• This is a beautiful dress that was made for the shops in 2022.
• The dress was made under the creative direction of Sarah Burton.
• It is made from layers of an off-white ivory silk chiffon that float beautifully over the body. It is very loose and easy as it falls over you making it is easy to wear and very flattering.
• Tiny silk straps curve up and over your shoulder to connect at the sides of the bodice and back. I think with this one you also have the option that you could tuck the straps in and wear this as a strapless dress.
• The bodice is cupped and inside there are molded and wired inner cups attached to hold the shape and give you structure and support.
• Onto that is a beautiful and elaborate design that is made out of a braided silver thread, silver tube, beads, and prong set rhinestones and beads in various sizes. These are set over the bodice to form a design of leafs and vines that swirl across you. It is quite stunning.
• The silk chiffon falls under there and flows all the way down to the floor. The dress is in its original length and the movement the silk chiffon has is incredible. The fabric is so light that when you move it swirls around you. There are extra panels of the silk chiffon that are attached along the upper edge of the back and around slightly to the sides. These fall over the inner dress to the floor to give a beautiful caped feel to the back. 
• The dress is fully lined in an ivory silk and closes with a back hidden set zipper. There is a built-in inner corset that is boned and cupped. I see a tiny repair near the hem of the skirt and there is a little bit of very minor pulling on the back silk chiffon panel where it has caught on the applique work at some point. Please see the photo after the label shot. The dress was never worn and is in its original length. It has its original hang tag attached.
• Tagged a McQueen 42
• Excellent condition

Bust: 17" flat across from side seam to side seam with B-C cups built in
Seam under the bust: to 15" flat across from side seam to side seam
Inner waist: to 15.5" flat across from side seam to side seam
Inner hips: to 21" flat across from side seam to side seam
Bodice: 13" from top of the shoulder to seam under the bust
Total length: 64" from the top of the shoulder to hem 

Modern Sizing Equivalent: SML-MED

Item# DD5196

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The program notes told the audience of the Spring 2009 runway show that Mcqueen had been thinking of Charles Darwin's theory of the survival of the fittest and 'the deleterious results of industrialization on the natural world'. The show was title 'Natural Dis-tinctions, Un-Natural Selection' and the McQueen book notes that 'the cat walk was filled with antique taxidermy, including an elephant giraffe tagger zebra and polar bear, in an art space that was formally of Paris morgue.' The twin of the dress was a part of the second portion of the show that was meant to 'continue to draw inspiration from natural forms, flowers, crystals and minerals, but here they were engineer with a hard as an enhanced to convey the synthetic qualities associated with modernity and human touch. Prints were angular and invoked crushed crystal, metallic structures such as the Eiffel tower and a granite mountain that was borrowed from a Dan Holdsworth triptych.' This collection was noted as being one of his most commercial to date during this time period and these print pieces especially had instant appeal.

This is a very recognizable piece that can instantly  identify as being a McQueen. The colours are amazing. The fabric is almost like a neoprene in the way it looks and feels and yet it is not a true neoprene. It is lighter and thinner with just enough weight to it to hold the shape but without it feeling restrictive on the body. The shape is built into the dress beginning at the shoulders. Each is lightly padded so that they sit up on top of the shoulders. It skims over the bust, nips in at the waist and then curves out at the hips. Even when laying flat you can see the shape built into the dress. At the neckline there is a keyhole that has a nude netting in behind it. I love the way that the seams at the hip curve in and over the waist to just under the bust. This precise seaming and cut are all done to give that exact shape that he wished the piece to have. When styled on the runway with the plastered hair around the face it had an almost alien feel to it that was fantastic. The dress looks to have never been worn and is in mint condition. It is an extraordinary piece of Alexander McQueen history and having a runaway pieces from him in the shop are always an exceptional thing. Excellent condition

Fully lined in a ivory tissue silk and it closes at the back with a hidden set zipper. Tagged a McQueen 38. It appears to have been worn very little if at all. 

