• The twin of this dress walked the runway for the Fall 1979 Chloe collection.
• It was made under the creative direction of Karl Lagerfeld. 
• This is an incredibly rare and very well documented dress from one of the most creative and forward thinking collections that Karl did for the label. 
• In the book 'Chloe Catwalk', Vogue was quoted as saying "The clothes that Karl Lagerfeld designs for Chloe are the natural results of the world he creates, and if they sometimes seem to be from other times, it is because those other times have as much reality for him as rain and taxes have for the rest of us. You can love Karl Lagerfeld's clothes, you can hate them. See them once, and you can't forget them." The Japan Times called it "A trend setting collection". The Glasgow Herald said "Karl... takes the Edwardian Gibson Grill as his inspiration; hour glass shapes - curved bosom, tiny waists, swelling hips". 
• US vogue also commented that "Women collect Lagerfeld by the piece, not by the wardrobe"
  
• It is incredibly well documented and an extremely rare piece of Chloe, from an outstanding collection, and exemplary example of the history of the brand under Karl.
• The dress is made from a feather light silk chiffon in a deep ivory. In person, the ivory is a touch deeper than how it photoed here. Onto this are hand applied rows of lace and strings of faux pearls.
• The sleeves are long and they have added fabric built inside the shoulder area to help hold some volume ad the slight cap around the upper arm. They are full all the way down to the wrist where they explode outward with a cuff made out of four layers of the angle edged lace. Circling each wrist, and circling where the sleeve is set into the bodice, are a string of larger size pearls. Smaller size strings of pearls follow the lace that runs down and wraps around the full length of each sleeve.
• The neckline is high and like the cuffs, it is made out of multiple layers of the lace that are stacked on top of each other to create that dramatic ruff around the neck. It wraps over itself at the front and sweeps out to meet one shoulder.
• The bodice is cut to skim over the bust to the dropped waist. Multiple panels that mix the lace and strings of pearls are set diagonally over the bodice and around the back, highlighting the sweep of the collar above.
• The waist is dropped and seamed with a slightly more generous cut. It was not shown with a belt on the runway, but if you wanted to add shape, you certainly could belt it at the natural waist for a more defined silhouette.
• The skirt curves over the hips and it is a gathered all the way around the waist in a series of tiny pleats. These allow the skirt to open up underneath beautifully to help create that hourglass feel that was so prominent in this collection. Four more rows of the lace are set in the same angle all the way down the skirt but without the pearls. It is the perfect added detail and ties the whimsical feel of the entire dress together. A final layer of lace circles the bottom hem.
• At the back, the dress buttons to close with a series of large pearl buttons. These buttons are the largest pearls that we see on the dress and I love that he has used three sizes of pearls for this piece. These are the perfect finishing touch. 
• The dress is fully lined in an ivory silk. It closes with the buttons at the back. Hand finishes throughout with most of the inner seams finished completely by hand to couture standards. The lining through the upper body is starting to split in places. I see a couple of minor marks on the outer dress and some of the lace around the upper shoulders and neck line have darkened slightly. There are added panels around part of the inner lining where part of the inner lining was reinforced. Please see the photos after the label shot. These are all mentioned for accuracy but most of the flaws are inside the dress. Given the rarity and importance of this dress it is still considered to be in excellent overall condition.
• There is no size tag present so please go by the measurements below
• Excellent condition with the note above.

Sleeves: 24" to the ends of the lace at the cuffs and are 16" around the upper arm
Shoulders: 15"
Bust: to 17" flat across from side seam to side seam
Natural waist: 14" flat across from side seam to side seam
Seam at dropped waist: 14.5" flat across from side seam to side seam
Hips: to 26" flat across from side seam to side seam
Bodice: 18" from neck to dropped waist
Total length: 58" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD5335

Reference Photos: (1-4) Fall 1979 Chloe Preview.  /  (5) Fall 1979 Chloe Runway.  /  (6) From the book "Chloe: CATWALK".

