This is a slightly more dramatic version of Yves classic tuxedo suit. For the runway it was presented with a longer skirt and that one was shown for Look 38 of the Fall 2001 Haute Couture collection. My client ordered it with the pencil skirt you see so that she could have more options to wear it. The Fall 2001 collection was one of his final collections and to have a piece from this season is very special. Vogue noted that "Cocktail hour incorporated every possible variation on the tuxedo: There was a button-front dress, a smoking jacket that morphed into a full tulle skirt, and, naturally, an updated version of the masculine tux immortalized by Helmut Newton in the '70s." Yves play on the tuxedo and 'Le Smoking' suit is one of is most famous hallmarks that he first presented in 1966. His play on traditional menswear is lauded by many as 'having empowered women by giving them the option to wear clothes that were normally worn by men with influence and power'. I have included runway photos, video and a photo of the original sketch. The sketch shot includes the fabric swatches above as per his atelier records and you can see it is the same fabric as this one. It is extraordinary set and I love it.

The extra wide collar is what sets this one apart from the many versions he did over the years. It is so bold and yet still elegant and refined in feel. There is nothing quite like the experience of slipping on a tailored to perfection piece of true Haute Couture. It somehow feels different and the feeling is something you can only really experience for yourself. The construction on both pieces is meticulous and it has been sourced from the original couture client. These tuxedo suits were all done a play on a men's tuxedo in mind and then were shaped and tweaked by Yves to be immensely flattering on the female body. It's looks simple but has master level tailoring behind it. The jacket has this sleek cut to it that follows the curves of the body. It is slightly cropped to sit just at the top of the hip. The lower part of the collar is finished in a black matte satin. It's size has been exaggerated to make it the focal point. under that is a single faceted button. Pockets are top set on each side and the shoulders are shaped. The fabric has a fine ribbing to it and it holds the lines perfectly. The skirt is cut into a simple pencil shape. I love that you separate pieces which gives you the versatility of being able to mix and match each piece with other things you already own. It is also a suit that depending on how do you style it, it can easily work for either day or as an evening suit. Yves tuxedo suits changed the way the world approached woman's wear and any example of the Le Smoking version is particularly collectible. This is a wonderful example of his couture tailoring. Itis an important piece of fashion history from one of his final collections. It appears to have been worn very little if at all. Excellent condition

Both pieces are hand lined in a black silk. The jacket closes with a button at the front and the skirt closes with a zipper and hook & eye at the waist. There are two pockets on the jacket. Both pieces are completely made by hand to couture standards. All proper Haute Couture tags present

Jacket
Sleeves: 23"
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 23" from neck to hem at the front, 22 at the back

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 23.5" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3559

Reference Photos/Video: (1-7) Diana Gärtner for Yves Saint Laurent Fall 2001 Haute Couture Runway Collection. Look 38.  /  (8-9) Sketches for the Fall 2001 Yves Saint Laurent Couture Collection as shown in the "Yves Saint Laurent Haute Couture: The Complete Works" Book Set.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This might be one of the cutest dresses that Yves ever did and the print is of course an homage to his own French Bulldogs that he loved so much. Its twin walked the runway and was styled with a wide leather belt to really play on the proportions and cinch in the waist. It is one of my all time favourites and I am very pleased to have this wonderful dress in the shop for you.

This is gorgeous little dress. On the hanger it looks like nothing tell me a pill is that fantastic print. But it's just hits the body his genius with cut comes to life. The top is meant to be full and easy over you. The upper bodice is yoked on the front and the back and it has light padding in the shoulders for structure. A row of glossy white buttons closes the partial opening at the back of the neck. The waist is seamed and it is meant to blouse over top of it. If you decide to add a belt like they did on the runway it will really emphasize the waist and the volume above even more. This skirt is cut to be slightly fuller around the hips and then narrows down slightly as it reaches the hem. I love the slash pocket sit on each hip. The sleeve incredible. They come out from the top of the shoulder where they're slightly gathered and they are cut to come out from just above the waist and narrow down to an elastic cuff. This makes them incredibly full and when you push the up to just past the elbow they are even fuller as you can see in the reference photos. It's just a beautiful little dress and perfectly represents this time period. Excellent condition with a small note below.

