During John Galliano's years from 1996-2011 at the house of Christian Dior he arguably produced some of the most amazing bias cut and chiffon dresses in the house's history. His work often has a feeling of the decadence and abandonment of the twenties and thirties with their beautiful cuts. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Boutique line and it is gorgeous. It is so classically Galliano for Dior in its shape and cut. It is a real beauty.

The dress is made out of a pale yellow silk chiffon that has two different textures running through it. Parts have an almost ribbed texture and others have a smother finish with a bit of a horizontal banded feel worked into the fabric. It is all cut on the bias which is one of his key signatures. The bodice is empire cut and has an inner single silk lining and then the textured outer layer sits over that. This top layer is set to be more bare over the bodice and caught up with tiny stitches at the centre. It dips low at the side and then the back has this almost haphazard feel to the way it is set. A very Galliano detail when he chose to play with the idea of decadence and the feeling of age in his garments. It falls from just below the bust draping down and over the body to the floor. The dress skims and drape over you as it widens out to the hem. The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures. The change in the fabric texture helps the dress hold its width through the skirt and the lightness and incredible amount of fabric through the skirt gives you so much movement when you walk. It is stunning. The skirt has some slight gathered stitches on each side and there are two high slits that run on both the over layer and inner lining. So when you walk you get a long exposure of leg. His signature row of tightly spaced silk covered buttons run up one side. The dress is even better in person and on the body as the static photos cannot fully convey how the dress moves once on the body. This is the type of dress that only truly comes to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition with a note below

Fully lined in a yellow silk chiffon and closes at the side with a series of silk covered buttons. It is a touch paler yellow than how it photoed. There are a couple of teeny tiny marks on the skirt. Please see the photo after the label shot. The size estimate is based on the tiny bodice even though the rest of the dress should fit a fuller range of sizes. 

Bust: approx 14-15" flat across with no true side seams
Seam under the bust: 12-16" flat across from side seam to side seam
Waist-hips: open
Bodice: 8" from shoulder to seam under the bust
Skirt: 58" from seam under the bust to longest points of the hem
Slits: 36" from the hem up

Modern Sizing Equivalent: XXS-SML

Item# DD4478

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I recently had this dress in the shop and I am very pleased to have found another so soon. The twin of this dress in a different colour walked the runway as Look 47 for the 2018 resort season. The show was held in the remote Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California and Rihanna, Charlize Theron and Solange Knowles were there alongside the fashion pack. The inspiration for the show came from the archives and Chiuri said 'she went to the archives, where she came across the house founder’s Lascaux collection of 1951, inspired by the ancient cave paintings discovered in southwestern France a decade earlier.' The twin of it with the front tacked closed a bit was also worn by Kate Mara in 2017 which shows you how it looks when you do close the plunge a bit. It is also interesting because a very similar dress was shown for the Resort 2008 collection and you can see that progression from the Dior archives to this. 

This is a dress that is insanely sexy and bare feeling. I love its bright joyful colour and minimal lines. The dress is a made out of a feather light silk chiffon that tops inner layers of silk tulle and silk. This fabric combination makes it very light and easy to wear and it feels like a dream once on the body. The lightness of it lets it move and float around you beautifully as you walk and move. The front plunges low to the seam at the slightly empire set to the waist. It crosses over itself a touch at the front and the seam under the bust is detailed with a tiny little romantic feeling ruffle. The shoulders twist as they curve over your shoulders and then they fall into a deep V at the back. The panels sit a wider apart where it meets the waist so you get a more open back feel. The sides are equally as dramatic as the plunge in long Vs to the waist. Under that the skirt flows to the floor and widens out as it nears the hem. There is a tremendous amount of fabric in the skirt and this lets the skirt billow out around you as you move. The top layer of the skirt is that silk chiffon that has that touch of texture to it. Then there are two layers of silk tulle under that and a final inner layer of silk that acts as the lining. The effect all of these layers have once it is on and moving around you is fantastic. I love having the reference photos so you can see how fabulous it is on the body. It appears to have been worn very little if at all. Excellent condition with a tiny note below

Lined as described above and closes with a back hidden set zipper. Tagged a FR42, UK14, IT46, US10. It appears that someone did tack this closed at the front at some point and there are a tiny couple of pinholes in the lining of the bust as a result. These do not show when on and are strong and stable.

