• The twin of this dress walked the Spring 1999 Giorgio Armani runway.
• It was made under the creative direction of Giorgio Armani
• I love that we have both runway reference photos and video. You can see how spectacular this is once it is on the body and moving.
• My client told me that these were special order pieces and only one was made per size. So it is a exceptionally rare piece of Armani.
• This dress is outstanding and it is pristine.
• The dress is suspended by two tiny silk straps in a matching pink that curved up and over each shoulder. The front and back have a slight scoop.
• I love that the structure is soft so that the dress glides over you. Subtle seeming shape it around you to highlight your curve, but it is not meant to fit super tight, rather glides over you to the floor.
• The dress is made out of a dusty pink silk that is extensively hand beaded. Inside there is a layer of silk chiffon, and then attached over all of that is a layer of netting. I love how this increases the depth of the sequin pattern underneath and softens everything even more. It is a brilliant choice and fabrication.
• The dress curves over the bust, skims over the waist in a more generous way and then it curves back out over the hips. It narrows in just slightly under the hips and then flares back out beautifully around the hem. 
• The way the iridescent tiny pink tinged speeds are applied is fantastic. They are all done in handset rose and laid out so that from a distance, you get a sense of a floral pattern that runs over the entire dress. This is all created by a subtle difference in the beads used in the way that they have been applied. It is quite ingenious and creates a gorgeous effect once on.
• As with many of Armani pieces, the sensuality of the dress is hinted at and not completely in your face.
• I think this might be one of my favourite Armani dresses I have ever had the pleasure of seeing in person. It is truly outstanding.
• The dress is fully lined in a matching pink silk chiffon and it closes with a hidden set back zipper. Handset beads. It has its original tag attached along with a small bag of extra beads. It is pristine. The fabric does have a touch of stretch so I put the comfortable range below for that as well as the inner corset.
• Tagged an Armani 42
• Excellent condition

Bust: to 16-17" flat across from side seam to side seam
Waist: 14.5-15" flat across from side seam to side seam
Hips: 18.5-19.5" flat across from side seam to side seam
Total length: 58.5" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5437

Reference Photos/Video: Spring 1999 Giorgio Armani.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 2011 Armani main label collection for the Look 60.
• It was made under the creative direction of Giorgio Armani.
• One was used for the ad campaign that year and it is just an absolutely beautiful shot. 
• This was the closing look on the runway. Having the finale look of any collection is always an extra point in collectibility
• In Vogue's review of the collection they said "Giorgio Armani's secret weapon is focus. He'll take one idea and elaborate on it over the course of a collection. Today's focal point was the night sky over the Sahara: warm, velvety blue, scattered with stars.... Everything was navy shading towards midnight. As the show moved toward evening, sprinklings of crystal and sequins appeared to echo the heavens at night."
• This dress is outstanding and it is pristine. In fact, it still has its original tags attached. It's original retail price was just over €13,000.
• The bodice is strapless with a curving panel of midnight blue silk that wraps around the entire bodice splitting at the back on either side of the zipper.
• Inside there is a built-in corset made out of lingerie stretch netting that is lightly boned, zips to close at the back and has a hook at the waist. This is what holds the dress in place around you.
• From there, the dress falls to the floor. It curves around the bust shaped around the built in cups of the corset underneath skims over the waist and curves back out over the hips. It narrows in under the hips and then flares back out beautifully around the hem. 
• Semi transparent, blue iridescent sequence that are on the larger size are set in tightly, spaced horizontal, rose stacked on top of each other from the very top of the bodice all the way to the ham. I love how each sequin overlaps its neighbor. They are very heavily applied and their slight touch of transparency give the dress a really extra bit of luminescence as they catch the light from every angle.
• The sequins are set on a blue chiffon that has a slight bit of stretch so this makes the dress conform to your body and allows for a little bit greater range of size. This gives the body of the dress a very slight transparency through the sequins that is fantastic. As with many of Armani pieces, the sensuality of the dress is hinted at and not completely in your face.
• I think this might be one of my favourite Armani dresses I've ever had the pleasure of seeing in person. It is truly outstanding.
• The dress has a full built-in boned inner corset that closes with its own zipper and hooks at the waist. The rest of the dresses unlined. It closes at the back over the inner corset with a hidden set zipper. It has its original tags attached and is pristine. The outer fabric does have some stretch so I put the comfortable range below for that as well as the inner corset.
• Tagged an Armani 38
• Excellent condition

