• The twin of this gorgeous dress walked the runway for the Spring 2011 collection in a taupe colour and was Look 41 in the show.
• It was made under the creative direction of both Maria Grazia Chiuri and Pierpaolo Piccioli. 
• Even in the different colour between the runway shot and the runway video you can see just how beautifully this one is on the body and how it moves. 
• Vogue said of this collection that the pieces "displayed incredible Couture like workmanship" and gushed over the exuberant use of ruffles and lace throughout the collection.
• The dress is made out of a pinky-coral silk that is cut on the bias and flows over the body beautifully. The fabric choice keeps the dress very light in weight and gives it beautiful movement. I love it far more in this pretty colour than the pale taupe that it was shown on the runway in. 
• The entire top portion of the dress is finished in stacked ruffles made from silk organza that overlap the one underneath. On the bodice, there are also ruffles made of the same silk as the body of the dress interspersed between the organza ruffles. These swoop over you to curve up and over the single shoulder. All of the ruffles that cover the bodice have been set  on an angle to follow the same curve of the neckline and the ruffles continue all the way around you to the back. I especially love the little twirl created at the top of the shoulder that adds just a little bit of extra detail there.
• It comes in at the waist and then the top of the hips at the sides are subtly gathered for shape. It is all very pretty and feminine.
• The skirt falls from under there and widens out to a pretty fullness by the time it reaches the hem. The skirt has three full layers of silk and the draped to side curves upwards with an overlapped slit. So when you move a certain way you see a bit of a flash of bare leg. I love how the hem is curved to pick up on the angle of the bodice.
  
• The dress is fully lined in a marching coral silk chiffon through the bodice. The skirt is made of three layers of silk and these act as the lining. The dress closes with a hidden set side zipper.
• Tagged a Valentino 6
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 12.5" on the top of the shoulder to the inner seam under the bust
Total length: 63" from top of shoulder to front hem and the back extends another 4" past that

Modern Sizing Equivalent: SML-MED

Item# DD5210

Reference Photos: Spring 2011 Valentino. Look 41.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This amazing dress is from the Spring 1985 Haute Couture collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress would have been made completely by hand in the Paris atelier.
• On the runway the dress was shown in a brilliant pink. I am sure that this green colour was a special order by a Couture client.
• Jerry Hall was photographed in one that season and we have included other references for it as well so you can see how fabulous this sits on the body
• The dress has a very Old Hollywood / 1940s feel that I love. This is an era that Yves often touched upon in his work.
• It is made out of a pale grass green silk crepe that drapes beautifully once on.
  
• The shoulders are shaped with handmade padding inside and the sleeves are more generous through the upper part and then narrow as they reach the cuff. Each sleeve has a little handset zipper at the wrist.
• The front comes down in a V and I love how the silk has been draped and brought over from the sides to extend into ties that sit at the base of the V at the waist. This is an extremely clever way to hide all of the closures for the dress. Underneath the tie and extending down a few inches under the waist are hidden snaps and hooks that close the dress around you all while giving the illusion that you have simply tied the dress in place.
• The skirt is gathered in under that to fall to the floor. As it reaches the hem it widens out quite a bit so that when you move it has beautiful movement around you. The back also extends a little longer than the front hand for a sweep of extra movement behind you. Yves was a master at manipulating fabric to fall perfectly over the body.
• The dress is not perfect but is wearable if you do not mind that it does have some small flaws. Please make sure to read the full description below carefully. This is still an outstanding example of his work during this time period.
• The dress is fully lined in a green silk and closes with a series of snaps and hooks at the front waist. Zipper sits at each wrist. The dress has fading across the top of each shoulder and some slight fading throughout. The hem has fallen down in places and there is a touch of grubbiness and fading around the edge of the hem. There is a series of little dots near the seam at the back. The actual silk is sound and stable. The dress could potentially be dyed if you preferred not to wear it as is. Sold as found and priced accordingly.
  
• There is no size tag present since it is a Couture piece. Please check the measurements below.
  
• Great overall condition.

Sleeves: 29" and are 15" around the upper arm
Slightly extended shoulders: 16.5"
Bust: 16-19" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 59" from top of shoulder to front hem and the back extends another 6" 

Modern Sizing Equivalent: SML-MED

Item# DD5209

Reference Photos: (1-2) Spring 1985 Yves Saint Laurent Haute Couture.  /  (3) Jerry Hall in YSL for Harper's Bazaar France, 1985.  /  (4) Jours de France Collections Haute Couture Soir S/S 1985.  /  (5) Spring 1985 Yves Saint Laurent Couture. Photo by David Seidner.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• During this time period in Valentino's history there were several dresses shown in several collections that were similar to this dress. We have added examples from 2014, 2015 and 2016 to show you how these look on the body.
• It was made under the creative direction of both Maria Grazia Chiuri and Pierpaolo Piccioli.
• In the Vogue review for the 2105 collection they said: "Monastic, artistocratic, modest, and even prim have been terms applied to Maria Grazia Chiuri and Pierpaolo Piccioli's Valentino almost since they took over in 2009." and I feel that aptly sums up their period of Valentino.
• The dress does not have a single unnecessary seam. It really shows how sometimes absolute minimalism is best.
• The dress is made from a pale grass green silk crepe that has a beautiful drape. This is what lets it move so beautifully over the body once it is on.
• It is constructed so that it drapes and skims over the body perfectly. The skirt falls to the floor in a sweeping expanse of fabric. When you stand still it looks more like a sleek column but when you move you realize how much fabric is in there as it billows out behind you.
• The bodice drapes softly over you at the front. The silk extends over the shoulders and then it falls to the floor to create this elegant and dramatic caped feeling over your arms. The fabric has enough weight that it stays in place when you are standing still but when you move you get a billowing effect around you. The waist has some stretch so the dress is easy to fit and should work on a range of sizes.
• At the back there is a full cut out that leaves your entire back bare. This unexpected expanse of skin when you turn around is amazing.
• The inner part of the front bodice is lined in an orange silk chiffon. The rest of the dress is unlined. It closes with a hidden set side zipper at the back and then ties at the back of the neck. Long attached straps run down from the shoulder to attach in at the side of the waist to hold it in place. It comes with its original hang tag attached.
• Tagged a Valentino 40
• Excellent condition
  

Bust: covers to 16.5" flat across the inner front bodice from side to side with no true side scenes
Elastic waist: 12.5-14.5" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 16.5" from top of the shoulder to waist
Total length: 63" from top of shoulder to front hem and the back extends another 4" past that.

Modern Sizing Equivalent: XS-MED

Item# DD5207

Reference Photos: (1) Spring 2014 Valentino, Look 50. Model Hanne Gaby Odiele.  /  (2) Resort 2015 Valentino Collection, Look 78.  /  (3) Resort 2016 Valentino, Look 79.  /  (4) Lady Gaga in Valentino at the Kennedy Center Honors at the John F. Kennedy Center for Performing Arts, December 2014.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A version of this dress walked the runway for the Fall 2009 collection for Look 29. 
• It was made under the creative direction of Junya Watanabe
• One was also shot for Vogue Korea that season. We have included all the reference photos so you can get an idea of how fantastically this will sit on the body.
• The dress still has its original tags and was never worn.
• The dress is wonderfully avant-garde in every way. It is like wearing a piece of soft sculpture once it is on.
• The dresses made out of a black nylon that is feather light and then inside of the layers through the body have a light padding added. This is what gives it the incredible volume and shape that you see. We have added nothing underneath to any of these photos.
• The sleeves have been create by a single layer of the nylon that extends out from either side of the neck line. An opening is left in each for your arm to slip through.
• The front and back both plunge in a V and are detailed with that big chunky gold toned metal chain. It is just a phenomenal idea and gives the neckline the weight to hold it in place on you.
• The chain curves and crosses over itself at the front and the again at the back. It scoops around to each side with one side showing on the exterior. The fabric. of the dress is all pulled and gathered into this chain and this is what creates the beautiful curving shape.
• There is an open keyhole created at the back where the chain meets. The dress is so well-made that I think you could wear it either way around if you wanted that at the front instead.
• The skirt is phenomenal. It is quilted and lightly padded and scoops back up and under itself at the hem to also attach back into the chain that curves around you on the inside. It is incredibly full and when I lay it out flat it makes a complete circle of fabric.
• His work is highly collectible and this is a phenomenal example.
• The folding back over of the layer of the skirt acts as the lining and the bodice is unlined. It slips on to wear with no closures. Its easy cut should allow it to fit a range of sizes. On a smaller frame it will just feel more oversized.
• The dress was never worn and still has all its original tags attached as well as a small piece of repair fabric in a clear pouch attached to the tag on the inner skirt.
• Tagged a Watanabe size M
• Excellent condition

Bust: approx 16-18" flat across from side seam to side seam
Waist: approx 14-19" flat across from side seam to side seam
Hips: open
Total length: approx 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5204

Reference Photos: (1) Fall 2009 Junya Watanabe Runway, Look 29.  /  (2) Vogue Korea, December 2009.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Jan Faulkner is a leather artist who began her career about 30 years ago. This is an early piece of her work from the 1980s
• It is made out of a black suede that has a leather finish to the interior side.
• The suede is almost certainly deerskin as it is extremely soft and supple.
• It slips over the head and is meant to be full and easy through the body.
• The shoulders are soft and extended to form a small cap feeling sleeve.
• The entire dress has these little slit cut outs running over its surface. Each grouping of the cut outs have been highlighted with pearls and small hand tied fringes in the same black suede. This makes the dress slightly see-through in a subtle kind of way. 
• It drapes down and narrows in at the hem. The suede is so soft that it is like a fabric over the body.
• The neckline is wide enough that you can wear it off one shoulder if you wished. 
• It is meant to be worn oversized and it is short enough to wear as a micro mini or tunic.
  
• It slips over the head to wear with no closures.
• Excellent condition.