Bust: 15.5" flat across from side seam to side seam with room for an A-small B cut at the front
Waist: 12" flat across from side seam to side seam
Hips: 17" flat across from side seam to side seam
Length: 32" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4360

Reference Photos/Video: (1-2) Spring 2009 Alexander McQueen Runway, Look 24. Model Alex Sandor.  /  (3) Page from the book 'Alexander McQueen' edited by Claire Wilcox.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

This is an incredible dress. This was a dress produced for the shops and it is especially interesting because it is a dress that was produced again in 2011 and re-issued in an ivory for the wedding collection that year. I know this because I have had that dress listed in the shop now and you can see it here. You will recall that I recently had a lace dress in that was also made under the same circumstances where a original dress done by Lee was re-issued at a later date for a wedding collection. I love having the original and as far as I am aware it was only produced in black and this purple in 2007. It has that same bias cut draped feel as the McQueen that Elle Fanning borrowed and wore recently so that will give you an idea of it on

This is a stunningly beautiful dress. It is one that will come to life even more once it is on an actual body and will only truly come to life when worn. It is a dress that definitely takes inspiration from the bias cut couture pieces of the 20s and 30s. McQueen was a master tailor and the seam work and simplicity of this dress do not hide that fact. It is made from a beautifully weighted purple silk satin that has a slight texture running through it. It has that same liquid feel that the best of the 1930s pieces did that were made from this similar fabrics. Like those dresses of the thirties this is also cut on the bias but with a more shaped silhouette. I love that the fabric is heavy enough and that the dress is lined so that it will not highlight 'flaws' underneath like some bias cut pieces can. It is cut to flow over the body and skims over the bust, waist and hips to the floor. The neckline drops into a V at the front for a bit of skin to show. It glides over the bust and there is this interesting softly curved seam that starts at the bust and runs down into the side seam. This not only helps to add a little shape but it also becomes this interesting design feature and a subtle way for him to work in one of his signature angled seams. The skirt continues past and over the hips and then flares out as it reaches the hem. At the back there is extra fabric worked around the centre seam to give you a trained effect behind you. This flaring out at the bottom and the extra bit at the back give you fabulous movement when you walk or move. It also adds to the hourglass shape the dress has. The sleeves are incredible. They are set in these soft loops around each arm. They leave the sides of the shoulders bare and really add to the thirties feel of the dress. They are spectacular. It is in its original uncut length. Excellent condition.

Fully lined in a purple silk satin and closes with a hidden set back zipper. Tagged a McQueen 40. The bias cut fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat. It is in its original supermodel length. The bias cut should allow it to fit a range of sizes. I see perhaps a touch of grubbiness and scuffing near the hem bit it is very minor and mentioned for accuracy only.

Bust: 16-20" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 62" from top of shoulder to front hem, 72" the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4461

Reference Photo: Elle Fanning in Spring 2008 Alexander McQueen, from our archives, at the Critics Choice After Party, January 2023.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

McQueen's Fall 2006's collection was called The Widows of Culloden and it was dedicated to his muse and friend Isabella Blow. The Alexander McQueen site says of this collection: "The inspiration here is highly personal – the designer’s own heritage – which goes at least some way towards explaining the exquisite hand-craftsmanship that goes into each piece as well, of course, as bird head-dresses and McQueen tartan. The collection is luxurious and romantic but melancholic and even austere at the same time. The silhouette – all nipped waists, bustles and exaggerated hip lines – is designed to exaggerate a woman’s form and each piece is unique, a one-off couture creation with emotional content intended to be handed down from generation to generation like the most precious of heirlooms." This was also the show where Kate Moss made the famous glass box closing look. Vogue described that feat by saying; "Only Alexander McQueen could provide the astonishing feat of techno-magic that ended his show. Inside an empty glass pyramid, a mysterious puff of white smoke appeared from nowhere and spun in midair, slowly resolving itself into the moving, twisting shape of a woman enveloped in the billowing folds of a white dress. It was Kate Moss, her blonde hair and pale arms trailing in a dream-like apparition of fragility and beauty that danced for a few seconds, then shrank and dematerialized into the ether." They went on to talk about the collection saying; "The quality of the performance—and the extraordinary workmanship in the clothes that preceded it—was a timely reconfirmation of McQueen's unique powers as a showman-designer, and a far cry from the more straightforward presentations he¿s given the last few seasons. For this collection, he delved into his past, revisiting his Scottish family roots and refining the contents of the rampaging tartan "Highland Rape" show with which he began his career in London in the early nineties. Shorn of its original rawness and anger, the result was a poetic and technically accomplished tale that involved romantic images of Scottish fantasy heroines wandering glens and castle halls in vaguely Victorian tartan crinolines, bird-wing or antler-and-lace headdresses, feathered gowns, and pieces made from brocades that might have been dragged down from ancient wall-hangings." I have also included a shot from one of the McQueen book pages that tells more on the show. This was one of his most extraordinary shows and this dress is the twin of Look 32 worn by Freja in that show. It is fabulous. 

This is an incredibly rare piece of McQueen history and may even make a dress for a bride looking to go the non-traditional route or as part of a wedding weekend. And of course it is something that any McQueen collector would be thrilled to own.

