Many of the edges have a raw finish, which adds a delicate added texture to the dress that is very pretty.
• This side that has the ruffle feel going all the way to the ham has a split on all three layers so you get a flash of skin and it adds to the beautiful movement. The dress has. The back skirting is cut longer than the front so you get this fantastic sweeping field behind you as well. 
  
• Because this dress is all cut on the bias and is so long and easy through the body it really needs a body inside of it to bring it to life. As good as it looks in the photos here it is phenomenal in person and on the body.
• The inner silk chiffon and middle tulle layer act as the lining underneath the top layer. The innermost layer has no closures. The middle layer closes with its own hidden set zipper, and the very top layer closes with one of his signature tightly spaced rows of silk covered buttons.
• The bias cut allows for some range and movement, so I put the comfortable range in lane flat below
• Tagged a FR40, GB12, US6. 
• Excellent condition 

Bust: 15-19" flat across from side seam to side seam
Waist: 14-17.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total Length: approx 61" from top of shoulder to front hem and the back extends another 12" past that. Because of the bias cut, it may come up slightly once on.

Modern Sizing Equivalent: XS-MED

Item# DD5124

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• We dated the dress to 1989 based on a very similar dress that is part of the MET Online Collection.
• Made under the creative direction of Vicky Tiel
  
• The dress has the added modern provenance of being worn by both Julianne Hough and by Liz Gillies. 
• The dress is made of a metallic gold lame fabric that is light in weight so despite the elaborate construction of the dress. It is just heavy enough to hold the intended shape fabulously.
• The bodice is strapless and the entire dress is elaborately gathered and fitted around the bust with hand placed and gathered folds.
• There is a built in internal structure with light boning. The boning extends at the sides down and around the hips to help to hold the hourglass shape around the body.
• The waist is nipped in and then it curves out and over the hips.
• Under that the skirt falls in a straight long pencil silhouette with a vent up the back to allow you to walk and move.
• The gold glimmers in the light and it is one of the best Vicky Tiel dresses that I have ever had in the shop.
• Fully lined in a black silky rayon and closes with a painted metal and nylon zipper at the back. Boning through the bodice and sides.
• Tagged a vintage Tiel 38. 
• Excellent condition

Bust: 15-16" flat across from side seam to side seam w up to a B-small C at the front
Waist: 12" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 51" from top of bodice to hem with about 1.5" turned under

Modern Sizing Equivalent: XS-SML

Item# DD4868

Reference Photo: (1) 1989 Vicky Tiel dress in the MET Collection.  /  (2) Julianne Hough in this dress at the NYC Ballet Spring Gala, 2023.  /  (3) Liz Gillies in this dress, November 2023.  

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A fabulous dress from the late 1990s
• Made under the creative direction of Gianni Versace
• The dress is very sexy with its cut out and made of a stretch fabric that hugs and shapes the body.
• The colour is a bright chartreuse that is just exceptional.
• There is light padding in each shoulder, and this holds the dress and gives it a tapered field to the waist.
• It skims over the body and then is gathered in a long, one side all the way around. The other side has been left open and is meant to drape down on the top of one hip. This leaves a bear exposed cut out on that side that wraps around to the back.
• The fabric has been gathered under the hip on that side, and then the skirt falls from narrowing down as it reaches the ham.
• There is a high slit on one side that goes right to the bottom of the gathering on the hip and there is a little quirky gathering on the opposite side to that sitting several inches above the hem.
• All of these gatherings and cut out give it a really sculptural feel around the body.
• It's fully lined in a more Matt version of the same stretch material. The fabric does have stretch so the measurement below or the comfortable range when the dress is laying flat. It has no closures and slips on to wear.
• Tagged a vintage Versace 38
• Excellent condition

Bust: 16.5-19" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 16-19.5" flat across from side seam to side seam
Bodice: 13" from top of shoulder to waist
Total length: 56.5" from waist to hem
Slit: 33" but wraps over itself near the top

Modern Sizing Equivalent: XS-SML

Item# DD5117

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the runway for Look 53 and its an iconic piece. 
  
• Made under the Creative Direction of John Galliano. 
  
• This collection marked Dior's 60th anniversary and it was also Johns 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide and both colour versions were produced in very limited quantities.
• The red has also been seen on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.
• The dress is made out of a luxurious black silk. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do.
• It is all cut on the bias.
• The bodice is strapless with an inner boned and cupped corset that holds the dress in place.
• Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front.
• At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist.
• From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties.
• The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a sweeping feel behind you as you walk.
• A row of signature tightly spaced buttons & loops in the same silk run up one side.
• It is an incredible example of his work and looks to have been worn very little if at all.
• Fully lined in a black silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I have given the comfortable range when the dress is laying flat below. 
  
