This Jean Varon is amazing. It looks like it was never worn and is incredible condition. The fabric it is made out of is a taupe crepe jersey. This fabric choice really allows the dress to drape and move wonderfully as it has some weight to it and holds the intended lines wonderfully. It was quite obviously inspired by ancient Greek and and that combined with its seventies bareness gives it load of sex appeal. The skirt is cut on the bias so that it feels like a column when you stand still but when you move, it moves with you and you get a sense of the true amount of fabric that was used to construct the skirt. The top is fantastic with a halter cut at the front. Two triangles of fabric plunge to the just below the bust and curve over the shoulders. The first waist seam is set high and just under the bust. Fabric is gathered under this vertically and then a second seam hugs the natural waist to give the dress a Grecian feel. Under the second seam is a flaring hip peplum. The sides are left completely bare with the shoulders extending down into the low waist of the back. These cross over straps that extend from under the bust at the front to create a grid at the side and back that keep the dress in place but leave the sides and back completely bare. I love that the seams that define the bust and waist are highlight with cording in a combination of a metallic gold and taupe. Excellent condition

Unlined and closes with a low back set zipper and hook & eye to close each of the straps at the back. Note that it was too tiny for my dress form and of course zips and closes perfectly on the correct sized girl. It appears to have never been worn or worn very little. The color is slightly paler in person. Hand finished

Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 15.5" from top of shoulder to bottom of the waist
Skirt: 42" from waist to hem

Modern Sizing Equivalent: XXS-SM

Item# DD3100

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The print on this top and pant set is classic Pucci and I love the mix of citrus colors that are used to make up that print. The top and pant are both made from a beautiful, lightweight silk and it is in remarkable condition for its age. The fabric choice allows the set to feel like it weighs virtually nothing once it in on. It also drapes beautifully on the body. This light weight silk is a very difficult fabric to deal with and it is a testament to his atelier that the workmanship on this set is so finely done, especially when you realize it is almost entirely done by hand. The pants are just perfection. They have a sleek flat front, skim over the hip and then flare out to wide cut pants that are just slightly cropped. The matching top is cut to sit loose and easy over the torso and flares out just slightly over the hip. The neckline is high scoop and the sleeves are also cut wide with a slight flare at their ends. I love the contrasting border that highlights the front of the tunic and runs around the top's hem, cuffs and pant hem. The border that runs down the front of the top actually conceals a hidden set row of buttons. This allows you to open it completely and use it more as a layering, light jacket if you wish. Excellent condition

Both pieces are unlined. The top closes at the front with a hidden set row of buttons. The pants close with a painted metal zipper at the back. The fabric is signed throughout. There is the teeniest of yellowing under the arm but it is very slight and would not even photo

Top
Sleeve: 21"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 28" from neck to \hem

Pant
Waist: 16" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Pant: 38" from neck to waist
Inseam: 26.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3278

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

The crepe fabric on this dress is the perfect choice for it to fall and drape perfectly once on the body. The fabric has just enough weight so that the drape down the front is perfectly executed, but it is still light enough to feel extremely comfortable once on the body. The simple yet dramatic cut has that nod back to the glamour days of Hollywood that you see in his best pieces. The interior of the bodice is has a concealed inner separate panel that is lightly boned and meant to hug and support the bust so you can go completely bare underneath. Straps made from the  same fabric extends from the center of the bust and curve up and around the neck. From the center bust the dress drapes down and around you, curving up at the front allowing for an unexpected flash of leg when you move and down to a longer length at the back. This then tops a second layer of fabric so that the dress falls to a full maxi length. A slit runs up the front so that you get a flash of leg when you move. It is simple, sexy and perfect. Excellent condition with one minor note below.

The bust has a full built in foundation that is lightly boned and closes with its own front set zipper. The exterior layer of the dress closes with a front hidden set zippers that is set along the front middle seam, disappearing under the draping once on. Hand finishes. The ends of the ties are weighted and hand finished. I see one tiny storage mark on one hip. Please see the photo after the label shot. It also comes with a matching cowl like scarf pie that is not pictured but will be sent with the dress

Bust: 17" flat across from side seam to side seam
Inner bodice at waist: 14.5" flat across from side seam to side seam
Hips: open
Length: approx 60" from neck to hem
Front slit: 21" from hem up

Modern Sizing Equivalent: SML-MED

Item# DD3277

Reference Photos: (1-2) Fall 1994 Bill Blass Runway.  /  (3-4) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Gianfranco Ferre is best known for his years at the helm of Dior where he headed the Atelier and House from 1989 until 1996. Prior to that he was designing his own line that launched in 1978 as a ready-to-wear line and then eventually added a couture line in 1986. This is an amazing gown from that period in the late 1980s - early 1990s that he was designing under his own name.

The dress showcases that wonderful minimalist feel that was the cornerstone of Ferre's best work. This approach to design is why I feel he is sometimes overlooked as a designer but it is work like this that stands the test of time. The dress is one long sheath with rope beading that highlights the lines and curves of the dress but in a very subtle way. It is the kind of dress that the closer you get to it the more you start to notice its genius. The top is cut with a simple scoop to the neck and capped sleeves. There is no horizontal seaming at the waist to break the line of the dress. It simply skims over the torso in a sleek column, gliding over the waist and flowing down into the skirt. The skirt is long and slim cut with a dramatic inset of black silk chiffon set into the back slit so that it trails down slightly past the hem and will create a bit of movement as you walk. The detail that he has added has been done with thick ropes of dense black seed beads. This is set around the neck and each sleeve. It trails down the center back to conceal hidden set hooks and then curves out on an angle at the back waist and down towards the hips at the from sides. This gives you a lovely curve and the illusion of bringing in the waist. Transparent black silk organza panels at the back offer just a glimpse of the skin under neath for the perfect finish. It is very flattering and the simplicity at first glance belies the masterful cut and line. Excellent condition.

Fully lined in a fine black silk and closes with a low back zipper that begins at the waist. Above that the back closed with a series of tightly spaced hook and eye. Hand finished interior seams. Note that it is cut very slim through the hips so sizing is mainly based on that measurement

Shoulders: No defined seam
Bust: 18.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 57" from neck to front hem, the chiffon insert at the back extends another 1.5"

Modern Sizing equivalent: XS-SML

Item# DD3275

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

I absolutely love this dress and was very pleased to be able to date it. It is always a special treat to have a piece that is museum approved. Even outside of its Museum provenance it is a wonderful example of the work that Mr. Blass was doing in that period that sat on the verge of a new decade. It has his signature sleek lines combined with that shock of the wide ivory silk ribbon running up its length. It still feels shockingly modern despite being on the cusp of turning 40 in 2020. The body of the dress is made from a plush black velvet that gives it depth and an incredible rich and lush feeling. This fabric choice has enough of a weight to it that it holds the shape wonderfully and feels so very high end once on the body. I love the strapless neckline and how this emphasizes that ivory panel even more as it rises above the bodice on the one side. The ribbon is set so that it curves down the and around the body, extending the length of the person wearing it even more. It has a wrapped effect at the hem and this allows a bit of leg to show as you walk or sit. At the very top it flares up dramatically and a second black silk bow is tucked in there for extra detailing. The Washington Post once stated that "Seventh Avenue thought of Blass as the king of American fashion and his work has always been portrayed as quintessentially American". Everything about the cut is done to give the girl wearing it one long and beautiful silhouette. Its simplicity, combined with that over the top glamour of the ivory, is part of its appeal and it looks amazing once on. Excellent condition.

Fully lined in a black silk  with a inner corset that closes with its own zipper and is lightly boned. The outer velvet dress over this closes with a second, hidden set zipper at the back. Very well made with hand finishes. Tagged a vintage 12 and the fabric is slightly cut on the bias so it has a touch of give once on the body. The bust and measurements below are taken on the inner corset

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 53.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3274

Reference Photo: (1) Fall 1979 Bill Blass Runway.  /  (2) Fall 1979 Bill Blass Ad for John Baldwin Boutiques.  /  (3) S/S 1980 Bill Blass Dress from the Indianapolis Museum of Art Online Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Geoffrey Beene is one of the great American designers and I actively look for his work, especially the earlier pieces from his Geoffrey Beene Boutique days. The Boutique label was introduced in 1967 as an high end ready to wear label that was an alternative to his couture pieces that he had been producing since his self-named label launched in 1963. It was replaced in 1974 by the Beene Bag label, a more affordable RTW line.

This dress is wonderful and you cannot help but think of the holidays when you see its bright red, green and blue plaid. The fabric is a fine silk taffeta and that choice of fabric helps to give it the wonderful full skirt shape that you see. There are no crinolines under the skirt. The volume you see is achieved by the fabric alone and the way that it is set into the waist. I have put it on the mannequin with the buttons and zipper at the back. I have seen a version of this dress styled the other way around and I think that you could wear it either way depending on how it sits best on you. The way I have done it leaves the front with a more simple and sleek feel and the back feels more elaborate and detailed. The neck is high with a black silk ribbon that you can tie as you wish. A panel of the plaid silk sits almost like a cape over the shoulders. Under that are slim cut sleeves and the waist nips in with another long black silk ribbon to accent it and pick up on the tie at the neck. The skirt billows out under that and widens as it falls to the floor. It has a wonderfully formal feel to it with its austere cut, but this is perfectly balance by the festive feel of the silk. Excellent condition with a couple of minor notes to review below.

Fully interlined with a black silk netting through the bodice and skirt. It closes with a combination of a painted metal zipper below the waistline and hidden set snaps under the glossy black buttons above the waist to the neck. Note that the zipper sticks part way down. I have photoed how low it goes. It won't budge past that point but is otherwise fine. There is one tiny nick on the skirt and there is a nick out to he silk at the neck on the side. Both are minor and stable. Please review all three provided photos after the label shot.

