This a great little black dress by Yves Saint Laurent. It is strapless and cut to hug your curves. The fabric is a black cotton that is heavy enough to give the dress some structure. To put it on you first do up the bandeau that is inside the dress. This is made from a black muslin and this inside piece zips into place so that the dress is held securely around you. Then you simply button it up down the front. I love the flap finish that runs all the way around the top of the dress. There are two big pockets on each hip that are finished with that same exaggerated flap. They not only add detailing but also add the illusion of more shape. The flap at the top adds shape to the bust and the ones on the pockets help to give the hips a flare out for an hourglass feel. The hem is cut short to that you get miles of legs showing. Everything about the cut of the dress is done to highlight the curves of the body. It is wonderful. Excellent condition

Unlined with an attached interior bandeau as described above. Buttons to close. Pockets are functional. The fabric has a very very slight fade feel to it at some or the edges that is a natural component of this fabric as it ages. 

Bust: to 17" flat across from side seam to side seam
Waist at inner waist stay: 14.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 26.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3641

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an iconic and classic look from the Rive Gauche collection. I have dated this one to the 1977 collection based on the version of the label and print that is similar to the one in the reference photo I have included here. That shot was used for the ad campaign that year.

These are so easy to wear and very comfortable. You just slip this on and you are ready to go. This can also be belted to add shaped and bring the length up which gives the dress a lot of versatility and styling options. They are a play on the smock style dress combine with that classic Yves Saint Laurent signature style of this time period. This one is made out of a scarf weight silk that is a soft and fluid silk. Around the neckline is a black cotton velvet bib that is edged with cording and closes at the very front with five glossy black domed buttons. The sleeves are full and ballon out above their velvet trimmed cuffs. The body of the dress is cut loose and easy with a low dropped seam to separate out the skirt and to tie all the velvet parts together. The skirt is constructed with lots of fullness so that it has a little extra swing. It really transforms when on an actual body. This is classic YSL and a great piece of fashion history. Excellent condition

Unlined and slips on to wear. Buttons at the neck with five button and loops. Pockets on each hip t the seams. tagged a 36 bit the cut is generous so should fit a range of sizes. Meant to be oversized on the body. 

Sleeves: 24"
Shoulders: the velvet part is 14" and there are no real side seams on the silk part
Bust: to 24" flat across from side seam to side seam
Waist: to 26" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 45" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3639

Reference Photos: (1) F/W 1977 Yves Saint Laurent Rive Gauche.  /  (2) Yves Saint Laurent, L'Officiel, 1981.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves play on the tuxedo and 'Le Smoking' suit is one of his most famous hallmarks. He first presented the now famous suit in 1966. His play on traditional menswear is lauded by many as 'having empowered women by giving them the option to wear clothes that were normally worn by men with influence and power'. This is a stunning example from the Rive Gauche collection of 1992. It was captured on Beverly Peele backstage at the show and you can see in that photo how stunning this is on.

This one has a full length skirt in a rich silk that beautifully balances the cut of the jacket. Yves did variations of this suit every season for both his Couture and Rive Gauche presentations and mixed the play on a men's tuxedo jacket with skirts and pants of varying lengths and cuts. They were shaped and tweaked by Yves to be immensely flattering on the female body. I love this more formal full length skirt version and the fact that you can mix and match the pieces. That combined with the sequins on the jacket make the suit feel so bold and yet still elegant and refined in feel. The jacket is tailored with a sleek cut that follows the curves of the body. It has his signature matte satin tuxedo collar. Yves produced many versions of this suit over the years but what I find remarkable is that each version is distinct in how it closes at the front and the way that the collar is shaped. This one has one over-sized faceted and glossy jet button below that amazing collar. Two flap pockets are top set on the hips and the shoulders are sharp and perfectly padded. The entire jacket except for the collar was then covered in a dense application of glossy black sequins. This catches the light and is fabulous in person. The skirt is cut in a long column of the same silk used for the collar of the jacket. It falls to the floor in a long and lean line and there are pockets hidden on each hip. His suits change the way we approach woman's wear and any example of the Le Smoking version is collectible. They are a particularly wonderful example of how strong his tailoring was and vision for a woman's place in the world. This is an important piece of fashion history. Excellent condition

