• The twin of this dress walked the Cruise 2020 Dior show for Look 107.
• It was made under the creative direction of Maria Grazia Chiuri.
• This collection was shown in Marrakech and Vogue review said the collection was "about luxury, globalism, and culture". 
• I love the pieces from this collection that were made out of these metallic knit fabrics. They have the feel of some of fabrics from the seventies and are just magical. 
• The fabric has more copper toned metallic thread running through a deep dusky blueish grey base with tones of deep, blues, and greens that form a print  that is worked over the skirt. 
• The metallic thread runs over the entire dress in a vertical pattern. Where it turns into a print, the metallic is used to highlight and edge the print. This gives the dress a subtle shimmer from every angle. 
• The bodice of the dress is loose and easy with a keyhole slit that runs down the centre. The more generous cut allows for a more easy fit.
• The shoulders are soft and extend out into wonderfully full sleeves that pouf out over their cuffs.The sleeves are meant to sit between the elbow and wrist as you can see in the reference photos and each cup closes with little hidden set buttons.
• The waist it seamed but has a more generous feel. If you wanted to add more shape you could easily add a belt.
• The skirt is cut to be very full and wide. It is gathered in around the waist and this is what gives it the incredible fullness that it has. And it has pockets. 
• It is a really an outstanding piece and beautifully constructed.
• The dress is unlined but comes with its original nude coloured silk chiffon slip that is worn underneath the dress. The inner slip closes with a hidden set side, zipper, and the outer dress closes with a hidden set box zipper, and a hidden set button at the front neck above the keyhole. Each cuff closes with two hidden set buttons. The label is on the slip. The metallic of the fabric has loose threads here and there over the dress. This is a natural occurrence with this type of fabric.
• The slip is tagged a modern Dior FR 42, GB 14, IT 46, US 10
• Excellent condition

Dress
Sleeves: approximately 23" and they are 14" around the upper arm
Shoulders: no true defined seam
Bust: to 19" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of shoulder to waist
Total length: 61" from top of shoulder hem 

Slip
Bust: 16-17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Total length: 59" from top of shoulder to hem

Modern Sizing Equivalent: MeD-LRG

Item# DD5523

Reference Photos/Video: (1-3) Cruise 2020 Christian Dior, Look 107. Model Evelyn Nagy.  /  (4) Bae Suzy at the SBS Drama Awards, 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This gorgeous dress is a true couture piece from the Fall 1970 Haute Couture collection.
• It was made under the creative direction of Marc Bohan.
• The book Dior:Catwalk noted that the Vogue proclaimed that "Any woman anywhere on earth would want to own these total feminine clothes"
• In the few photos that survive of pieces from this collection, it is interesting to note that he showed most of these shift dresses under capes, which would be a lovely combination even now.
• This dress would have been made entirely by hand in the Paris atelier. 
• The dress is made out of a jet black silk velvet that is extremely soft to the touch and has beautiful drape.
• I love the nod to classic minimalism that the dress displays.
• Straps in a matching black velvet curve up and over your shoulders and then the front and back have just the most gentle bit of a scoop across. Just enough to take away the harshness a straight line would have.
• It skims over the bust and is cut more generously over the waist so that it falls in a perfect shift or column feel around you. If you wanted to add more shape you could easily add a belt or corded rope tie.
• It flares slightly out over the hips and then the skirt falls from there widening out as it near the hem.
• The dress closes down one side with glossy black buttons and I love the deliberate contrast in texture that it has against the black velvet. That pop of shine of the high gloss of the buttons is the perfect subtle detail against the inky texture of the velvet.
• The buttons close the dress down one side to just past the hip and then the rest of that seam is completely open all the way to the hem. When you walk, move or sit, you get a flash of bare leg all the way up that one side. It is almost startling to have that flash of bare skin against the column of black and I love this play between elegance and sexiness.
• It is a dress that appears to be so simple in shape but every seam and line of the dress was purposefully and masterfully executed and planned.
• This is an extraordinary example of his work during this time period and it is an absolutely stunning dress.
• The dress is fully lined in a matching hand set black silk and closes at the side with the row of buttons. All of the work is done by hand to Couture standards and it has its appropriately dated couture tag present. It appears to have been worn very little at all.
• There is no size tag present because it is Couture so please go by the measurements listed below.
• Excellent condition

Bust: to 16.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Total length: 57" from top of shoulder to hem and the slit is 29" from the hem up to the last button.