Sleeves: 23"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of bodice to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3273

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This red, full length, silk jersey dress is from Karl Lagerfeld's own label. He launched his self-named label in 1984 and this dress would be from the earlier period of that line. It is made from a silk jersey in a deep red and has an easy to wear cut that give you a long and lean line. The skirt falls to the floor from a slightly dropped waist. The jersey gives it a column feel when you are standing still, but once you move, you realize that there is quite a bit of fabric there. At the front the skirt curves slightly up for a pretty and feminine touch. It skims over the hips and the dropped waist is flattering as it brings the eye down rather then draw attention to the waist line. The sleeves are cut slim and long with a gathered detail at each cuff and hidden set zippers to allow them to fit close to the wrist. The bodice is cut long to past the waist. The fabric that runs along one side of the bodice is gathered in soft folds. At the back it closes with a long series of tightly spaced fabric covered buttons. It comes with a matching, wide cut jersey sash that is very long. This will allow you to use it in several ways - wrap low on the hip as shown, use it around the waist or neck, or even wear as a turban. It really showcases Karl's genius with fabric and cut and is a wonderful example of his earlier work. Excellent condition with two small notes to review below.

Unlined except for the front bodice panel which is lined in a red silk. It closes at the back with buttons as shown. The fabric does have some stretch and is cut on the bias. There is a teeny tiny repair near the top button at the back and there is one tiny spot on the front just above the seam. Tagged a vintage 40 and the fabric does have some stretch

Sleeves: 26"
Slight dropped shoulders: 16"
Bust: 17-20" flat across from side seam to side seam
Natural waist: 14-18" flat across from side seam to side seam
Seam above hips: 17.5" flat across from side seam to side seam
Hips under seam: open
Bodice: 21" from shoulder to dropped seam above hip
Skirt: 39" dropped seam above hip to the back hem and the front skirt comes up slightly at the center

Sash: 93" x 20"

Modern Sizing Equivalent: MED-LRG

Item# DD2137

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I love Josefa caftans and have covered the history of the label a couple of times in my instagram (go peek one day). They are like owning a piece of wearable art. Every single one of them was entirely hand made, detailed and embroidered. They were made in Mexico in the late sixties to early seventies and were the epitome of Bohemian chic in their day. They are easy to wear pieces that can go from the beach, to exploring far off markets, to being worn as an evening piece depending on how you style them.

This one is a gorgeous example of her work. The cotton is crisp and fresh feeling still and has been hand dyed to a beautiful ocean blue color with lighter turquoise accents. It has hand done embroidery work at the front neck and down the front. Piping in the lighter blue defines the neckline and sleeves. The sleeves are incredible. Each ends in a huge flare and those flares are actually a full circle of fabric. This gives them incredible volume and movement. The skirt also flares out and its volume is achieved through the turquoise insert that are set in long inverted triangles of fabric. The ocean blue and turquoise inserts and embroidery perfectly compliment each other. It is cut to sit slightly more fitted through the bodice and then flares out dramatically as it reaches the hem. The sleeves are cut to do the same and widen out as they near the cuffs. Excellent condition

Unlined and closes with a back metal zipper. The fabric has natural variations in it. It looks to have been worn very little if at all. The color in person is slightly lighter and more an ocean blue and true turquoise then how it photoed. It's even better in person I think. The loose cut will allow it to fit a range of sizes.

Sleeves: 22"
Shoulders: 15"
Bust: 18" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 56" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3272

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This is an extraordinary top. It is a stunning sequin and bead top that is entirely hand finished and in perfect condition. The sequin and bead work are all set onto a jersey base which is very unusual. It is constructed in the manner of a couture piece with the part of the top that is meant to tuck into your pant or skirt left bare. This allows you to tuck and secure the top so its sits perfectly in place when it is on but doesn't ruin the sequin work where it would be all folded and held. Newer pieces would never do this any more as its extra fabric used whose only purpose it to get the perfect fit. The entire top above that is densely covered in vertically places, overlapping deep red sequins, each tightly spaced for full coverage. These are applied onto the jersey so that the cover every inch of the top. This gives it a good weight but once on this weight is perfectly distributed over your torso. Heavy bead work details the neckline and all down that low dipping V at the back. More beads have been hand applies to detail each cuff for the perfect finish. It is very chic and very glamorous. I love it. Excellent condition.

Fully lined in a red silk and closes at the back with metal and nylon zipper. Light padding in each shoulder. Hand finished. It appears to have been worn very little, if at all

Sleeves: 21"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Length: 20" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# S885

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This is a wonderful set that I think wold be impossible to have a bad day in when you have it on. The three colors together are remarkable and a testament to Bill's ability to mix colors and textures. The lines of the suit are beautiful and it has a sense of ease to it imparted from that happy mix of cheerful colors. At the same time the lines are all grown up and serious. The jacket is a salmon pink and the fabric has a touch of texture to it. It is remarkably tailored and cut. I love the huge gold button that closes the jacket and how the same buttons sits on each cuff. The jacket is sleekly cut with lightly padded shoulders and long sleeves. The waist curves in and the hips are cut on a rounded curve that is quite beautiful. The skirt falls to about the knee in a simple and chic pencil shape. Here he has used a bright spring green and the color is even better in person. Last is that deep yellow silk top with its wonderful ascot feeling finish at the neck. It also has flat gold buttons at the cuff for the perfect finishing detail. Everything about the cut and line of all three pieces is perfection and you could easily break them all up and wear mixed with your own pieces in your wardrobe. The suit was a little large for my dress form so will fir even better on the girl of the correct size for the set. Excellent condition

The jacket is lined in a crisp white, buttons to close and has padding in the shoulders. The buttons on each cuff are functional as are the front pockets. The skirt is lined in a matching green silk, zips to close at the waist and has an inner waist stay that hooks. The top buttons to close at the front and on each cuff. They are all a vintage Bill Blass size 12

Jacket
Sleeves: 24"
Shoulders: 16"
Bust: 21" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: 25" flat across from side seam to side seam
Length: 27" from neck to hem

Skirt
Waist: 17" flat across from side seam to side seam
Hips: 22" flat across from side seam to side seam
Length: 23" from waist to hem

Top
Sleeves: 24"
Shoulders: 17"
Bust: 20" flat across from side seam to side seam
Waist: 20" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 225" from neck to hem

Modern Sizing Equivalent: LRG-XL

Item# DD3270

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Fully lined in a black silk and closes with a back nylon and metal zipper. Tagged a US10, FR42. The bodice is lightly boned for support. It appears to have never been worn, or worn very little

Bust: 17.5" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Inner skirt hips: 21" flat across from side seam to side seam
Bodice: 17" from top of bodice to waist
Skirt: 22" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3268

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This, like the gold suit that I also have from this collection, is one of Bill's pieces that was very well documented during the year it was created. Casey Ribocoff was photoed wearing the jacket alongside of Bill himself and it was also photoed and featured in Vogue. The lines of the suit are beautiful and I am glad to have found reference photos that give you an idea of just how great it is once on. The jacket is heavily sequined and the dense covering of the black and white sequins covers  covers every inch. I love the huge white buttons that close the jacket and how the white circles that makes up the dots play on those buttons. The jacket is sleekly cut with lightly padded shoulders and long sleeves. The waist curves in and the hips are cut on a rounded curve that is quite beautiful. The skirt falls to about the knee in a simple and chic pencil shape with an elastic waist. It's simple black fabric is the perfect contrast to let the jacket shine. Everything about the cut and line of the suit is done to allow that wonderful jacket to take center stage. Excellent condition with a small note about the skirt below

Both pieces are fully lined in a black silk. The skirt has elastic at the waist. The jacket buttons to close and has padding in the shoulders. Note that the skirt was sent with the jacket and is what my clients mother wore with the jacket but it may have been purchased separately.  The elastic in the waist feels slightly stretched to me but is other wise pristine and it would be easy to alter or cut it down if needed. Basically I am including the skirt at no cost and the price is really based on the jacket alone.

Jacket
Sleeves: 22"
Shoulders: 15"
Bust: 19" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 22" from neck to hem

Skirt
Waist: 16.5-18" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 26.5" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3267

Reference Photos: (1) Spring 1986 Bill Blass Runway.  /  (2) Bill Blass for Neiman Marcus, American Vogue, January 1986. / (3) Casey Ribocoff, Judy Peabody, and Bill Blass during Gala Dinner to Benefit AIDS Research at Mortimer's Restaurant in New York City, October 1986.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful Pucci dress that is made from one of his signature silk jerseys. This one has a base that is done in a vivid coral with a bright pattern worked onto it in a mix of purple and green. The colors absolutely pop off that coral backdrop. The bodice skims over the bust and continues in a loose fitting sheath right down to the hem. One of his signature contrasting printed borders runs down the front for detailing. A horizontal band of that same border accents the upper chest and another one also runs down the center of each sleeve. The cut is a simple and classic sheath with a slight A-line cut as the skirt nears its hem. The sleeves are left simple and slim cut to the elbow. This one has the added bonus of still having its original silk and beaded crystal tassel belt. These belts were hand made by Coppola e Toppo and are very well documented. I have seen these sold on their own for several hundred dollars and even girls who have used them as necklaces. Still having it with the dress means that you are getting a little extra fabulous. This is a classic Pucci silhouette that is instantly recognizable and very sexy despite it not being super form fitting. This colorway is fantastic and his fabric choice and the high quality of the silk jersey that he used means that the colors are remarkably bright and true even after all these years. Excellent condition.