Bust: no true side seams but each triangle will cover 7-9" across
Waist: 15" flat across from side seam to side seam
Innermost hips: to 24" flat across from side seam to side seam, the outer layers are full and open
Bodice: 14" from top of bodice to waist
Skirt: 44" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4380

Reference Photos/Video: (1-2) Resort 2018 Christian Dior Runway, Look 47. Model Cara Taylor.  /  (3-4) Kate Mara in Dior at the 2017 Guggenheim International Gala.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very chic 1970s Christian Dior dress from the Marc Bohan years. It is a wonderful example of the work being done during this time period. The dress perfectly shows the restraint that the label could have when it delved into minimalism. At the same time it is a definite statement piece with that bright shock of colour. The jersey makes it a very easy and comfortable dress to wear and don't let the simplicity of it fool you. This is a dream to wear and the simple lines are offset by the high quality silk jersey and the ease and beauty it has once on.

The dress is made from a silk jersey fabric that drapes beautifully over the body. Both the back and the front of the bodice has a scoop for a bit of skin to show. It is suspended from the shoulder by two skinny straps in the same fabric and skims over the bust. The waist is seamed and it is set slightly dropped for a long lean feel. I added a grosgrain ribbon tie belt in the same colour and  you can use this to make the top blouse over more or wear it without the belt for a looser feel around the waist. The back drops just a touch lower that then front for a bare expanse of skin to show. It falls to the floor from there, skimming over the hips and then falls in a series of three tiers of jersey ruffles to the floor. These tiers give it the most incredible movement around you when you move. It is cut super model long and it is in its original length. This is a dress that you just slip on and it is perfect for day or evening. Excellent condition with a minor note below

Unlined and it closes with a hand set back zipper. The ribbon at the waist is not original to the dress but will be included. I see a minor repair / fraying at the base of the zipper and a pinhead size dot near the waist that is hidden when it blouses over. There are some minor marks and a couple of pinholes on the lowest tier that are covered by the tier above but mentioned for accuray. Please see the photos after the label shot. The colour is better in person

Bust: to 15-18" flat across from side seam to side seam
Waist: to 12.5" flat across from side seam to side seam
Hips: to 16-19" flat across from side seam to side seam
Bodice: 18" from top of shoulder to waist seam
Skirt: 46" from waist to hem

Modern Sizing Equivalent: XXS-SML

Item# DD4327

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this Dior dress was Look 5 in the Christian Dior Pre-Fall 2011 collection. This collection was shot as a look book that year. At the time Dior said this of John's collection: ”Dior’s Fall ready-to-wear collection takes its inspiration from the legendary love affair between Mrs. Wallis Simpson and Edward VIII. English romanticism is channeled into Balmoral fringed tweeds and candy-coloured tartans with Prince of Wales checks. Ultimate luxury and expertise create evening glamour in elegant draped gowns and head to toe sequins to ensure that every head is turned.” Vogue commented that: "John Galliano galloped the Duchess of Windsor through This Is Your Life, with richly hued musings on what Wallis Simpson in her prime might've worn at specific times of day and across the decades." The Dior team styled the pieces in lavish settings to play on this theme. I think that this was one of the best pieces of the collection and I love having the photo reference so that you can see it on a body. This was John's second last collection for the house.

The dress is a play on a flapper dress with a soft oversized check pattern softened with more pastel coloured version of red and blue. It is printed on a silk chiffon to further soften the feel of the print and give it a bit of a vintage feel. The dress can be worn longer and more straight on the body or you can hike it up to be super short and have the top blouse over as I have done in most of these shots. The front plunges to the waist and then crossed over itself at the base where it meets the seam. It can also be worn long with the seam and the hips and I also shot it that way from the front, side and back. It ties behind the neck and the ties trail down your back. The back is completely bare and it is scooped open right to the waist. A band of the silk chiffon wraps around you at the top of the hips and this is what you use to hold the dress higher or lower on you. The skirt falls under that to the hem and the lightness of the fabric gives it tons of movement. His signature tightly spaced silk covered buttons run down one side of the dress and there is a little bow at the top of the skirt on each hip. These little details are always what makes a Galliano designed piece that much more special. The final detail is the green and red lace that edges the dress. The lace has been stiffened and has deliberate raw edges to further play on that feel of the dress being a piece from the past. It is laid out over a band of ivory velvet and this last little touch ties everything perfectly together. It appears to have been worn very little if at all. Excellent condition with a minor note below

