This stunning dress is based in the 1985 Haute Couture collection. You can see the similar lines in the dress I have included here as a reference from that show. He also used a similar color palette in several pieces from that collection and seems to have combined that and the silhouette of the other to make this stunning dress. It is made from layers of a light silk voile that has a stunning print done in purples and green that covers its surface. The body of the dress is strapless and gathered in soft pleats from the top of the bodice to just below the hip. The skirt floats out from under that to be quite full and is cut slightly longer in the back then the front so you get a beautiful curving swoop of fabric. Around the hip is an attached panel of fabric that I have tied in a large, soft bow to one sie the hip and then ends of that penal trail down in such a pretty way. It is stunning in person and even better then how it has photoed. One of my favorite pieces. Excellent condition

Fully lined and layered in the same fabric. There are two small repairs to the inside lining in the bodice that do not affect the integrity of the gown or the outside at all. Closes with a zipper at the side.

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 58" from top of dress to hem

Modern Sizing Equivalent: XS=SML

Item# DD2831

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In the 1990s Ben de Lisi was dressing celebrities like Kate Winslett, Helena Bonham Carter and Anjelica Huston. He closed up shop in 2008 so really only designed for a short period of time. In his heyday, his gowns were very sought after and their designs really captured that nineties aesthetic. Here we have a lovely silk chiffon gown in a deep eggplant/aubergine color. The silk is cut on the bias and set so that the dress drapes over an inner corset that is lightly boned for support. The silk he chose to use has a slight texture to it. The outer layers of the dress sit over an inner layer of silk slipper satin so it feels wonderful on. I love that he chose to turn the smoother surface of that silk satin inwards so that once on, you feel that sensual fabric directly against your skin, this simple trick makes the gown feel like a lingerie piece once on the body. A panel of chiffon drapes up and over one shoulder in a sensual curve of fabric and then cascades down the side, trailing beyond the hem to create the suggestion of a train. A 31" slit runs up one leg for a flash of skin. It is simple but dramatic and the color is just superb. Excellent condition.

Constructed with a full, finished inner dress that is made of a silk satin in a matching hue of purple and that closes at the side with a hidden zipper. Additionally, there are lingerie hook & eye running down the side of the inner bodice. Lightly boned through the interior corset. Tagged a US 6 but please check measurements listed below

Bust: 17" flat across from side seam to side seam
Inner corset waist: 13.5" flat across from side seam to side seam
Bias cut hips: to 22" flat across from side seam to side seam
Length: approx 60" from inner waist to front hem and 66" to the back hem (cut on the bias so will come up some once on) with the fabric panel that comes out from the waist extending another 7" past the back hem length

Modern Sizing Equivalent: SML-MED

Item# DD1460

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This beautiful 1950s silk dress is made from a very fine, high end Asian silk. The silk has a beautiful design os sprays of feathers done in a red thread woven through it. In addition tot hat are little deep grey medallions scattered over the entire surface. The fabric itself is marked along the inner salvage and I would not be surprised to learn that this was a high end designer piece. The red is not a true metallic thread but it seems to almost glow in real life. It is really something special and much better in person then how the camera has captured it here - the color overall is even richer and more true. The bodice has a pretty low V with gathers along the inverted V at the band of the waist. The banding gives you a tiny nipped in waist silhouette and then the skirt flares out into a gentle A-line. The skirt has a very unusual cut. Where you slip into is actually a slim fitting pencil skirt at the front with a very full pleated, almost bustled back. The inner skirt has a lining front and over this is a second panel of fabric that wraps around you to the back and gives you even more fullness. It is so clever and unusual. Excellent condition

Fully interlined in an ivory silk organza and black silk in parts. It closes with a painted metal zipper at the back. Hand finished and beautifully made. The fabric is marked along the salvage. The skirt has ribbon edge finishes and the entire dress is wonderfully made.