Unlined and slips on to wear with silk covered buttons at the front. Hand finished. The fabric does have some stretch.

Sleeves: 18"
Shoulders: 16"
Bust: 18-20" flat across from side seam to side seam
Waist: 14.5-16" flat across from side seam to side seam
Hips: 17-19" flat across from side seam to side seam
Length: 37" from neck to hem
Belt: 60" from end to end

Modern Sizing Equivalent: XS-MED

Item# DD3266

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

We are huge Pucci fans around here and this one is a beauty. It is an unusual one in that it has a lot of black in the design, a color that you do not see used as often in his pieces. This is combined with a beautiful array of bright and vivid flowers that run over the entire dress to still give it that classic Pucci feel. It is an amazing mix of color and design. The print is screened onto a light silk jersey that feels wonderful once on the body. It has a simple silhouette and just slips on with a wide cut neckline that has no collar. Buttons run down the upper back and the cut is loose and easy. The bodice skims over the bust all the way to the hem in a soft sheath of jersey. It is a very simple cut that leaves the waist unfitted - though you could certainly cinch with a belt for more shape of you wished. This is a classic Pucci silhouette that is instantly recognizable and very sexy despite it not being super form fitting since the fabric drapes so wonderfully. Very easy to wear cut and super chic. The entire dress is light and comfortable when on and the silk jersey is very good quality. Excellent condition.

Unlined and slips on to wear with buttons at the back neck. The fabric is signed throughout. It is tagged a vintage Pucci 14. The fabric does have some stretch. The top button was changed out at some point to a plain black button

Shoulders: 18" (set so they drop)
Bust: 20-22" flat across from side seam to side seam
Waist: 18-20" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Length: 43" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3265

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to have a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in wonderful condition. These are rare and hard to find examples of his work from the late 1970s and into the 1980s. Some may be the only version of the design, colour or print that was made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This gorgeous printed ball gown skirt and silk top set is a wonderful example of the work that Blass was doing in this time period. We were able to date it exactly with a family photo that my client has. The skirt is made out of a fine silk taffeta that is printed with gorgeous ever-sized floral print. The silk has been dyed to a soft golden tone and then the flowers are screened onto that in a mix of soft pastels with pops of purple that pick up on the purple of the top. It comes with a wide silk band that wraps around the waist. The band is finished in a soft earthy burgundy. Circling the very bottom of the hem is a wide strip of a copper silk satin. The skirt is very full and I have not used any crinolines under the skirt for these shots. The fullness that you see is created through the way it is cut and seamed which is incredible. The choice of the silk taffeta also helps it to hold the shape while still keeping it very light in weight. The top is a light silk that has a slight texture running through it. It is made with elastic all through the neckline so that you can wear it on, or fully off, the shoulders. More elastic is used at the waist which makes it insanely comfortable to wear. I love that you can wear it tucked in, loose and easy, or with the belt to really cinch it in. Each sleeve is cut to be very full with lots of volume. Having the three pieces makes it so versatile as you can wear it all together for the full Blass look, or mix and match with modern pieces from your wardrobe. It is beautifully made and wonderfully extravagant. Excellent condition with one small note below

Both pieces are unlined. The skirt closes with a metal and nylon zipper and a flat hook & eye at the waist. The skirt has some very slight marks along the hem. I photoed the worst area but there are some more. You really don't notice them once it is one due to the volume. Please review the photo after the label shot. The top slips on with elastic through the neckline and shoulders. There is also elastic around the waist and each cuff. The waist band closes with hook and eye.

Top
Sleeves: approx 26"
Bust: 20-21" flat across from side seam to side seam
Waist: 12-21" flat across from side seam to side seam
Length: approx 23"

Skirt
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 46.5" from waist to hem
Matching cummerbund: 30" from end to end

Modern Sizing Equivalent: SML-MED

Item# DD3263

Reference Photos: (1) Fall 1977 Bill Blass Runway.  /  (2) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This wonderful evening suit is made from a soft pink silk that gives it a beautiful feminine feel. Both the skirt and the jacket are made out of this silk and then it also has a top for under the jacket that is made from a paler, softer pink silk chiffon. The jacket is a sleekly constructed piece that has no front closures. The shoulders are lightly padded shoulders and the sleeves are long. The body of the jacket is cut loose and easy and flares out slightly as it nears the hip. I love the vertical pockets that sit on either side. These are there only for decoration but add a lovely detail. The skirt is a long slim sheath that fall to the floor in one long and simple line. The final perfect finish is the baby pink silk chiffon top underneath that weighs next to nothing. This wraps and hooks into place and the softness of the top is the perfect contrast tot he feminine play on a man's suiting - a Blass signature. Having the three pieces makes it so versatile as you can wear it all together for the full Blass look, or mix and match with modern pieces from your wardrobe. Excellent condition

Both the jacket and skirt are fully lined in silk with ribbon edge finishes and hand finished. The skirt closes with a zipper and flat hook & eye at the waist. The jacket has no front closures and lightly padded shoulders. The top wraps over itself and snaps into place. It comes with a matching silk chiffon tie that I have shown styled around the neck in the photos. It looks like there were maybe buttons on the cuffs of the jacket at one point but they work perfectly fine without. Note that on person the pinks are more a baby toned pink

Jacket
Sleeves: 24"
Dropped shoulders: 18.5"
Bust: to 21" flat across from side seam to side seam
Waist: to 21" flat across from side seam to side seam
Hips: to 23" flat across from side seam to side seam
Length: 28" from waist to hem

Skirt
Waist: 16" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam, but will open more
Length: 45" from waist to hem

Top:
Sleeves: 16"
Dropped shoulders: 16"
Bust: to 19" flat across from side seam to side seam
Waist: to 18" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 23" from waist to hem

Modern Sizing Equivalent: The suit is more a LRG-XL and the top MED-LRG

Item# DD3262

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is part of a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or customized specifically for her and all of them are in wonderful condition. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version, colour, print or design that was ever made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This gorgeous full length skirt and top set is a wonderful example of the work that Blass was doing in this time period. We were able to date it exactly based on a family photo that my client has. He pulled out the stops for the creation of this set. It is made out of two silks. The first is a crisp right green silk taffeta that he used for the skirt and sash. He then chose a softer textured purple silk for the top. A third colour is brought into the mix with the the tie belt that is a silk finished in periwinkle. The skirt is very full and I have not used any crinolines under the skirt for these shots. The fullness that you see is all done through the way it is cut and the seaming. The choice of the silk taffeta also helps it to hold the shape while still keeping it very light in weight. The skirt has a double silk sash attached around the waist. One part is the same purple as top and the other is a soft and pretty blue. The top is a light silk that has a slight texture running through it. It buttons down the front and the way that the buttons are set gives you just the peek of skin between the buttons. Each sleeve is cut to be very full and have lots of volume. It comes with a matching silk taffeta sash that is in the same green as the skirt and I have used it to create a large bow at the neck. You could style the sash a variety of ways other then this but I liked the balance it created in both he colour and the volume. Having the three separate pieces makes it very versatile because you can wear it all together for the full Blass look, or mix and match with modern pieces from your wardrobe. It is beautifully made and wonderfully extravagant. Excellent condition with a minor note below.

Both pieces are unlined. The skirt closes with a metal and nylon zipper and a flat hook & eye at the waist. The skirt hem is finished with a 3/4" strip of stiffened dressmakers tape to give it some weight and structure. The top buttons to close. The tie around the waist is attached and the tie at the neck is a separate piece. There are some very faint minor marks on both the skirt and the top. Please review the photos after the label shot.

Top
Shoulders: 15"
Sleeves: 29"
Bust: 20" flat across from side seam to side seam
Waist: 19" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 28" from neck to hem

Skirt
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 45" from waist to hem
Matching sash: 84" x 13"

Modern Sizing Equivalent: SML-MED

Item# DD3261

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This stunning suit is made from a light silk lame that has a leopard print covering the surface of both pieces. This gives it a lovely exotic feel to it. Both pieces have a golden, metallic sheen from the fine gold lurex that runs through the silk. I love the colors that have been used on the leopard print. It combines a startling red and purple worked into the spots that are set on shades of green and then topped with the gold. The jacket is sleekly constructed with padded shoulders and long sleeves. The body of the jacket curves in slightly at the waist and then flares out above the hip. Little slash pockets sit on either side and flat gold buttons run down the front. Each sleeve is finished with three more flat gold buttons. The quality of the piece shows in that those button holes are all properly finished and the buttons are functional buttons on the sleeves as well, not just decorative. Each pocket has the same care put into its construction. The skirt wraps and hooks to close. It is unlined and this creates a feeling of weightless and a contrast to the structure of the jacket. It also leaves a long, high opening along one side so you see some leg when you sit or walk. The final perfect finish is the red silk lining of the jacket that gives a starling contrast when you see it. Excellent condition

The jacket is fully lined in a red silk and the skirt is unlined. The skirt warps to close and hooks and snaps into place. You could easily move these to adjust the waist as required. The jacket buttons to close. It looks to have been worn very little if at all

Jacket
Sleeves: 24"
Shoulders: 16.5"
Bust: 20" flat across from side seam to side seam
Waist: 17.5" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 23" from waist to hem

Skirt
Waist: 17" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam, but will open more
Length: 43" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3258

Reference Photo: (1-4) Fall 1989 Bill Blass Runway.  /  (5) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity.

