I have only ever seen one other of these. His pieces were only ever made in very limited quantities. The tag is numbered and states that it is #8/BO and I suspect the number detonates the production model number. I can confidently date it to just after 1987 as it has a Fred Hayman Beverly Hills tag which came into being that year. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Dalida, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. Loris launched his label in 1967 and quickly defined his trademark looks with color, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body.

The dress is pristine and even the labels inside are still crisp and brand new looking so I don't think it was ever worn. The dress is a figure hugging sheath that is covered in hand applied copper sequins that easily number into the thousands. Once on, these catch the light fantastically and shimmer with every move. The dress is cut to cover you from head to toe. The sleeves are long and it is cut to follow the curves of the body. At the back, the skirt extends out past the floor for a little drama. Both the back and the front are cut wide across so you see a glimpse of your collar bones and then it plunges into deep V's. I love how the sequins form a little peak at the front center bust to add a little extra detailing there. The shoulders are spectacular. An iridescent copper silk taffeta has been pleated and then this is fanned out and around each shoulder to dramatically frame the shoulders and face. He has used three stacked layers to achieve this look and I took photos from the side so that you can see how they are set to wrap around and under each arm. It is absolutely magnificent. Excellent condition

Fully lined in a copper silk and closes with a back painted metal & nylon zipper. Each sleeve has its own individual zipper at the cuff. Tagged a FR38. The fabric has a little stretch as it is bias cut. It appears to have been worn very little if at all.

Sleeves: 23.5"
Shoulders: variable
Bust: to 18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: 60" from shoulder to front hem, 63" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD2874

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro founded his label in 1967 and quickly was dressing women like Raquel Welch, Brigette Bardot, Tina Turner, Liza Minnelli, Sophia Loren, Marisa Berenson and many more. His label gained international recognition and was known for his bright, clear colour choices and daring cuts. He once said in an interview; 'When a woman has found her style, she should stick to it. We forget too often that it is the dress that must serve the woman and not the opposite.' He is one of my favourite designers to find and with all of the emphasis on recreating these looks from the eighties by many modern designers you can't beat these original vintage version on terms of cut, style and quality. 

I love how this dress combines the sexiness of the fitted strapless dress with the drama of that flared skirt. The dress is made out of a printed silk taffeta that combines a bold pink with a deep purple in a soft washed print that covers the entire dress. The silk keeps it light in weight but at the same time is the perfect choice to help to hold the shape and give the dress structure. The top portion of the dress has been gathered in soft folds from the bust to just past the top of the hips. The folds are set to help to highlight the hourglass shape of the dress. They have the illusion of being wrapped around you and they are set on dramatic curves to really emphasize the shape of the body underneath. The neckline is strapless and the top of it curves over the bust to make a sweetheart neckline. The centre plunges down and is set to perfectly meet where the draping crosses over on each side. Inside the dress there is one of his signature built in strapless bras for extra support. The waist nips in beneath this and the shape you see is created by the cut rather then having a horizontal waist seam to break the line of the dress. The gathers continue down and over the top of the hips for shape. Below that the skirt flares out in soft folds and volume. There are two layers of the skirt and this lets the skirt move with your slightest move. It is even better on an actual body. Excellent condition.

Fully lined in a pink silk and closes at the back with a painted metal and nylon zipper. The bodice is boned and there is a strapless bra set into the inner bodice. Hand finishes throughout that are to the demi-couture standards his main line pieces were made to.

Bust: to 17.5" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 34" from top peak of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3307

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with his use of ornate beading, sequins, unusual detailing, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. This is an extraordinary dress that is stunning in its own right and could be a fantastic option for a bride or as part of a more extensive wedding event.