Both pieces are lined in a black silk. The jacket has a single button at the front to close. The skirt has a zipper and hook & eye at the waist with pockets on each hip. Two pockets on the jacket that still have most of their original tacking to keep them closed. Padding in each shoulder It looks to have been worn very little if at all. The jacket is tagged a 36 and the skirt has no size tag present.

Jacket
Sleeves: 24"
Padded shoulders: 16"
Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 23" from neck to hem at the front, 22 at the back

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: open
Length: 43.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3624

Reference Photo: Beverly Peele wearing Yves Saint Laurent. Photo by Roxanne Lowit, 1992. (As seen in the book "Roxanne Lowit Photographs Yves Saint Laurent".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fantastic piece by Yves Saint Laurent that manages to feel refined and chic, yet very bold at the same time. This is a piece that would have been produced in the early 1970s and shows all the hallmarks of his work during this time period. The body of the sweater is made of a wool mix and I love how it blends a deep rusty red with a darker taupe colour. This gives the piece a very chic country feel. It is cut to cut long and straight through the body with no waist so that it creates a simple line that stops at the top of the hips. If you wanted more shape you could easily belt it. Front pockets sit low on the front on eithor side of the buttons. The buttons themselves are round and thick and are a deep charcoal meant to highlight the fur trim. The fur circles around the tops of each arm and is a soft and supple black fox. This adds unexpected volume to the top. This came from a woman who was very fashionable and regularly bought couture and high end and her pieces were well stored. Excellent condition  

Unlined and closes down the front with the buttons you see. Tagged medium. The pockets at the front are shallow but functional. There is the slightest of wear to the edges of the fur but I am being extremely picky. 

Slightly dropped shoulders: 17"
Bust-hips: 19" flat across from side seam to side seam
Length: 28" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# S926

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur pieces are final sale.

This dress comes directly from the original couture client and is an exceptional example of Laurent's Haute Couture work that he was doing during this time period. Finding pieces from this time period in such wonderful condition is a rarity and I am very pleased to have this beautiful dress in the shop. I did extensive research on this one and though I found some similar references from a couple of collections that dated to the same time period that my client's mother as shopping at, I was unable to find any photo of this exact dress. There was a similar lace used in both the Fall 1885 and Fall 1986 collections (which historically was a bit avant garge for the time period as lace had not been seen in couture for some time at that point). Similar colour combination were seen in the Fall of 1989 and for the Fall of 1991. The 1991 collection also features a couple of laces that were similar and that clue, combined with the colour usual for that collection and the number on the label makes me feel that it is most likely dates to 1991. This is also in line with the years that she was actively buying couture. She was a good enough client that there is a high possibility that this was a one-off that was made just for her and is the only one like it made. It is very beautiful and made more towards his aesthetic where he made the dresses to be very tailored and structure as opposed to his opposite side when he did pieces that were more along a drape and flow construction. This is a a dress that truly needs an actual body in to to come to life. It is extraordinary 