This is a lovely example of Bill's work that has the added provenance of being featured in the September issue of Vogue that in 1986. It's twin was photographed on Paulina Porizkova and I have included that reference photo here. Both the dress and jacket are made out of the most extraordinary fabric. He has used a fine silk velvet that has gold thread lame running through it in the manner of a men's suiting. This gives both pieces an incredible sheen when combined with the velvet. As it catches the light it almost has the feel of a liquid running over you. The dress is strapless with a built in inner bodice that gives it structure internally but from the outside you only see the fabric falling in one smooth line. The bodice has carefully placed hand done gathers that give just the hint of detailing. Under that the skirt falls to the floor in one long lean line. There is no slit on this one, rather the fabric is cleverly laid out so there is hidden volume as it nears the hem. Over this is the remarkable jacket that has a more structured feel to it. The cut is pure Blass with the waist just a suggestion and the shoulders boxed and padded. The sleeves are long and each is finished at the cuff with a wide band of hand done bead and sequin work. This same incredible detailing runs around the collar, down the front and circles all around the hem of the jacket. It is incredible and very chic. Excellent condition

Both pieces are fully lined in silk. The dress closes with a double zipper at the back, with the inner one closing the inner corset. The inner corset is boned and shaped. The jacket closes with hidden snaps at the front and hook & eye at the neck and waist. The bead work is hand done and elaborate.

Dress
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 14" from top of bodice to waist
Skirt: 40" from waist to hem

Jacket
Sleeves: 23"
Shoulders: 15.5"
Bust: 19" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 24" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3260

Reference Photos: (1) Paulina Porizkova in Bill Blass, Vogue UK, September 1986. Photo by Bill King.  /  (2) Fall 1986 Bill Blass Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous cotton velvet skirt by Emilio Pucci that has been done in a beautiful mix of pinks and taupe. The main parts of the skirt are covered in a classic Pucci pattern that combines two shades of pink, taupe, a deep purple, and a soft off white. The edge of the hem and the waist are defined with one of his signature borders. On this skirt there is also border that has been worked into the print and runs down the length of one side . These borders always make his pieces instantly recognizable. I love how feminine the design is and the mix of colors make it easy to work into your wardrobe. Excellent condition

Fully lined in a pink silk and closes with a side painted metal zipper that sits under a panel of velvet so is hidden. A hidden fabric covered snap sits at the waist to hold the velvet panel in place. Tagged a vintage Pucci 12 but please go by actual measurements as vintage Pucci runs small

Waist: 13.5" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 25" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S580

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

If you have been looking for a statement dress for the season look no further then this incredible Emanuel Ungaro dress that is absolutely amazing. The color is wonderful. It is a metallic feeling blue on a silk taffeta. This fabric gives it a touch of a shimmer and depth as it catches the light. The fabric is quite light in weight so despite the elaborate construction of the dress is not heavy to wear, but it does hold the intended shape fabulously. The bodice is cut with a strapless, modified sweetheart neckline and hugs the body. It is elaborately gathered and fitted around the bust with hand placed and gathered folds. This was an Ungaro signature and really made his pieces flattering once on. An angled sash wraps and hooks into place to detail the waist even more. Under that the skirt explodes in a pouf of shape and volume. Elaborate gathers mold the shape so the skirt feel asymmetrical on one side and on the other there is a huge half bow that gives even more volume to that hip. The opening of the skirt at the very bottom is deliberately kept to be as minimal as possible, forcing you to move in a way that highlights the shape even more. It is incredible. Excellent condition.

Fully lined in a black silk and closes with a side zipper from the waist up and silk covered snaps under the wait. The bodice is boned. Tagged a vintage Ungaro 10 but cut small. It appears to have never been worn, or worn very little.

Bust: 16" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 10.5" from top of bodice to waist
Skirt: 24" from waist to hem but can be worn up as high as you wish because of the way the bottom opening is cut.
Skirt opening at the bottom hem 32" in total around

Modern Sizing Equivalent: XS-SML

Item# DD3256

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

I absolutely love this dress. It is an amazing example of the work that Mr. Blass was doing in the late 1970s, early eighties time period. It is an amazing find with its sleek lines and those wonderful over-sized pockets that sit on each hip. It still feels shockingly modern in a very minimalist kind of way. It is made from a remarkable, baby soft, plush black cashmere that feels like heaven to the touch. This fabric choice has enough of a weight to it that it holds the shape wonderfully and feels so very high end once on the body. I love the squared off bust-line and skinny straps in a matching fabric. I think that if you wished you could even wear this one strapless and it would work amazingly. The front has two big pocket for that classic American ease his clothing has. The Washington Post once stated that "Seventh Avenue thought of Blass as the king of American fashion and his work has always been portrayed as quintessentially American". The dress is cut to supermodel length and the lines of it make it feel even longer. Everything about the cut is done to give the girl wearing it one long and beautiful silhouette. At the back the zipper is hidden along the offset side seam and there is a slit at the bottom part of that same seam that allow for just a touch of leg to show as you walk away. Its simplicity is part of its appeal and it looks amazing once on. Excellent condition.

Fully lined in a black silk and closes with a hidden set zipper along the back, offset side seam. It comes with a matching cashmere scarf/shawl that is photoed separately. Very well made with hand finishes and ribbon edges inner seams. Tagged a vintage 12 and the fabric is slightly cut on the bias so it has a touch of give once on the body.

Bust: 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 59" from top of shoulder to hem with 2.5" turned under the hem
Slit: 17" up from hem
Scarf: 13.5" x 54"

Modern Sizing Equivalent: MED-LRG

Item# DD3254

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am very pleased to begin presenting a collection of Bill Blass pieces from a woman who was a close personal friend of Mr. Blass for many years. Many of these pieces were custom made or tweaked specifically for her and all of them are in exquisite condition, having been stored and cared for properly over the years. These are rare and hard to find example of his work from the late 1970s and into the 1980s. Some may be the only version of its kind that were made. The family would also like it to be known that their portion of the proceeds from each sale will be donated to charity. 

This is a beautiful dress from the late 1970s, early 1980s that showcases the elegance that the best of his work had. The Washington Post once stated that "Seventh Avenue thought of Blass as the king of American fashion and his work has always been portrayed as quintessentially American". The dress is cut to supermodel length and the lines of it make it feel even longer. Everything about the cut is done to give the girl wearing it one long and beautiful silhouette. The shoulders are soft and the sleeves are long. The dress is cut to follow the body underneath in a way that the fabric just skims over you from shoulder to hem. The fabric is a soft wool jersey that feels like it has a touch of cashmere in it. The dress buttons all the way down the front so feels like an extended, full length sweater dress once it is on. The buttons completely open so you could actually wear this is a layered piece over something else underneath if you wished. Big pockets sit on each hip for that perfect touch of ease. The fabric and cut are in direct contrast to the high evening glamour that is created by the addition of glossy black sequins that completely cover the dress. These are all hand applied and shimmer when the lights hit them. It is simple, yet striking, and has not a single unnecessary seam. Excellent condition

Fully lined in a black silk crepe chiffon and closes with the buttons down the front. It appears to have never been worn or worn very little. Very well made with hand finished throughout and hand applied sequins. Tagged a vintage 10 and the fabric does have a bit of stretch. The easy cut should fit a range of sizes.

Sleeves: 25.5"
Shoulders: 15"
Bust: 18-20" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 62" from neck to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3253

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Bill Tice pieces are among my favorites and his one shoulder pieces are especially fabulous. The ones I have had in the shop prior to this have all been dated to 1981 from an advertisement that I sourced with none other then Jerry Hall wearing another version of his single shoulder dress. The one I have available here today is a little extra special because the way that it has been designed will allow you to wear it multiple ways. 

Every girl that has bought a Bill Tice piece through me has loved it. His pieces are easy to wear and care for. His one shoulder dresses in particular are one of those fail safe pieces that you know is going to work every time you put it on. When I do get one in they tend to fly out the door. The dress is insanely sexy with an easy to wear caftan feel that is suspended from one single shoulder. I love the heavy silver metal ring that wraps around the single shoulder for detailing. This snake feeling metal loop is moveable and is part of what gives you the option to wear it different ways. The dress is made of a black liquid jersey that feels amazing on and has the added bonus of traveling very well. It is the kind of piece you can throw into your suit case and slip on with either flats or heels when you reach some far off destination and be instantly ready to go. It is made from two pieces that are attached to each other. There is an inner strapless dress with elastic around it for comfort. This elastic lets you be able to wear that part of the dress up and over the chest or around the waist as a skirt. Attached to that is the angled overlay and you can see from my photos that you can wear this on either shoulder with full coverage underneath, or with the inner piece set lower. You could even add a Tee or Bandeau under it. It can also be worn scooped and draped at the front so the back is left bare, or even more as a cape with the inner piece either pulled up as a dress or left low as a skirt. There are probably even more ways  to style it then this even if you played around with it. A slit up one leg that shows when you walk or sit is the perfect finishing detail. So fun and  such a versatile piece. Excellent condition

Unlined and slips on. Metal wrapped detail at the top of the shoulder. The easy fit should allow it work on a variety of sizes.

Elastic on inner piece that can act as either the bust or waist: 13-20" flat across from side seam to side seam
Hips: 19-22" flat across from side seam to side seam
Inner piece length: 50" from elastic to hem
Total length: approx 63" from the single shoulder to hem of inner piece. Depending on where you wear the inner piece this will adjust
Slit: 22.5" from hem to top

Modern Sizing Equivalent: XS-LRG

Item# DD3252

Reference Photos: (1) Jerry Hall in Bill Tice. Vogue US, August 1981.  /  (2-3) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

James Galanos made couture-level gowns with a level of craftsmanship that were on par with the French couturiers. Galanos was a master cutter and draper and he used couture techniques in the construction of his dresses and gowns.His work is held in all of the major museums and he is one of my personal favorites.

