John has dived into his archives once more for me and today I have two of the dresses he sent for you with more to come. This is a runway piece from 2005. The bead work on it was done by hand by one of the same European ateliers who did beading for many of the Couture houses for this time period. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again. This one is a work of art and it is just extraordinary to see it in person with all of that extensive bead and sequin work

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $20,000 and more during this time period. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This dress is absolutely stunning. The fabric is completely covered in thousand of tiny deep silver seed beads and teeny tiny iridescent aqua coloured sequins.This gives the dress some weight - we weighed it and it is just over 6 pounds - but it is so beautifully made that it balances and glides over the body perfectly and does not feel unwieldy at all. The front plunges right to the waist with two long triangles curving up towards the neck and hooking at the back. On the inside of each triangle there is a panel of the same fabric sewn down their lengths. These drape over the bodice to create a ruffle that falls from the top of the halter to the waist and gives the front a soft and feminine finish. The back is left completely open as a result so when you turn all you see is bare skin I love that curving cut of the sides as it scoops down. The waist is seamed for a bit of definition and then the skirt falls from under there to the floor. It widens out to the lower skirt and this give it beautiful movement when you walk. The colour is this magical deep aqua and silver mix and the way the beads and sequins are set give it a stunning pattern over you. The way this catches the light is fantastic. It is a very special piece. Excellent condition.

Unlined and closes with a low set side zipper at the back and hooks to close behind the neck. Hand finished throughout. Silk chiffon panel finished hem and edges. It appears to have been worn very little if at all.

Bust: no true side seams
Waist: 12-12.5" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Bodice: approx 15-16" from top of shoulder to waist
Total length: approx 63" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4399

Reference Photos: Daria Strokous at the 30th amfAR Gala, Cannes, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John has dived into his archives once more for me and today I have two of the dresses he sent for you with more to come. This is the actual runway sample from the Fall 1975 collection and you can see how fantastic it is on the body on the reference photo we found. The bead work on it was done by hand by Madame Gandini who did beading for many of the Couture houses of the day. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again. This one might even make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event. It is a work of art. 

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $10,000 even in the 1970s. If you convert that to modern dollars you get to about $68,000 which is incredibly still less then a modern couture pieces done to this level would be. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This is an amazing dress that is heavily and densely beaded. The base of the gown is made of an ivory silk chiffon and then onto that are hundreds of vertical chevron bands of a silver coloured glass tube beads laid out in to fully cover every square inch of the dress. The dress is already spectacular on its own and the addition of the thousands and thousands of glass tube beads give the dress an extra layer of texture and glamour. Every square inch of the dress catches the light and sparkles. As a result the dress is fairly heavy off the body. We weighed it and it is almost 10 pounds because of that extensive bead-work. Yet once on the body it perfectly drapes over you in a way that it is balanced and not at all unwieldy. The impact of all those silver ivory toned beads from head to toe is stunning in the light. If you even remotely love it in the photos you will gasp to see it in real life. This needs a body to give it a life of its own and the camera cannot capture just how gorgeous it is and how the beads catch the light. The cut is sublimely simple. The bodice is cut with a V and there is a border of the bead work following the V to highlight it. The rest of the dress falls from there is a beautiful column of beads to skim over you all the way to the floor. There is just a suggestion of the waist and it skims over the hips. The sleeves are long and equally as simply. They widen out as they near the hem and this graceful line of the sleeves with their bordered cuffs is perfection. The back is just one long column of the bead work. The skirt widens out just a touch as it nears the hem. As good as it photoed the effect that this dress has once it is on an actual body is far more dramatic and fabulous. If you even remotely love it in the photos you will dance when you see it in person as it is so much better in real life. It is completely made by hand and you would never be able to find its modern equivalent. It is stunning. Excellent condition with a minor note below.

Fully lined in an ivory silk chiffon and it closes at the back with a metal and nylon zipper. Hand finished throughout. As noted above it has a good weight to it since it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. There is perhaps the occasional bead missing here and there - a bit of the top row on the back of the collar is missing - but no bare areas. There is a slight darkening to some of the beads just above the hem. Please see the photo after the label shot. It feels more ivory silver in person.

Sleeves: 22" and 12" around the upper arm
Slightly dropped shoulders: 15.5"
Bust: 16.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 60" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4398

Reference Photos: Fall 1975 John Anthony Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John has dived into his archives once more for me and today I have two more of the dresses he sent for you with one last one to come still. This is the actual runway sample from the Fall 1975 collection and you can see how fantastic it is on the body on the reference photo we found. Like the ivory coloured one already in the shop, the bead work on the dress was done by hand by Madame Gandini, who did beading for many of the Couture houses of the day. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again.