Fully lined in a fine pink-salmon coloured silk. It closes with the buttons down the side and ties around the back of the neck. At some point someone added a snap under the front where it crosses to make it a little more secure. I have left it but it could easily be removed if you wished. I see a bit of residue on the lining on one side of the bust where a double sided tape was used to hold it in place. Tagged a Dior F 36, GB 8, IT 40, US 4. Note that this was very difficult to measure and depending on where you want the band to sit it should fit a range of sizes

Bust: no true side seam and each halter will easily cover a full range of cup sizes
Waist/top of hip at seam: 17" flat across from side seam to side seam and expanding to 17.5 at the bottom seam of the band
Bodice: to approx 21" from top of bodice to top seam of the waist/top of hip
Band: 4"
Skirt: 14" from waist to longest points of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4036

Reference Photo: Pre-Fall 2011 Christian Dior, Look 5. Model: Alina Baikova.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning Dior dress from the Raf Simons era and I believe that it is the production / retail version of Look 22 that he created for the Spring 2014 Haute Couture show. I have included a photo of the couture dress from the runway here so you can see. The fabric of the two pieces are very different but the same shape is there. You can see the similarities in the cut and that high squared off cut out at the front of the skirt. I love this one with its startling flash of that pale pink silk inside the skirt. It is extremely beautiful and perfectly representative of Raf's time at the label and what his vision for Dior looked like.

This dress is just magical. It is made out of a black silk that is completely and densely covered with thousands and thousands of the tiniest black sequins. They are densely applied and spaced to butt up against each other to cover every square inch of the dress. Because they are so tiny it almost makes the dress looks like it is covered in rock crystals or something of that effect. No matter what angle you see the dress from it will catch and glint in the light. The shoulders are softly rounded and they come slightly off the top of your shoulders. The opening for your arms curves back just a touch inwards towards the dress and I love how this is all shaped. It is all very subtle but it gives you this really pretty shape at the top. From under that the dress falls in one long column. The simplicity of the cut is offset by the thousands of sequins that cover it. The skirt widens out a touch as it nears the hem. At the front you have that incredible cut out. When you lay the dress out flat you realize that this cut out is created by splitting it up one side at the front to just above the knee and then he slit it across horizontally to a point a few inches from the other side. Where most would have removed that panel Raf allowed it to simply hang down. This created this stunning ruffled effect down the one side that has incredible movement. To highlight this unusual design even more he lined the whole thing in a pale pink silk crepe. This unexpected contrast between the black sequins and pale pink is just fantastic. This was an extremely hard dress to show properly on a dress form but once on the body it is 10X better because of the movement that lower skirt creates and the way it will fall over an actual body. It is this long elegant sheath with that unexpected twist. Very very Raf. Excellent condition.

Fully lined in a pale pink silk crepe. It slips over the head to wear with a button closure at the back of the neck. It looks to have been worn very little if at all. Pockets along each hip. Original uncut length. Meant to be oversized on a smaller frame and will sit more like a sheath on a larger. Tagged a Dior FR36, GB8, IT40, US4

Waist: to 18" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 65" from top of bodice to waist
Front cut out: 31" from the hem up

Modern Sizing equivalent: SML-MED

Item# DD4419

Reference Photo: Spring 2014 Christian Dior Couture Collection, Look 22. Model Georgia Taylor.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

During John Galliano's years from 1996-2011 at the house of Christian Dior he arguably produced some of the most amazing bias cut and chiffon dresses in the house's history. His work often has a feeling of the decadence and abandonment of the twenties and thirties with their beautiful cuts. They marry Old Hollywood with the minimalist spirit of the nineties and early 2000s and the results are stunning. This is an amazing example of his work from the Boutique line and it is gorgeous. It is so classically Galliano for Dior in its shape and cut. It is a real beauty.