I love this dress. It is basically an elaborate silk net tulle piece that sits over an inner ivory silk chiffon lining. Over that he has added embroidered lace panels in black that have all been placed by hand. The dress is incredibly full and voluminous. The bodice is meant to skim over you and the neckline of the tulle overlay is set scooped under the neck. There is a scooped bodice built in underneath that has been stiffened for shaping. Having the net extend up and to the shoulder allowed him to also place the embroidery up and over the shoulder, giving the illusion that it is somehow suspended over you from a distance. The trailing panels of black embroidered flowers contrast beautifully over the deep ivory netting underneath. The waist is seamed and set just above the natural waist line. The embroidery trails past the seam to soften the line. The waist is cut on the more wide and generous side which helps to create the shape he wanted the dress to have. The skirt has yards and yards of tulle with two more layers under the top layer and over the inner silk lining. The embroidery work is even more spectacular around the skirt going all the way around you. I love how it becomes very dense and heavy by the hem and then it trails upwards towards the bodice. It is incredibly beautiful and the pictures do not convey how magical it is in person. It feels like wearing a magical cloud of tulle. Alexander McQueen was incredibly gifted and this dress really shows the extent of his talent. It was one of my favourite dresses at the show. Excellent condition with a small note below

Fully lined in an ivory silk chiffon and closes at the back with a button at the back of the neck and a hidden side zipper under the waist line. I see a couple small breaks in the netting and it looks like there are some minor repairs done near the waist seam. I have photo them all and I've been very picky because it presents as perfect once on. It's beautiful.

Bust: to 16.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 11" from top of shoulder to waist
Total length: 43" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4851

Reference Photos/Video: (1-3) Fall 2006 Alexander McQueen, Look 32. Model Freja Beha Erichsen.  /  (4) From the book "Alexander McQueen" by Abrams and edited by Claire Wilcox.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

The twin of this dress was shown for Look 40 for the Resort 2017 presentation. The entire collection was an explosion of flowers and handwork went into many of the garments. Astounding considering that it is RTW. Vogue explained that "Clothes like these are a very far cry from humdrum commercial fare to fill the gaps in stores between seasons. With Burton’s softening touch, they transcend the source material to become very special, non-disposable items a woman might want to keep forever." It is a terrifically beautiful dress and it is even more interesting for the fact that she made two versions of the dress for the collection, one on black net and the other on ivory. We found reference photos of Lily Collins, Emily Blunt and Bee Schaffer all wearing one that year and all looking phenomenal in it. 

This is an exquisite dress this is covered with an intricate design made out of tiny beads and sequins in a beautiful array of colours. The base is made of black silk netting and then the dress is lined in a black silk chiffon through the body. This gives it enough weight to hold the shape of the dress and to support the weight of the added embellishments but it still feels magically light once on. You rarely see this level of handwork on a modern piece unless you step into the world of couture and it is a joy to see this dress in person. The design that covers the dress has been meticulously done by using a combination of sequins and beads. Many of the sequins are set slightly on their sides and this gives the design a slightly raised 3D effect off of the netting. The designs forms flowers and birds within that gorgeous pattern and it is the kind of piece that the more you look at it the more you see. I took several detail shots so you can get an idea of the workmanship. Cut wise it is an easy dress to wear. The sleeves are long and they are left unlined so that the pattern really shows against your skin underneath the netting. The shoulders are slightly capped and the neck is scooped. It skims over the bust, past the waist and over the hips. There is no seam at the waist. Instead it is cut to slightly come in and the pattern also draws your eye inwards. The skirt falls to the floor from there and it is in its original uncut supermodel length. I love how the width of the skirt flares out and it is quite alive by the time it reaches the floor. The pattern also changes to pick up the grid work on the bust and tie the whole dress together. The extra fabric around the hem also gives you this beautiful movement when you move. Truly an extraordinary piece from the Sarah Burton era. Excellent condition.

Lined in a black silk chiffon as described above. It closes with a hidden set back zipper and each cuff closes with a hidden set zipper. The ease of the cut and slight bias of the netting should allow it to fit a range of sizes. Tagged a modern McQueen 42.

