• The dress is from the Spring 2007 John Galliano collection.
• It was made under the creative direction of John Galliano.
• During John Galliano's years at his own label he arguably produced some of the most amazing bias cut and glamourous dresses in fashion history. 
• His work often has a feeling of the decadence and abandonment of the twenties and thirties with their beautiful cuts. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning.
• This is an amazing example of his work from his Spring 2007 collection. This is the second time I have had one of these dresses in the shop. I was very pleased to find another after so much time has gone by since the last.
• A shorter silver version was worn by Drew Barrymore and she appears in a video where she notes that the dress was custom made for her. A printed version was also worn by her in the cover of Paris Vogue.
• A version was also worn by Kylie Minogue at Paris Fashion Week Fall that year. I love that having those photos and video give you an idea of the insane cut of the dress. This one in its full length is even more glamorous I think.
• The dress is made from an exterior layer of black lace. Set under that top lace layer is an inner base fabric that has a very subtle silver thread worked through it. You barely see it through the lace but it does add a subtle shimmer like a little hidden secret. It is fantastic.
• The dress is strapless and cut to follow the curves of the body. Inner cups add support and lift with built in underwire.
• It nips in at the waist and then curves back out and over the hips. The hourglass shape is created by intricate seam work that pieces the dress together. I took shots of it to show you the amount of seaming that has gone into the dress.
• The top edge of the dress is amazing. It has three folded over fabric panels that sit on each side of the sweetheart neckline. They add this delicious Old Hollywood feel to the dress.
• A curved vertical seam runs subtly down the front between the two cups and then at the back there is a series of horizontal pleats from one side that wraps into the zipper. The zipper is set offside to be hidden into a seam.
• The lace dips down and into the zipper and this allows the underlying inner black silk corset to peak out above the dip. This feels very sexy.
  
• Curved seams shape the skirt around you to emphasize the shape of the hips. The skirt is shaped to come back in slightly around the knees and then it flares out quite dramatically for the bottom part of the skirt.
• The phenomenal seaming set around the very bottom portion of the skirt opens into pleats off to one side at the front. Another series of pleats does the same at the back. This gives the dress a dramatic flaring out in shape along with a kick of fabric when you move.
  
• The dress has an inner cupped and shaped bodice made of black silk satin that is lightly boned and has underwired formed cups. The rest of the dress is lined in a black silk. The inner corset closes with hook and eye at the back under the outer zipper and then the dress closes over that with hidden set zipper at the back that follows a seam.
• Tagged a vintage Galliano FR42 GB14 US8
• Excellent condition

Bust: can accommodate up to a total of 37.5" all the way around the interior
Waist: to 14.75" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 10.5" from top of bodice to waist
Total length: 60" from the top of the bodice to the hem

Modern Sizing Equivalent: MED-LRG

Item# DD5853

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a signature bias cut dress from the Spring 2002 collection by John Galliano
• It was made under the creative direction of John Galliano
• There are no closures on the dress. It is completely cut bias and you just slip it over the head to wear and it just falls into place skimming over the body from head to toe.
• The cut of the dress has a strong nod to Couture pieces of the 1930s and 1940s decades. This was a signature theme and cut that he continuously referenced in his collections.
• The fabric has a silk like finish and is a deep black. Various Galliano logos have been woven directly into the fabric in a different finish thread so as you move these catch the light. The effect is fantastic once it is on the body.
• The fabric would have been custom designed by Galliano and made specifically for this dress.
• It scoops down into a V at both the front and the back. A band highlights and follows the neckline all the way around back and front. It skims over the waist and hips from there and flares out at the lower hem. 
  
• The back is cut longer than the front so you get this fantastic sweeping feel behind you. The dress is in its original uncut length.
• A high slit runs up one side for a flash of leg when you walk. Another Galliano signature. 
• The dress is unlined and slips on to wear with no closures. 
  
• The measurements have a lot of range because of the bias cut and no closure so I have given the comfortable range for all below when laying out flat. There is probably a little extra room beyond my measurements. It appears to have been worn very little if at all. 
• Tagged a FR42, GB14, US8
• Excellent condition

Bust: 16–19" flat across from side seam to side seam
Waist: 14–17" flat across from side seam to side seam
Hips: 18–21 " flat across from side seam to side seam
Total length: 60" from top of shoulder to front hem and then it extends another 8" past that at the back

