• The twin of this dress walked the Spring 2009 Alexander McQueen runway for Look 24.
• It was made under the creative direction of Alexander McQueen.
• The program notes told the audience of the Spring 2009 runway show that Mcqueen had been thinking of Charles Darwin's theory of the survival of the fittest and 'the deleterious results of industrialization on the natural world'.
• The show was title 'Natural Dis-tinctions, Un-Natural Selection' and the McQueen book notes that 'the cat walk was filled with antique taxidermy, including an elephant giraffe tagger zebra and polar bear, in an art space that was formally of Paris morgue.'
• The twin of the dress was a part of the second portion of the show that was meant to 'continue to draw inspiration from natural forms, flowers, crystals and minerals, but here they were engineer with a hard as an enhanced to convey the synthetic qualities associated with modernity and human touch. Prints were angular and invoked crushed crystal, metallic structures such as the Eiffel tower and a granite mountain that was borrowed from a Dan Holdsworth triptych.'
• This collection was noted as being one of his most commercial to date during this time period and these print pieces especially had instant appeal. This is a very recognizable piece that can instantly  identify as being a McQueen.
• The dress is made out of an unusual fabric that is almost like a neoprene in the way it looks and feels and yet it is not a true neoprene. It is lighter and thinner with just enough weight to it to hold the shape but without it feeling restrictive on the body.
• The shape is built into the dress beginning at the shoulders. Each is lightly padded so that they sit up on top of the shoulders.
• It skims over the bust, nips in at the waist and then curves out at the hips. Even when laying flat you can see the shape built into the dress.
• At the neckline there is a keyhole that has a nude netting in behind it.
• The seams at the hip curve in and over the waist to just under the bust. This precise seaming and cut are all done to give that exact shape that he wished the piece to have.
• When styled on the runway with the plastered hair around the face it had an almost alien feel to it that was fantastic.
• It is an extraordinary piece of Alexander McQueen history.
• The dress is fully lined in a ivory tissue silk and it closes at the back with a hidden set zipper. It appears to have been worn very little if at all.
• Tagged a McQueen 38. 
• Excellent condition

Bust: 15.5" flat across from side seam to side seam with room for an A-small B cut at the front
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5716

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from mid-later seventies and during this time period his main line dresses were made to order custom pieces.
• It was made under the creative direction of Roy Halston
  
• This is a beautiful dress that showcases the minimal seaming that Halston was so famous for.
• The dress is made of a light in weight ivory silk. It is completely cut on the bias so it drapes phenomenally over the body. You simply slip it over your head and it drapes over you to accommodate the body underneath. This makes it easy to fit and very easy to wear.
• The sleeves are long and extend out directly from the body of the dress with no seaming around the arm. Each flares out at its cuff adding a pretty added detail.
• The neckline is scooped and it hooks to close at the back of the neck. This closure sits over an open keyhole slit. I have shot all of the photos of the dress with the keyhole at the back, but it is so well-made that I think you could spin it around and wear it to the front if you wished.
• It glides over the body skimming over the bust, waist and hips to the floor. There is a low dropped seamed that sits just over the top of the hip. For some of the photos, I tied a velvet ribbon just above this to highlight the waist. You could also goop a ribbon along that seam and have the top blouse over and shorten the skirt. I love that you have several styling options with this one.
• Working with this fabric is incredibly difficult and it is a testament to his skill to create such a seemingly simple but a complex pattern in reality.
• The dress is unlined with no closures and slips on to wear. Hand finishes throughout. The ribbon is not original to the dress but will be included. I see one light mark on one shoulder. Please see the photo after the label shot. The sleeves have an ironed seam running down their tops. All very minor but mentioned for accuracy. 
• There is no size tag and the bias cut will allow it to have it some give. Please go by the range of measurements listed below. On a smaller frame it will just drape more.
• Excellent condition.

Sleeves: approx 20" and are 12" around the upper arm
Shoulders: no defined seam
Bust: 17-19" flat across from side seam to side seam
Natural waist: 15-19" flat across from side seam to side seam
Dropped seam: to 19" flat across from side seam to side seam
Hips: 19-24" flat across from side seam to side seam
Total length: approx 62" from top of shoulder to hem. 

Modern Sizing Equivalent: XS-MED

Item# DD5713

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This gown dates to the 2010-2011 season.
• It was made (or completed) under the creative direction of Sarah Burton.
• The dress certainly would have been released when Sarah had taken over the reins of McQueen. The date of the hang tag does have it falling right in that window where Alexander could have had a hand in its design and then by its release it would have been under Sarah's era. It is a phenomenal example of how beautiful that the McQueen aesthetic can be. 
• The dress combines an ivory silk for the exterior and then the skirt of the inner dress underneath has been densely embroidered. It is a beautiful combination.
• The bodice is strapless and there is internal structure to hold it in place around the body including a cupped inner bust and boned hidden inner corset. The silk on the exterior has been placed over the bodice in flat pleats that are set on a slight angle and then open up into the skirt.
• The inner skirt is made from an added panel that has been embroidered in a soft pastel palette with just a hint of a metallic feel to it. It depicts flowers in soft golden taupe with pale blue and greens.
• The outer skirt curves up and around that inner panel and there is padding set into each hip to hold the shape.
• The skirt is draped over the padding of the hip and curves down to the floor to become an extended train at the back.
• At the centre of the back there is a wide folded panel of silk that is set vertically. It snaps into place over the back zipper and then extends outwards to become part of the skirt. All of the seaming is hidden underneath so the illusion of the panel simply flowing down into the skirt is perfectly maintained.
• The workmanship is exquisite and shows the extreme high tailoring that the McQueen label is known for. This is a very rare piece and would have been made in limited quantities.
• The dress is fully lined in a matching ivory silk with a full built-in corset that extends to the top of the hips. There are wired cups in the bodice and it has hidden boning throughout. There is hidden padding through the hip as described above. The panel at the back snaps into place with silk covered snaps and then the dress closes with a hidden set zipper under that. The inner corset closes with its own zipper. I see some minor grubbiness at the hem but the dress is new with tags and was never worn. 
• Tagged a vintage McQueen 44
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Inner bodice: 18" from top of bodice to the hem of the inner corset
Total length: 28.5" from top of bodice to the front hem and the skirt is approx 93" long to the longest point of the back hem.

Modern Sizing Equivalent: SML-MED

Item# DD5712

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 1985 YSL collection
• It was made under the creative direction of Yves Saint Laurent.
• It was the look that was chosen for the ad campaign that season and it was featured prominently on the runway. 
• I have seen this set produced in this blue, a purple, and a black. This one is done in a deep blue and it is just outstanding.
• As good as it looks in these still shots, it is even better in real life because it is really when you are moving that these pieces live up to their full potential. An incredible amount of silk jersey has gone into the making of the skirt and corset.
• The bodice has four heavily draped and gathered panels that are gathered into boned vertical lengths on each side as well as down the centre front and back of the corset.
• The inner stays shape the top around you and hold it in place. Besides the four main stays there is also hidden boning in between each of those, the front ones helped shape it around the bust and the ones in the back help to shape it.
• It is cut on a curve on both the top and the bottom so that it fits perfectly over you and creates that sexy hourglass shape.
• Then at the base of each of the four main vertical seam that in case the stays, he has put a 6 inch tassel. These are very well made and have a more substantial feel. When you move these move with the sway of your body, and just as an incredible detailing.
• The final piece of the set is the skirt and it is as equally remarkable. The skirt is made out of single layer of the same blue silk jersey as the top. It has a band around waist and that band has elastic inside of it, so it is incredibly easy to fit and comfortable to wear.
• There are more yards of silk in the skirt then it appears at first glance. The fabric is so light and fine that when you stand still it falls in a pretty column around you without adding bulk. You still get a hint of the fullness that it has but then when you move the fabric that is actually there allows the skirt to move fantastically around you.
• No matter how good it looks in the photos the mix of the restraint of the corset with the lightness of the jersey in the skirt and then the movement of the tassels is just phenomenal. 
• The corset is fully lined in a blue silk. There is an inner waist, say that hooks to close and then it zips to close at the side. The skirt slips on with elastic around the waist. I see some slight patina to the silk inside the corset. It is minor but mentioned for accuracy.
• Both pieces are tagged a vintage YSL 44
• Excellent condition

Corset
Bust: 17-19" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Bottom hem: to 19.5" flat across from side seam to side seam
Total length: 16" from top of bodice to hem and the tassels fall another 6" past the hem

Skirt
Elastic waist: 13-18.5" flat across from side seam to side seam
Hips: open
Total length: 44" from top of bodice to waist

Modern Sizing Equivalent: MED-LRG

Item# DD5710

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This Christian dress is from the Spring 1972 Haute Couture collection
• It was made under the creative direction of Marc Bohan 
• In the book 'Dior Catwalk' it notes that the New York Times exclaimed, that "romance, contemporary style, is the provision look for spring." It goes on to declare that Bohans collection for Dior was the best of the season in Paris. "Mark Bohan succeeded in bringing back the fable elegance without becoming historical. There's no pinpointing of the 1930s or 1940s. The clothes look really contemporary".
• I love that we have reference photos so you can see how the dress looks like once in the body. 
• The dress would have been made completely by hand in the Paris atelier.
• It is made out of a beautiful lightly starched blue silk gazaar that is woven on the bias. This is a difficult technique to achieve and allows the dress to retain its more sculptural structure and shape while keeping the dress light in weight. 
• It is cut to sit fully off the shoulders to leave a bare expanse of skin showing.
• Each sleeve is cut to just above the elbow and has a beautiful five inch ruffle flaring out all the way around.
• It skims over the bust and curves in a touch at the waist. The shape is all achieved by the immaculate cut of the fabric.
• Inside there is a full boned inner corset that extends down to the top of the hips. The silk glides over top of this perfectly.
• From there it curves back over the hips and then widens out beautifully to the hem. The entire hem is finished with an eight inch wide ruffle that picks up on the detailing of the sleeves to perfectly tie all of the elements together.
• As good as this dress looks in the photos it is even more beautiful in person.
• The dress is lined in a hand set blue silk organza. The inner corset closes with its own zipper and there is an inner partial waist stay that hooks to close inside the corset. The dress zips to close over that at the side. All of the work is done by hand to Haute Couture standards. It has its proper numbered Couture tag inside.
• There is no size tag since it is true couture. Please go by the measurements listed below.
• Excellent condition

Sleeves: 9.5" and they are 11" around the upper arm
Inner bust: to 16" flat across from side seam to side seam
Inner waist: to It has its proper numbered Couture tag inside. It has its proper.12.25" flat across from side seam to side seam
Hips: 19-21.5" flat across from side seam to side seam
Total length: 55" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5709

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2001 "Les Fauves" Thierry Mugler collection
• It was made under the creative direction of Thierry Mugler. 
• The Fall 2001 show was Mugler's final ready-to-wear show making it that much more historically significant.
• I purchased this from a client and having trying to get this out of their hands for years now. The person they bought it from got it directly from an employee at Mugler. The piece is unlabelled and very few of these were made.
• I love that we have reference photos from the runway along with the video that shows you how it moves as you walk.
• In this collection the women who walked the runway represented women as a predators. Dangerous but at the same time controlled and elegant.
• In a Numero editorial they called Mugler "one of the most important fashion designers of the modern era" saying that "with Mugler femininity is in your face and assumed 100%." Nathalie Bondi of the Montreal Museum of fine arts said that his work was "Extravagant, sexy and sometimes irreverent 'his fashion conjugates with the superlative. With Mugler fashion became art.'"
• In that same article, they declared a list of his nine "Cult Collections" and included the Fall 2001 ready-to-wear show in that list calling it a "ferocious farewell".
• This is the year that Thierry Mugler decided to end his fashion activities. Later the designer would say "Fashion was a very emotional and artistic vehicle in the 1970s, 80s and 90s, the look was extremely important... but it's not like that anymore. I pushed fashion to its limit, but today creation is limited by money, marketing."
  
• The dress is made out of a heavy golden toned silk that wraps into place around the body. The entire collar is made from what I believe to be a faux goat or long hair sheep that has been hand dip dyed all along its edges to get that change of colour.
• The collar follows the deep V at the front. The V is slightly curved to follow the curves of the body. My dress form tends to be short through the bodice, so please go by the runway photos to see how it fits as far as how deep it lies
• I love that the collar is actually buttoned into place so you can choose to wear it without the collar effectively giving you two dresses in one. This also allows for ease of cleaning since it can be removed.
• Straps curve up and over the shoulder and the inside is formed by his signature angled and curved insets that shaped the dress around the body.
  