• Excellent condition

Inner bust: 17-18" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 56" from top of the bodice to front hem, 78" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD5114

Reference Photos/Video: (1-4) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (5) Aishwarya at the IIFA 2008.  /  (6) Lucy Hale at the People's Choice Awards, 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress that was worn on the runway for the Fall 1995 Karl Lagerfeld show.
• He launched his self-named label in 1984 and by the 1990s it was firmly established. Pieces from his personal label were far edgier then the work he did for Chanel. It was a label where he explored a more avant garde feel with his designs and pushed the envelope more. 
• The dress that is made out of a mix of a light weight black net that is backed in more layers of netting and silk chiffon.
• Onto that is a pattern made from black velvet fused onto the netting. The velvet is set to highlight the cut and lines of the dress.
• It has a slightly more bare and fitted feel through the upper bodice and then flares and widens out very dramatically to the hem.
• The fabric is light in weight but the layering underneath the top layer of netting gives it enough weight and structure to hold the shape.
• The bust drops into a V and the velvet details on the bodice are set on angles to work into a centre vertical velvet line. This same striping runs horizontally all the way around the hem. The line that runs down the centre of the bodice extends all the way to the hem and then more vertical lines go all the way around the skirt to break up it up into panels.
• The waist comes in a touch, but has a more generous feel to it, and the skirt swings in a a wide A-line.
• At the back, the dress completely opens with a series of silk covered buttons that run from neck to just above the hem.
• The bodice is lined in another layer of the same netting and the skirt has three more layers of netting under the top layer and an inner nude silk chiffon layer under those. It closes at the back with the series of buttons that you see. 
• Excellent condition.

Bust: to 16" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: approx 15" from top of the shoulder to waist
Total length: 55" from top of the shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4926

Reference Photos/Video: Fall 1995 Karl Lagerfeld.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Spring 1988 show.
• Made under the creative direction of Marc Bohan for Christian Dior.
• The evening portion of the collection focused on short dresses that had a corseted waist and bust with wrapping techniques that gave the feel of a sarong. The dress is a wonderful example of that feel he was after and it is fantastic.
• We found a teeny slice of it or a very similar piece on the runway and even though the photo shows the model on an angle, it does give you an idea of how wonderful this will be on the body.
• This would have been made completely by hand in the Paris atelier.
• The fabric of this dress is fantastic. It is made out of a black silk organza that has been gathered so it has a slight 3D puffed effect. This creates an incredible texture over the dress.
• The fabric is light in weight and despite the elaborate construction of the dress is not at all heavy once it is on.
• Inside the dress has a full proper corset with boning through the bodice to give you some support and built in cups. A wide grosgrain ribbon hooks in place around the inner waist to hold everything perfectly in place.
• All of the seams are finished by hand and it is really is a nod back to the early couture days in terms of it's construction.
• The bodice is cut with a curving sweetheart neckline and it is meant to hug the body. It is elaborately gathered and fitted around the bust with all of the gathered folds coming in to the seams that run over the bodice. This is all done to emphasize your curves and it make the dress very flattering once on.
• It nips in at the waist and there is a large and elaborate bow that sets at the base of an angle seem coming from the bust. I love how this is set to curve around the hip to the back. It instantly adds to the hourglass field the dress has.
• From under the bow, the skirt curves down and over with to wrap around you and then come back in and under that panel to give it that wrapped sarong feel.
• Fully lined in a black silk and closes with a side set zipper. The interior of the bodice is boned and cupped for support. The inner corset closes with its own zipper and a wide band on the interior waist hooks to close. There is a tiny bit of lightening to some of the edges on the fabric. This is a natural aging of this type of fabric and I don't consider it to be a flaw, but it is mentioned for accuracy. It otherwise appears to have never been worn, or worn very little.
• Excellent condition

Bust: 17" flat across from side seam to side seam
Interior waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: qpprox 10" from top of bodice to waist
Total length: 29.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5110

Reference Photos: Spring 1988 Christian Dior Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress was one that was produced for the shops
• Made under the creative direction of Clare Wright Keller
• Easy to wear while still being incredibly sexy. It is made out of a thicker jersey that is cut on the bias and this lets it drape beautifully over you and still be completely opaque.
• The plunge at the front gives it a very edgy and sexy feel while the jersey keeps it feeling comfortable to wear.
• The dress is made to be one long tube with a seam at the waist on the front of the dress only.
• The dress has no collar and plunges down at the front to the waist. Two long ties extend out from the base of the front plunge. You can loop or knot them and then they fall almost to the floor at the front.
• The sleeves are long and simple and the shoulders are soft.
• The skirt flares out at it reaches the floor with a high slit runs up the front so you get a flash of leg when you move
• The dress is in its original uncut supermodel length and it closes with a back hidden set zipper.
• Tagged a modern Givenchy 36
• Excellent condition with some minor grubbiness around the hem
  

Sleeves: 25" and are 10-12.5" around the upper arms
Shoulders: 15"
Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Bodice: 16" from neck to waist
Total length: 62" from neck to hem
Slit: 32"