The bodice of the dress is highly structured and the choice of silk taffeta allows Yves to mold and shape the sleeves and bodice like sculpture. It is cut to be worn completely off the shoulder so that you get that full bare expanse of skin. A wide band of a deep fuchsia pink silk taffeta, that has a touch of a purple undertone to it, runs across the top of the bodice and then extends down to form each sleeve. He has manipulated and gathered the fabric into folds along the entire length of each arm. The remainder of the bodice is also constructed from a silk taffeta but this time in deep burnt copper that has a touch of a metallic glow to its finish. This too is gathered along each side so that there are soft pleats that lay across and around you. I love how the eye gathers feel cohesive from the body to the arms but the colour gives contrast and the gathers are set slightly different so that you have a slight change in how the texture feels. The skirt comes out from the waist and is a very formal feeling skirt that is attached into the waist with soft pleats that open up to allow it to be quite wide by the time it reaches the hem. The underskirt part is a beautiful rich purple. The purple silk is then covered in a layer of black French lace that has a stunning floral design set within medallions. These run over the lace and are repeated throughout to create the beautiful pattern that you see. I love that the bottom edge of the lace follows the curving shape of the design that is in the lace. His finishing touch is done with a wide silk ribbon in a bright green that wraps and ties around the waist. I love this unusual colour combination. You could also easily wear it without the sash or change it for a more structure belt to add more shape. It is very elegant and yet the bare shoulders add a touch of sexiness. I very much love this side of his work where he works within a strong, shaped silhouette and then created a gown to his exact intentions. Excellent condition 

Fully lined through the bodice in a fine black silk satin. There is a built in silk covered elastic that is attached and wired right between the breast for a slight bit of support and then wraps around you and hooks to close. It closes with a side set zipper and has an inner waist stay that hooks to close. There is a series of snaps above the zipper that run under the arm seam so it opens enough to get into it. Each sleeve zips to close at the wrist. The exterior layer of the skirt closes with its own a hand set side zipper. The silk ribbon belt is tacked into place on either side of the waist. On the interior of the skirt at the inner waist the fabric has been folded down and it looks like it would be possible to lengthen the skirt from there by just about 4" but the side skirt zipper would need to be reset if you did that. There is perhaps a touch of dusting on the fabric on the folds under each arm. So minor I am just being crazy picky because it is couture. Done with Haute Couture construction techniques.

Sleeves: 20" from where they start off the shoulder 
Bust: to 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 54" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3598

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This a great little black dress by Yves Saint Laurent. It is strapless and cut to hug your curves. The fabric is a black cotton that is heavy enough to give the dress some structure. To put it on you first do up the bandeau that is inside the dress. This is made from a black muslin and this inside piece zips into place so that the dress is held securely around you. Then you simply button it up down the front. I love the flap finish that runs all the way around the top of the dress. There are two big pockets on each hip that are finished with that same exaggerated flap. They not only add detailing but also add the illusion of more shape. The flap at the top adds shape to the bust and the ones on the pockets help to give the hips a flare out for an hourglass feel. The hem is cut short to that you get miles of legs showing. Everything about the cut of the dress is done to highlight the curves of the body. It is wonderful. Excellent condition

Unlined with an attached interior bandeau as described above. Buttons to close. Pockets are functional. The fabric has a very very slight fade feel to it at some or the edges that is a natural component of this fabric as it ages. 

Bust: to 17" flat across from side seam to side seam
Waist at inner waist stay: 14.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 26.5" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3641

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is an iconic and classic look from the Rive Gauche collection. I have dated this one to the 1977 collection based on the version of the label and print that is similar to the one in the reference photo I have included here. That shot was used for the ad campaign that year.

These are so easy to wear and very comfortable. You just slip this on and you are ready to go. This can also be belted to add shaped and bring the length up which gives the dress a lot of versatility and styling options. They are a play on the smock style dress combine with that classic Yves Saint Laurent signature style of this time period. This one is made out of a scarf weight silk that is a soft and fluid silk. Around the neckline is a black cotton velvet bib that is edged with cording and closes at the very front with five glossy black domed buttons. The sleeves are full and ballon out above their velvet trimmed cuffs. The body of the dress is cut loose and easy with a low dropped seam to separate out the skirt and to tie all the velvet parts together. The skirt is constructed with lots of fullness so that it has a little extra swing. It really transforms when on an actual body. This is classic YSL and a great piece of fashion history. Excellent condition

Unlined and slips on to wear. Buttons at the neck with five button and loops. Pockets on each hip t the seams. tagged a 36 bit the cut is generous so should fit a range of sizes. Meant to be oversized on the body. 