The dress is like a magical fairy tale version of all that was amazing about this time period. It is made out of an off-white silky rayon base with three layers of white silk netting over that and another built in skirt under it. He used a white chenille fused onto the netting to detail and highlight the different aspects of the design and cut. On the strapless bodice it is set in rows that are stacked on top of each other to cover the entire bodice. On the sleeves and over the top layer of the skirt the chenille makes little circles and these are scattered over the netting. The very top layer of netting the skirt is finished with is cut to sit shorter then the other two underneath and this top layer has a scalloped finish along its edge. It is then finished with more chenille that follows the pretty curving line the scalloping creates. The cut of the dress is beautiful. The bodice is strapless and curves into a sweetheart neckline that dips low at the front. There is one of his signature inner built in and attached bras inside for support and additional boning along the sides. It is fitted and nips in at the waist. The skirt sweeps to the floor in a cascade of feather light silk netting under the bodice. I photoed the dress with a full length crinoline under it so that you can see the tremendous shape and volume it has. Without the addition of an underskirt the skirt would lie in a softer line. The skirt has enough volume that you can add an even fuller skirt to get a real bell shape if you wanted it to have an even more formal gown feel. The sleeves are magnificent. Each one is cut to sit far off and down your shoulder and is trimmed with a silk satin ribbon finish around the upper opening. They have tremendous volume through the sleeve with a huge and elaborate pouf to them. Each of them ends in an elaborate cuff with the same detailing using the chenille rows that the bodice has. They are the perfect finish to this high fantasy gown. The workmanship is incredible and it is absolutely beautiful. This would make an extraordinary wedding gown for the bride looking for something unique. Excellent condition

Fully lined in an ivory silky rayon and closes with a back zipper. Each sleeve has a zipper at the cuff. A built in bra though the bodice that hooks to close separately. The interior bodice is boned. An inner skirt has bands of stiffened netting set in rows to help hold the shape. The slightest bit of yellowing to the edge of the inner lining hem. You could easily add a panel/layers of tulle or silk tot he bottom if you needed more length

Bust: 17" flat across from side seam to side seam with about a B to C cup on the inner attached bra
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to waist
Skirt: 38" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3720

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with colour, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. By the eighties he was experimenting with volume and proportions and new fabrics that at the time were all cutting edge. This is a killer example of his work during this period and I also one in the shop in a black if the red one is too bold for you. I have dated this to 1987 after we found a reference photo of a model wearing an Azzaro dress with a very similar shoulder treatments. I love it 

This brilliant red dress is over the top dramatic and an absolute statement piece that will turn every head when you walk into a room. The bodice is hand draped into soft rounded gathers. It  is constructed to follow the curves of the body from the top of the neckline to below the hips. For the main body of the dress he has used a red jersey that has a touch of a metallic feeling finish to it so that it has a liquid effect. Inside is his signature black strapless underwire bralet that is sewn into the dress for support. The bodice is shaped into a low sweetheart curve and the gathers run horizontally down the body. Vertical hand done seams run all the way around to give the gathers a slight scooped feel. This keeps the draping from adding bulk and keep the focus on emphasizing your curves underneath. The low set skirt is made out of a metallic red textured silk that is set over layers of built in under skirting. The fabric of the lower skirt is placed to give the effect that it is wrapped and fanned around you. On each outer side the panels of the skirt lift up and away from the dress. These suggest flames in their shape and the colour. The same fabric and flame-like effect is then used to create a fan of fabric on one side of the bodice and this flares out dramatically up and over the front portion of the shoulder. It is very bold. In person the red and fabric are a touch richer and more textured feeling then how they photoed. Excellent condition.

Fully lined in a red silk with a built in bra though the bodice that hooks to close separately. It closes at the back with a painted metal and nylon zipper. The interior bodice is boned. Layers of tulle and silk underskirts under the low set skirt. The flame/fan detailing on the bodice has stiffening fabric inside to hold it up and it does tend to fall a bit. It would be easy to add additional wire or stiffening inside if you wanted it to really hold tall. Hand finished throughout

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3587

Reference Photo: Model in Loris Azzaro, L'Officiel No. 734, September 1987.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with colour, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. By the eighties he was experimenting with volume and proportions and new fabrics that at the time were all cutting edge. This is a killer example of his work during this period and I also have a similar version on the shop in a red if the black one is not bold enough for you. I have dated this to 1987 after we found a reference photo of a model wearing an Azzaro dress with a very similar shoulder treatments. I love it 

