The twin of this jumpsuit walked the runway for the Resort 2007 collection. It was Look 5 on the runway and was styled with a very casual vibe to it. The show took place in the Grand Central Terminal in New York and stars like Mischa Barton, Naomi Watts, Julianne Moore, and Maria Bello all sat in the audience. Karl said of the show that season; 'Cruise is all about travelling, so the symbol of the station is a good idea... and I love the space, I always have. I think it is one of the most beautiful spaces in New York.' Its a stunning example of Karl's view on how to do casual while still feeling elevated. And adding a heel instantly makes it more of a evening look. The look is also one of the few showcased on the book 'Chanel: Catwalk' for this season's presentation.

On the runway the jumpsuit was shown with one of the Chanel belts of the season and you could easily wear it with any belt of your choosing or simply wear it as is and unbelted. Without a belt the line of the eye does not get broken and it has a longer silhouette. The jumpsuit is made out of a textured cotton that is just a shade or two off of a true stark white. It is cut to skim over the body and feel easy to wear. It is loose and easy though the waist and then the pants skim down from there. Each leg is shaped into the perfect boot cut with just a hint of a flare by the time they reach the hem. Depending on how tall you are they will sit slightly cropped. Top set pockets sit low slung on each hip and two more pockets are set at the back. Each of those are detailed with a silver stud engraved with 'Chanel Paris' spelled out. I love the built in waistband with its chic belt loops and crossed over X at the back. It is like a design detail all on its own and makes wearing a belt optional. The front laces up with three thick white nautical feeling cords down the front. Behind those is a modesty panel that is attached one side and buttons into place on the other. This covers the space between the laces so that you get a hint of sexy but are perfectly OK to move around without exposing anything. I folded that panel back on one shot so you could see how bare a look you could get to you decided to have it made to be removable. The cut of this is perfection and the fabric is exquisite. Inside, the back of the modesty panel, around the neck and around the waist is a finish of silk that is embossed with the famous double C Chanel logo. It is so versatile and chic. It can be worn with flats for lunch or heels for evening. Excellent condition 

Partially lined as described above and the rest of the jumpsuit is unlined. It laces at the front and there is a hidden set zipper under that. Tagged a Chanel 40 and looks to have been worn very little. 

Slightly inset shoulders: 14.5"
Bust: to 20 " flat across from side seam to side seam
Waist: to 16.5  " flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 59" from neck to hem of pants 
Inseam: 31" from hem up

Modern Sizing Equivalent: SML-MED

Item# DD3616

Reference Photo: (1) 2007 Cruise Chanel Runway Collection, Look 5.  /  (2-3) From the book "Chanel: Catwalk" by Thames and Hudson.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a classic circa 1989-1990 Chanel camera bag in a deep beautiful milk chocolate. The leather is quilted and has a 'puffed' effect to it. Gold toned hardware and chaining. It closes with a zipper that runs across the top and on the zipper pull is an attached tasseled fringed bag charm in the same leather with double CC metal hardware at the top. On the front is a folded flap with the Chanel double Cs logo topstitched onto it. This opens to reveal a slanted slit pocket. Inside it is lined in a dark brown leather with one zippered pocket one one side. Leather and chain handle. In good vintage condition

Guaranteed authentic. Intact hologram, and stamped appropriately. Date code reads 1540666. In good overall condition with small minor water spots here and there as seen in the photos. The quilting has de-puffed slightly and there is some wear and grubbiness to the edges on the front flap from normal wear. Minor storage smell inside. You can send this out to have it refurbished with Chanel or a specialist and it would double in value and look brand new or wear it with its current patina and the vintage charm it has. The dress form it is photoed on is life size so gives you an excellent idea of size and how it sits on an actual person. The leather is slightly darker in colour in person. 

9" W x 6.5" H x 2" D - the chain and leather handle adds 18" to the height

Item# B156

This comes from the same collection of couture pieces that I am handling at the moment for my client and all she could recall for this piece was this it was her mothers, it was from Chanel and that it was from the eighties, maybe early 90s. I have not yet found a photo reference for this one but when I do I will add it or send to the new owner. The set is incredibly beautiful on the body. 