Sleeves: 24.5" and are 12" around the upper arm
Shoulders: 15" 
Bust: 17-18" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: 17-19.5" flat across from side seam to side seam
Total length: 67" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD4849

Reference Photos: (1-2) Resort 2017 Alexander McQueen, Look 40.  /  (3-5) Lily Collins in Alexander McQueen at the 19th Costume Designers Guild Awards, 2017.  /  (6) Katherine "Bee" Schaffer, in McQueen, and Anna Wintour at the 2018 Evening Standard Theatre Awards.  /  (7) Emily Blunt in Alexander McQueen for The Girl On The Train world premiere, October 2016.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway in a deep burgundy brown colour for the Fall 2002 collection as Look 65.
• It was made under the creative direction of the original Mr. Valentino.
• The dress is made from layers of a feather light black silk chiffon that is cut on the bias. It is an extremely easy dress to wear and fit because it has a definite caftan feel to it.
• It is cut to sits either just at the edges of the shoulders as I have shot it here or can be worn off the shoulders like how you see it was worn in the runway photos. I love how that bare expanse of skin offsets the fullness of the dress underneath. 
• The sleeves are phenomenal. Each is cut so that it is very full and wide. They cascade down the arm in a double layer of silk and they are split along the upper edge. Each sleeve is cut so that it falls on an angle so that the innermost portion of the sleeve falls much longer than where the outer edge lies creating a cascade of silk down your arm. The lightness of the silk chiffon gives them a ton of movement around the arm when you move.
• The top of each shoulder is gathered into a series of rounded pleats and more of the same rounded pleats sits on the side of each hip. Long panels of silk chiffon fall from under the pleats set on the outside of each hip. These are cut much like the sleeves with a double layer of silk chiffon stacked on top of each other and ending in different lengths. This adds a tremendous amount of movement to the skirt when you move. I love how they tie in the sleeves and skirt together.
• The dress skims over the body and widens out quite a bit as it nears the hem. This is what gives the dress its caftan feel. The back hem is cut longer than the front so you get a sweeping feel behind you. 
• The body of the dress is made from three layers of silk chiffon and these act as the lining. The sleeves are made of two layers of the silk as described above. The dress closes with a hidden set back zipper. It appears to have been worn very little if at all. Be easy cut should allow it to fit a range of sizes. On a smaller frame it will just drape more.
• Tagged a vintage Valentino 12
• Excellent condition

Sleeves: to 33" at their longest points and are full and open around the upper arm.
Bust: 18-19" flat across from side seam to side seam
Waist: to 16.5" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Total length: 61" from top of shoulder to the front hem and the back extends another 10" past that.

Modern Sizing Equivalent: MED-LRG

Reference Photos/Video: Fall 2002 Valentino, Look 65.

Item# DD5227

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in an ivory walked the runway for the Spring 2008 Oscar de la Renta Bridal collection. 
• It was made under the creative direction of Oscar de la Renta
• I had an ivory one in the shop before and know that the original price for the dress at retail was just under $20,000 USD even back in 2008 (the equivalent of just under 30k now). 
  
• Oscar launched his first bridal collection in October of 2002 and his wedding pieces have been worn by some of the most famous women in the world. He once said 'In the same manner that she fell in love with that man, I hope she's going to fall in love with that dress.' 
• The dress is strapless and cut to hug your curves from the bust to below the hips.
• From there is flows into a stunning skirt that sweeps around you and trains outwards at the back.
• Inside is an intricately constructed corset with boning and built in cups to shape and hold you and the dress in place.
• The fabric on this one is just extraordinary. The base is an black silk. Onto this is a complex design that is made up of stiffened black silk ribbon that has been folded into flower like designs that run over the entirety of the dress. These are all placed so that they sit slightly up and off of the fabric so that it has this wonderful 3D feel to it. Interspersed around these are black thread embroidery. The black embroidered parts are a combination of knotting, to add to the dimension of the design, and flat embroidery work. Various sized black beads are then worked into this pattern to add yet another element to the design. The end result is that every inch is covered with this amazing hand work.
• The dress has a true old world Haute Couture feel to it and it is rare to see a piece done so elaborately over every bit of the fabric. No matter how good it looks in the photos it is even better in person and on the body.
• The dress is fully lined in a black silk. The bottom hem of the skirt is finished with an interior wide band of stiffened netting and the dress closes with a hidden set back zipper. It has a built in interior corset bodice that is cupped and boned to be shaped all the way around you. There are pads that just inside the bust and if you need extra room they could easily be removed as they are just tacked in place.The interior corset closes with its own zipper. Finished to couture standards and tons of work by hand. 
  
