• The twin of this dress walked the Spring 2000 runway
• It was made under the creative direction of Thierry Mugler
• I love that we have both photo and video references so you can see just how beautifully it moves once on the body. And that we have a photo of it with Thierry himself.
• The dress is made out of a nude chiffon that is light in weight and drapes beautifully over the body.
• The dress is cut with Mugler's masterful eye and attention to detail.
• It is suspended from one shoulder and the other is left bare and exposed. All the seaming on the dress is set vertically so that it enhances and highlights the curves of the body. 
• The bust and waist are created by the shaping of those beautifully curving vertical seams.
• It skims over the hips and then falls to the floor with a slight widening out as it nears the hem. The hem is cut on a slight angle so that the side that has the shoulder is cut a little bit longer than the other. 
  
• The shoulder is detailed with a panel of fabric that you can sweep behind you for a bit of extra movement when you move.
• At the very top of the shoulder is an extra large custom made piece made out of an acrylic that has pale green rhinestones embedded in it to follow its curves.  I love this added detail. These would have been custom-made for each dress and it is very special to find a piece that has one of these on it still.
• The very outer layer of the chiffon is split quite high along the edge at the back and this adds incredible movement to the dress as you can see on the runway. You are still fully covered by the inner dress underneath.
• It is an extraordinary dress that is rare and highly collectible. It is even better in person then how it shot here.
• The dress is fully lined in a matching fabric and closes with a hidden set side zipper. I see one tiny catch in the fabric near the seam just above the hem. It is very minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• Tagged a vintage Mugler 40
• Excellent condition

Bust: 17-19" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 58" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5641

Reference Video/Photos: Spring 2000 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this rare dress walked the runway for the Fall 1995 collection with an added cape.
• The dress was made under the creative direction of Thierry Mugler.
• A version of the dress was included for the "Thierry Mugler: Couturissime" Exhibition at the Brooklyn Museum
• Mugler was a masterpiece of draping and cut and this is a fantastic example of that. It is cut with Mugler's masterful eye and attention to detail.
• The dress is very rare and special. It is spectacular on the body.
• The dress is made out of a black silk mixed with an ivory silk set on a combination of angled and curving panels down the entire front. 
• A wide set curving V comes down the front bodice. An ivory panel circles the neck line and then follows the V into a point that plunges to the centre of the waist. A small black silk flower sits where the two meet. The flower is a removable brooch so if you prefer it without it is easily removed.
• I love how the parts on the bodice are a mix of curves and angles. The curving parts feel feminine and emphasize the shape of the body while the angles are more edgy in contrast. 
• The sleeves come directly out from the shoulder with gussets underneath the arm and no set shoulder seam to break the eye. Each sleeve ends in a little turned up cuff of the same black silk.
• The waist is snatched in and the insets of ivory visually exaggerate the cinched in shape.
• The skirt has been cut to have a deliberate outward curve around the top of the hip. From there it flows down and over the hips and then narrows inwards as it nears the hem. A high slit up the back allows you to walk and lets a bit of a leg to show.
  
• A second inset ivory silk panel runs down the full front of the skirt from the waist seam. It mimics that same curving shape that we see through the hip and also narrows down to the hem of the skirt.
• The ivory parts that runs from shoulder to hem are all done to give the visual appearance of an exaggerated hourglass / wasp silhouette.
• The dress is fully lined in a black silk and closes with a back zipper. The flower at the waist is pinned on and is easily removed. It appears to have worn very little effort at all.
• Tagged a vintage Mugler 40
• Excellent condition

Sleeves: approximately 16" and are 12" around the upper arm
Shoulders: no true defined seam
Bust: 18-19" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 15" from neck to waist
Total length: 59.5" from neck to hem with just over 2.5" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD5634