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $10,000 even in the 1970s. If you convert that to modern dollars you get to about $68,000 which is incredibly still less then a modern couture pieces done to this level would be. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This is an amazing dress that is heavily and densely beaded. The base of the gown is made of an black silk chiffon and then onto that are thousands of vertical rows of glossy black glass tube beads laid out in to fully cover every square inch of the dress. The dress is already spectacular on its own and the addition of the thousands and thousands of glass tube beads give the dress an extra layer of texture and glamour. Every square inch of the dress catches the light and sparkles. As a result the dress is fairly heavy off the body. We weighed it and it is almost 10 pounds because of that extensive bead-work. Yet once on the body it perfectly drapes over you in a way that it is balanced and not at all unwieldy. The impact of all those beads from head to toe is stunning in the light. If you even remotely love it in the photos you will gasp to see it in real life. This needs a body to give it a life of its own and the camera cannot capture just how gorgeous it is and how the beads catch the light. The cut is sublimely simple. The bodice has a high collar and the bead work there is done in a slightly different pattern  so that it has just a bit of added detailing. The rest of the dress falls from there in a beautiful column of beads to skim over you all the way to the floor. There is just a suggestion of the waist and it skims over the hips. The sleeves are long and equally as simply. They have that same slightly different bead work to give them a cuffed detail that is perfect. The back is just one long column of the bead work. The skirt widens out just a touch as it nears the hem and there is an extremely high slit up the back. You don't get as much sense of it in these photos but once on the body this really adds a high flash of bare leg as you walk away. It is insanely sexy. As good as it photoed, the effect that this dress has once it is on an actual body is far more dramatic and fabulous. If you even remotely love it in the photos you will dance when you see it in person as it is so much better in real life. It is completely made by hand and you would never be able to find its modern equivalent. It is stunning. Excellent condition

Fully lined in a black silk chiffon and it closes at the back with a metal and nylon zipper. Hand finished throughout. As noted above it has a good weight to it since it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. There is perhaps the occasional bead missing here and there but no bare areas. Numbered sample tag on the inner hem.

Sleeves: 22" and 10" around the upper arm
Shoulders: 14"
Bust: 16.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 59" from neck to hem
Back Slit: 30.5" from hem up

Modern Sizing Equivalent: XXS-SML

Item# DD4404

Reference Photos: Fall 1975 John Anthony Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists, or in the very occasional circumstance that there are similar pieces, only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 1980 collection and is the original sample from his archives.

This jacket is stunning to see in real life. It has a beautiful sleek cut and it is meant to be more fitted through the body. I love that it completely closes as this allows you to wear it on its own or layer it over other pieces. The shoulders have light padding for shape and the sleeves fall from there in a sleek line. The waist is brought in just a touch as it glides over the body. It is meticulously tailored and John told me that creating jackets were one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. It has no collar and the neckline is a sleek V.  It closes down the front with a series of hidden silk covered snaps and then there are three glass rhinestone buckles that close over the front. They are spectacular. The entire jacket is covered in glossy black sequins. These have all been set by hand and completely cover the silk that the jacket is made from. Each sequin is laid out so that it slightly overlaps its neighbour. To think of the man hours out into this jacket is incredible. The final finishing touch on this one are the bold motifs beaded onto the sequins on each side at the front. These have a 3D effect and sit up and off of the sequins below. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $6,500 in the 80s and 90s which would be around $25k in modern dollars to recreate at this level. It appears to have been worn very little if at all. Excellent condition

Filly lined in a black silk and closes at the front with hidden set silk covered snaps. The rhinestone clasps close over that. Padding in each shoulder. Made by hand, one of a kind and pristine. 