Modern Sizing Equivalent: XS-SML

Item# DD5102

Reference Photos: (1) Melanie Hamrick at the American Ballet Theater Spring Gala, 2018.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Arnold Scassi launched  his boutique line in 1984 and it was high end ready-to-wear and very expensive.
• Arnold Scaasi was born Arnold Isaacs in Montreal and the name Scassi is simply his own surname in reverse. He studied in Montreal and in Paris, apprenticed at the house of Paquin and then worked with the legendary Charles James. In 1964 he opened own couture salon.
• The sleeved version of this dress walk the runway for the Fall 1987 collection. It's very rare to find documentation from this time period and I love having that say that you can see how amazing it is on. I think this strapless one is even better.
• You can easily see the influence of Arnold having worked for Charles James in this piece. The lines are dramatic and yet elegant. 
• The dress is strapless and the top portion of the dress is made from an inky black velvet. It is dramatically shaped at the front with wired peaks and a V plunge at the front. 
• It nips in at the waist and then angles down from one side low on the hip on the other. On the side that sits higher up, there is a large bow detail that gives the effect of holding all the gathers of the skirt in place.
• The skirt is set under that and the long angling seam on the opposite hip adds visual length to the dress as it extends down and into a deep point. The skirt is quite full and the shape and volume that you see is held by the inner construction which is quite amazing.
• Layers of tulle netting set underneath the outermost layer of silk. The green of the skirt is a true brilliant emerald. This unexpected shock of colour is fantastic.
• Fully lined in a green silky rayon. The bodice is lightly boned and it closes with a hidden set side zipper. Built in stiff tulle under skirts and the skirt is interlined in a green organza. 
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: 13.4" flat across from side seam to side seam
Hips: open
Length: 51" from top of peaks on bodice to hem with 3" turned under the top layer

Modern Sizing Equivalent: SML-MED

Item# DD5101

Reference Photos: Fall 1987 Arnold Scaasi.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• From the Fall 1985 Givenchy Haute Couture collection and we have included some photos showing the extensive use of this particular fabric for pieces shown on the runway.
  
• Under the creative direction of Hubert de Givenchy
  
• Completely made by hand in the Paris atelier to Haute Couture standards.
• This gorgeous dress is made out of a black silk velvet with a leopard print done in a different finish of velvet within the fabric. This pattern gives the velvet an extra depth and richness, and also catches the light as you move. It is stunning.
• It drapes absolutely beautifully over the body. It is really an outstanding fabric. The bodice is set into a V that crosses over itself where it is set into the waist. The bodice drapes more loosely over you at the front. 
• The waist is seamed and cut slightly on the more generous side. I have added a ribbon and if you wanted more shape, you could have it cinched and even more with a belt or it also works perfectly well without.
• The sleeves narrow down to a hand set zippered cuff.
• The skirt falls to the floor in a pretty sweep of fabric that is at the front. This lets the front hem curve up slightly.
• It is a gorgeous dress and a wonderful piece of his fashion history.
• Fully lined in a black silk. There's a inner built-in half skirt. It closes with an inner side set zipper and the outside snapped into place with a series of hidden set, snapped around the waist. And inner waist state hooks to close. Each cuff has a hidden set zipper. It appears to have been worn very little if at all. 
  
• There is no size tag present so please check the listed measurements below
• Excellent condition

Sleeves: 23.5"
Shoulders: 15"
Bust: 16-19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Inner hips: to 22" flat across from side seam to side seam
Bodice: 17" from top of shoulder to slightly dropped waist
Total length: 55" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5100

Reference Photos: Fall 1985 Givenchy Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• From the Fall 2015 collection with references to its design on both the RTW Couture show.
• In 2015 Valentino was headed by both Maria Grazia Chiuri and PierPaolo Piccioli.
  
• The fabric is a silk that is heavy and has an almost fine wool suiting feel to it. The weight of the fabric is what holds the dress in place over you.
• The front is cut straight across the neckline and then it is brought starkly down the sides and set to sit just over the seam at the waist. This is repeated at the back with an addition of a long open keyhole that displays a slice of bare skin from neck to waist.
• This creates a rectangular cut out on either side from your shoulder to the waist. 
• You can wear it bare or you can lay this over top of something.
• The waist nips in and and the skirt falls to the floor or ankle depending on your height.
• There is an amazing amount of fabric used for the skirt. It is flat pleated all the way around your waist and then each of those pleats open up at about 3 1/2 inches under the waist line to the hem.
• Inside each the open pleat are four more top stitched knife pleats that gradually open as they reach the hem. The detail that this creates all the way around the skirt when you move is amazing. When you stand still everything falls like a normal pleated skirt but when you move and they start to open and you see all those top stitched inner pleats the entire thing just comes to life.
• It beautifully executed and even better in person.
• Fully lined in a black silk through the bodice and the skirt is unlined. It closes with a button and loop at the back of the neck and a hidden set zipper that starts at the waist.
• Tagged a modern Valentino 40.
• It appears to have been worn very little if at all.
  
• Excellent condition

Bust: the sides are open and the bust covers 11.25" flat across
Slightly dropped waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of shoulder to waist
Total length: 56" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4769

Reference Photos: (1) Fall 2014 Valentino Couture, Look 8. Model Malaika Firth.  /  (2) Fall 2015 Valentino, Look 40. Model Irina Djuranovic.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Fall 2005 runway for Look 51.
• Made under the creative direction of John Galliano.
• The dress has all of the elaborate over the top details that you would expect from a Galliano runway piece.
• The bodice of the dress is elaborately pleated. The black silk jersey that it is made out of has been draped and gathered into a V at the front that is edged in velvet. The rest of the bodice is made from a silk with stiffened ribbon shown on the exterior all the way around. This sits over an inner corseted and cupped bodice.
• Straps connect to a silver D ring at the centre of the neckline and then they curve up and over your shoulders and attach at the sides of the back. On the runway, they were gathered so they appear more narrow, but you can also wear them to create a little almost capped cape feel like I have shown here. I love that you have the versatility of wearing it either way. 
• The waist is seamed and a cord finished with little Dior embossed clips runs through the waist and allows you cinch it in as needed.
• The skirt falls from under there in a beautiful bias cut. The entire top portion of the hip is gathered into elaborate panels to pick up on the box all the way around you. The skirt falls from there and widen out as it near the hem. An oversized and elongated pocket is top stitched onto one side and elaborate velvet, sequin and net flowers sweep over the entire skirt.
  