Sleeves: 24"
Shoulders: the velvet part is 14" and there are no real side seams on the silk part
Bust: to 24" flat across from side seam to side seam
Waist: to 26" flat across from side seam to side seam
Hips: to 24" flat across from side seam to side seam
Length: 45" from neck to hem

Modern Sizing Equivalent: XS-MED

Item# DD3639

Reference Photos: (1) F/W 1977 Yves Saint Laurent Rive Gauche.  /  (2) Yves Saint Laurent, L'Officiel, 1981.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Yves play on the tuxedo and 'Le Smoking' suit is one of his most famous hallmarks. He first presented the now famous suit in 1966. His play on traditional menswear is lauded by many as 'having empowered women by giving them the option to wear clothes that were normally worn by men with influence and power'. This is a stunning example from the Rive Gauche collection of 1992. It was captured on Beverly Peele backstage at the show and you can see in that photo how stunning this is on.

This one has a full length skirt in a rich silk that beautifully balances the cut of the jacket. Yves did variations of this suit every season for both his Couture and Rive Gauche presentations and mixed the play on a men's tuxedo jacket with skirts and pants of varying lengths and cuts. They were shaped and tweaked by Yves to be immensely flattering on the female body. I love this more formal full length skirt version and the fact that you can mix and match the pieces. That combined with the sequins on the jacket make the suit feel so bold and yet still elegant and refined in feel. The jacket is tailored with a sleek cut that follows the curves of the body. It has his signature matte satin tuxedo collar. Yves produced many versions of this suit over the years but what I find remarkable is that each version is distinct in how it closes at the front and the way that the collar is shaped. This one has one over-sized faceted and glossy jet button below that amazing collar. Two flap pockets are top set on the hips and the shoulders are sharp and perfectly padded. The entire jacket except for the collar was then covered in a dense application of glossy black sequins. This catches the light and is fabulous in person. The skirt is cut in a long column of the same silk used for the collar of the jacket. It falls to the floor in a long and lean line and there are pockets hidden on each hip. His suits change the way we approach woman's wear and any example of the Le Smoking version is collectible. They are a particularly wonderful example of how strong his tailoring was and vision for a woman's place in the world. This is an important piece of fashion history. Excellent condition

Both pieces are lined in a black silk. The jacket has a single button at the front to close. The skirt has a zipper and hook & eye at the waist with pockets on each hip. Two pockets on the jacket that still have most of their original tacking to keep them closed. Padding in each shoulder It looks to have been worn very little if at all. The jacket is tagged a 36 and the skirt has no size tag present.

Jacket
Sleeves: 24"
Padded shoulders: 16"
Bust: to 18" flat across from side seam to side seam
Waist: to 14" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Length: 23" from neck to hem at the front, 22 at the back

Skirt
Waist: 12.5" flat across from side seam to side seam
Hips: open
Length: 43.5" from waist to hem

Modern Sizing Equivalent: XS-SML

Item# DD3624

Reference Photo: Beverly Peele wearing Yves Saint Laurent. Photo by Roxanne Lowit, 1992. (As seen in the book "Roxanne Lowit Photographs Yves Saint Laurent".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fantastic piece by Yves Saint Laurent that manages to feel refined and chic, yet very bold at the same time. This is a piece that would have been produced in the early 1970s and shows all the hallmarks of his work during this time period. The body of the sweater is made of a wool mix and I love how it blends a deep rusty red with a darker taupe colour. This gives the piece a very chic country feel. It is cut to cut long and straight through the body with no waist so that it creates a simple line that stops at the top of the hips. If you wanted more shape you could easily belt it. Front pockets sit low on the front on eithor side of the buttons. The buttons themselves are round and thick and are a deep charcoal meant to highlight the fur trim. The fur circles around the tops of each arm and is a soft and supple black fox. This adds unexpected volume to the top. This came from a woman who was very fashionable and regularly bought couture and high end and her pieces were well stored. Excellent condition  

Unlined and closes down the front with the buttons you see. Tagged medium. The pockets at the front are shallow but functional. There is the slightest of wear to the edges of the fur but I am being extremely picky. 