Shoulders: the seams drop well down the top of the arm so there is no true defined seam for the shoulder
Bust: to 26" flat across from side seam to side seam
Waist: to 22" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 31" from top of the shoulder to hem

Modern Sizing Equivalent: XS-LRG

Item# DD5206

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this look walked the Fall 2020 runway for Look 29. On the runway it was shown with a addition partial dress worn over it but once it hit the shops it was sold on its own and that added piece was sold separately.
• The dress was made under the creative direction of Alessandro Michele.
• Both Kylie and Rita Ora wore one in 2021 so you can get a great idea of it on the body.
• Vogue noted that "he took cues from “the perfection” of little girls clothes - pinafore dresses, school uniforms - and it seemed from the outfits of those little girls’ minders, nuns to nurses included." You can see that reference in this piece with its pinafore collar and front pleating but in typical Michele fashion he took that as a starting point and then upped the glamour with the added rhinestones and that phenomenal trailing over-skirt.
• One of the things I love best about this is that because it is three pieces you have many styling options with it. You can wear all or part of it and mix and match with other things you already own.
• The dress part of the set is a pretty dusty pink piece made out of a silk organza mix. A silk slip sits under that and I love that that inner slip is opaque enough that you could actually wear it on its own as a slip dress. With the inner slip being completely separate it also allows you to choose how daring you want to wear the dress. Over that is the spectacular over-skirt that wraps around the waist and ties at the front.
• The dress has a little lace collar with the house double G worked into the pattern. It blouses over you at the front and comes in at the waist. The waist is cut more generously and then you use the ties on the over-skirt to cinch it in as much as you want. If you are wearing the dress on its own you can leave the waist more loose and easy or add a belt.
• Running all the way down the front of the dress is a series of little pin-tuck pleats and then between those are wider pleats that have been gathered up in a diamond / marquis pattern and held in place by little prong set rhinestones. I love this little bit of added glitz.
• The sleeves are full with horizontally pleated cuffs. An elaborate handkerchief ruffle sits underneath that.
• Attached inside of the front insides of the skirt of the dress is an added panel in the same silk that hangs past the hem an extra 8.5". It is an unusual and pretty detail that is a nod to the aprons of a nurse or nanny. 
• The dress buttons to close down the back. The final button is set 22" above the back hem.
• The over-skirt is phenomenal and takes the dress from something that can be worn in the day or evening into a full on glamorous gown. It is made from a single layer of the same silk organza and is pleated vertically all the way down to its raw cut hem. A band runs around the waist and this extends into ties. You wrap it around you and slip it through the little belt loops around the waist of the dress and tie into place. It swoops out to create a beautiful trailing feel behind you.
  
• The inner acts as the lining and is fully separate from the dress. Little snaps at the shoulders hold it in place once it is on. The dress buttons down the back and then the skirt ties into place over that around the waist. The hem of the skirt is deliberately raw cut. The dress has a more pastel feel in person. All of the pieces appear to have never been worn.
• Tagged a modern Gucci 40
• Excellent condition

Dress
Sleeves: 25" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 58" from top of shoulder to longest point of the hem, 50" to the shorter hem

Inner Slip
Bust: 17.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 49" from top of shoulder to hem

Over-skirt
Waist: adjustable with the ties
Hips: open
Total length: 62" from the waist to the longest points of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5202

Reference Photos/Video: (1-5) Fall 2020 Gucci, Look 29. Model Johana Gavendova.  /  (6) Photo by Bruce Gilden.  /  (7) Kylie Minogue in Gucci, May 2021.  /  (8) Rita Ora in Gucci, February 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from 1977 and was most likely a made to order custom or bridal piece.
• It was made under the creative direction of Roy Halston
  
• When researching we found the examples shared here that are almost identical to this dress but without the extra added panels that create the spiralling ruffles.
• This is a beautiful ivory dress that showcases the minimal seaming that Halston was so famous for.
• The dress is made of a heavier weighted silk charmeuse that is cut like the reference photos show through the body but with added panels and seams that go around and cascade down the lower skirting.
• It is completely cut on the bias so it drapes phenomenally over the body. You simply slip it over your head and it drapes over you to accommodate the body underneath. This makes it easy to fit and very easy to wear.
• The sleeves are long and extend out directly from the body of the dress with no seaming around the arm. Each narrows to its cuff where there is a handmade silk covered button and loop.
• The neckline is cut wide across the neckline and has a subtle draping at the centre of the neck at both the front and back of the dress. It is a very pretty detail.
• It glides over the body skimming over the bust, waist and hips to the floor. The vertical ruffles are set on an angle so that they cascade down to the hem. When you move these swirl around the lower part of the dress and create gorgeous movement around you.
• Working with this fabric is incredibly difficult and it is a testament to his skill to create such a seemingly simple but complex pattern.
• The dress is fully lined in a second layer of the same fabric which adds to the technically difficultly of the pattern and rich feel of the silk. It has no closures and slips on to wear. Each cuff has a silk covered button and loop to close.
• There is no size tag and the bias cut will allow it to have it some give. Please go by the range of measurements listed below. The colour is slightly more ivory in person. I see some minor marks and scuffing here and there on the silk of the bottom ruffles. I shot one so that you can see. It is very minor but mentioned for accuracy. The length may come up once on because of the bias cut.
• Excellent condition.

Sleeves: approx 23.5" and are 16" around the upper arm
Shoulders: no defined seam
Bust: 18-22" flat across from side seam to side seam
Waist: 15-21" flat across from side seam to side seam
Hips: 19-25" flat across from side seam to side seam
Total length: approx 62" from top of shoulder to hem. 

Modern Sizing Equivalent: MED-LRG

Item# DD5201

Reference Photos: (1) Spring 1977 Halston.  /  (2) Fall 1977 Halston.  /  (3) From the book "Halston: An American Original"

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• This is from 2006 and is a very cute little black dress that has a real bit of sexiness to it.
• It was made under the creative direction of Miuccia Prada
• The top portion of the neckline is made from a black silk chiffon so has a touch of transparency. The chiffon carries down the sides and then across and underneath the scoop at the back.
• The body of the dress is made out of a black silk that helps to hold the shape. It skims past the bust, widens out over the waist and then is very full over the hips. At the front it flares out in a pretty and full A-line to the hem.
• The back of the dress has a low open scooped cut out that leaves most of your back bare and exposed. The chiffon on either side and just under the scoop has a touch of transparency. It is so good.
• The back of the skirt is all gathered into a curved seam under that and this gives the fabric all of the volume that you see. Those gathers combined with the way it is cut let it sit up and off the small of your back a touch and this just emphasizes all the fullness back there even more.
• Under the skirt is a built in under skirt made out, helps to provide the volume that you see. I love how it kicks out past the hem of the dress.
• The dress is fully lined in a black silk and closes with a side set hidden zipper. It still has its original tag attached.
• Tagged a Prada 42
• Excellent condition

Bust: 17-18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Total length: 37.5" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5198

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a more modern piece by Giambattista Valli that I believe is from circa 2015.
• It was made under the creative direction of Giambattista Valli
• This is a fantastic day dress that is appropriate for the office but also can be worn to dinner or a cocktail events.
• The base of the dress is made from a stretch mix of silk and wool in a black that has a touch of charcoal feel to it. The stretch allows it to really form around the body but still feel extremely comfortable to wear.
• It is sleeveless and skims over the bodice. The waist nips in and is highlighted with a wide black grosgrain ribbon. From there it curves back over the hips.
• The skirt is cut in a chic pencil shape. A back vent lets you walk easily when wearing it.
• An attached panel runs down the front of the dress. This is made out of a wool that has a nubby thatched texture to it with little silver metallic lurex threads run through the fabric. It is subtle but really elevates the dress and is a beautiful added detail.
  
• The dress is fully lined in a black silk and closes with a black hidden set zipper.
• Tagged a modern Valli 44
• Excellent condition

Bust: 18-19" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the top of the 2" band at the waist
Total length: 39" from top of shoulder to hem with approx 1.5" turned under the ham

Modern Sizing Equivalent: MED-LRG

Item# DD5200

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 15 for the Spring 2015 collection.
• It was made under the creative direction of Donatella Versace.
• The dress was worn by Anja Rubik on the runway and it was wait listed worldwide and sold out everywhere.
• The dress is made out of a black stretch fabric so once it is on it molds and conforms to your body. You can see this on the runway shots. It is very sexy.
• It has a single long sleeve and the shoulder on that side is soft. The other shoulder is left bare and exposed.
• It skims over the bust and comes in at the waist. Starting just under the bust on one side is a cut out at the waist that is held together with three of the iconic Versace pins. These are of course a nod to be famous Versace safety pin dress. That open cut out continues horizontally all the way around to the back to leave a bare strip of skin showing around the waist and back.
• From there it hugs the hips and narrows back in above the knee.
• The dress is fully lined and slips on to wear with a hidden set side zipper. It was never worn and still has its original tag attached. The dress looks very tiny off. The body is meant to stretch. I've added the comfortable range of measurements below.
• Tagged a Versace 40
• Excellent condition

Sleeve: 25" and is 10-11" around the upper arm
Bust: 14-17" flat across from side seam to side seam
Waist: 11-13.5" flat across from side seam to side seam
Hips: 16-18" flat across from side seam to side seam
Total length: 35" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5199

Reference Photos/Video: Spring 2015 Versus Versace, Look 15. Model Anja Rubik.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a beautiful dress that was made for the shops in 2022.
• The dress was made under the creative direction of Sarah Burton.
• It is made from layers of an off-white ivory silk chiffon that float beautifully over the body. It is very loose and easy as it falls over you making it is easy to wear and very flattering.
• Tiny silk straps curve up and over your shoulder to connect at the sides of the bodice and back. I think with this one you also have the option that you could tuck the straps in and wear this as a strapless dress.
• The bodice is cupped and inside there are molded and wired inner cups attached to hold the shape and give you structure and support.
• Onto that is a beautiful and elaborate design that is made out of a braided silver thread, silver tube, beads, and prong set rhinestones and beads in various sizes. These are set over the bodice to form a design of leafs and vines that swirl across you. It is quite stunning.
• The silk chiffon falls under there and flows all the way down to the floor. The dress is in its original length and the movement the silk chiffon has is incredible. The fabric is so light that when you move it swirls around you. There are extra panels of the silk chiffon that are attached along the upper edge of the back and around slightly to the sides. These fall over the inner dress to the floor to give a beautiful caped feel to the back. 
• The dress is fully lined in an ivory silk and closes with a back hidden set zipper. There is a built-in inner corset that is boned and cupped. I see a tiny repair near the hem of the skirt and there is a little bit of very minor pulling on the back silk chiffon panel where it has caught on the applique work at some point. Please see the photo after the label shot. The dress was never worn and is in its original length. It has its original hang tag attached.
• Tagged a McQueen 42
• Excellent condition

