Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a very chic little example of his work from this time period and is a little extra special because we have found its more colourful counterpart on the runway that season. The dress has a dated tag inside from Bergdorf's which was usually a special order. It is easy to imagine the client seeing the orange and yellow version and then ordering it in this very chic all black.

This dress is gorgeous. It is made out of a black silk chiffon that is a very fine scarf weight silk that is very difficult to work with especially given the draping that has been done on this dress. The dress is cut to flow beautifully around the body. The neckline is set high in a halter that comes up in a peek and the extends out into tiny straps that have panels draped over them that curve over the shoulders. The panels continue down to gather over the bodice. They drape down and around to the back in a series of soft gathers and then this top layer buttons over the back zipper. The structure that holds the dress in place is all hidden inside so that there is minimal seaming showing on the exterior. Instead your eye just follows down to the skirt that flows to the floor in yards and yards of silk chiffon. The halter front leaves your upper back bare. The panels that curve over your shoulder from the front extend down to drape dramatically towards the floor and billow out behind you as you move. There is a built in structure through the bodice and then three layers of chiffon float over you to the floor to create the skirt. This gives it the slightest bit of transparency that is fantastic. All of the silk and layers are cut on the bias so the dress really has the most spectacular movement when you move. It is simple and classic but has a high impact feel at the same time. It appears to have never been worn or worn very little. Excellent condition

The bodice and skirt are lined in black silk chiffon and that part is lightly boned. The dress closes with a back zipper and then the skirt snaps to close over that and the bodice buttons over the zipper above that. The panels drape over the shoulders.

Bust: 16" flat across from side seam to side seam
Inner waist: 12" flat across from side seam to side seam
Hips: open
Length: 57" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4469

Reference Photos: Spring 1989 Bill Blass Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a gorgeous example of his work from this time period. It is beyond gorgeous and it is one of my favorites from him. I have had this dress in the shop before and at last we have been able to date it. It is from the Spring 1984 collection

I have had the twin of this dress in the shop in the past and I love it more every time I find it. The main body of the dress is made from a deep royal purple silk that has a vivid pink ruffle that runs all the way down one whole side. The way that the pink is attached to the dress gives the dress the feel that that it has been wrapped around the bust and then tied into a dramatic bow at the shoulder with the ties trailing down your side. It actually is all attached and a part of the dress but I love how it makes the dress feel. The pink is gathered and warps all the around the bust and then is caught up at side to create that gorgeous bow that you see. The other shoulder is left completely bare for a little skin to show. Under the bow the pink silk runs down the side of the dress in an extravagant ruffle finish all the way to the hem. The inner bust has boning to support you and there is a little hidden strap under the bow to keep it in place. The body of this is cut loose and easy and it widens out it falls to the floor. It is extraordinary. Even more beautiful in person. It appears to have been worn a very little if at all. Excellent condition

Fully lined in a deep purple silk. The inner bodice closes with its own zipper and then the dress zips to close over that with a hidden set zipper. Lightly boned through the inner bodice.

Bust: 16.5" flat across from side seam to side seam
Inner waist: 13" flat across from side seam to side seam and the outer waist goes to 16" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 56" from top of shoulder strap to hem

Modern Sizing Equivalent: SML-MED

Item# DD4109

Reference Photos: (1-2) Fall 1984 Bill Blass Runway, Model Dalma Callado.  /  (3-4) Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of two dresses that I have in the shop from Blass from this time period and it is incredible. Bill Blass worked for the Maurice Retner label for 10 years as the chief designer. In 1968 the Bill Blass Inc label became a subsidiary of the Retner label. Then in 1970 he fully bought out his partners at the Maurice Retner label and re-launched it under his own name as Bill Blass Ltd. 1970 was the same year that he won his third Coty American Fashion Critics' Award and with it, his lifetime membership in the Coty Hall of Fame. By 1980 the company was doing 20 million dollars in revenue. He was arguably one of the most famous of all the American designers. By the eighties his work was even more ornate and luxurious than what he had done in the past. Prices for dresses could be as high as $5000 (which would be about $15,000 today). He was once asked why his clothes were so expensive and he replied, 'I'm an avid believer that we have to have clothes made in this country. Therefore we pay more money. ... The cost of labor and fabrication is what makes the clothing expensive.'

