Iconic Fall 2004 Prada Look 14 Runway Shearling Coat w Mink Beading & Crystal Detailing
This was Look 14 in the Fall 2004 line-up from fashion icon Miuccia Prada. This collection is still thought of as one of her most stellar achievements and I doubt the pieces and prints used in this collection will ever truly go out of style. The reviews were spectacular. Vogue.com said of this collection: 'Audiences always arrive at Prada shows tingling with anticipation, braced for Miuccia Prada's next departure from the last season's plot. This time, she confounded expectation again, not by taking off in a new direction, but by developing the cache of ideas layered into her spring collection. That, of course, was famously about the fifties lady tourist, with an overlay of hippie-ish tie-dye among the circle skirts and knits. For winter, she took that same woman into new realms of intellectual exploration on the print front: back to the future, in fact. This time, she confounded expectation again, not by taking off in a new direction, but by developing the cache of ideas layered into her spring collection...."It was a dream of extreme romanticism," she said. "The idea of eighteenth-century painting, with video games. A romanticism between past and future."....For colder months, she added more layers, adding in dip-dyed cable knits and buttonless cardigans betwixt tweeds and bejeweled fifties-style couture-like pieces. What held it all together, literally, were the cinched waists, circled in narrow grosgrain ribbon or with tie-on belts encrusted with sparkle. It was that idea of jeweling, on collars, belts, and fabric brooches, that added the news.'
On the runway this was shown layered over a jewelled skirt that ironically we just had in the shop in a blue tone. It is one of the most instantly recognizable coats that she’s ever done I think. The coat is made out of a shearling with the sheepskin facing towards the inside to keep you warm while the leather side is on the exterior. When the coat is closed you only see the shearling interior on the flipped up cuffs. If you don't want any shearling to show you can flip them down. Putting the leather on the exterior gives it this amazing feeling of a natural patina and a slight vintage feel to it that I love. The coat falls from the shoulders and gradually widens out as it nears the hem. The shoulders are cut to slouch a bit which gives it an easy to wear feel. Most of the seaming is done on the vertical and cut so that it has some shape through the body. Pockets sit on each hip for a cozy place for your hands. Running down the front and over the hidden set fur hooks is a strip of luxurious natural coloured mink. There is no collar but there is a wide band of golden toned silk inset around the neckline. This was then covered in a pattern made up of gold beads and big oversized glass crystals. They have been applied by hand are are densely set to all the way around to highlight the neckline. It is just gorgeous. This is an iconic piece of Prada history. Excellent condition.
The leather is fully backed in sheepskin shearling. The jacket closes with hidden set covered fur hooks down the front. Pockets on either side. The cuffs can be flipped down. The leather has a natural bit of scuffing that is part of this type of leather and a desired effect. Tagged a Prada 46.
Sleeves: 23" with cuffs turned up, 25" with them turned down
Bust: 19" flat across from side seam to side seam
Waist: 18" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 45" from neck to hem
Modern Sizing Equivalent: MED-LRG
Reference Photos: Fall 2004 Prada Runway Collection, Look 14.
This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.
I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.
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