Bust: 17" flat across from side seam to side seam with B-C cups built in
Seam under the bust: to 15" flat across from side seam to side seam
Inner waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 13" from top of the shoulder to seam under the bust
Total length: 64" from the top of the shoulder to hem 

Modern Sizing Equivalent: SML-MED

Item# DD5196

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A gorgeous one-of-a-kind dress from a small Atelier in New York from the 1950s.
• The dress is made to Demi-couture levels with extensive hand work.
• An ivory silk base has been heavily hand beaded to cover the entire dress.
• At the front the dress has a scooped neck. I love how the edge of neck line follows the shape and pattern of the embellishments. At the back it scoops low so you get a bare expanse of skin showing. This is that classic old Hollywood kind of shape that stars like Marilyn Monroe would wear.
• The waist nips from there and then the dress curves back out and over the hips.
• From the hips it falls and narrows slightly in to the hem. The skirt has a slit up the back so you can walk and move comfortably. There is some extra fabric turned under the hem if you need more length. The fabric that is turned under is not beaded and it could be let down to gain another 3.5" to form a pretty edge.
• The dress is fully lined in a hand set ivory silk with hand stitching throughout. It closes with a back zipper. There is slight wear under each arm and very minor discolouration along the inner edge of the neckline. Please see the photos after the label shot.
• There is no size tag present so please go by the measurements listed below.
• Excellent  condition

Bust: 16-18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 50" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5195

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• I purchased this many years ago and was told this was a dress made under the creative direction of Olivier Theyskens.
• Theyskens debuted at Rochas in 2003 at the age of 25 and stayed at the brand until Spring 2015.
• The dress has a beautiful Victorian feel to it and the fabric is gorgeous. It is very light in weight and feels like a fine silk organza mix. Onto it is a stunning washed watercolour feeling floral print that covers the entire dress. It is very pretty.
• A pretty ruffle circles the collar and ruffles continue down the front on either side of the buttons. The bodice is detailed with stripes of black flat pile cotton velvet and the buttons are covered in that same fabric. The seams are exposed and deliberately top stitched with a embroidered feeling thread. The sleeves are long and each ends in a wide cuff that has a little bit of velvet detail.
• It skims over the bust and waist and is cut to be more full and easy through the body. The bodice extends down past the waist to a seam that sits on the top of the hip. The skirt is attached above the seam with an exposed serging all the way around you.
• The skirt falls from there to the floor and it is wonderfully full. It is gathered in around the seam at the hip and then opens out as it near the hem. The lower portion of the skirt is covered in the same detailing that we see on the bodice, combining the velvet ribbon, exposed seams and ruffles, but on the skirt it is flipped horizontally to wrap around you. Underneath the skirt is lined in a black woven netting that helps to hold the shape.
• It is beautifully detailed and the design is properly and carefully thought out and executed. Its loose easy cut through the body make it an easy to fit dress. I think you could even belt this to create a completely different feel to the dress and add more shape.
• They bodice is unlined and has a touch of transparency to it. The skirt is lined in black netting as described above. It closes at the front with the black velvet buttons. Each cuff closes with a series of five hidden hook and eye. It appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Sleeves: 26.5" and are 11" around the upper arm
Inset shoulders: 12"
Bust: 17" flat across from side seam to side seam
Natural waist: 16" flat across from side seam to side seam
Seam at the top of the hips: 18" flat across from side seam to side seam
Natural hips: open
Bodice: 19" from top and shoulder to waist
Total length: 61" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5189

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A version of this dress walk the runway for the Fall 1979 Haute Couture collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress is completely made by hand to Haute Couture standards and it is incredible.
• I love having the runway photos so that you can see just how amazing it is in the body and I think the longer version is even better. It's more balanced and proportional with the upper body.
• The dress is made from a crisp black silk and this fabric choice allows it to hold those beautiful lines that you see.
• The neckline dips into a shallow V and the dress is vertically seamed to follow the curves of the body.
• The sleeves are amazing. Each is cut on a curve to follow the shape of the arm in the traditional manner of making a sleeve. They are set into the shoulders with a beautiful series of soft pleats so that you get a bit of volume at the shoulder. They puff out slightly around the upper arm and then narrow down at their ends.
• At the back the dress scoops low to give you a bare expanse of skin across the upper back. The back has a low set seam under the open scoop and this allows the top of the back skirt to lift slightly off and away from the body. A tiny detail that feels very sensual on the body.
• That same seam curves over the hips and angles up towards the waist at the front. The skirt falls under that. on a curve that widens out as it reaches the hem. The back is fuller and it also falls a touch longer to give it the feel of it sweeping out behind you.
• Underneath the skirt is a built-in ruffled black silk net underskirt and when you move or sit you see just a peek of the ruffle around the inner hem. Layers of silk net have been added under the sea, where the skirt starts to help to hold the fullness there as well.
• The dress is detailed with hand applied sequins to form little varying sized circles that run over the entire bodice, the waist and the top part of the skirt. Two types of sequins have been used - tiny silver sequins one and others that are an iridescent pale blue. The blue ones catch the light and range in colour from silver to an ice blue. Mixed into that are some circles that are made from little glass crystal beads. 
• The bodice is unlined and the skirt is fully lined with a built in underskirt in a black silk net and taffeta. Built in interior panniers around the hip area that I have photoed. It closes with a hand set back zipper and the skirt snaps into place with silk covered snaps over that. Hidden set zippers at each wrist. Hand finished throughout. There is the occasional sequin or crystal missing on the dots here and there and I have photoed one area for you to see as an example. Please see the last detail photo for that. Unlabeled. Completely made by hand to Haute Couture standards.
• There is no size tag present, so please go by the listed measurements below.
• Excellent condition

Sleeves: 23.5" and are 16" around the upper arm
Slightly inset shoulders: 14"
Bust: to 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 60" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5188

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 18 for the Fall 2017 collection.
• It was made under the creative direction of Pierpaolo Piccioli.
• I love that the runway reference photos and video show you how beautifully this moves once it is on the body.
• Vogue's review stated in part "this label, based in its idyllic Roman headquarters, has already been rebuilt on escapism. If you’re in need of a fantasy dress, Valentino, with its exquisite workmanship and aura of art-history-tinted romance, will be very near top of mind. Piccioli said he’d merged Victoriana and the Memphis Group as starting points. The Victoriana provided plenty in the line of the long, high-waisted, high-necked house signature dresses." This is clearly one of the dresses inspired by that theme.
• The dress is made out of a white silk that has an exuberant oversized and stylized floral print. The print runs over the entire dress.
• The neckline is high with a ruffled collar and the dress buttons completely down the front with a double row of buttons. I love that each button hole is properly finished in the proper tailoring manner. It skims over the bust, waist and hips and is cut generously through the body so it is an easy fit. There is a seam at the waist but it is cut generously.
• Little ruffles round over each shoulder and the sleeves fall from there, ending in a double row of ruffles to tie everything together.
• The skirt has built in flat pleats which gives it lots of volume,and you can see this in the video when it is on and moving. Even though you are completely covered the power of that beautiful fantasy print keeps the dress feeling light and easy.
• The dress is fully lined in a white silk chiffon and closes at the front with the buttons to the waist. Hidden set buttons continue under there down the front of the skirt. It is in beautiful condition and appears to have been worn very little at all. 
• Tagged a Valentino 42
• Excellent condition

Sleeves: 26" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist
Total length: 62" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5183

Reference Photos/Video: Fall 2017 Valentino, Look 18. Model Mariana Zaragoza.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress that was shown over a nude stretch top walked the runway for Look 80 Fall 2016 collection.
• It was made under the creative direction of Pierpaolo Piccioli.
• It was also featured in an editorial that season.
• The dress is incredibly beautiful and it would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.
• The entire dress is made from a pale nude tulle netting that has just a hint of a pink undertone to it. It is lined in a matching silk so that is so opaque enough to wear.
• Scattered over the tulle of the entire dress are little combination of a silver sequin with a little clear bead topping the sequin. These catch the light from every angle and make the entire dress glitter in a pretty and subtle way.
• The dress is suspended from tiny net straps that curve up and over each shoulder. The front scoops across and the the upper back is bare.
• He has attached a panel of the netting all the way around the neck line and as it curves towards the back, it gets wider so it drapes down the sides and just passed the waist at the back. It is such a pretty detail.
• The waist curves inwards and the skirt is cut to flare outwards from there. It is very wide and full by the time it reaches the hem. Under the top layer, there are three more layers of netting in the middle of the three layers has a double hem that helps hold the volume even more. Inside all of that is the opaque silk layer. The fabric choice combined with the built-in under skirting helps to give the skirt its structure to keep the volume and shape that you see.
• Fully lined in a matching silk and closes with hidden set back zipper
• Tagged a modern Valentino 40
• Excellent condition

Bust: 16-17.5" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to waist
Total length: 58" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5179

Reference Photos/Video: (1-3) Fall 2016 Valentino, Look 80.  /  (4) Marie Claire Spain, October 2016.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this skirt was shown as part of Look 93 for the Pre-Fall 2015 presentation.
• It was made under the creative direction of Maria Grazia Chiuri and Pierpaolo Piccioli. 
• This was an interesting collection because they collaborated with both British textile designer Celia Birtwell, the ex-wife of the late Ossie Clark and the woman behind his floral prints in the 1970s, and the Italian Pop Artist Giosetta Fioroni. Many of the pieces, like this skirt, were embroidered with stars, planets and swirling constellations.
• Marion Cotillard wore the full look that season and Phoebe Fox also wore the twin of this skirt. 
• The skirt is beautiful to see in person. The base has an inner layer of blue netting topped by a black layer of netting. Over that is a layer of a more open weave black net. That top layer is covered with embroidered stars, planets and word appliques. The result is a beautiful and everywhere you look there is something to see.
• The waist is banded with grosgrain that folds inwards with all the fabric of the skirt gathered on the outside for a slight ruffle feel at the top of the waist.
• It falls from there and has quite a bit of room so is an easy fit. It widens out as it nears the hem. There is quite a lot of fabric in the skirt and it moves beautifully around you when you move. 
• The inner layers of tulle act as the lining and it has a hidden set zipper at the side. The skirt has a touch of transparency but the layers and applique make it wearable. It appears to have been worn very little if at all. 
• There is no size tag present so please go by the measurements below
• Excellent condition