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• After much research I believe this to be from the Spring 1979 Chloe collection.
• It was made under the creative direction of Karl Lagerfeld. 
• In this collection he moved away from 1940s as his inspiration into the sex appeal of the 1950s, said the book 'Chloe Catwalk'. The silhouettes were based on the hourglass. In that same book there was a very similar floral patterns shown I have included several photos here for you.
• Hand placed gathering emphasizes the hips for many of the pieces in this collection, along with extra emphasis on the waist. Lagerfeld said of the collection to the press "Frivolity is important. I want shape and sensualness."
• The dress is made from one of his signature feather light silks being used during this time period for Chloe. It is screened with a custom print that mixes an ivory, more pastel coral colour and a pale lavender.
• An interesting detail is that the labels are on the side of the dress that I think is the front. The side that has the deep plunge is longer in length at the hem so I believe that should be the back. I have seen other dresses with this label placement from around this time period and when the back is plunged like this, so it is not unusual to see. I have photoed it both ways for you, with the plunge at the back and the front. You could potentially wear the plunge at the front if you don't mind the longer hem at the front much like that Lacroix dress from me that was worn to the Met Gala a couple years ago when they turned it around backwards.
• The sleeves are long and it skims over the bust to the waist. The back plunges into a low V to just above the waist. As mentioned above, it is possible that you could wear it either way around. It is incredibly sexy worn either way.
• The waist is seamed and the dress comes with its original striped screened silk belt that hooks into place around you. The stripes on the belt pick up the stripes that are on the end of each sleeve and circle around the hem.
• The skirt curves over the hips and there is a gathering of the silk for added shape. It falls to the floor with the back cut longer then the front for a slight trained effect. You get the most fantastic movement as you walk.
• The dress is in its original uncut length and is unlined. It closes with a back hand set zipper. Hand finishes throughout. There is a tiny bit of fading at the top of the shoulders and edges of the hems. The entire dress looks to be hand dyed and or screened and it presents perfectly once on as this becomes part of the uniqueness of the pattern. The belt hooks to close.
• Excellent condition with the note above.

Sleeves: 22.5" and are 11" around the upper arm
Shoulders: 14"
Bust: to 17" flat across from side seam to side seam
Waist: 12.5" flat across from side seam to side seam
Hips: to 18.5" flat across from side seam to side seam
Bodice: 16.5" from neck to waist
Total length: 60" from neck to front hem, 68" to the back hem with about 2" turned under the hem
Belt: 2.5" wide x 27" long where the hooks currently sit. 

Modern Sizing Equivalent: XS-SML

Item# DD5310

Reference Photos: From the book "Chloe: The Complete Collections" by Lou Stoppard.

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• A very pretty little dress by the Chloe label
• The Fall 2006 collection was designed by the in-house team
• The dress is strapless and gathered across the bodice. The waist nips in under that and then the chiffon of the skirt flares out and is brought back in under the skirt.
• Underneath the edge of the skirt there is a pretty little scalloped ruffle set in three layers so you just see a touch of it peeking out from the edge of the hem.
• Some of the chiffon has been gathered along one side of the waist and then a wide, deeper ivory, panel of fabric wraps around the waist and is brought into a half bow on one side with the ends trailing down.
• An exposed zipper closes it at the back
• The dress is fully lined in an ivory silk 
  
• Tagged a Chloe 36
• I see some shallow marks under each arm and tiny bit of fraying along the edge. 
  

Bust: 16" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 6.5" from top of bodice to waist
Total length: 30" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD5060

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The Stella McCartney era at Chloe has since become extremely collectible. The fall 2001 show was fantastic. This was the opening look for the show and in Vogue's review they specifically mentioned the faux coats that were treated so glamorously with added details saying; "Stella McCartney continued with her exploration of grown-up, couture-inspired silhouettes for Chloé, without forgetting about the youthful, fun-loving basics that are the label's bread and butter. McCartney's forte is her ability to glam up casual street clothes. Her fitted jeans and corduroy trousers with zipper pockets, face-stenciled T-shirts and pearl-encrusted draped tops all had an air of insouciant cool to them; so did the faux furs with shaved bits that accommodated clusters of silver flowers." This was one of the strongest looks from the show and a true piece of fashion history.