The dress is stunning. It is made up of two separate pieces. The top piece is an inky black tabard that is made out of a rich soft silk velvet. At the front it is cut in a simple sleeveless sheath that has a subtle seam just under the bodice. The back dips into a low square to show a bare expanse of skin. Inside it is lined in a hand set heavy black silk that feels amazing against the skin. It closes at the side with a zipper but only to the top of the hip. Under that it is completely open on that side. You then wear the skirt under this and the skirt acts as a bit of coverage to keep the top layer from being completely scandalous. The skirt is marvellous. It is as light as air and made of alternating squares of a very fine netting with a lace flower woven through the netting. The squares are set on their sides so they become diamonds and the lace diamonds are offset with solid black diamonds made of a fine black silk. The skirt is meant to be worn under the velvet tabard dress so that it just peaks out along the side of the dress that has that extreme slit. This still leaves your leg completely exposed underneath right to the hip so it is very sexy but in an insanely subtle and refined manner. The skirt is very light in a weight and very beautiful. I love that they did the same amount of work on it all the way around for the entire skirt even though you only see that bit down one leg when the pieces are worn together. These are the types of extravagances that you find and fall in love with in true couture. It is stunning on the body. Excellent condition 

The tabard over dress is fully lined in a black silk and the skirt is unlined. Both pieces close with side zippers and the skirt has hook & eye at the waist band. All the interior work is done by hand to Haute Couture standards. It appears to have been worn very little if at all. Sourced from the original couture client 

Tabard
Bust: to 19" flat across from side seam to side seam
Seam under bust: 16.5" flat across from side seam to side seam
Natural waist: 15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 13" from top of shoulder to seam under waist
Skirt: 44.5" from waist to hem
Slit: 37" from hem up

Skirt
Waist: 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 43" from waist to hem
Slit: 17.5" from hem up 

Modern Sizing Equivalent: SML-MED

Item# DD3584

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible example of Karl lagerfeld's Haute Couture work. On the runway this was shown with a full wide skirt and I love that it is different because it shows you the versatility of it how you could potentially wear it with a skirt from your own closet. My client opted for a sleek tapered legged trouser instead of the skirt which I think really allows the jacket and its lines to really shine. In the book 'Chanel Catwalk' they said of this collection; 'Karl Lagerfeld focused on suits ..for this haute couture collection, presented as a winding catwalk in a riding centre in the Bois de Boulogne. It featured 'only' fifty-eight looks, 'but I could have had many more,' Lagerfeld told Women's Wear Daily, 'because we have many clients and they want suits, suits, suits.'

The lines of this suit are crisp and sharp and the tailoring is immaculate. Both pieces are made out of a silk taffeta that allows them to retain the exact lines that Lagerfeld intended. The jacket is cut so that it is fitted to the upper bodice and shoulders and then flares outwards as it glides past the hips. The collar is neat and small and I love how it is notched and shaped at the front. It zips to close under a shaped panel of fabric at the front and there are two small discreet holes that you can slide a pin, french cuffs or a very thin ribbon through to add some detailing as they did on the runway. Each sleeve is long and straight with a touch of width to it. These end in a notched slit rather then a traditional cuff which falls in line with the sleek minimalist feel of the rest of the suit. In a little hidden surprise the underside of each cuff, the inside the collar and the front panel of fabric over the zipper have all been meticulously hand lined in a pale gold metallic silk. The pants are sleek and simple in their cut. They are flat fronted and cut to taper down to the ankles. A sharp pleat has been hand sewn down the front and the back of each leg. The inside of the suit is as immaculate as the outside and it is of course, entirely made by hand. The iconic gold Chanel chain runs along the inner hem of the jacket and I suspect that it is actually gold plated. Every stitch is perfection. This is a rare opportunity to own a piece of true couture by one of the most important designers of our lifetime. Excellent condition with a minor note below. 

The jacket is lined in a black silk and closes with a hidden zipper under the front panel of fabric. The pants zip to close with a hidden set side zipper. I see a slight touch of stress to part of the front middle seam on the pant, see the photo after the label shots. Both piece are hand finished to couture standards. Proper couture labels present with couture tape 78762 under the tag on the jacket and 78763 under the pant tag. Sourced from the original couture client 

Jacket
Sleeves: 23.5"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 30" from neck to head 

Pant
Waist: 15" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 38" from top of bodice to waist
Inseam: 28" from inner seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD3580

Reference Photo: Spring 2000 Chanel Haute Couture Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the Spring 1994 collection comes this iconic printed beach towel featuring a mix of some of the most well known items that have come to represent the Chanel brand. The twin of this particular towel was shown on the runway wrapped around Claudia Mason, it also appeared in the Lookbook for that season and was shot for Vogue. The outer border is the soft sea blue color and the back of the towel is white. The background behind the printed parts is the soft pastel pink you see. It is made out of 100% cotton printed terrycloth. Excellent condition with one small snag on the terry cloth that I have photoed and you can see in the last two shots before the reference photos.