• At the side, those panels curved down and out over the hips to give the dress more of an hourglass feel to exaggerate the shape of the body.
• The dress wraps over itself at the front and snaps into place with his signature snaps that he used so often during this time period. 
• The skirt falls under that, curving over the hips and then narrowing into the hem at the front. The wrap of the closure allows for some dripping at the front while the back stays more smooth and sleek.
• The wrapping also lets your legs show as you walk, which you can see in the runway references.
• Everything about the dress is absolutely spectacular and I love how the entire dress feels like it slightly glows in the light because of the gold toned silk.
• This is a spectacular and very rare example of his work from this era.
  
• The dress is fully lined with the same silk and the inner seam work is so well done that you could almost wear this dress inside out. It closes with two series of hidden set snaps around the waist. The collar can snap on or off. I see some small marks near the hem both inside and out. Please see the last detail photo. You could adjust the snaps a touch up or down if needed.
• There is no size tag present. Please go by the measurements below.
• Excellent condition with the one minor note above

Bust: to 17" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam. 
Hips: to 19" flat across from side seam to side seam
Plunge: 15" from top of shoulder to base pf the plunge
Total length: 58" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: XS-MED

Item# DD5707

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 1980 YSL collection.
• It was made under the creative direction of Yves Saint Laurent.
• This dress and the various prints it was made in were integral to that season's collection. Several versions were photoed for various editorials and were included in the ad campaign that year.
• The dress is made out of a feather light red silk organza that has a beautiful white curving print that runs over the entire dress from top to bottom.
• The red is a beautiful clear deep colour that flatters more skin tones.
• The neck line is set wide across so you can wear it off of the shoulder for a bare expanse of skin to show. A wide 8" ruffle follows the entire neckline and has the prettiest flounce all the way around.
• The bodice skims down to a low dropped waist that is cut more generously through the middle. The dress comes with a matching silk tie belt that you can cinch in the waist as much as needed. 
• The skirt is set into a slightly angled seam around the waist and the seam comes up slightly at one side. Tiny gathered pleats are set in all along the seam and this gives the skirt incredible volume.
• The skirt falls shorter at the front and longer at the back. If you were to lay this out and open the skirt out it is more than a full circle around. That volume combined with the lightness of the fabric gives you incredible movement when you move.
• This is an absolutely stunning example of his work during this time period and one of my favourite pieces I have ever had in by him.
  
• The bodice of the dress is lined in a silk chiffon. A second layer of silk chiffon that skims over the inner body to just past the inner hip was added to make it more opaque. I have left it in because it does make the dress easier to wear but it could be removed very easily. It closes with a side set zipper and has its original tie belt.
• There is no size tag present. Please go by the measurements listed below.
  
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: open
Total length: 45" from top of shoulder to front hem, 58" to the back

Modern Sizing Equivalent: XS-MED

Item# DD5703

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress dates to the late 1970s, maybe early 1980s.
• It was made under the creative direction of Richard Blackwell.
• The Mr Blackwell label was launched by Richard Blackwell in the late 1950s and even at that time his dresses sold for between $800 and $1000 which in modern dollars converts to up to $10,000 a dress. He dressed many of the big stars of the day including Jane Russell, Dorothy Lamour and Jayne Mansfield.
• His custom label was pieces that were made-to-order and were one-of-a-kind pieces that were fitted to a specific client in the couture tradition.
• During the 1960s he became the first in history to present a collection during a television broadcast and he is also the first to be attributed  making for his line available for plus-size women. This is a beautiful example of his work during this point of his label.
• The dress is made out of a very pretty brightly printed black jersey that holds the shape and volume very well.
• The dress has a fairly simple silhouette. The inner dress is meant to skim over the body all the way to the floor, and then there is an attached piece around the neck line that falls over the upper shoulders.
• The front is set a bit wider across the neck and then the back scoops down into a V to add an unexpected flash of bare skin
• A little extra shape is added by the matching tie belt that is made out of the same fabric. I have topped it into a bow that sits just under the edge of the cape for these photos. You could easily wear the dress without it or change it for a wider more substantial belt.
• The there are no sleeves on the inner dress. Instead, the single layer of matching jersey is attached around the edge of the neckline. It is just under 15" in width at its widest point and it drapes over your shoulders and down the top of the arm. This continues all the way around front to back to give you that lovely cape effect that you see.
• Under the cape, the dress is meant to skim over your bust, waist and hips. Once past the hips it widens out slightly to the floor.
• The perfect finishing detail is the addition of hand set sequins that sit over the print of the cape portion of the dress. On the lighter colours they are a clear sequin with an iridescent finish, and on other colours they chose sequins to match the colour underneath. This lets the dress have a subtle glimmer in the light.
• The dress is fully lined in a black stretch jersey and it closes at the back with a zipper. Hand finishes throughout. It appears to have been worn very little if at all.
• There is no size tag present. Please go by the measurements below.
• Excellent condition

Cape: is just under 15" it's widest point
Bust: 16-19" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Total length: 58" from top of the shoulder to the hem with approximately 3.5" turned under the hem.

Modern Sizing Equivalent: XS-MED

Item# DD5700

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1986 collection.
• It was made under the creative direction of Karl Lagerfeld.
• The reference photos and video of the dress on the runway showcase just how amazing the dress is on.
• I have also included a reference photo of Bella Hadid who famously wore a white and black version of the dress in 2022.
• The dress is made out of a beautiful blue silk that has a gold metallic stripe running through it. This gives the dress the structure to hold the shape while keeping it light-in-weight once on. The all blue portion of the skirt between the bodice and hem is made out of a netted fabric.
• The bodice is strapless and there is built-in inner boning for support. The boning continues down the sides and to the lower seam. 
• Soft horizontal gathers are set over the full length of the bodice and I love how this creates extra visual interest with the gold stripes.
• The waist curves in and then curves back out over the top of the hips. 
• The skirt falls from there with a pretty fullness. The upper portion of the top layer of the skirt is made of the netting and then there is a 12' band of the striped silk around the lower part of the skirt
• That top layers sits over a second layer of netting underneath and then there is a blue silk layer under that.
• I love that they have folded that bottom panel of silk under so it is completely backed by the same silk inside. It adds a bit of extra structure and helps to hold the shape of the skirt.
• The striped silk that finishes the bottom hem perfectly ties the components of the dress together. The silk on the bottom panel is set with the stripes on an angle and you will notice that the sleeves have also been set on an angle while the bodice is horizontal. It is the small details that are so spectacular in Karl's Chanel.
• At the back of the bodice there is a tightly spaced row of gold metal Chanel buttons that have little Chanel perfume bottles engraved into them. There are twelve in total.
• The sleeves are incredible. They are separate pieces from the dress. To wear them you slip them over your arm. They have stiffened tulle inside the part that puffs out which helps to hold that shape with a more fitted sleeve underneath that runs down your arm. Each sleeve ends in a point to cover the top of your hand.
  
• This is a spectacular and rare piece of Chanel history.
• The bodice of the dress is lined in a deep blue silk and the skirt is lined as described above. It closes with a back set zipper underneath the row of gold metal buttons embossed with a Chanel perfume bottle. There is an extra spare button sewn into the lining inside. The sleeves have tulle inside to help hold the shape and elastic on the upper arm while the lower cuff zips to close.
• Tagged a vintage Chanel 38
• Excellent condition

Sleeves: approx 30" long. The elastic at the top will stretch to fit around the upper arm
Bust: to 17" flat across from side seam to side seam
Natural waist: 13" flat across from side seam to side seam
Hips at inner lining: to 21.5"flat across from side seam to side seam
Bodice: 13" from top of the bodice to the seam
Total length: 52" from top of the bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5696

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this set can only ship to a Canadian address. If you need further assistance on this please get in touch. 
• The twin of this dress was Look 28 for the Resort 2008 Nina Ricci presentation
• It was made under the creative direction of Olivier Theyskens
  
• I love that we have runway reference photos and you can see how beautiful it is on Chanel Iman. It is a highly collectible piece and is a very special dress from the Olivier Theyskens era at Nina Ricci.
• In Vogue's review they stated that "What makes Olivier Theyskens such a compelling designer is the way his collections tend to riff on and grow from what came before. For resort the ex-Rochas front man continued to explore things he established at his first Nina Ricci show in March. There were more of the twisting around the body evening dresses... he pieced spirals together with patchworks of fabric for an elegant and ultimately more subtle effect than the ones produced by his fantastical fall creations." The said that the collection was "romantic, and rebellious at once, not unlike Theyskens himself."
• The dress is completely cut on the bias and you just slip it on to wear. It drapes over the body in a way that highlights your curves and yet is not tight fitting anywhere.
• Panels in both a black and a deep blue are set vertically on angles over the entire length of the body. The cut has a strong nod to the bias cut couture pieces from the 1920s and 1930s.
• Both the front and back are set in a V at the neckline for a bit of skin to offset the use of the fabric through the rest of the dress.
• The dress skims beautifully over the bust, waist and hips. Once past the hip area the lower skirt begins to flare out dramatically.
• The back is cut to sweep around and out behind you. Yard and yards of bias cut fabric make up the lower skirt and train. This creates the most beautiful movement around you as you move. Even in the still photos from the runway you get the feel of motion in the way the dress falls over the body.
• The very top of each shoulder has been finished with hand dyed black feathers. These are handset over the top of the arm to fall delicate over the top of your shoulders and upper arm. I love the extra drama and movement that the feathers create.
• This is a spectacular and rare dress from his time at the label. All of his work is highly collectible.
• The dress is unlined with hand finishes throughout. The dress is in its original uncut length. It has no closures and simply slips onto wear. The bias cut gives it lots of room through the body so it should fit a variety of sizes. On a smaller frame it will just drape more. I have put the comfortable range of measurements below. I see some light scuffing on the fabric. Very minor. Please see the photo after the label shot.
• Tagged a vintage Nina Ricci 40.
• Excellent condition

Bust: 16-20" flat across from side seam to side seam
Waist: 13-18" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Total length: 67" from top of shoulder to the shortest part of the front hem and the back extends another 19" beyond that. 

Modern Sizing Equivalent: SML-LRG

Item# DD5697

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Pre-Fall 2025 Valentino collection.
• In 2015 Valentino was headed by both Maria Grazia Chiuri and PierPaolo Piccioli. 
• Vogue said that "Maria Grazia Chiuri and Pierpaolo Piccioli signed up the British textile designer Celia Birtwell, the ex-wife of the late Ossie Clark and the woman behind his floral prints in the 1970s, as well as the Italian pop artist Giosetta Fioroni as collaborators this season." In the collection the butterfly print was seen in several pieces.
• Other pieces made out of the butterfly print were worn to events that fall and we include the reference photos here just to have an added point of provenance on the print.
• This is one of my favourite Valentino dresses I have had and it is even better in real life.
• The dress is made out of a beautiful lightweight silk that has a blue and black tone-on-tone butterfly print that covers its entire surface. 
• The butterflies in the print are large and varied. They are set so that they overlap each other to create a beautiful design over the entire dress.
• The shoulders are soft and the sleeves are cut fairly straight all the way down to their cuffs.
• The neckline is set high and long ties extend out at the back. I have tied it in a bow behind the neck but you could also wrap it around to the front if you wished and have the ties hanging or wrap it multiple times to create a wider neckline.
• The dress skims over the bust and drapes easily over the body to the waist. The waist is cut slightly more on the generous side. You could belt it if you wanted to add more shape.
• The skirt falls from there with closed pleat work wrapping around the upper hip. These open up from there and the skirt expands outwards all the way to the hem.
• The excessive amount of fabric used through the skirt give it a ton of movement when you walk and move. 
  
• The lightness of the silk and the way that it lays over the body allows it to move spectacularly over you and pick up the slightest bit of air as you move. It really is even more stunning in person.
• The dress is unlined and closes with a hidden set back zipper. The tie at the neck is attached. Each cuff closes with a small button. The dress has its original tags still attached and was never worn.
• Tagged a vintage Valentino 40
• Excellent condition

Sleeves: 24.5" from the shoulder and they are 10' around the upper arm
Shoulders: 14.5"
Bust: to 16-17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 15" from neck to waist 
Total length: 62.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5698

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 1976 Collection
• It was made under the creative direction of Roy Halston.
• These front tie dresses are one of the most iconic signature pieces from Halston. It was heavily documented that season and remains one of the most beloved silhouettes of all the pieces he designed.
• Halston created several of these dresses in different colours that season. They tended to be mainly produced in a bias cut silk or a hammered bias cut silk and rarely in velvet. Even the silk versions are hard to find now and finding one in a black velvet is very rare.
• It is said that before even putting scissors to fabric, Halston already had a mental image of how he wanted to dress to look. He believed that evening pieces should be as easy-to-wear and comfortable as day wear but absolutely elegant at the same time. When these dresses were shown for the first time in 1976 the press dubbed them as being "clean and and yet still with sex appeal".
• This is from the main Halston label and these were pieces were custom-made or made to order at this point in the brands history.
  