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 13.5" from neck to waist
Skirt: 30" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# E642

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

For the Vogue review of the Spring 2016 Vetements show, Sarah Mower stated: The entity that goes under the name Vetements has caused quite a quake through fashion—bottom-up, from nowhere. Just when—by looking at mainstream corporate luxury-goods norms—it seemed that cool was dead and buried and nothing “alternative” could ever again survive, along came a couple of brothers, Demna and Guram Gvasalia, and their collective of friends, to prove skeptics wrong....At top speed, Demna Gvasalia and his co-conspirators confirmed everything their following likes about their off-kilter, elegant, giant-jacketed tailoring and clunky romantic dresses, and then bettered it all. ...Then came the dresses, in a stunning number of new, colorful, and punchy-sophisticated ideas....Demna Gvasalia himself learned the ropes at Maison Martin Margiela, before setting up Vetements and getting on with proving that there can be a different way of doing things. Apart from their stylistic insights into what people really want to wear, it feels like the beginning of something else, too—perhaps something like the power of niceness and friendship in an industry that could do with a lot more of that."

This dress was one of the favored among the street style set and was photoed endlessly it seemed for various editorials. It sold out world wide and was wait listed. It is impossible to find even now I am very pleased to have sourced one that has never been worn and is absolutely perfect. It feels as fresh and avant garde as it did then and will absolutely be a future collectible. The color is a deep red and the cut is oversized. The body of the dress is made of layers of a chiffon and the sleeves and all the ruffles are made out of a heavier, stiffened fabric that gives them shape and structure. The shoulders are cut wide and are meant to be prominent. You can see the beginning of their signature asymmetrical setting of the skirt that carries through to present collections. It is remarkable and a true piece of fashion history that will only increase in value as time passes. Excellent condition with original tags attached. 

Lined in the same chiffon and slips on to wear. Tagged an XS but is meant to be worn over-sized. It will fit a range of sizes because of this.

Sleeves: 29"
Shoulders: 17.5"
Bust: 21" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: open
Bodice: 17" from top of bodice to waist
Skirt: 29" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD2830

Reference Photos: (1) S/S 2016 Vetements, Look 34.  /  (2) Vetements Outfits Photographed by Inez + Vinoodh, Vogue, March 2016.  /  (3) Bella Hadid in Vetements, ELLE US, February 2016. Photo by Dan Martensen.

This garment has never been worn and is in its original new with tags condition. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

In the Vogue review for this collection Sarah Mower noted: "Miuccia Prada had a sound bite for her Spring collection. "It's primitive," she said, "going back to what counts." ... When the chips are down, there is no one who can turn up the thermostat of subversive sexual provocation quite as high as Mrs. Prada. Her girls, their skin glistening as if on a fevered summer's night, might have been passing through on their way to or from lovers' assignations, their clothes disarranged in various states of falling-off or looking as if they might do so at any moment. Rumpled and crinkled fabrics have been appearing all over this season, but never with such sly intent. One pull of a trailing drawstring tape and, whoops! A person could find herself half naked. There was something fabulously Italian about all this shameless reveling in femininity. The fifties overtones, with the high chignons, the ruched bras, and swishing rear action in the below-knee pencil skirts, managed to channel the heyday of Cinecittà without cliché. Best of all, this is a collection destined to look even better on a woman with a real body than it does on a teen model. And that, Mrs. Prada surely knows, really is "what counts.""

 The dress is amazing and was one of the standouts in the show. These were photoed everywhere and this snake print was one of the biggest looks of the season. This dress is particularly fabulous because of its amazing cut. It has that sexy, fitted fifties feel to it and the open sides are shocking when you catch that glimpse of bare skin. The fabric is deliberately rumpled and crinkled and I love the slimming effect the panels of black on either side of the print have on the body. It skims over your curves and ends just past the knee. On the side it buttons and is partially closed over the hip area and then up the side it ties to close allowing you to tie or loosen it to fit as you please. At the top of the shoulder it ties. Really one of the stand out Prada pieces and it feels as wearable now as it did then, perhaps even more so. Excellent condition

Unlined and closes at the side as described above. Tagged a Prada 40.