Modern Sizing Equivalent: SML-MED

Item# DD5771

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2003 collection.
• It was made under the creative direction of John Galliano.
• This dress is from John Galliano's own label and is an incredible example of his work from this time period.
• For this season he had emphasized a glamorous hourglass shape mixed with nods to pinup girl lingerie style dressing. These bias cut dresses always showcase his love of the 1930s and 1940s and you can see that influence in them.
• The dress is made out of a deep dusky purple silk that has a slight bit of texture to it. It is completely cut on the bias in that signature cut he does so well.
• The dress falls from a delicate strap that curves up and behind the neck and then it drapes down and over the body to the floor.
• The bias cut of it allows the dress to skim and drape over you so that it shows every curve but is not overly fitted.
• The fabric has been pieced together with dropped and angled panels throughout to create the beautiful shape that you see.
• At the back the strap meets behind the neck and then drop down the centre of the back and panels of silk are suspended from it. These curving panels can be worn either down and under the arms or you can drape your arms through them.
• The dress glides over the body past the bust, waist and hips and then flares out as it reaches the hem.
• It buttons to close down the side with a row of his signature buttons covered in the same silk and then on the other side the fabric is gathered in and up into a wired circle. The circle is open in the centre and the panels that gather into the circle have been cut out and opened so that it forms the shape of a flower trailing over one hip.
• Silk lining backs the cut outs at the hip but I have seen this dress in another colour where someone had that part of the lining removed so you see bare skin and it looked great.
  
• The dress is fully lined in a slightly deeper purple silk crepe and closes at the side with a series of silk covered buttons. I see perhaps a tiny pull in the fabric here and there which happens with this fabric and a teeny bit of shininess here and there from pressing near seams. Very minor and mentioned for accuracy. The bias cut should allow it to fit a range of sizes with it just draping more in a smaller frame
• Tagged a FR42, GB14, US8. 
• Excellent condition

Bust: 16-19" flat across from side seam to side seam
Waist: 13-16" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: 63" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5726

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Fall 2001 runway for a Look 41 and was worn by supermodel Stella Tenant in the show.
• It was made under the creative direction of John Galliano.
• This is the actual dress worn by Caitlin Thompson to the 2024 Emmys
• Madison Headrick privately acquired the first example of this dress that we had in our archives and wore it as part of her wedding celebrations. 
• Besides the runway photos, we have included photos of both Madison and Caitlin so you can see how spectacular this is on the body.
  
• The dress is made out of a floral printed ivory silk chiffon that is feather light in weight. 
• Soft pastel flowers done in shades of pale, pink and soft greens run over the entire dress and add to the ultra romantic feel that it has.
• Ruffled cap sleeves curve over the shoulders and they are set wide so that they sit at the very edge of your shoulder. This allows the chiffon to cascade over the top of each arm.
• The bodice is extensively gathered around the bust to the sides and into a seam that curves down just above the waist. All of the seam work on the dress is a heavy nod to the Couture pieces of the 1920s and 1930s. John Galliano often use those dresses as inspiration and you can clearly see that in this piece.
• Gathered ties extend out from the sides of the bodice to wrap and tie around you. They are very long so you can get creative in how they are tied. They add a touch of whimsy to the dress and are also a clever way to add shape through the waist.
• The dress curves back out and over the hips and then narrow down slightly to about the knee.
• The lower skirt is set into a curved seam and the volume below that is amazing. There is a tremendous amount of silk in the lower skirting so that it moves and floats fabulously around you when you move.
• Little added tiered ruffles of silk have been added along parts of the patterned seams for yet another extra romantic touch.
• The dress is completely cut on the bias so moves beautifully over the body. It makes it easy to fit and comfortable to wear.
• This is a spectacular example of his work and one of the most romantic prints from him that I have ever seen. This is an important early piece that is highly collectible.
• The dress is fully lined in an ivory silk chiffon and slips on with no closures. The easy cut and movement in the fabric should allow it to fit a range of sizes. The dress is in its original uncut length. It appears to have been worn very little if at all
• There is no size tag present so please go buy the measurements listed below
• Excellent condition

Bust: 16-19" flat across from side seam to side seam
Waist: 12-16" flat across from side seam to side seam
Hips: 17-22" flat across from side seam to side seam
Total length: 65" from shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5509