Unlined and closes with a side set zipper. Three buttons at the back of the neck to close the small opening there. Elastic in each cuff. There is the tiniest bit of yellowing to one of the bulldog prints at the neckline and I see a repair at the top of the side zipper. It is completely hidden once in by the volume of the sleeves. Please see the photos after the label shot. Tagged a vintage YSL 40. It's oversized cut should work on smaller frames too

Sleeves: 17" and will pouf up more when on
Extended shoulders: 18"
Bust: open with no true side seams
Waist: 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 18" from top of bodice to waist and will pouf up when on
Skirt: 24.5" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD4197

Reference Photos: Spring 1987 Yves Saint Laurent Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful cape is from the Fall 1977 collection and several versions of it were shown on the runway that season. We found its runway twin in the same black as this and shots of a similar pom pom corded red and a blue version as well. The cape was also used for the ad campaign that year making it an integral piece of the Fall 1977 collection. I personally a twin of this exact black version myself and have worn at countless times. It's literally the perfect thing to pop over a dress at night time and so easy to wear.

The cape is in a very versatile black colour and the fabric is extremely soft and cozy. It feels like the fabric is a mix of a soft wool and mohair. It is so easy to wear. You just slip it over your shoulders and it drapes in place. A wide set ruffle extends out from the neck and drapes over your shoulders for added detail and drama. A black braided rope circles through the loop around the neck and you use this to control how loose or tight it sits. At the end of each braided rope is a fringed tassel that give a bit of movement when you move. There is a ton of fabric in the body of the cape so that when you move you get wonderful movement as it floats and billows around you. The cut is impeccable and it is a great piece of documented fashion history. Excellent condition

Unlined and drapes over the shoulder to wear with a tie at the neck as described. The easy open cut should allow fit just about any size

Length: 54" from shoulder to hem

Modern Sizing Equivalent: OSFA

Item# C603

Reference Photos: Fall 1977 Yves Saint Laurent Runway & Ad.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the runway for the Fall 1982 show and I love that we found photos of it for you so you can see just how spectacular it is one and how the sleeves sit once on a body. This silhouette with its dramatic sleeves and full skirts was an important element for that season. It is just a stunning example of one of his most recognized looks.

The dress is made from a combination of two of his favorite fabrics, silk taffeta and silk velvet. These became signatures of his and ran through his collections from the start of his career to the finish. It is a stunning piece. The top is cut to skim over the bust with a scooped neckline at the front. It is seamed at the waist and then extends down over the top of the hips. There is an attached silk taffeta sash that wraps around the waist and cinches you in for added shape and detail at the waist. The sleeves are full with a beautiful sweeping cut that starts at the shoulders and remains full to just past the elbow. At that point the fabric changes to to a velvet. Four glossy dome buttons  detail the lower part of the sleeve. These are meant to be pushed up slightly to exaggerate that pouf of the upper sleeve even more. The skirt falls from under the velvet and it is beautifully full. The photos do not really do the amount of fabric in the skirt full justice. I love that under the top purple layer of silk there is a lining finished in a coral red silk taffeta. You don't see that inner layer when you are standing, but when you sit or move just right, you get that extra flash of color. It's a small detail that I am obsessed with. The fabric choices helps keep the intended shape and volume. Pieces by Yves from this time period have become an important piece of fashion history and having documentation like this one has makes it that much better. Excellent condition.

Fully lined through the bodice in a black silk satin. The skirt is lined in a deep red silk taffeta and the sleeves are unlined. It closes at the side with a metal and nylon zipper and each cuff buttons to close. The sash is attached at the back. Slight flattening to the velvet here and there along the waist seam that is covered by the belt once on. Tagged a vintage YSL 40.