Waist: 13" flat across from side seam to side seam
Hips: open
Total length: 44" waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5174

Reference Photos: (1) Pre-Fall 2015 Valentino, Look 93.  /  (2) Marion Cotillard In Valentino at the Film Independent Spirit Awards, February 2015.  /  (3) Phoebe Fox for Flaunt Magazine, June 2015.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This skirt is a production piece for the shops from the Spring 2019 collection.
• It was made under the creative direction of Pierpaolo Piccioli.
• On the runway a dress shown for Look 60 had similar a beaded design over its surface. We have added that runway reference for you here.
• Vogue succinctly said that "In a season when there’s been so much talk about the appreciation of couture dressmaking and craft skills, Piccioli just took it to the ultimate. It was as accomplished, as complexly cut—and as simple as that."
• The high level of craft put into a hand embroidered and beaded piece like this is evident in the price tag. The original cost of the skirt was £12,285.
• The skirt is outstanding and is beautiful to see in person. There is an inner silk skirt that snaps into place around the inner band of the waist. I love that this gives you the choice to wear the skirt fully opaque, or you can snap the lining out and have the skirt be more transparent.
• Over the inner lining is a layer of black netting and then the top layer combines tulle with insets of a light grey and deep dusty blue grey silk chiffon. Silver metallic thread and tiny silver beads run in swirling designs over the entire skirt. And if you look carefully, you see that there is one unexpected little pink pop of silk chiffon. I love that unexpected detail.
• The waist is banded with a black grosgrain that folds inwards. The inner skirt snaps onto that band so that the snaps are hidden from view.
• The skirt falls from there and has quite a bit of room through the hips so it is an easy fit. It widens out as it nears the hem. There is quite a lot of fabric in the skirt and it moves beautifully around you when you move. 
• The black silk lining snaps into place as described above and both the lining and outer skirt have a zipper at the side. Without the lining snapped in the skirt has a touch of transparency. It appears to have been worn very little if at all. 
• Tagged a modern Valentino 38
• Excellent condition

Waist: 13" flat across from side seam to side seam
Hips: open
Total length: 40" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5176

Reference Photo: Spring 2019 Valentino, Look 60.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Cruise 2011 collection and a dress with a similar front design was shown on the runway for Look 26 in the show.
• It was made under the creative direction of John Galliano
• The show was shown in Shanghai that season and Galliano said at the time that he was trying to "capture the feeling of Paris in its heyday".
• The dress is made from a muted red silk chiffon that has a little bit of texture to it. 
• Wide straps curve up and around the neck and the back scoops down to leave your upper back bare and exposed. At the front the neckline plunges into a V.
• The silk is gathered vertically on both side sides at the front. All of the gatherings are held in place by little horizontal ruffles done in a matching silk. I love how the pleat work narrows down to a point at the waist, adding to the illusion of both length and a more cinched in waistline. 
• The skirt is gathered up and into the sides of the point. It skims over the hips and then widens out as it nears the floor. By the time it reaches the hem there is a lot of fabric and this gives you fantastic movement as you move. This was a silhouette that Galliano loved.
• A high slit runs up from the hem on the top layer of the skirt only. This lets that top chiffon layer catch the air and add even more movement as you walk. 
• The dress is fully lined in a red silk. It closes with row of matching silk covered buttons and loops that are tightly spaced down one side. These hide a hidden set zipper underneath.
• Tagged a Dior FR36, GB8, IT40, US4
• Excellent condition

Bust: to 16-17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 16" from neck to waist
Total length: approx 62" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5173

Reference Photo: Resort 2011 Christian Dior, Look 26. Model Sigrid Agren.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a superb Christian Dior dress made under the creative direction of Marc Bohan
• It is a wonderful example of the work being done during this time period and shows how well the label could be when it delved into a more minimal cut combined with that full out glamour.
• The dress has classic feel of the best of Old Hollywood and the closer you get to it the more you see the incredible and elaborate amount of detail that has been put into this fabric.
• The dress is made from a black silk net with a floral pattern worked through the lace. The flowers are edged in black silk cord and then it is beaded with an elaborate beading that follows the pattern
• The top beaded layer sits over a black silk chiffon layer. Under those is a nude silk chiffon inner layer that is backed in a black silk. Adding that nude layer gives the dress a bit of an illusion of wearing nothing underneath.
• The dress is suspended from two beaded straps that curve over each shoulder. The front neckline dips into a slight V and the back is a simple scoop.
• It is cut to skim over the body from bust to hips with no seaming to break the eye or the design created by the bead work. The shape of the dress is created by vertical seaming on the inner layers and then the top layer is shaped to follow. The skirt widens out a touch as it nears the hem.
• The lace netting is covered with an elaborate design made of glossy black beads in various sized along with black sequins. The design is heavier around the top the bodice, lightens in coverage as it goes over the hips and then becomes dense and heavy again at the hem.
• The sequins have been applied so that they are stacked and layered over each other to give a slight 3D feel.
• Small faceted beads follow other parts of the pattern and these are the same beads that are used to cover the straps. Tiny little seed beads are thrown into the mix and then there are square pailettes and oval faceted beads on a much larger scale to really create impact.
• The beads are all applied by hand and catch the light from every angle.
• The label on the dress is numbered and when you see that in a Dior Boutique label it most often meant that the piece was a special order or was a custom made order for a client in the atelier but fitted at the boutique store rather then in Paris.
• Fully lined as per the description above. It closes with a hidden set side zipper. Numbered tag. Perhaps the occasional bead missing but you would never tell because of the extent of the pattern. The slight bias cut will allow for a bit of movement in the measurements.
• There is no size tag so I have put the comfortable range of measurements below
• Excellent condition.

Bust: 16-18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5168

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• The twin of this dress walk the runway for the Fall 2001 collection and both this purple and a black version were shown on the runway.
• The dress was made under the creative direction of Thierry Mugler.
• Mugler was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• The dress is extremely difficult to show on a dress form because of the cut through the upper body and arms so please refer to the runway photos for reference. It is spectacular on the body.
• The dress is made out of a purple silk crepe mix that has a slight texture to it. 
• A high collar wraps around the neck and the collar is detailed with a silver metal mesh. Onto the mesh are various sized rhinestones set in silver bases. All of them are stitched on one top spot only so they have this incredible little bit of movement.
• A long keyhole at the front open in a V all the way to an empire set seam at the waist. At the back there is an open slit down to the waist seam so you get a flash of skin there as well.
• The waist is defined with a wide band of the same purple fabric and I love how it curves upward at the front to meet the bottom of the keyhole there.
• The skirt flows over the hips and gently widens out as it nears the hem. There is a high slit up the centre front seam which lets a bit of a leg to show when you walk.
• The sleeves are spectacular. They are split on an angle coming out from the collar. The open split runs all the way down to just above the elbow and then they narrow down to the cuff from there. This gives them an incredible amount of movement around your arms.
• Each cuff ends in the same highly detailed mesh and rhinestone combination that you see on the collar of the dress and I love how this ties everything together. The cuffs are set on an angle where they fall past the hymn of the sleeve with the mesh ending in a point so that it goes down and over the top of your hand.
• The dress is fully lined in a black silk and closes with a hidden set back zipper under the slit. It hooks to close at the back of the neck and each cuff has a zipper closure.
• Tagged a vintage Mugler 42
• Excellent condition

Sleeves: approx 26" and the metal mesh falls another 4.5" past that. The upper arm is open because of the open slits. The neck is 14" from end to end
Bust: 16-18.5" flat across from side seam to side seam
Waist: to 15.5" flat across from side seam to side seam
Hips: 19-20" flat across from side seam to side seam
Bodice: 10.5" from neck to seam under the keyhole
Total length: 62" from neck to hem
Slit: 25" from the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5165

Reference Photos/Video: Fall 2001 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set walked the runway for the Fall 2007 show for Look 43. He repeated the same design through the upper bodice for Look 18 and we have included a photo of that look here for reference.
• It was made under the creative direction of John Galliano
• In the book 'Dior Catwalk' they note that the Collection "managed to translate the intricate Japanese inspired references and techniques of Galliano's previous Haute Couture show for ready-to-wear, from origami folding and gravity defying pleats to elegant draping, tiered skirts, striking headpieces and bright colors." Women's Wear Daily hailed the collection as "a brilliant blockbuster, a glorious celebration of the grand and glamorous."
• Once worn together, you get the feel of a full length dress, but it is a two piece set with its original belt included. Both pieces are made out of a dusky purple hammered silk that has incredible drape.
• The top slips on and zips to close at the back. The shoulders are soft and the sleeves are cut long and on a curve to follow the shape of the arm. Each sleeve is cut a little longer than a normal sleeve so that when they are on the body they bunch up along your arm just slightly. This was a Galliano signature. There are no traditional armhole seams. Instead, they just curve outward from the body of the top and there are gusseted seams underneath. These are all extra steps that you rarely see anymore in the construction of arm holes and sleeves.
• The neckline comes in a shallow V and then all of the silk is gathered up and into the intricate fold at the front and this is where you see the references outlined in the book quote above. 
• The set comes with its original hand dyed snakeskin belt that you use to cinch in the waist. It is meant to sit over the top of that incredible front fold to create the look that he showed on the runway. The buckle of the belt is finished in deep purple rhinestones.
• The skirt that goes under the top is equally as incredible. It skims over the hips and there is an extra panel of fabric that puddles and drapes down one side from just below the hip and runs all the way to the floor. Under that panel is an incredibly high slit that goes all the way up to the top of the thigh. The skirt flares out as it nears the floor and the hem has a touch of an asymmetrical feel to it with the side with the panel falling longer past the hem than where it starts on the inside portion of the slit.
• On the runway you can see the high slit as the model moves and this skirt has that same detail.
• This is an exceptionally rare set especially since it comes with its original belt.
• The top slips on with a hidden set short zipper at the back of the neck. The belt has a rhinestone encrusted buckle and the skirt closes with a side hidden set zipper. There is a teeny bit of lift on the edges and wear marks on the belt that are minor and if I hold the skirt up to the light I see a tiny bit of stress marks under the waist seam of the skirt but it does not show at all otherwise. I am being very picky. Both pieces otherwise appear to have been worn very little if at all.
• Both pieces are tagged a vintage Dior FR40, GB12, IT44, US8
• Excellent condition

Top
Sleeves: approx 26-27" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: to 18.5" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Bottom seam: 19" flat across from side seam to side seam
Total length: 20.5" from neck to hem

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Total length: 49" from waist to the shortest part of the hem, 54" to the longest
Slit: 36.5" from the shortest part of the hem up

Modern Sizing Equivalent: SML-MED

Item# DD5167

Reference Photos: Fall 2007 Christian Dior, Look 43 & 18. 