Sleeves: 22" long and 13" around the upper arm
Shoulders: 16.5"
Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4551

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists or in the very occasional circumstance that there are similar pieces only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame winning a Coty award in 1972 and then again in 1976. This spectacular dress is from his Spring 1993 collection and is the original sample from his archives. It is truly a special piece and it might even make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

This dress is absolutely stunning. This is the kind of dress that you will only find with vintage or in modern day Haute Couture. The fabric is a fine pale gold coloured silk net that is cut on the bias. It is lined in a nude silk chiffon and then the entire dress has been hand beaded from top to bottom with thousands of tiny glass tube beads and seed beads in a mix of gold, clear and ivory beads onto the netting. The silk netting and chiffon lining are both feather light and the placement of the beads help it to hold the intended shape that John wanted it to have. The dress is suspended from a single shoulder that curves up and over the shoulder. It angles down in a soft line on the front and back. I love the beaded panel that falls from that shoulder and trails down the back. This adds a little extra detail and movement when the dress is on the body. The iridescent quality of the more clear beads mixed with those tiny metallic coloured ones catch the light and sparkle from every angle. The dress flows beautifully over the waist and hips. The bias cut lets it drape perfectly over you and shows off the body without being excessively tight. The skirt falls to the floor and gently widens out as it nears the hem. The back is cut longer then the front so you get a bit of a trained effect behind you as you walk. Around all of the edges including the hem is a dense border of the beadwork that gives the dress the perfect finishing touch. It also gives the skirt a touch of weight to hold the shape and volume as you walk and stand. It has this lovely feeling of being an heirloom piece and it is fantastically beautiful to see in person. It is a very special piece. Excellent condition with a minor note below

Fully lined in a nude silk chiffon and the outer netting is backed in a white netting. It closes with a hidden set side zipper slips over the head to wear. It appears to have been worn very little if at all. This is the original runway sample. Handwork throughout and cut on the bias. 

Bust: 14-16.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 63" from top of shoulder to front hem, 69" to the longest point of the back hem

Modern Sizing Equivalent: XS-SML

Item# DD4554

Reference Photos: Daria Strokous in this dress, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John has dived into his archives once more for me and today I have two of the dresses he sent for you with more to come. This is a runway piece from 2005. The bead work on it was done by hand by one of the same European ateliers who did beading for many of the Couture houses for this time period. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again. This one is a work of art and it is just extraordinary to see it in person with all of that extensive bead and sequin work

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $20,000 and more during this time period. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This dress is absolutely stunning. The fabric is completely covered in thousand of tiny deep silver seed beads and teeny tiny iridescent aqua coloured sequins.This gives the dress some weight - we weighed it and it is just over 6 pounds - but it is so beautifully made that it balances and glides over the body perfectly and does not feel unwieldy at all. The front plunges right to the waist with two long triangles curving up towards the neck and hooking at the back. On the inside of each triangle there is a panel of the same fabric sewn down their lengths. These drape over the bodice to create a ruffle that falls from the top of the halter to the waist and gives the front a soft and feminine finish. The back is left completely open as a result so when you turn all you see is bare skin I love that curving cut of the sides as it scoops down. The waist is seamed for a bit of definition and then the skirt falls from under there to the floor. It widens out to the lower skirt and this give it beautiful movement when you walk. The colour is this magical deep aqua and silver mix and the way the beads and sequins are set give it a stunning pattern over you. The way this catches the light is fantastic. It is a very special piece. Excellent condition.

Unlined and closes with a low set side zipper at the back and hooks to close behind the neck. Hand finished throughout. Silk chiffon panel finished hem and edges. It appears to have been worn very little if at all.

Bust: no true side seams
Waist: 12-12.5" flat across from side seam to side seam
Hips: 17-21" flat across from side seam to side seam
Bodice: approx 15-16" from top of shoulder to waist
Total length: approx 63" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD4399

Reference Photos: Daria Strokous at the 30th amfAR Gala, Cannes, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John has dived into his archives once more for me and today I have two of the dresses he sent for you with more to come. This is the actual runway sample from the Fall 1975 collection and you can see how fantastic it is on the body on the reference photo we found. The bead work on it was done by hand by Madame Gandini who did beading for many of the Couture houses of the day. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again. This one might even make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event. It is a work of art. 