Sleeves: 29"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 17" from shoulder to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2856

Reference Photos: (1-2) Fall 1982 Yves Saint Laurent Runway.  /  (3) Alice Englert wearing this dress for Harper's Bazaar, 2023.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves Saint Laurent opened his first ready-to-wear boutique on September 26, 1966 in Paris. For the opening he showcased his Fall 1966 Rive Gauche collection but what a lot of people don’t know is that he already had a rtw line. He created his first ready-to-wear collection for the Fall of 1964 with an in-house boutique collection of 35 designs including accessories. This dress is from one of those extremely rare collections that pre-dates the opening of the shop. It is from the Spring 1966 collection and represents one of the earliest ready-to-wear pieces he would have made. Because it pre-dates the actual boutique opening it would have only been made available to you if you were an existing couture client. Only a few of these would have been made. The numbers are probably along the same lines as the couture pieces as far as quantity. This one is extra special because it’s documented which is even more rare. We found a copy of the original sketch and fabric samples in one of the the Saint Laurent books and even they did not have the actual dress to show with that sketch. He did two pieces for the collection in this fabric. The first photo after the label shot here is the twin to this dress and the second is the other similar one that was a part of this collection. Finding a piece that was a forerunner to the boutique launch when that boutique concept went on to revolutionize the world of fashion is truly something truly special. This is a dress made valuable by its place in history.

The dress is beautiful in its simplicity. It is made out of a loose woven cotton feeling fabric that has a stunning and vivid floral print screen onto it. The print is the same that you see in the sketch fabric samples in the attached reference photo. It is a bright combination of blue, green, pinks, corals and yellows all done in an intricate floral pattern that covers the entire dress.The sleeves are cut to go to just past the elbow and are cuffed. On the cuff they have two sets of little snaps spaced close to each other so you can bring the cuff in a little bit to hold them in place in case you wear them pushed up higher on the arm. Above that they pouf out above the cuffs for a pretty fullness. The neckline is scooped at the front and at the back. At the back that scoop dips a little lower for a bit of skin to show. I love how it buttons to close above the zipper at the back with two matching fabric buttons. At the front there is a seam that is set just under the bust. You were meant to tie a ribbon under there as you can see in the sketch. I added a pretty blue grosgrain ribbon but you could add any colour ribbon that picks up on any of the colours of the dress or the accessories you choose to wear with the dress. The dress falls from there and widens out to be very loose and easy over the waist and hips before falling down to the floor. This beautiful A-line baby doll feel is a perfect representation of this era. It would have been the height of chic to wear this shape of dress at the time and its still a classic silhouette now. I photoed the dress without any ribbon so you could see how it looks that way and I also took a shot of it with the ribbon tied around the natural waist. The look of the dress changes completely depending on which of the three ways you wear it and I love the versatility that this adds. The simplicity of the cut lets that stunning floral design take center stage. This is a stunning museum worthy example of his earliest RTW work and it is fabulous. Excellent condition with one tiny note below

Fully lined in a black silk and closes at the back with a zipper and buttons above that. Each cuff has snaps as seen in the photo before the label shot. The hem is finished with a finished edged seam and may have been let down at some point. There is a tiny area on the bodice where a couple of the threads of the weave have broken. It is backed by the lining so only seen upon close inspection but I am pointing it out for accuracy. Please see the photo after the label shot

Sleeves: 23"
Shoulders: approx 15"
Bust: 17.5" flat across from side seam to side seam
Seam under bust: 17.5" flat across from side seam to side seam
Natural waist: to 20" flat across from side seam to side seam
Hips: to 22.5" flat across from side seam to side seam
Bodice: 9.5" from top of shoulder to seam under the bust
Skirt: 48" from seam under the bust to hem

Modern Sizing Equivalent: XS-MED

Item# DD4171

Reference Photos: Drawings of the Fall 1966 Yves Saint Laurent Collection. From the book "Saint Laurent Rive Gauche Fashion Revolution."