• The dress is strapless and ties at the front of the bust. This creates a little discreet keyhole under the tie. It also allows you to adjust the fit by how loose or tight you tie it.
• The cut is very forgiving as it skims over the bust, comes in slightly at the waist. and then curves back out over the hips. It is not meant to be super fitted. This is a dress that is very easy to fit. On a smaller frame it drapes more and the bias cut will allow it to move to accommodate if you need more room.
• From there it continues to skim over the body all the way to the hem widening out slightly as it nears the floor.
• The seaming is all set on an angled curve that wraps around the body. This means the entire dress is made out of one piece of black velvet. Do not underestimate its simplicity. Creating the dress in this way is actually quite complex and a technical challenge. Without seaming at the sides, the shape of the dress completely relies on the way it drapes, making it a much more difficult task and complex problem to have it fall over the body as perfectly as it does.
• Personally, I think this might be one of the most iconic little black dresses to have ever been created. It's a highly collectible piece for the Halston collector. 
• The dress is fully lined in a black silk and slips on to wear with a tie at the front that you can adjust for fit. I see slight change in the pile of the velvet where it ties at the front from being tied. This is a natural occurrence and is not considered a flaw but mentioned for accuracy.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: approx 17-19.5" flat across from side seam to side seam with the ability to adjust the size at the front because of the tie
Waist: 15-21" flat across from side seam to side seam
Hips: 18-24" flat across from side seam to side seam
Total length: 56" from top of bodice to hem with approx 2.5" turned under the hem

Modern Sizing Equivalent: SML-LRG

Item# DD5692

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2013 YSL collection.
• It was made under the creative direction of Hedi Slimane and this was his debut collection for the label.
• The two closest looks that were shown on the runway that had the same/similar style of skirt were Looks 38 and 45 on the runway. We included both of those so you get an idea of how this falls once on the body.
• The bodice is strapless with a double panel of black silk that wraps around the entire bodice splitting at the back on either side of the zipper. The inner panel is fitted to the bottom and then the other one floats over that and is attached only around the upper edge.
• Inside there is a full built-in corset made out of black lingerie stretch netting that is lightly boned. It hooks to close at the side under the exterior zipper and has an attached waist stay that hooks to close. This is what holds the dress in place around you.
• From the the seem directly under the bodice panel the dress falls to the floor. It is pleated into that seam at the centre of both the back and the front and this helps to give it added volume and hold it slightly away from the body.
• It skims over the waist and curves back out over the hips. It flares out with more volume around the legs and then narrows in words towards the hem. 
• At the front, it is caught on a upward curve that makes the front portion of the dress more of a mini dress length. That cut out is cut on a beautiful curve down and around to the hem at the back and at the back it is completely full length.
  
• It is perfectly minimalist and yet has a definitive nod towards the time period where Yves favoured the same cut through the skirt.
• The dress has a full built-in boned inner corset that closes with its own zipper and hooks at the waist. The rest of the dress is unlined. It closes at the side over the inner corset with a hidden set zipper.
• Tagged a modern YSL FR36
• Excellent condition

Bust: 30-32" around the interior, including the cups
Inner waist: to 12.25" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to inner waist
Total length: 56" from waist to back hem and 28.5" to the shortest part of the front hem.

Modern Sizing Equivalent: XS-SML

Item# DD5690

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the Spring 2005 ODLR runway for Look 53.
• It was made under the creative direction of Oscar de la Renta.
• I love having video and the reference photos so that you can see how it moves.
• The skirt on this dress falls longer then the runway version and it is swept up slightly to one side.
• Vogue said that his collections "are a delight to the eye: flawlessly executed, poised, and urbane with just the right balance of mature charm and youthful exuberance" and this dress in particular was noted when they said "When it comes to evening wear no one knows more about giving women what they want... a cooly elegant strapless dress with an undulating puff skirt? In Oscar's world there's no such thing as the wrong choice."
•  The dress is made out of the perfect deep fuchsia pink silk. It is strapless and the neckline curves around and over the bust dipping in the middle. The strapless silhouette leaves your upper back bare and exposed.
• Starting at the waist area the silk is draped from the centre of the back and wraps around the waist and over the top of the hip on either side. It is then gathered over itself at the centre front. I think this detail is beautiful.
• Inside there is a full built-in corset that is cupped, boned and shaped for support.
• The skirt is spectacular. Here you see the genius of Oscar. The skirt has a ton of volume to it that shows best when you move. It is made out of a cascade of pink silk with a second layer under the top layer. At the front, both layers are cut shorter and then they sweep around to the back.
• The skirt becomes wider and more full as it nears the hem. At the back it falls longer then the front so that you get this pretty curve from the side view along with a fantastic sweep of skirts from the back. There is a second inner layer that falls lower on the leg and it has a bit of an asymmetrical feel.
• All of the volume is created by the yards and yards of silk used and the addition of a pink silk organza lining which helps to hold air between the two layers and keep the volume.
• When this is on and you are walking the effect and movement that this creates is absolutely gorgeous. This is Oscar at his very best.
• The dress is fully lined in a matching pink silk organza. The interior corset closes with its own zipper at the back and then a second hidden set zipper closes the dress over that. The inner corset is fully boned and cupped. An attached inner waist stay hooks to close. I see a tiny bit of stress to the seam just under the zipper that is very minor but mentioned for accuracy, and perhaps some grubbiness around the hem, again very minor but mentioned for accuracy.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition 

Bust: 15-16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Seam at top of the hips: to 18" flat across from side seam to side seam
Bodice: 10" from top of bodice to inner waist stay, 19.5" to the seam at the top of the hip
Total length: 80.5" from top of the bodice to longest point of the back hem, 43" to the shortest point at the front

Modern Sizing Equivalent: XS-SML

Item# DD5688

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this set can only ship to a Canadian address. If you need further assistance on this please get in touch.
• The dress dates to the 1990s maybe into the 2000s.
• It was made under the creative direction of Thierry Mugler.
• Thierry was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• The dress is made out of a deep pink silk organza. The front modesty panel is finished with a combination of beading, silver sequins and prong set rhinestones.
• Wide straps curve up and around the neck and hook at the back. This extends out into wide triangles that run down the front with a plunge that goes to the waist. Set in behind the plunge is a highly detailed modesty panel that is covered with silver beads, sequins and rhinestones for a little added flash. At the back the upper back is left bare and exposed.
• The modesty panel is attached into place between the front bodice but it could easily be removed if you wanted the dress to have a full plunge to the waist.
• The waist is cinched in and angles upwards towards the centre of the front. It curves and drops around and down at the back for a flattering line.
• The skirt curves over the hips to below the knee. The seam that the lower skirt is set into matches the same upward curve as the waist at the front and then the same downward curve of the back waist at the back.
• Below that, the lower skirt flares out dramatically all the way around you. There are yards and yards of fabric in the lower skirt to give it beautiful volume and movement when you move.
• I love that the back of the skirt has extra fabric built-in so that it falls longer than the front. This gives you a fantastic sweeping feel behind you as you walk.
• The fabric of the upper portion of the skirt is covered with an extra layer of the chiffon that has been gathered and manipulated to feel like flowers. Each flower has a sequin and bead at its centre with a little flare of pink feathers all done in the same colour as the dress. 
• This is a fabulous example of his work and it is absolutely gorgeous.
• The dress is fully lined in a matching pink silk and closes with a back hidden set zipper. There are moulded cups inside each halter that are tacked in and could be removed if extra room is needed. The skirt has multiple layers to hold the volume. 
• Tagged a vintage Mugler 38
• Excellent condition.

Bust: to 18" flat across from side seam to side seam with larger B-C cups
Waist: 14" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: approx 15" from neck to waist
Total length: 66" from neck to front hem and the back extends another 11" beyond that

Modern Sizing Equivalent: SML-MED

Item# DD5689

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 1987 collection.
• It was made under the creative direction of Yves Saint Laurent
• I have included reference photos of similar dresses used for the ad campaign and shown on the runway so that you can get an idea of how great this dress will be on the body.
• The 1987 collection is one of my all time favourites and I am very pleased to have this wonderful example from it in the shop.
• The dress is made from a black silk base with a layer of dotted black silk netting applied over the bodice in horizontal bands. This choice in fabric gives the dress its structure and shape so that it holds the shape around you once on.
• The bodice is strapless and cut on a soft curve across the neckline. It is lightly boned on the inside to hold the dress perfectly in place. It curves in over the waist and then curves back out over the hips. From there the lower skirts flare outwards to the hem.
• The lower skirt is quite full and makes an incredible statement. It has a fishnet style lace for its top layer. Under that is a layer of dotted lace to subtly tie in the lace of the bodice. Under those layers two more layers of the fishnet lace to give it its incredible fullness.
• On the bodice the lace is separated by five wide bands made out of a black silk ribbon that give a beautiful and rich feel to the dress. I love the contrast between the texture of the silk and the dotted netting.
• Each ribbon is stacked to run from the very top of the bodice to the lowest seam above the skirt. Each ribbon is gathered into a little folded bow and has a round metal circle attached that is finished with  glossy black glass rhinestones. There are five of those big jewelled pieces in total and they add the perfect amount of glitz to the dress. The combination of the silk ribbon, the dotted lace, the jewelled circles and that stunning full lower skirt is just gorgeous to see and it is even better on the body.
• The dress fully lined in a crisp black cotton and closes with a side set zipper. The inner bodice is lightly boned and shaped. I see some minor repairs in the netting of the skirt. You only see them if you are looking for them because of the amount of fabric in the skirt and the black layers. It otherwise appears to have been worn very little if at all.
• Tagged a 40.
• Excellent condition

Bust: 15-16" flat across from side seam to side seam
Waist: to 13.25" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 10" from the top of the bodice to the inner waist, 24" to the bottom of the lowest seam above the skirt
Total length: 47" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5685

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the Carnelian Constellation dress from Collection 9 by Cucculelli Shaheen
• It was made under the creative direction of Anna Rose Shaheen and Anthony Cucculelli.
• This collection was called the "House of Mysteria". The label keeps their collections open for purchase indefinitely since everything is a made-to-order, one-of-a-kind, with additional customization available. To order this dress on their website with no further customization is US$14,975.
• In the description of the dress on the website they note that it takes 858 hours of hand embroidery to complete this dress.
• The website also notes that their "constellation series has an option to be fully customizable and platinum gold silver or other metallic thread work on any colour base. We take the location and timing of any event, wedding, birthday, anniversary, special night, etc., and fully customize a star map embroidery for the skirt and or cape. Additional emblems, initials, and personal details may be added as well. We typically do placements for 10 PM on the date, so you can look up in the night sky and see your star as above."
• The dress is made out of a netted tulle in a deep coral red carnelian colour.
• Onto that is their signature constellation designs. They use a combination of platinum and crystal seed beads mixed with crystals and the tiniest tube beads.
• The thread work mixes a metallic thread with a matching carnelian coloured thread. The metallic thread used on this one is a muted gold colour. I love how this and heavy embellishment catches the light from every angle.
• The bodice is strapless and inside there is a built-in cupped and wired inner bodice to hold you in place. It is meant to be fitted around the bodice and then cinches in at the waist.
• The skirt falls from under that and there is an incredible amount of fabric in it. Underneath the top layer net  are layers of silk organza and silk Georgette. This keeps it light in weight but gives it incredible movement around you when you move.
• The hand work on this dress is what brings it over the top and commands it's original high price tag at retail. The entire dress has been completely covered in that constellation motif that is so incredibly beautiful.
•  Different astrological signs are embroidered and scattered through the skirt as well as star maps. The application of bead-work sequins and little rhinestones is extremely heavy over the entire dress. It is stunning.
• This is an incredible and very beautiful dress.Every detail is perfection right down to the hand embroidered label.
• It is made to a level that should be considered Demi Couture. 
• The dress is fully lined in a silk georgette with silk organza layers in the skirt as described above. It closes with a hidden set back zipper. The internal corset is made out of stretch lingerie netting and is lightly boned. The corset has its own hooked closure. It appears to have been worn very little at all.
• There is no size tag present since these are made to order. Please go by the measurements below.
• Excellent condition

Bust: to 17" flat across from side seam to side seam. If you include the rom for the cups it is a full 36" around
Waist: 12.5-13.5" flat across from side seam to side seam
Hips: open
Bodice: approximately 9" from top of bodice to waist
Total length: 56.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5675