Modern Sizing Equivalent: SML-MED

Item# DD5505

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2009 collection and the same fabric was seen on the runway in other pieces.
• It was created under the creative direction of John Galliano.
• The show was inspired by 1920s and the 1920s Orientalism of couturier Paul Poiret and you can see that in the fabric of this dress and its nod to the metallic silk lames that were seen so prominently during that era.
• The dress is made from the most striking metallic silver & black fabric that has a subtle silver shimmer from head to toe. The photos capture the colour well, but it has a slightly more metallic feel in person that is really outstandingly beautiful.
• It is completely cut on the bias so that it falls and drapes beautifully over the body.
• The neck line is cut wide across and the shoulders extend slightly over the top of the arm. The bodice has angled darts that come out from the centre of the waist and it is cut to skim over you down to the waist area.
• The waist is shaped by a combination of the seam work there and the gathering at the front. After curving in around the waist it curves back out and over the hips.
• The skirt falls from there to the floor and I love how the bias cut narrows it in around the legs slightly and then the lower portion of skirt flares out dramatically. The back of the skirt is cut slightly longer than the front so you get this phenomenal sweeping feel behind you along with added movement as you walk and move.
• The way it is gathered in around the hips is a strong nod to pieces from the 1930s and 1940s. These are eras that John touched on quite often and that is showcased beautifully in this particular piece. There is a centre seam where all of the fabric has been gathered in towards to create shape and interest around the waist and the of the top of hips.
• The dress is in its original uncut length and just an incredible example of his work from time period. 
• It is fully lined in black silk and closes with a back hidden set zipper. I see some faded marks to the interior lining around the hem. I think this is from storage. The exterior is pristine. When the dress is off the body, the inner lining hangs a bit past the hem but once it was on the dress form, it falls right. This is because of the bias cut of the inner lining - it doesn't shorten to match the exterior hem until there is a body in it.
• There is no size tag present so please go buy the measurements listed below
• Excellent condition.

Bust: 16-17.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Total length: 64" from shoulder to front hem in the back extends another 2" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5491

Reference Photo: Fall 2009 Christian Dior Runway, Look 35.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2000 collection.
• It was made under the creative direction of John Galliano.
• This John Galliano dress is incredibly beautiful and it is a stunning example of his work. No matter how good you think that this dress looks like in photos it is even better in person and moving.
• The dress is made out of a hammered black silk that has a beautiful texture woven through the silk. I love how that the added texture it has catches the light as you move and adds an extra layer of visual interest to the dress.
• The dress is cut completely on the bias so it just glides over the body. It is made to perfectly fall over you in a sweep of bias cut fabric.
• It skims over the bust with a draped front that falls in a soft fold. Wide straps sweep up and over the shoulders and then extend down into the back.
• The back is truly incredible. It is scooped down into a very low open soft V that leaves most of your back bare.
• At the base of the scoop, it crosses over itself and has a bit of the same drape that you see at the front. It is so well-made that I think there is the possibility that you could wear it turned around back to front with the V at the front, depending on how it worked on your body and how daring you wish to be.
• The dress skims over the waist with a bit of a more generous feel. It continues past the hips and the bias cut of the silk lets it follows your curves and highlights the body underneath without it being too tight and fitted. Galliano was, and is, a genius when it came to this cut.
• Once past the hips the dress flares out as it nears the bottom hem so that it has beautiful movement when you move. One perfect angled seam runs down the front of a skirt for subtle detail and the very bottom of the lower skirt flares out slightly.
• A row of tightly spaced black silk covered buttons and loops run down one side to finish it with his signature detail.
• The dress is fully lined in a fine black silk and closes at the side with the buttons. It is all cut on the bias so the measurements given below are the comfortable range when the dress is laying flat. Being bias cut the length may come up a bit once on the body.
• Tagged a vintage Dior FR42, GB14, US10
• Excellent condition

Bust: 17-22" flat across from side seam to side seam
Waist: 14.5-17" flat across from side seam to side seam
Hips: 18-21.5" flat across from side seam to side seam
Total length: 63" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5485