This dress is a statement piece that will turn every head when you walk into a room.  It is so bold and dramatic. The bodice is hand draped into soft rounded gathers. It is constructed to follow the curves of the body from the top of the neckline to below the hips. For the body of the dress he has used a black stretch jersey that has a touch of a sheen finish to it. Inside is his signature black strapless underwire bralet that is sewn into the dress for support. The bodice is shaped into a low sweetheart curve and the gathers run horizontally down the body. Vertical hand done seams were then added all the way around to give the gathers a slight scooped feel. This ensures that they don't add bulk tp you but are simply there to emphasize your curves underneath. The low set skirt is made out of a metallic black textured silk that is set over layers of built in under skirting. The fabric of the lower skirt is placed to give the effect that it is wrapped and fanned around you. On each outer side the panels of the skirt lift up and away from the dress. These suggest flames in their shape and the colour. The same fabric and flame-like effect is then used to create a fan of fabric on one side of the bodice and this flares out dramatically up and over the front portion of the shoulder. It is very dramatic and OTT. In person the fabric has a richer and more textured feeling then how it photoed. Excellent condition.

Fully lined in a black silk with a built in bra though the bodice that hooks to close separately. It closes at the back with a painted metal and nylon zipper. The interior bodice is boned. Layers of tulle and silk underskirts under the low set skirt. The flame/fan detailing on the bodice has wire inside to hold it up. It would be easy to add additional wire or stiffening inside if you wanted it to really hold even taller then it does now. Hand finished throughout

Bust: to 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam and the inner waist stay hooks slightly smaller then that
Hips: to 17" flat across from side seam to side seam
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD3680

Reference Photo: Model in Loris Azzaro, L'Officiel No. 734, September 1987.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have only ever seen one other of these. His pieces were only ever made in very limited quantities. The tag is numbered and states that it is #8/BO and I suspect the number detonates the production model number. I can confidently date it to just after 1987 as it has a Fred Hayman Beverly Hills tag which came into being that year. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Dalida, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. Loris launched his label in 1967 and quickly defined his trademark looks with color, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body.

The dress is pristine and even the labels inside are still crisp and brand new looking so I don't think it was ever worn. The dress is a figure hugging sheath that is covered in hand applied copper sequins that easily number into the thousands. Once on, these catch the light fantastically and shimmer with every move. The dress is cut to cover you from head to toe. The sleeves are long and it is cut to follow the curves of the body. At the back, the skirt extends out past the floor for a little drama. Both the back and the front are cut wide across so you see a glimpse of your collar bones and then it plunges into deep V's. I love how the sequins form a little peak at the front center bust to add a little extra detailing there. The shoulders are spectacular. An iridescent copper silk taffeta has been pleated and then this is fanned out and around each shoulder to dramatically frame the shoulders and face. He has used three stacked layers to achieve this look and I took photos from the side so that you can see how they are set to wrap around and under each arm. It is absolutely magnificent. Excellent condition

Fully lined in a copper silk and closes with a back painted metal & nylon zipper. Each sleeve has its own individual zipper at the cuff. Tagged a FR38. The fabric has a little stretch as it is bias cut. It appears to have been worn very little if at all.

Sleeves: 23.5"
Shoulders: variable
Bust: to 18" flat across from side seam to side seam
Waist: 13-14" flat across from side seam to side seam
Hips: to 19.5" flat across from side seam to side seam
Length: 60" from shoulder to front hem, 63" to back hem

Modern Sizing Equivalent: SML-MED

Item# DD2874

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro founded his label in 1967 and quickly was dressing women like Raquel Welch, Brigette Bardot, Tina Turner, Liza Minnelli, Sophia Loren, Marisa Berenson and many more. His label gained international recognition and was known for his bright, clear colour choices and daring cuts. He once said in an interview; 'When a woman has found her style, she should stick to it. We forget too often that it is the dress that must serve the woman and not the opposite.' He is one of my favourite designers to find and with all of the emphasis on recreating these looks from the eighties by many modern designers you can't beat these original vintage version on terms of cut, style and quality. 