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is an unlabelled piece that is made to a Demi-haute couture level
• The dress is made of a brilliant feather light pink silk.
• The bodice is cut with a simple feel and then the dress has a wide ruffle on each side that wraps around the shoulders and goes to the back for added drama.
• There is netting inside the ruffle that sits around the shoulders and this helps it to hold its shape and volume. You can also wear this more on the shoulder.
• It is more fitted through the body and has a ruffle that begins at the centre of the bodice extending to wrap down and around the skirt. The ruffle becomes wider as it nears the hem. The back falls longer than the front and it has a beautiful curving line around to the back. Because of the wrap over at the front. when you walk or move you get a flash of leg.
• It comes with its matching little waist band that hooks into place to add more shape to the waist
• It is fully lined in a handset silk and closes with a back zipper . There is an inner waist stay that hooks to close. The matching fabric belt hooks to close.
• There is one faint mark across the one side of the skirt at the back and some very minor fading near the top of the zipper.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition with the note above.

Bust: to 18" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: approx 15" from top of shoulder to waist
Total length: 29" from top of shoulder to where it splits, 60" to longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD5161

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Bust: 15-18" flat across from side seam to side seam
Waist: 14.5-17" flat across from side seam to side seam
Hips: 18-21" flat across from side seam to side seam
Length: approx 60" from neck to hem with the length adjustable by how tight or loose you tie it behind the neck

Modern Sizing Equivalent: XS-MED

Item# DD5157

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 1989 Haute Couture Runway 
  
• It was made under the creative direction of Emanuel Ungaro
• The dress is made out of a handmade French lace in a pale silver grey with ivory cord overlay and subtle silver thread woven throughout. It is extremely beautiful.
• It would have been completely made by hand in the Paris Atelier
• It is fitted and shaped through the bodice with internal boning and structure. I love the soft curve at the top edge.
• The lace has been hand draped over the bust and it is swept up to one hip with a tiny handmade flower in a matching lace. 
  
• It curves down and over the hips to the top of the thigh and the bottom of the full bodice is set on an angle.
• The skirt is gathered in and up underneath that. It is tightly gathered all the way around the lower portion of the dress which gives it incredible movement when you move.
  
• The dress is fully lined in a silver grey silk and closes with a hidden set, zipper, offset at the back and part of the fabric from the back extends and wraps to hook under the flower at the front. An inner waist stay hooks to close.
  
• Its proper Haute Couture label present
  
• There is no size tag present so please go by the listed measurements below.
• Excellent condition and appears to have been worn very little if at all.

Bust: 17" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 29" from top of bodice to shortest part of hem, 31" to the longest part of hem

Modern Sizing Equivalent: SML-MED

Item# DD5154

Reference Photo: Fall 1989 Emanuel Ungaro Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 1989 collection.
• It was made under the creative direction of Patrick Kelly.
• The Philadelphia Museum of Art hosted an exhibit of the work of Patrick Kelly in 2014. The show notes state: "“I want my clothes to make you smile”—that was the goal of late African American designer Patrick Kelly in creating his bold, bright, and joyful creations. Kelly achieved this on the streets, nightclubs, and runways of New York, Paris, and beyond in the heady, inventive, and often-subversive urban milieu of the 1980s....Kelly’s work pushed racial and cultural boundaries with golliwog logos, Aunt Jemima bandana dresses, and his ubiquitous black baby-doll brooches. His playful looks were inspired by his muse, Josephine Baker, and admiration for couturiers Coco Chanel, Elsa Schiaparelli, and Yves Saint Laurent, among others."
• Supermodel Iman wore the twin of this on the runway and I love how spectacular she was in it.
• The dress is made out of a fantastic stretch velour fabric that will stretch to hug your curves and show off every bit of the body. That said the velvet keeps it flattering and easy to wear as it gives support at the same time it molds to the body.  This combined with that leopard print is just fabulous.
• The cut through the body hugs your every curve and the dress is molded to your frame all the way down to the hem. The stretch the fabric and the way to lower hem flares out is what allows you to walk. 
• The back is completely open and the front extends out too long extended ties from both side sides. These ties are what allow you to style the bodice in multiple ways. I shot a few here for you and you might find that once it is on you that you can think of more. It makes it an incredibly versatile dress.
• Whether you wear it halter style, as a one shoulder dress, or strapless, as soon as you turn around you get that bare expanse of skin which is very sexy.
• It curves over the hips, narrows back inwards slightly and then flares out beautifully for the lower skirts. The front hem of the skirt curves up a touch and then the back is cut a little longer than the front. The shape once this is on the body is fabulous and it is very easy to fit because of the stretch.
• It is a showstopper and an amazing example of his work. I love everything about this dress and that it is a true piece of fashion history that is extremely well documented.
• The dress is unlined and you just slip it on and tie the top part  as you wish to wear it. At some point the bottom hem was let down and I have left it for that extra length.
• There is no size tag present and it does have stretch. I have put the comfortable range while laying flat below. You probably still have some extra room if needed because of the stretch of the fabric.
• Excellent condition

Bust: variable because of the way it can be tied in multiple ways. It should fit just about any size chest.
Waist: 14-19" flat across from side seam to side seam
Hips: 18-22" flat across from side seam to side seam
Bodice: the full height of the bodice is 20" from its top to the waist. When you tie it, it will drain or fold and is meant to give you that versatility. For the length I folded the bodice in half so it's 10" from the top to waist.
Total length: 54" from top of the bodice, when folded as noted above, to front hem and the back extends another 8" past that.

Modern Sizing Equivalent: SML-LRG

Item# DD5153

Reference Photos/Videos: Fall 1989 Patrick Kelly.

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The Shrimpton Couture Archives

• The twin of the dress was shown for Look 8 in the Pre-Fall 2013 Gucci collection.
• Made under the creative direction of Frida Giannini
  
• One was also worn by Clara Paget that same year
• A gorgeous leopard print covers the entire surface of the top silk chiffon layer of the dress.
• The front crosses over itself at the neck and then buttons in place behind the neck. Under that the top blouses over you and comes in at the waist. This leaves the back almost fully open and bare.
• It was shown with a belt that was sold separately and you could easily wear it with any belt to add more shape or wear it without.
• The skirt falls from the waist and it is incredibly full with yards and yards of chiffon. When you move this catches the air and billows out to move fantastically around you.
• The Gucci logo for this time period is worked within the leopard pattern over the entire dress
• Fully lined in a black silk chiffon and closes with a back hidden set zipper. It buttons to close at the back of the neck
• Tagged a Gucci 40
• Excellent condition with some very minor repairs near the hem of the skirt that you would never see

Bust: covers to 16.5" flat across from side to side with no true side seams
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from neck to waist
Total length: 61" from neck to front hem, 66" to the longest point at the back

Modern Sizing Equivalent: SML-MED

Item# DD5151

Reference Photos: (1) Pre-Fall 2013 Gucci, Look 8. Model Lin Kjeruif.  /  (2) Clara Paget in Gucci at the Serpentine Summer Party, 2013.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Spring 1993 collection.
• It was made under the creative direction of Karl Lagerfeld
• He did an entire series of dresses in several variations for this collection. We have also added some other shots from the collection for you to see since this particular group of dresses were integral to the collection that year. 
• Examples of Karl's work during this time period are held in museums around the world and are rare finds. This is an important piece of his fashion history. 
• The cut of the dress is simple but it is very sexy with its long silhouette and see through lower skirts.
• The dress is made out of a black crepe that has a slight bias cut to it that allows it to drape well over the body once on.
• The strap detailing that crosses over the body, edges the bust area, and is used for the straps that go up and around the neck, are all made from a wide cotton weave looking ribbon that is applied directly onto the dress.
• Black seed beads were applied onto that ribbon and they catch the light beautifully when you move. The bodice is extensively beaded, sequinned and embroidered. The colours are bright and brilliant and I love how they give the dress a fantastic pop of colour.
• The work completely covers each triangle of the front bust and then wraps all the way around the back. The straps are intricate and hook behind the neck and become a design detail in themselves. 
•  The dress skims over the body and then flares out with that inset of silk chiffon for the very lower part of the skirt.
• Fully lined in a black silk. The lower chiffon part of the skirt is unlined. It closes with a hidden set back zipper and hooks to close at the back of the neck. Hand finishes and beautifully constructed.
• Tagged a vintage Lagerfeld 40
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 58" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4901

Reference Photos/Video: (1-5) Spring 1993 Karl Lagerfeld Runway.  /  (6-7) Kristen McMenamy for Spring 1993 Karl Lagerfeld Ready to Wear Advance.  /  (8) Helena Christensen for Spring 1993 Karl Lagerfeld Ad Campaign.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a very rare and unusual piece of YSL because it has the added information on the tags of that it is a piece of Couture.
• At this time Hedi Slimane was the creative director and he had re-opened the Couture division at the YSL label. The couture line was not for the general public but was reserved for a select group of friends and clients, making it even more exclusive than traditional couture.
• A couture collection was presented for Fall 2016 in Paris but it was not officially a part of the Couture schedule.
• All of that sums up to make this dress one of the pieces that he most likely made as a custom-made piece for a client. Because YSL had not officially joined the Chambre Syndicale de la Mode Parisienne it would officially be considered to be demi-couture.
• This is an extremely rare piece from his time at the label made even more special because it has all its original tags in place.
• The dress is made from a fine black wool that has a touch of a texture to it.
• It is sharply tailored and touches on the famous YSL tuxedo variations that Yves' did season to season. The shoulders are shaped with structure and the sleeves are long. Each ends with five hand covered buttons to close the end of the sleeves.
• It skims over the bust, waist and hips and then falls to the floor widening out as it nears the hem.
• The skirt has a very high slit at one side so that you get a flash of leg when you walk.
• At the front there is a panel that has a mesh net inset that has little handset black beads in a mix of a jet black beads and a deep grey glass prong set rhinestones. When this is on you see that bit of skin showing through and the detailing lets it glint in the light.
• Between that mesh covered front cut out and that extremely high slit at the side, it has a very sexy feel once on despite its covered and sculpted feel, making it perfectly representative of Hedi's best work.
  