The twin of this coat was the opening runway look and was worn by Angela Lindvall. The show had several piece sin this faux fur but this coat is the hardest to find. You will often see the shorter version that was made of this coat or the shrugs or collars but the actual coat is very rare. These had a pretty hefty price tag and not as many were made. They were only sent to certain stores and were a limited production piece. The coat is a 3/4 length and is made from a thick and soft faux fur. The cut is loose and easy and it widens out as it nears the hem for a bit of a swing coat feel. It has hidden fur hooks to close the top part of the front and then swings open under that. There's a hook at the top of the collar so you can wear it folded down like how I photoed it for these photos to give it a more loose and easy feel or you can close that top hook so that it wraps around the neck like how it was worn on the runway. The sleeves are cut extra long and they are gathered along the inside of the wrist. This gives them a curve so that they follow the curve of the arm and it also lets you wear them up a bit so they get that bit of a gathered slouchy feel you see in the runway pics. The inside is lined in a men's wear shooting fabric that she often used. There are two zippered pockets in the interior that have little chains attached to the zipper pulls. On the exterior there is a pocket hidden along each hip. It is meant to feel a little big and slouchy once on and I love that. The best part about is of course that extraordinary detailing done on the shoulder and collar on the one side of the coat. Fine silver metal strips have been applied to the coat to create a series of medallions. Swirling beads and sequins sit over those to create this fantastic design that goes across the top of the arm. under the shoulder at the front and then runs up and into the collar and around to the back. Its just brilliant and an amazing piece of fashion history. It appears to have been worn very little if at all. Excellent condition.

Fully lined with two interior pockets as described above. It closes with hidden fur hooks at the front. Pockets on each hip. Tagged a vintage Chloe 40

Sleeves: 28"
Shoulders: 16.5"
Bust: 18-19" flat across from side seam to side seam
Waist: to 19" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 47" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD4454

Reference Photos: Fall 2001 Chloe Runway, Look 1. Model Angela Lindvall.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the runway for the Fall 2009 collection for Look 29. 
• It was made under the creative direction of Junya Watanabe
• A version was shot for Vogue Korea that season and we have included those reference photos so you can get an idea of how fantastically this will sit on the body.
• The dress still has its original tags and was never worn so it is pristine.
• The soft sculptural quality of the dress is phenomenal. It is made out of a very light in weight black nylon that is very pliant. Light in weight padding lies between the layers that make up the body of the dress. This gives the dress a soft structure and the incredible volume and shape that you see. We have added nothing underneath to any of these photos to create the volume that you see.
• The sleeves extend out from either side of the neck line to slope softly outward from the shoulder.
• Both the front and back plunge into a V and are detailed with a chunky gold toned metal chain that is hand stitched into place. The chain continues from there to cross over itself at the front and at the back. From there it scoops over to the sides. On one side the chain curves down and over one hip on the outside of the dress and on the other side  it sits on the interior of the dress. The fabric is gathered and hand stitched into the chain to create the beautiful curving shapes that the dress has. It is ingenious.
• An open keyhole is created at the back where the chains meet and the dress is so well-made that I think you could wear it either way around if you wanted that at the front instead.
• The skirt is phenomenal. It is quilted and lightly padded. It scoops back up and under itself at the hem and is attached into the chain that sits in the interior.
• The dress is like a complicated puzzle that has been peace together perfectly.
• The skirt is full and when I lay it out flat it makes a complete circle of fabric.
• The the skirt is constructed so that the inside is the same fabric as the outside and the bodice is unlined. It slips on to wear with no closures. Its easy cut should allow it to fit a range of sizes. On a smaller frame it will just feel more oversized. The dress has never been worn and still has its original tags and an extra piece of repair fabric in a clear pouch attached to the tag on the inner skirt.
• Tagged a vintage Watanabe size M
• Excellent condition