This is an exceptional dress. It is a stunning example of his work during this time period and these metallic pieces are among my favorites by him. This one even more so with its pretty pink colour and extraordinary fabric. The fabric is the perfect shade of soft pink used to create a floral design and that is mixed with a soft green for the leaves. Some of the pattern is raised and has been embroidered into the fabric. The thread used is incredibly soft and this adds yet another dimenesion to the dress. Woven over and through the silk is a muted gold lurex thread that give the fabric its metallic glitz and makes it gleam and glitter in the light. This same thread is also used to create the horizontal rows that you see. The gold covers the dress from head to toe. The neckline is a cut into a high V and the bodice crosses over itself and skims over you. This is then is balanced beautifully by those spectacular sleeves. Each sleeve is cut extra long so when it is on an actual body it will bunch up a bit on the arm for added texture. Set just under the bust is a wide band of the same fabric that wraps all the way around you and snaps and hooks into place. The crossed over bodice above and this wise high set belt is what gives the dress its nod to a kimono and obi. This tops the skirt that is set to widen out as it nears the floor. On one side and extending down from where it crosses on the bust it has a soft pleat that falls all the way to the floor. This adds a little extra detail and volume and it also hides a small pocket set along the inner seam. The hem has been let down at some point and it is supermodel long as a result. Blass did a soft version of a kimono inspired dress for this collection as well and that one was photoed on Candice Bergen. I have included it here as they do share some similarities. This dress is an absolutely beautiful. Excellent condition with a note below.

The fabric is self backed in a muslin throughout. You step into it and then it closes with a series of hidden snaps. The belt is attached and it snaps and hooks into place. Hand finishes. The hem was let down at some point and it is ribbon finished. It poufs a bit at the edge as there are spots where it was stitch in to sit proper when it is hemmed. If you needed the full length you could just take those out. It could be worn as is but I've left it so you could redo the hem to your perfect length. You can see a slight grubbiness here and there were the hem was. The hem was very deep and the length turned up under the sleeves is also very deep.

Sleeves: approx 25" w 3" turned under. It is 16" around the widest part of the upper arm
Shoulders: no defined seam
Bust: to 17" flat across from side seam to side seam
Seam under the bust: 16" flat across from side seam to side seam
Natural waist: 17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 10" from top of shoulder to seam under the bust
Skirt: 52" from seam under the bust to hem

Modern Sizing Equivalent: XS-MED

Item# DD4293

Referece photo: Candice Bergen Wearing A Bill Blass Dress, Vogue 1970

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a gorgeous example of his work and I love that I can date it based on the very similar one that was used the a Vogue shoot that year. It gives you a better idea of how it will look like once on a body.

The dusty pink mauve coloured sequins that cover that entirely this dress are so densely applied that they actually overlap one another. There are hundreds of thousand of sequins used and it is incredible. Mixed in with those is a band of gold beads that wrap around the hips. This is set around the on one side and widens out over the hip and then narrows to a point where it meets the low set waist seam. Another triangle feeling band sits at the hem of the skirt on the opposite side. This time done in silver sequins. It is cut in that fabulous eighties big volume on top over a fitted skirt. The shoulders are strong and padded for shape. The neckline is scooped and the sleeves are long. The bodice is cut long and it is meant to blouse out over the skirt. Inside there is a silk lining in that same purple and then the sequin fabric is also lined in silk. It buttons down the back and you get a tiny glimpse of skin between the buttons. The sequins catch the light at your slightest move and its fabulous in person. Excellent condition.

Fully lined in silk with a low set inner zipper at the waist and a series of buttons down the back. Padding in the shoulders, It is meant to be oversized at the top so the hips are the most important measurement to consider.

Sleeves: 22"
Shoulders: 14.5"
Bust: to 19" flat across from side seam to side seam
Natural waist: open
Seam at top of skirt: 15.5" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 19.5" from top of shoulder to seam at top of skirt
Skirt: 22" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3953

Reference Photo: (1) Models in Bill Blass, Vogue, October 1982.  /  (2-3) Fall 1982 Bill Blass Collection. Model Alva Chinn.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a very chic little example of his work from this time period and is a little extra special because we have found its more colourful counterpart on the runway that season. The dress has a dated tag inside from Bergdorf's which was usually a special order. It is easy to imagine the client seeing the orange and yellow version and then ordering it in this very chic all black.