Reference Photos: (1-3) Fall 1995 Thierry Mugler Couture.  /  (4) Outfit on display at the "Thierry Mugler: Couturissime" Exhibition at the Brooklyn Museum.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in a different fabric was seen on the runway for the Fall 2000 Thierry Mugler collection.
• It was made under the creative direction of Thierry Mugler.
• The fabric is what makes this dress stand out. Mugler's choice of a dusty pink bias cut lame is perfect. It has enough weight so his intended drape down the front hold perfectly when you move.
• The light catches it in different ways as it glides over you so that you shimmer and sparkle from every angle.
• The cut has that nod back to the glamour days of Hollywood that you see in his best pieces.
• The bodice is shaped and formed to hug the bust. It is gathered in at the centre and then drapes outward. Attached along that centre line is a thick and very heavy gold metal chain that creates the strap that wraps up behind the neck.
• Set into each link of the strap is a large square cut glass rhinestone. It becomes like an attached piece of fine jewellry.
• The strap curves around the neck with a clasp at the back.
• The back dips down to reveal bar skin and I love this unexpected Flach when you turn around.
• Below the gathering at the bust is an extra panel of fabric that falls down the centre of the dress to the hem. Around that the dress glides over your waist and hips in an easy to wear and fit way.
• The perfect final touch is a high slit hidden in behind the front draping so that when you walk or sit you get an unexpected flash of leg. 
• The dress is fully lined in a pink silk chiffon. Inside the bust is a full built in pale pink silk satin corset that is shaped and boned. The inner bodice closes with hook and eye and then the dress closes with a hidden set zipper over that. There are two rows of hooks on the inner bodice. Hand finishes. The chain closes with slip loop closure that is very high end. One rhinestone has been replaced at some point with a round rhinestone. It is near the back so you don't see it and it is not very obvious. Please see the photo after the label shot. 
• Tagged a vintage Mugler 38 
• Excellent condition

Bust: 16-17" flat across from side seam to side seam
Waist: 12 -13" flat across from side seam to side seam at the inner corset. The fabric over the inner corset it is loose and easy.
Hips: open
Length: approx 58" from neck to hem and it extends another 3.5" at the back.

Modern Sizing Equivalent: XS-SML

Item# DD5598

Reference Photos/Video: Fall 2000 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This is the ready-to-wear version of the dres referenced here from the Spring 1999 Couture collection. 
• It was made under the creative direction of Thierry Mugler
  
• The dress is cut with Mugler's masterful eye and attention to detail.
• The openings for the arms are cut inwards towards the neck and the neck line is set on a beautiful curve. All the seaming on the dress is set either vertically or on a curving angle so that it enhances and highlights the curves of the body. 
• The bust and waist are created by the shaping of those beautifully curving vertical seams. I took a shot of the seams that curve over the hips as it is is really a part of what shapes the dress. Once on this emphasizes the curves of the body.
• It skims over the hips and then falls to the floor where the skirt widens out as it near the hem. The back hem of the skirt is cut on a slight downward curve so that it falls a little bit longer and gives a fantastic sweep at the back of the dress. 
  
• The upper portion of the neck line is detailed with a double layered panel of nude mesh. Onto this is a fantastic design that combines iridescent clear tube beads with iridescent mother-of-pearl finished plastic pieces that vary in size. These are all set to curve outward slightly and are in different sizes. It is a really pretty effect.
  
• It is an extraordinary dress that is rare and beautiful.
• The dress is fully lined in the same fabric and closes with a hidden set back zipper. I see one tiny very faint mark on the fabric near the seam of the neck line. Please see the photo after the label shot. There is very minor grubbiness and a tiny bit of fading around the hem. I see a stitch at the very base of the mesh at the front where there may have been one more additional plastic piece. All of these are very minor but mentioned for accuracy. The colour is a bit more of a baby pink than how it photoed. It is in its original uncut length.
• Tagged a vintage Mugler 42
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Hips: to 20.5" flat across from side seam to side seam
Total length: 61" from neck to the front hem, 63" to the back hem

Modern Sizing Equivalent: MED-LRG

Item# DD5525

Reference Photo: Spring 1999 Thierry Mugler Couture.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• We believe the dress is from the 1986 collection and Kim Kardashian wore its twin in 2008.
• It was made under the creative direction of Thierry Mugler.
• The fabric that it is made out of is a light in weight metallic gold fabric that drapes beautifully and has a beautiful deep gold tone to it.
• The dress is cut with Mugler's masterful eye and attention to detail.
• The bodice is strapless. One side is curved and is gathered in underneath the other side. There is a peaked panel that folds down to create a little flap on the other side.
• A panel of the metallic gold fabric extends out from the side with the peaked bodice and this buckles into a gold metal buckle belt coming around from the back. This creates a heavy gathering at that side that sweeps up and adds shape through the waist area.
• The buckle is metal and is signed at the back. These would have been specifically made for Mugler.
• The skirt falls under that with a bit of a curving hem at the front so that it is all brought upwards as you can see in the photos. It is meant to feel hourglass in shape.
• This is a spectacular and very rare example of his work.
  