Bust: approx 16-18" flat across from side seam to side seam
Waist: approx 14-19" flat across from side seam to side seam
Hips: open
Total length: approx 47" from top of shoulder to hem

Modern Sizing Equivalent: XS-MED

Item# DD5348

Reference Photos: (1) Fall 2009 Junya Watanabe Runway, Look 29.  /  (2) Vogue Korea, December 2009.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this dress walked the Fall 2002 runway for Look 50 in the collection.
• It was made under the creative direction of Oscar de la Renta.
• Photos from a Moroccan open air market were projected onto the stagefront and this is what set the tone for the show that season. In the review of the collection that year Vogue commented; 'There was a whiff of far-flung exoticism throughout the collection... almost every outfit got a touch of spice via embroidery, (or) a dusting of sequins. De la Renta ended as always, with a parade of great evening wear... just a thing for midnight at the Medina.'
• The dress has this fabulous almost sculptural feel with is simple cut and that beautiful deep purple silk fabric. It's full coverage keeps it feeling very refined and elegant.
• The silk is a very high quality and feels very smooth to the touch. This fabric choice keeps it fairly light in weight but it still has enough structure to hold that gorgeous shape that you see.
• The neck is a shallow scoop and the bodice is cut to skim over you. The shoulders are shaped but soft and the sleeves are long and slightly taper down to the wrist.
• The waist is brought in through curved vertical seaming and the skirt falls from there to the floor. 
• I love the patchwork panels that are added all the way around the lower hem. These are made up of a variety of embroidered silks and velvets that have the occasional mirrored embellishment worked within the embroidery. These run all the way around the hem and up and into the skirt.
• Underneath the top layer is a vivid pink underskirt with a stiffen hem and ruffle covering over that. I have taken a photo to show you how the very edge of this ruffle peaks out from underneath the outer hem of the skirt for an unexpected shot of vibrant colour.
• The underskirt helps add support and hold the fullness of the skirt. It adds a pretty sense of sweeping skirts as you walk away.
  
• Hidden pockets are set along each hip.
• The dress is fully lined in a vibrant pink silk. It closes with a hidden back set zipper and each sleeve has a hidden set zipper at its cuff. There is a tiny bit of stress to the center and one side seam near the waist at the back. Please see the photo after the label shot. The zipper has a tiny bit of stick when it hits the spot. It otherwise appears to have been worn very little at all.
• Tagged a Oscar de la Renta 4
• Excellent condition

Sleeves: 24" and are 12" around the upper arm
Shoulders: 14.5"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Total length: 61" from neck to bottom of the pink ruffled hem

Modern Sizing Equivalent: XS-SML

Item# DD5345

Reference Photos: Fall 2002 Oscar de la Renta, Look 50.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the McQueen's Fall 2008 collection.
• It was made under the creative direction of Alexander McQueen.
• This is the actual dress worn by Connie Britton to the 2024 Emmys.
• The fall 2008 collection was called 'The Girl Who Lived in a Tree' and it was inspired by a combination of his trip to India and a 600 year old elm in his garden.
• The V&A Museum says of this collection: 'McQueen’s Autumn/Winter 2008 collection centered on a fairy tale narrative devised by McQueen about a girl who descends from a tree to marry a prince and then become a queen. It was inspired by a 600-year-old elm tree in the garden of the designer’s Sussex home. At the center of the set stood a giant tree swathed in fabric, inspired by Bulgarian artist Christo, who is renowned for wrapping buildings with material.'
• You can see a similar swooping cut that the final pieces of this show had.
• The dress is made out of a beautiful rich black silk and is cut with a sculptural line combined with that bias cut draping.
• Inside there is a more fitted dress and then the length is created by a long panel of black silk that is attached around the neck line and drapes over the inner dress. 
• The dress is strapless and there is a full built-in cupped and boned corset that holds the dress in place and gives you support. The way that the silk panel is draped over the inner dress allows one side of the inner dress to be seen. 
• The part of the inner dress that can be seen was then elaborately finished with hand done embroidery and beads done in a stunning floral design. I took several photos holding the draped panel away from the inner part of the dress so you can see how the beading extends even underneath the panel that lies over top of it.
  
