This is a more recent dress by Valentino and we found one that gave us the original price of $5690USD. This one looks to have never been worn and is just waiting for its new bride. The dress is a simple and elegant silhouette. It is done in an ivory silk that has a slight stretch to it that makes it very comfortable to wear. The dress is strapless and has seams that run horizontally across the dress for a subtle detailing. These also help to hold and shape the dress to your form. It falls from the strapless top, hugging the body to just past the hips, and then flares out to the skirt that swoops around you and then trains out at the back. It has a wonderfully minimalist feel that is broken by a large flat bow placed at the small of the back. This is the only added detailing other then the horizontal rows that wrap around the bodice. It is remarkably elegant and sophisticated while still being kept simple. It has all its original tags and was never worn. Excellent condition with one minor note below 

Fully lined in an ivory silk and closes with a hidden set side zipper. It has a built in binesed netted corset that closes with its own zipper. There is one tiny smudge of a mark on the bodice. The colour in person is a bit softer then how it photoed. The best colour is on the shot that shows the original hang tags still attached to the dress. Tagged a modern Valentino size 2. It is best suited for a size 0-2 

Bust: to 15.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 55" from top of bodice to front hem, 70" to the back hem

Modern Sizing Equivalent: XXS-XS

Item# DD3617

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress comes directly from the original couture client and is an exceptional example of Valentino's Haute Couture work that he was doing during the 1980s. Finding pieces from this time period is a rarity and I am very pleased to have this beautiful dress in the shop. I am also pleased to have found several documentations of the dress from that season. The dress is featured in the book "A Grand Italian Epic: Valentino Garavani" by Taschen, which is considered to be one of the definitive volumes on Valentino's work. It was also featured in the March issue of Italian Vogue. That layout was photoed by Steven Klein and the dress was modeled by Monica Gripman. It was also shot on model Brynja Sverris for one of the Valentino campaigns that year. This is one of his most recognizable dresses that he has ever created and you instantly recognize it as being by him the second that you see it. It is an extraordinary and historically important piece of Valentino's couture work. This would also make an exception bridal dress for the non traditional bride or as a secondary dress to change into.

This dress is extraordinary. The lines of it are pure poetry. The front of the dress has been done with a minimalist feel and its entire design is deliberate to give you just a glimpse of what will happen when you turn around. The top overlay is made of a black silk faille and the neckline is high and slightly scooped. It curves and skims over the bust and nips in gently at the waist. The shape that you see is all done with beautiful curving vertical seams so that there is no line to break the sweep of the eye. This then extends into a long panel that lays over the inner skirting. It is cut on one side with more of a curved line, while the other side is set on a slight straigher line that runs up to the the detailing at the back. This slight asymmetrical cut is fascinating and it is done so subtly that at first your eye does not see it. Instead you only see how this allows the underskirt to sweep out slightly more on one side then the other. From under that the skirt flares out and back in a tremendous sweep of fabric. The underskirt is also made out of a heavy silk faille in a creamy ivory with black dots. Many yards of silk have been used its construction and it designed to have massive volume at the back. From every angle of the dress you get these wondrous sweeping views. At the back the black silk is cut into a V and set slightly to one side. Where each side of the front overlay meet, there is a huge ivory silk flower. The lines that lead up and towards the flower are all curving perfection and the way that the black sweeps up to meet the flower is a moment in itself. The flower is huge and sits nestled in the crook of your low back. The interior of the dress is made to couture standards and is as stunning as the exterior. There are attached inner tulles that give the skirt its shape and volume. It is one of the most beautiful dresses I have seen. It is an amazing example of his earlier Haute Couture work. Excellent condition with a couple of minor notes below. 

The dress is lined in a black silk and there are attached underskirts in silk tulle. It closes with an inner zipper that is attached to the underskirt with a second exterior zipper over that. Inner waist stay hooks to close. The panel where the flower is set snaps into place with hand covered silk covered snaps. I see some grubbiness at the hem and on the flower and a repair to one of the tulle underskirts at the back. Near the base of the inner zipper the fabric has come away from the seam. All of these are minor. Please review the photos provided after the label shot. Finished with Haute Couture construction techniques throughout. 

Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 68" to the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD3604

Reference Photos: (1) Brynja Sverris in S/S 1988 Valentino Haute Couture by Gianpaolo Barbieri.  /  (2-3) Monica Gripman in Valentino Haute Couture for Vogue Italia, March 1988. Photos by Steven Klein.  /  (4-5) S/S 1988 Valentino Haute Couture Dress as shown in the book "A Grand Italian Epic: Valentino Garavani" by Taschen.  /  (6-7) Queen Sofia of Spain in Valentino, meeting Queen Elizabeth, at the Palacio Real de Madrid, in Madrid, for a state banquet in Spain, 18 October 1988.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous Valentino Haute Couture dress from the early to mid 1980s. It is beautifully made and a wonderful example of Valentino's Haute Couture work that he was doing during this time period. I love this backless version with its low front plunge. It is a little sexier then some of his couture work tends so be but it still has that refined elegance that you would expect from him combined with a bit of pure drama created in that moment when you first turn around and see that bare expanse of skin. 