Bust: to 16.25-16.5" flat across from side seam to side seam of the inner corset, the outer dress will stretch another inch at least if the inner corset it is not closed
Waist: 12.75" flat across from side seam to side seam of the inner corset, the outer dress stretch to 13.75" across if the inner corset it is not closed
Hips: to 19" flat across from side seam to side seam
Bodice: approximately 11" from top of bodice to inner corset waist
Total length: 56.5" from top of bodice to hem

Modern Sizing Equivalent: XS-MED

Item# DD5413

Reference Photos/Video: (1-2) Spring 2011 Giorgio Armani, Final Look, Look 60. Model: Michaela Kocianova.  /  (3) Spring 2011 Giorgio Armani Ad Campaign by Nick Knight.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this three piece set walked the runway for the Spring 2016 Armani collection for the Look 29.
• It was made under the creative direction of Giorgio Armani.
• That was featured in the ad campaign that year and I love how they paired it with a pop of red for that shot.
  
• This was the 40th anniversary of the Armani label and he had only just recently opened up a museum showcasing four decades worth of his designs.
• Pants were a focus of the collection and sets made up almost the entire runway
• I have all three pieces for you today and each is in a different finish.
• The pants have a ribbed finish and a touch of of transparency to them. Parts of the weave have an underlying thatching to give it an almost checked feel and the weave curves in different directions over the pants. Beading, sequins and rhinestones are set to follow the different directions and done in different shades of blue. I love how this gives the pants a subtle pop of glitz.
• The pants have a flat band at the waist, skim over the hips and narrow slightly in at the bottom of each leg. They are cut in a bit of a crop. They are fully lined in a stretch chiffon like fabric and the exterior fabric has a touch of transparency. They are very pretty and unusual.
• The top is a loosely structured squared off shape. It has a neat little collar in a contrasting fabric and that same fabric runs down the front and edges the front hem. The bottom is rounded and there are three buttons at the top, leaving the top to swing open under that. It also has a very distinct texture and I love how the texture is different from the pants.
• The last part of the set is that extraordinary neckpiece. It has a stiffened collar that you wrap around the neck and it snaps into place at the back. At the front there is a large jewelled feeling resin piece. Suspended from that are multiple piped fringes and here again you see yet another texture on the fabric. Rhinestones have been added and it is meant to sit all the way around front to back.
• I love that the three pieces allow you to mix and match any of the elements with things that you already own. Worn together it becomes one of the defining looks of this collection.
• The top is unlined and closes with three buttons at the front. It has a slight sense of transparency. The pants are lined and they also have a touch of transparency but less than the top. They close with a hidden set zipper at the side. The necklace snaps into place at the back of the neck. The fabric of the pants has stretch. All three pieces appeared to have been worn very little at all.
• The pants and top are tagged an Armani 42
• Excellent condition

Top
Sleeves: 23" and are 12" around the upper arm
Slightly inset shoulders: 14"
Bust-waist: to 19" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Total length: 26" from neck to hem

Neckpiece 
21" around the neck and 35" from the neck to the longest of the fringes

Pants
Waist: 12.5-15" flat across from side seam to side seam
Hips: to 19-22" flat across from side seam to side seam
Total length: 36" from waist to hem
Inseam: 25" and the gusset is 15" from the back of the waist to the inner seam