I love how this dress combines the sexiness of the fitted strapless dress with the drama of that flared skirt. The dress is made out of a printed silk taffeta that combines a bold pink with a deep purple in a soft washed print that covers the entire dress. The silk keeps it light in weight but at the same time is the perfect choice to help to hold the shape and give the dress structure. The top portion of the dress has been gathered in soft folds from the bust to just past the top of the hips. The folds are set to help to highlight the hourglass shape of the dress. They have the illusion of being wrapped around you and they are set on dramatic curves to really emphasize the shape of the body underneath. The neckline is strapless and the top of it curves over the bust to make a sweetheart neckline. The centre plunges down and is set to perfectly meet where the draping crosses over on each side. Inside the dress there is one of his signature built in strapless bras for extra support. The waist nips in beneath this and the shape you see is created by the cut rather then having a horizontal waist seam to break the line of the dress. The gathers continue down and over the top of the hips for shape. Below that the skirt flares out in soft folds and volume. There are two layers of the skirt and this lets the skirt move with your slightest move. It is even better on an actual body. Excellent condition.

Fully lined in a pink silk and closes at the back with a painted metal and nylon zipper. The bodice is boned and there is a strapless bra set into the inner bodice. Hand finishes throughout that are to the demi-couture standards his main line pieces were made to.

Bust: to 17.5" flat across from side seam to side seam
Waist: to 14.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Length: 34" from top peak of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3307

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with his use of ornate beading, sequins, unusual detailing, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. This is an extraordinary dress that is stunning in its own right and could be a fantastic option for a bride or as part of a more extensive wedding event.

The dress is like a magical fairy tale version of all that was amazing about this time period. It is made out of an off-white silky rayon base with three layers of white silk netting over that and another built in skirt under it. He used a white chenille fused onto the netting to detail and highlight the different aspects of the design and cut. On the strapless bodice it is set in rows that are stacked on top of each other to cover the entire bodice. On the sleeves and over the top layer of the skirt the chenille makes little circles and these are scattered over the netting. The very top layer of netting the skirt is finished with is cut to sit shorter then the other two underneath and this top layer has a scalloped finish along its edge. It is then finished with more chenille that follows the pretty curving line the scalloping creates. The cut of the dress is beautiful. The bodice is strapless and curves into a sweetheart neckline that dips low at the front. There is one of his signature inner built in and attached bras inside for support and additional boning along the sides. It is fitted and nips in at the waist. The skirt sweeps to the floor in a cascade of feather light silk netting under the bodice. I photoed the dress with a full length crinoline under it so that you can see the tremendous shape and volume it has. Without the addition of an underskirt the skirt would lie in a softer line. The skirt has enough volume that you can add an even fuller skirt to get a real bell shape if you wanted it to have an even more formal gown feel. The sleeves are magnificent. Each one is cut to sit far off and down your shoulder and is trimmed with a silk satin ribbon finish around the upper opening. They have tremendous volume through the sleeve with a huge and elaborate pouf to them. Each of them ends in an elaborate cuff with the same detailing using the chenille rows that the bodice has. They are the perfect finish to this high fantasy gown. The workmanship is incredible and it is absolutely beautiful. This would make an extraordinary wedding gown for the bride looking for something unique. Excellent condition

Fully lined in an ivory silky rayon and closes with a back zipper. Each sleeve has a zipper at the cuff. A built in bra though the bodice that hooks to close separately. The interior bodice is boned. An inner skirt has bands of stiffened netting set in rows to help hold the shape. The slightest bit of yellowing to the edge of the inner lining hem. You could easily add a panel/layers of tulle or silk tot he bottom if you needed more length

Bust: 17" flat across from side seam to side seam with about a B to C cup on the inner attached bra
Waist: 13" flat across from side seam to side seam
Hips: open
Bodice: 8.5" from top of bodice to waist
Skirt: 38" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3720

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with colour, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. By the eighties he was experimenting with volume and proportions and new fabrics that at the time were all cutting edge. This is a killer example of his work during this period and I also one in the shop in a black if the red one is too bold for you. I have dated this to 1987 after we found a reference photo of a model wearing an Azzaro dress with a very similar shoulder treatments. I love it 