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This spectacular dress is a very rare piece from the Spring 1999 collection.
• It was made under the creative direction of John Galliano
• For this show the Dior Catwalk book noted that "Galliano took a trip on the Trans-Siberian railway and drew inspiration from Russian avant-garde as well as the Chinese red army."
• A shorter version of this dress was shown in the presentation and then a long all silk version without the lace inset at the front was presented. We have included both so you can see how this will fit on the body.
• This is one of his signature bias cut dresses and it is absolutely stunning.
• The dress falls from two straps that curve up and over the shoulders. The front falls in a soft curving drape and then the back is scooped low to leave your upper back bare. The draped front is a clever way to add shape while still keeping the entire dress soft and with little formal structure.
• Behind the draped silk of the bust is a second halter cut bodice made out of black lace. As the front drapes down this lace peeks out from behind it.
• Set just underneath the bust is an angled ribbon of lace that is just over an inch and a half wide. This angles up towards the centre of the bust and then runs around the back.
• Another panel of lace highlights the seam that the lower skirt is set into and then the entire hem is finished with the same lace. I love how the placement of lace is done to highlight your shape.
• None of the lace used has any backing so that once this is on the body you get a glimpse of skin through all of the lace parts of the dress. It is brilliant. 
• The rest of the dress is made out of beautiful textured hammered black silk. The silk is a heavier weighted silk and it is completely cut on the bias. When you put it on it simply drapes over you and highlights every curve without ever being too tight anywhere.
• It skims over the bust, waist and hips and then comes in slightly to where the bottom lace inset is done. The lower skirt flares out substantially under that and there are yards of fabric in that part of the dress alone. This gives you incredible movement when you walk and finishes the dress beautifully. This flowing hourglass shape was a Galliano signature and this one is absolutely spectacular.
• The inner lining under the lower skirt is finished with yet another panel of black lace, and this peaks out from underneath the skirt. Perfectly tying everything together.
• The dress is an exceptional example from his very early days at Dior. A true piece of fashion history.
  
• The lace serves as the lining behind the draped front and then the rest of the dress is lined in a black silk except for behind the lace parts which are left unlined. It closes with hidden set side zipper. It is completely cut on the bias so there is a lot of movement and range to the fabric. It is an easy fit and the bias cut should allow it to fit a range of sizes I have put the range when laying flat in the measurements below. On a smaller frame it will drape more. I see a small scuff on the fabric here and there. Very minor and just mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, US8
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Bodice: approx 13" from top of shoulder to lace under the bust
Total length: approx 65" from top of shoulder to hem. The length may come up a touch once on because of the bias cut.

Modern Sizing Equivalent: SML-MED

Item# DD5474

Reference Photos/Video: Spring 1999 Christian Dior.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Cruise 2020 Dior show for Look 107.
• It was made under the creative direction of Maria Grazia Chiuri.
• This collection was shown in Marrakech and Vogue review said the collection was "about luxury, globalism, and culture". 
• I love the pieces from this collection that were made out of these metallic knit fabrics. They have the feel of some of fabrics from the seventies and are just magical. 
• The fabric has more copper toned metallic thread running through a deep dusky blueish grey base with tones of deep, blues, and greens that form a print  that is worked over the skirt. 
• The metallic thread runs over the entire dress in a vertical pattern. Where it turns into a print, the metallic is used to highlight and edge the print. This gives the dress a subtle shimmer from every angle. 
• The bodice of the dress is loose and easy with a keyhole slit that runs down the centre. The more generous cut allows for a more easy fit.
• The shoulders are soft and extend out into wonderfully full sleeves that pouf out over their cuffs.The sleeves are meant to sit between the elbow and wrist as you can see in the reference photos and each cup closes with little hidden set buttons.
• The waist it seamed but has a more generous feel. If you wanted to add more shape you could easily add a belt.
• The skirt is cut to be very full and wide. It is gathered in around the waist and this is what gives it the incredible fullness that it has. And it has pockets. 
• It is a really an outstanding piece and beautifully constructed.
• The dress is unlined but comes with its original nude coloured silk chiffon slip that is worn underneath the dress. The inner slip closes with a hidden set side, zipper, and the outer dress closes with a hidden set box zipper, and a hidden set button at the front neck above the keyhole. Each cuff closes with two hidden set buttons. The label is on the slip. The metallic of the fabric has loose threads here and there over the dress. This is a natural occurrence with this type of fabric.
• The slip is tagged a modern Dior FR 42, GB 14, IT 46, US 10
• Excellent condition

Dress
Sleeves: approximately 23" and they are 14" around the upper arm
Shoulders: no true defined seam
Bust: to 19" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Bodice: 18" from top of shoulder to waist
Total length: 61" from top of shoulder hem 

Slip
Bust: 16-17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Total length: 59" from top of shoulder to hem