This dress is gorgeous. It is made out of a black silk chiffon that is a very fine scarf weight silk that is very difficult to work with especially given the draping that has been done on this dress. The dress is cut to flow beautifully around the body. The neckline is set high in a halter that comes up in a peek and the extends out into tiny straps that have panels draped over them that curve over the shoulders. The panels continue down to gather over the bodice. They drape down and around to the back in a series of soft gathers and then this top layer buttons over the back zipper. The structure that holds the dress in place is all hidden inside so that there is minimal seaming showing on the exterior. Instead your eye just follows down to the skirt that flows to the floor in yards and yards of silk chiffon. The halter front leaves your upper back bare. The panels that curve over your shoulder from the front extend down to drape dramatically towards the floor and billow out behind you as you move. There is a built in structure through the bodice and then three layers of chiffon float over you to the floor to create the skirt. This gives it the slightest bit of transparency that is fantastic. All of the silk and layers are cut on the bias so the dress really has the most spectacular movement when you move. It is simple and classic but has a high impact feel at the same time. It appears to have never been worn or worn very little. Excellent condition

The bodice and skirt are lined in black silk chiffon and that part is lightly boned. The dress closes with a back zipper and then the skirt snaps to close over that and the bodice buttons over the zipper above that. The panels drape over the shoulders.

Bust: 16" flat across from side seam to side seam
Inner waist: 12" flat across from side seam to side seam
Hips: open
Length: 57" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD4469

Reference Photos: Spring 1989 Bill Blass Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a gorgeous example of his work from this time period. It is beyond gorgeous and it is one of my favorites from him. I have had this dress in the shop before and at last we have been able to date it. It is from the Spring 1984 collection

I have had the twin of this dress in the shop in the past and I love it more every time I find it. The main body of the dress is made from a deep royal purple silk that has a vivid pink ruffle that runs all the way down one whole side. The way that the pink is attached to the dress gives the dress the feel that that it has been wrapped around the bust and then tied into a dramatic bow at the shoulder with the ties trailing down your side. It actually is all attached and a part of the dress but I love how it makes the dress feel. The pink is gathered and warps all the around the bust and then is caught up at side to create that gorgeous bow that you see. The other shoulder is left completely bare for a little skin to show. Under the bow the pink silk runs down the side of the dress in an extravagant ruffle finish all the way to the hem. The inner bust has boning to support you and there is a little hidden strap under the bow to keep it in place. The body of this is cut loose and easy and it widens out it falls to the floor. It is extraordinary. Even more beautiful in person. It appears to have been worn a very little if at all. Excellent condition

Fully lined in a deep purple silk. The inner bodice closes with its own zipper and then the dress zips to close over that with a hidden set zipper. Lightly boned through the inner bodice.

Bust: 16.5" flat across from side seam to side seam
Inner waist: 13" flat across from side seam to side seam and the outer waist goes to 16" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 56" from top of shoulder strap to hem

Modern Sizing Equivalent: SML-MED

Item# DD4109

Reference Photos: (1-2) Fall 1984 Bill Blass Runway, Model Dalma Callado.  /  (3-4) Cherie, Owner of Shrimpton Couture, by Erin Leydon.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is one of two dresses that I have in the shop from Blass from this time period and it is incredible. Bill Blass worked for the Maurice Retner label for 10 years as the chief designer. In 1968 the Bill Blass Inc label became a subsidiary of the Retner label. Then in 1970 he fully bought out his partners at the Maurice Retner label and re-launched it under his own name as Bill Blass Ltd. 1970 was the same year that he won his third Coty American Fashion Critics' Award and with it, his lifetime membership in the Coty Hall of Fame. By 1980 the company was doing 20 million dollars in revenue. He was arguably one of the most famous of all the American designers. By the eighties his work was even more ornate and luxurious than what he had done in the past. Prices for dresses could be as high as $5000 (which would be about $15,000 today). He was once asked why his clothes were so expensive and he replied, 'I'm an avid believer that we have to have clothes made in this country. Therefore we pay more money. ... The cost of labor and fabrication is what makes the clothing expensive.'