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very rare dress from the Pre-Fall 2016 YSL collection.
• It was made under the creative direction of Hedi Slimane.
• The twin of the dress was Look 37 on the runway of 93 looks and the collection was also celebrating the 50th anniversary of the YSL Rive Gauche label. Dresses had a touch of the 70s and the textiles were elaborate including this phenomenal piece.
• Lady Gaga was also shot wearing its twin. 
• The dress has amazing movement and I love that you can see that in the reference photo and video. 
• The dress is made out of a black silk and then that has an amazing peacock feather pattern that follows the lines of the dress. The feather design is made out of gold metallic thread to create the pattern that you see. Gold sequins are set in in amongst the pattern to highlight the design, and then tiny little more muted gold sequence follow the ends of the feathers. This combination of sequins on the gold allows the dress to glint beautifully in the light from every angle.
• The front is cut in a V and the bust is cut to skim over you to the waist. The waist has some shape defined by a band of a matching fabric that runs all the way around you.
• The sleeves are phenomenal. They are cut in a diamond shape at their ends so they fall at different lengths over the arm. The pattern is set over that running down the lengths of the sleeves.
• The skirt has a head pointed finish at the side and it is incredibly full. When I lay flat. It is a full circle all the way around. The amount of fabric gives you tremendous movement as you move.
• I also love how this increases the depth and weight of the pattern. The feather pattern runs down the length of the skirt all the way around you and when you move and you get the feel of how much silk and gold actually makes up the skirt. It is just phenomenal.
• On the runway, it was shown belted in with a scarf. These are pieces that were sold separately. If you prefer that look, it would be easy to add pieces of your own to re-create it.
• These extensively beaded pieces or produced in limited quantities. This is a phenomenal example of his time at the label.
• The dress is fully lined in a black silk and closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern YSL 36
• Excellent condition

Sleeves: approximately 21" and they are full and open around the upper arm
Shoulders: 15"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 12" from top of shoulder to the top seam of the 2" band at the waist
Total length: 52" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5673

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the runway for the Fall 2009 collection for Look 29. 
• It was made under the creative direction of Junya Watanabe
• A version was shot for Vogue Korea that season and we have included those reference photos so you can get an idea of how fantastically this will sit on the body.
• The dress still has its original tags and was never worn so it is pristine.
• The soft sculptural quality of the dress is phenomenal. It is made out of a very light in weight black nylon that is very pliant. Light in weight padding lies between the layers that make up the body of the dress. This gives the dress a soft structure and the incredible volume and shape that you see. We have added nothing underneath to any of these photos to create the volume that you see.
• The sleeves extend out from either side of the neck line to slope softly outward from the shoulder.
• Both the front and back plunge into a V and are detailed with a chunky gold toned metal chain that is hand stitched into place. The chain continues from there to cross over itself at the front and at the back. From there it scoops over to the sides. On one side the chain curves down and over one hip on the outside of the dress and on the other side  it sits on the interior of the dress. The fabric is gathered and hand stitched into the chain to create the beautiful curving shapes that the dress has. It is ingenious.
• An open keyhole is created at the back where the chains meet and the dress is so well-made that I think you could wear it either way around if you wanted that at the front instead.
• The skirt is phenomenal. It is quilted and lightly padded. It scoops back up and under itself at the hem and is attached into the chain that sits in the interior.
• The dress is like a complicated puzzle that has been peace together perfectly.
• The skirt is full and when I lay it out flat it makes a complete circle of fabric.
• The the skirt is constructed so that the inside is the same fabric as the outside and the bodice is unlined. It slips on to wear with no closures. Its easy cut should allow it to fit a range of sizes. On a smaller frame it will just feel more oversized. The dress has never been worn and still has its original tags and an extra piece of repair fabric in a clear pouch attached to the tag on the inner skirt.
• Tagged a vintage Watanabe size M
• Excellent condition

Bust: approx 16-18" flat across from side seam to side seam
Waist: approx 14-19" flat across from side seam to side seam
Hips: open
Total length: approx 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5672

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The label in the dress dates it to the 1970s.
• It was made under the creative direction of Ronald Amey.
• In the 1960s and seventies if you wanted to wear something with a dramatic flare then you chose the work of Ronald Amey.
• He was known for his original use of fabrics and colours and his dresses were priced in the thousands even back then. 
• His career was very short-lived. From 1959-1969 he designed under the label Burke-Amey. Joseph Burke, his partner, took care of the business side of things. In 1970s he bought out Burke and renamed the company Ronald Amey where he continued to produce his dramatic clothing until the label closed in 1976. This gives us a very precise window for the date of this dress.
• His clothing was high in quality and he incorporated many couture level details into their construction. All of his pieces were sewn in-house at his New York atelier and I consider them to be demi-couture level.
• One of his signatures was to combine prints, fabrics and detailed embellishments in interesting, unusual ways and this dress is a wonderful example of that. This is an absolutely beautiful dress and I think that in person it is even better.
• The neckline is high and the cut velvet detailing on it runs wide across the tops of the shoulders and down into the bodice in the fantastic pattern you see. The bodice is cut to curve and skim over the body and then it comes in at the waist with a more generous feel.
• The shoulders are soft and the sleeves extend out from the top of the shoulder. Each sleeve is cut to be full above the cuffs. The cuffs are finished in that same cut velvet used on the bodice and I love the iridescent facetted round buttons that define each cuff.
• From under the seam of the bodice the skirt falls to the floor. It is gathered in around the waist and then widens out as it near the hem.
• The mix of fabrics on the dress is spectacular. The cut velvet mixes an earthy mustard on a brown silk chiffon base. All of the edges where that is used are finished with a gold metal braiding. Under that on the bodice is a floral silk chiffon with pops of turquoise and purple.
• The skirt is made out of a heavier silk that has a gorgeous abstract floral print. The fabric has painted silver and gold parts to highlight the print and you can feel the paint sitting on top of the fabric.
• The very bottom of the hem is edged in a printed black band. Under that on the inner hem is another band of printed colour. You may be able to let that band down if you wanted more length and for that to show. Even if kept turned under it is an incredible and unexpected flash of colour when you move or sit.
• It is a phenomenal dress that showcases how beautifully patterns can be mixed. He was a genius at this and known for his mixing of unexpected prints and patterns and fabrics.
• The dress is fully lined in a black silk throughout including the sleeves. It is entirely hand finished and closes with a back zipper. Each cuff has three dome buttons and hand made silk loops. The dress appears to have been worn very little if at all. The dress is even better in person. 
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Sleeves: approximately 24" and they are 14.5" around the upper arm
Shoulders: no defined seam
Bust: to 19" flat across from side seam to side seam
Waist: to 15.5" flat across from side seam to side seam
Hips: open
Bodice: 12" from neck to waist
Total length: 58.5" from neck to hem and the hem under 4" wide

Modern Sizing Equivalent: SML-MED

Item# DD5669

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from Fall 2008 Christian Dior collection.
• It was made under the creative direction of John Galliano.
  
• The fall 2008 show celebrated the 1960s and marked the launch of a new handbag called the '61. Galliano said of the show "I am always looking for heroines who make me dream". In the book Christian Dior: Catwalk they note that "his muse is included actress, model and Warhol superstar, 'Baby' Jane Holzer, as well as Raquel Welch, and of course Mrs. Robinson in The Graduate." "They inspired a Christian Dior collection Galliano called 'pure glamour,' one that worked the joyful high-voltage side of restraint in near perfection." said Women's World Daily.
• The dress is made from a soft silver coloured silk. The silk is a beautiful weight and is just heavy enough to keep the shape that he wanted without it feeling too heavy.
• Straps extend outward from the middle of the neckline and curve over the sides of your neck. They angle down to connect into the centre of the back.
• The bodice is shaped with a bit of a slightly stiffened lining over the bust. The fabric is softly pleated to angle in towards the centre.
• At the centre of the front, part of the silk extends out and is twisted to form a flower.
• From under the seam of the bust it falls over the body with a more generous feel. The silk all cut on the bias for beautiful movement.
• It is gathered and pleated on one side under the bust. This is repeated on the same side at the back. From there it flows with a more generous cut over the waist and hips.
• The very bottom portion of the skirt widens out as it nears the hem so you have fantastic movement when you move.
• The fabric at the hip on the opposite side of the pleating has been gathered and twisted to form two large flowers. 
  
• It is exquisite and a fabulous example of his work during this time period.
• The dress is fully lined in the same silver silk and closes with a hidden set side zipper. I see a couple of very small, very faint marks underneath the bust area near the pleats. They are very minor, but mentioned for accuracy. Please see the photo after the label shot. 
• Tagged a vintage Dior FR40, GB12, IT44, US8 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 62" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5666

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2006 Christian Dior collection.
• It was made under the creative direction of John Galliano.
• Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. 
• His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut.
• They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning.
• This is an amazing example of his work from the Spring 2006 season and it is gorgeous. We believe that some of the detailing is based on / loosely inspired by the opening look of the Couture 2006 collection. We have included a photo of that dress for you and you can see similar bead work through the skirt of that dress that has similarity to the pattern of the beads on this dress.
• The dress is made out of a deep blue silk crepe chiffon that has a slight bit of texture to it and a slight grey undertone. 
• It is completely cut on the bias. The dress falls from the shoulders and then drapes down and over the body to the floor. It is very beautiful. The signature bias cut that he often did allows the dress to skim and drape over you so that is shows every curve but is not overly fitted.
• The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures.
• The fabric has been pieced together with both curved and angled seams through the bodice and lower skirt to create the fantastic lines of the dress that you see.
• Wide straps extend out from the bust to curve over your shoulders. The front is set in a V and the fabric is gathered across the front of the shoulders.
• I love the angled cut of the front bodice where he has pieced the two side of it together. These are set into a high curving seam that highlights the waist but still stays easy in cut.
• That seam curves around the back curving upwards there as well.
• The back is scooped into a low curved open expanse. The straps become smaller and run down the back to join into each side of the lowest part of that curve.
• An attached panel of silk drapes beautifully down the back in reference to the best of Old Hollywood.
• The dress glides over the body from there and flares out as it reaches the hem. The widening and length of the back hem is created with angled silk chiffon panels inset into the back skirt. It is an incredible feat of patterning.
• This creates a longer bit of a train at the back for a bit of a sweeping feel behind you.
• There is an incredible amount of fabric through the lower skirt which gives you so much movement when you walk.
• The entire dress to just past the knee is beaded with silver beads mixed with the tiniest silver sequins. These are laid out vertically over the dress in beautiful curving lines that cover the dress. They catch the light from every angle and take the dress to another level.
• His signature row of tightly spaced buttons run up one side.
• The dress is even better in person and on the body as the static photos cannot fully convey how a bias cut dress moves. They only truly come to life when worn.
• It has a matching silk inner slip dress that loop through a stitch so that they are attached at the top of the inner shoulders. You could easily remove this to get more room if needed. The bias cut should allow it to fit a range of sizes and we have provided the comfortable range of measurements for both it and the outer dress below. It closes at the side with a series of silk covered buttons. It looks to have been worn very little if at all.
• Tagged a FR42, GB14, IT46, US10. 
• Excellent condition

Dress
Bust: to 22" flat across from side seam to side seam 
Waist: 15-16.5" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Total length: approx 59" from the top of the shoulder to the front hem and approx 74" to the back

Inner slip
Bust: to 18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Inner lining at hips: 20" flat across from side seam to side seam

Modern Sizing Equivalent: SML-LRG

Item# DD5662

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was presented for the Spring 2020 Alex Perry collection.
• It was made under the creative Direction of Alex Perry.
• Alexandros Pertsinidis is an Australian fashion designer who launched the Alex Perry label in 1992. His work has been featured on numerous the covers worldwide since then and is a favourite on the red carpet. It's been worn by celebrities like Jennifer Lopez, Rihanna, Rita Ora, Katy Perry, Lupita Nyong and countless others.
• Mindy Kaling wore its twin to the 2021 SAG awards and Deepika Padukone was also seen wearing one. We've added reference photos of each, along with the runway presentation photo, so you can see how fantastic this is on the body.
  
• The dress is made from a brilliant royal blue crepe finish fabric is used for the entire dress including those incredible sleeves. The fabric choice gives it. a beautiful drape and is what lets it move so beautifully over the body once it is on.
• It is constructed so that it drapes and skims over the body perfectly. The skirt falls to the floor in a sweeping expanse of fabric. When you stand still it looks more like a sleek column but when you move you realize how much fabric is in there as it billows out behind you.
• The bodice drapes softly over you at the front and is twisted in a knot that meets at the waist.
• The shoulders are padded to give them a defined and shaped silhouette. Caped sleeves extend out from the shoulders to fall all the way to the floor to create this elegant and dramatic feeling over your arms.
• The fabric has enough weight that it stays in place when you are standing still but when you move you get a billowing effect around you with the sleeves.
  