Measures 40" x 59"

Item# A377

Reference Photos: (1) S/S 1994 Chanel Runway, Claudia Mason, Look 79. / (2-3) From the S/S 1994 Collection Lookbook.  /  (4) Nikki Taylor and Claudia Schiffer.  (5) Naomi Campbell and Carla Bruni. Both images for Vogue, 1994. Photographed by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this jumpsuit walked the runway for the Resort 2007 collection. It was Look 5 on the runway and was styled with a very casual vibe to it. The show took place in the Grand Central Terminal in New York and stars like Mischa Barton, Naomi Watts, Julianne Moore, and Maria Bello all sat in the audience. Karl said of the show that season; 'Cruise is all about travelling, so the symbol of the station is a good idea... and I love the space, I always have. I think it is one of the most beautiful spaces in New York.' Its a stunning example of Karl's view on how to do casual while still feeling elevated. And adding a heel instantly makes it more of a evening look. The look is also one of the few showcased on the book 'Chanel: Catwalk' for this season's presentation.

On the runway the jumpsuit was shown with one of the Chanel belts of the season and you could easily wear it with any belt of your choosing or simply wear it as is and unbelted. Without a belt the line of the eye does not get broken and it has a longer silhouette. The jumpsuit is made out of a textured cotton that is just a shade or two off of a true stark white. It is cut to skim over the body and feel easy to wear. It is loose and easy though the waist and then the pants skim down from there. Each leg is shaped into the perfect boot cut with just a hint of a flare by the time they reach the hem. Depending on how tall you are they will sit slightly cropped. Top set pockets sit low slung on each hip and two more pockets are set at the back. Each of those are detailed with a silver stud engraved with 'Chanel Paris' spelled out. I love the built in waistband with its chic belt loops and crossed over X at the back. It is like a design detail all on its own and makes wearing a belt optional. The front laces up with three thick white nautical feeling cords down the front. Behind those is a modesty panel that is attached one side and buttons into place on the other. This covers the space between the laces so that you get a hint of sexy but are perfectly OK to move around without exposing anything. I folded that panel back on one shot so you could see how bare a look you could get to you decided to have it made to be removable. The cut of this is perfection and the fabric is exquisite. Inside, the back of the modesty panel, around the neck and around the waist is a finish of silk that is embossed with the famous double C Chanel logo. It is so versatile and chic. It can be worn with flats for lunch or heels for evening. Excellent condition 

Partially lined as described above and the rest of the jumpsuit is unlined. It laces at the front and there is a hidden set zipper under that. Tagged a Chanel 40 and looks to have been worn very little. 

Slightly inset shoulders: 14.5"
Bust: to 20 " flat across from side seam to side seam
Waist: to 16.5  " flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 59" from neck to hem of pants 
Inseam: 31" from hem up

Modern Sizing Equivalent: SML-MED

Item# DD3616

Reference Photo: (1) 2007 Cruise Chanel Runway Collection, Look 5.  /  (2-3) From the book "Chanel: Catwalk" by Thames and Hudson.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a classic circa 1989-1990 Chanel camera bag in a deep beautiful milk chocolate. The leather is quilted and has a 'puffed' effect to it. Gold toned hardware and chaining. It closes with a zipper that runs across the top and on the zipper pull is an attached tasseled fringed bag charm in the same leather with double CC metal hardware at the top. On the front is a folded flap with the Chanel double Cs logo topstitched onto it. This opens to reveal a slanted slit pocket. Inside it is lined in a dark brown leather with one zippered pocket one one side. Leather and chain handle. In good vintage condition

Guaranteed authentic. Intact hologram, and stamped appropriately. Date code reads 1540666. In good overall condition with small minor water spots here and there as seen in the photos. The quilting has de-puffed slightly and there is some wear and grubbiness to the edges on the front flap from normal wear. Minor storage smell inside. You can send this out to have it refurbished with Chanel or a specialist and it would double in value and look brand new or wear it with its current patina and the vintage charm it has. The dress form it is photoed on is life size so gives you an excellent idea of size and how it sits on an actual person. The leather is slightly darker in colour in person. 

9" W x 6.5" H x 2" D - the chain and leather handle adds 18" to the height

Item# B156

This comes from the same collection of couture pieces that I am handling at the moment for my client and all she could recall for this piece was this it was her mothers, it was from Chanel and that it was from the eighties, maybe early 90s. I have not yet found a photo reference for this one but when I do I will add it or send to the new owner. The set is incredibly beautiful on the body. 

The dress is stunning. It is made up of two separate pieces. The top piece is an inky black tabard that is made out of a rich soft silk velvet. At the front it is cut in a simple sleeveless sheath that has a subtle seam just under the bodice. The back dips into a low square to show a bare expanse of skin. Inside it is lined in a hand set heavy black silk that feels amazing against the skin. It closes at the side with a zipper but only to the top of the hip. Under that it is completely open on that side. You then wear the skirt under this and the skirt acts as a bit of coverage to keep the top layer from being completely scandalous. The skirt is marvellous. It is as light as air and made of alternating squares of a very fine netting with a lace flower woven through the netting. The squares are set on their sides so they become diamonds and the lace diamonds are offset with solid black diamonds made of a fine black silk. The skirt is meant to be worn under the velvet tabard dress so that it just peaks out along the side of the dress that has that extreme slit. This still leaves your leg completely exposed underneath right to the hip so it is very sexy but in an insanely subtle and refined manner. The skirt is very light in a weight and very beautiful. I love that they did the same amount of work on it all the way around for the entire skirt even though you only see that bit down one leg when the pieces are worn together. These are the types of extravagances that you find and fall in love with in true couture. It is stunning on the body. Excellent condition 