Here he has used a beautiful, fine silk chiffon that is completely covered with a large purple flower print. The skirt is cut to have a touch of a wrapped, sarong feel to it. It is attached but set into the waist so that a part of it wraps around you and then hooks into place at the side of the waist. This gives it that lovely curved line at the front and the draping down one side that you see. It also lets you see all three layers of silk that he has constructed the skirt from. There is the top floral printed layer, a middle layer that is a solid purple in the same tone, and then the innermost  layer under those is done in an unexpected shot of green. When you move you get flashes of that green and the effect is marvelous. The bodice has a slightly scooped neck and each sleeve billows out on a pouf of fabric above its cuff. The back  of the dress closes with a series of buttons that run from the nape of the neck to the waist. The bodice is constructed with an inner top with tiny straps and then the looser top layer lies over that. It has a long matching silk sash that you can use to define the waist, or you could tie it at the neck, or use as a head scarf. Excellent condition

The inner top of the bodice acts like the lining with the sleeves left unlined. The skirt has three layers of silk chiffon to it as described above. It closes with a low, hidden set painted metal zipper that is hand set onto the interior dress. The exterior layer over the bodice closes with silk covered buttons and hook and eye. Each sleeve closes with a zipper. Bias cut so there is a little  with the measurements whoch I have given below. Appears unworn.

Sleeves: 23"
Shoulder: approx 14"
Bust: 16-19" flat across from side seam to side seam
Waist: 14-14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Bodice: 16" from shoulder to waist
Skirt: 43" from waist to hem

Scarf: 15" x approx 140"

Modern Sizing equivalent: SML-MED

Item# DD1855

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The colors on this piece are amazing. It is a dreamy combination of his signature purple mixed with pink,  lavender and white. The colors together are quite beautiful and these brighter pink and purple pieces are some of the most coveted of the Pucci color combinations. His famous contrasting edging is used to highlight the cut and emphasize the design. The nylon jersey that was used for these pieces is fluid and soft and the resulting dress weighs mere ounces. The top is sleeveless an with a deep V front and higher set V at the back. Through the body it is cut loose and easy so is extremely comfortable when on and will fit a range of sizes too. Even though his work for the Formfit Rogers line was meant to be lingerie, a modern girl will find that it is completely wearable as a dress with some clever underpinnings. These can can also be used as chic beach cover ups while on vacation. Collectors know that in the EPFR world, pretty pieces like this and in this condition are real rarity. Being able to wear it as a true dress is just bonus. Excellent condition

Unlined nylon jersey fabric and slips on to wear with no closures. Tagged a vintage EPFR small but the cut is very generous so should fit a range of sizes. .

Bust: to 19" flat across from side seam to side seam
Natural Waist: to 22" flat across from side seam to side seam
Hips: open
Length: 53" from shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD3250

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Halston is one of those rare labels where the more time that goes by since the pieces were originally made, the more relevant his pieces feel. This is one of those pieces that will instantly become a closet staple  for you. It is a no brainer in that you just slip it on and you know that you will look and feel amazing. It has his signature simplicity and ease with a touch of that Studio 54 sexiness thrown in. I normally stick to his main line label when I bring things into the shop but make a few exceptions for certain pieces that I know will work perfectly for my clients. It simply slips on and is a wash and wear jersey. The seam along the top of the shoulder are slightly curved so there is just the hint of shape and interest there. The sleeves are cut wide and full near the body and then narrow down as they reach the wrist. The body of the dress is cut very loose and easy and it narrows down as it reaches the hem. A high front slit allows a bit of leg to show when you move or sit. A V at the front gives the perfect flash of skin and the basic black means you can wear it with just about anything and dress it up or down depending on how you style it. Brilliantly Halston in every way and very easy to wear. Excellent condition

Unlined and slips on to wear. 100% Quiana nylon and wash and wear. The easy cut and fabric should allow it to fit any size and it is tagged as being 'one size fits all'

Sleeves: approx 18"
Shoulders: no true defined seams
Bust:- hips: open
Length: approx 50" from neck to the front hem and 54" to the back hem
Slit: 18" from the front hem up

Modern Sizing Equivalent: OSFA

Item# DD3249

Reference photo: (1) Cherie, Owner of Shrimpton Couture.  /  (2) Rachel Zoe in a similar green version at a Calvin Klein event.  /  (3) Rachel Zoe more recently in Montauk.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Victor Costa launched his own label in 1974 and was known for producing his own versions of what was seen on the Paris runways. He also looked to the Americans for inspiration as well. He used good fabrics and his designs were often very close interpretations of other designs but with his own unique twist when it came to colors and fabrics.

This dress is so pretty with its pale blue color mixed with white and its incredible fabric. The fabric seems simple at first glance but the closer you look the more you realize just how wonderful it is. That leaf pattern is not screened onto the fabric, rather it is a raised design that is woven through the fabric. It is quite fabulous as this gives the dress the most amazing texture. The neck and waist are then detailed with big tear drop plastic beads set within embroidered lace drops that mimic that same shape as the beads. The beads range from a deep milky white color to ones that have a teeniest touch of blue to them. Interspersed in that lace border that circles both the waist and neckline, are also little prong set rhinestones for the most subtle touch of glitz. The bodice is sleeveless with a scooped neckline. The waist is set just a touch high and the skirt goes to the floor in a gently widening curve. The fabric has just a touch of weight to it so helps to hold the shape. It is really incredibly pretty in real life and even better then how it photoed. Excellent condition

The skirt is unlined and the bodice is fully lined in a white silky rayon and closes with a back zipper and the velvet tie at the back of the neck.

Bust: 17" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 14" from shoulder to waist
Skirt: 41" from waist to hem with 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3247

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am always thrilled to find a really great Emilio Pucci piece. The truly great ones are getting very hard to find and this one is exceptional. By the 1960s, the time period that this set is from, Pucci was a world-wide phenomenon. Hollywood stars like Marilyn Monroe, Sophia Loren and even Jackie Kennedy were huge fans. For all of the many attempts since to catapult the label back to the height of its glory, the days when Emailio himself oversaw the label and designed the prints will always be the most special to me.

This is one of the prettiest Pucci sets I have ever had in the shop. It is a gorgeous combination of a blues with a white mixed through the pattern on the silk. These colors are combined in a striking design that sweeps over both pieces. It also has the advantage of being two pieces which allows you to mix and match it with pieces you already own, or wear it together to get the appearance of wearing a proper dress. As is typical in a Pucci piece, he has used bands of a different printed silk to define the waist and hem on the skirt and also the cuffs of the top. On this set those borders are pretty little curving circle flourishes rather than the typical geometric print that his borders are usually finished with. This adds to the soft and feminine feel it has. The cut is very flattering. Each sleeve is cut wide and fill so that it has a wonderful fullness and airiness to it above its cuffed wrist. The neckline is softly scooped and sits wide across both the front and back neck. If you are slim through the shoulders it will have an bit of an off-shoulder feel to it even. The body of the top is cut to be loose and easy. On the skirt, the waist is defined by printed silk band. From there the skirt flares out to the floor in a gradually widening line and the skirt is quite full by the time it reaches the floor. I love how it is cut so that is falls in soft folds and gets more movement and fullness as it nears the hem. It is very feminine but sexy at the same time. I absolutely love it. Excellent condition

Fully lined in a pale blue silk chiffon. The top slips on to wear  and closes at the back with a painted metal zipper and hook & eye at the waist band. Each cuff snaps to close with fabric covered, hidden snaps. Note that the color is prettier in person and more towards a cornflower blue

Tops
Sleeves: approx 26"
Shoulders: no true seam, neck opening is approx 15'5"
Bust: to 21" flat across from side seam to side seam & widening to 26" at the hem
Length: approx 25"

Skirt
Waist: 13.5" flat across from side seam to side seam
Hips: open
Waist: 14" flat across from side seam to side seam
Length: 43.5" from bottom seam of the 2" band at the waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3246

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk done on a bias cut. He focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason his work is not under the Haute Couture category is because he was not an official member of the association.

I love the light and airy feel of the dress that is created by the yards and yards of silk chiffon used for the skirt. This is mixed with a low waist top that is constructed out of a ivory embroidered lace. To highlight the pattern that runs through the lace little iridescent clear beads have been hand set and scattered over it. The silk layers that make up the skirt are all cut on the bias and this gives it lovely movement. The bodice is sleeved and the neckline cut wide across with very light padding in the shoulders for shape. The back is cut into a V so you get a bit of skin showing there. The top layer of the bodice is made of an embroidered cut work lace done in a creamy ivory. Note that in person it is far more a true ivory that the deeper color it has photoed as. The waist has no defined seam and skims over to a the upper hips with gathers on either side. Excellent condition

Fully lined in an ivory silk chiffon and closes with a hand set, painted metal zipper at the back. Light padding in each shoulder. Very well finished. In person it is a true ivory. The photos have given it a bit of a taupe feel and it is not that deep a color in person.

Sleeves: 23"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: open
Length: 62" from top of shoulder to longest points of hem

Modern Sizing Equivalent: SML-MED

Item# DD3254

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci playsuit is one of those iconic vintage items that is synonymous with the sixties and seventies and that carefree, jet set life that Emilio Pucci and his clients often lived. This one, made out of a printed terry cloth, is particularly rare. These are very hard to find as most were worn them extensively and most did not survive intact and in such great condition. Variations of terrycloth pieces were heavily featured in the display at the Fondazione Emilio Pucci, Palaxxo Pucci, in Florence. There, they were displayed and encased under glass so that you could see then from every angle and each felt like a sculpture. This example of a playsuit is in wonderful condition and the colors are still bright and true.