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a slightly more dramatic version of Yves classic tuxedo suit. For the runway it was presented with a longer skirt and that one was shown for Look 38 of the Fall 2001 Haute Couture collection. My client ordered it with the pencil skirt you see so that she could have more options to wear it. The Fall 2001 collection was one of his final collections and to have a piece from this season is very special. Vogue noted that "Cocktail hour incorporated every possible variation on the tuxedo: There was a button-front dress, a smoking jacket that morphed into a full tulle skirt, and, naturally, an updated version of the masculine tux immortalized by Helmut Newton in the '70s." Yves play on the tuxedo and 'Le Smoking' suit is one of is most famous hallmarks that he first presented in 1966. His play on traditional menswear is lauded by many as 'having empowered women by giving them the option to wear clothes that were normally worn by men with influence and power'. I have included runway photos, video and a photo of the original sketch. The sketch shot includes the fabric swatches above as per his atelier records and you can see it is the same fabric as this one. It is extraordinary set and I love it.

The extra wide collar is what sets this one apart from the many versions he did over the years. It is so bold and yet still elegant and refined in feel. There is nothing quite like the experience of slipping on a tailored to perfection piece of true Haute Couture. It somehow feels different and the feeling is something you can only really experience for yourself. The construction on both pieces is meticulous and it has been sourced from the original couture client. These tuxedo suits were all done a play on a men's tuxedo in mind and then were shaped and tweaked by Yves to be immensely flattering on the female body. It's looks simple but has master level tailoring behind it. The jacket has this sleek cut to it that follows the curves of the body. It is slightly cropped to sit just at the top of the hip. The lower part of the collar is finished in a black matte satin. It's size has been exaggerated to make it the focal point. under that is a single faceted button. Pockets are top set on each side and the shoulders are shaped. The fabric has a fine ribbing to it and it holds the lines perfectly. The skirt is cut into a simple pencil shape. I love that you separate pieces which gives you the versatility of being able to mix and match each piece with other things you already own. It is also a suit that depending on how do you style it, it can easily work for either day or as an evening suit. Yves tuxedo suits changed the way the world approached woman's wear and any example of the Le Smoking version is particularly collectible. This is a wonderful example of his couture tailoring. Itis an important piece of fashion history from one of his final collections. It appears to have been worn very little if at all. Excellent condition

Both pieces are hand lined in a black silk. The jacket closes with a button at the front and the skirt closes with a zipper and hook & eye at the waist. There are two pockets on the jacket. Both pieces are completely made by hand to couture standards. All proper Haute Couture tags present

Jacket
Sleeves: 23"
Shoulders: 15"
Bust: to 19" flat across from side seam to side seam
Waist: to 17" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 23" from neck to hem at the front, 22 at the back

Skirt
Waist: 15" flat across from side seam to side seam
Hips: 20" flat across from side seam to side seam
Length: 23.5" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3559

Reference Photos/Video: (1-7) Diana Gärtner for Yves Saint Laurent Fall 2001 Haute Couture Runway Collection. Look 38.  /  (8-9) Sketches for the Fall 2001 Yves Saint Laurent Couture Collection as shown in the "Yves Saint Laurent Haute Couture: The Complete Works" Book Set.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This might be one of the cutest dresses that Yves ever did and the print is of course an homage to his own French Bulldogs that he loved so much. Its twin walked the runway and was styled with a wide leather belt to really play on the proportions and cinch in the waist. It is one of my all time favourites and I am very pleased to have this wonderful dress in the shop for you.

This is gorgeous little dress. On the hanger it looks like nothing tell me a pill is that fantastic print. But it's just hits the body his genius with cut comes to life. The top is meant to be full and easy over you. The upper bodice is yoked on the front and the back and it has light padding in the shoulders for structure. A row of glossy white buttons closes the partial opening at the back of the neck. The waist is seamed and it is meant to blouse over top of it. If you decide to add a belt like they did on the runway it will really emphasize the waist and the volume above even more. This skirt is cut to be slightly fuller around the hips and then narrows down slightly as it reaches the hem. I love the slash pocket sit on each hip. The sleeve incredible. They come out from the top of the shoulder where they're slightly gathered and they are cut to come out from just above the waist and narrow down to an elastic cuff. This makes them incredibly full and when you push the up to just past the elbow they are even fuller as you can see in the reference photos. It's just a beautiful little dress and perfectly represents this time period. Excellent condition with a small note below.