Bust: 16-18" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Length: 35.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2829

Reference Photos: (1-2) Look 26 from S/S 2009 Prada Collection.  /  (3) S/S Prada Ad Campaign by Steven Meisel.  /  (4) Racquel Zimmerman in Prada for US Vogue March 2009. Photo by David Sims.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you are looking for full on luxury this jacket has it in spades. It is made from a rich, thick cashmere with just a touch of wool added for structure. It is so soft and rich looking. The color is also amazing - it is a deep grey but has just a touch of an undertone color to it that seems to take on different hues in different lights - sometimes more black, sometimes a hint of blue and sometimes the feel of eggplant. The shoulders are squared off and the body is cut to skim in at the waist. Pockets sit on each hip. The finishing details just add to the rich feel of the jacket. the out edges are finished with a thick, flat cord and silk braiding and this circles the hem, runs up the front and around the notched collar and finishes each cuff. It closes with huge braided leather loops that fasten over big leather and cord topped buttons. These are not true frog knots but have that feel. Each sleeve has two more of those huge buttons adorning it and the buttons holes there are functional. The cashmere is the highest level and it looks to have never been worn. Excellent condition

Fully lined in a deep midnight purple silk satin and closes at the front as shown. Tagged a vintage YSL 36 but the oversized cut will allow it to fit a variety of sizes depending on how you want to wear it.

Sleeves: 23"
Shoulders: 17"
Bust: 21" flat across from side seam to side seam
Waist: 18.5" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 28.5" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# S788

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a lovely, lightweight jacket covered in extensive crewel embroidery. The base is a black wool cut into a duster coat silhouette. The lines are long to just past the knee and the collar is cut high and round. The embroidery covers the entire surface of the jacket in the prettiest pastel hues that vary from a light lavender to a soft coral. Even the buttons that run down the front are embroidered. I believe the embroidery work to be machine done so the price is very reasonable. Were this an earlier version that was entirely made by hand you could easily add expect to add a '1' to the front of the listed price. It is a wonderful piece that is light enough to wear year round. Excellent condition 

Fully lined in a black silk and buttons down the front as seen. There is one small repaired area on the inside lining near the collar. The easy cut will allow it to fit a range of sizes depending on how you like your jacket to fit.

Sleeves: 23"
Shoulders: 17.5"
Bust: 22" flat across from side seam to side seam
Waist: 21" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Length: 43" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# S787

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

These jackets were a Thea Porter signature and were introduced into her collections in 1975.  The name 'Chazara' came form a type of butterfly and they were made in a multitude of fabrics and colors. Here we have a beautiful and deceptively simple version in an inky black silk velvet. Inside it is lined in a luxurious ivory silk satin. It is hip length with a long and lean cut. A Nuhru collar tops the hidden row of hook and eye that closes the front. In the book "Thea Porter; Bohemian Chic", author Laura McClaws Helms notes that these were inspired from 18th century military coats. Thea Porter pieces are becoming increasingly rare and this is a piece that you will wear for a lifetime. Excellent condition

Fully lined in an ivory silk satin and closes at the front with a series of hidden set hook & eye.

Sleeves: 25"
Shoulders: 15.5"
Bust: 19.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 27" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# S786

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is just an amazing piece of art-to-wear. Hand made in Mexico in the late sixties, maybe early seventies, this is the epitome of hippie chic and is very easy to wear. The design is based on a classic caftan with wide cut sleeves and a body that widens as it nears the hem.  It is made of a  light, raw feeling cotton with a linen like finish. The base color is a orange that is striped in different hues and over that are sewn different color ribbons that run down the length of the dress. with an explosion of color and movement with those strands of multi-colored ribbon applied to the front. These are hand sewn into place, as are the little rounded corner squares of fabric that are scattered over the caftan. Each of those are done is different color stripes and each has some whimsical little bug, or plant hand embroidered in its center. It is wonderful. Excellent condition.

Unlined and slips over the head to wear. The cut will allow for a variety of sizes to wear it.