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in a blue walked the runway for Look 13 for the Spring 2008 Galliano collection. 
• It was made under the creative direction of John Galliano.
• This is a very rare Production label piece by Galliano. It may or may not have been produced for retail but it is the original production piece made before making that decision. This is a very rare thing to find and an amazing piece of Galliano fashion history.
• I love that we have the runway photos and video of the dress in blue. The runway piece was shown unlined so it really allows you to see the extraordinary detail in the lace that the dress has. The black version is obviously harder to photo and it is lined, but has the same amazing detail as the runway piece.
• I have added some detail shots of the dress lane flat so that you can see the patterns watch all through the netting.
• The Spring 2008 show coincided with John Galliano's tenth year with the label and it was Dior's 60th year as a label. John celebrated that by creating pieces based on some of his signature looks through the past decade. 
• The dress is made out of black netting that has a dot pattern running through.
• Added to this are circular medallions made out of a and then stitched embroider to create the circles that you see. These medallions are also a clever way to create the shape of the dress. Around the skirt, for example he has placed more of them all the way around to help provide structure and fullness before the final lower tier of the skirt.
• The bodice is shaped and cupped with a build in hooked strap. I love that the outer part of the cups of the bra are finished in a velvet, even though you can't see this, detail it is there. It just shows you how much attention was paid. I took a photo for you to see.
• The straps of the bra curve up and over your shoulder and are finished in a black velvet on their exterior side. Play beside those straps are straps made out of netting that have a round double ruffle shape. These sit over the inner bra strap once it's on your shoulder and Cape softly over the top of your shoulder and upper arm.
• Under the bus, it follows down to the waist where there is a pattern of the round medallion, circling all the way around you. These are placed on a slight downward angle on the sides to create a pretty line.
• Tool explodes to be very full and open. Just under the hip there is a second ring of those circular medallions that go all the way around you and again replaced on a slightly downward angle that curved down lower at the back of the skirt.
• Under that it is fantastic with layers to sit on top of each other with both layers having unfinished raw edges. One layer is longer than can you get even more volume.
• The back of the skirt curves around longer than the front. The lightness of the fabric let it move and catch the air fantastically. You can see that in the runway video.
• This is a phenomenally, rare piece of Galliano history, and and absolutely beautiful dress.
• The dress is fully lined in a black silk with a belt in attached bra that hooks to close at the back. The straps are adjustable. It closes with a tightly space row of his signature button and loops down one side.
• Because it is a production / sample piece there is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: 14-16" flat across from side seam to side seam with an A-small B cup
Waist: 12-13.5" flat across from side seam to side seam
Hips: open
Total length: 53" from top of shoulder to longest point of the back hem, 45" to the shortest point of the front

Modern Sizing Equivalent: XXS-XS

Item# DD5304

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the Spring 2008 Christian Dior runway for Look 53.
• It was made under the creative direction of John Galliano. 
  
• This collection marked Dior's 60th anniversary and it was also John's 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide and both the red and the black versions of this dress were produced in very limited quantities. Given how many red I have seen I suspect there were less made in the black.
• The red has been seen on multiple red carpets and we have included both runway and carpet photos here so you can see just how fantastic it is on the body.
• To help visualize what this dress looks like in black we changed the runway dress to black on the last two photos added here to show you what it looks like on.
• The dress is made out of a black silk that is completely cut on the bias. John often chose this particular weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do.
  
• The bodice is strapless with an inner boned and cupped corset that holds the dress in place around you.
• Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front.
• At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the back waist.
• From there his signature bias cut lets the dress skim and drape over you so that is shows every curve. As in many of his pieces the seaming has the feel  of couture pieces you would see from the twenties and thirties.
• The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a sweeping feel behind you as you walk.
• A row of his signature tightly spaced buttons & loops in the same silk run up one side.
• This is an incredible and rare example of his work.
• The dress is fully lined in a black silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I have given the comfortable range when the dress is laying flat below. It appears to have been worn very little if at all.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Inner bust: to 18" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 56" from the top of the bodice to the front hem and the back hem extends to a total length of 78"