• The silk panel that sits over this beautifully constructed inner bodice falls around you all the way to the floor on one side. On the other side, the silk is gathered up so that it drapes down and around you. This is a classic and signature McQueen silhouette, and is absolutely stunning once on the body.
• The dress is a beautiful mix of exposing just enough of the shape of the body so you don't lose your shape completely while at the same time it showcases the exceptional tailoring skills that he excelled at and how he could control the draping exactly how he wished it to fall.
• I love how the draping slightly exaggerates the shape of the body. No matter what angle you see this dress from once it is on there is an interesting drape or an elaborate beaded detail.
• Inside, an inner black silk lining goes to just above the knee and there is a built in inner corset that is lightly boned and cupped. The corset has its own back zipper to close and then the dress zips to close over that with a hidden set back zipper. It appears to have been worn very little if at all.
• Tagged a McQueen 44
• Excellent condition

Bust: to 18" flat across from side seam to side seam
Inner waist: to 15.5" flat across from side seam to side seam
inner hips: to 22" flat across from side seam to side seam
Length: 55" from top of bodice to shortest point of hem at one side, 58" to the longest point on the other side

Modern Sizing Equivalent: MED-LRG

Item# DD5338

Reference Photos: Connie Britton in this dress at the 2024 Emmys.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The near twin of this set walked the runway for the Spring 2000 Valentino show.
• It was made under the creative direction of the original Mr. Valentino.
• On the runway the skirt shown was a longer bias cut skirt. The skirt and cardigans were sold separately in the shops and my client purchased this version, which is slightly more elaborate.
• I love that since it is a set instead of a dress, you can mix and match it with things that you already own. The versatility of having three pieces is always an extra bonus. 
• Vogue said of the collection "Elegant, glamorous and gracefully cut are keywords when speaking of Valentino's work. This season the emphasis was on prints—floral appliqués, ivory polka dots on red crepe and lily of the valley embroideries."
• The skirt is made out of a heavy ivory silk that has beautiful drape. To wear it you wrap it around you and it snaps into place inside the waistband. The waistband then folds inward towards you and it creates a beautiful drape that gives it an almost sarong feel.
• I have taken a close-up of how it is gathered at the side where it folds over itself. It is all swept upwards into the waist and then the hem is rounded on that same side with a pretty upward curve.
• The top and camisole are extraordinary. Both are made out of a ivory netting that has the most elaborate embroidery covering the surface of both pieces.
• The inner top is a little tank top with straps extending out from the main body of the top to curve up and around each shoulder. The neckline is scooped at the front and the back. I love how all of the edges are rounded and edged with a pretty scalloping shape created out of corded ribbon.
• The cardigan that slips over that is easy fitting with an open front, no collar and long simple sleeves. It is cut more boxy through the body for an easy to fit feel.
• Both the camisole and cardigan are covered in elaborate 3D embroidery that creates flowers in an array of soft colours. Little red sequins and beads are also scattered throughout the pattern.
• I find it so interesting that the front of both pieces mix soft pastels and then the back of both pieces are done with the primary colour being red. This gives the two sides a distinct contrast.
• I do think that the top is so well-made that you could wear it either way around and decide what colour you want to have at the front so it can match the front of the cardigan or contrast it.
• The embroidery is made out of thread, cording and silk ribbon and it really is extraordinary. This would have all been done by hand. I have taken many close-ups for you to see how elaborate it is.
• The camisole and cardigan are unlined and have a slight transparency. The camisole closes with a hidden set side zipper and the cardigan has no closures. The skirt is lined in a ivory silk chiffon and snaps into place along the waist as described above. I see one tiny reddish mark on the back near the waist. Please see the photo after the label shot. If you wear the cardigan and top with it and over top of the skirt band you do not see it. 
• The skirt is tagged a vintage Valentino 12 and neither the top or cardigan has a size tag
• Excellent condition with one flaw noted above

