• The dress is from 2017 and is a piece that was produced for the shops.
• The dress was made under the creative direction of Alessandro Michele.
• Lisa Vanderpump wore it's twin that season and I love that the reference photos we have included here allow you to see how great this is once on the body.
• The dress is made from a light in weight black crepe like fabric mixed with lace set down the bodice and for the sleeves. These fabric choices keeps it light in weight but still give it enough structure to hold that gorgeous shape that you see.
• The neck is cut high with a ruffle of lace running around the neck. A lace panel drops into a low V down the front. This leaves you completely covered but you still have a bit of the transparency that the lace provides.
• Each shoulder is set into the arms with a slight capped feel and then they narrow down to wide cuffs and a ribbed grosgrain. Each cuff closes with two button buttons covered in the same fabric. I love the way the lace of the sleeves picks up on that front panel and how they also have transparency through the lace pattern.
• The bodice is cut to skim over you to the waist that is banded for shape.
• The skirt curves out over the hips and then falls from there to the floor, flaring out as it reaches the hem. This gives it a wonderful movement when you move.
• It is at the very front that you get that signature excess that Alessandro is so well known for. Two large bows are formed out of iridescent silver crystals trimmed with tiny seed beads. These are attached directly to the dress and are stylistically a nod to the 1930s and 1940s. There is also a prong set row of the same crystals that run between the bows to suggest tiny buttons. All of the crystals catch the light beautifully and add a high amount of glamour to the dress.
  
• It is a beautiful dress representative of his time at the Gucci label.
• The dress is lined in a black chiffon through the bodice with the skirt and lace areas left unlined. It closes with a hidden back side zipper and hooks at the back of the neck. Each sleeve has a two buttons at the wrist. There is some stretch through the body so I have put the comfortable range when laying flat below.
• Tagged a Gucci S
• Excellent condition

Sleeves: 25.5" and they are 12" around the upper arm
Natural shoulders: approximately 15"
Bust: 15-17" flat across from side seam to side seam
Waist: 13.5-14" flat across from side seam to side seam
Hips: 16.5-20" flat across from side seam to side seam
Bodice: 11.5" from neck to the top of the 4" band at the waistwaist
Total length: 58.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5516

Reference Photos: (1) From the Gucci website.  /  (2-3) Lisa Vanderpump in Gucci at the premiere of The Real Housewives of Beverly Hills, 2017.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set was Look 10 on the Fall 2003 runway.
• It was made under the creative direction of Tom Ford.
• We have included runway photos and video for you to see how beautifully this moves once on the body. In Vogue's review of the show they said that "This season every major designer is talking about creating a "beauty" strong enough to defy our anxious times. Backstage that was the word Tom Ford used to characterize his Fall collection for Gucci—a collection in which beauty was personified as a power vixen extravagantly armoured to face down a troubled world" The evening pieces were mentioned specifically "For evening, there were gowns constructed with cutout zones of sparkling mesh and frilled bra tops; others snaked to the floor, held in place with complex asymmetric straps crossing the torso and shoulders. If Ford is treading the territory mapped out by Thierry Mugler and Azzedine Alaïa in the ’80s, it’s no surprise. Much of fashion is heading in that direction >anyway, and Ford, after all, bases Gucci’s entire brand proposition on finding new ways of upping the ante on sex season after season."
• This is a dress from one of the most incredible eras of Gucci.
• I love that this dress is the twin of the colour chosen to walk the runway and that it has it's corset belt. The belts were sold separately but this listing is for both pieces together.
• My client who is the original owner, verified that this colour of dress was only sold in a limited amount of Gucci shops and that they were produced in lower quantities, making it a more rare find. These usually do not have the matching corset belt since it was sold separately or they are in the all black colour that was sold and produced in greater quantities for retail.
  