Modern Sizing Equivalent: MED-LRG

Item# DD5851

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2007 John Galliano collection.
• It was made under the creative direction of John Galliano.
• During John Galliano's years at his own label he arguably produced some of the most amazing bias cut and glamourous dresses in fashion history. 
• His work often has a feeling of the decadence and abandonment of the twenties and thirties with their beautiful cuts. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning.
• This is an amazing example of his work from his Spring 2007 collection. This is the second time I have had one of these dresses in the shop. I was very pleased to find another after so much time has gone by since the last.
• A shorter silver version was worn by Drew Barrymore and she appears in a video where she notes that the dress was custom made for her. A printed version was also worn by her in the cover of Paris Vogue.
• A version was also worn by Kylie Minogue at Paris Fashion Week Fall that year. I love that having those photos and video give you an idea of the insane cut of the dress. This one in its full length is even more glamorous I think.
• The dress is made from an exterior layer of black lace. Set under that top lace layer is an inner base fabric that has a very subtle silver thread worked through it. You barely see it through the lace but it does add a subtle shimmer like a little hidden secret. It is fantastic.
• The dress is strapless and cut to follow the curves of the body. Inner cups add support and lift with built in underwire.
• It nips in at the waist and then curves back out and over the hips. The hourglass shape is created by intricate seam work that pieces the dress together. I took shots of it to show you the amount of seaming that has gone into the dress.
• The top edge of the dress is amazing. It has three folded over fabric panels that sit on each side of the sweetheart neckline. They add this delicious Old Hollywood feel to the dress.
• A curved vertical seam runs subtly down the front between the two cups and then at the back there is a series of horizontal pleats from one side that wraps into the zipper. The zipper is set offside to be hidden into a seam.
• The lace dips down and into the zipper and this allows the underlying inner black silk corset to peak out above the dip. This feels very sexy.
  
• Curved seams shape the skirt around you to emphasize the shape of the hips. The skirt is shaped to come back in slightly around the knees and then it flares out quite dramatically for the bottom part of the skirt.
• The phenomenal seaming set around the very bottom portion of the skirt opens into pleats off to one side at the front. Another series of pleats does the same at the back. This gives the dress a dramatic flaring out in shape along with a kick of fabric when you move.
  
• The dress has an inner cupped and shaped bodice made of black silk satin that is lightly boned and has underwired formed cups. The rest of the dress is lined in a black silk. The inner corset closes with hook and eye at the back under the outer zipper and then the dress closes over that with hidden set zipper at the back that follows a seam.
• Tagged a vintage Galliano FR42 GB14 US8
• Excellent condition

Bust: can accommodate up to a total of 37.5" all the way around the interior
Waist: to 14.75" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 10.5" from top of bodice to waist
Total length: 60" from the top of the bodice to the hem

Modern Sizing Equivalent: MED-LRG

Item# DD5853

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2009 runway for Look 62 
• It was made under the creative direction of Karl Lagerfeld
• This is the actual dress that was worn by Catriona Balfe for the Season 5 premiere of Outlander in 2020. 
• In the book "Chanel Catwalk" the notes on this collection tell us that for this show they rebuilt the facade of 31 rue de Cambron inside of the Grand Palais. The collection played homage to classic Chanel style.
• Many of the pieces in the collection used lingerie as their inspiration and you can see that in the lines of this dress. It was one of the outstanding pieces in the show and it is even more beautiful in person. My photos don't come close to doing it justice but you can see how beautiful it is in the reference photos. 
• The dress combines netting and silk in various transparencies and finishes. 
• The upper bodice and shoulders of the dress are made of a fine silk netting that has a touch of transparency to it.
• At the back it scoops down into a low squared off opening to leave the upper back bare and exposed.
• The cups of the bodice are made from a matte silk satin to creates the bodice piece that wraps around you.  A little bow sits at the centre front for a pretty and feminine touch.
• The skirt falls from just below that in an empire cut. It flows outward to the floor expanding by quite a bit  to be beautifully full as it nears the hem.
• The skirt is exquisite and it is made up of four distinct layers. The top layer is a black silk net. Under that is a more ivory layer and then the two innermost finishing layers are made from black silk organza that sit next to the skin.
• The stacking of the layers keeps the incredible volume and shape of the skirt. It also keeps the dress light feeling and comfortable to wear.
• It is a beautiful example of his work during this era.
• The dress is fully lined in a black silk behind the bust area and the inner two layers of the skirt are a black silk organza. The bodice buttons to close  with two pewter coloured silver metal buttons at the back and the dress zips to close under that. I see a couple of very tiny and little minor pulls and breaks in the skirt near the hem that don't affect it at all but mentioned for accuracy. There is a tiny repair near the edge of the arm opening. Please see the photo after the label shot.
• Tagged a Chanel 38.
• Excellent overall condition with the minor note above.