Modern Sizing Equivalent: SML-MED

Item# DD5361

Reference Photos/Video: (1-4) Spring 2016 Giorgio Armani, Look 29. Model Baya Kolarikova.  /  (5) Spring 2016 Giorgio Armani Ad Campaign.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress and it's matching shawl walked the Fall 2008 Armani runway for look 48
• It was made under the creative direction of Giorgio Armani.
• Armani called the show 'free spirited' in his notes and in the review that Vogue did they noted that "he really poured it on at night, tossing cobweb, scarfs, and wraps over nearly everyone of his dresses."
• This is the full set as seen on the runway, comprising of a one shoulder dress with its matching highly detailed wrap.
• The dress is primarily made out of an inky black velvet and then the strap and front of the bodice are made out of a black crepe. The wrap is made out of a black velvet with various types of cording running over it surface.
• The dress has all of the sleek feel that you look for in the best of his work. A strap extends out from the bodice and curves up and over the shoulder, running on an angle past the neck. It curves down the back where it widens out before attaching to the back bodice. The bodice is shaped around you and then a seam runs underneath where it changes to black velvet for the rest of the dress.
• The waist is brought in with subtle darting and then it curves out and over the hips to fall to the floor, widening out as it near the hem.
• It is the perfect sleek silhouette that you expect from Armani.
• Over that is an elaborate shawl to give contrast to all that simplicity. It is a huge square of velvet that is backed in a matte silk finish fabric. Onto the velvet are different widths of cording and net ribbon. It is interesting that  ribbon parts are what you would normally use as interfacing inside the garment. For this piece he has taken that and put it on the outside.
• Long fringes dangle off with sequins and elongated oval beads covered in black fabric at their ends. Cording has been made into flowers and held in place by oversized faceted black beads.
• I love that the two pieces let you mix and match with other things in your wardrobe.
• The dress is fully lined in a black silky finish fabric through the bodice and crepe through the skirt. It closes with a hidden set zipper at one side. The original tags are still attached. It has never been worn.
• Tagged a vintage Armani 42
• Excellent condition

Bust: to 18" flat across from side seam to side seam and the seam under the bust is 15.5" across side to side.
Natural waist: 14.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Bodice: approx 12.5" from top of shoulder to seam under the bus
Total length: 61" from top of shoulder to hem
Wrap: 54" long x 22.5" wide and the fringes stand up to another 25" at each individual end.

Modern Sizing Equivalent: SML-MED

Item# DD5355

Reference Photos/Video: Fall 2008 Giorgio Armani, Look 48.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 2005 Gorgio Armani collection for the Look 88.
• It was made under the creative direction of Giorgio Armani.
  
• This is from his main label and its twin was also a part of the ad campaign that year.
• Armani showed no full length dresses for this collection. The twin of this dress was part of the final leg of the show where he sent down a series of crystal and sequin embellished dresses done in this shorter length for evening.
  
• The base fabric of the dress is an inky black velvet which gives the beading and sequins added on top of it a luxurious background.
• It is suspended from the shoulder by tiny black silk piping for straps and this is also used to finish the edge of the upper bodice.
• The front neck line is scooped and the back scoops into a wide cut shallow V. I love how this leaves a bare expanse of skin around the upper shoulders.
• It skims over the bust and is cut generously around the waist for a easy to fit feel.
• From under the waist it curves out over the hips all the way to the hem. The hem is so interesting because the velvet has been pulled under and attached to the inner lining to create an almost a bubble feel. Where the two fabrics meet there is hidden elastic so that you can walk. You get a better sense of this in the runway photos and video. It is not a true bubble hem but it is a very subtle sleek version of one.
• Applied onto the dress is an intricate pattern done to suggest a flowers covering the entire dress. Each flower is made from a series of multiple size tube beads that have sequins stacked within the pattern these form. The sequins are set on their sides and stacked tightly together to have a very 3D feel. Scattered between the flowers are little lines of gold and silver tube beads that create a sense of movement over the dress.
• I have taken close-ups of the extraordinary amount of bead-work that has been done to make these. It is really exquisite hand workmanship.
• The dress is fully lined in fine black silk crepe and it closes with a hidden side side zipper. It appears to have been worn very little at all.
• Tagged a vintage Armani 42
• Excellent condition