The dress is made out of a pale yellow silk chiffon that has two different textures running through it. Parts have an almost ribbed texture and others have a smother finish with a bit of a horizontal banded feel worked into the fabric. It is all cut on the bias which is one of his key signatures. The bodice is empire cut and has an inner single silk lining and then the textured outer layer sits over that. This top layer is set to be more bare over the bodice and caught up with tiny stitches at the centre. It dips low at the side and then the back has this almost haphazard feel to the way it is set. A very Galliano detail when he chose to play with the idea of decadence and the feeling of age in his garments. It falls from just below the bust draping down and over the body to the floor. The dress skims and drape over you as it widens out to the hem. The seaming is highly reminiscent of the work you see from the twenties and thirties which became another of John's signatures. The change in the fabric texture helps the dress hold its width through the skirt and the lightness and incredible amount of fabric through the skirt gives you so much movement when you walk. It is stunning. The skirt has some slight gathered stitches on each side and there are two high slits that run on both the over layer and inner lining. So when you walk you get a long exposure of leg. His signature row of tightly spaced silk covered buttons run up one side. The dress is even better in person and on the body as the static photos cannot fully convey how the dress moves once on the body. This is the type of dress that only truly comes to life when worn. It is an incredible example of his work and looks to have been worn very little if at all. Excellent condition with a note below

Fully lined in a yellow silk chiffon and closes at the side with a series of silk covered buttons. It is a touch paler yellow than how it photoed. There are a couple of teeny tiny marks on the skirt. Please see the photo after the label shot. The size estimate is based on the tiny bodice even though the rest of the dress should fit a fuller range of sizes. 

Bust: approx 14-15" flat across with no true side seams
Seam under the bust: 12-16" flat across from side seam to side seam
Waist-hips: open
Bodice: 8" from shoulder to seam under the bust
Skirt: 58" from seam under the bust to longest points of the hem
Slits: 36" from the hem up

Modern Sizing Equivalent: XXS-SML

Item# DD4478

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I recently had this dress in the shop and I am very pleased to have found another so soon. The twin of this dress in a different colour walked the runway as Look 47 for the 2018 resort season. The show was held in the remote Upper Las Virgenes Canyon Open Space Preserve in Calabasas, California and Rihanna, Charlize Theron and Solange Knowles were there alongside the fashion pack. The inspiration for the show came from the archives and Chiuri said 'she went to the archives, where she came across the house founder’s Lascaux collection of 1951, inspired by the ancient cave paintings discovered in southwestern France a decade earlier.' The twin of it with the front tacked closed a bit was also worn by Kate Mara in 2017 which shows you how it looks when you do close the plunge a bit. It is also interesting because a very similar dress was shown for the Resort 2008 collection and you can see that progression from the Dior archives to this. 

This is a dress that is insanely sexy and bare feeling. I love its bright joyful colour and minimal lines. The dress is a made out of a feather light silk chiffon that tops inner layers of silk tulle and silk. This fabric combination makes it very light and easy to wear and it feels like a dream once on the body. The lightness of it lets it move and float around you beautifully as you walk and move. The front plunges low to the seam at the slightly empire set to the waist. It crosses over itself a touch at the front and the seam under the bust is detailed with a tiny little romantic feeling ruffle. The shoulders twist as they curve over your shoulders and then they fall into a deep V at the back. The panels sit a wider apart where it meets the waist so you get a more open back feel. The sides are equally as dramatic as the plunge in long Vs to the waist. Under that the skirt flows to the floor and widens out as it nears the hem. There is a tremendous amount of fabric in the skirt and this lets the skirt billow out around you as you move. The top layer of the skirt is that silk chiffon that has that touch of texture to it. Then there are two layers of silk tulle under that and a final inner layer of silk that acts as the lining. The effect all of these layers have once it is on and moving around you is fantastic. I love having the reference photos so you can see how fabulous it is on the body. It appears to have been worn very little if at all. Excellent condition with a tiny note below

Lined as described above and closes with a back hidden set zipper. Tagged a FR42, UK14, IT46, US10. It appears that someone did tack this closed at the front at some point and there are a tiny couple of pinholes in the lining of the bust as a result. These do not show when on and are strong and stable.