It is made out of a terry cloth, toweling velvet and is a stunning example of Pucci's work during this time period. It is an all in one piece with short sleeves and built in shorts. The print is a gorgeous design that combines curving shapes, angled geometric and little pops of stylized flowers. The colors that he used mixes pale green, purple, turquoise and white.The front neckline is cut into a V with a bordered edge to define it. It is cut loose through the body to glide over your curves and then ends in short shorts. I love the contrasting borders around the shorts that balance out the one at the neckline. It is a joy to look at from every angle and combines sexy with that girl-next-door innocence feel perfectly. The fabric is signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition

Unlined with closes with a back painted metal zipper. The inside is clean with overall mild yellowing to the white interior. Other then the minor discoloration in the interior it appears to have worn very little from the outside. Note that this photoed as deeper then how the colors are in real life - it is much more a pastel feeling purple and green and the terry cloth fabric softens the color even more.

Slightly dropped shoulders: 17"
Bust: 18" flat across from side seam to side seam
Waist: 16" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Length: 31" from shoulder to inner seam

Modern Sizing Equivalent: SML-MED

Item# DD3241

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Pucci terry cloth pieces were meant for the beach and to fit in with that carefree, jet set life that Emilio Pucci and his clients often lived. This fabulous little mini, made out of a printed terry cloth, is particularly rare. These are very hard to find as most were worn them extensively and most did not survive intact and in such great condition. Variations of terrycloth pieces were heavily featured in the display at the Fondazione Emilio Pucci, Palaxxo Pucci, in Florence. There, they were displayed and encased under glass so that you could see then from every angle and each felt like a sculpture. This example is still in wonderful condition and the colors are still bright and true.

The dress is made out of a terry cloth, toweling velvet and is a stunning example of Pucci's work during this time period. It is an all in one piece with short sleeves and built in shorts. The print is a gorgeous design of pretty purple flowers with turquoise and lavender leafs. The colors that he used mixes pale green, purple, turquoise and white.The zippered front allows you to have it completely closed or zipped to the neck. I love the a bordered floral edge that runs down the front and around the hem. The dress cut loose through the body to glide over your curves and then ends at a micro mini length. It has two little attached straps on either side of the waist for a touch of definition and does come with a matching tie belt (not pictured)  It combines sexy with that girl-next-door innocence feel perfectly. The fabric is signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition with a note to review below

Unlined and closes with a hidden set front painted metal zipper. that allows it to completely unzip The inside is clean with overall mild yellowing to the white interior. There is also some grubbiness to the exterior around the waist, seat and around the arms and shoulder. All of it is very mild and it is completely wearable as is - please review the photos shows after the label photo. This was all taken into account when pricing. Note that in person the purple parts feel stronger then the and it photoed as deeper then how the colors are in real life - it is much more a pastel feeling purple and blue and the terry cloth fabric softens the color even more.

Bust: 18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 31" from shoulder to hem

Modern Sizing Equivalent: SML-MED

Item# DD3240

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The Pucci playsuit is one of those iconic vintage items that is synonymous with the sixties and seventies and that carefree, jet set life that Emilio Pucci and his clients often lived. They are very rare and hard to find as most were worn them extensively and most did not survive intact and in great condition. This example is in wonderful condition and the colors are still bright and true.

The piece is made of his signature silk jersey and is a stunning example of Pucci's work during this time period. It is an all in one playsuit with short sleeves and built in shorts. The print is a gorgeous curving geometric design that combines shades of purple with soft, pale blues and ivory. The front neckline is cut into a low V that meets the angled border that defines the loose cut empire waistline. The silk jersey glides over the body and ends in short shorts. I love the contrasting borders on it and how they run down the back as well. It is a joy to look at from every angle and it combines sexy with that girl-next-door innocence feel perfectly. The fabric is signed throughout. These are hard to come by and a fantastic collector piece. Excellent condition

Unlined with a fine ivory silk jersey interior border set around all the interior edges. It closes with a back metal & nylon zipper. The inside is clean and it appears to have never been worn or worn very little. The fabric does have some stretch which I have accounted for in the measurements below. The colors are a touch brighter then how it photoed in real life.

Shoulders: 14"
Bust: 16.5-18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Length: 30" from shoulder to inner seam

Modern Sizing Equivalent: XS-SML

Item# DD3239

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a striking little dress from one of the Bill Blass diffusion lines in the 1980s. It is not 100% perfect but its imperfections are minor and it has too much style to not out it out in the world for some girls to wear and love it.

The dress is made from a jersey that combines a white bodice with a black wrapped over skirt and a draped shoulder. This gives the dress a bit of a Grecian vibe. The bodice is gathered and strapless, zipping up on one side. Over this is a wide draped panel of the fabric that swoops over the shoulder and then down both the front and back. I love how it is gathered along the top of the shoulder, perfectly tying in the gathers along the side of the white bodice. The other shoulder is left completely bare for the perfect balance to the other side. The bodice is lightly boned to hold it on place. The skirt is wrapped around the body and curves up at the front so that when you move or sit you get a flash of leg. It has its original matching belt made of the same jersey. Overall excellent condition with a note to review below.

The bodice is fully lined in a ivory nylon fabric and the skirt is unlined. It closes with a side zipper. Lightly boned through the inner bodice. Comes with its matching belt that hooks to close. Note that there is a little yellowing/grubbiness to the fabric near the base of the zipper and to a small part of the fabric under the arm that lies under the black draped shoulder. This one you do not see when it is on since the draping covers it completely. Both areas are photoed and can be seen after the label shot.

Bust: to 16.5" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: the inner bodice is 9" from top to waist.
Shoulder overlay: will drape to accommodate
Skirt: 40" from top of shoulder strap to hem
The overall length is about 58"

Modern Sizing Equivalent: XS-SML

Item# DD3237

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Luis Estevez worked for Jean Patou for two years before starting his own label in 1955 and had a long and successful career. By 1968 was based in California and his designs from that period on reflected that West coast vibe. Lana Turner, Rosalind Russel and Eva Gabor, who he even designed for when she had her won label. He loved using black and white and this gown is a perfect example of his approach to modern dressing for his California clientele.

This gorgeous Estevez dress is perfect for the summer and can easily transition  between day and night. The jersey that was used for this one has an almost swimsuit feel to it weight wise. This makes it easy to care for. It is wash and wear and virtually wrinkle free. It can be folded into your suitcase and will be ready to go when you arrive at your destination. The cut is very flattering with a long lean body, tiny straps that hook into place and a built in bodice inside that gives you shape. I love that the straps hook into place because that gives you the ability to unhook them and wear this as a strapless dress if you wished. The base is black and onto this is screened a graphic print of lilies in white and greys. It is so pretty and chic and still feels fresh and current. Excellent condition.

It has a built in bodice with elastic that sits just under the bust and the rest of the dress is unlined. It closes at the back with a painted metal and nylon zipper.Note the straps are extra long and they can also be worn to cross over at the back and the front. You can easily move the position of the hooks to shorten them to the perfect length for you if you prefer them to not cross.

Bust: to 17" flat across from side seam to side seam
Waist to hip: widens from 17" to 22" flat across from side seam to side seam
Length: approx 58" from top of shoulder strap to hem

Modern Sizing Equivalent: XS-SML

Item# DD2795

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Each Josefa labeled piece was hand made in Mexico in the late sixties to early seventies. They made fabulous caftans that are amazing pieces of art-to-wear.  They look and feel like it could have been worn by Talitha Getty or any of the other jet-set girls that really pushed the Bohemian movement forward in their day. 

This one is an easy to wear piece that you can wear to the beach, all through a day of exploring or as an evening piece with a change of accessories. The design is based on a classic sleeved, caftan dress silhouette that pairs a finely woven, brilliantly hand dyed cotton with with hand stitched on applique work. I love the bright and happy colors of this one. It is a mix of primaries with a bright pink, yellow, green and blue worked into the design. It is cut to be slightly more fitted through the top and then flares out dramatically as it nears the hem. Each sleeve is cut straight and wide. Excellent condition

Unlined and slips on to wear. The fabric has natural variations in it and is hand dyed. I see one small smudge on the yellow at the side. Please review the shot after the label photo to see. Note that in person the colors are slightly more bright and true then how it photoed. I took a full front and back shot so you can see the shape laying flat. The loose cut will allow it to fit a full range of sizes

Sleeves: approx 16"
Shoulders: no defined seam
Bust: to 22" flat across from side seam to side seam
Waist: to 25" flat across from side seam to side seam
Hips: to 27" flat across from side seam to side seam
Length: 58" from shoulder to hem

Modern Sizing Equivalent: XS-LRG

Item# DD3235

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am always on the look out for this style of dress by Halston. It is perhaps the most iconic of all of the Halston silhouettes and in 2016 a red version of this exact dress entered modern day fashion history when Kate Moss wore its twin on the red carpet at the 2016 Cannes Film Festival. And just this year, Martha Hunt wore a white one that she sourced from us to Cannes. She landed on several Best Dressed lists as a result. These were issued on a variety of colors and this one is a deep pink that is made from a nylon jersey rather then the more typical knit jersey. This fabric choice gives the dress a very slight sheen and the jersey is slightly lighter and more fluid.

Halston was a master at this cut. There is a certain sexiness caused by the illusion of having the entire dress suspended from single shoulder. It gives the sense that the entire dress could drop in a puddle around you by slipping that off your shoulder (which it would). It is constructed from two attached layers.  The inner dress is cut from the same nylon jersey and skims over the body in a long sheath. This inner part of the dress has a high slit cut into the side that travels up the side of the leg opposite to the draped side. Attached to that inner sheath lies a draped panel of jersey that is suspended from the shoulder. It falls from that shoulder down and over the front and the back of the dress. The jersey cascades loosely down from the shoulder and over the inner layer for the ultimate Grecian goddess feel. This is a classic dress by Halston that is perfect for traveling as it is wash and wear and will travel exceedingly well. It is very easy to style too - a quick change of shoe takes it day to night in a snap. Excellent condition.