• I love how the entire dress shimmers in the light because of the gold metallic fabric.
• The dress is lined through the bodice with a more structured fabric that creates an inner built-in corset that is boned and cupped. The skirt is fully lined in a lighter feeling silk. It closes at the back with a zipper and then buckles around the waist with the attached buckle belt. The actual interior of the Terry Mugler tag has been cut out.
• Tagged vintage Mugler 42
• Excellent condition with a bit of wear above the grommets and on the belt buckle.

Bust: 17-18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam. 
Hips: to 20" flat across from side seam to side seam
Bodice: 10" from top of bodice to waist
Total length: 33" from top of bodice to the hem

Modern Sizing Equivalent: SML-MED

Item# DD5137

Reference Photos: (1) Kim Kardashian in vintage Thierry Mugler at the 2008 Video Game Awards.  /  (2-4) Spring 1986 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2006 Christian Dior collection.
• It was made under the creative direction of John Galliano.
• Galliano began his own label in 1984 and he was instantly a bit of a 'boy wonder' in fashion. He was British Fashion Council Designer of the Year in 1987, 1994 and 1995. In 1991 he made his Paris catwalk debut. In 1995 he was asked to head Givenchy and then went to Dior in October of 1996. 
• His work, especially the bias cut pieces that he did, have a feeling of the decadence and abandonment of the twenties and they are beautifully cut.
• They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning.
• This is an amazing example of his work from the Spring 2006 season and it is gorgeous. We believe that some of the detailing is based on / loosely inspired by the opening look of the Couture 2006 collection. We have included a photo of that dress for you and you can see similar bead work through the skirt of that dress that has similarity to the pattern of the beads on this dress.
• The dress is made out of a deep blue silk crepe chiffon that has a slight bit of texture to it and a slight grey undertone. 
• It is completely cut on the bias. The dress falls from the shoulders and then drapes down and over the body to the floor. It is very beautiful. The signature bias cut that he often did allows the dress to skim and drape over you so that is shows every curve but is not overly fitted.
• The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures.
• The fabric has been pieced together with both curved and angled seams through the bodice and lower skirt to create the fantastic lines of the dress that you see.
• Wide straps extend out from the bust to curve over your shoulders. The front is set in a V and the fabric is gathered across the front of the shoulders.
• I love the angled cut of the front bodice where he has pieced the two side of it together. These are set into a high curving seam that highlights the waist but still stays easy in cut.
• That seam curves around the back curving upwards there as well.
• The back is scooped into a low curved open expanse. The straps become smaller and run down the back to join into each side of the lowest part of that curve.
• An attached panel of silk drapes beautifully down the back in reference to the best of Old Hollywood.
• The dress glides over the body from there and flares out as it reaches the hem. The widening and length of the back hem is created with angled silk chiffon panels inset into the back skirt. It is an incredible feat of patterning.
• This creates a longer bit of a train at the back for a bit of a sweeping feel behind you.
• There is an incredible amount of fabric through the lower skirt which gives you so much movement when you walk.
• The entire dress to just past the knee is beaded with silver beads mixed with the tiniest silver sequins. These are laid out vertically over the dress in beautiful curving lines that cover the dress. They catch the light from every angle and take the dress to another level.
• His signature row of tightly spaced buttons run up one side.
• The dress is even better in person and on the body as the static photos cannot fully convey how a bias cut dress moves. They only truly come to life when worn.
• It has a matching silk inner slip dress that loop through a stitch so that they are attached at the top of the inner shoulders. You could easily remove this to get more room if needed. The bias cut should allow it to fit a range of sizes and we have provided the comfortable range of measurements for both it and the outer dress below. It closes at the side with a series of silk covered buttons. It looks to have been worn very little if at all.
• Tagged a FR42, GB14, IT46, US10. 
• Excellent condition

Dress
Bust: to 22" flat across from side seam to side seam 
Waist: 15-16.5" flat across from side seam to side seam
Hips: 22.5" flat across from side seam to side seam
Total length: approx 59" from the top of the shoulder to the front hem and approx 74" to the back

Inner slip
Bust: to 18" flat across from side seam to side seam
Waist: 15-17" flat across from side seam to side seam
Inner lining at hips: 20" flat across from side seam to side seam