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $10,000 even in the 1970s. If you convert that to modern dollars you get to about $68,000 which is incredibly still less then a modern couture pieces done to this level would be. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This is an amazing dress that is heavily and densely beaded. The base of the gown is made of an ivory silk chiffon and then onto that are hundreds of vertical chevron bands of a silver coloured glass tube beads laid out in to fully cover every square inch of the dress. The dress is already spectacular on its own and the addition of the thousands and thousands of glass tube beads give the dress an extra layer of texture and glamour. Every square inch of the dress catches the light and sparkles. As a result the dress is fairly heavy off the body. We weighed it and it is almost 10 pounds because of that extensive bead-work. Yet once on the body it perfectly drapes over you in a way that it is balanced and not at all unwieldy. The impact of all those silver ivory toned beads from head to toe is stunning in the light. If you even remotely love it in the photos you will gasp to see it in real life. This needs a body to give it a life of its own and the camera cannot capture just how gorgeous it is and how the beads catch the light. The cut is sublimely simple. The bodice is cut with a V and there is a border of the bead work following the V to highlight it. The rest of the dress falls from there is a beautiful column of beads to skim over you all the way to the floor. There is just a suggestion of the waist and it skims over the hips. The sleeves are long and equally as simply. They widen out as they near the hem and this graceful line of the sleeves with their bordered cuffs is perfection. The back is just one long column of the bead work. The skirt widens out just a touch as it nears the hem. As good as it photoed the effect that this dress has once it is on an actual body is far more dramatic and fabulous. If you even remotely love it in the photos you will dance when you see it in person as it is so much better in real life. It is completely made by hand and you would never be able to find its modern equivalent. It is stunning. Excellent condition with a minor note below.

Fully lined in an ivory silk chiffon and it closes at the back with a metal and nylon zipper. Hand finished throughout. As noted above it has a good weight to it since it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. There is perhaps the occasional bead missing here and there - a bit of the top row on the back of the collar is missing - but no bare areas. There is a slight darkening to some of the beads just above the hem. Please see the photo after the label shot. It feels more ivory silver in person.

Sleeves: 22" and 12" around the upper arm
Slightly dropped shoulders: 15.5"
Bust: 16.5" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 60" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4398

Reference Photos: Fall 1975 John Anthony Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John has dived into his archives once more for me and today I have two more of the dresses he sent for you with one last one to come still. This is the actual runway sample from the Fall 1975 collection and you can see how fantastic it is on the body on the reference photo we found. Like the ivory coloured one already in the shop, the bead work on the dress was done by hand by Madame Gandini, who did beading for many of the Couture houses of the day. John is one of my favorite American designers and right out of the gate he won the Coty Award for his work. The first time in 1972 and then again in 1976. He designed clothes that were simple and elegant but glamorous. His work veers towards minimalism with sharp tailoring. Striking evening wear was his signature and he is renowned for his cutting and tailoring. It is an extraordinary privilege to have pieces directly from his archives and these are things you will never see again.

John's business was all done on a made to order basis. That means the majority of pieces you will find are a one-off, or if there are similar pieces, very few of each piece exist. This personal attention to each dress is clearly seen in the workmanship of his pieces. His work is very expensive and beaded pieces like this sold for over $10,000 even in the 1970s. If you convert that to modern dollars you get to about $68,000 which is incredibly still less then a modern couture pieces done to this level would be. Having this actual runway samples that John pulled from his own archives to share with you is just amazing.

This is an amazing dress that is heavily and densely beaded. The base of the gown is made of an black silk chiffon and then onto that are thousands of vertical rows of glossy black glass tube beads laid out in to fully cover every square inch of the dress. The dress is already spectacular on its own and the addition of the thousands and thousands of glass tube beads give the dress an extra layer of texture and glamour. Every square inch of the dress catches the light and sparkles. As a result the dress is fairly heavy off the body. We weighed it and it is almost 10 pounds because of that extensive bead-work. Yet once on the body it perfectly drapes over you in a way that it is balanced and not at all unwieldy. The impact of all those beads from head to toe is stunning in the light. If you even remotely love it in the photos you will gasp to see it in real life. This needs a body to give it a life of its own and the camera cannot capture just how gorgeous it is and how the beads catch the light. The cut is sublimely simple. The bodice has a high collar and the bead work there is done in a slightly different pattern  so that it has just a bit of added detailing. The rest of the dress falls from there in a beautiful column of beads to skim over you all the way to the floor. There is just a suggestion of the waist and it skims over the hips. The sleeves are long and equally as simply. They have that same slightly different bead work to give them a cuffed detail that is perfect. The back is just one long column of the bead work. The skirt widens out just a touch as it nears the hem and there is an extremely high slit up the back. You don't get as much sense of it in these photos but once on the body this really adds a high flash of bare leg as you walk away. It is insanely sexy. As good as it photoed, the effect that this dress has once it is on an actual body is far more dramatic and fabulous. If you even remotely love it in the photos you will dance when you see it in person as it is so much better in real life. It is completely made by hand and you would never be able to find its modern equivalent. It is stunning. Excellent condition

Fully lined in a black silk chiffon and it closes at the back with a metal and nylon zipper. Hand finished throughout. As noted above it has a good weight to it since it is fully beaded from top to bottom with glass beads but feels balanced when on and comfortable. There is perhaps the occasional bead missing here and there but no bare areas. Numbered sample tag on the inner hem.