Cardigan
Sleeves: 19" and are 10.5" around the upper arm
Shoulders: 15"
Bust: to 17.5" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam 
Total length: 19" from top of bodice to waist

Camisole
Bust: 16" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam
Total length: 18" from top of bodice to waist

Skirt
Waist: 15.5" flat across from side seam to side seam
Hips: 19.5" flat across from side seam to side seam
Total length: 38" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD5333

Reference Photos/Video: Spring 2000 Valentino, Look 84.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for Look 39 of the Spring 2004 Oscar de la Renta collection.
• It was made under the creative direction of Oscar de la Renta
• In the review of the show Vogue said in part; "It’s virtually impossible not to get swept up in Oscar de la Renta’s confident vision of the luxurious life. The designer played to all of his strengths for spring, showing more of the pretty dresses, chic suits, and slim coats that have made him a touchstone of relaxed, modern elegance....Judging from the cuts and colors of this collection, de la Renta has Palm Beach on his mind." and for the evening pieces it was noted that; "Turning up the volume for evening, de la Renta progressed from a long, cool pour of pink charmeuse, to a giddy yellow satin strapless dress covered in nosegays of silk flowers, to embroidered and embellished showstoppers guaranteed to make it a memorable night—red carpet or not."
• This dress is absolutely dreamy. It is made out of the perfect pale pink silk that has been finished with a combination of black embroidery and black bead work that covers the entire dress. 
• The dress is strapless and the neckline has a soft rounded shape to it. The silk is shaped over the bust to give shape and curves. Inside it there is a full built-in corset that is cupped and shaped for support structure. 
• All of the panels that make up the dress are set vertically and he has use these to create the shape that you see. As it skims over the bust the panel panels narrow to create the shape through the waist. I love that there is no horizontal line to break the eye or the pattern that covers the dress.
• The skirt is spectacular. Here you see the true genius of Oscar. The panels that start at the top of the bus and narrowed into create the shape of the waist now expand into incredibly wide panels all the way around you. Each is over 30" wide by the time it reaches the hem and there are eight of them in total. This gives the skirt incredible volume that shows best when you move.
• Built in underneath that outer skirt is a second layer of the same silk. That layer has a stiffened edging all the way around it's ham and also is finished with a black chiffon ruffle that peaks out from underneath the top skirt as you move.
• The volume and lightness of the silk allows the skirt to move around you beautifully when you walk or move. When this is on and you are walking the effect that this creates is absolutely gorgeous. You can easily see that in the runway reference video.
• The final perfect detail is the extensive black embroidery and beadwork that covers the dress and highlights its shape and curves. I love how it is done in a deliberate pattern that follows the curves of the bodice and narrows in at the waist, giving the illusion of an even tinier waist.
• Dangling jetted beads circle all around the top edge of the dress and beads are worked through the embroidered pattern on the bodice. More embroidery is applied to each panel so that it circles around the entire skirt. When you move you glimpses of just how beautiful the embroidery is. 
• This little extra and pretty detail adds that perfect finishing element of romance and femininity. This is Oscar at his very best and it is a tremendously beautiful dress.
• Fully lined in a pink silk with a full built-in cupped corset inside the bodice. The corset closes with its own zipper and then the dress closes over that with a back set zipper. An inner waist stay hooks to close. The dress appears to have been worn very little if at all.
• Tagged ODLR 12
• Excellent condition 

Bust: 19-19.5" flat across from side seam to side seam
Inner waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 9.5" from top of bodice to inner waist stay
Total length: 55.5" from top of bodice to hem

Modern Sizing Equivalent: MED-LRG

Item# DD5330

Reference Photos/Video: Spring 2004 Oscar de la Renta, Look 39.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.