Bust: to 16.5" flat across from side seam to side seam
Seam under the waist: to 15" flat across from side seam to side seam
Inner hips: to 19" flat across from side seam to side seam
Bodice: 10.5" from top of shoulders to waist
Total length: 62.5" from top of shoulders to hem

Modern Sizing Equivalent: XS-SML

Item# DD5838

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this set can only ship to a Canadian address. If you need further assistance on this please get in touch. 
• The twin of this dress was Look 28 for the Resort 2008 Nina Ricci presentation
• It was made under the creative direction of Olivier Theyskens
  
• I love that we have runway reference photos and you can see how beautiful it is on Chanel Iman. It is a highly collectible piece and is a very special dress from the Olivier Theyskens era at Nina Ricci.
• In Vogue's review they stated that "What makes Olivier Theyskens such a compelling designer is the way his collections tend to riff on and grow from what came before. For resort the ex-Rochas front man continued to explore things he established at his first Nina Ricci show in March. There were more of the twisting around the body evening dresses... he pieced spirals together with patchworks of fabric for an elegant and ultimately more subtle effect than the ones produced by his fantastical fall creations." The said that the collection was "romantic, and rebellious at once, not unlike Theyskens himself."
• The dress is completely cut on the bias and you just slip it on to wear. It drapes over the body in a way that highlights your curves and yet is not tight fitting anywhere.
• Panels in both a black and a deep blue are set vertically on angles over the entire length of the body. The cut has a strong nod to the bias cut couture pieces from the 1920s and 1930s.
• Both the front and back are set in a V at the neckline for a bit of skin to offset the use of the fabric through the rest of the dress.
• The dress skims beautifully over the bust, waist and hips. Once past the hip area the lower skirt begins to flare out dramatically.
• The back is cut to sweep around and out behind you. Yard and yards of bias cut fabric make up the lower skirt and train. This creates the most beautiful movement around you as you move. Even in the still photos from the runway you get the feel of motion in the way the dress falls over the body.
• The very top of each shoulder has been finished with hand dyed black feathers. These are handset over the top of the arm to fall delicate over the top of your shoulders and upper arm. I love the extra drama and movement that the feathers create.
• This is a spectacular and rare dress from his time at the label. All of his work is highly collectible.
• The dress is unlined with hand finishes throughout. The dress is in its original uncut length. It has no closures and simply slips onto wear. The bias cut gives it lots of room through the body so it should fit a variety of sizes. On a smaller frame it will just drape more. I have put the comfortable range of measurements below. I see some light scuffing on the fabric. Very minor. Please see the photo after the label shot.
• Tagged a vintage Nina Ricci 40.
• Excellent condition

Bust: 16-20" flat across from side seam to side seam
Waist: 13-18" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Total length: 67" from top of shoulder to the shortest part of the front hem and the back extends another 19" beyond that. 

Modern Sizing Equivalent: SML-LRG

Item# DD5837

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Spring 2001 Chanel collection.
• It was made under the creative direction of Karl Lagerfeld.
• The show that year took place in the Carrousel de Louvre where the Chanel team constructed a multi-coloured Neon Staircase for the models to walk down. The Chanel 'Catwalk' books noted that the models sported tons of colour to go with that staircase and the collection showcased red, pink, blue, coral and purple besides the standard black and white used so often by Karl.
• The dress is made out of a feather light silk chiffon dyed to the deepest midnight blue.
• As good as it looks in the photos it will only really come to life once on the body. When you move and the air picks up the ruffles of silk chiffon it has the most beautiful movement.
• The dress is cut with a very soft and easy feel much like the dresses of the twenties and thirties.
• The neckline is a simple wide scoop and the bodice is cut to skim over you down to the waist. The waist area has a more generous feel that makes it easy to wear and this extends down to a dropped seam around the top of the hip.
• From there it falls to the floor widening out in a cascade ruffles as it nears the hem.
• The silk chiffon that the dress is made out of is entirely cut on the bias so that it drapes perfectly over you all the way to the floor. If you did want more shape through the waist you could easily add a belt or sash.
• Set horizontally across the bodice are three rows of smaller ruffles which add a sweet little detail. I love how the chiffon above and between these is a single layer so you get a touch of transparency between then and at the top of the shoulder area. 
• The skirt has its own cascade of ruffles with a total of six layers that are stacked over each other. This is what gives the dress its extraordinary movement once on and let it move so prettily when you walk.
• The bands of ruffles get wider and fuller as they reach the floor. This allows the lower skirts to really flare out and move as you move.
• The final finishing touch is the fantastic deep V of the back that is absolutely unexpected given the covered front. It is extremely sexy when you turn around to reveal that bare expense of skin.
• The entire dress is as light as a feather once on and it is almost like having nothing on at all. It is just amazing and even better in person.
• The dress is fully lined in the same midnight blue silk chiffon. It closes with a hidden set low back zipper that starts at the base of the V. The dress appears to have never been worn or worn very little.
• Tagged Chanel FR38
• Excellent condition
  

Bust: to 17" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 59" from top of the shoulder to the hem

Modern Sizing Equivalent: XS-SML

Item# DD5836

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.