Sleeves: 22" and 10" around the upper arm
Shoulders: 14"
Bust: 16.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 59" from neck to hem
Back Slit: 30.5" from hem up

Modern Sizing Equivalent: XXS-SML

Item# DD4404

Reference Photos: Fall 1975 John Anthony Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists, or in the very occasional circumstance that there are similar pieces, only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame, winning a Coty award in 1972 and then again in 1976. This jacket is from his Fall 1980 collection and is the original sample from his archives.

This jacket is stunning to see in real life. It has a beautiful sleek cut and it is meant to be more fitted through the body. I love that it completely closes as this allows you to wear it on its own or layer it over other pieces. The shoulders have light padding for shape and the sleeves fall from there in a sleek line. The waist is brought in just a touch as it glides over the body. It is meticulously tailored and John told me that creating jackets were one of his favourites things to do. They are infinitely challenging to have them sit perfectly on the body and his are tailored to a master level. It has no collar and the neckline is a sleek V.  It closes down the front with a series of hidden silk covered snaps and then there are three glass rhinestone buckles that close over the front. They are spectacular. The entire jacket is covered in glossy black sequins. These have all been set by hand and completely cover the silk that the jacket is made from. Each sequin is laid out so that it slightly overlaps its neighbour. To think of the man hours out into this jacket is incredible. The final finishing touch on this one are the bold motifs beaded onto the sequins on each side at the front. These have a 3D effect and sit up and off of the sequins below. The personal attention to each piece is clearly seen in the workmanship of his designs. His work is very expensive and beaded jackets like this retailed for up to $6,500 in the 80s and 90s which would be around $25k in modern dollars to recreate at this level. It appears to have been worn very little if at all. Excellent condition

Filly lined in a black silk and closes at the front with hidden set silk covered snaps. The rhinestone clasps close over that. Padding in each shoulder. Made by hand, one of a kind and pristine. 

Sleeves: 22" long and 13" around the upper arm
Shoulders: 16.5"
Bust: 17" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4551

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

John Anthony's business was all done on a made-to-order basis. That means that each piece is the only one that exists or in the very occasional circumstance that there are similar pieces only a very limited amount of pieces were made. And to make things even a little more special.... the pieces I have in the shop come directly from John's archive. He is one of the great American couturiers and he was known for his sharp tailoring and striking evening wear. He launched his atelier in 1971 and he quickly rose to fame winning a Coty award in 1972 and then again in 1976. This spectacular dress is from his Spring 1993 collection and is the original sample from his archives. It is truly a special piece and it might even make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

This dress is absolutely stunning. This is the kind of dress that you will only find with vintage or in modern day Haute Couture. The fabric is a fine pale gold coloured silk net that is cut on the bias. It is lined in a nude silk chiffon and then the entire dress has been hand beaded from top to bottom with thousands of tiny glass tube beads and seed beads in a mix of gold, clear and ivory beads onto the netting. The silk netting and chiffon lining are both feather light and the placement of the beads help it to hold the intended shape that John wanted it to have. The dress is suspended from a single shoulder that curves up and over the shoulder. It angles down in a soft line on the front and back. I love the beaded panel that falls from that shoulder and trails down the back. This adds a little extra detail and movement when the dress is on the body. The iridescent quality of the more clear beads mixed with those tiny metallic coloured ones catch the light and sparkle from every angle. The dress flows beautifully over the waist and hips. The bias cut lets it drape perfectly over you and shows off the body without being excessively tight. The skirt falls to the floor and gently widens out as it nears the hem. The back is cut longer then the front so you get a bit of a trained effect behind you as you walk. Around all of the edges including the hem is a dense border of the beadwork that gives the dress the perfect finishing touch. It also gives the skirt a touch of weight to hold the shape and volume as you walk and stand. It has this lovely feeling of being an heirloom piece and it is fantastically beautiful to see in person. It is a very special piece. Excellent condition with a minor note below

Fully lined in a nude silk chiffon and the outer netting is backed in a white netting. It closes with a hidden set side zipper slips over the head to wear. It appears to have been worn very little if at all. This is the original runway sample. Handwork throughout and cut on the bias. 

Bust: 14-16.5" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Length: 63" from top of shoulder to front hem, 69" to the longest point of the back hem

Modern Sizing Equivalent: XS-SML

Item# DD4554

Reference Photos: Daria Strokous in this dress, May 2024.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.