This dress is wonderful. In person it is even better then how it photoed because like all couture it really needs to be on an actual body to come to life and sit properly. The cut has been kept fairly simply but is still sexy with its plunging halter bodice and long skirt that falls to the floor from under the banded waist. The dress is made from a lightweight bias cut silk in a deep charcoal black-grey colour. Onto the silk is a graphic floral leaf design in a deep ivory that covers the entire dress. The bodice is cut into a halter style with wide straps that curve up and behind the neck to leave the shoulders bare. The two panels of the front cross over themselves and dip into a V at the front. It then curves around waist at the lower back and this leaves the back completely bare. The waist is defined by a wide panel of black silk that is gathered and shirred. The ends of this banding extend into very long ties that you can wrap and tie or simply loop at the side and leave to hang long as I have down for the photos. Under that the skirt flows to the floor and gradually widens out just a touch as it nears the hem. The inner conduction is all down to Haute Couture standards and is interlined in a silk chiffon so that they dress stays wonderfully light but still very well constructed. It is a beautiful example of his earlier haute Couture work. Excellent condition with one minor note below

Fully interlined in a black silk chiffon and closes with a low set zipper at the side below the waist and then silk covered snaps and hooks above that. The hem looks to have been taken up at some point. Hand finishes throughout. Done with Haute Couture construction techniques. Inner waist stay hooks to close.

Bust: to 18.5" flat across the back side seam to side seam with generous fabric at the front
Waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 16" from top of neck to top seam of the band at waist
Skirt: 44.5" from waist to hem with 2.25" turn up under the hem

Modern Sizing Equivalent: MED-LRG

Item# DD3593

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress comes directly from the original couture client and is in immaculate condition. This is an exceptional example of Valentino's Haute Couture work that he was doing during the 1980s. It is one of a group of dotted red chiffon dresses that Valentino showed on the runway that season. Finding pieces from this time period in such immaculate condition is a rarity and I am very pleased to have this beautiful dress in the shop. I am also pleased to have found runway footage of the group of dresses that he did. The twin of this one was a runway piece and you just get the tiniest glimpse of it on the video I have added here. I have also included a gorgeous shot of Daniela Ghione wearing the dress that year. Style icon Nan Kempner was photoed wearing a different version of the dress which gives you another idea of how fantastic the dress will be on. It is an extraordinary and historically important piece of Valentino's couture work

This dress is divine. The lines of it are beautiful and as good as it looks on the dress form it is perfection on an actual body. The bodice of the dress is fitted and nipped in at the waist. It is cut in a sweetheart neckline that softly curves at the top and is strapless. The bodice is done in an extremely intricate manner. Panels of the silk chiffon have been cut on the biased and then shirred and diagonally crossed over each other to form that complicated pattern that wraps around the entire bodice. The little striped illusion effect that you see in each curving panel is actually the white dot in the silk hat has been meticulously lined up to precision with the one above and below. This painstaking pleating and gathering technique would have taken hours and hours to accomplish. This then forms a shaped bodice that runs down past the waist and molds over the top of the hips. From under that the skirt flares out to the floor and is made up of many yards of the same bias cut red and white dotted silk chiffon. The fabric is feather light so that your slightest movement cause the silk to flow around you. On one hip there are panels of silk that are set to run down that full side to give it an extra burst of volume and movement. The interior of the dress is made to couture standards with a full built in cupped corset that is boned and shaped to just past the waist. From under the bodice the skirt is made up of three full layers of silk; two of the dotted silk and a red silk inner layer. It is one of the most beautiful dresses I have seen and looks to have been worn very little if at all. It is an amazing example of his earlier Haute Couture work. Excellent condition. 

The bodice has a full built in boned corset made that hooks into place. The dress zippers to close over that. The skirt is made up of three layers as descried above. Done with Haute Couture construction techniques. Inner waist stay hooks to close.