Modern Sizing Equivalent: MeD-LRG

Item# DD5523

Reference Photos/Video: (1-3) Cruise 2020 Christian Dior, Look 107. Model Evelyn Nagy.  /  (4) Bae Suzy at the SBS Drama Awards, 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This gorgeous dress is a true couture piece from the Fall 1970 Haute Couture collection.
• It was made under the creative direction of Marc Bohan.
• The book Dior:Catwalk noted that the Vogue proclaimed that "Any woman anywhere on earth would want to own these total feminine clothes"
• In the few photos that survive of pieces from this collection, it is interesting to note that he showed most of these shift dresses under capes, which would be a lovely combination even now.
• This dress would have been made entirely by hand in the Paris atelier. 
• The dress is made out of a jet black silk velvet that is extremely soft to the touch and has beautiful drape.
• I love the nod to classic minimalism that the dress displays.
• Straps in a matching black velvet curve up and over your shoulders and then the front and back have just the most gentle bit of a scoop across. Just enough to take away the harshness a straight line would have.
• It skims over the bust and is cut more generously over the waist so that it falls in a perfect shift or column feel around you. If you wanted to add more shape you could easily add a belt or corded rope tie.
• It flares slightly out over the hips and then the skirt falls from there widening out as it near the hem.
• The dress closes down one side with glossy black buttons and I love the deliberate contrast in texture that it has against the black velvet. That pop of shine of the high gloss of the buttons is the perfect subtle detail against the inky texture of the velvet.
• The buttons close the dress down one side to just past the hip and then the rest of that seam is completely open all the way to the hem. When you walk, move or sit, you get a flash of bare leg all the way up that one side. It is almost startling to have that flash of bare skin against the column of black and I love this play between elegance and sexiness.
• It is a dress that appears to be so simple in shape but every seam and line of the dress was purposefully and masterfully executed and planned.
• This is an extraordinary example of his work during this time period and it is an absolutely stunning dress.
• The dress is fully lined in a matching hand set black silk and closes at the side with the row of buttons. All of the work is done by hand to Couture standards and it has its appropriately dated couture tag present. It appears to have been worn very little at all.
• There is no size tag present because it is Couture so please go by the measurements listed below.
• Excellent condition

Bust: to 16.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Total length: 57" from top of shoulder to hem and the slit is 29" from the hem up to the last button.

Modern Sizing Equivalent: SML-MED

Item# DD5505

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the Fall 2009 collection and the same fabric was seen on the runway in other pieces.
• It was created under the creative direction of John Galliano.
• The show was inspired by 1920s and the 1920s Orientalism of couturier Paul Poiret and you can see that in the fabric of this dress and its nod to the metallic silk lames that were seen so prominently during that era.
• The dress is made from the most striking metallic silver & black fabric that has a subtle silver shimmer from head to toe. The photos capture the colour well, but it has a slightly more metallic feel in person that is really outstandingly beautiful.
• It is completely cut on the bias so that it falls and drapes beautifully over the body.
• The neck line is cut wide across and the shoulders extend slightly over the top of the arm. The bodice has angled darts that come out from the centre of the waist and it is cut to skim over you down to the waist area.
• The waist is shaped by a combination of the seam work there and the gathering at the front. After curving in around the waist it curves back out and over the hips.
• The skirt falls from there to the floor and I love how the bias cut narrows it in around the legs slightly and then the lower portion of skirt flares out dramatically. The back of the skirt is cut slightly longer than the front so you get this phenomenal sweeping feel behind you along with added movement as you walk and move.
• The way it is gathered in around the hips is a strong nod to pieces from the 1930s and 1940s. These are eras that John touched on quite often and that is showcased beautifully in this particular piece. There is a centre seam where all of the fabric has been gathered in towards to create shape and interest around the waist and the of the top of hips.
• The dress is in its original uncut length and just an incredible example of his work from time period. 
• It is fully lined in black silk and closes with a back hidden set zipper. I see some faded marks to the interior lining around the hem. I think this is from storage. The exterior is pristine. When the dress is off the body, the inner lining hangs a bit past the hem but once it was on the dress form, it falls right. This is because of the bias cut of the inner lining - it doesn't shorten to match the exterior hem until there is a body in it.
• There is no size tag present so please go buy the measurements listed below
• Excellent condition.