• The upper back is left bare and I love that little curving peak that he has added there for extra detail.
  
• Fully lined with an inner silk skirt and a fill built-in silk cupped and boned inner corset bodice. It zips to close with a hidden set zipper.
• Tagged a FR36, GB14, IT46, US10. 
  
•  Excellent condition
  

Bust: 18.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Bodice: approx 17" from top of shoulder to waist
Total length: 52" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5096

Reference Photo/Video: Fall 2005 Christian Dior Runway Collection, Look 51. Model: Irina Bondarenko. 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This is a variation on Look 52 that walked the runway for the Spring Prada 2004 show
• Made under the creative direction of Miuccia Prada
• Vogue said of this collection: "Over almost a decade of ground-breaking experimentalism, Miuccia Prada has explored everything from irony to deliberate ugliness to intellectual subversion. She’s been there, done that, and has the souvenirs to prove it. For Spring 2004, the designer turned her attention to the stiffest fashion challenge of the day: how to make feminine, happily nostalgic clothes without rehashing the clichés of vintage?“ It was about tourism and craftsmanship, many things,” she said of a show that revisited the optimistic fifties to bring back a full set of densely packed suitcases." 
  
• The dress is made of of an ultra fine, ultra light cotton in a deep ivory.
• It is strapless and the fabric has been done in extremely fine pleats with embroidered edges on some of the pleats. These sweep across and around the bodice. One one side the pleats are hand tacked down in a line that curves down one side. On the other side of that tacking the pleats begin to open up to sweep downwards and start to form the skirt. 
• The skirt is made of five tiers of the cotton with attached under layers of silk and netting. This creates an extraordinarily beautiful  draping all the way down the skirt.
• The cotton is printed with an ultra fine pattern made of fine little dots to form tiny clusters of flowers. These cover the entire dress. It is extremely beautiful and has a very delicate and feminine feel.
• Inside there is a net and cupped bodice that is lightly boned for support.
• It closes with a back zipper. An inner waist stay hooks to close. The construction of the dress is a nod to the dresses of the 1950s and it is very beautifully done.
• Tagged a Prada 42
• Excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Inner hips: to 17" flat across from side seam to side seam
Total length: 36" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5090

Reference Photo: Spring 2004 Prada, Look 52. Model Elise Crombez.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Fall 2007 dress by John Galliano
• Made of a combination of an ivory silk chiffon that is covered in an ivory net lace
• The dress has a strong nod to the 1920s. It is generously cut through the waist and has a scooped neckline.
• Silk chiffon has been formed into little rosettes on either side of the buttons that run down the side of the dress. Panels of chiffon wrap around the waist from the flowers to add a bit of detail and shape.
• There is a long panel of silk that hangs from one of the rosettes at the front. You can allow it to just trail down the front or hook it over one of the rosettes at the back to create a pretty draping down the full side of the skirt.
• The dress is very light in weight. The silk chiffon underlay acts as the lining.
• It closes with the series of silk covered buttons down the side
• Tagged a Galliano FR38, GB10, US6
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 46" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5092

Reference Photo: Fall 2007 John Galliano, Look 6.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was presented as Look 5 for the Resort Givenchy collection.
• Made under the creative direction of Ricardo Tisci
  
• This was his fifth year at the label and in the Vogue review of the show they noted that Tisci told them that the colour palette of black, red and white mixed with the occasional leopard was inspired by Frida Kahlo and her animal-filled paintings.
• The dress was shown over a hot pant two-piece inner set but was shipped to the stores with the black half slip you see here. If you prefer the runway version you could of course easily re-create a more bare feel.
• The dress is made out of a black net with little silk insects, emphasizing the darts. It is set in with a seam under the bust that is angled upwards to the centre. It is suspended from two tiny straps that curve up and over the shoulder. The very upper edge of the bodice is finished with leather piping.
• It skims over the waist and then the skirt cascades outward from there to the floor.
• Red lace and red netting have been applied over the dress to create the striking pattern that you see. This pop of red against the transparent black net is even more striking once on the body and you see the transparency through it that contrast against the red lace and netting.
• It widen out quite a bit by the hem and the width of the lower skirt allows the dress to move beautifully around you as you move.
• The inner black silk chiffon slip acts as the lining and it slips on to wear for an easy fit.
• The net dress slips on over that with no closures.
• Tagged a Givenchy 40
• I see a couple of tiny repairs in the net near the raw edge finish of the skirt. Very minor but mention for accuracy.
• Excellent condition

Dress
Bust: 16-17" flat across from side seam to side seam
Seam under the bust: 15-16" flat across from side seam to side seam 
Waist: 14.5-15.5" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Bodice: 14" from top of shoulder to lowest part of the seam under the bust at the sides
Total length: 67" from top of shoulder to hem

Inner slip
Bust: 15.5-17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 36" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5087

Reference Photo: (1) Resort 2011 Givenchy, Look 5. Model Daphne Groeneveld.  /  (2) Ciara in Givenchy by Cameron Smith for Wonderland Magazine, Nov 2010.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• An inner waste state hooks to close. There's no there is no size tag present so please go by the measurements listed below.An absolutely incredible piece from the 1990s. 
  