Unlined and closes with a side set zipper. Three buttons at the back of the neck to close the small opening there. Elastic in each cuff. There is the tiniest bit of yellowing to one of the bulldog prints at the neckline and I see a repair at the top of the side zipper. It is completely hidden once in by the volume of the sleeves. Please see the photos after the label shot. Tagged a vintage YSL 40. It's oversized cut should work on smaller frames too

Sleeves: 17" and will pouf up more when on
Extended shoulders: 18"
Bust: open with no true side seams
Waist: 13.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: 18" from top of bodice to waist and will pouf up when on
Skirt: 24.5" from waist to hem

Modern Sizing Equivalent: XS-MED

Item# DD4197

Reference Photos: Spring 1987 Yves Saint Laurent Runway.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This wonderful cape is from the Fall 1977 collection and several versions of it were shown on the runway that season. We found its runway twin in the same black as this and shots of a similar pom pom corded red and a blue version as well. The cape was also used for the ad campaign that year making it an integral piece of the Fall 1977 collection. I personally a twin of this exact black version myself and have worn at countless times. It's literally the perfect thing to pop over a dress at night time and so easy to wear.

The cape is in a very versatile black colour and the fabric is extremely soft and cozy. It feels like the fabric is a mix of a soft wool and mohair. It is so easy to wear. You just slip it over your shoulders and it drapes in place. A wide set ruffle extends out from the neck and drapes over your shoulders for added detail and drama. A black braided rope circles through the loop around the neck and you use this to control how loose or tight it sits. At the end of each braided rope is a fringed tassel that give a bit of movement when you move. There is a ton of fabric in the body of the cape so that when you move you get wonderful movement as it floats and billows around you. The cut is impeccable and it is a great piece of documented fashion history. Excellent condition

Unlined and drapes over the shoulder to wear with a tie at the neck as described. The easy open cut should allow fit just about any size

Length: 54" from shoulder to hem

Modern Sizing Equivalent: OSFA

Item# C603

Reference Photos: Fall 1977 Yves Saint Laurent Runway & Ad.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

The twin of this dress walked the runway for the Fall 1982 show and I love that we found photos of it for you so you can see just how spectacular it is one and how the sleeves sit once on a body. This silhouette with its dramatic sleeves and full skirts was an important element for that season. It is just a stunning example of one of his most recognized looks.

The dress is made from a combination of two of his favorite fabrics, silk taffeta and silk velvet. These became signatures of his and ran through his collections from the start of his career to the finish. It is a stunning piece. The top is cut to skim over the bust with a scooped neckline at the front. It is seamed at the waist and then extends down over the top of the hips. There is an attached silk taffeta sash that wraps around the waist and cinches you in for added shape and detail at the waist. The sleeves are full with a beautiful sweeping cut that starts at the shoulders and remains full to just past the elbow. At that point the fabric changes to to a velvet. Four glossy dome buttons  detail the lower part of the sleeve. These are meant to be pushed up slightly to exaggerate that pouf of the upper sleeve even more. The skirt falls from under the velvet and it is beautifully full. The photos do not really do the amount of fabric in the skirt full justice. I love that under the top purple layer of silk there is a lining finished in a coral red silk taffeta. You don't see that inner layer when you are standing, but when you sit or move just right, you get that extra flash of color. It's a small detail that I am obsessed with. The fabric choices helps keep the intended shape and volume. Pieces by Yves from this time period have become an important piece of fashion history and having documentation like this one has makes it that much better. Excellent condition.

Fully lined through the bodice in a black silk satin. The skirt is lined in a deep red silk taffeta and the sleeves are unlined. It closes at the side with a metal and nylon zipper and each cuff buttons to close. The sash is attached at the back. Slight flattening to the velvet here and there along the waist seam that is covered by the belt once on. Tagged a vintage YSL 40.