Bust: 17.5" flat across from side seam to side seam
Waist: 15.25" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 42" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5322

Reference Photos/Video: (1-4) Fall 2005 Giorgio Armani, Look 88.  /  (5) Erin Wasson for the Fall 2005 Giorgio Armani Ad Campaign photographed by Craig McDean.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of the bodysuit top walked the Fall 1999 Giorgio Armani runway. This is paired with a pink skirt from the same collection that was not presented on the runway.
• It was made under the creative direction of Giorgio Armani.
• Even with a different skirt you can see how spectacular these are once it is on the body from the runway reference photos.
• My client told me that these beaded pieces only had 4-5 pieces produced per size per market. So there are very few of them out there.
• The top is a full body suit made out of a black stretch mesh net that has that gorgeous floral pattern beaded onto it that is highlighted with sequins.
• I love that the structure of the top is soft so that it glides over you. It is very easy to wear and I love is touch of transparency through the netting. The netting has two layers it has a bit of extra coverage but there is definitely some transparency through the net between the flowers.
• The net is very light in weight and you can see how it tucks beautifully into the skirt without adding bulk once something is layered over it.
• The flowers have been applied by hand and are a fantastic combination of of beads and sequins. They made so that they sit slightly up and off the mash and the centres of the flowers have a little 3D dangling centres. The final effect is fantastic. They are scattered over the bodysuit and the intensity of the deep pink and blues are fantastic against the black.
• The skirt has a defined waist and then it curves out and over the hips to the floor, widening out to be very full as it nears its hem.
• The skirt is made out of a deep pink silk that has a touch of iridescent finish to it. It is a better pink than how it photoed here. It has just enough weight to hold its shape but is still light and easy to wear.
• I love that there are pockets hidden along each hip.
• The play between the pattern and texture of the body seat paired with the vibrant solid colour of the skirt is fantastic.
• As with many of Armani pieces, the cuts are simple and require a body to truly bring them to life. I love that the two pieces allow you to mix a match with things that you already own. Our entire trio of vintage being shared today is from Armani and all of these pieces could be mixed and matched.
• The top is made of 2 layers of black stretch net and the skirt is lined in a pink silk. The top slips on and hooks to close at the inseam. The skirt closes with a series of snaps at the waist. Pockets on each hip. The bodysuit has lots of stretch and I've put the comfortable range below. Both pieces appear to have been worn very little at all.
• Neither of the pieces have a size tag present so please go by the measurements listed below.
• Excellent condition

Top
Bust: 17-20" flat across from side seam to side seam
Waist: 15-18" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Total length: 27" from top of shoulder to inseam and can stretch to 32"

Skirt
Waist: 14" flat across from side seam to side seam
Hips: open
Total length: 39.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD5529