• Made under the creative direction of Oscar de la Renta 
  
• This might be one of my favourite dresses I have had in the shop. The photos do not do it full justice and it is only when you see it in person that you realize just how beautiful it is.
• It is made out of a fine black lace. The lace completely covers the dress and I would be astounded to know how many yards of lace went into making this dress.
• The inner bodice is strapless and meant to be fitted. It is lined in a fine tissue silk and boned for support. An outer layer of lace covers the bodice and forms tiny cap sleeves. I love how this lets the upper shoulders and shoulders feel unlined so you get a peak of skin through it.
• The inner back scoops down with that a single layer of lace exterior covering you. It is very elegant but still feels very sexy.
• The waist nips in and then the dress glides over the hips to falls to the floor.
• Inside there are three layers of silk organza. Two black layers directly under the lace and then nude innermost layer. The two innermost layers both have wide bands of stiffening around the hem and the layer that sits directly under the lace has three stacked stiffened bands going up the skirt. This is what helps to hold the incredible shape and volume that you see.
• The skirt is extremely full and has so many yards of lace in its construction. The volume that you see was all created by the sheer amount of fabric, the cut and the seven lace tiers that run over the entire lower portion of the skirt.
• I love the tiers of lace that cover the lower part of the skirt. Each is set to slightly overlap the next one down. No expense was spared on the lace in the dress. Even the area between the tiers are finished with lace despite that fact that you can’t see them. Each tier's lace is set to that the edges are scalloped to follow the pattern and shape of the designs in the lace. I took a photo where I hold the skirt up on one side and this will give you an idea of the amount of yardage the skirt has. It is incredible.
• The inner construction of this dress is as good as the exterior and it is made close to a demi-couture level.
  
• It closes with a back zipper where the inner corset starts. The neck hooks to close and there is a keyhole between. Boned through the bodice. An inner waist state hooks to close.
• There is no there is no size tag present so please go by the measurements listed below.
• Excellent condition

Sleeves: are 10" around the upper arm
Shoulders: no true seams
Inner bust: to 16" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 15.5" from top of shoulder to waist
Total length: 64" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD5088

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• George Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns 'seemed to float on air'.
• He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. The majority of his gowns are almost entirely made by hand and to couture standards. 
• The dress is made out of a feather light black silk that has tiny little red lines that highlight the cut and line of the dress. 
• The neckline is cut straight across and the dress is suspended from tiny straps that curve up and over the shoulders. 
• The bodice is more fitted and the waist nips in. 
• From there the skirt falls in this extravagant swoosh of bias cut silk to the floor. It skims over the hips and then widens out substantially by the hem.
• The striping is set on angles over the dress and helps to add shape. I love the unexpected red lining through the skirt that picks up on that red stripe. When you sit or move you get these little flashes of it that is fantastic. 
• There is a slight elastic around the top of the dress and I think you could wear this as a strapless piece and just tuck the little straps in if you wished.
• Fully lined in a red silk and it closes with a side set zipper. 
• Excellent condition and appears unworn.

Bust: 16-16.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: open
Bodice: 15" from the top of the shoulder to the waist
Total length: 60" from top of shoulder to hem, with the inner lining extending slightly past the hem

Modern Sizing Equivalent: XS-SML

Item# DD5089

Reference Photo: Fall 1978 Stavropoulos Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A gorgeous and striking piece that can be worn as a jacket or a dress.
• Made under the creative direction of Christian Lacroix 
• The piece zips up at the front and fully opens. This is why it can play double duty as either a dress or a jacket.
• The fabric has a black backdrop and then has beautiful flowers woven through it in a deep red and an almost purple colour.
• It has no collar and the front is detailed with a wide band on either side of the zipper that has a swooping pattern made out of a cord applied onto the fabric. This panel extends down the back with more cording there as well.
• The waist is brought in and seamed and then the skirt under that is pleated into that seam. This allows it to be very full.
• Little pockets sit on each side of the hip so you can put your hands into the pockets and exaggerate the fullness of the skirt even more.
• The sleeves are wonderful. They are set into a slightly dropped shoulder and widen out to be quite wide by their ends.
• It is lined in a black silk and there is light rounded padding in each shoulder for shape. It zips to close at the front.
• Tagged a IT40, FR38, GB32, US6
• Excellent condition

Sleeves from the drop shoulder: 17" and are 13" around the upper arm
Dropped shoulders: 20"
Bust: 17" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 16" from neck to waist
Total length: 36" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5081

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a signature bias cut dress from the Spring 2002 collection by John Galliano
• Made under the creative direction of John Galliano
• There are no closures on the dress. It is completely cut bias and you just slip it over the head to wear and it just falls into place skimming over the body from head to toe.
• The cut of the dress has a strong nod to Couture pieces of the 1930s and 1940s decades that he continuously referenced in his collections.
• The fabric has a silk like finish and is a deep black. Various Galliano logos have been woven directly into the fabric in a different finish thread so as you move these catch the light. The effect is fantastic once it is on the body.
• The fabric obviously would have been custom designed by Galliano and made specifically for this dress
• It scoops down into a V at the front and the back with a band highlighting the entire neckline. It skims over the waist and hips from there and flares out at the lower hem. 
  