• The dress is made out of a silk blend that allows the silk to stretch and give.
• The fabric is as light as air and that incredible stretch allows it to conform to your every curve and helps to create curves.
• The neckline is meant to sit lower on the chest and it sits wide across the front. You can see that on the runway.
• The sleeves are long and simple so that the seaming detail on the dress can stand out. The silk is gathered up and over the edge of the neckline in soft folds and then below that is the incredible seaming that shapes the dress around the body.
• The seam work that he did for his time at Gucci was an integral part of his design philosophy. The seaming acted like embellishments, shaping the pieces and giving them added detailing.
• The waist is seamed and it curves down and over the hips with insets there to hold and emphasize the shape.
• The skirt falls under that, following the curve of the body with just a slight flare out at the back hem. At the back the seaming curves around from that waist area and curves underneath your bottom. The silk is gathered in along those curved seams to create ruching and there is a panel built inside where they meet just above the hem to give added structure and support. 
• The corset goes over top of that and it is made out of a thick stretch fabric that has an almost neoprene feel to it. It velcros into place at the front and then straps wrap around you and buckle into place to cinch you in.
• This is a true stand out piece from Tom Ford's reign at Gucci and it is also incredibly sexy.
• Unlined and closes at the back with a hidden set zipper. The belt has Velcro at the front and then buckles to close over that. Both pieces appear to have been worn very little if at all. The dress has its inner fabric tag with the Gucci name on it only. The fabric does have stretch and the measurements below are the comfortable range laying flat.
• The belt is tagged a size 40.
• Excellent condition.

Dress
Sleeves: approx 28" and they are 12-15" around the upper arm
Shoulders: no defined seam
Bust: 15-17.5" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 40" from top of shoulder to front hem, 43" to the back hem

Corset Belt
6" high at its skinniest point and 9" at its widest. It is approx 26-30" end to end 

Modern Sizing Equivalent: XS-MED

Item# DD5399

Reference Photos/Video: (1-3) Fall 2003 Gucci, Look 10. Model Mariacarla Boscono.  /  (4) Yasmine Warsame in Gucci for Amica Magazine, October 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 2010 collection for Look 45.
• It was made under the creative direction of Frida Giannini.
• This was one of a series of evening pieces done for the finale of the show and was one of the best of those final looks. I am very glad that we have the runway photos so that you can see how this will properly fit on the body once on.
• The dress is strapless and there is a band made out of a chocolate suede that runs around the top of the bodice. Inside there is light boning to and structure and help to hold the dress properly in place.
• It skims over the bust and is shaped slightly inwards at the waist and then curves back out over the hips. It falls to just above the knee depending on your height.
• The dress can be worn on its own or you can wear the matching little shoulder capelet feeling piece that comes with the dress. My dress form is cut slightly shorter through the body so the bottom edge of the shoulder piece is coming to the top of the dress. Depending on your height and build it will either sit the same or sit above the top to leave a strip of bare skin showing like you see in the runway photos.
• The base is a deeper brown and then that has thousands of iridescent sequin pailettes attached in little clusters over the entire dress. These are in different sizes and the smaller ones are attached top bottom to the dress and then the longer pieces are attached at their tops only so they have this incredible movement and slight sound when you move.
• The shoulder piece is made out of two layers of black silk net. It has more of the same iridescent pailettes attached to it. The ones on this piece have a more clear undertone, whereas the ones on the dress have a slightly brown undertone. The slightly different colour and transparency of the base fabric gives the capelet a touch of a contrasting colour to the dress.
• The shoulder piece snaps to close at the back and has little built in openings for your arms to fit through so that it stays perfectly in place once on. I also love that you could where these as a set as shown on the runway or mix and match with other things in your wardrobe.
• The dress is fully lined in light brown silk. The inner corset piece that is lightly boned has its own zipper and then a second zipper sits over that to close the dress. Part of the back goes over the zipper and snaps into place. It sat down slightly from the top edge of the dress, so you see a bit of the under part of the dress. This is a detail that was done purposefully. The shoulder piece snaps to close at the back with hidden set snaps. Perhaps the occasional sequin missing but no overly bare spots and the pattern does have open spots purposely built into it. The original tags are attached and it was never worn.
• Tagged a Gucci 40
• Excellent condition