• It very well could be the only one in existence.
• The dress is fully lined in a handset black silk and closes at the back with a hidden set zipper. Each sleeve buttons to close. Ribbon edged seams and hand finishing throughout. Some of the long seam Work appears to have been done by hand, which is allowed in modern Couture.
• There is no size tag so please go by the measurements below.
• Excellent condition and appears to have never been worn.

Sleeves: 24" and are 11" around the upper arm
Shoulders: 15.5"
Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 18-19" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the waist
Total length: 65" from top of shoulder to hem with just under 1.5" turned under the hem.

Modern Sizing Equivalent: SML-MED

Item# DD5142

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress was a part of the Spring 2002 final Haute Couture collection by Yves Saint Laurent.
• "I have chosen today to say goodbye to the craft that I have loved so much. The next show to which I invite you, on Tuesday, 22nd January at 6 PM, at the centre of George's Pompano, will predominantly be a retrospective of my work… Some designs from the currencies will also be shown." This was how Yves the announced his intention to retire and leave the world of Haute Couture. That final show was over an hour long and was presented to a room of 1500 hand picked guests.
• A total of 371 garments were shown that day with pieces from the beginning of his career to the final collection.
• Recreations of some of his most famous dresses were made available and each has the special label that you see in this dress with both the original date of the labels inception and the 2002 date.
• This is one is a recreation of the famous Fall 1984 dress. We have included references of both the original and the twin of this one in the show.
• It is an extremely rare and wonderful piece of YSL history.
• It would have been entirely made by hand in the Paris atelier.
• The neckline sits wide across and the shoulders are soft. The sleeves narrow to their ends and all of the upper bodice is done in a fine black light in weight wool that has a slight texture.
• The waist is defined by two wide panels. They attached and are gathered in along each side and this gives the shape you see. The top panel is a purple and the bottom a deep pink.
• The dress skims over the hips and then falls to the floor flaring outward as it reaches the hem. The back is cut slightly longer than the front and you can see the extra fabric built in there to create a sweeping feel behind you.
• Every line is meticulously thought out and the technique to create the lines of this dress showcase his decades as one of the premier modern Couturiers in the world.
• The dress is fully lined in a hand set black silk and closes with a side set zipper. An inner waist hooks to close and the dress buttons above a small keyhole at the back. Each end of the sleeve closes with zipper. All of the inner seams are done by hand and the entire dress is made to modern Couture standards. Its proper numbered Couture tag is present.
• There is no size tag present so please go buy the measurements listed below.
• Excellent condition and appears to have been worn very little if at all.

Sleeves: 21" and are 16" around the upper arm
Shoulders: 15"
Bust: to 19.5" flat across from side seam to side seam
Waist: to 15" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: 12" from top of shoulder to top of the 10" band at the waist 
Total length: 56" from top of shoulder to front hem and the back extends another 5.5" past that with just under 2" turned under the hem.

Modern Sizing Equivalent: MED-LRG

Item# DD5140

Reference Photos/Video: (1-3) Spring 2002 YSL Couture, Look 229.  /  (4) Fall 1984 Yves Saint Laurent Haute Couture.  /  (5) Vogue, November 1984.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a gorgeous Demi-Couture dress from 1970s Lanvin.
• Made under the creative direction of Jules-Francois Crahay 
• Jules-Francois headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugely desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house.
• The Lanvin label is numbered and the dress has been made to demi-couture standards.
• This dress is made from a fine blue silk tulle that has a floral pattern embroidered over its surface in the same blue. The lining is done with a deep purple silk and this gives it this very unusual colour that lies somewhere between a deep blue and a deep purple.
• Onto the top silk net there is an exquisite floral design done with a metallic gold thread. That same gold thread also circles around the lower skirt in two horizontal panels done in a open chain link design. More of the floral netting separates those panels.
• The result is even better on person as the gold feel more prominent. I love how the gold catches the light from every angle.
• The bodice skims over you and the sleeves are long. Each sleeve has a bit of puff above the elastic cuff.
• The waist is cut more generously and you could add a ribbon or a belt to cinch it in.
• The skirt skims over the hips to the floor and widens out as it nears the hem. The added panels of gold on the skirt help to give the skirt support and help hold its shape.
• Fully lined in a purple silk chiffon through the top and a purple silk through the skirt. It closes with a back hand set zipper and there is elastic in each cuff. Hand finishes and hand finished inner seams.
• The label is numbered.
• There is no size tag present and the bias cut of the lining and the net give it a little give so I have put the comfortable range of measurements where it will give a bit. 
  
• Excellent condition 
  

Sleeves: 26"
Shoulders: 14.5"
Bust: 17-19" flat across from side seam to side seam
Waist: 14-15" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Bodice: 15" from shoulder to waist
Skirt: 43" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD3925

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a rare two piece jacket and skirt set from the Fall 1999 collection.
• It was made under the creative direction of John Galliano.
• We have included several runway shots that we found that show various pieces made of the same fabrication and with similar silhouettes.
• Both pieces are ultra soft to touch. The angora/mohair and wool mix that both pieces are made of would have been specially created for the collection in order to get the pattern to lay so precisely. The fabric would have had to have been pre-planned out prior to making the final design.
• The jacket is phenomenal. It has soft shoulders and is meant to feel at touch more oversized through the upper bodice. The waist is cinched in with a single oversized hand carved button that sits at the front. From there  then it curves over the hips under that. This cut is what gives you that fantastic exaggerated hourglass feel that the suit has.
• The shawl collar is very wide and covers almost the upper bodice. It is finished with a bolder print and feels like a statement piece in itself. The body of the jacket has an angled black-and-white chevron print and I love how he has placed this to emphasize the shape even more.
• The sleeves are extra long and they are meant to bunch up slightly on the arm. They are finished with a wide band of the same design that details the collar.
• The skirt has a simple black piping at the waist and then it is cut in a long slim pencil shape. The upper portion of the skirt is done in that chevron pattern and then the lower part of the skirt picks up that amazing design that was used on the collar and ends of each sleeve.
• The jacket is lined in a black silk and buttons at the front to close as described above. The skirt is unlined and closes at the back with a zipper and hooks at the waist.
  
• Both pieces are tagged an early Galliano large.
• It appears to have never been worn.
• Excellent condition and so so very rare.

Jacket
Sleeves: 26.5" and are 14" around the upper arm
Dropped shoulders: 17.5"
Bust: to 22" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 22" from neck to hem

Skirt
Waist: 13-17" flat across from side seam to side seam
Hips: 19-23" flat across from side seam to side seam
Total length: 35" from the waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5130

Reference Photos: Fall 1999 John Galliano, Looks 1, 4 & 9.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the second time that I have had this dress in the shop and I still love it as much now as I did then.
• The twin of this dress walked the runway for Look 41 for the Spring 2013 collection.
• Vogue said of the Collection; "When Peter Dundas inherited this historic Florentine house—famous since the 1960s for its kaleidoscopic prints—he made reworked archival patterns a major part of his story line. Last season and this one, though, he's started inching away from them. These days, the label is just as well known for Dundas' confident, louche brand of glamour as it once was for its founder's graphic swirls and geometries." 
• It was one of three white dresses that close the show before the final red look. 
• The dress is made out of a light silk that is light in weight but just heavy enough to keep the structure. It is very close to a true white.
• The front neckline is done in a halter style with the upper part above the bust line finished an a white netting that has a secondary abstract print work through it. This allows you to see the skin underneath. The front is gathered over the breasts almost like a bandeau and seamed in the centre.
• Under that is an open cut out for a bit more skin to show.
• The dress curves in to follow the waist under that and and skims over the hips.
• The skirt falls to the floor and widens out quite a bit as it nears the hem. This gives the dress incredible movement when you walk and you get a sense of that in the runway video.
• I love the loose slightly draped pockets that sit on each hip.
• The back is mostly open with a criss cross of straps and an open cut out between the waist and the back strap.
• Decorative frog knots sit at the low waist for added detail.
• The dress is fully lined through the bodice and the skirt is unlined. It closes at the side with a hidden set zipper. Light boning and padding through the bodice.
• Because the upper body is lined and padded when it is off the body it feels like the fabric is a touch darker as it is completely opaque. Once on its fine and the lining is needed
• Tagged a modern Pucci IT42, FR38, US8, UK10.
• Excellent condition with some faint marks here and there around the hem.

Bust: to 17" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 64" from top of neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5127

Reference Photos/Video: Spring 2013 Emilio Pucci Runway Look 41. Model Kasia Struss.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• This is one of his most iconic and collectible designs.
• The dress made under the creative direction of Ossie Clark 
  
• Ossie named all of his couture dress and this one is known as the Cuddly.
• To wear the dress you simply slip it on and wrap it at the waist where it ties into place.
• The dress is made out of his signature moss crepe.
• The front is cut in a low plunge because of the wrap and the back has a large triangle cut out that leaves your full back bare and exposed. 
  
• It is very sexy and instantly recognizable as being an Ossie Clark piece.
• The sleeves are phenomenal. Each is a huge bishop cut sleeves that are puffed and full above the cuffs.
• The skirt skims over the hips and then widens out to be quite full with yards of fabric in its construction.
• The wrap leaves a long overlapped slit at the front. When you stand still it falls and closes but when you move or sit you get a flash of leg and depending on how tight you tie out around the waist you can show the entire leg.
  
• The dress is unlined and made out of a black moss crepe. 
• One tie is a little shorter then the other but does not appear to have been altered. The wrap style should allow it to fit a variety of sizes. 
• Tagged a vintage UK10
  
• I see some very minor bit of lighter areas on the moss crepe here and there. This is a natural patina on this type of fabric as in ages and is only mentioned for accuracy. 
  