• The back is cut longer than the front so you get this fantastic sweeping feel behind you. It is in its original uncut length.
• A high slit runs up one side for a flash of leg when you walk.
• Unlined and slips on to wear with no closures.
  
• The measurements have a lot of range because of the bias cut and no closure so I have given the comfortable range for all below when laying out flat. There is probably a little extra room beyond my measurements, but I do not like to over pull when measuring.
• Tagged a FR42, GB14, US8
• Excellent condition and it appears to have been worn very little if at all.

Bust: 16–19" flat across from side seam to side seam
Waist: 14–17" flat across from side seam to side seam
Hips: 18–21 " flat across from side seam to side seam
Total length: 60" from top of shoulder to front hem and then it extends another 8" past that at the back

Modern Sizing Equivalent: SML-MED

Item# DD5080

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2012 Valentino collection
• At this time both Maria Grazia Chiuri and Pierpaolo Piccioli were acting Creative Directors. 
• It has the feel of Looks 25 & 48 from the runway with that deep plunge at the front that is really fantastic. 
• The Vogue review for this collection stated in part; "For Fall, the designers wove an enchanting, globe-trotting story through the sweetly feminine silhouettes they've established as their own over the last few ready-to-wear and couture seasons".
• It is made in one of Valentino's signature silk crepes that gives it its sleek sculpted feel.
• The dress is very sexy and shows off some skin but still feels very elegant and refined. The fabric has just a touch of a bias cut to it through the body so its very comfortable to wear.
• Wider straps curve up and over your shoulders and all the edges of the bodice are set in a soft curving scalloped pattern.
• The front plunges to almost the waist with a band of the same fabric sitting part way down to keep it perfectly in place. This creates just a subtle little key hole below the breast. The result is a very deep plunge but a very wearable one.
• The back is a V to leave most of your upper back bare.
• The skirt widens out as it nears the hem. A wide band of fabric circles all the way around the hem and the bottom edge is the same scallop as around the bodice.
  
• The bodice is fully lined in a black silk and the lower panel of the skirt is a double layer of the same fabric. The skirt between is unlined.
• It closes with a back hidden set zipper.
• Tagged a modern Valentino 40
• Excellent condition
  

Bust: 16-17.5" flat across the back seam and each cup is approx 6.5-7" across at the widest point
Band under the bust: 15" flat across from side seam to side seam 
Hips: 19" flat across from side seam to side seam 
Bodice: 11" from top of shoulder to the top seam of the band under the bust.
Total length: 63" from top of shoulder to the hem 

Modern Sizing Equivalent: SML-MED

Item# DD5078

Reference Photos: Fall 2012 Valentino Runway Collection, Looks 48 & 25.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• A very pretty little dress by the Chloe label
• The Fall 2006 collection was designed by the in-house team
• The dress is strapless and gathered across the bodice. The waist nips in under that and then the chiffon of the skirt flares out and is brought back in under the skirt.
• Underneath the edge of the skirt there is a pretty little scalloped ruffle set in three layers so you just see a touch of it peeking out from the edge of the hem.
• Some of the chiffon has been gathered along one side of the waist and then a wide, deeper ivory, panel of fabric wraps around the waist and is brought into a half bow on one side with the ends trailing down.
• An exposed zipper closes it at the back
• The dress is fully lined in an ivory silk 
  
• Tagged a Chloe 36
• I see some shallow marks under each arm and tiny bit of fraying along the edge. 
  

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 6.5" from top of bodice to waist
Total length: 30" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5060

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This exceptional dress is by Marc Bohan for Christian Dior and it is a wonderful example of his work during this time period.
• This best matches the work that he was doing from about 1969 to 1972 when he was doing these wonderful dresses. We found a similar one to this with variations on the print that this dress has and I have included it so that you can see how perfectly this will drape and fall on the body.
• It is a very easy and comfortable dress to wear
• The dress is made from a cotton that has a pretty floral print that covers the entire dress.
• The neckline is set high and detailed with a black cotton collar that extends down the front and buttons to about the waist area.
• Under that the bodice is meant to skim over you to fall loose and easy over the natural waist and then the skirt billows out from under that to the floor.
• The sleeves are set into the shoulder with slight gathers and they have a more full cut that balloons out over the wrists. At their ends they are edged with that same black fabric that sits around the collar and this extends out and tie into pretty bows around the wrist. 
• The dress comes with its matching tie belt in the same fabric so you can wear it loose and easy or cinch in the waist for shape.
• Once on the body the entire dress has this stunning movement and yet feels minimalist and elegant.
  
