• The twin of this dress was presented for Look 3 for the Fall 2011 Pucci collection
• It was made under the creative direction of Peter Dundas. 
• Besides being shown on the runway it also made an appearance on the amfAR red carpet that season.
• I love that all the various reference photos and video give you an amazing idea of how gorgeous this is on the body.
• The dress is made out of the classic modern Pucci jersey that makes it extremely comfortable to wear but also perfectly defined your curves. The fabric has some stretch and it is lined in a black stretch silk so that it sits very flattering on top of the body. 
• The front neck is scooped and is edged in a bit of ruffled raw edged silk for a pretty detail. The shoulders are soft and the sleeves are long.
• Each sleeve zips to close around the wrist and are finished with that same pretty little ruffle detail.
• The front bodice is phenomenal. It has an inner boned corset piece that starts near the top of the shoulders and then comes down in on angle to the waist. This helps to flatten out the front and push the breasts up. It is a nod to a historical front corset and is very flattering once on the body.
• It skims over the bust and waist around this front corset piece and is brought in slightly to add shape around the waist area. From there it curves back out over the hips and falls to the floor.
• The bottom flares out quite a bit so you have some movement around you when you move. You can see that on the runway video. The back is cut longer than the front so you get a pretty sweeping feel behind you.
• This is a gorgeous example of Peter's time at the label.
• The dress is fully lined in a black stretch silk layer. The back of the corset part is lined in a black cotton mix. It closes with a back hidden set zipper and has hidden set zippers at each wrist. The jersey has some stretch and I have put the comfortable range of measurements below. Its easy fit and stretch should allow it to fit a range of sizes. It is in its original uncut length. It appears to have been worn very little, if at all.
• Tagged a more modern Pucci IT40, FR36, US6, UK8
• Excellent condition

Sleeves: 26.5" and they are 9-11" around the upper arm
Shoulders: 15-16" and are meant to sit a little wider across the shoulder
Bust: 16-18" flat across from side seam to side seam
Waist: 12-14" flat across from side seam to side seam
Hips: 16-19" flat across from side seam to side seam
Total length: 64.5" from top of shoulder to hem and the back extends 11" past that.

Modern Sizing Equivalent: XS-SML

Item# DD5432

Reference Photo/Video: (1-4) Fall 2011 Emilio Pucci, Look 3. Model Daphne Groeneveld.  /  (5) Toni Garrn at the amfAR Gala in Milan, 2011.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The label on this dress date it to the 1970s period.
• It was made under the creative direction of James Galanos.
• In 1951 a 27 year old James Galanos launched his first label called Galanos Originals. By 1954 he had won a Coty award and the Neiman Marcus award.
• His ready-to-wear line was made close to couture standards and with a level of craftsmanship that was on par with the French couturiers. He was truly one of the great American designers and his work is held in all of the major museums around the world.
• This is an outstanding Galanos. It is extremely well made with a very high level of construction techniques.
• The dress is made out of a beautiful floral printed silk chiffon. The base is black and then the print is a deep, beautiful pink with pops of green for the leaves. The print forms large flowers mixed with smaller floating petals that cascade over the entire dress.
• The neckline is scooped and the sleeves are angled slightly towards the neckline. The shoulders are soft, and the sleeves are fuller near the shoulder and then narrow to the wrist.
• The bar skins over you and the waist feels like it is cut slightly more generously. 
• The skirt curves out over the hips and widen out as it near the floor for pretty movement. This one the skirt has been wrapped around from the back and meets at the centre and the silk forms two panels that have the illusion of being nodded at the waist and then cascading down on either side of the centre line. Everything is closed in and under that centre point but it gives a pretty detail down the front that is just fantastic to see.
  
• The workmanship on the dress is absolutely stunning and the vast majority of it is all done by hand. This is an easy to wear and very pretty dress by one of the great American designers that is done to a demi-couture level
• The dresses lined with a black silk, except for the sleeves that have been left unlined. It zips to close at the back with a hand set zipper. Hand finishes throughout. The dress appears to have worn very little if at all.
• The dress has no size tag so please go by the listed measurements below.
• Excellent condition

Sleeves: 22" and they are 13" around the upper arm
Slightly inset shoulders: approximately 14"
Bust: to 17.5" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Bodice: 15" from top of shoulder to waist
Total length: 56" from top of shoulder to the longest point of the hem