Slips on to wear with no closures. These will fit a variety of sizes since they are not cut to be super fitted and the jersey does have some stretch. Note the color is slightly more pink and a touch more vibrant then how it photoed. It is better in person I think.

Bust: to 19-21" flat across from side seam to side seam
Waist: to 21" flat across from side seam to side seam
Hips: open
Length: 55" from neck to hem
Slit: 27" from hem up

Modern Sizing Equivalent: SML-LRG

Item# DD3236

Reference Photo: (1-2) Kate Moss in Vintage Halston at the 2016 Cannes Film Festival.  /  (3) Karen Bjornsen, Alva Chinn, Connie Cook and Pat Cleveland in Halston Dresses, photographed by by Harry Benson, 1978. / (4) Martha Hunt wearing this dress in Cannes, 2019.  /  (5) Martha Hunt on Harper's Bazaar Australia Best Dressed List. /  (6-8) Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is likely the early work of Elinor Simmons before her name went on the labels. She designed for the Malcolm Starr label from the early 1960s to 1972. You can see her influence in this classic feeling Malcolm Starr dress with its almost sculptural lines and elaborate beading, sequin and rhinestone embellishments on the bodice.

The dress itself has a simple and long A-line cut with a sleeveless bodice and a wide scooped neck. At the back, it is also scooped but this is set far lower so that the upper back is left bare. The entire dress is made out of a satin finish silk of very high grade. This has been dyed a shocking, vibrant pink that is far better in person even then how it photoed here. Onto that is a beautiful hand done detailing that completely covers the bodice of the dress across the full front and the back. Gold toned tubes beads are mixed with seed beads and prong set rhinestones in a dense 3D application. These catch the light wonderfully and the final effect is quite beautiful. The upper portion of the dress skims over the bodice with a high set waist line. The skirt comes out from under the seam at the waist, gently widening out as it nears the floor. It is cut supermodel length which is not always as common in pieces from this era. The fabric choice really holds the shape of the dress beautifully and the color is wonderful. It is really a lovely dress. Excellent condition.

Fully lined through the bodice in a fine silk dyed to the same color and the skirt is lined in a white muslin. The dress closes with a back painted metal zipper. It looks to have been worn very little if at all. Note that color is a bit deeper then how it photoed. The elaborate rhinestone, sequins and beads on the upper bodice are all set by hand. There is an additional 3" turned up under the hem.

Bust: 18.5" flat across from side seam to side seam
Seam under bust: 16.5" flat across from side seam to side seam
Natural waist: 16.5" flat across from side seam to side seam
Hips: to 21.5" flat across from side seam to side seam
Bodice: 11.5" from shoulder to seam under the bust
Skirt: 47" from seam under the bust to hem

Modern Sizing Equivalent: SML-MED

Item# DD3233

Reference Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Yves Saint Laurent silk top is a beauty. The cut is loose and easy and the fabric a very fine silk with a satin finish in a beautiful cream or ivory color. Each sleeve is cut to puff slightly above the single button cuff. The attached tie at the neck has a wide and generous cut so when you tie it it really can create a beautiful shape at the neck. It is set so that it extends out from the collar itself with no unbroken line at the back of the neck. The ties hang evenly down the front at both sides so you can tie then how you wish. The combination of the tie at the neck and the high end silk used as the fabric really makes for a dynamic result. I love the gathered pleats under the front collar and at the top of the shoulders that add a little volume and drama. This one has a single button at the top of the front notched neckline. Excellent condition with one small note below

The top is unlined and closes at the neck with a single button. Each cuff has a button to close. Tagged a vintage YSL 36 but is generous in sizing so should fit a range of sizes. I see one pinhead spot on one side of the tie which is easy to hide as you just tie it so this is facing away. Please see the photo after the label shot. Priced lower then otherwise so a great bargain

Sleeves: 25"
Slightly inset shoulders: 14.5"
Bust-hips: 21.5" flat across from side seam to side seam
Length: 25" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# S869

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is from John Galliano's own label and I believe it is from within those last few years that he held the position of Creative Director there. Galliano has always been know for his amazing bias cut gowns and this gorgeous example is no exception. His work, especially the bias cut pieces like this, have a feeling of the decadence mixed with the high luxury of the twenties and thirties and they are beautifully cut. They marry the old Hollywood feel of those past eras with the minimalist spirit of the nineties and early aughts and the results are stunning.

This dress is exceptionally beautiful. It is made out of a soft black lace with tiers and flounces made from that same lace and the effect is marvelous. It is completely cut on the bias and once on the body it skims over your curves and highlights your shape. It is extremely comfortable to wear and the lace drapes over a nude colored interior from the scooped neck to the last tiered ruffle of the skirt, giving the illusion of just wearing the layer of black lace. The neckline at the front is cut into a V and the shoulders sit slightly wide. At the back there is an inlay of lace set into the low scooped back and this panel of fabric drapes softly down over that. The body of the dress skims over the bust, waist and hips. There is a curved and angled ruffle of lace that is set diagonally across and around the body that draws the eye vertically for the illusion of extra height. The bottom skirt is very full and widens out with tiers of ruffles lace set all around it. I took a photo of it laid out flat so you can see the tremendous volume in the lower skirts. The ruffles also serve to visually anchor the dress as the layers of the lace there gives it a more solid black appearance. This ruffled technique is one derived from the gowns of the twenties and thirties and this play a large part in the vintage feel the dress has. It is stunning on. Excellent condition

Fully lined in a bias cut silky nude rayon. It closes with a hidden set side zipper. It appears to have never been worn or worn very little. The bias cut will allow for some stretch and a bit of range on sizing. Tagged a Galliano label 40

Bust: 15-17" flat across from side seam to side seam
Waist: 12-13.5" flat across from side seam to side seam
Hips: 16-20" flat across from side seam to side seam
Length: 60" from shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD3233

Reference Photos: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I think this might be one of my favorites ODLR dresses that have ever come into the shop. Oscar was known for his beautiful and feminine designs but this dress also displays his more glamorous side. With this amazing gown he has truly created a 'fairy tale' dress that with our modern day obsession with all things eighties and nineties, still feels extremely of this moment fashion wise. Oscar had an amazing sense of aesthetics and his genius was in making women look and feel beautiful. I think with this dress it would be impossible to feel anything but beautiful. It is truly a very special piece.

The dress is made out of a black silk that has little dots made by applying and fusing silver glitter to the netting. The gathered fabric through the top fitted portion of the gown and the fullness of the skirt causes the net to lie over itself and this then creates the illusion of multiple layers of the netting being used. It looks like there are layers and layers of dots sitting under the top layer. The fabric alone is just incredible on this one. The dress is cut to hug and highlight every curve. It is so perfectly cut that it has almost sculptural line to it. The bodice is strapless and shaped to curve over the body and cinch in at the waist. It then hug the hips before flaring out into the low full skirt. This creates the ultimate hour glass shape. At each cinching point, beginning at the top edge of the bust, there is a wide band of black velvet that defines and adds to the hour glass shape you see. From the side this creates another set of curves from tip to bottom. No matter what angle you see the dress at all your curves are shown off to the maximum. The netting is gathered in each of these sections so you appear tightly wrapped in the silver glitter. Below the last velvet band the skirt billows out in a shaped bell and is cut a little longer at the back. The excessive volume of this low set skirt perfectly balances out the bareness of the shoulders. At the back where each velvet band meets, there is a large velvet bow. These run in a row down the back to under your bottom and are the ultimate feminine finish. It is extraordinary. Excellent condition

Fully lined in a black  silk and closes with a back set zipper. Each bow snaps into place. The interior bodice is boned and the low skirt has multiple attached layers of tulle and silk to create the shape and volume you see. Tagged a vintage ODLR 8. It appears to have never been worn or worn very little .

Waist: 12.5-13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 56" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3232

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I am always thrilled to find a really great Emilio Pucci piece. The truly great ones are getting very hard to find and this one is exceptional. By the 1960s, the time period that this dress is from, Pucci was a world-wide phenomenon. Hollywood stars like Marilyn Monroe, Sophia Loren and even Jackie Kennedy were huge fans. For all of the many attempts since to catapult the label back to the height of its glory, the days when Emailio himself oversaw the label and designed the prints will always be the most special to me.

This is one of the prettiest Pucci dresses I have ever had in the shop. It is a gorgeous combination of a pinks, whites. and soft lavenders. These colors are combined in a soft and romantic floral design that sweeps over the entire dress. As is typical in a Pucci dress, he has used bands of a different printed silk to define each section of the dress. On this dress these borders are pretty little curving flourishes rather than the typical geometric print that his borders are usually finished with. This adds to the soft and feminine feel it has. The cut is very flattering. Each sleeves are cut to slightly pouf above the wide cuffed wrist. The neckline is softly scooped and sits a touch wide across both the front and back neck. The slightly empire waist is defined by a band that sits just under the bust. From there the skirt flares out to the floor in a gently widening line. I love how it is sectioned into three tiers with each tier defined by a silk border and each tier having slightly more fabric then the one above to the dress gets more movement and fullness as it nears the hem. It is very feminine but sexy at the same time. I absolutely love it. Excellent condition with one small note below

Fully lined in a white silk chiffon and closes at the back with a painted metal zipper. Each cuff snaps to close with fabric covered, hidden snaps. I see the teeniest bit of discoloration under the arms. It is very faint and nothing you would notice when on especially with the fullness of the sleeves. I could not capture it properly with the camera even.