Bust: no true side seams but each triangle will cover 7-9" across
Waist: 15" flat across from side seam to side seam
Innermost hips: to 24" flat across from side seam to side seam, the outer layers are full and open
Bodice: 14" from top of bodice to waist
Skirt: 44" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD4380

Reference Photos/Video: (1-2) Resort 2018 Christian Dior Runway, Look 47. Model Cara Taylor.  /  (3-4) Kate Mara in Dior at the 2017 Guggenheim International Gala.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a very chic 1970s Christian Dior dress from the Marc Bohan years. It is a wonderful example of the work being done during this time period. The dress perfectly shows the restraint that the label could have when it delved into minimalism. At the same time it is a definite statement piece with that bright shock of colour. The jersey makes it a very easy and comfortable dress to wear and don't let the simplicity of it fool you. This is a dream to wear and the simple lines are offset by the high quality silk jersey and the ease and beauty it has once on.

The dress is made from a silk jersey fabric that drapes beautifully over the body. Both the back and the front of the bodice has a scoop for a bit of skin to show. It is suspended from the shoulder by two skinny straps in the same fabric and skims over the bust. The waist is seamed and it is set slightly dropped for a long lean feel. I added a grosgrain ribbon tie belt in the same colour and  you can use this to make the top blouse over more or wear it without the belt for a looser feel around the waist. The back drops just a touch lower that then front for a bare expanse of skin to show. It falls to the floor from there, skimming over the hips and then falls in a series of three tiers of jersey ruffles to the floor. These tiers give it the most incredible movement around you when you move. It is cut super model long and it is in its original length. This is a dress that you just slip on and it is perfect for day or evening. Excellent condition with a minor note below

Unlined and it closes with a hand set back zipper. The ribbon at the waist is not original to the dress but will be included. I see a minor repair / fraying at the base of the zipper and a pinhead size dot near the waist that is hidden when it blouses over. There are some minor marks and a couple of pinholes on the lowest tier that are covered by the tier above but mentioned for accuray. Please see the photos after the label shot. The colour is better in person

Bust: to 15-18" flat across from side seam to side seam
Waist: to 12.5" flat across from side seam to side seam
Hips: to 16-19" flat across from side seam to side seam
Bodice: 18" from top of shoulder to waist seam
Skirt: 46" from waist to hem

Modern Sizing Equivalent: XXS-SML

Item# DD4327

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this Dior dress was Look 5 in the Christian Dior Pre-Fall 2011 collection. This collection was shot as a look book that year. At the time Dior said this of John's collection: ”Dior’s Fall ready-to-wear collection takes its inspiration from the legendary love affair between Mrs. Wallis Simpson and Edward VIII. English romanticism is channeled into Balmoral fringed tweeds and candy-coloured tartans with Prince of Wales checks. Ultimate luxury and expertise create evening glamour in elegant draped gowns and head to toe sequins to ensure that every head is turned.” Vogue commented that: "John Galliano galloped the Duchess of Windsor through This Is Your Life, with richly hued musings on what Wallis Simpson in her prime might've worn at specific times of day and across the decades." The Dior team styled the pieces in lavish settings to play on this theme. I think that this was one of the best pieces of the collection and I love having the photo reference so that you can see it on a body. This was John's second last collection for the house.