Modern Sizing Equivalent: SML-LRG

Item# DD5662

Reference Photo: Fall 2006 Dior Couture, Look 1.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 2007 Alexander McQueen collection.
• It was made under the creative direction of Alexander McQueen.
• This is the all black production version dress of the printed dress that walked the runway for that collection.
• Elle Fanning wore is twin in 2022 and I love having the photos and video so you can see how phenomenal this is once on and moving.
• We have also added the video of the printed version so you can see more of how this moves once it is on the body.
• The dress is made out of a black on black patterned bias cut silk. The print is worked directly into the silk with a thatched feeling background and then there are flowers that are worked over the entire dress. I love how this picks the light up and really adds texture and movement to the dress once it is on.
• A ruffle follows the neckline and extends out over top of the tiny cap sleeve on that side. The other side is caught up with a little half bow at the front and then the strap gets thinner and curves over to attach into the back. I love how this creates a scoop at the front and the back.
• Once it is on an actual body it sits wider across and more like the photos of the one on Elle and of the runway version. My dress form has no chest so it sits lower than it will on an actual body.
• It skims over the bust, waist and hips in a beautiful bias cut that lets it fall over you and accentuate your curves.
• The skirt is phenomenal. He has set it into the dress in a series of upward curving peaks and then each peak tops a panel of silk that widens out substantially by the hem. This is what gives the dress its amazing movement and the phenomenal sweep of the lower skirt.
• There are yards and yards of silk making up that lower skirt. As you move you get a bit of trailing effect of the back skirt behind you. 
  
• This is a very rare and very special McQueen piece and really shows you the extent of his masterful seam-work and how he could handle a bias cut piece as easily as his highly tailored pieces.
• The dress is fully lined in a black silk up to where the skirt attaches and then the lower skirt is unlined. It slips on to wear with no closures. The bias cut will allow it to fit a range of sizes and I have put the comfortable range below. It is in its original uncut length and appears to have been worn very little if at all.
• Tagged a vintage McQueen 44
• Excellent condition

Bust: 16-19" flat across from side seam to side seam
Waist: 12-18" flat across from side seam to side seam
Hips: 16-21" flat across from side seam to side seam
Total length: 67" from top of shoulder to hem

Modern Sizing Equivalent: SML-LRG

Item# DD5656

Reference Photos/Video: (1-2) Spring 2007 Alexander McQueen, Look 34.  /  (3) Olivia Munn in 2007 Alexander McQueen for LA Magazine, March 2026.  /  (4-6) Elle Fanning in McQueen at the Babylon Premiere, December 2022.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the Spring 2000 runway
• It was made under the creative direction of Thierry Mugler
• I love that we have both photo and video references so you can see just how beautifully it moves once on the body. And that we have a photo of it with Thierry himself.
• The dress is made out of a nude chiffon that is light in weight and drapes beautifully over the body.
• The dress is cut with Mugler's masterful eye and attention to detail.
• It is suspended from one shoulder and the other is left bare and exposed. All the seaming on the dress is set vertically so that it enhances and highlights the curves of the body. 
• The bust and waist are created by the shaping of those beautifully curving vertical seams.
• It skims over the hips and then falls to the floor with a slight widening out as it nears the hem. The hem is cut on a slight angle so that the side that has the shoulder is cut a little bit longer than the other. 
  
• The shoulder is detailed with a panel of fabric that you can sweep behind you for a bit of extra movement when you move.
• At the very top of the shoulder is an extra large custom made piece made out of an acrylic that has pale green rhinestones embedded in it to follow its curves.  I love this added detail. These would have been custom-made for each dress and it is very special to find a piece that has one of these on it still.
• The very outer layer of the chiffon is split quite high along the edge at the back and this adds incredible movement to the dress as you can see on the runway. You are still fully covered by the inner dress underneath.
• It is an extraordinary dress that is rare and highly collectible. It is even better in person then how it shot here.
• The dress is fully lined in a matching fabric and closes with a hidden set side zipper. I see one tiny catch in the fabric near the seam just above the hem. It is very minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• Tagged a vintage Mugler 40
• Excellent condition

Bust: 17-19" flat across from side seam to side seam
Waist: 13-14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Total length: 58" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: SML-MED