• Tagged an Oscar size 6
• Excellent condition

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 55" from top of bodice to hem at the front and the back extends another 15" past that

Modern Sizing Equivalent: SML-MED

Item# DD5221

Reference Photos: Spring 2008 Oscar de la Rental Bridal.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• A version of this dress walked the runway for the Fall 2009 collection for Look 29. 
• It was made under the creative direction of Junya Watanabe
• One was also shot for Vogue Korea that season. We have included all the reference photos so you can get an idea of how fantastically this will sit on the body.
• The dress still has its original tags and was never worn.
• The dress is wonderfully avant-garde in every way. It is like wearing a piece of soft sculpture once it is on.
• The dresses made out of a black nylon that is feather light and then inside of the layers through the body have a light padding added. This is what gives it the incredible volume and shape that you see. We have added nothing underneath to any of these photos.
• The sleeves have been create by a single layer of the nylon that extends out from either side of the neck line. An opening is left in each for your arm to slip through.
• The front and back both plunge in a V and are detailed with that big chunky gold toned metal chain. It is just a phenomenal idea and gives the neckline the weight to hold it in place on you.
• The chain curves and crosses over itself at the front and the again at the back. It scoops around to each side with one side showing on the exterior. The fabric. of the dress is all pulled and gathered into this chain and this is what creates the beautiful curving shape.
• There is an open keyhole created at the back where the chain meets. The dress is so well-made that I think you could wear it either way around if you wanted that at the front instead.
• The skirt is phenomenal. It is quilted and lightly padded and scoops back up and under itself at the hem to also attach back into the chain that curves around you on the inside. It is incredibly full and when I lay it out flat it makes a complete circle of fabric.
• His work is highly collectible and this is a phenomenal example.
• The folding back over of the layer of the skirt acts as the lining and the bodice is unlined. It slips on to wear with no closures. Its easy cut should allow it to fit a range of sizes. On a smaller frame it will just feel more oversized.
• The dress was never worn and still has all its original tags attached as well as a small piece of repair fabric in a clear pouch attached to the tag on the inner skirt.
• Tagged a Watanabe size M
• Excellent condition

Bust: approx 16-18" flat across from side seam to side seam
Waist: approx 14-19" flat across from side seam to side seam
Hips: open
Total length: approx 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5204

Reference Photos: (1) Fall 2009 Junya Watanabe Runway, Look 29.  /  (2) Vogue Korea, December 2009.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is from 2006 and is a very cute little black dress that has a real bit of sexiness to it.
• It was made under the creative direction of Miuccia Prada
• The top portion of the neckline is made from a black silk chiffon so has a touch of transparency. The chiffon carries down the sides and then across and underneath the scoop at the back.
• The body of the dress is made out of a black silk that helps to hold the shape. It skims past the bust, widens out over the waist and then is very full over the hips. At the front it flares out in a pretty and full A-line to the hem.
• The back of the dress has a low open scooped cut out that leaves most of your back bare and exposed. The chiffon on either side and just under the scoop has a touch of transparency. It is so good.
• The back of the skirt is all gathered into a curved seam under that and this gives the fabric all of the volume that you see. Those gathers combined with the way it is cut let it sit up and off the small of your back a touch and this just emphasizes all the fullness back there even more.
• Under the skirt is a built in under skirt made out, helps to provide the volume that you see. I love how it kicks out past the hem of the dress.
• The dress is fully lined in a black silk and closes with a side set hidden zipper. It still has its original tag attached.
• Tagged a Prada 42
• Excellent condition

Bust: 17-18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Total length: 37.5" from top of shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD5198

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is a more modern piece by Giambattista Valli that I believe is from circa 2015.
• It was made under the creative direction of Giambattista Valli
• This is a fantastic day dress that is appropriate for the office but also can be worn to dinner or a cocktail events.
• The base of the dress is made from a stretch mix of silk and wool in a black that has a touch of charcoal feel to it. The stretch allows it to really form around the body but still feel extremely comfortable to wear.
• It is sleeveless and skims over the bodice. The waist nips in and is highlighted with a wide black grosgrain ribbon. From there it curves back over the hips.
• The skirt is cut in a chic pencil shape. A back vent lets you walk easily when wearing it.
• An attached panel runs down the front of the dress. This is made out of a wool that has a nubby thatched texture to it with little silver metallic lurex threads run through the fabric. It is subtle but really elevates the dress and is a beautiful added detail.
  
• The dress is fully lined in a black silk and closes with a black hidden set zipper.
• Tagged a modern Valli 44
• Excellent condition

Bust: 18-19" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 14" from the top of the shoulder to the top of the 2" band at the waist
Total length: 39" from top of shoulder to hem with approx 1.5" turned under the ham

Modern Sizing Equivalent: MED-LRG

Item# DD5200

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.