• Excellent condition

Sleeves: 28" and meant to pouf up when on
Bust: adjustable to approx 18" flat across from side seam to side seam
Waist: adjustable to approx 13" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to top of band at the waist
Total length: 59" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5125

Reference Photo: (1) June Ritchie, in an Ossie Clark Cuddly dress, at a photo call for Gone With The Wind at the Theatre Royal Drury Lane, 1972.  /  (2) Madeleine Hinde, in Ossie Clark, at the premiere of British horror film 'The Fiend' in London, April 7 1972. Photo by M. McCarthy.  /  (3-4) Suzanna Leigh, in Ossie Clark, by Allan Warren, 1973.  /  (5-6) Pink in Ossie Clark, from Shrimpton Couture, for her 'Walk Me Home' music video, 2019. See below for video.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Spring 1988 show.
• Made under the creative direction of Marc Bohan for Christian Dior.
• The evening portion of the collection focused on short dresses that had a corseted waist and bust with wrapping techniques that gave the feel of a sarong. The dress is a wonderful example of that feel he was after and it is fantastic.
• We found a teeny slice of it or a very similar piece on the runway and even though the photo shows the model on an angle, it does give you an idea of how wonderful this will be on the body.
• This would have been made completely by hand in the Paris atelier.
• The fabric of this dress is fantastic. It is made out of a black silk organza that has been gathered so it has a slight 3D puffed effect. This creates an incredible texture over the dress.
• The fabric is light in weight and despite the elaborate construction of the dress is not at all heavy once it is on.
• Inside the dress has a full proper corset with boning through the bodice to give you some support and built in cups. A wide grosgrain ribbon hooks in place around the inner waist to hold everything perfectly in place.
• All of the seams are finished by hand and it is really is a nod back to the early couture days in terms of it's construction.
• The bodice is cut with a curving sweetheart neckline and it is meant to hug the body. It is elaborately gathered and fitted around the bust with all of the gathered folds coming in to the seams that run over the bodice. This is all done to emphasize your curves and it make the dress very flattering once on.
• It nips in at the waist and there is a large and elaborate bow that sets at the base of an angle seem coming from the bust. I love how this is set to curve around the hip to the back. It instantly adds to the hourglass field the dress has.
• From under the bow, the skirt curves down and over with to wrap around you and then come back in and under that panel to give it that wrapped sarong feel.
• Fully lined in a black silk and closes with a side set zipper. The interior of the bodice is boned and cupped for support. The inner corset closes with its own zipper and a wide band on the interior waist hooks to close. There is a tiny bit of lightening to some of the edges on the fabric. This is a natural aging of this type of fabric and I don't consider it to be a flaw, but it is mentioned for accuracy. It otherwise appears to have never been worn, or worn very little.
• Excellent condition

Bust: 17" flat across from side seam to side seam
Interior waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: qpprox 10" from top of bodice to waist
Total length: 29.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD5110

Reference Photos: Spring 1988 Christian Dior Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Arnold Scassi launched  his boutique line in 1984 and it was high end ready-to-wear and very expensive.
• Arnold Scaasi was born Arnold Isaacs in Montreal and the name Scassi is simply his own surname in reverse. He studied in Montreal and in Paris, apprenticed at the house of Paquin and then worked with the legendary Charles James. In 1964 he opened own couture salon.
• The sleeved version of this dress walk the runway for the Fall 1987 collection. It's very rare to find documentation from this time period and I love having that say that you can see how amazing it is on. I think this strapless one is even better.
• You can easily see the influence of Arnold having worked for Charles James in this piece. The lines are dramatic and yet elegant. 
• The dress is strapless and the top portion of the dress is made from an inky black velvet. It is dramatically shaped at the front with wired peaks and a V plunge at the front. 
• It nips in at the waist and then angles down from one side low on the hip on the other. On the side that sits higher up, there is a large bow detail that gives the effect of holding all the gathers of the skirt in place.
• The skirt is set under that and the long angling seam on the opposite hip adds visual length to the dress as it extends down and into a deep point. The skirt is quite full and the shape and volume that you see is held by the inner construction which is quite amazing.
• Layers of tulle netting set underneath the outermost layer of silk. The green of the skirt is a true brilliant emerald. This unexpected shock of colour is fantastic.
• Fully lined in a green silky rayon. The bodice is lightly boned and it closes with a hidden set side zipper. Built in stiff tulle under skirts and the skirt is interlined in a green organza. 
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: 13.4" flat across from side seam to side seam
Hips: open
Length: 51" from top of peaks on bodice to hem with 3" turned under the top layer

Modern Sizing Equivalent: SML-MED

Item# DD5101

Reference Photos: Fall 1987 Arnold Scaasi.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• From the Fall 1985 Givenchy Haute Couture collection and we have included some photos showing the extensive use of this particular fabric for pieces shown on the runway.
  
• Under the creative direction of Hubert de Givenchy
  
• Completely made by hand in the Paris atelier to Haute Couture standards.
• This gorgeous dress is made out of a black silk velvet with a leopard print done in a different finish of velvet within the fabric. This pattern gives the velvet an extra depth and richness, and also catches the light as you move. It is stunning.
• It drapes absolutely beautifully over the body. It is really an outstanding fabric. The bodice is set into a V that crosses over itself where it is set into the waist. The bodice drapes more loosely over you at the front. 
• The waist is seamed and cut slightly on the more generous side. I have added a ribbon and if you wanted more shape, you could have it cinched and even more with a belt or it also works perfectly well without.
• The sleeves narrow down to a hand set zippered cuff.
• The skirt falls to the floor in a pretty sweep of fabric that is at the front. This lets the front hem curve up slightly.
• It is a gorgeous dress and a wonderful piece of his fashion history.
• Fully lined in a black silk. There's a inner built-in half skirt. It closes with an inner side set zipper and the outside snapped into place with a series of hidden set, snapped around the waist. And inner waist state hooks to close. Each cuff has a hidden set zipper. It appears to have been worn very little if at all. 
  
• There is no size tag present so please check the listed measurements below
• Excellent condition

Sleeves: 23.5"
Shoulders: 15"
Bust: 16-19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Inner hips: to 22" flat across from side seam to side seam
Bodice: 17" from top of shoulder to slightly dropped waist
Total length: 55" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5100

Reference Photos: Fall 1985 Givenchy Haute Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this jacket walked the runway for Look 6 for the Fall 2015 collection.
• From the Junya Watanabe for Commes des Garcons line.
• For the show Junya focused on the honeycomb and he said that he wanted to explore "dimensionality through clothing" the point where mathematics and nature meet.
• This particular jacket explores the use of the hexagon and triangle and the jacket is meticulously pieced together. You also see the nod to the honeycomb in the pattern of the oversized waffle weave print that adds texture over the entire jacket.
• The sleeves are shaped to follow the shape of the arm and the fabric is all gathered into a complex design under the base of the shoulder. You see this repeated at the front of the bodice and the interesting shape it creates around the neckline. I have taken a photo of the jacket hanging on a hanger as well as the dress form so you can get a better idea of this.
• Around the edge of the hip are little insets triangles that create a exaggerated peplum. You can see how beautifully the shape this creates once it is on the body.
• The jacket is fully lined in the second layer of the same fabric as the exterior and buttons to close down the front.
• It comes with its original packet that has extra fabric and the jacket appears to have never been worn.
• Tagged a Medium
• Excellent condition

Sleeves: approx 18" and are approx 12" around the upper arm
Slightly dropped shoulders: 19"
Bust: 17" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Total length: 22" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5084

Reference Photos/Video: Fall 2015 Junya Watanabe, Look 6.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a signature bias cut dress from the Spring 2002 collection by John Galliano
• Made under the creative direction of John Galliano
• There are no closures on the dress. It is completely cut bias and you just slip it over the head to wear and it just falls into place skimming over the body from head to toe.
• The cut of the dress has a strong nod to Couture pieces of the 1930s and 1940s decades that he continuously referenced in his collections.
• The fabric has a silk like finish and is a deep black. Various Galliano logos have been woven directly into the fabric in a different finish thread so as you move these catch the light. The effect is fantastic once it is on the body.
• The fabric obviously would have been custom designed by Galliano and made specifically for this dress
• It scoops down into a V at the front and the back with a band highlighting the entire neckline. It skims over the waist and hips from there and flares out at the lower hem. 
  
• The back is cut longer than the front so you get this fantastic sweeping feel behind you. It is in its original uncut length.
• A high slit runs up one side for a flash of leg when you walk.
• Unlined and slips on to wear with no closures.
  
• The measurements have a lot of range because of the bias cut and no closure so I have given the comfortable range for all below when laying out flat. There is probably a little extra room beyond my measurements, but I do not like to over pull when measuring.
• Tagged a FR42, GB14, US8
• Excellent condition and it appears to have been worn very little if at all.

Bust: 16–19" flat across from side seam to side seam
Waist: 14–17" flat across from side seam to side seam
Hips: 18–21 " flat across from side seam to side seam
Total length: 60" from top of shoulder to front hem and then it extends another 8" past that at the back

Modern Sizing Equivalent: SML-MED

Item# DD5080

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Fall 2012 Valentino collection
• At this time both Maria Grazia Chiuri and Pierpaolo Piccioli were acting Creative Directors. 
• It has the feel of Looks 25 & 48 from the runway with that deep plunge at the front that is really fantastic. 
• The Vogue review for this collection stated in part; "For Fall, the designers wove an enchanting, globe-trotting story through the sweetly feminine silhouettes they've established as their own over the last few ready-to-wear and couture seasons".
• It is made in one of Valentino's signature silk crepes that gives it its sleek sculpted feel.
• The dress is very sexy and shows off some skin but still feels very elegant and refined. The fabric has just a touch of a bias cut to it through the body so its very comfortable to wear.
• Wider straps curve up and over your shoulders and all the edges of the bodice are set in a soft curving scalloped pattern.
• The front plunges to almost the waist with a band of the same fabric sitting part way down to keep it perfectly in place. This creates just a subtle little key hole below the breast. The result is a very deep plunge but a very wearable one.
• The back is a V to leave most of your upper back bare.
• The skirt widens out as it nears the hem. A wide band of fabric circles all the way around the hem and the bottom edge is the same scallop as around the bodice.
  