Dress
Bust: to 16.5" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Total length: 31.5" from top of bodice to hem

Capelet
20-23" it's widest point across and each opening for the arm is between 10.5-11" around
Total width: approx 9.5" 

Modern Sizing Equivalent: XS-SML

Item# DD5400

Reference Photos/Video: Fall 2010 Gucci, Look 45. Model Yulia Kharlapanova.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations concerning shipping feathers this dress can only ship to a Canadian or Non-US address. Touch base if you need more information.
• The twin of this piece was Look 41 on the runway for Spring 2011.
• It was made under the creative direction of Frida Giannini.
• This is one of the instantly recognizable and well-known Gucci dresses. It was worn and shot for countless editorials and worn on the red carpet. We have attached many examples here and there are probably more.
• The dress is an incredible achievement and shows just how high-end and detailed ready-to-wear can be at the hands of a heritage label. It verges on Couture.
• A burnt orange silk is covered with a multitude of textures and materials. It is cut across at the front with a bib feeling extension that ties up and around the neck. A silk cord is how it ties in place and this ends in silk tassels at the front. The bib is finished with orange tinted acrylic pieces that top metal beading, glass beading and little muted brass metal pieces along with prong-set rhinestones. On the outer sides of the cording is a row of brass pieces shaped to represent feathers and these curve like jewellery along  each side.
• The body of the dress has a panel down the front and back made up of horizontal set silk cording that is held in place by brass open beads that the silk slips through. The sides of the dress have more of that same mix of materials that the bib on the neck does and then the lower portion of the sides are finished with a combination of hand-dyed feathers and brass pieces mixed in between the rows.
• The work goes all the way around to the back and the dress does have some weight because of the work on it but it feels balanced and easy to wear once on.
• The shape is very flattering and it skims over you coming in slightly at the waist and curving around the hips. Depending on your height it is going to sit just above the knee or to the knee.
• This is a very rare and pristine example of one of the most famous dresses that Frida created during her time at Gucci.
• It is fully lined in a matching coloured silk and there is a built-in lightly boned corset piece attached through the top. It closes offset at the back with a zipper that has Gucci engraved on a zipper pull and then the inner corset closes with its own zipper. There is the tiniest bit of grubbiness along the inner upper bodice.
• There is no size tag present so please go by the listed measurements below.
• Excellent condition 
  

Bust: 15-16" flat across from side seam to side seam
Inner waist: 12-13" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Total length: approx 39" from neck to hem and you can adjust slightly with how you tie it around the neck.

Modern Sizing Equivalent: XS-SML

Item# DD5373

Reference Photos: (1-5) Spring 2011 Gucci Look 41, Model Joan Smalls.  /  (6) Anna Zakusylo for Vogue Greece February 2011.  /  (7) Caroline Trentini for Elle France March 2011 by Jean-Baptiste Mondino.  /  (8) Clara Alonso by Luis Monteiro.  /  (9) Frida Gustavsson for DV Mode Magazine SS 2011.  /  (10) Iekeliene Stange by Benjamin Lennox for How to Spend It Magazine, 2011.  /  (11) Joan Smalls at the Fiat 500 by Gucci Launch Party, February 2011.  /  (12) Kate Del Castillo for InStyle Mexico July 2011.  /  (13) Pania Rose for Karen Magazine by Paul Westlake, 2011.  

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Dress
Sleeves: 25" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 58" from top of shoulder to longest point of the hem, 50" to the shorter hem

Inner Slip
Bust: 17.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 49" from top of shoulder to hem

Over-skirt
Waist: adjustable with the ties
Hips: open
Total length: 62" from the waist to the longest points of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5202