This brilliant red dress is over the top dramatic and an absolute statement piece that will turn every head when you walk into a room. The bodice is hand draped into soft rounded gathers. It  is constructed to follow the curves of the body from the top of the neckline to below the hips. For the main body of the dress he has used a red jersey that has a touch of a metallic feeling finish to it so that it has a liquid effect. Inside is his signature black strapless underwire bralet that is sewn into the dress for support. The bodice is shaped into a low sweetheart curve and the gathers run horizontally down the body. Vertical hand done seams run all the way around to give the gathers a slight scooped feel. This keeps the draping from adding bulk and keep the focus on emphasizing your curves underneath. The low set skirt is made out of a metallic red textured silk that is set over layers of built in under skirting. The fabric of the lower skirt is placed to give the effect that it is wrapped and fanned around you. On each outer side the panels of the skirt lift up and away from the dress. These suggest flames in their shape and the colour. The same fabric and flame-like effect is then used to create a fan of fabric on one side of the bodice and this flares out dramatically up and over the front portion of the shoulder. It is very bold. In person the red and fabric are a touch richer and more textured feeling then how they photoed. Excellent condition.

Fully lined in a red silk with a built in bra though the bodice that hooks to close separately. It closes at the back with a painted metal and nylon zipper. The interior bodice is boned. Layers of tulle and silk underskirts under the low set skirt. The flame/fan detailing on the bodice has stiffening fabric inside to hold it up and it does tend to fall a bit. It would be easy to add additional wire or stiffening inside if you wanted it to really hold tall. Hand finished throughout

Bust: to 18" flat across from side seam to side seam
Waist: 14.5" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3587

Reference Photo: Model in Loris Azzaro, L'Officiel No. 734, September 1987.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Loris Azzaro launched his label in 1967 and quickly defined his trademark looks with colour, ornate beading, sequins, daring cut-outs and avant garde ways of defining the body. Some of the most beautiful women in the world wore his clothing including Marisa Berenson, Raquel Welch, Jane Birkin, Sophia Loren, Brigitte Bardot and Tina Turner. It was a label that defined sexiness and had a certain French flare that women world-wide loved. By the eighties he was experimenting with volume and proportions and new fabrics that at the time were all cutting edge. This is a killer example of his work during this period and I also have a similar version on the shop in a red if the black one is not bold enough for you. I have dated this to 1987 after we found a reference photo of a model wearing an Azzaro dress with a very similar shoulder treatments. I love it 

This dress is a statement piece that will turn every head when you walk into a room.  It is so bold and dramatic. The bodice is hand draped into soft rounded gathers. It is constructed to follow the curves of the body from the top of the neckline to below the hips. For the body of the dress he has used a black stretch jersey that has a touch of a sheen finish to it. Inside is his signature black strapless underwire bralet that is sewn into the dress for support. The bodice is shaped into a low sweetheart curve and the gathers run horizontally down the body. Vertical hand done seams were then added all the way around to give the gathers a slight scooped feel. This ensures that they don't add bulk tp you but are simply there to emphasize your curves underneath. The low set skirt is made out of a metallic black textured silk that is set over layers of built in under skirting. The fabric of the lower skirt is placed to give the effect that it is wrapped and fanned around you. On each outer side the panels of the skirt lift up and away from the dress. These suggest flames in their shape and the colour. The same fabric and flame-like effect is then used to create a fan of fabric on one side of the bodice and this flares out dramatically up and over the front portion of the shoulder. It is very dramatic and OTT. In person the fabric has a richer and more textured feeling then how it photoed. Excellent condition.

Fully lined in a black silk with a built in bra though the bodice that hooks to close separately. It closes at the back with a painted metal and nylon zipper. The interior bodice is boned. Layers of tulle and silk underskirts under the low set skirt. The flame/fan detailing on the bodice has wire inside to hold it up. It would be easy to add additional wire or stiffening inside if you wanted it to really hold even taller then it does now. Hand finished throughout

Bust: to 16.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam and the inner waist stay hooks slightly smaller then that
Hips: to 17" flat across from side seam to side seam
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: XS-SML

Item# DD3680

Reference Photo: Model in Loris Azzaro, L'Officiel No. 734, September 1987.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.