• It is a fantastic dress and I love how it is so well documented.
• The dress is lined in a matching blue and the sleeves are unlined. It closes with a hidden set zipper at the back. It appears to have been worn very little if at all.
• Tagged a modern Alex Perry 8
• Excellent condition

Bust: 17-18" flat across from side seam to side seam
Waist: 12-13.5" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Bodice: 15.5" from neck to waist
Total length: 63" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5660

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This gorgeous dress is a true couture piece from the Fall 1970 Haute Couture collection.
• It was made under the creative direction of Marc Bohan.
• The book Dior:Catwalk noted that the Vogue proclaimed that "Any woman anywhere on earth would want to own these total feminine clothes"
• In the few photos that survive of pieces from this collection, it is interesting to note that he showed most of these shift dresses under capes, which would be a lovely combination even now.
• This dress would have been made entirely by hand in the Paris atelier. 
• The dress is made out of a jet black silk velvet that is extremely soft to the touch and has beautiful drape.
• I love the nod to classic minimalism that the dress displays.
• Straps in a matching black velvet curve up and over your shoulders and then the front and back have just the most gentle bit of a scoop across. Just enough to take away the harshness a straight line would have.
• It skims over the bust and is cut more generously over the waist so that it falls in a perfect shift or column feel around you. If you wanted to add more shape you could easily add a belt or corded rope tie.
• It flares slightly out over the hips and then the skirt falls from there widening out as it near the hem.
• The dress closes down one side with glossy black buttons and I love the deliberate contrast in texture that it has against the black velvet. That pop of shine of the high gloss of the buttons is the perfect subtle detail against the inky texture of the velvet.
• The buttons close the dress down one side to just past the hip and then the rest of that seam is completely open all the way to the hem. When you walk, move, or sit, you get a flash of bare leg all the way up that one side. It is almost startling to have that flash of bare skin against the column of black and I love this play between elegance and sexiness.
• It is a dress that appears to be so simple in shape but every seam and line of the dress was purposefully and masterfully executed and planned.
• This is an extraordinary example of his work during this time period and it is an absolutely stunning dress.
• The dress is fully lined in a matching hand set black silk and closes at the side with the row of buttons. All of the work is done by hand to Couture standards and it has its appropriately dated couture tag present. It appears to have been worn very little at all.
• There is no size tag present because it is Couture so please go by the measurements listed below.
• Excellent condition

Bust: to 16.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Total length: 57" from top of shoulder to hem and the slit is 29" from the hem up to the last button.

Modern Sizing Equivalent: SML-MED

Item# DD5655

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This spectacular dress is a very rare piece from the Spring 1999 collection.
• It was made under the creative direction of John Galliano
• For this show the Dior Catwalk book noted that "Galliano took a trip on the Trans-Siberian railway and drew inspiration from Russian avant-garde as well as the Chinese red army."
• A shorter version of this dress was shown in the show as well as a long version without the lace insets at the front. We have included reference photos of both so you can see how this will fit on the body.
• This is one of his signature bias cut dresses and it is absolutely stunning.
• The dress falls from two straps that curve up and over the shoulders. The front falls in a soft curving drape and then the back is scooped low to leave your upper back bare. The draped front is a clever way to add shape while still keeping the entire dress soft and with little formal structure.
• Behind the draped silk of the bust is a second halter cut bodice made out of black lace. As the front drapes down this lace peeks out from behind it.
• Set just underneath the bust is an angled panel of lace that is just over an inch and a half wide. This angles up towards the centre of the bust and then runs around the back.
• Another panel of lace highlights the seam that the lower skirt is set into and then the entire hem is finished with the same lace. I love how the placement of lace is done to highlight your shape.
• None of the lace used has any backing so that once this is on the body you get a glimpse of skin through all of the lace parts of the dress.  
• The rest of the dress is made out of beautiful slightly textured hammered black silk. The silk is a heavier weighted silk and it is completely cut on the bias. When you put it on it simply drapes over you and highlights every curve without ever being too tight anywhere.
• It skims over the bust, waist and hips and then comes in slightly where the bottom lace is. The lower skirt flares out substantially under that and there are yards of fabric in that part of the dress alone. This gives you incredible movement when you walk and finishes the dress beautifully.
• This flowing hourglass shape was a Galliano signature and this one is absolutely spectacular.
• The inner lining under the lower skirt is finished with yet another panel of black lace and this peaks out from underneath the skirt to perfectly tie all of the elements of the dress together.
• The dress is an exceptional example from his very early days at Dior. A true piece of fashion history.
  
• The lace serves as the lining behind the draped front and then the rest of the dress is lined in a black silk except for behind the lace parts which are left unlined. It closes with hidden set side zipper. It is completely cut on the bias so there is a lot of movement and range to the fabric. It is an easy fit and the bias cut should allow it to fit a range of sizes I have put the range when laying flat in the measurements below. On a smaller frame it will drape more. I see a small scuff on the fabric here and there. Very minor and just mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, US8
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Bodice: approx 13" from top of shoulder to lace under the bust
Total length: approx 65" from top of shoulder to hem. The length may come up a touch once on because of the bias cut.

Modern Sizing Equivalent: SML-MED

Item# DD5654

Reference Photos/Video: Spring 1999 Christian Dior.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a phenomenal dress whose twin walked the runway for the Spring 1989 Nina Ricci show.
• It was made under the creative direction of Gerard Pipart.
• I love that there are runway reference photos of the dress so you can see how it will sit once on the body. 
• The dress is true Couture and was completely made by hand in the Paris atelier.
• It is made out of a deep blue silk that is very high-quality and it is lined by hand in a matching blue silk chiffon.
• The shoulders have hand done padding in them for some added shape and the sleeves are set wide into the body of the dress. They narrow as they fall to the wrist and the lower part of the outside seam is gathered to create a slight ruffled feel at the cuff.
• A panel of the same silk starts at the waist of one side and sweeps up in a curve to be gathered on top of the shoulder on the opposite side. Under that the bottom skims down to the waist area.
• The waist is shaped by the fabric being gathered in at the side and the way it is cut. If you wanted to add more shape you could easily add a belt.
• The panel that starts underneath the top panel extends down past the hip and does the same sweeping over the internal skirt. It curves up to the side to form an opposite curve to the one of the bodice.
• There is one more sweeping curve formed over the lower skirt. This one matches the direction of the curve of the top part of the dress. The way that it gathered in the side gives it a little bit more of a ruffled feel then the other two.
• I love this back-and-forth sweeping feel that the dress has. It almost feels like petals of a flower as they curve over you. On the runway, each of the three spots was highlighted with a flower. If you wanted to re-create that look it would be very easy to add removable flowers set on a brooch and you could use whatever colour you chose at the three spots.
• This is a beautifully made and elegant dress of the highest possible quality given that it's true Couture.
• The dress is fully lined in handset silk organza under the panels and a blue silk through the body. It closes with a back zipper. All of the work is done by hand. It appears to have been worn very little if at all.
• There is no size tag present because it is true Couture. Please see the measurements listed below.
• Excellent condition

Sleeves: 24" and they are 17" around the upper arm
Slightly inset shoulders: 14"
Bust: to 19" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Total length: 44.5" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5651

Reference Photo: Spring 1989 Nina Ricci Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2014 Mary Katrantzou Collection.
• It was made under the creative direction of Mary Katrantzou
• The digital prints that were on many of her dresses during this time period are what launched her to fame. No one really was doing them to the same degree. You can see the inspiration for this dress in looks 2 and 26. 
• The fervor for these dresses is hard to comprehend now, but many of her dresses were sold out worldwide and wait-listed. 
• The dress is made out of a fabric that has almost the feel of a very lightweight neoprene. This allows it to perfectly hold the intended shape on and off the body.
• The neckline is scooped wider across and the shoulders are soft. Sleeves begin and are set in wider and then narrow down slightly to the wrist. The fabric that it is made out keep it soft and comfortable to wear despite its exaggerated structured shape.
• The bodice skims down to the seamed waist for added shape and the skirt is fitted into that. The front panel of the bodice continues down past the waist to the hem and has a more flat and sleek feel.
• The fulness of the skirt is created by a added panel that wraps around and curves under itself to meet that inner front panel. This is what gives the skirt its incredible fullness. 
• Built in between the top layer of the skirt and the lining is netting to help hold the shape and fullness.
  
• Hidden along those seams on each side of the skirt are pockets.
• The front bodice and that inner front panel has been done in a deep blue and then the digital print runs down the front to just past the waist. The sleeves entire back of the dress and the skirt to where it meets that front panel are all done in black.
• This is an incredible dress and was never worn. It still has its original tags in place.
• The dress is fully lined in a blue silk or organza. Built in netting through the skirt as described above. It closes with a back hidden set set zipper. Hidden set zippers at each cuff. It was never worn and still has its original tags attached.
• Tagged a modern Katrantzou UK10, IT42, US6
• Excellent condition

Sleeves: 21.25" and they are 12" around the upper arm
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 31.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5652

Reference Photos: (1-2) Fall 2014 Mary Katrantzou, Looks 2 & 26.  /  (3) Lena Dunham at Variety's Power of Women in New York, April 2015.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the 2022 collection.
• It was made under the creative direction of Sarah Burton.
• we found a photo of the dress on so you can see how it works on an actual body.
• The dress is made from layers of an off-white ivory silk chiffon that floats beautifully over the body. 
• Tiny adjustable straps curve up and over your shoulder to connect at the sides of the bodice and back. You would have the option to tuck the straps in and wear this as a strapless dress if you wished.
• The bodice is cupped and inside there are wired inner cups to hold the shape and give you structure and support.
• Onto the bodice is a beautiful and elaborate design made out of a braided silver thread, silver tube beads, and prong set rhinestones and beads in various sizes. These are set over the bodice to form a design of leafs and vines that swirl deep into each side. 
• The silk chiffon falls from under there and flows all the way down to the floor. The movement the silk chiffon has is incredible. The fabric is very light in weight so that when you move it swirls around you.
• There are extra panels of the silk chiffon attached along the upper edge of the back. these fold inwards from the sides and i love how to silk is swept slight towards them. These fall to the floor to give a beautiful caped feel to the back. 
• It is a very striking and romantic feeling dress. 
• The dress is fully lined in an ivory silk and closes with a back hidden set zipper. There is a built-in inner corset that is boned and cupped. I see a tiny repair near the hem of the skirt and there is a little bit of very minor pulling here and there.
• Tagged a McQueen 42
• Excellent condition

Bust: 17" flat across from side seam to side seam
Seam under the bust: to 15" flat across from side seam to side seam
Inner waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 13" from top of the shoulder to seam under the bust
Total length: 64" from the top of the shoulder to hem 

Modern Sizing Equivalent: SML-MED

Item# DD5647

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was a part of the presentation for the Resort 2012 collection.
• It was made under the creative direction of Alber Elbaz.
• The dress is made of an ivory cotton lace with silk net edging that falls beautifully over the body. 
• The bodice has a soft and romantic feel as it glides over you. The shoulders are wide and curve into a shallow scoop at the front. I love how he chose to edge the neckline and openings for the arms with that little bit of silk for a pretty contrast.
• The lace skims over the bust and is cut more generously around the waist. This helps to keep the silhouette soft and pretty. If you did want a more defined shape you could easily add a belt or silk ribbon around the waist that could be as elaborate as or simple as you wished it to be.
• The lace skims past the waist and then the skirt is set over top of the lace of the bodice in a very deliberate way that makes the seam there a part of the design. The workmanship is exquisite where they meet and I love how the fabric of the skirt has been gathered into little ruffles that curve all the way around you.
• From there it falls over the hips and down to the floor in a beautiful drape of lace. The fabric is light and soft and there is an additional layer of silk chiffon underneath so that it feels amazing against the skin. 
• All of the fabric that was gathered in around the top of the hips is allowed to expand and give you the fullness of the skirt so that you get this pretty sweep of fabric around you when you move.
• It is extremely pretty and romantic in feel.
• The dress is fully lined in an ivory silk chiffon. It closes with an exposed bronze colour zipper at the side. It is in its original length. It appears to have been worn very little at all.
• Tagged a Lanvin size 38
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist-seam at top of hips: to 16" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of shoulder to dropped waist
Total length: 68" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5646

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Philip Hulitar designed from 1949 to his retirement in 1964 so his pieces fall in a very defined period of time. He was known for his sophisticated dresses and evening gowns. Shortly after the launch of his label a journalist gushed that; 'The star of a gifted designer has risen recently on the fashion horizon'. Prior to the launch of his label he was the in-house designer and head of the women's dress division for Bergdorf Goodmans for 18 years.
  