Sleeves: 27" but will come up once on
Shoulders: slightly dropped at 16.5" across
Bust: 18.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: approx 14" from top of shoulder to top seam of the 2" band at the waist
Skirt: 42" from bottom seam of the 2" band at the waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3231

Reference photos: Cherie, Owner of Shrimpton Couture

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful and romantic bias cut silk chiffon dress with attached panels of silk chiffon that give the dress its caped effect. I am really in the fence as to whether this is Gianfranco Ferre's work or Galliano's, but have opted for the side of Galliano based on his signature buttons that run op the side of the dress to close it. The secondary print through the silk also has more of a Galliano feel to me. I feel it could be from one of those earlier transition collections but will keep hunting to try to verify this. Regardless, it is a stunning dress and is truly beautiful once on the body.

The dress is constructed from a beautiful lightweight silk chiffon that has been screened with the prettiest combination of pastels. These run across the body in horizontal rows that softly blend into each other as each color meets the next. Over this is a secondary print in white that depicts a graphic curved flower design. These are scattered over the entire dress. The bodice of the dress is gathered in a twisted knot under the center bust and then curves up and over the shoulders.  This leaves a low V at the front and and also emphasizes the bust. At the back, it dips into a low V there as well. The waist is set high to just under the bust and the skirt cascades to the floor in a soft flow of silk chiffon under that. The silk lies over an inner white silk lining and this helps soften the colors even more and also draw the eye to that secondary print. At the back there are two wide panels of silk chiffon attached along the upper shoulders and along the edges of  the V of the back. Each panel is a single layer of weightless silk chiffon that floats over and behind the body for a beautiful caped effect. The lightness of the silk there gives it a billowing effect when you move and walk that is stupendous. A really lovely and romantic dress that is even better on the body and in real life. Excellent condition with one small note below

The dress is fully lined in a white silk and the back floating panels are unlined. The dress closes up one side with a tightly spaced row of silk covered buttons. Hand finishes. I see a repair to the silk at the front of the dress near the hem. Please see the photo after the label shot. The volume of fabric once on and the placement of the repairs effectively hide it. I don't consider this to be a flaw that takes away from this amazing vintage piece

Bust: to 17.5" flat across from side seam to side seam
Underbust at seam: 15" flat across from side seam to side seam
Natural waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 12" from shoulder to seam under center bust
Skirt: 48" from seam under center bust to hem
Length of floating panels: approx 76" from shoulder to longest point on each one

Modern Sizing Equivalent: SML-MED

Item# DD3229

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the 2016 collection comes this great Mara Hoffman dress that is cut supermodel long and absolutely gorgeous. Her pieces are perfect for vacations and are so easy to wear and pack. This one is suspended from the shoulders by thin white straps that curve up and around the neck from the center at the front, and cross over themselves and tie at the low back. From that high halter neck line at the from the dress simple flows out with yards and yards of fabric used to make it easy shape. The cut through the body has a caftan like feel with no definition to the waist and an easy and flowing skirt that skirt falls to the floor in a cascade of fabric. The back drops very low so you get an expanse of bare skin. I love the chevron print that runs down the dress and the way it turns into the colors of a sunset rainbow near the bottom. The print depicting a flock of birds is the perfect finish. Her dress are cut extra long so that you can shorten to the perfect length and this one is as it was originally sold and still has its original hang tag attached. It was never worn. Excellent condition.

The dress is fully lined and slips on to wear. with ties at the back. Tagged a modern US Medium in this brand. Unworn. The easy fit and loose cut should allow this to fit a range of sizes as long as the bust works.

Bust: to 18" flat across from side seam to side seam
Waist: to 20" flat across from side seam to side seam
Hips: open
Length: approx 66" from top of neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD3226

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Ken Scott was an American who moved to Italy and ended up in Milan, first designing scarves for Falconetto in the 1950s and eventually opening his own ready to wear line in 1964. He was part of the print movement of the time that included designers like Emilio Pucci, Bessi and La Mendola. Each was creating their own hand done prints and designs which they then screened onto fabric to make into beautiful clothing for the jet set crowd. Scott's garments have a touch of the American sportswear movement to them mixed with that European glamor. I love whenever I find a great piece by him like this dress as it is a label that is not as common as the others are. This dress is stunning. The jersey is printed with a gorgeous mix of soft greens mixed with pops of periwinkle on the palest blue-lavender base. The skirt is long and has a slight flare below the banded waist. Depending on how the waist fits you it will either gather up the fabric above to softly drape over the waist, or as in the last full length shot I have provided here, sit in a longer, less shaped silhouette. Tye way it sits will also effect the length of the skirt. . A tie runs through the upper seam of the halter neckline and gathers the fabric in. At the back there is a small slit between the tie and where the zipper starts. This really gives it a sexy, Grecian  feel. Excellent condition

Unlined and closes with a back painted metal & nylon zipper. It also ties through the neck. The fabric does have some stretch but the waist is a fixed measurement

Bust: loose and open
Waist: 12.5" flat across from side seam to side seam
Hips: to 25" flat across from side seam to side seam
Length: approx 59" from top of shoulder to hem

Modern Sizing Equivalent: XS-SML

Item# DD3228

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have had this in my archives for ages - before we even first found the reference photo of it that was used in one of my blog's posts back in 2017 written by Laura McClaws Helms. She explored some of the history of the label and it is worth it to click the link above and read her post if you missed it the first time around. This dress is the twin of the dress used for the ad campaign that year and I have included that reference photo here.

The dress is absolutely wonderful and it really showcases the higher end work that the label was capable of. Around the same time that Starr hired Elinor Simmons to design the label for him, he also had a company based in Hong Kong that was doing the more elaborate beading and sequin work. At the time, Hong Kong was doing the best sequin and bead work in the world outside of the specialty ateliers in Paris. The high quality of that work is readily apparent on this dress. The entire upper bodice is covered with beads, sequins and prong set crystals. Each of these elements are hand sewn into place to exactly follow the pattern in the fabric underneath. All of the edges are also bordered with a hand set bead and gold cord detail that precisely follows the curves of the dress. The fabric is a silk blend with a very 1960's feeling pattern done in deep corals, navy and white. The bodice is molded around the bust and nips in at the high waist with a band of the same fabric making it feel even tinier then it already is. Under that, the skirt flares out dramatically with yards and yards of fabric in it. The silk is just heavy enough to help keep the shape and volume. I love the little cut out that sits just at the base of the bust. It allows the smallest bit of skin to peek through for the perfect finishing, sexy touch. Excellent condition

The bodice is lined in a red silky rayon and the skirt is self-lined in a white cotton muslin fabric. It zips to close at the back. It appears to have been worn very little if at all. There is approx 1.5" turned up under the hem.

Bust: 16.5" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: open
Bodice: 11.5" from top of shoulder to top waist seam
Waist Band: 3"
Skirt: 40" from lower waist seam to hem

Modern Sizing Equivalent: XXS-XS

Item# DD3223

Reference photo: 1968 Malcolm Starr Ad.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The combination of that baby doll influenced, high buttoned Great coat design, the full, long length of the coat and that dramatic glitter finish make this a vintage dream find. The collar of the coat is notched and pointed for a perfect seventies touch. Under that the buttons are set in a double row and sit higher up on the bodice. I love that the buttons are also covered in the same fabric that the coat is made out of. Those high set buttons give the coat a bit of a mod feel and also emphasizes the flare of the lower part. The lower portion of the coat sweeps out towards the floor and gently widens as it nears the hem so that you get lots of movement when you move. The sleeves are cut straight and simple. That longer length allows you to throw it over absolutely everything from jeans to a ball gown. The simple cut allows the fabric of the coat to shine. Which is literally does as it is made out of a woven black lurex textile. This makes the entire surface have a glittering, glossy feel and takes this otherwise classic black coat to a whole new level. The way the fabric catches the light is amazing. Excellent condition

Fully lined in a black silky rayon. Closes at the front with the buttons as seen and has one inner button. Pockets set along each hip. The cut should fit a range of sizes. You might be able to move the buttons slightly if you needed a touch more room through the chest

Sleeves: 21"
Shoulders: 16"
Bust: to 19" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 55" from neck to hem

Modern Sizing Equivalent: SML-LRG

Item# C519

Photo: Cherie, Owner of Shrimpton Couture.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This Lanvin skirt is utterly fantastic and so unusual in its fabric choice. I am in absolute love with it. From the bold colours that have been used in its design, to the way the  the fabric has been created and to the the workmanship put into its construction. Everything about it is perfection. It is really a once in a lifetime find and I wish I knew more about the fabric's origins to share with you. The fabric is a light fine yarn and wool mix. It is hand woven in vertical lines that have little horizontal threads set in rows to keep the shape and stability of the fabric. The colors of the base range from a fiery red to deep oranges, purples and blacks. Over this are zig zag rows of different colored threads that change as they go. The effect is brilliant once it is all together. The beauty of the color combination is equaled by the fine workmanship that has gone into constructing it. The waist band is made of a different wooden weave and it cinches in the waist. It has belt loops for the addition of a belt. Big flat pleats run around the waist and these help give the skirt some volume and shape. The inner silk skirt is finished with a band of green felt and this adds just a touch of weight so that it falls perfectly. It is really a work of art and the numbered couture tag makes it that much more special. Excellent condition.

Fully lined with an inner skirt made of black silk and edged in green felt. It closes with a back zipper and button plus a flat hook and eye at the waist band. Pockets on each hip.  Numbered 03039 on the tag. Couture level finishes throughout.

Waist: 13" flat across from side seam to side seam
Hips: open
Length: 31" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# S866

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.