Sleeves: 29"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Bodice: 17" from shoulder to waist
Skirt: 43.5" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD2856

Reference Photos: (1-2) Fall 1982 Yves Saint Laurent Runway.  /  (3) Alice Englert wearing this dress for Harper's Bazaar, 2023.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves Saint Laurent opened his first ready-to-wear boutique on September 26, 1966 in Paris. For the opening he showcased his Fall 1966 Rive Gauche collection but what a lot of people don’t know is that he already had a rtw line. He created his first ready-to-wear collection for the Fall of 1964 with an in-house boutique collection of 35 designs including accessories. This dress is from one of those extremely rare collections that pre-dates the opening of the shop. It is from the Spring 1966 collection and represents one of the earliest ready-to-wear pieces he would have made. Because it pre-dates the actual boutique opening it would have only been made available to you if you were an existing couture client. Only a few of these would have been made. The numbers are probably along the same lines as the couture pieces as far as quantity. This one is extra special because it’s documented which is even more rare. We found a copy of the original sketch and fabric samples in one of the the Saint Laurent books and even they did not have the actual dress to show with that sketch. He did two pieces for the collection in this fabric. The first photo after the label shot here is the twin to this dress and the second is the other similar one that was a part of this collection. Finding a piece that was a forerunner to the boutique launch when that boutique concept went on to revolutionize the world of fashion is truly something truly special. This is a dress made valuable by its place in history.

The dress is beautiful in its simplicity. It is made out of a loose woven cotton feeling fabric that has a stunning and vivid floral print screen onto it. The print is the same that you see in the sketch fabric samples in the attached reference photo. It is a bright combination of blue, green, pinks, corals and yellows all done in an intricate floral pattern that covers the entire dress.The sleeves are cut to go to just past the elbow and are cuffed. On the cuff they have two sets of little snaps spaced close to each other so you can bring the cuff in a little bit to hold them in place in case you wear them pushed up higher on the arm. Above that they pouf out above the cuffs for a pretty fullness. The neckline is scooped at the front and at the back. At the back that scoop dips a little lower for a bit of skin to show. I love how it buttons to close above the zipper at the back with two matching fabric buttons. At the front there is a seam that is set just under the bust. You were meant to tie a ribbon under there as you can see in the sketch. I added a pretty blue grosgrain ribbon but you could add any colour ribbon that picks up on any of the colours of the dress or the accessories you choose to wear with the dress. The dress falls from there and widens out to be very loose and easy over the waist and hips before falling down to the floor. This beautiful A-line baby doll feel is a perfect representation of this era. It would have been the height of chic to wear this shape of dress at the time and its still a classic silhouette now. I photoed the dress without any ribbon so you could see how it looks that way and I also took a shot of it with the ribbon tied around the natural waist. The look of the dress changes completely depending on which of the three ways you wear it and I love the versatility that this adds. The simplicity of the cut lets that stunning floral design take center stage. This is a stunning museum worthy example of his earliest RTW work and it is fabulous. Excellent condition with one tiny note below

Fully lined in a black silk and closes at the back with a zipper and buttons above that. Each cuff has snaps as seen in the photo before the label shot. The hem is finished with a finished edged seam and may have been let down at some point. There is a tiny area on the bodice where a couple of the threads of the weave have broken. It is backed by the lining so only seen upon close inspection but I am pointing it out for accuracy. Please see the photo after the label shot

Sleeves: 23"
Shoulders: approx 15"
Bust: 17.5" flat across from side seam to side seam
Seam under bust: 17.5" flat across from side seam to side seam
Natural waist: to 20" flat across from side seam to side seam
Hips: to 22.5" flat across from side seam to side seam
Bodice: 9.5" from top of shoulder to seam under the bust
Skirt: 48" from seam under the bust to hem

Modern Sizing Equivalent: XS-MED

Item# DD4171

Reference Photos: Drawings of the Fall 1966 Yves Saint Laurent Collection. From the book "Saint Laurent Rive Gauche Fashion Revolution."

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.