Reference Photos/Video: (1-5) Fall 2020 Gucci, Look 29. Model Johana Gavendova.  /  (6) Photo by Bruce Gilden.  /  (7) Kylie Minogue in Gucci, May 2021.  /  (8) Rita Ora in Gucci, February 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from 2017 and is a piece that was produced for the shops.
• The dress was made under the creative direction of Alessandro Michele.
• Lisa Vanderpump wore it's twin that season and I love that the reference photos we have included here allow you to see how great this is once on the body.
• The dress is made from a light in weight black crepe like fabric mixed with lace set down the bodice and for the sleeves. These fabric choices keeps it light in weight but still give it enough structure to hold that gorgeous shape that you see.
• The neck is cut high with a ruffle of lace running around the neck. A lace panel drops into a low V down the front. This leaves you completely covered but you still have a bit of the transparency that the lace provides.
• Each shoulder is set into the arms with a slight capped feel and then they narrow down to wide cuffs and a ribbed grosgrain. Each cuff closes with two button buttons covered in the same fabric. I love the way the lace of the sleeves picks up on that front panel and how they also have transparency through the lace pattern.
• The bodice is cut to skim over you to the waist that is banded for shape.
• The skirt curves out over the hips and then falls from there to the floor, flaring out as it reaches the hem. This gives it a wonderful movement when you move.
• It is at the very front that you get that signature excess that Alessandro is so well known for. Two large bows are formed out of iridescent silver crystals trimmed with tiny seed beads. These are attached directly to the dress and are stylistically a nod to the 1930s and 1940s. There is also a prong set row of the same crystals that run between the bows to suggest tiny buttons. All of the crystals catch the light beautifully and add a high amount of glamour to the dress.
  
• It is a beautiful dress representative of his time at the Gucci label.
• The dress is lined in a black chiffon through the bodice with the skirt and lace areas left unlined. It closes with a hidden back side zipper and hooks at the back of the neck. Each sleeve has a two buttons at the wrist. There is some stretch through the body so I have put the comfortable range when laying flat below.
• Tagged a Gucci S
• Excellent condition

Sleeves: 25.5" and they are 12" around the upper arm
Natural shoulders: approximately 15"
Bust: 15-17" flat across from side seam to side seam
Waist: 13.5-14" flat across from side seam to side seam
Hips: 16.5-20" flat across from side seam to side seam
Bodice: 11.5" from neck to the top of the 4" band at the waistwaist
Total length: 58.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD5516

Reference Photos: (1) From the Gucci website.  /  (2-3) Lisa Vanderpump in Gucci at the premiere of The Real Housewives of Beverly Hills, 2017.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this set was Look 10 on the Fall 2003 runway.
• It was made under the creative direction of Tom Ford.
• We have included runway photos and video for you to see how beautifully this moves once on the body. In Vogue's review of the show they said that "This season every major designer is talking about creating a "beauty" strong enough to defy our anxious times. Backstage that was the word Tom Ford used to characterize his Fall collection for Gucci—a collection in which beauty was personified as a power vixen extravagantly armoured to face down a troubled world" The evening pieces were mentioned specifically "For evening, there were gowns constructed with cutout zones of sparkling mesh and frilled bra tops; others snaked to the floor, held in place with complex asymmetric straps crossing the torso and shoulders. If Ford is treading the territory mapped out by Thierry Mugler and Azzedine Alaïa in the ’80s, it’s no surprise. Much of fashion is heading in that direction >anyway, and Ford, after all, bases Gucci’s entire brand proposition on finding new ways of upping the ante on sex season after season."
• This is a dress from one of the most incredible eras of Gucci.
• I love that this dress is the twin of the colour chosen to walk the runway and that it has it's corset belt. The belts were sold separately but this listing is for both pieces together.
• My client who is the original owner, verified that this colour of dress was only sold in a limited amount of Gucci shops and that they were produced in lower quantities, making it a more rare find. These usually do not have the matching corset belt since it was sold separately or they are in the all black colour that was sold and produced in greater quantities for retail.
  