Sleeves: 14"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 20" flat across from side seam to side seam
Hips: 24" flat across from side seam to side seam
Length: 55" from natural neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD2828

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The designer of this dress, Sully Bonnelly had a bit of a hey day in the late 1990s. He worked as a designer for the houses of Bill Blass and Eli Tahari before launching his own collection in 1998. It retailed at Saks Fifth Avenue, Neiman Marcus, Bergdorf Goodman and other better stores around the world. He eventually went on to Oscar de la Renta and a more mass produced line but the pieces form his brief self-named label from this time period were of very good quality. This dress is from that time period and label and is wonderful.

Yards and yards of brilliant floral silk brocade with gold thread accenst have been used in this gown. The silk used is just incredible - it is a beautiful silk brocade with a coral red base and flowers woven through the silk to form that print you see. Layered over that into the fabric are gold accents that give the gown a subtle glow. The fabric choice allows it to hold that tremendous shape and silhouette without having to add any additional underpinnings. The bodice is strapless and fitted with curved front seams to follow and highlight the curves of you body to below the hip. The skirt flows from the bodice with no seam at the waist to break the line and is cut to sit sleek and simple at the front and then at the back it wonderfully dramatic and very full. The back skirt is also trained so flows out behind you in that dramatic swoop of fabric. The back itself dips into an almost impossible low V to leave a bare expanse. Those details combined with that spectacular floral print make it one of the best gowns I have seen from this time period ever. The color, the print, the fabric and the cut all add up to a wonderful, beautiful gown. Excellent condition.

Fully interlined in a red silk satin through the bodice and torso, the skirt is interlined with a white silk organza. The bodice has an additional lining in the same fabric and is boned and. The dress closes with a hidden set back metal zipper. The inner bodice closes with a hook & eye and a flat hook at the attached waist stay.

Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Length: 56" to the front hem from the top of the bodice, 66" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD2827

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This collection was inspired by Zandra's trip to China. She came back with sketchbooks filled from her travels there and was particularly struck by "the trellises and fretwork used by the Chinese, framing everything, making squares, bordering each simple visual plane." This became the foundation for her 'Chinese Square" print that we see here on this dress. In between the angular print is her signature 'scribble heads' that appeared in several earlier collections. The overdress part of this piece appears on page 158 of the book 'The Art of Zandra Rhodes with her catalogue identification of 79/89.

The dress is made from a fine silk chiffon with a high rounded neckline that self ties at the back. The elbow length sleeves are constructed from squares of the Chinese Squares print and each is edged with beads, as is the the edging of the skirt and hip panels. The bodice is lined in a silk, whereas the skirt is constructed so that the silk chiffon panel at both the back and front lay over an interior, almost apron like, over a red jersey skirt in a matching red. Everything is attached at the elastic waist so that it just simply slips on. Beading on the shoulder at the front is the final perfect finish. A remarkable piece from one of her key collections. Excellent condition

The dress is done in the strong red that she used throughout this collection and it is a truer brighter red than how it photoed here. It slips on the wear with an elastic waist and a tie at the back neck. Hand beaded and hand rolled hem. There are a couple of areas were the beads the edge the panels of the over skirt are missing or have lost their coating, but none so bad that you would notice unless specifically hunting for it.

Sleeves: 14" approx.
Shoulders: no defined seam
Bust: 18" flat across from side seam to side seam
Elastic waist: 11-15" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Bodice: 14" from neck to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2826

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a few variations of these caftans landing in the shop. All came from a woman who traveled extensively and spent a lot of time in Morocco during the late 1970s and she apparently wore these there. She had these caftans custom made in a variety of color and fabric combinations. Each is the same loose and easy shape and all are made out of what feels like a silk and linen mix fabric that has just a touch of transparency to it, They are so chic and the perfect topper to just about anything. They move and billow with the slightest bit of movement and are so flattering on. The trim is a flat embroidered panel done in silver thread. It is set on a stiffening back panel that keeps the shape and gives it a slight feel of structure. It also keeps it sitting on your shoulders. The edges are finished with a silver piping. These are almost identical in shape to the iconic Thea Porter's Abaya caftan and you can see this may have been where her inspiration was drawn from. The color of this one is the perfect inky black that will go with anything. Excellent condition

Unlined and has no true closures. There is a bit of a braided cord at the center front that you could use to tie it if you wished.