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3588

Reference Photos: (1) Daniela Ghione in Valentino Haute Couture Spring/Summer 1986. Photo by Oliviero Toscani.  /  (2) Valentino Haute Couture SS 1986. Photo by Lord Snowdon.  /  (3) Model in Valentino Haute Couture, Vogue Italia, March 1986. Photo by Albert Watson.  /  (4-5) Nan Kempner at Barbara Walters's Four Month Wedding Anniversary Celebration at The Pierre Hotel in New York, September 1986.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This shrug was shown on the runway in a darker colour but I prefer this amazing cream version. Its a little sleeker in feel an the colour feels more elevated to me.  I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced by designers like Valentino during this time period. Fur was well established as being treated like a fabric by this period.  It is made from a soft mink in a pale creamy ivory. In person it has a more creamy feel then how it photoed. The fur is supple and very very soft. What is remarkable is that the curving pattern that you see winding down each arm . The lines all match up perfectly across the back s they go into the sleeves. This gives the shrug an added bit of texture and pattern. To wear it you simply slip it over the shoulder. It has been properly stored and cared for and appears to have been worn very little if at all. No splitting, issues or shedding. Excellent condition

Fully lined in a black and white Valentino printed silk lining. It slips on with no closures. Tagged a 42

Sleeves: 22"
Shoulders: approx 15"
Bust: no defined side seams
Height at back: 14" from top to hem

Modern Sizing Equivalent: XS-MED

Item# S924

Reference Photo: Fall 2004 Valentino Runway Collection, model Malin Persson.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.

This is a more recent dress by Valentino and we found one that gave us the original price of $5690USD. This one looks to have never been worn and is just waiting for its new bride. The dress is a simple and elegant silhouette. It is done in an ivory silk that has a slight stretch to it that makes it very comfortable to wear. The dress is strapless and has seams that run horizontally across the dress for a subtle detailing. These also help to hold and shape the dress to your form. It falls from the strapless top, hugging the body to just past the hips, and then flares out to the skirt that swoops around you and then trains out at the back. It has a wonderfully minimalist feel that is broken by a large flat bow placed at the small of the back. This is the only added detailing other then the horizontal rows that wrap around the bodice. It is remarkably elegant and sophisticated while still being kept simple. It has all its original tags and was never worn. Excellent condition with one minor note below 

Fully lined in an ivory silk and closes with a hidden set side zipper. It has a built in binesed netted corset that closes with its own zipper. There is one tiny smudge of a mark on the bodice. The colour in person is a bit softer then how it photoed. The best colour is on the shot that shows the original hang tags still attached to the dress. Tagged a modern Valentino size 2. It is best suited for a size 0-2 

Bust: to 15.5" flat across from side seam to side seam
Waist: 13" flat across from side seam to side seam
Hips: to 19" flat across from side seam to side seam
Length: 55" from top of bodice to front hem, 70" to the back hem

Modern Sizing Equivalent: XXS-XS

Item# DD3617

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress comes directly from the original couture client and is an exceptional example of Valentino's Haute Couture work that he was doing during the 1980s. Finding pieces from this time period is a rarity and I am very pleased to have this beautiful dress in the shop. I am also pleased to have found several documentations of the dress from that season. The dress is featured in the book "A Grand Italian Epic: Valentino Garavani" by Taschen, which is considered to be one of the definitive volumes on Valentino's work. It was also featured in the March issue of Italian Vogue. That layout was photoed by Steven Klein and the dress was modeled by Monica Gripman. It was also shot on model Brynja Sverris for one of the Valentino campaigns that year. This is one of his most recognizable dresses that he has ever created and you instantly recognize it as being by him the second that you see it. It is an extraordinary and historically important piece of Valentino's couture work. This would also make an exception bridal dress for the non traditional bride or as a secondary dress to change into.

This dress is extraordinary. The lines of it are pure poetry. The front of the dress has been done with a minimalist feel and its entire design is deliberate to give you just a glimpse of what will happen when you turn around. The top overlay is made of a black silk faille and the neckline is high and slightly scooped. It curves and skims over the bust and nips in gently at the waist. The shape that you see is all done with beautiful curving vertical seams so that there is no line to break the sweep of the eye. This then extends into a long panel that lays over the inner skirting. It is cut on one side with more of a curved line, while the other side is set on a slight straigher line that runs up to the the detailing at the back. This slight asymmetrical cut is fascinating and it is done so subtly that at first your eye does not see it. Instead you only see how this allows the underskirt to sweep out slightly more on one side then the other. From under that the skirt flares out and back in a tremendous sweep of fabric. The underskirt is also made out of a heavy silk faille in a creamy ivory with black dots. Many yards of silk have been used its construction and it designed to have massive volume at the back. From every angle of the dress you get these wondrous sweeping views. At the back the black silk is cut into a V and set slightly to one side. Where each side of the front overlay meet, there is a huge ivory silk flower. The lines that lead up and towards the flower are all curving perfection and the way that the black sweeps up to meet the flower is a moment in itself. The flower is huge and sits nestled in the crook of your low back. The interior of the dress is made to couture standards and is as stunning as the exterior. There are attached inner tulles that give the skirt its shape and volume. It is one of the most beautiful dresses I have seen. It is an amazing example of his earlier Haute Couture work. Excellent condition with a couple of minor notes below. 