Item# DD5641

Reference Video/Photos: Spring 2000 Thierry Mugler.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The dress is from one of the 2000s Richard Tyler Couture collection.
• It was made under the creative direction of Richard Tyler.
• Richard Tyler was the designer to wear in the 1990s and early 2000s. He won the Council of Fashion Designers of America New Talent award in 1993. In 1994 and 1995 he won the Council's Womenswear Designer of the Year award. Julia Roberts, Janet Jackson, and Sigourney Weaver were just a few of the stars who loved his work and his dresses made regular appearances on the red carpet.
• Tyler was known for his impeccable tailoring and finishes and at the time employed some of the best tailors and seamstresses in the business.
• The dress is made out of silk and is beautifully structured. It is cut to appear like it just drapes into place, but with its lining and infrastructure around the bodice area, it does have more structure than it appears at first glance.
• This gorgeous little number is in amazing condition and is cut beautifully. It is suspended from the shoulders by tiny straps that curve over and down the back.
• The dress is cut to follow the curves of your body but without being super tight.
• The neckline dips into a wide cut V at the front that allows the straps to sit at the edges of your shoulders.
• There are ruffled gathered panels that are set over the dress to highlight the cut and shape. You see this across the front bodice as they follow the curve, shape and angle down towards the waist, and then start their angled descent down the length of the full dress.
• When you turn around, the back has a low scoop that leaves most of your back completely bare and exposed. It is very sexy.
• The shape through the waist is cleverly created by those inset panels that curve over the body.
• From there, it curves back out over the hips and then falls to the floor. The skirt comes in slightly around the knee area and then the lower part of the skirt widens out substantially as it reaches the hem. Extra fabric has been worked through the back of the skirt where it is cut on a curve that is longer than the front hem. This gives you a sweeping feel as you walk away.
• There are added weights around the lower skirt and the piping that finishes the bottom hem has a touch of padding and weight to it. This has all been done to help hold the shape and volume of the lower skirt around you.
• It looks so simple on my dress form but this is a dress that is a bombshell piece once it is on an actual body. It is so good.
• The dress is fully lined in a black silk and closes with a hidden set side zipper. There is vertical boning on the sides of the bodice to help hold it in place. Perhaps a tiny bit of grubbiness and wear to the edge of the hem but this is extremely minor and only mentioned for accuracy. It otherwise appears to have been worn very little if at all.
• There is no size tag present, so please go by the measurements listed below.
  
• Excellent condition.

Bust: to 17" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Total length: 61" from top of shoulder to front hem in the back extends another 6.5" past that.

Modern Sizing Equivalent: SML-MED

Item# DD5632

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress in red walked the Spring 2008 Christian Dior runway for Look 53.
• It was made under the Creative Direction of John Galliano. 
  
• This collection marked Dior's 60th anniversary and it was also John's 10th year with the label. He celebrated those milestones with a show that was a nod to both the archives and Old Hollywood glamour. Pieces were wait-listed worldwide and both colour versions of this dress were produced in very limited quantities.
• The red has been seen on the red carpet and we have included both runway and carpet photos here. It is a spectacular piece for the collector.
• To help visualize what this dress looks like on the body in black, we changed the runway dress to black, which gives you a great idea of what the final result will be on.
• The dress is made out of a luxurious black silk that is completely cut on the bias. John often chose this weight of silk because of the control it gave him to be able to drape and apply the level of seam work that he loved to do.
  
• The bodice is strapless with an inner boned and cupped corset that holds the dress in place around you.
• Silk panels have been draped, gathered and hand stitched into place to create the dramatic sweeping detailing you see at the front.
• At the back he gathered all of the fabric down and into the centre line to meet in a little peak at the centre of the waist.
• From there his signature bias cut allows the dress to skim and drape over you so that is shows every curve but is not overly fitted. As in many of his pieces the seaming has the feel  of the work you see from the twenties and thirties.
• The fabric has been pieced together with low dropped angled panels to create the widening of the lower skirt. It flares out at the bottom and at the back it is cut longer so that you get a sweeping feel behind you as you walk.
• A row of his signature tightly spaced buttons & loops in the same silk run up one side.
• This is an incredible example of his work and is highly collectible.
• The dress is fully lined in a black silk and closes at the side with a series of silk covered buttons. The inner boned and cupped corset hooks to close with two rows of lingerie hooks to choose from. The bias cut gives it some give in the measurements and I have given the comfortable range when the dress is laying flat below. It appears to have been worn very little if at all.
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Inner bust: 17-18" flat across from side seam to side seam
Inner waist: 13-15" flat across from side seam to side seam
Hips: 18-20" flat across from side seam to side seam
Total length: 56" from the top of the bodice to the front hem and the back hem extends to a total length of 78"

Modern Sizing Equivalent: SML-MED

Item# DD5630

Reference Photos/Video: (1-5) Spring 2008 Christian Dior, Look 53. Model Morgane Dubled.  /  (6) Aishwarya at the IIFA 2008.  /  (7) Lucy Hale at the People's Choice Awards, 2024.  /  (8) Emma Naomi at the Bridgerton Season 4 Paris Premiere, January 2026.  /  (9-10) We took some liberty to show you what this would look like in black on the runway!

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.