Width: 63" side to side
Length: 62" top to bottom

Modern Sizing Equivalent: OSFA

Item# C446

Reference Photo: Cherie, Owner of Shrimpton Couture, wearing the black and gold version of this caftan (click here to see). Photo by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you loved the volume and excess of the eighties this dress will make you fall in love. It is very unusual in many aspects but once on the body it really looks wonderful. It is made from a black chiffon that has little silver strips of foil applied to the fabric in rows that run down the length of the dress. What is interesting is that some are applied on the top layer but most are applied underneath so they become muted and give the fabric depth and a sense of texture. The collar, cuffs and waist are defined by bands of silver glass tube beads, again applied in tightly spaced rows, The bodice is cut with a ton of volume that floats over a low drop waist. The sleeves are cut equally full and pouf from shoulder to cuff. From under the beaded band at the waist the skirt flows out to the floor and beyond to the trained back. To balance all of that fabric and the train, the back is scooped in a wide low curve to leave a bare expanse of skin. Excellent condition

Fully lined in a layer of black chiffon. It has no closures and is meant to slip over the head and sit low and loose on the body. The cuffs have loop & buttons to close.

Sleeves: 26"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 58.5" from waist to hem - train adds 11"

Modern Sizing Equivalent: SML-MED

Item# DD2825

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a few variations of these caftans landing in the shop. All came from a woman who traveled extensively and spent a lot of time in Morocco during the late 1970s and she apparently wore these there. She had these caftans custom made in a variety of color and fabric combinations. Each is the same loose and easy shape and all are made out of what feels like a silk and linen mix fabric that has just a touch of transparency to it, They are so chic and the perfect topper to just about anything. They move and billow with the slightest bit of movement and are so flattering on. The trim is a flat embroidered panel done in gold thread with just a hint of silver in the design here and there. It is set on a stiffening back panel that keeps the shape and gives it a slight feel of structure. It also keeps it sitting on your shoulders. The edges are finished with a gold piping. These are almost identical to the iconic Thea Porter's Abaya caftan and you can see this may have been where her inspiration was drawn from. The color of this one is the perfect inky black that will go with anything. Excellent condition

Unlined and has no true closures. There is a bit of a braided cord at the center front that you could use to tie it if you wished.

Width: 63" side to side
Length: 61" top to bottom

Modern Sizing Equivalent: OSFA

Item# C447

Reference Photo: Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Annacat is a label that is very hard to find and rare. When you do find one and it is as sexy and delicious as this one is you really feel like celebrating. In its day, Annacat pieces were often featured in editorials for Vogue UK and Harper's. The label was a heavy favorite of the fashion insiders at the time and worn by the "it girls" and rock stars of the day. This full length maxi dress is an amazing example of the best of what they were producing and why there were wait lists to get your hands on their dresses back then. The bodice is gathered along the center halter piece that ties up and around the back of the neck. Then, each side of the bodice extends into a long fabric tie that you wrap and tie around the waist or tie at the back and leave trailing down. This design leaves the back completely open and bare so it is insanely sexy. The waist nips in with the front halter extending into a wide panel right down the front - it almost acts like a huge pendant or neck piece. The skirt has yards and yards of fabric and it moves wonderfully as it is all cut on the bias. It is made of a cotton fabric that is wash and wear and I love the pretty floral pattern that covers the surface. It is a very rare and very fabulous vintage piece that still feels shockingly modern and sexy. Excellent condition.

Unlined and closes with a back painted metal zipper at the back waist. The front extends on either side and ties in the back and then the halter buttons at the back of the neck. Also if you love this one you may want to see this one as well - its the twin in cut but made of silk.