• The dress is made out of a silk blend that allows the silk to stretch and give.
• The fabric is as light as air and that incredible stretch allows it to conform to your every curve and helps to create curves.
• The neckline is meant to sit lower on the chest and it sits wide across the front. You can see that on the runway.
• The sleeves are long and simple so that the seaming detail on the dress can stand out. The silk is gathered up and over the edge of the neckline in soft folds and then below that is the incredible seaming that shapes the dress around the body.
• The seam work that he did for his time at Gucci was an integral part of his design philosophy. The seaming acted like embellishments, shaping the pieces and giving them added detailing.
• The waist is seamed and it curves down and over the hips with insets there to hold and emphasize the shape.
• The skirt falls under that, following the curve of the body with just a slight flare out at the back hem. At the back the seaming curves around from that waist area and curves underneath your bottom. The silk is gathered in along those curved seams to create ruching and there is a panel built inside where they meet just above the hem to give added structure and support. 
• The corset goes over top of that and it is made out of a thick stretch fabric that has an almost neoprene feel to it. It velcros into place at the front and then straps wrap around you and buckle into place to cinch you in.
• This is a true stand out piece from Tom Ford's reign at Gucci and it is also incredibly sexy.
• Unlined and closes at the back with a hidden set zipper. The belt has Velcro at the front and then buckles to close over that. Both pieces appear to have been worn very little if at all. The dress has its inner fabric tag with the Gucci name on it only. The fabric does have stretch and the measurements below are the comfortable range laying flat.
• The belt is tagged a size 40.
• Excellent condition.

Dress
Sleeves: approx 28" and they are 12-15" around the upper arm
Shoulders: no defined seam
Bust: 15-17.5" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 40" from top of shoulder to front hem, 43" to the back hem

Corset Belt
6" high at its skinniest point and 9" at its widest. It is approx 26-30" end to end 

Modern Sizing Equivalent: XS-MED

Item# DD5399

Reference Photos/Video: (1-3) Fall 2003 Gucci, Look 10. Model Mariacarla Boscono.  /  (4) Yasmine Warsame in Gucci for Amica Magazine, October 2003.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walk the runway for the Fall 2010 collection for Look 45.
• It was made under the creative direction of Frida Giannini.
• This was one of a series of evening pieces done for the finale of the show and was one of the best of those final looks. I am very glad that we have the runway photos so that you can see how this will properly fit on the body once on.
• The dress is strapless and there is a band made out of a chocolate suede that runs around the top of the bodice. Inside there is light boning to and structure and help to hold the dress properly in place.
• It skims over the bust and is shaped slightly inwards at the waist and then curves back out over the hips. It falls to just above the knee depending on your height.
• The dress can be worn on its own or you can wear the matching little shoulder capelet feeling piece that comes with the dress. My dress form is cut slightly shorter through the body so the bottom edge of the shoulder piece is coming to the top of the dress. Depending on your height and build it will either sit the same or sit above the top to leave a strip of bare skin showing like you see in the runway photos.
• The base is a deeper brown and then that has thousands of iridescent sequin pailettes attached in little clusters over the entire dress. These are in different sizes and the smaller ones are attached top bottom to the dress and then the longer pieces are attached at their tops only so they have this incredible movement and slight sound when you move.
• The shoulder piece is made out of two layers of black silk net. It has more of the same iridescent pailettes attached to it. The ones on this piece have a more clear undertone, whereas the ones on the dress have a slightly brown undertone. The slightly different colour and transparency of the base fabric gives the capelet a touch of a contrasting colour to the dress.
• The shoulder piece snaps to close at the back and has little built in openings for your arms to fit through so that it stays perfectly in place once on. I also love that you could where these as a set as shown on the runway or mix and match with other things in your wardrobe.
• The dress is fully lined in light brown silk. The inner corset piece that is lightly boned has its own zipper and then a second zipper sits over that to close the dress. Part of the back goes over the zipper and snaps into place. It sat down slightly from the top edge of the dress, so you see a bit of the under part of the dress. This is a detail that was done purposefully. The shoulder piece snaps to close at the back with hidden set snaps. Perhaps the occasional sequin missing but no overly bare spots and the pattern does have open spots purposely built into it. The original tags are attached and it was never worn.
• Tagged a Gucci 40
• Excellent condition