The dress is a play on a flapper dress with a soft oversized check pattern softened with more pastel coloured version of red and blue. It is printed on a silk chiffon to further soften the feel of the print and give it a bit of a vintage feel. The dress can be worn longer and more straight on the body or you can hike it up to be super short and have the top blouse over as I have done in most of these shots. The front plunges to the waist and then crossed over itself at the base where it meets the seam. It can also be worn long with the seam and the hips and I also shot it that way from the front, side and back. It ties behind the neck and the ties trail down your back. The back is completely bare and it is scooped open right to the waist. A band of the silk chiffon wraps around you at the top of the hips and this is what you use to hold the dress higher or lower on you. The skirt falls under that to the hem and the lightness of the fabric gives it tons of movement. His signature tightly spaced silk covered buttons run down one side of the dress and there is a little bow at the top of the skirt on each hip. These little details are always what makes a Galliano designed piece that much more special. The final detail is the green and red lace that edges the dress. The lace has been stiffened and has deliberate raw edges to further play on that feel of the dress being a piece from the past. It is laid out over a band of ivory velvet and this last little touch ties everything perfectly together. It appears to have been worn very little if at all. Excellent condition with a minor note below

Fully lined in a fine pink-salmon coloured silk. It closes with the buttons down the side and ties around the back of the neck. At some point someone added a snap under the front where it crosses to make it a little more secure. I have left it but it could easily be removed if you wished. I see a bit of residue on the lining on one side of the bust where a double sided tape was used to hold it in place. Tagged a Dior F 36, GB 8, IT 40, US 4. Note that this was very difficult to measure and depending on where you want the band to sit it should fit a range of sizes

Bust: no true side seam and each halter will easily cover a full range of cup sizes
Waist/top of hip at seam: 17" flat across from side seam to side seam and expanding to 17.5 at the bottom seam of the band
Bodice: to approx 21" from top of bodice to top seam of the waist/top of hip
Band: 4"
Skirt: 14" from waist to longest points of the hem

Modern Sizing Equivalent: XS-MED

Item# DD4036

Reference Photo: Pre-Fall 2011 Christian Dior, Look 5. Model: Alina Baikova.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning Dior dress from the Raf Simons era and I believe that it is the production / retail version of Look 22 that he created for the Spring 2014 Haute Couture show. I have included a photo of the couture dress from the runway here so you can see. The fabric of the two pieces are very different but the same shape is there. You can see the similarities in the cut and that high squared off cut out at the front of the skirt. I love this one with its startling flash of that pale pink silk inside the skirt. It is extremely beautiful and perfectly representative of Raf's time at the label and what his vision for Dior looked like.

This dress is just magical. It is made out of a black silk that is completely and densely covered with thousands and thousands of the tiniest black sequins. They are densely applied and spaced to butt up against each other to cover every square inch of the dress. Because they are so tiny it almost makes the dress looks like it is covered in rock crystals or something of that effect. No matter what angle you see the dress from it will catch and glint in the light. The shoulders are softly rounded and they come slightly off the top of your shoulders. The opening for your arms curves back just a touch inwards towards the dress and I love how this is all shaped. It is all very subtle but it gives you this really pretty shape at the top. From under that the dress falls in one long column. The simplicity of the cut is offset by the thousands of sequins that cover it. The skirt widens out a touch as it nears the hem. At the front you have that incredible cut out. When you lay the dress out flat you realize that this cut out is created by splitting it up one side at the front to just above the knee and then he slit it across horizontally to a point a few inches from the other side. Where most would have removed that panel Raf allowed it to simply hang down. This created this stunning ruffled effect down the one side that has incredible movement. To highlight this unusual design even more he lined the whole thing in a pale pink silk crepe. This unexpected contrast between the black sequins and pale pink is just fantastic. This was an extremely hard dress to show properly on a dress form but once on the body it is 10X better because of the movement that lower skirt creates and the way it will fall over an actual body. It is this long elegant sheath with that unexpected twist. Very very Raf. Excellent condition.

Fully lined in a pale pink silk crepe. It slips over the head to wear with a button closure at the back of the neck. It looks to have been worn very little if at all. Pockets along each hip. Original uncut length. Meant to be oversized on a smaller frame and will sit more like a sheath on a larger. Tagged a Dior FR36, GB8, IT40, US4

Waist: to 18" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 65" from top of bodice to waist
Front cut out: 31" from the hem up

Modern Sizing equivalent: SML-MED

Item# DD4419

Reference Photo: Spring 2014 Christian Dior Couture Collection, Look 22. Model Georgia Taylor.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.