Bust: variable as it ties
Waist: 12.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 15" from neck to waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2824

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The label on this dress instantly gives us a date of between 1970-1974. 1970 was the year Janice Wainwright launched her own label and after 1974 her labels only carry her name, not the full ‘Janice Wainwright at Forty Seven Poland Street,’ that we see here. These four years are what has forever defined Janice and her work. She excelled at these embroidered pieces and the Art Deco & Nature inspired designs that she loved flourished and became one of her signatures.

This dress is a beauty and really a museum worthy piece. Her caftans and dresses by her during this time period and of this quality are harder and harder to find. As mentioned above, it has the added bonus of having the coveted, earliest Janice Wainwright at Forty Seven Poland Street label. Pieces with this label are from the beginning of her career and for me, really showcase her talent and are among the very best of her work. The base of the dress is a cream chiffon. The construction is very interesting. It has a more fitted interior dress that has a straight sleek cut and this inner dress is made form a silky rayon until it nears the hem. It them changes to the chiffon that is extensively embroidered as you see in the photos. Floating over this is an attached caftan that is loose and full. The 'sleeves' of this outer layer  have her signature embroidery runs extensively down each of them and across the back. The front is cut very low with a series of loop and buttons that you can close or leave open for more of a plunging feel. It is beautiful and would even make a fabulous wedding choice for a bohemian bride. Excellent condition

Fully lined in a white silk rayon and closes with a side painted metal & nylon zipper on the interior dress. Fabric covered front buttons on the plunging neckline

Interior bust: 17" flat across from side seam to side seam
Interior waist: 18" flat across from side seam to side seam
Interior hips: 20" flat across from side seam to side seam
Exterior caftan: 58" X 44"
Length: 56" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2823

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

There is just a certain cut and line of a seventies halter that once you find you look for variations of it endlessly. This is that dress. It is super chic and one of those easy to wear pieces that you can just throw into a suitcase and it works for day or night, and at the beach, the country, or the city, and you always feel like a million bucks in it. It is made out of a wash and wear cotton and that stripe gives it a fabulous feel. It's got a element of sexiness to it with that low bare back but still feels sweet at the same time. The front has a halter/bikini cut and ties around the back of the neck. This leaves the back virtually bare with the front is cut low and deep so you get a sexy expanse of skin. The skirt cascades to the floor in a widening sweep of fabric and I love how the stripes are set on an angle on the skirt. Excellent condition.

Unlined and ties to close at the back neck and zippers at the low back waist.

Bust: adjustable
Waist: 12.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: Approx 15" from neck to bottom seam of 4" band at waist
Skirt: 42" from bottom band at waist to hem

Modern Sizing Equivalent: XS-SML

Item# D580

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had the twin of this in the shop before but the first was a little smaller then this one is. It is from earlier in his career and I love the statement making combination of that classic 1960s orange and yellow color palette with the starkness of the black. The top part of the jumpsuit is cut like a little button down shirt with pointed, notched collar and short sleeves. The print is set in the highlight the cut. A row of black, decorative buttons trails down the front and I love how the pattern is used to create the illusion of 'cuffs' on each sleeve. The bottom is a pant that has wide panels of fabric wrapped over each wide cut leg so that depending on how you stand it appears to be a full length skirt. Each outer side of each leg has a sexy slit that is cut to just past the knee for a little flash of skin Excellent condition.

Fully lined in a black silky cotton mix and closes with a hand set, back painted zipper. The buttons at the front are decorative only.

Shoulders: 16"
Bust: 18.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from neck to waist
Skirt: 43" from waist to hem
Inseam: 30"

Modern Sizing Equivalent: SML-MED

Item# DD2822

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you are looking for a dress in a bright shot of color this is it. The rain bow palette travels down the dress in bands of pleated chiffon. Bright pastel [ink, green, yellow and blue are set side by side all the way around the dress for maximum color impact. The dress is a touch too small for my mannequin and will sit better on a smaller girl. It falls in a sleek column of pleats that travel the full length of the dress. The bodice is sleeveless and set in a low V at both the back and front. A piped and braided belt in the quartet of colors is attached and circles the waist. The skirt falls from there in a sweep of pleats that give it a pretty movement when you move. Excellent condition

Fully lined in a nude chiffon. The chiffon used feels like a synthetic but a good one. Closes with a back painted metal and nylon zipper. The attached belt hooks to close at the back.