Reference Photos/Video: Fall 1999 Giorgio Armani.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1990 collection.
• It was made under the creative direction of Yves Saint Laurent.
• I love that it was photo with Yves himself. The model is carrying flowers and this may have been the piece used to close the show as the wedding dress.
• The fabric that the dress is made out of is a stunning pale nude ballet slipper pink that has a beautiful weight to it. This and the cut is what helps hold the draping perfectly in place.
• It has a very unusual design that is completely hidden at first glance. There is an inner bodice that one side of the outer dress hooks onto around the inner waist and then the other side drapes over that and hooks along the outer waist. This gives you coverage over the bust on the inside but still allows the bodice to feel loosely draped around you. It is what allows the plunge to be so low at the front while having it be completely secure while you are fully covered underneath.
• The sleeves are incredible. They are extremely full and each is lined with a pale pink silk chiffon to help hold the added volume of them. I love the way they drop over the cuff at the wrist to form that gorgeous puff at their ends.
• The inner waist closure holds the dress in place around you and then the silk drapes and skims past the waist and hips. The skirt flares out slightly as it nears the hem. The silk drapes over the waist for a bit of definition in shape even though there is no actual seam there. It is all masterful tailoring.
• The inner bodice zips at the front and then the dress hooks to close around it. The rest of the dress is unlined. I see one tiny faint mark along the edge of a fold of the top, some very minor faint marks at the hem and a tiny scuff in the fabric at the back hem. All very minor but mentioned for accuracy. Hand finishes. The colour is slightly more pastel soft pink than how it shot.
• The fit of the dress as it is currently is based almost completely on the measurements of the inner bodice piece but the outer dress is more generous. You could easily alter/add to the inner bodice to get more room if needed.
• Tagged a vintage YSL 38 
• Excellent condition

Sleeves: 24.5"
Inner bust: 16" flat across from side seam to side seam. The outer bust measurement is very full and up to 22" across so if you needed more room you could easily add to the inner bodice to get more room.
Inner waist: 12" flat across from side seam to side seam with a similar note to above. The outer waist measures to 17"
Hips: to 21" flat across from side seam to side seam
Total length: 59.5" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML 

Item# DD5526

Reference Photos: Spring 1990 Yves Saint Laurent Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from the 1990s Givenchy wedding dress line.
• It is made from an beautifully weighted ivory silk that has a bit of a silver undertone to it. This gives it a bit of an icy finish in feel.
• The dress comes with a matching oversized and long panel of the same fabric that is double-sided and beautifully finished. It can be worn draped around the shoulders.
• The bodice is strapless with inner structure to hold the dress in place. It curves slightly upwards at the front and then curves down into the very slightest bit of an angle at the back for a pretty line.
• The waist comes in by the gathering in at the back for shape and then the skirt curbs back out over the hips. From there it falls to the hem and slightly narrows inwards for a pretty line.
• The back is spectacular. All of the silk has been gathered in along the centre seam that runs from top to bottom. It is this gathering that creates all of the shape at the front and then when you turn you get this beautiful unexpected effect.
• Extra fabric is built in from the waist down to add a bit of a flare and shape. That portion of the back is also extended slightly in length so that you get some movement as you walk.
• The dress is fully lined in a pale pink silk adding an unexpected romantic touch.
• Fully lined in a pale pink silk and it closes with a back hidden set zipper. There is a hooked waist stay inside. I see a slight faint mark on the bodice and there is some grubbiness along the edge of the back skirt. A couple faint marks here and there on both the dress and shawl. Please see the photos after the label shot.
• There is no size tag present so please go by the measurements listed below
• Excellent condition with the notes above.

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Bodice: 13" from top of bodice to waist
Total length: 50" from top of bodice to front hem, 56" to the longest point of the back
Shawl: 22" x 88"

Modern Sizing Equivalent: XS-SML

Item# DD5515

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Fall 199 Jean Paul Gaultier collection. 
• It was made under the creative direction of Jean Paul Gaultier.
  
• Miley Cyrus famously wore the twin of this dress in 2013. I love that the reference photos of both her and the runway photos that give you an amazing idea of how this looks on the body.
• The dress is made from a black stretch jersey that has some movement and is very comfortable to wear and easy to fit.
• Contrasting with that or padded pipe bands of black velvet that circled the collar and each cuff.
• The velvet collar that circles around the neck is cut wider across in a true circle that sits up and off the body slightly as you can see in the photos. 
• The shoulders are soft and the sleeves are cut extra long. Each one flares out dramatically and is finished with that same round piped velvet finish that the collar has. Each cuff is also a full circle around and it is quite extraordinary and dramatic to see. They have fantastic movement once they are on the body and I love how they are set on an angle so that they fall longer at the back behind your hands.
• It skims over the bodice and is cut more generously through the waist. If you wanted to add more definition you could add a belt but it does falls beautifully in a sleek column when worn as intended.
• The jersey curves back out over the hips and then the skirt falls to the floor below that. The black jersey stretch fabric has incredible drape and movement around you as it flares out.
• This is a phenomenal and very well known piece of Jean Paul's work and highly collectible
• The dress is unlined and slips over the head to wear with no closures. The jersey does have some stretch to it and I have put the comfortable range of stretch below. The dress appears to have been worn very little if at all.
• There is no size tag present so please go by the measurements listed below.
• Excellent condition