• Unlined and slips over the head to wear. The front buttons up to about the waist and each sleeve ties with attached ties. The belt is original to the dress.
• Tagged a vintage Dior 12 and the easy cut should allow it to fit a range of sizes.
• Excellent condition

Sleeves: 25" and are 13" around the upper arm
Slightly inset shoulders: 14.5"
Bust: to 20" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam and then you use the tie belt to cinch it in as much as you need
Hips: to 23" flat across from side seam to side seam
Total length: 61" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5057

Reference Photos: (1) Model in Dior for British Vogue, March 1969.  /  (2) Model Kellie Wilson in gypsy-style Dior, wearing a long chiffon dress in lilac with white batik print, a ribbon belt and massive gold pendant Vogue October 01, 1969. Photo by Bert Stern.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress walked the Spring 2009 runway for Look 62 
• Under the creative direction of Karl Lagerfeld
• This is the actual dress that was worn by Catriona Balfe for the Season 5 premiere of Outlander in 2020. 
• In the book "Chanel Catwalk" the notes on this collection tell us that for this show they rebuilt the facade of 31 rue de Cambron inside of the Grand Palais. The collection played homage to classic Chanel style. The palette of the show was mainly black, white, pink and grey. Many of the pieces had a touch of a lingerie inspiration in them, including this gorgeous dress. It was one of the outstanding pieces in the show and it is even more beautiful in person. My photos don't come close to doing it justice. 
• The upper bodice and shoulders of the dress are made of a fine silk netting that has a touch of transparency to it. It breaks at the back to leave a bare expanse of skin down the centre. 
• A muted silk satin, with a more matte finish, is used to create a tiny little bodice piece that wraps around you.  A little bow sits at the centre front for a pretty and feminine touch.
• The skirt falls from that empire cut and flows outward to the floor, expanding by quite a bit as it nears the hem.
• It is made of four layers, a top black silk net layer, a more ivory layer under that, and then two inner black silk organza layers that sit next to the skin.
• Fully lined in silk behind the bust area and the inner two layers of the skirt are a black silk organza.
• The bodice buttons to close  with two pewter coloured silver metal buttons at the back and the dress zips to close under that.
• Tagged a Chanel 38.
• I see a couple of very tiny and little minor pulls and breaks in the skirt near the hem that don't affect it at all but are mentioned for accuracy and a repair near the edge of the arm opening. Overall excellent condition

Bust: 16-16.5" flat across from side seam to side seam
Seam under the waist: to 15" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Bodice: 10.5" from top of shoulders to waist
Total length: 62.5" from top of shoulders to hem

Modern Sizing Equivalent: XS-SML

Item# DD5050

Reference Photos/Video: (1-4) Spring 2009 Chanel Runway, Look 62. Model Kim Noorda.  /  (5-6) Catriona Balfe, in this dress, at the season 5 premiere of Outlander, February 2020.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this coat can only ship to a Canadian address 
• Resort 2018 Prada runway Look 23
• Under the creative direction of Miuccia Prada
  
• The runway version did not have the gray underneath the chain metal so it was worn more as a tunic. When they added the grey silk band for the shops it allowed it to be worn as a mini dress
• Made from a pale pink crepe with a soft grey design printed over it that incorporates the word Prada on both the front and back
• The lower portion of the skirt is a pale grey stretch silk like fabric. A metal chain mail detailing goes around the top part of that lower skirt
• It has a high collar and the sleeves are long. Each sleeve is finished in a pale pink feather cuff.
• Pin-tuck detailing creates a very pretty and detailed finish at the front of the dress
• The fit through the body is more full and open much like a 1920s flapper dress
  
• It closes with a hidden set back zipper
• Tagged a modern Prada 40
• I see some teeny little marks on the grey silk and one tiny faint spot on the top of one shoulder. It has the slightest perfumey smell, otherwise in excellent condition.

Sleeves: 25" including the feathers and are 11" around the upper arm
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5046

Reference Photos/Video: Resort 2018 Prada, Look 23.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A shorter version walked the runway for Spring 2012 for Look 47
• Under the creative direction of Karl Lagerfeld
• The body of the dress is a pale pink knit whose design is set in little individual scallops that slightly overlap the one underneath. It is very intricate and beautiful 
• The neckline is scooped and there are flowers made out of stiffened silk organza mixed with an iridescent fabric that also is stiffened. These are curled inward to form petals. There is a cluster of five flowers around the neck and then ten run down the centre of the front. More circle around the entire hem. The iridescent petals catch the light and add a beautiful dimension to the dress.
• The sleeves are made out of a ivory silk chiffon and each closes with a little domed Chanel button with the double C logo in gold. A third button sits at the back of the neck. Despite having the Chanel button I think that these sleeves may have been added at a later date or upon request of the client. It would explain why they still have the Chanel buttons but they don't look like they were integral to the dress by the way they are set into the arm. I have left it as found but if you did not like them they could easily be removed.
• The dress is unlined and slips over the head to wear. It buttons to close at the back of the neck and on each cuff.
• Tagged a Chanel 36
• The button at the back of the neck has lost its little gold double C logo. I see a tiny little break in the silk at the top of one shoulder. It otherwise is an excellent condition.