Bust: 16.5" flat across from side seam to side seam
Under Bust: 13"
Natural Waist: open
Hips: open
Bodice: 11" from top of shoulder to under bust
Skirt: 45" from under bust to hem

Modern Sizing Equivalent: XS-SML

Item# E641

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The combination of fabric and textures with that beautiful floral print is wonderful. This masterful mixing of textures and finishes that result in a pretty and romantic feel is what Oscar excelled at and that his later work was built upon. The fabrics he chose to use for this dress is a mix of a light weight, textured silk chiffon for the bodice and sleeves anchored with a beautiful silk with a sheen, matte satin finish. Through the silk of the bodice, a fine gold lurex thread has been worked through in a floral design to highlight the soft print on the chiffon and give upper portion of the gown a subtle shimmer. The bodice is cut to just skim over the torso with a high scooped neckline. The sleeves are fuller and end just above the elbow. You can cinhc in the waist for more shape and then the skirt flows to the ground in a sleek column with just a touch of fullness to balance the bodice. I love the floral print screened onto the skirt that has the feeling of a fine watercolor painting and anchors the gown with a romantic, pretty splash of flowers. Excellent condition

The dress is lined in a nude silk, with the sleeves left unlined. It closes at the back with a painted metal & nylon zipper. There is a purple net sash that came with the dress that is most likely not original but will be sent with the dress. Each cuff snaps to close.

Shoulders: 14"
Bust: 18.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 15" from neck to waist
Skirt: 41.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2819

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Spring 2005 Prada show is one of the label's most iconic and recognizable. In her review of the show, Vogue's Sarah Mower stated: Just when the whole fashion world has turned ladylike—thanks, of course, to Miuccia Prada—she's tossed it all in the air, looking for a certain freedom. "A vague idea of birds; birds of vanity, like peacocks, parrots, and swans," was a starting point in her restless search for change, she explained. "I also wanted to move toward something more young and sporty, tall and narrow.... In broad terms, the news from Prada included a different silhouette (short hemlines, worn mostly with flat sandals), a return to one of her favorite palettes (brown-ochre-rust), and as always, lots of artful eccentricity (peacock feathers, flowerpot hats, Bakelite digital watches). There was also a Jamaican dance hall vibe, with reggae on the sound system, Rasta stripes in the knitwear, and Caribbean crochet in the raffia hats and cardigan coats. The birds really took flight for night, in the form of skirts overlaid with peacock feathers, dresses covered with digitalized feather prints, and pretty chiffon gowns whose fan-like pleats hinted subtly at dove's wings."

This is Look 48 from the show and one of my personal favorite pieces. It is in that color mentioned above, a brown-ochre-rusr, with a slight sheen to the silk wool mix fabric. It is cut short and simple with a little A-line cut skirt and that fabulous one shoulder shilhouette. Black insets define the shape and cut and the front middle panel of the skirt is heavily embellished with cut out shapes, beads and crystals anchored over black lace shapes cut to match each embellishment. The fabric choice allows for that wonderful shape to stay true when it is one the body and the jeweled appliques are striking. Excellent condition

Fully lined in a deep brown, fine silk and closes with a hidden set side zipper. Hand set boning through the sides. Tagged a Prada 40

Bust: 16" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Bodice: 13.5" from top of shoulder to waist
Skirt: 21" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD2818

Reference Photo: Prada Spring 2005 Runway Show, Look 48. (Model: Querelle Jansen)