Sleeves: 21" to the shortest point and 30" to the longest. They are 9-11" around the upper arm
Shoulders: 15"
Bust: 16.5-19" flat across from side seam to side seam
Waist: 14-17" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Total length: 57" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD5506

Reference Photos/Videos: (1-2) Fall 1999 Jean Paul Gaultier.  /   (3-7) Miley Cyrus in Vintage Jean Paul Gaultier at the Bambi Awards, 2013.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This spectacular dress is a very rare piece from the Spring 1999 collection.
• It was made under the creative direction of John Galliano
• For this show the Dior Catwalk book noted that "Galliano took a trip on the Trans-Siberian railway and drew inspiration from Russian avant-garde as well as the Chinese red army."
• A shorter version of this dress was shown in the presentation and then a long all silk version without the lace inset at the front was presented. We have included both so you can see how this will fit on the body.
• This is one of his signature bias cut dresses and it is absolutely stunning.
• The dress falls from two straps that curve up and over the shoulders. The front falls in a soft curving drape and then the back is scooped low to leave your upper back bare. The draped front is a clever way to add shape while still keeping the entire dress soft and with little formal structure.
• Behind the draped silk of the bust is a second halter cut bodice made out of black lace. As the front drapes down this lace peeks out from behind it.
• Set just underneath the bust is an angled ribbon of lace that is just over an inch and a half wide. This angles up towards the centre of the bust and then runs around the back.
• Another panel of lace highlights the seam that the lower skirt is set into and then the entire hem is finished with the same lace. I love how the placement of lace is done to highlight your shape.
• None of the lace used has any backing so that once this is on the body you get a glimpse of skin through all of the lace parts of the dress. It is brilliant. 
• The rest of the dress is made out of beautiful textured hammered black silk. The silk is a heavier weighted silk and it is completely cut on the bias. When you put it on it simply drapes over you and highlights every curve without ever being too tight anywhere.
• It skims over the bust, waist and hips and then comes in slightly to where the bottom lace inset is done. The lower skirt flares out substantially under that and there are yards of fabric in that part of the dress alone. This gives you incredible movement when you walk and finishes the dress beautifully. This flowing hourglass shape was a Galliano signature and this one is absolutely spectacular.
• The inner lining under the lower skirt is finished with yet another panel of black lace, and this peaks out from underneath the skirt. Perfectly tying everything together.
• The dress is an exceptional example from his very early days at Dior. A true piece of fashion history.
  
• The lace serves as the lining behind the draped front and then the rest of the dress is lined in a black silk except for behind the lace parts which are left unlined. It closes with hidden set side zipper. It is completely cut on the bias so there is a lot of movement and range to the fabric. It is an easy fit and the bias cut should allow it to fit a range of sizes I have put the range when laying flat in the measurements below. On a smaller frame it will drape more. I see a small scuff on the fabric here and there. Very minor and just mentioned for accuracy.
• Tagged a vintage Dior FR40, GB12, US8
• Excellent condition

Bust: 16-18" flat across from side seam to side seam
Waist: 13-15" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Bodice: approx 13" from top of shoulder to lace under the bust
Total length: approx 65" from top of shoulder to hem. The length may come up a touch once on because of the bias cut.

Modern Sizing Equivalent: SML-MED

Item# DD5474

Reference Photos/Video: Spring 1999 Christian Dior.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.