• The bodice is fully lined in a black silk and the lower panel of the skirt is a double layer of the same fabric. The skirt between is unlined.
• It closes with a back hidden set zipper.
• Tagged a modern Valentino 40
• Excellent condition
  

Bust: 16-17.5" flat across the back seam and each cup is approx 6.5-7" across at the widest point
Band under the bust: 15" flat across from side seam to side seam 
Hips: 19" flat across from side seam to side seam 
Bodice: 11" from top of shoulder to the top seam of the band under the bust.
Total length: 63" from top of shoulder to the hem 

Modern Sizing Equivalent: SML-MED

Item# DD5078

Reference Photos: Fall 2012 Valentino Runway Collection, Looks 48 & 25.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

• From the Act 1 Fall/Winter 2019 Chanel collection. This is the collection done for shops between the pre-collection and the runway shows. These are often specialized items that are made on an extremely limited basis.
• Made under the creative direction of Karl Lagerfeld
• The buttons on this one are so special. They are little snowflakes on a carved backdrop mixed with rhinestones. They are meant to evoke winter and when combined with the knit, the feel of being warm and cozy, nestled inside from the ice and snow on a winter's day.
• There are five larger buttons down the front and then a slightly smaller version sits on each pocket and at each cuff.
• Even though the sweater at first glance looks like it is made out of Angora, Chanel actually does not use Angora. Instead it is made out of a blend of cashmere and alpaca. This is a very expensive to produce, time consuming process and a amazing technical achievement in fabric.
• The colour is a pale baby blue and even though we have tried to capture it as closely as possible here it is even better in person. It is the kind of piece that makes you gasp out loud when you see it.
  
• It has a slightly cropped feel to it and I love the two little pockets on the front.
• It buttons to close down the front and the pockets are functional but each is still lightly tacked shut as it came from Chanel.
• It has its original Chanel packet with extra yarn inside and its original Chanel tag. It appears to be unworn.
• This is a very rare and special Chanel piece especially in this pristine a condition.
• The knit has some stretch and I have put the un-stretched, laying flat measurements below.
• Tagged a Chanel 38
• Excellent condition

Sleeves: 20" and are 12" around the upper arm
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Bottom ripping: 16" flat across from side seam to side seam
Total length: 17.5" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5077

Reference Photo: Stella Maxwell attends the Noir et Blanc de Chanel Fall/Winter 2019 Makeup Collection in Paris, July 2019.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This exceptional dress is by Marc Bohan for Christian Dior and it is a wonderful example of his work during this time period.
• This best matches the work that he was doing from about 1969 to 1972 when he was doing these wonderful dresses. We found a similar one to this with variations on the print that this dress has and I have included it so that you can see how perfectly this will drape and fall on the body.
• It is a very easy and comfortable dress to wear
• The dress is made from a cotton that has a pretty floral print that covers the entire dress.
• The neckline is set high and detailed with a black cotton collar that extends down the front and buttons to about the waist area.
• Under that the bodice is meant to skim over you to fall loose and easy over the natural waist and then the skirt billows out from under that to the floor.
• The sleeves are set into the shoulder with slight gathers and they have a more full cut that balloons out over the wrists. At their ends they are edged with that same black fabric that sits around the collar and this extends out and tie into pretty bows around the wrist. 
• The dress comes with its matching tie belt in the same fabric so you can wear it loose and easy or cinch in the waist for shape.
• Once on the body the entire dress has this stunning movement and yet feels minimalist and elegant.
  
• Unlined and slips over the head to wear. The front buttons up to about the waist and each sleeve ties with attached ties. The belt is original to the dress.
• Tagged a vintage Dior 12 and the easy cut should allow it to fit a range of sizes.
• Excellent condition

Sleeves: 25" and are 13" around the upper arm
Slightly inset shoulders: 14.5"
Bust: to 20" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam and then you use the tie belt to cinch it in as much as you need
Hips: to 23" flat across from side seam to side seam
Total length: 61" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5057

Reference Photos: (1) Model in Dior for British Vogue, March 1969.  /  (2) Model Kellie Wilson in gypsy-style Dior, wearing a long chiffon dress in lilac with white batik print, a ribbon belt and massive gold pendant Vogue October 01, 1969. Photo by Bert Stern.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations this coat can only ship to a Canadian address 
• Resort 2018 Prada runway Look 23
• Under the creative direction of Miuccia Prada
  
• The runway version did not have the gray underneath the chain metal so it was worn more as a tunic. When they added the grey silk band for the shops it allowed it to be worn as a mini dress
• Made from a pale pink crepe with a soft grey design printed over it that incorporates the word Prada on both the front and back
• The lower portion of the skirt is a pale grey stretch silk like fabric. A metal chain mail detailing goes around the top part of that lower skirt
• It has a high collar and the sleeves are long. Each sleeve is finished in a pale pink feather cuff.
• Pin-tuck detailing creates a very pretty and detailed finish at the front of the dress
• The fit through the body is more full and open much like a 1920s flapper dress
  
• It closes with a hidden set back zipper
• Tagged a modern Prada 40
• I see some teeny little marks on the grey silk and one tiny faint spot on the top of one shoulder. It has the slightest perfumey smell, otherwise in excellent condition.

Sleeves: 25" including the feathers and are 11" around the upper arm
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Total length: 34" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5046

Reference Photos/Video: Resort 2018 Prada, Look 23.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Unlabeled and came from the estate of a woman bought a lot of Oscar de la Renta, Fath, Versace and other high end labels and you can tell that this a dress of quality even without knowing its label.
• It is made out of a beautiful clear and true red silk
• The bodice is strapless and is fitted and shaped to accentuate your curves. The waist nips in and then it extends down one side into a sharp angle. I love how this lengthens the body and gives shape around the hip.
• Below that the skirt is very full and billows out and around you beautifully. The way it is set into the angle of the skirt in soft gathers gives it its fullness. From the side this creates a beautiful angle from the waist to hem.
• Fully lined in a red silk through the bodice and the skirt is lined in two layers of red silk
• It closes with a side set zipper and has light boning through the bodice
• Excellent condition

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Inner hips: 20" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Total length: 54" from top of bodice to hem with 3.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD5042

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in the Spring 2003 show for Look 64
• Under the creative direction of the original Mr. Valentino
• It was the only dress shown in this entire collection that season that was done in his signature Valentino red. So when you look through the collection photos it really stands out.
• The show was a huge success and Vogue especially loved the evening pieces; "For the evening review, it gets even better. Valentino's communiqués from his couture collection show up as delicate metallic-embroidered chiffons made into fragile capes, cardigans or dresses. And for the grand occasion, there's a full battalion of the designer's fabulous signature chiffon gowns." 
• Suspended from the shoulders by two tiny straps in the same red silk. The bodice is seamed just under the breasts and have minimal darting. 
  
• It skims over the waist and hips and then from there it falls to the floor in a beautiful column of the red silk crepe.
• The back of the dress is cut slightly longer so you have a tiny bit of a sweep behind you.
• Two panels of silk chiffon wrap around the waist area to add detail and shape the dress. The panels are attached all the way around you and then loop through openings at the front of the dress. The ties are cut extra long and fall to just above the hem at the front of the dress.
• The dress closes with a hidden set side zipper.
• The top panel of the bodice is lined in a red silk and the rest of the dress is unlined.
• Tagged a vintage Valentino 10.
• I see a touch of grubbiness here and there around the hem but otherwise excellent condition

Bust: 17-17.5" flat across from side seam to side seam with a A-B cup
Seam under the bust: to 17" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: just under 4" from top of bodice to seam under the bust at the middle and it is 10" from the top of the strap to the seam under the bust
Total length: 61" from top of shoulders to front hem, 63" to the back hem. 

Modern Sizing Equivalent: SML-MED

Item# DD4916

Reference Photos/Video: Spring 2003 Valentino, Look 64.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Oscar de la Renta
• This can be worn as a coat or a dress
• It is made out of a stunning iridescent blue silk taffeta. The fabric choice keeps it light in weight but also holds the lines and shape.
• Big balloon sleeves with cuffs detailed with pleat work
• The body of the piece is cut loose and easy.
• It closes down the front with incredible oversized frog knots that are completely beaded. Another knot sits on the back.
• There are pockets on each side and the bottom portion of the piece is incredibly full and open.
• Fully lined in the same blue silk taffeta as the exterior
• It has a wide inner elastic waist corset that wraps around the inner waist and hooks into place
• It closes down the front with the frog knots and a series of hidden hooks and hidden silk covered snaps. 
  
• Shallow pockets along each hip and light padding in each shoulder
• Excellent condition with some teeny marks and teeny breaks along the very edge of the hem and the front. These make no impact but are mentioned for accuracy.

Sleeves: 28" and the upper arm is full and open
Shoulders: 15.5
Bust: to 21" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: open
Total length: 60" from neck to front hem, 62" to the back

Modern Sizing Equivalent: MED-LRG

Item# DD5041

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Made under the creative direction of Bill Blass
• A beautiful deep blue silk taffeta gown with a deep plunging back to leave a bare expanse of skin
• A dramatic collar made of the same blue silk and forming a dense applique of flowers wraps around the neckline and follows the plunge of the back. The same detailing goes around each cuff.
• The sleeves are incredibly full 
  
• The waist nips in and the skirt opens up to be very full as it falls to the hem.
• Fully lined in the same silk through the bodice and a black silk organza through the skirt
• Tagged a vintage Blass 12
• Closes with a hidden set back zipper. Hand finishes
• Excellent condition

Sleeves: 22.5" and are full and open through the upper arm
Shoulders: approx 15"
Bust: to 19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips:  open
Bodice: 15" from top of shoulder to waist
Total length: 60" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5039

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Circa late 1990s
• Under the creative direction of Gianni Versace
• A muted pastel salmon colour that is more pastel feeling in real life than how it photoed here
• The dress has a wide gathered band around the waist and a piece that is attached and loops in and behind one of the panels that form the top
• The panels are one piece of fabric that loops around the neck and the down to attach into the waist. You cross it over itself so that it goes behind the neck. You can then wear them high up on the shoulder or have it cape and fall over the upper arm.
• This leaves your entire back open and exposed
• The skirt has an inner piece that acts a partial lining. The outer skirt drapes over that and forms those interesting pocket like pieces on each hip. It then drapes inwards and down to the hem with a centre slit up both the front and back of the skirt
• It is a very interesting and an avant garde design
• The bodice is made of two layers of the same fabric and the skirt has a partial lining through the hips and the rest of the skirt is unlined.
• Tag a vintage Versace 42
• Excellent condition

Bust: each panel is 11" flat across from side to side
Waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21.5" flat across from side seam to side seam
Bodice: adjust depending on how you twist to wear it
Total length: approx 62" from neck to hem
Slits: approx 25" from the longest point of the hem to the top of the slit

Modern Sizing Equivalent: MED-LRG

Item# DD5037

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.