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous dress is by Bob Mackie and from his main line which can be considered as demi-couture. He Mackie is best known for dressing Cher. His work showcases his love of over-the-top opulence and often showcase extensive bead work and applique work. He worked for both Edith Head and Jean Louis before starting his own label. This early entry into costume design and the glamor of Hollywood continued to influence his work through his career. His designs are always extravagant and glamorous in the best possible way. Here we have a piece from the 1980s and it has that opulent feel in spades. The gown in made in delicious shades of metallic golds through the bodice mixed with a pastel coral based metallic silk for the skirt. The bust is strapless and has a gold cord embroidered "lace" applique that covers it all the way around. This is layered over the same silk the skirt is made up of. Scattered over this are gold and clear crystals that catch the light when you move. The skirt is fabulous and the silk is a nod to Fortuny in the pleating treatment. The silk here has a lame feel to it and seems to glow. The underskirt is a gold silk taffeta and there is a lot of fabric there so it really has fullness and movement when you move. The bodice is very structured and molded. It feels like couture once on. Extremely well made. Excellent condition with two small condition notes to review below.

Fully lined in a muted gold silk though the bodice and the silk taffeta underskirt is interlined in a silk organza. The bodice has a built in, molded bra and boned corset built in under the lining. There is also an inner waist stay. It closes with a back painted zipper. Hand finished throughout. There is a small repair to the silk near the hem at the front and another near the base of the zipper. The pleating treatment to the silk effectively hides these when on but mentioned for accuracy and I have photoed both.

Bust: 17.5-8" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam and the inner waist stay hooks to fit a either a 26-27" waist, if you need the full 28" you can leave the stay undone or remove it
Hips: open
Bodice: 9.5" from top of bodice to true inner waist
Skirt: 43.5" from true inner waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2814

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This matches the coat listed today and is a beautiful 1950s silk dress. It is made from a very fine, high end silk. The silk has a beautiful red thread woven through and used in the black silk base to create the beautiful little floral designs sprinkled over its surface. The red is not a true metallic thread but it seems to almost glow in real life. It is really something special and much better in person then how the camera has captured it here - the color is even richer and more true. (One thing to note - the color is a true red - in the label photo it has more of a orange hue and that is the camera lighting not the true color - the other photos are far closer) The little floral medallions are woven directly into the silk. The sweetheart neckline and front pleating detail on the bust are finished with a little romantic bow. The way this is set into the front bodice is a little unusual and very pretty once on. The dress itself is wonderfully cut with that shaped bodice and simple capped sleeves. The waist nips in and the skirt flares out into a gentle A-line. It is a nice light weight and very well made.  The shop label it still has was a high end one and I would not be surprised if this was a designer piece that has lost its label. Really it is a steal at this price. Excellent condition

Fully interlined in a black silk organza. It closes with a painted metal zipper at the back. Hand finished and beautifully made.

Shoulders: 16"
Bust: 20.5" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 38" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# E639

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This matches the dress listed today and is a beautiful 1950s swing coat. It is made from a very fine, high end silk. The silk has a beautiful red thread woven through and used in the black silk base to create the beautiful little floral designs sprinkled over its surface. The red is not a true metallic thread but it seems to almost glow in real life. It is really something special and much better in person then how the camera has captured it here - the color is even richer and more true. (One thing to note - the color is a true red - in the label photo it has more of a orange hue and that is the camera lighting not the true color - the other photos are far closer) The little floral medallions are woven directly into the silk. The coat is cut with a looser, swing shape that is pure fifties. It has a large rounded collar and closes down the front with faceted raised jet black buttons. It has pocket flaps on each hip but they are decorative only. The sleeves end just past the elbows and the back has that wonderful swoop of fabric typical of the period. It is a nice light weight and very well made.  The shop label it still has was a high end one and I would not be surprised if this was a designer piece that has lost its label. Really it is a steal at this price. Excellent condition

Fully lined in a black silky rayon satin that has a pretty print woven though it that reminds me of the linings used for men's suiting in this time period. It closes with buttons down the front. Hand finished and beautifully made. The loose cut will allow it to fit a range of sizes

Sleeves: 18"
Shoulders: 16"
Bust: 23" flat across from side seam to side seam
Waist: 24" flat across from side seam to side seam
Hips: 25" flat across from side seam to side seam
Length: 41" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C442

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.