The tabard over dress is fully lined in a black silk and the skirt is unlined. Both pieces close with side zippers and the skirt has hook & eye at the waist band. All the interior work is done by hand to Haute Couture standards. It appears to have been worn very little if at all. Sourced from the original couture client 

Tabard
Bust: to 19" flat across from side seam to side seam
Seam under bust: 16.5" flat across from side seam to side seam
Natural waist: 15" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Bodice: 13" from top of shoulder to seam under waist
Skirt: 44.5" from waist to hem
Slit: 37" from hem up

Skirt
Waist: 14" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 43" from waist to hem
Slit: 17.5" from hem up 

Modern Sizing Equivalent: SML-MED

Item# DD3584

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an incredible example of Karl lagerfeld's Haute Couture work. On the runway this was shown with a full wide skirt and I love that it is different because it shows you the versatility of it how you could potentially wear it with a skirt from your own closet. My client opted for a sleek tapered legged trouser instead of the skirt which I think really allows the jacket and its lines to really shine. In the book 'Chanel Catwalk' they said of this collection; 'Karl Lagerfeld focused on suits ..for this haute couture collection, presented as a winding catwalk in a riding centre in the Bois de Boulogne. It featured 'only' fifty-eight looks, 'but I could have had many more,' Lagerfeld told Women's Wear Daily, 'because we have many clients and they want suits, suits, suits.'

The lines of this suit are crisp and sharp and the tailoring is immaculate. Both pieces are made out of a silk taffeta that allows them to retain the exact lines that Lagerfeld intended. The jacket is cut so that it is fitted to the upper bodice and shoulders and then flares outwards as it glides past the hips. The collar is neat and small and I love how it is notched and shaped at the front. It zips to close under a shaped panel of fabric at the front and there are two small discreet holes that you can slide a pin, french cuffs or a very thin ribbon through to add some detailing as they did on the runway. Each sleeve is long and straight with a touch of width to it. These end in a notched slit rather then a traditional cuff which falls in line with the sleek minimalist feel of the rest of the suit. In a little hidden surprise the underside of each cuff, the inside the collar and the front panel of fabric over the zipper have all been meticulously hand lined in a pale gold metallic silk. The pants are sleek and simple in their cut. They are flat fronted and cut to taper down to the ankles. A sharp pleat has been hand sewn down the front and the back of each leg. The inside of the suit is as immaculate as the outside and it is of course, entirely made by hand. The iconic gold Chanel chain runs along the inner hem of the jacket and I suspect that it is actually gold plated. Every stitch is perfection. This is a rare opportunity to own a piece of true couture by one of the most important designers of our lifetime. Excellent condition with a minor note below. 

The jacket is lined in a black silk and closes with a hidden zipper under the front panel of fabric. The pants zip to close with a hidden set side zipper. I see a slight touch of stress to part of the front middle seam on the pant, see the photo after the label shots. Both piece are hand finished to couture standards. Proper couture labels present with couture tape 78762 under the tag on the jacket and 78763 under the pant tag. Sourced from the original couture client 

Jacket
Sleeves: 23.5"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: to 16" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 30" from neck to head 

Pant
Waist: 15" flat across from side seam to side seam
Hips: 21" flat across from side seam to side seam
Length: 38" from top of bodice to waist
Inseam: 28" from inner seam to hem

Modern Sizing Equivalent: SML-MED

Item# DD3580

Reference Photo: Spring 2000 Chanel Haute Couture Collection.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

From the Spring 1994 collection comes this iconic printed beach towel featuring a mix of some of the most well known items that have come to represent the Chanel brand. The twin of this particular towel was shown on the runway wrapped around Claudia Mason, it also appeared in the Lookbook for that season and was shot for Vogue. The outer border is the soft sea blue color and the back of the towel is white. The background behind the printed parts is the soft pastel pink you see. It is made out of 100% cotton printed terrycloth. Excellent condition with one small snag on the terry cloth that I have photoed and you can see in the last two shots before the reference photos.

Measures 40" x 59"

Item# A377

Reference Photos: (1) S/S 1994 Chanel Runway, Claudia Mason, Look 79. / (2-3) From the S/S 1994 Collection Lookbook.  /  (4) Nikki Taylor and Claudia Schiffer.  (5) Naomi Campbell and Carla Bruni. Both images for Vogue, 1994. Photographed by Steven Meisel.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.