• I had this dress completely restored and it is absolutely gorgeous.
• The dress is made out of a rich ivory champagne coloured silk.
• The bodice is strapless and it is lightly boned to help to hold the shape once it is on the body.
• I love the little bow detail that sits on one side of the bodice to add pretty detail. 
• The waist nips in and then the skirt curves out and over the hips. It widens from there to the floor in a stunning expanse of silk.
• Running down the centre of the front and also down the back are inset panels made out of the same silk. The silk has been hand gathered inside of each of those panels.
• I love how they add to the hourglass shape the dress has and it also adds an incredible detail to the dress.
• The back is cut slightly longer for a beautiful sweep of fabric as you walk.
• It is a beautiful and rare piece of 1950s couture.
• The dress is fully lined in a matching silk organza that has darkened to have a tea dyed feel to it for most of it. It closes at the back with a hand set metal zipper. Light boning through the interior bodice. I see a tiny foxing mark on one side of the outer skirt and there are minor areas of the teeniest bit of along the edges under each arm. Hand finishes throughout. 
• There is no size tag present. Please go by the measurements listed below. 
• Excellent condition

Bust: to 18" flat across from side seam to side seam with room to a C cup at the front
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 53" from top of bodice to front hem and 62" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD5645

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1987 show.
• It was made under the creative direction of Yves Saint Laurent.
• We have included reference photos of it from the runway for you so that you can see how fabulous it is on the body. We even found one where you can see the model walking back down the runway so you can see how gorgeous it is from the back as well.
• This is an easy to wear and very chic little YSL dress perfect for parties.
• The top layer of the dress is an unusual blue-purple colour that runs through a lace feeling fabric.
• It has a bit of a metallic feel from it caused by a metallic thread that runs through the lace.
• Over that are thousands of glossy black sequins that follow the pattern. The sequins catch the light from every angle.
• Underneath that top layer is a deep blue silk chiffon that has a touch of transparency to it with the two layered over each other it is opaque enough to wear safely.
• The combination of these two fabrics keep it light and weight so that it feels amazing once on the body.
• The dress sits off the shoulder to leave a bare expanse of skin across the top and it is finished with a pretty black silk organza ruffle. 
• The sleeves fall to just past the elbow and each is also finished with a ruffle.
• From there the dress skims over you, running over the bust and past the waist, with no seaming there to break the line. At the top of the hip there is a seam that has another ruffled detailing.
• The skirt falls under that and widens out as it nears the hem. A final ruffle goes all the way around the edge of the skirt. The back of the skirt is set to hang a touch longer than the front. This gives you a beautiful curve from the side and adds a touch of pretty volume.
• It is a gorgeous dress and really showcases Yves' innovative eye and design genius.
• The dress is fully lined in a dark blue silk chiffon. It closes at the side with a zipper. It appears to have been worn very little if at all.
• Tagged a vintage YSL 42
• Excellent condition

Sleeves: approx 18" from the dropped shoulder and they are 12" around the upper arm.
Bust: to 18" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Seam across the top of the hips: 19.5" flat across from side seam to side seam
Total length: 30" from top of centre neckline to front hem and 36" to back hem including the ruffle

Modern Sizing Equivalent: SML-MED

Item# DD5643

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 1979 Haute Couture Yves Saint Laurent collection.
• It was made under the creative direction Yves Saint Laurent.
• The 1979 collection was an a homage to Picasso and Diaghilev. Yves had been to an exhibit on Picasso costume and set designs for Diaghilev's ballet Russes. At the time he told French Vogue that he had been on a different path entirely for the collection but then he saw the exhibition and "my collection took on the structure of a ballet. I embroidered on Picasso, on a slightly soft cubism, on harlequin, the Blue Period, the Pink. It's best when in inspiration comes! You no longer have any doubt, you get on with it, you feel an immense joy!"
• You can see that inspiration of the harlequin especially on the pattern of this dress. We found several runway examples where he used the same pattern and added those here. It was a significant part of the collection.
• In the YSL folio that contains all the drawings from the collection, I saw that he had to use this particular print in several colours; a golden brown, a red, a white and black, and this magnificent blue. I have also included a sketch of the dress that is closest to this particular piece. Based on the drawings in my folio, it seems that this is most likely a one off done in collaboration with the client's request.
• The dress would have been made completely by hand in the Paris atelier.
• It is made out of a beautiful fine silk that has a secondary pattern within the weave in the same blue and then it is printed with that black design leaving the blue to show between. The silk is of the highest possible grade.
• You can see the very beginnings of the classic Yves Saint Laurent sack dress to come in the cut and silhouette in this dress. These sack dresses played on volume and cut. As the years went by they got bigger and looser through the middle. This one is still on the edge of being a more loose-waist A-line. 
• The collar is banded in the same silk and the silk is gathered in around it for a little added detail. The shoulders are soft and the upper portion of the sleeve is wider and set in a slight cap on the top of the shoulder. This narrows down to a cuffed wrist that ends in a ruffle made of the same silk.
• The cut through the body is loose and easy and it is almost tubular in feel with just the slightest bit of narrowing as it nears the hem. 
• I love how this makes it easy to wear and that it gives you the option of wearing it loose or adding a belt to cinch it in and add shape around the waist.
• I have shot it both of those ways with an added black rope belt. The belt is not original to the dress but will be included.
• The perfect finishing touch is the little slits on either side of the skirt. These allow for movement when you move and gives you ease of walking plus a little bit of extra leg to show.
• This is a superb piece of Couture and is an early example of his work.
• The dress is unlined and slips over the head to wear with a single button at the back of the neck above a keyhole. Each cuff buttons to close. It is entirely made by hand. The appropriate Haute Couture label is present.
• There is no size tag present because it is true Couture. Please go by the measurements listed below.
• Excellent condition

Sleeves: 23.5" they are 15" around the upper arm. The neck is 13" around. The cuffs are 6" around where the button is presently but could be opened and the button moved to get 7".
Slightly inset shoulders: 14"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 18.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 36.5" from neck to hem. Each side slit is 9" from the hem up

Modern Sizing Equivalent: XS-SML

Item# DD5644

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this rare dress walked the runway for the Fall 1995 collection with an added cape.
• The dress was made under the creative direction of Thierry Mugler.
• A version of the dress was included for the "Thierry Mugler: Couturissime" Exhibition at the Brooklyn Museum
• Mugler was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• The dress is very rare and special. It is spectacular on the body.
• The dress is made out of a black silk mixed with an ivory silk set on a combination of angled and curving panels down the entire front. 
• A wide set curving V comes down the front bodice. An ivory panel circles the neck line and then follows the V into a point that plunges to the centre of the waist. A small black silk flower sits where the two meet. The flower is a removable brooch so if you prefer it without it is easily removed.
• I love how the parts on the bodice are a mix of curves and angles. The curving parts feel feminine and emphasize the shape of the body while the angles are more edgy in contrast. 
• The sleeves come directly out from the shoulder with gussets underneath the arm and no set shoulder seam to break the eye. Each sleeve ends in a little turned up cuff of the same black silk.
• The waist is snatched in and the insets of ivory visually exaggerate the cinched in shape.
• The skirt has been cut to have a deliberate outward curve around the top of the hip. From there it flows down and over the hips and then narrows inwards as it nears the hem. A high slit up the back allows you to walk and lets a bit of a leg to show.
  
• A second inset ivory silk panel runs down the full front of the skirt from the waist seam. It mimics that same curving shape that we see through the hip and also narrows down to the hem of the skirt.
• The ivory parts that runs from shoulder to hem are all done to give the visual appearance of an exaggerated hourglass / wasp silhouette.
• The dress is fully lined in a black silk and closes with a back zipper. The flower at the waist is pinned on and is easily removed. I see a couple of teeny teeny changes in colour on the white. Extremely minor. It appears to have worn very little if at all.
• Tagged a vintage Mugler 40
• Excellent condition

Sleeves: approximately 16" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: 18-19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 15" from neck to waist
Total length: 59.5" from neck to hem with just over 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD5634

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was shown for Look 70 of the resort 2017 Valentino collection.
• It was made under the creative direction of Pierpaolo Piccioli & Maria Grazia Chiuri.
• This ended up being the final collection that Maria worked on for the Valentino label.
• The inspiration behind the collection was Cuba and the looks were rife with embroidery and print. Piccioli remarked that "It gave us a real freedom to mix, like a souvenir, lots of pieces together."
• The dress has the added provenance of being the twin of the dress worn by Natalie Portman that year on the red carpet. She wore it beautifully and it shows you just how spectacular the dress is once on the body.
• The dress is made out of a light weight, more open weave black net that sits over a black silk chiffon lining to make it opaque enough to wear. Onto that is a stark white embroidery that forms a beautiful pattern over the entire dress.
• The neckline is set wide across so that it sits at the edges of the shoulders. If you are not very broad across the shoulders you should be able to wear it fully off the shoulder. The dress form shows it fully off the shoulder. The collection photo shows it at the very edge and then Natalie chose to wear it a little higher up. I love that this let you see all of the options.
• A wide 9" ruffle follows the entire neckline and gives it the prettiest flounce all the way around you.
• Under that the bodice skims down to the seamed waist and then the skirt is smoothly set into the waist. From there the skirt expands outwards and by the time it reaches the hem it has an amazing amount of volume. The back is cut slightly longer than the front so you get a beautiful sweep.
• The the hem of the skirt has a ruffle that picks up on the one around the shoulders and that ruffle is a full 13" wide. Underneath the top layer is two more layers of black netting that sit between the top skirt and the inner silk chiffon lining. I love how this added touch of underskirts along with the beautiful cut of the skirt adds to the volume and detail of the skirt. It also gives you fantastic movement when you move.
  
• This is an absolutely stunning dress and this particular cut of dress is one of my favourites. 
• The dress is fully lined in a black silk chiffon with extra layers of netting through the skirt as described above. It closes with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a modern Valentino 38
• Excellent condition
  

Bust: 17-19" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Bodice: 14.5" from the top of the shoulder to waist
Total length: 60" from top of shoulder to the front hem, 64" to the longest point of the back hem.

Modern Sizing Equivalent: SML-MED

Item# DD5635

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from one of the 2000s Richard Tyler Couture collection.
• It was made under the creative direction of Richard Tyler.
• Richard Tyler was the designer to wear in the 1990s and early 2000s. He won the Council of Fashion Designers of America New Talent award in 1993. In 1994 and 1995 he won the Council's Womenswear Designer of the Year award. Julia Roberts, Janet Jackson, and Sigourney Weaver were just a few of the stars who loved his work and his dresses made regular appearances on the red carpet.
• Tyler was known for his impeccable tailoring and finishes and at the time employed some of the best tailors and seamstresses in the business.
• The dress is made out of silk and is beautifully structured. It is cut to appear like it just drapes into place, but with its lining and infrastructure around the bodice area, it does have more structure than it appears at first glance.
• This gorgeous little number is in amazing condition and is cut beautifully. It is suspended from the shoulders by tiny straps that curve over and down the back.
• The dress is cut to follow the curves of your body but without being super tight.
• The neckline dips into a wide cut V at the front that allows the straps to sit at the edges of your shoulders.
• There are ruffled gathered panels that are set over the dress to highlight the cut and shape. You see this across the front bodice as they follow the curve, shape and angle down towards the waist, and then start their angled descent down the length of the full dress.
• When you turn around, the back has a low scoop that leaves most of your back completely bare and exposed. It is very sexy.
• The shape through the waist is cleverly created by those inset panels that curve over the body.
• From there, it curves back out over the hips and then falls to the floor. The skirt comes in slightly around the knee area and then the lower part of the skirt widens out substantially as it reaches the hem. Extra fabric has been worked through the back of the skirt where it is cut on a curve that is longer than the front hem. This gives you a sweeping feel as you walk away.
• There are added weights around the lower skirt and the piping that finishes the bottom hem has a touch of padding and weight to it. This has all been done to help hold the shape and volume of the lower skirt around you.
• It looks so simple on my dress form but this is a dress that is a bombshell piece once it is on an actual body. It is so good.
• The dress is fully lined in a black silk and closes with a hidden set side zipper. There is vertical boning on the sides of the bodice to help hold it in place. Perhaps a tiny bit of grubbiness and wear to the edge of the hem but this is extremely minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• There is no size tag present, so please go by the measurements listed below.
  
• Excellent condition.

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 61" from top of shoulder to front hem in the back extends another 6.5" past that.

Modern Sizing Equivalent: SML-MED

Item# DD5632

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the Spring 2008 Christian Dior runway for Look 53.
• It was made under the Creative Direction of John Galliano. 
  
• This collection marked Dior's 60th anniversary and it was also John's 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide and both colour versions of this dress were produced in very limited quantities.
• The red has been seen on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.
• To help visualize what this dress looks like on the body in black, we changed the runway dress to black, which gives you a great idea of what the final result will be on.
• The dress is made out of a luxurious black silk that is completely cut on the bias. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do.
  