Modern Sizing Equivalent: XS-MED

Item# DD5701

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress dates to the late 1970s, maybe early 1980s.
• It was made under the creative direction of Richard Blackwell.
• The Mr Blackwell label was launched by Richard Blackwell in the late 1950s and even at that time his dresses sold for between $800 and $1000 which in modern dollars converts to up to $10,000 a dress. He dressed many of the big stars of the day including Jane Russell, Dorothy Lamour and Jayne Mansfield.
• His custom label was pieces that were made-to-order and were one-of-a-kind pieces that were fitted to a specific client in the couture tradition.
• During the 1960s he became the first in history to present a collection during a television broadcast and he is also the first to be attributed  making for his line available for plus-size women. This is a beautiful example of his work during this point of his label.
• The dress is made out of a very pretty brightly printed black jersey that holds the shape and volume very well.
• The dress has a fairly simple silhouette. The inner dress is meant to skim over the body all the way to the floor, and then there is an attached piece around the neck line that falls over the upper shoulders.
• The front is set a bit wider across the neck and then the back scoops down into a V to add an unexpected flash of bare skin
• A little extra shape is added by the matching tie belt that is made out of the same fabric. I have topped it into a bow that sits just under the edge of the cape for these photos. You could easily wear the dress without it or change it for a wider more substantial belt.
• The there are no sleeves on the inner dress. Instead, the single layer of matching jersey is attached around the edge of the neckline. It is just under 15" in width at its widest point and it drapes over your shoulders and down the top of the arm. This continues all the way around front to back to give you that lovely cape effect that you see.
• Under the cape, the dress is meant to skim over your bust, waist and hips. Once past the hips it widens out slightly to the floor.
• The perfect finishing detail is the addition of hand set sequins that sit over the print of the cape portion of the dress. On the lighter colours they are a clear sequin with an iridescent finish, and on other colours they chose sequins to match the colour underneath. This lets the dress have a subtle glimmer in the light.
• The dress is fully lined in a black stretch jersey and it closes at the back with a zipper. Hand finishes throughout. It appears to have been worn very little if at all.
• There is no size tag present. Please go by the measurements below.
• Excellent condition

Cape: is just under 15" it's widest point
Bust: 16-19" flat across from side seam to side seam
Waist: 14-16" flat across from side seam to side seam
Hips: 17-20" flat across from side seam to side seam
Total length: 58" from top of the shoulder to the hem with approximately 3.5" turned under the hem.

Modern Sizing Equivalent: XS-MED

Item# DD5700

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This fabulous Pucci dress that dates to the 1970s.
• It was made under the creative direction of Emilio Pucci. 
• By the 1960s and 1970s, Pucci was a world-wide phenomenon. Hollywood stars like Marilyn Monroe, Sophia Loren and even first lady Jackie Kennedy were huge fans. For all of the many attempts since to catapult the label back to the height of its glory, the days when Emilio himself oversaw the label and designed the prints will always be the most special to me.
• This is a very easy-to-wear and travel with kind of dress. It is made out of one of his signature silk jersey fabrics. This silk jersey fabric choice is what gives these dresses their perfect drape and ease.
• Each of their dresses were made of a custom designed print. On this one a beautiful classic Pucci floral print runs over the entire dress. The base fabric is black and then the print combines pinks and taupes. A smaller floral print sits inside the edges that run along the neckline, waist, bodice, cuffs and hem.
• The front dips into a V that meets an upward angled band that sits just below the bodice. I love how the edging highlights, the V and the waist and adds very pretty lines to the dress.
  
• The shoulders are soft and each sleeve is set into the shoulder with a slight gathering. They have a gorgeous fullness to them that balloons out over the cuff. The cuff is done in a double band of the contrasting fabric. They are just fantastic.
• Under that the skirt skims over the hips and flares out slightly as it nears the hem. There is quite a bit of fabric in the skirt so it has great movement when you move.
• A slit runs up one side from the hem and it is also edged with the contrasting border. It allows for a little bit of extra leg to show when you walk.
• These original Pucci dresses are getting harder to find and this one is an outstanding condition and is absolutely gorgeous.
• The dress is unlined and closes with a back painted metal zipper. The cuffs close with silk covered, hidden set snaps. The printed part of the fabric is signed throughout. Hand finishes throughout. 
• Tagged a vintage Pucci 10
• Excellent condition

Sleeves: 27" and they are up to 16" around the upper arm
Shoulders: 15"
Bust: approx 16-18" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: to 22" flat across from side seam to side seam
Bodice: approx 12.6" from neck to base of front V
Total length: approx 58.5" from top of shoulder to hem and the slit is 18" from the hem up

Modern Sizing Equivalent: XS-MED

Item# DD5699

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• This dress is from the Spring 1976 Collection
• It was made under the creative direction of Roy Halston.
• These front tie dresses are one of the most iconic signature pieces from Halston. It was heavily documented that season and remains one of the most beloved silhouettes of all the pieces he designed.
• Halston created several of these dresses in different colours that season. They tended to be mainly produced in a bias cut silk or a hammered bias cut silk and rarely in velvet. Even the silk versions are hard to find now and finding one in a black velvet is very rare.
• It is said that before even putting scissors to fabric, Halston already had a mental image of how he wanted to dress to look. He believed that evening pieces should be as easy-to-wear and comfortable as day wear but absolutely elegant at the same time. When these dresses were shown for the first time in 1976 the press dubbed them as being "clean and and yet still with sex appeal".
• This is from the main Halston label and these were pieces were custom-made or made to order at this point in the brands history.
  