Bust: 16-17.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Total length: 64" from shoulder to front hem in the back extends another 2" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5491

Reference Photo: Fall 2009 Christian Dior Runway, Look 35.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2000 collection.
• It was made under the creative direction of John Galliano.
• This John Galliano dress is incredibly beautiful and it is a stunning example of his work. No matter how good you think that this dress looks like in photos it is even better in person and moving.
• The dress is made out of a hammered black silk that has a beautiful texture woven through the silk. I love how that the added texture it has catches the light as you move and adds an extra layer of visual interest to the dress.
• The dress is cut completely on the bias so it just glides over the body. It is made to perfectly fall over you in a sweep of bias cut fabric.
• It skims over the bust with a draped front that falls in a soft fold. Wide straps sweep up and over the shoulders and then extend down into the back.
• The back is truly incredible. It is scooped down into a very low open soft V that leaves most of your back bare.
• At the base of the scoop, it crosses over itself and has a bit of the same drape that you see at the front. It is so well-made that I think there is the possibility that you could wear it turned around back to front with the V at the front, depending on how it worked on your body and how daring you wish to be.
• The dress skims over the waist with a bit of a more generous feel. It continues past the hips and the bias cut of the silk lets it follows your curves and highlights the body underneath without it being too tight and fitted. Galliano was, and is, a genius when it came to this cut.
• Once past the hips the dress flares out as it nears the bottom hem so that it has beautiful movement when you move. One perfect angled seam runs down the front of a skirt for subtle detail and the very bottom of the lower skirt flares out slightly.
• A row of tightly spaced black silk covered buttons and loops run down one side to finish it with his signature detail.
• The dress is fully lined in a fine black silk and closes at the side with the buttons. It is all cut on the bias so the measurements given below are the comfortable range when the dress is laying flat. Being bias cut the length may come up a bit once on the body.
• Tagged a vintage Dior FR42, GB14, US10
• Excellent condition

Bust: 17-22" flat across from side seam to side seam
Waist: 14.5-17" flat across from side seam to side seam
Hips: 18-21.5" flat across from side seam to side seam
Total length: 63" from top of shoulder to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5485

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This spectacular dress is a very rare piece from the Spring 1999 collection.
• It was made under the creative direction of John Galliano
• For this show the Dior Catwalk book noted that "Galliano took a trip on the Trans-Siberian railway and drew inspiration from Russian avant-garde as well as the Chinese red army."
• A shorter version of this dress was shown in the presentation and then a long all silk version without the lace inset at the front was presented. We have included both so you can see how this will fit on the body.
• This is one of his signature bias cut dresses and it is absolutely stunning.
• The dress falls from two straps that curve up and over the shoulders. The front falls in a soft curving drape and then the back is scooped low to leave your upper back bare. The draped front is a clever way to add shape while still keeping the entire dress soft and with little formal structure.
• Behind the draped silk of the bust is a second halter cut bodice made out of black lace. As the front drapes down this lace peeks out from behind it.
• Set just underneath the bust is an angled ribbon of lace that is just over an inch and a half wide. This angles up towards the centre of the bust and then runs around the back.
• Another panel of lace highlights the seam that the lower skirt is set into and then the entire hem is finished with the same lace. I love how the placement of lace is done to highlight your shape.
• None of the lace used has any backing so that once this is on the body you get a glimpse of skin through all of the lace parts of the dress. It is brilliant. 
• The rest of the dress is made out of beautiful textured hammered black silk. The silk is a heavier weighted silk and it is completely cut on the bias. When you put it on it simply drapes over you and highlights every curve without ever being too tight anywhere.
• It skims over the bust, waist and hips and then comes in slightly to where the bottom lace inset is done. The lower skirt flares out substantially under that and there are yards of fabric in that part of the dress alone. This gives you incredible movement when you walk and finishes the dress beautifully. This flowing hourglass shape was a Galliano signature and this one is absolutely spectacular.
• The inner lining under the lower skirt is finished with yet another panel of black lace, and this peaks out from underneath the skirt. Perfectly tying everything together.
• The dress is an exceptional example from his very early days at Dior. A true piece of fashion history.
  
• The lace serves as the lining behind the draped front and then the rest of the dress is lined in a black silk except for behind the lace parts which are left unlined. It closes with hidden set side zipper. It is completely cut on the bias so there is a lot of movement and range to the fabric. It is an easy fit and the bias cut should allow it to fit a range of sizes I have put the range when laying flat in the measurements below. On a smaller frame it will drape more. I see a small scuff on the fabric here and there. Very minor and just mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, US8
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Bodice: approx 13" from top of shoulder to lace under the bust
Total length: approx 65" from top of shoulder to hem. The length may come up a touch once on because of the bias cut.

Modern Sizing Equivalent: SML-MED

Item# DD5474

Reference Photos/Video: Spring 1999 Christian Dior.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.