Slightly dropped shoulders: 17"
Bust-hips: 19" flat across from side seam to side seam
Length: 28" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# S926

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur pieces are final sale.

This dress comes directly from the original couture client and is an exceptional example of Laurent's Haute Couture work that he was doing during this time period. Finding pieces from this time period in such wonderful condition is a rarity and I am very pleased to have this beautiful dress in the shop. I did extensive research on this one and though I found some similar references from a couple of collections that dated to the same time period that my client's mother as shopping at, I was unable to find any photo of this exact dress. There was a similar lace used in both the Fall 1885 and Fall 1986 collections (which historically was a bit avant garge for the time period as lace had not been seen in couture for some time at that point). Similar colour combination were seen in the Fall of 1989 and for the Fall of 1991. The 1991 collection also features a couple of laces that were similar and that clue, combined with the colour usual for that collection and the number on the label makes me feel that it is most likely dates to 1991. This is also in line with the years that she was actively buying couture. She was a good enough client that there is a high possibility that this was a one-off that was made just for her and is the only one like it made. It is very beautiful and made more towards his aesthetic where he made the dresses to be very tailored and structure as opposed to his opposite side when he did pieces that were more along a drape and flow construction. This is a a dress that truly needs an actual body in to to come to life. It is extraordinary 

The bodice of the dress is highly structured and the choice of silk taffeta allows Yves to mold and shape the sleeves and bodice like sculpture. It is cut to be worn completely off the shoulder so that you get that full bare expanse of skin. A wide band of a deep fuchsia pink silk taffeta, that has a touch of a purple undertone to it, runs across the top of the bodice and then extends down to form each sleeve. He has manipulated and gathered the fabric into folds along the entire length of each arm. The remainder of the bodice is also constructed from a silk taffeta but this time in deep burnt copper that has a touch of a metallic glow to its finish. This too is gathered along each side so that there are soft pleats that lay across and around you. I love how the eye gathers feel cohesive from the body to the arms but the colour gives contrast and the gathers are set slightly different so that you have a slight change in how the texture feels. The skirt comes out from the waist and is a very formal feeling skirt that is attached into the waist with soft pleats that open up to allow it to be quite wide by the time it reaches the hem. The underskirt part is a beautiful rich purple. The purple silk is then covered in a layer of black French lace that has a stunning floral design set within medallions. These run over the lace and are repeated throughout to create the beautiful pattern that you see. I love that the bottom edge of the lace follows the curving shape of the design that is in the lace. His finishing touch is done with a wide silk ribbon in a bright green that wraps and ties around the waist. I love this unusual colour combination. You could also easily wear it without the sash or change it for a more structure belt to add more shape. It is very elegant and yet the bare shoulders add a touch of sexiness. I very much love this side of his work where he works within a strong, shaped silhouette and then created a gown to his exact intentions. Excellent condition 

Fully lined through the bodice in a fine black silk satin. There is a built in silk covered elastic that is attached and wired right between the breast for a slight bit of support and then wraps around you and hooks to close. It closes with a side set zipper and has an inner waist stay that hooks to close. There is a series of snaps above the zipper that run under the arm seam so it opens enough to get into it. Each sleeve zips to close at the wrist. The exterior layer of the skirt closes with its own a hand set side zipper. The silk ribbon belt is tacked into place on either side of the waist. On the interior of the skirt at the inner waist the fabric has been folded down and it looks like it would be possible to lengthen the skirt from there by just about 4" but the side skirt zipper would need to be reset if you did that. There is perhaps a touch of dusting on the fabric on the folds under each arm. So minor I am just being crazy picky because it is couture. Done with Haute Couture construction techniques.

Sleeves: 20" from where they start off the shoulder 
Bust: to 16.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 54" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3598

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.