• The dress is strapless and ties at the front of the bust. This creates a little discreet keyhole under the tie. It also allows you to adjust the fit by how loose or tight you tie it.
• The cut is very forgiving as it skims over the bust, comes in slightly at the waist. and then curves back out over the hips. It is not meant to be super fitted. This is a dress that is very easy to fit. On a smaller frame it drapes more and the bias cut will allow it to move to accommodate if you need more room.
• From there it continues to skim over the body all the way to the hem widening out slightly as it nears the floor.
• The seaming is all set on an angled curve that wraps around the body. This means the entire dress is made out of one piece of black velvet. Do not underestimate its simplicity. Creating the dress in this way is actually quite complex and a technical challenge. Without seaming at the sides, the shape of the dress completely relies on the way it drapes, making it a much more difficult task and complex problem to have it fall over the body as perfectly as it does.
• Personally, I think this might be one of the most iconic little black dresses to have ever been created. It's a highly collectible piece for the Halston collector. 
• The dress is fully lined in a black silk and slips on to wear with a tie at the front that you can adjust for fit. I see slight change in the pile of the velvet where it ties at the front from being tied. This is a natural occurrence and is not considered a flaw but mentioned for accuracy.
• There is no size tag present so please go by the measurements listed below
• Excellent condition

Bust: approx 17-19.5" flat across from side seam to side seam with the ability to adjust the size at the front because of the tie
Waist: 15-21" flat across from side seam to side seam
Hips: 18-24" flat across from side seam to side seam
Total length: 56" from top of bodice to hem with approx 2.5" turned under the hem

Modern Sizing Equivalent: SML-LRG

Item# DD692

Reference Photos: (1) ‘The Strapless’ in Women’s Wear Daily, August 1976. / (2) ‘The New York Collections: Easy Winners!’, Jacques Malignon for Vogue, September 1976. / (3) ‘Your Night to Star’, Ladies Home Journal, December 1976. / (4) Elizabeth Taylor in Halston at the 1976 Oscars. / (5) Marisa Berenson in Halston, Vogue 1976. Photo by Richard Avedon. / (6) "Yves Saint Laurent + Halston. Fashioning the 70s" Exhibit at the Museum at FIT, 2015. / (7) Halston's original sketch for the tie-front strapless dress & Lee Radziwell, 1976.  / (8) Rachel Zoe in Halston at the Zoe Report Dinner, 2014.  /  (9-10) Cherie, Owner of Shrimpton Couture.  /  (11-13) Spring 1976 Halston Runway.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.

• The twin of this dress walked the runway for the Spring 1973 YSL collection.
• It was made under the creative direction of Yves Saint Laurent.
• The dress is very well documented. Its twin was shown on the runway that season and one was photoed on Marlene Dietrich with Yves himself. I love that. 
• Its modern day provenance includes being worn by Emmy Rossum and the dress that she wore is one that came from us.
• The dress is not perfect so please make sure to read the entire description before purchasing. It is completely wearable as found.
• This is one of my favourite dresses that Yves ever did. I believe there was a remake of it a couple of years ago, but the remake do not come close to the quality and level of craft that the originals have.
• The dress is made out of a fine slinky silk jersey in black.
• Two triangles sit at the front and come in around the waist and tight little gathers. They narrowed to the top of the shoulder where they are held in place by brass chain and loops. They appear to have been made by hand and they have a beautiful touch of patina to them. I love how these are the only embellishment on the dress.
• The triangles are set into the front and back in a way that allows the dress to plunge on all four sides
• The front is set in a V right to the waist seam as is the back. And then because the triangles are set the way they are, you also get a deep plunge down each side.
• I love how this leaves an unexpected flash of skin all the way around you but the way it's constructed holds the triangles perfectly in place once on the body.
• The waist is set slightly high and inside there is a wide band of grosgrain ribbon that hooks into place and holds the dress around you. 
• The skirt falls from there beautifully to the floor. It is from a single layer of the black jersey that is very full and then under that is an inner skirt made out of a matching black jersey. The movement this gives the skirt is incredible.
• This is a defining piece from YSL history and an absolutely beautiful dress
• The dress is fully lined in a second layer of the same silk jersey. It closes with a side, zipper and the inner grosgrain ribbon around the waist hooks to close. Around the entire top portion of the skirt there are a series of tiny thinning and holes. They do not appear to be present on the bottom or lower portion of the skirt. They are completely hidden within the pleats, but you do see them if you spread the skirt fully out and hold it up to the light. It is priced at less than half of what it would be if this was not the case. Please see the photo after the label shot for an example of it. 
• There is no size tag present. Please go by the measurements listed below.
• Excellent condition

Bust: each triangle measures 7 to 10 inches" flat across from side to side
Waist: 13.5" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to waist
Total length: 59" from shoulder to hem

Modern Sizing Equivalent: XS-MD

Item# DD5691

Reference Photos: (1-2) Spring 1973 Yves Saint Laurent Runway.  /   (3) Backstage at Spring 1973 Yves Saint Laurent photographed by Jean Luce Huré.  /  (4) Model in Yves Saint Laurent, 1973.  /  (5) Marlene Dietrich with Yves Saint Laurent, June 1973. /  (6) Emmy Rossum in YSL from our archives for the Hollywood Reporter, 2022.

All items are thoroughly checked over before shipping. Unless noted everything in our shop has been professionally cleaned. All sales are final. Overseas clients will be emailed to obtain agreement to our final sales policy before the order is shipped as per our return policy.