Sleeves: 23" and are 13" around the upper arm
Bust: 15-18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Total length: 36" from neck to hem

Modern Sizing Equivalent:  XS-SML

Item# DD5044

Reference Photo/Video: Spring 2012 Chanel, Look 47. Model Anna Selezneva.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Unlabeled and came from the estate of a woman bought a lot of Oscar de la Renta, Fath, Versace and other high end labels and you can tell that this a dress of quality even without knowing its label.
• It is made out of a beautiful clear and true red silk
• The bodice is strapless and is fitted and shaped to accentuate your curves. The waist nips in and then it extends down one side into a sharp angle. I love how this lengthens the body and gives shape around the hip.
• Below that the skirt is very full and billows out and around you beautifully. The way it is set into the angle of the skirt in soft gathers gives it its fullness. From the side this creates a beautiful angle from the waist to hem.
• Fully lined in a red silk through the bodice and the skirt is lined in two layers of red silk
• It closes with a side set zipper and has light boning through the bodice
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Inner hips: 20" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Total length: 54" from top of bodice to hem with 3.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD5042

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in the Spring 2003 show for Look 64
• Under the creative direction of the original Mr. Valentino
• It was the only dress shown in this entire collection that season that was done in his signature Valentino red. So when you look through the collection photos it really stands out.
• The show was a huge success and Vogue especially loved the evening pieces; "For the evening review, it gets even better. Valentino's communiqués from his couture collection show up as delicate metallic-embroidered chiffons made into fragile capes, cardigans or dresses. And for the grand occasion, there's a full battalion of the designer's fabulous signature chiffon gowns." 
• Suspended from the shoulders by two tiny straps in the same red silk. The bodice is seamed just under the breasts and have minimal darting. 
  
• It skims over the waist and hips and then from there it falls to the floor in a beautiful column of the red silk crepe.
• The back of the dress is cut slightly longer so you have a tiny bit of a sweep behind you.
• Two panels of silk chiffon wrap around the waist area to add detail and shape the dress. The panels are attached all the way around you and then loop through openings at the front of the dress. The ties are cut extra long and fall to just above the hem at the front of the dress.
• The dress closes with a hidden set side zipper.
• The top panel of the bodice is lined in a red silk and the rest of the dress is unlined.
• Tagged a vintage Valentino 10.
• I see a touch of grubbiness here and there around the hem but otherwise excellent condition

Bust: 17-17.5" flat across from side seam to side seam with a A-B cup
Seam under the bust: to 17" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: just under 4" from top of bodice to seam under the bust at the middle and it is 10" from the top of the strap to the seam under the bust
Total length: 61" from top of shoulders to front hem, 63" to the back hem. 

Modern Sizing Equivalent: SML-MED

Item# DD4916

Reference Photos/Video: Spring 2003 Valentino, Look 64.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Oscar de la Renta
• This can be worn as a coat or a dress
• It is made out of a stunning iridescent blue silk taffeta. The fabric choice keeps it light in weight but also holds the lines and shape.
• Big balloon sleeves with cuffs detailed with pleat work
• The body of the piece is cut loose and easy.
• It closes down the front with incredible oversized frog knots that are completely beaded. Another knot sits on the back.
• There are pockets on each side and the bottom portion of the piece is incredibly full and open.
• Fully lined in the same blue silk taffeta as the exterior
• It has a wide inner elastic waist corset that wraps around the inner waist and hooks into place
• It closes down the front with the frog knots and a series of hidden hooks and hidden silk covered snaps. 
  
• Shallow pockets along each hip and light padding in each shoulder
• Excellent condition with some teeny marks and teeny breaks along the very edge of the hem and the front. These make no impact but are mentioned for accuracy.

Sleeves: 28" and the upper arm is full and open
Shoulders: 15.5
Bust: to 21" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: open
Total length: 60" from neck to front hem, 62" to the back

Modern Sizing Equivalent: MED-LRG

Item# DD5041

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Bill Blass
• A beautiful deep blue silk taffeta gown with a deep plunging back to leave a bare expanse of skin
• A dramatic collar made of the same blue silk and forming a dense applique of flowers wraps around the neckline and follows the plunge of the back. The same detailing goes around each cuff.
• The sleeves are incredibly full 
  
• The waist nips in and the skirt opens up to be very full as it falls to the hem.
• Fully lined in the same silk through the bodice and a black silk organza through the skirt
• Tagged a vintage Blass 12
• Closes with a hidden set back zipper. Hand finishes
• Excellent condition

Sleeves: 22.5" and are full and open through the upper arm
Shoulders: approx 15"
Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips:  open
Bodice: 15" from top of shoulder to waist
Total length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5039

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Circa late 1990s
• Under the creative direction of Gianni Versace
• A muted pastel salmon colour that is more pastel feeling in real life than how it photoed here
• The dress has a wide gathered band around the waist and a piece that is attached and loops in and behind one of the panels that form the top
• The panels are one piece of fabric that loops around the neck and the down to attach into the waist. You cross it over itself so that it goes behind the neck. You can then wear them high up on the shoulder or have it cape and fall over the upper arm.
• This leaves your entire back open and exposed
• The skirt has an inner piece that acts a partial lining. The outer skirt drapes over that and forms those interesting pocket like pieces on each hip. It then drapes inwards and down to the hem with a centre slit up both the front and back of the skirt
• It is a very interesting and an avant garde design
• The bodice is made of two layers of the same fabric and the skirt has a partial lining through the hips and the rest of the skirt is unlined.
• Tag a vintage Versace 42
• Excellent condition

Bust: each panel is 11" flat across from side to side
Waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21.5" flat across from side seam to side seam
Bodice: adjust depending on how you twist to wear it
Total length: approx 62" from neck to hem
Slits: approx 25" from the longest point of the hem to the top of the slit

Modern Sizing Equivalent: MED-LRG

Item# DD5037

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.