• The bodice is strapless with an inner boned and cupped corset that holds the dress in place around you.
• Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front.
• At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist.
• From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties.
• The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a sweeping feel behind you as you walk.
• A row of his signature tightly spaced buttons & loops in the same silk run up one side.
• This is an incredible example of his work and is highly collectible.
• The dress is fully lined in a black silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I have given the comfortable range when the dress is laying flat below. It appears to have been worn very little if at all.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Inner bust: 17-18" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 56" from the top of the bodice to the front hem and the back hem extends to a total length of 78"

Modern Sizing Equivalent: SML-MED

Item# DD5630

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from 2012 and it was a limited release piece.
• It was made under the creative direction of Domenico Dolce and Stefano Gabbana.
• The twin of this dress was worn by Kylie Minogue and I love that the reference photos show how amazing this one is on. We were told that these were made in extremely limited quantities on a special order basis only so very few exist.
• Dolce and Gabbana was launched in 1985 by founders Domenico Dolce and Stefano Gabbana. By the 1990s they had open their own boutiques and in 1993 Madonna chose them for her Girlie Show tour and they gained world wide recognition. They are known for their dramatic designs that are heavily inspired by their Sicilian heritage.
• The dress that is incredibly beautiful. It is made from a pale nude silk tulle net that has a touch of a pink undertone to it. This is layered over inner layers of more tulle, lace netting and silk.
• The bodice is strapless and has a heavy application of hand cut out flowers hand applied to the tulle. Under that are more flowers that are scattered over the entire dress from there all the way to the hem.
• Running down the centre of the bodice are a cluster of soft silk chiffon flowers that add a beautiful detail. Small versions of these are also worked into the design over the top layer of the entire dress.
• The top layer of tulle is cut to be full all the way around you. More layers sit under that. At the back it is cut longer so you get a beautiful sweeping effect behind you and it adds incredible movement as you move. 
• Under the top layers of netting is an inner dress that has a dotted lace finish. I love the effect of this that it gives the dress. Under that layer are still more layers. The multiple layering creates a beautiful texture as they float over each other and they also help to give the dress its structure so that it holds the shape around you once on.
• The bodice is strapless and cut on a soft curve across the neckline. There is a built in boned corset on the inside for shape and to hold the dress in place on you. 
• It is an incredibly beautiful and romantic dress.
• The dress is fully lined in a soft nude silk. The innermost layer of stretch silk goes to just above the knee. It closes with a back zipper and then the tulle layer snaps over that to hide the zipper. Inside the bodice is a cupped and boned corset. I see one vertical repair in the tulle of the skirt at the back otherwise it appears to have been worn very little if at all.
• Tagged a Dolce & Gabbana 36
• Excellent condition

Bust: to 16.5" flat across from side seam to side seam with an approx A cup built into the front
Waist: to 12.5" flat across from side seam to side seam
Inner hips: to 18" flat across from side seam to side seam
Bodice: 5.5" from top of bodice to seam under the bust
Total length: 60" from top of bodice to front hem, 69" to the back hem

Modern Sizing Equivalent: XXS-SML

Item# DD5627

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1998 YSL collection.
• It was made under the creative direction of Yves Saint Laurent
• The dress is gorgeous and the fabric itself is part of what makes it so fabulous.
• The body and sleeves are made out of a inky black velvet that gives the dress some structure. Onto this is a band of heavily applied overlapping glossy black sequins. The effect of the sequins in contrast to the richness of the velvet adds depth and interest.  
• This is a piece that shows his strong tailoring and detailed knowledge of how to cut a piece to best suit a woman's body. 
• The shoulders are lightly padded and the sleeve extend out from there. They are a touch fuller near the upper arm and then narrow slightly to their ends.
• The addition of the sequins is just spectacular. They are set in a band that has four stacked rows of sequins that are more densely applied so that they overlap each other. They begin at the back of the neck, curve around to follow the view of the front and then sit side-by-side all the way down to the hem.
• I love the plunge of the front and how it can be adjusted to sit as high or low as you dare. A zipper runs up the centre front and you can zip it higher or lower. The zipper only goes partway and then there is a high slit from the ham up. You can see how it sits in the runway photos and how great it is once on.
• The waist is brought in through the seams at the sides with no horizontal line to break the eye. 
• It glides over the hips and then widen out as it near the hem. The front slit helps to give it some width around you so it has great movement as you move.
• It is a phenomenal YSL from this time period.
• The dress is fully lined in a black silk and it closes with the zipper at the front. Light padding in each shoulder. I see the slightest wrinkling in the velvet under the arms. Nothing beyond normal wear and mention for accuracy.
• There is no size tag present. Please go by the measurements below.
• Excellent condition

Sleeves: 19" with 1.5" turned under. They are 13" around the upper arm
Shoulders: 15.5-16"
Bust: 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 60" from top of shoulder to hem. The slit is 28" up from the hem

Modern Sizing Equivalent: SML-MED

Item# DD5626

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an amazing example of Galliano's work from Fall 2006 collection.
• The dress was made under the creative direction of John Galliano.
• The more elaborately beaded pieces were usually released in more limited quantities.
• It is very similar to a dress that I had in the shop before but this one is more elaborate and much longer. It is a really striking dress that is also very easy to wear because of its simple and bias cut. 
• The dress is made from three layers of a feather light black silk chiffon that are all attached to each other at the top of the shoulder and then float over each other from there. The very inside layer is a black silk chiffon with no texture and then the two top layers are a textured silk chiffon.
• The dress has a very loose and easy cut through the body so is very easy to wear and comfortable once on the body.
• The bodice has a draped neckline at the front and it does the same at the back. One shoulder is cut wider across and this is what extends out to form the neckline. The other shoulder is more delicate in feel and it is edged in lace. A small bow sits on the top of the shoulder.
• The bodice on the side with the wider strap is detailed with pintuck that runs vertically down the dress. On the side with the more narrow strap the silk is swept up to one side and held in place with a flat bow and a bit of a ruffle. The ruffle runs down the length of the dress all the way to the hem.
• This creates the illusion that the dress is wrapped around you and the bow is holding it in place. It is very clever.
• A hand set design that combines tiny seed beads and silver sequins details the neckline and are set in little clusters that run down the length of the dress. These give the dress a pretty glint in the light. 
• Most of the edges of the dress have a raw finish which adds an extra delicate bit of texture to the dress that is lovely.
• A slit runs up one side so you get a flash of bare leg when you move or sit and it is cut longer at the back so you get this fantastic sweeping feel behind you as move.
• The bias really only comes to life once on. As good as it looks in the photos here it is even better in person and on the body.
• The inner silk chiffon and middle tulle layer act as the lining underneath the top layer. The innermost layer has no closures. The middle layer closes with its own hidden set zipper and the very top layer closes with one of his signature tightly spaced rows of silk covered buttons. Because of the bias cut, it may come up slightly once on. It appears to have been worn very little if at all. 
• Tagged a FR40, GB12, US6. 
• Excellent condition 

Bust: 15-19" flat across from side seam to side seam
Waist: 14-17.5" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Total Length: approx 61" from top of shoulder to front hem and the back extends another 12" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5625

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1984 collection
• It was made under the creative direction of Marc Bohan.
• It is also the exact dress that was worn by Krysta Rodriguez in 2023
• This is a beautiful example of the work being produced by Christian Dior in this time period.
• In the book Dior; Catwalk, the notes on the fall collection state that the collection was placed 'under the sign of opposites' and that he had looked to the work of Abstract Expressionist painter Jackson Pollock for inspiration. Pieces were adorned in drip embroidery and motifs and then he did a series of long sheath dresses that were 'accessorized with 'Pollock jewels" in jet and multi colour stones'.
• We found several photos of the twin of this dress on the runway which shows you how fabulous it is on the body.
• The dress is a true Haute Couture piece and has the appropriate numbered label intact. It would have been made completely by hand in the Paris atelier.
• The dress is made out of a soft textured silk velvet in a jet black. Using a velvet that has this added texture to it is an incredible choice as the dress catches the light in different ways as you move and it really makes it come to life.
• The cut is simple and sleek with a low front neckline that dips from an angle created over each shoulder. It slightly curves down to the centre and then the fabric is softly gathered from there to the waist.
• This leaves it with a slightly bloused over feel over the the nipped in waist.
• The sleeves are cut long and they slim down as they reach the wrists. There is a slight volume built in at the outer part of each shoulder. On the inside I see hand made silk cases that at one time had light padding in them but the padding has been removed at some point to give it a softer shape. You could easily have some padding put back in if you wanted a stronger shoulder.
• Inside the bodice is a more fitted and boned inner silk corseted piece that holds you in place while the silk velvet simply drapes softly over that outside.
• The skirt is cut to feel sleek and simple as it falls to the floor narrowing in slightly as it reaches the hem. A vent runs up the back so that you can walk.
• It is a beautiful and dramatic piece despite its simple lines. 
• Fully lined in a black silk and it has a built in bodice made of black silk. The inner bodice is boned and closes with its own zipper. The exterior dress closes with a back painted metal zipper. Each sleeve has a zipper at the cuff. Tagged with the Couture #19469. Silk hand made pads that have no padding inside each shoulder as described above. I see some small flaws to the silk on either side of the zipper on the inner corset. Please see the photo after the label shot. 
• There is no size tag present because it is true Couture. Please see the measurements below.
• Excellent condition

Sleeves: 24.5" and they are 12" around the upper arm
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 12.5-13" flat across from side seam to side seam
Hips: 18.5" flat across from side seam to side seam
Bodice: 14" from shoulder to waist
Total length: 58.5" from waist to hem with 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD5624

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This dress is from the Spring 2018 collection. 
• It was made under the creative direction of Clare Wright Keller.
• The dress is made out of a black jersey that is cut on the bias. This lets it drape beautifully over you as it fall over the body.
• The ease of the jersey make it easy to both fit and wear and the fabric has enough weight to it that it is completely opaque. 
• The construction of the dress is fantastic. It is made to be one long tube with a seam at the waist on the front of the dress only.
• The shoulders are soft and the sleeves are long.
• The dress has no collar and plunges down at the front to the waist. Two long ties extend out from the base of the front plunge. You can loop or knot them and then they fall almost to the floor at the front
• The plunge at the front gives it a very edgy and sexy feel while the jersey keeps it feeling comfortable to wear.
  
• The skirt flares out at it reaches the floor with a high slit runs up the front so you get a flash of leg when you move
• The dress is in its original length and it closes with a back hidden set zipper. I see some minor grubbiness around the hem. It otherwise appears to have been worn very little if at all. 
• Tagged a modern Givenchy 36
• Excellent condition

Sleeves: 25" and they are 10-12.5" around the upper arms
Shoulders: 15"
Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Bodice: 16" from neck to waist
Total length: 62" from neck to hem and the slit is 32" from the hem up.

Modern Sizing Equivalent: XS-SML

Item# DD5615

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from the Christian Dior Spring 2007 collection.
• It was made under the creative direction of John Galliano.
• Galliano often used inspiration from his Couture dresses when he looked to creating ready-to-wear pieces and vice versa and we have added a photo of the piece from the couture collection that has similar bead work.
•  The bodice is strapless with an inner boned and cupped corset that holds the dress in place.
• A panel wraps around the very top of the bodice with a double pleat detail running around the very the top edge.
• Under that the dress is wrapped around to overlap itself and on one side there are stitched pleats that open up at about the waist area and then continue to the hem. On the side that wraps under that there are top stitched seams set on angles towards the outer edge of the dress. All of this seamwork and stitching is subtle but adds this very interesting detail when you see it as a whole.
• From there the dress simply skims and drapes over you to the floor. Because of its generous cut through the body it will be easier to fit and is extremely comfortable once on the body. 
• It flares out slightly at the bottom to create a beautiful column over you. It is an incredible feat of patterning. 
• Floral designs made of fabric covered domed bead are mixed with prong set rhinestones. More rhinestones are scattered down the body of the dress to about the hip. These were all added by hand and you can clearly see that on the other side of the dress.
• The dress is unlined and has an inner boned and cupped corset that hooks to close at the side. The dress closes over that with a hidden set zipper. Hand finishes. It appears to have been worn very little if at all.
• Tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Inner waist: 12.5-15" flat across from side seam to side seam
Hips: open
Bodice: 11" from top of bodice to inner waist
Total length: 58" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5610

Reference Photo: Spring 2007 Christian Dior Couture, Look 32.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2003 Dior collection.
• It was made under the creative direction of John Galliano.
  