This is an exceptional dress. It is a stunning example of his work during this time period and these metallic pieces are among my favorites by him. This one even more so with its pretty pink colour and extraordinary fabric. The fabric is the perfect shade of soft pink used to create a floral design and that is mixed with a soft green for the leaves. Some of the pattern is raised and has been embroidered into the fabric. The thread used is incredibly soft and this adds yet another dimenesion to the dress. Woven over and through the silk is a muted gold lurex thread that give the fabric its metallic glitz and makes it gleam and glitter in the light. This same thread is also used to create the horizontal rows that you see. The gold covers the dress from head to toe. The neckline is a cut into a high V and the bodice crosses over itself and skims over you. This is then is balanced beautifully by those spectacular sleeves. Each sleeve is cut extra long so when it is on an actual body it will bunch up a bit on the arm for added texture. Set just under the bust is a wide band of the same fabric that wraps all the way around you and snaps and hooks into place. The crossed over bodice above and this wise high set belt is what gives the dress its nod to a kimono and obi. This tops the skirt that is set to widen out as it nears the floor. On one side and extending down from where it crosses on the bust it has a soft pleat that falls all the way to the floor. This adds a little extra detail and volume and it also hides a small pocket set along the inner seam. The hem has been let down at some point and it is supermodel long as a result. Blass did a soft version of a kimono inspired dress for this collection as well and that one was photoed on Candice Bergen. I have included it here as they do share some similarities. This dress is an absolutely beautiful. Excellent condition with a note below.

The fabric is self backed in a muslin throughout. You step into it and then it closes with a series of hidden snaps. The belt is attached and it snaps and hooks into place. Hand finishes. The hem was let down at some point and it is ribbon finished. It poufs a bit at the edge as there are spots where it was stitch in to sit proper when it is hemmed. If you needed the full length you could just take those out. It could be worn as is but I've left it so you could redo the hem to your perfect length. You can see a slight grubbiness here and there were the hem was. The hem was very deep and the length turned up under the sleeves is also very deep.

Sleeves: approx 25" w 3" turned under. It is 16" around the widest part of the upper arm
Shoulders: no defined seam
Bust: to 17" flat across from side seam to side seam
Seam under the bust: 16" flat across from side seam to side seam
Natural waist: 17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 10" from top of shoulder to seam under the bust
Skirt: 52" from seam under the bust to hem

Modern Sizing Equivalent: XS-MED

Item# DD4293

Referece photo: Candice Bergen Wearing A Bill Blass Dress, Vogue 1970

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Blass launched his label in 1970 when he bought out the Maurice Rentner label and re-launched it under his own name. Blass was arguably one of the most famous of  the American designers. His forte was the ability to mix simple styles with luxurious materials and his evening wear in particular seemed to have a way of flattering the wearer. He knew how to walk that line perfectly. This is a gorgeous example of his work and I love that I can date it based on the very similar one that was used the a Vogue shoot that year. It gives you a better idea of how it will look like once on a body.

The dusty pink mauve coloured sequins that cover that entirely this dress are so densely applied that they actually overlap one another. There are hundreds of thousand of sequins used and it is incredible. Mixed in with those is a band of gold beads that wrap around the hips. This is set around the on one side and widens out over the hip and then narrows to a point where it meets the low set waist seam. Another triangle feeling band sits at the hem of the skirt on the opposite side. This time done in silver sequins. It is cut in that fabulous eighties big volume on top over a fitted skirt. The shoulders are strong and padded for shape. The neckline is scooped and the sleeves are long. The bodice is cut long and it is meant to blouse out over the skirt. Inside there is a silk lining in that same purple and then the sequin fabric is also lined in silk. It buttons down the back and you get a tiny glimpse of skin between the buttons. The sequins catch the light at your slightest move and its fabulous in person. Excellent condition.

Fully lined in silk with a low set inner zipper at the waist and a series of buttons down the back. Padding in the shoulders, It is meant to be oversized at the top so the hips are the most important measurement to consider.

Sleeves: 22"
Shoulders: 14.5"
Bust: to 19" flat across from side seam to side seam
Natural waist: open
Seam at top of skirt: 15.5" flat across from side seam to side seam
Hips: 17.5" flat across from side seam to side seam
Bodice: 19.5" from top of shoulder to seam at top of skirt
Skirt: 22" from waist to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3953

Reference Photo: (1) Models in Bill Blass, Vogue, October 1982.  /  (2-3) Fall 1982 Bill Blass Collection. Model Alva Chinn.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.