Dress
Bust: to 16.5" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Total length: 31.5" from top of bodice to hem

Capelet
20-23" it's widest point across and each opening for the arm is between 10.5-11" around
Total width: approx 9.5" 

Modern Sizing Equivalent: XS-SML

Item# DD5400

Reference Photos/Video: Fall 2010 Gucci, Look 45. Model Yulia Kharlapanova.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• Note that due to new regulations concerning shipping feathers this dress can only ship to a Canadian or Non-US address. Touch base if you need more information.
• The twin of this piece was Look 41 on the runway for Spring 2011.
• It was made under the creative direction of Frida Giannini.
• This is one of the instantly recognizable and well-known Gucci dresses. It was worn and shot for countless editorials and worn on the red carpet. We have attached many examples here and there are probably more.
• The dress is an incredible achievement and shows just how high-end and detailed ready-to-wear can be at the hands of a heritage label. It verges on Couture.
• A burnt orange silk is covered with a multitude of textures and materials. It is cut across at the front with a bib feeling extension that ties up and around the neck. A silk cord is how it ties in place and this ends in silk tassels at the front. The bib is finished with orange tinted acrylic pieces that top metal beading, glass beading and little muted brass metal pieces along with prong-set rhinestones. On the outer sides of the cording is a row of brass pieces shaped to represent feathers and these curve like jewellery along  each side.
• The body of the dress has a panel down the front and back made up of horizontal set silk cording that is held in place by brass open beads that the silk slips through. The sides of the dress have more of that same mix of materials that the bib on the neck does and then the lower portion of the sides are finished with a combination of hand-dyed feathers and brass pieces mixed in between the rows.
• The work goes all the way around to the back and the dress does have some weight because of the work on it but it feels balanced and easy to wear once on.
• The shape is very flattering and it skims over you coming in slightly at the waist and curving around the hips. Depending on your height it is going to sit just above the knee or to the knee.
• This is a very rare and pristine example of one of the most famous dresses that Frida created during her time at Gucci.
• It is fully lined in a matching coloured silk and there is a built-in lightly boned corset piece attached through the top. It closes offset at the back with a zipper that has Gucci engraved on a zipper pull and then the inner corset closes with its own zipper. There is the tiniest bit of grubbiness along the inner upper bodice.
• There is no size tag present so please go by the listed measurements below.
• Excellent condition 
  

Bust: 15-16" flat across from side seam to side seam
Inner waist: 12-13" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Total length: approx 39" from neck to hem and you can adjust slightly with how you tie it around the neck.

Modern Sizing Equivalent: XS-SML

Item# DD5373

Reference Photos: (1-5) Spring 2011 Gucci Look 41, Model Joan Smalls.  /  (6) Anna Zakusylo for Vogue Greece February 2011.  /  (7) Caroline Trentini for Elle France March 2011 by Jean-Baptiste Mondino.  /  (8) Clara Alonso by Luis Monteiro.  /  (9) Frida Gustavsson for DV Mode Magazine SS 2011.  /  (10) Iekeliene Stange by Benjamin Lennox for How to Spend It Magazine, 2011.  /  (11) Joan Smalls at the Fiat 500 by Gucci Launch Party, February 2011.  /  (12) Kate Del Castillo for InStyle Mexico July 2011.  /  (13) Pania Rose for Karen Magazine by Paul Westlake, 2011.  

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

Dress
Sleeves: 25" and are 12" around the upper arm
Shoulders: 15"
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 58" from top of shoulder to longest point of the hem, 50" to the shorter hem

Inner Slip
Bust: 17.5" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 49" from top of shoulder to hem

Over-skirt
Waist: adjustable with the ties
Hips: open
Total length: 62" from the waist to the longest points of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5202

Reference Photos/Video: (1-5) Fall 2020 Gucci, Look 29. Model Johana Gavendova.  /  (6) Photo by Bruce Gilden.  /  (7) Kylie Minogue in Gucci, May 2021.  /  (8) Rita Ora in Gucci, February 2021.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.