• Vogue set of the collection that John Galliano "has rebranded the legendary Parisian house via high-octane couture shows that broach the wilder shores of creativity and are then filtered down to be instantly recognizable ready-to-wear pieces for Christian Dior addicts."
• I love that we have photos of Laetitia Casta wearing a gold version so you can see how spectacular this is on the body.
• To help visualize what this dress looks like on the body in black, we changed Laetitia's dress too black, which gives you a great idea of what the final result will be on.
• The dress is made from a bias cut black silk that has a slight texture to it that is beautiful. It is strapless and has an inner built-in and boned bodice to hold the dress in place around you.
• It's skim over the bus and he has used beautifully curved seaming to shape the dress in words at the waist, and then it curse back out over the hips.
• The back simply circles around to leave the entire upper back and shoulders bare and exposed.
• The skirt falls to the floor in a beautiful line. It is cut to curve over your hips and then flares out dramatically for the lower portion of the skirt. There's actually quite a bit of fabric in a lower skirt, and this allows it to move beautifully around you as you walk and move.
• Adding to the movement that the dress has is an exceptionally high slit that runs up one side all the way to just under the hip. This leaves an incredible amount of bare leg to show. It's just fantastic.
• Besides, that high slit, the star of the show on this dress is that incredible curved cut out that runs from the centre of the bodice on a graceful arc down to the hip.
• Interspersed along that cut out or four bows that are made of the same fabric. Each bow has been tied around the silk that connects the two pieces together.
• I love how there is an open, cut out between each bow all the way down that leaves that unexpected flash of skin.
• And then having a slit meet, the bottom bow at the side is just the perfect tie into it all. When you move and the slit opens and you see the leg everything just feels so perfectly designed in that absolutely perfect Galliano way.
  
• It is a really exceptional dress and is extremely sexy once on the body. 
• The dress is fully lined in a black silk chiffon with a lightly boned inner corset attached inside the bodice. It closes with a combination of a row of tiny silk covered buttons at the back that sit above a hidden set zipper that follows one of the curved seams. The inner corset closes with its own zipper. The bias cut and slight stretch of the fabric gives it some movement. I have given the comfortable range of the measurements while laying flat below. 
• Tagged a vintage Dior US6, GB10, FR38. 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam. 
Inner waist: 13-13.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Inner bodice: 9.5" from neck to inner waist
Total length: 56" from top of the bodice to hem
Slit: 32.5" from the hem up

Modern Sizing Equivalent: XS-MED

Item# DD5611

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the Fall 2002 runway for Look 50 in the collection.
• It was made under the creative direction of Oscar de la Renta.
• Photos from a Moroccan open air market were projected onto the stagefront and this is what set the tone for the show that season. In the review of the collection that year Vogue commented; 'There was a whiff of far-flung exoticism throughout the collection... almost every outfit got a touch of spice via embroidery, (or) a dusting of sequins. De la Renta ended as always, with a parade of great evening wear... just a thing for midnight at the Medina.'
• The dress has this fabulous almost sculptural feel with is simple cut and that beautiful deep purple silk fabric. It's full coverage keeps it feeling very refined and elegant.
• The silk is a very high quality and feels very smooth to the touch. This fabric choice keeps it fairly light in weight but it still has enough structure to hold that gorgeous shape that you see.
• The neck is a shallow scoop and the bodice is cut to skim over you. The shoulders are shaped but soft and the sleeves are long and slightly taper down to the wrist.
• The waist is brought in through curved vertical seaming and the skirt falls from there to the floor. 
• I love the patchwork panels that are added all the way around the lower hem. These are made up of a variety of embroidered silks and velvets that have the occasional mirrored embellishment worked within the embroidery. These run all the way around the hem and up and into the skirt.
• Underneath the top layer is a vivid pink underskirt with a stiffen hem and ruffle covering over that. I have taken a photo to show you how the very edge of this ruffle peaks out from underneath the outer hem of the skirt for an unexpected shot of vibrant colour.
• The underskirt helps add support and hold the fullness of the skirt. It adds a pretty sense of sweeping skirts as you walk away.
  
• Hidden pockets are set along each hip.
• The dress is fully lined in a vibrant pink silk. It closes with a hidden back set zipper and each sleeve has a hidden set zipper at its cuff. There is a tiny bit of stress to the center and one side seam near the waist at the back. Please see the photo after the label shot. The zipper has a tiny bit of stick when it hits the spot. It otherwise appears to have been worn very little at all.
• Tagged a Oscar de la Renta 4
• Excellent condition

Sleeves: 24" and are 12" around the upper arm
Shoulders: 14.5"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 61" from neck to bottom of the pink ruffled hem

Modern Sizing Equivalent: XS-SML

Item# DD5606

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Resort 2010 Oscar de la Renta show as Look 48.
• It was made under the creative direction of Oscar de la Renta.
• I love that we have the reference photos and video for this one so that you can see how beautiful it is once on an actual body.
• The fabric is what makes this dress stand out. The choice of that feather light pale gold and silver thread lame is perfect for this dress. It has just enough weight so that it drapes beautifully down the front but still moves perfectly when you move.
• The combination of the silver and gold in the fabric is so interesting. It softens the gold and in person the dress has a slightly paler feel overall. I love how the light catches it in different ways as it glides over you so that you subtly shimmer and sparkle from every angle.
• The cut has that elegant feel and nod to glamour that you see in his best pieces.
• The bodice is gathered and shaped around the bust towards the centre and this leaves a little open keyhole. Panels of fabric sweep up over the bust and then more fabric wraps horizontally around you from the waist top the top of the hips. 
• The sleeves are equally as gorgeous. There is actually quite a bit of fabric in each of them and you could open them so they fall more over the top of the shoulder. Alternatively, you could also twist them more so they are smaller.
• The sleeves are meant to sit at the very outside of the shoulder but you could also wear them completely off of the shoulder or, alternatively, higher up on the top of the shoulder.
• The fabric of the sleeves extend across the upper back to a knot in the centre of the back. Two straps run parallel down from there to attached into the centre back of the dress. I love how this leaves most of your back bare and exposed.
• The skirt falls from underneath the gathering at the front, curves out over the hips, and then widens out as it near the hem. The extra fabric there allows for pretty movement around you as you walk. 
  
• The dress is fully lined in a soft gold toned silk. There is a light boning down the sides of the dress and half padding at the bust. The dress closes with a hidden set back zipper. It appears to have been worn very little at all.
• Tagged a vintage ODLR 6
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: 13.5-14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: approximately 62" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5604

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in a different fabric was seen on the runway for the Fall 2000 Thierry Mugler collection.
• It was made under the creative direction of Thierry Mugler.
• The fabric is what makes this dress stand out. Mugler's choice of a dusty pink bias cut lame is perfect. It has enough weight so his intended drape down the front hold perfectly when you move.
• The light catches it in different ways as it glides over you so that you shimmer and sparkle from every angle.
• The cut has that nod back to the glamour days of Hollywood that you see in his best pieces.
• The bodice is shaped and formed to hug the bust. It is gathered in at the centre and then drapes outward. Attached along that centre line is a thick and very heavy gold metal chain that creates the strap that wraps up behind the neck.
• Set into each link of the strap is a large square cut glass rhinestone. It becomes like an attached piece of fine jewellry.
• The strap curves around the neck with a clasp at the back.
• The back dips down to reveal bar skin and I love this unexpected Flach when you turn around.
• Below the gathering at the bust is an extra panel of fabric that falls down the centre of the dress to the hem. Around that the dress glides over your waist and hips in an easy to wear and fit way.
• The perfect final touch is a high slit hidden in behind the front draping so that when you walk or sit you get an unexpected flash of leg. 
• The dress is fully lined in a pink silk chiffon. Inside the bust is a full built in pale pink silk satin corset that is shaped and boned. The inner bodice closes with hook and eye and then the dress closes with a hidden set zipper over that. There are two rows of hooks on the inner bodice. Hand finishes. The chain closes with slip loop closure that is very high end. One rhinestone has been replaced at some point with a round rhinestone. It is near the back so you don't see it and it is not very obvious. Please see the photo after the label shot. 
• Tagged a vintage Mugler 38 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 12 -13" flat across from side seam to side seam at the inner corset. The fabric over the inner corset it is loose and easy.
Hips: open
Length: approx 58" from neck to hem and it extends another 3.5" at the back.

Modern Sizing Equivalent: XS-SML

Item# DD5598

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the dress walked the Spring 2002 Yves Saint Laurent Haute Couture for Look 240. 
• It was made under the creative direction of Yves Saint Laurent.
• It would've been made completely by hand in the Paris atelier.
• This was Yve's final collection ever so has significant historical importance.
• That final show was over an hour long and was presented to a room of 1500 hand picked guests. To tell the story of his decades long career there was a total of 371 garments shown that day. The presentation began at the beginning of his career and the show was a full retrospective of his work that showed a highlight of all of his creations through the decades.
• There were also a small group of 11 new items for the 2002 season included about 2/3rds of the way into the show created as the Spring 2002 couture collection. All were pieces that were based on dresses from the past but done in new colours. They were all made of weightless silk chiffon and were in a variety of colours.
• The twin of this black dress was included in that grouping and it is based on the green dress we have included a reference photo of for you here from the Spring 1991 collection.
• This blending of past and present further evoked the idea of his journey and how his designs are truly timeless no matter when they were made. 
• The dress has its own special couture tag that commemorates it as being a part of this final show. It is an extremely rare and wonderful piece.
• "I have chosen today to say goodbye to the craft that I have loved so much. The next show to which I invite you, on Tuesday, 22nd January at 6 PM, at the centre of George's Pompano, will predominantly be a retrospective of my work… Some designs from the currencies will also be shown."
• The dress has a strapless bodice that is fitted to hold the dress on the body and then it falls from there to the floor in layers of weightless black silk chiffon.
• The silk of the bodice is gathered and set vertically and inside the bodice there is a full inner built-in corset that is shaped and seamed so the dress stays perfectly in place once on.
• A wide band of silk wraps underneath the breasts to the waist and there is a sash that ties in a soft bow off to one side.
• The ends of the sash trail all the way down the side to the floor and this helps to add to the beautiful movement this dress has once on.
• Below the beautiful shape through the bodice the skirt falls to the floor in a soft cascade of silk chiffon. The side of the skirt that opens is slightly longer than the other and this is a clever way to give that side of the skirt even more movement. These are the tiny details in Couture that make a dress move the exact perfect way.
• The innermost layer of silk chiffon is set all the way around you and then the other layers of the skirt are set over this and slit right up to where the waistband meets the top of the skirt on that side. So when you walk and move you are covered by that single layer of silk chiffon underneath but you are still bare underneath the transparency of the chiffon. You can see this clearly in the video as the model walks. It is very sexy.
• The layers and open side of the skirt combined with the trailing ties from the waist are then what allow the dress to move so beautifully around you when you move.
• It is absolutely perfect in every way. The workmanship is beautiful and the dress appears to have never been worn or worn very little. What a joy to have such an important dress from Yves very last collection.
• The dress is fully lined in a black silk chiffon as described above. Boning and structure through the inner bodice and it closes with a hidden set side zipper. Its proper Haute Couture tag is present.
• There is no size tag present because it is true Couture. Please see the measurements below.
• Excellent condition.

Bust: 15.5-16" flat across from side seam to side seam with an A-B cup
Seam under the bust: 14.25" flat across from side seam to side seam 
Inner waist: 12-13" flat across from side seam to side seam
Hips: open
Bodice: 4.75" from top of bodice to seam under the bodice
Total length: 51" from top of bodice to shortest part of the hem, 54" to the longest

Modern Sizing Equivalent: XXS-XS

Item# DD5594

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

PLEASE DO NOT BUY - On hold for SA

• This is a rare and early example of JohnGalliano's work from the Fall 1999 collection.
• It was made under the creative direction of John Galliano.
• We have included several runway shots that we found that show the same fabric as it was seen on the runway.
• The dress is ultra soft to touch. It is made from a deep creamy ivory and then onto that are tiny little black bows made out of yarn. They form a grid in their centres as they weave through the underlying ivory and then the ends are allowed to extend out on both side sides. This is what forms the bow and also gives it the 3D feel as each end sits up and off of the fabric.
• The dress is done in a simple shift feel with no sleeves and an easy to wear cut. Long vertical seams curve over you to add shape. The bust is simple and set to curve over you. The waist is shaped to come in slightly. From there it curves back out over the hips. 
• The skirt is a simple slim pencil shape that comes in very slightly at the hem. At the back extra fabric is hidden inside of an inverted vent. The fabric is pleated on both sides inside the vent. It gives a little unexpected flare at the bottom of the back skirt while you are moving.
• It is the perfect minimalist 1990s piece with a Galliano twist.
• The dress is lined in an ivory silk with hand finishes around the neck and arms. It closes with a hidden set side zipper. It appears to have been worn very little if at all.
• Tagged an early Galliano FR38,GB10, US4
  
• Excellent condition
  

Bust: 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 37.5" from neck to hem with approximately 1" turned under the hem

Modern Sizing Equivalent: XS-SML

Item# DD5592

Reference Photos: Fall 1999 John Galliano, Look 12.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.