The dress is lined in a black silk and there are attached underskirts in silk tulle. It closes with an inner zipper that is attached to the underskirt with a second exterior zipper over that. Inner waist stay hooks to close. The panel where the flower is set snaps into place with hand covered silk covered snaps. I see some grubbiness at the hem and on the flower and a repair to one of the tulle underskirts at the back. Near the base of the inner zipper the fabric has come away from the seam. All of these are minor. Please review the photos provided after the label shot. Finished with Haute Couture construction techniques throughout. 

Bust: 17.5" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 58" from top of shoulder to front hem, 68" to the longest point of the back hem

Modern Sizing Equivalent: SML-MED

Item# DD3604

Reference Photos: (1) Brynja Sverris in S/S 1988 Valentino Haute Couture by Gianpaolo Barbieri.  /  (2-3) Monica Gripman in Valentino Haute Couture for Vogue Italia, March 1988. Photos by Steven Klein.  /  (4-5) S/S 1988 Valentino Haute Couture Dress as shown in the book "A Grand Italian Epic: Valentino Garavani" by Taschen.  /  (6-7) Queen Sofia of Spain in Valentino, meeting Queen Elizabeth, at the Palacio Real de Madrid, in Madrid, for a state banquet in Spain, 18 October 1988.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a gorgeous Valentino Haute Couture dress from the early to mid 1980s. It is beautifully made and a wonderful example of Valentino's Haute Couture work that he was doing during this time period. I love this backless version with its low front plunge. It is a little sexier then some of his couture work tends so be but it still has that refined elegance that you would expect from him combined with a bit of pure drama created in that moment when you first turn around and see that bare expanse of skin. 

This dress is wonderful. In person it is even better then how it photoed because like all couture it really needs to be on an actual body to come to life and sit properly. The cut has been kept fairly simply but is still sexy with its plunging halter bodice and long skirt that falls to the floor from under the banded waist. The dress is made from a lightweight bias cut silk in a deep charcoal black-grey colour. Onto the silk is a graphic floral leaf design in a deep ivory that covers the entire dress. The bodice is cut into a halter style with wide straps that curve up and behind the neck to leave the shoulders bare. The two panels of the front cross over themselves and dip into a V at the front. It then curves around waist at the lower back and this leaves the back completely bare. The waist is defined by a wide panel of black silk that is gathered and shirred. The ends of this banding extend into very long ties that you can wrap and tie or simply loop at the side and leave to hang long as I have down for the photos. Under that the skirt flows to the floor and gradually widens out just a touch as it nears the hem. The inner conduction is all down to Haute Couture standards and is interlined in a silk chiffon so that they dress stays wonderfully light but still very well constructed. It is a beautiful example of his earlier haute Couture work. Excellent condition with one minor note below

Fully interlined in a black silk chiffon and closes with a low set zipper at the side below the waist and then silk covered snaps and hooks above that. The hem looks to have been taken up at some point. Hand finishes throughout. Done with Haute Couture construction techniques. Inner waist stay hooks to close.

Bust: to 18.5" flat across the back side seam to side seam with generous fabric at the front
Waist: 15.5" flat across from side seam to side seam
Hips: to 20" flat across from side seam to side seam
Bodice: approx 16" from top of neck to top seam of the band at waist
Skirt: 44.5" from waist to hem with 2.25" turn up under the hem

Modern Sizing Equivalent: MED-LRG

Item# DD3593

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress comes directly from the original couture client and is in immaculate condition. This is an exceptional example of Valentino's Haute Couture work that he was doing during the 1980s. It is one of a group of dotted red chiffon dresses that Valentino showed on the runway that season. Finding pieces from this time period in such immaculate condition is a rarity and I am very pleased to have this beautiful dress in the shop. I am also pleased to have found runway footage of the group of dresses that he did. The twin of this one was a runway piece and you just get the tiniest glimpse of it on the video I have added here. I have also included a gorgeous shot of Daniela Ghione wearing the dress that year. Style icon Nan Kempner was photoed wearing a different version of the dress which gives you another idea of how fantastic the dress will be on. It is an extraordinary and historically important piece of Valentino's couture work

This dress is divine. The lines of it are beautiful and as good as it looks on the dress form it is perfection on an actual body. The bodice of the dress is fitted and nipped in at the waist. It is cut in a sweetheart neckline that softly curves at the top and is strapless. The bodice is done in an extremely intricate manner. Panels of the silk chiffon have been cut on the biased and then shirred and diagonally crossed over each other to form that complicated pattern that wraps around the entire bodice. The little striped illusion effect that you see in each curving panel is actually the white dot in the silk hat has been meticulously lined up to precision with the one above and below. This painstaking pleating and gathering technique would have taken hours and hours to accomplish. This then forms a shaped bodice that runs down past the waist and molds over the top of the hips. From under that the skirt flares out to the floor and is made up of many yards of the same bias cut red and white dotted silk chiffon. The fabric is feather light so that your slightest movement cause the silk to flow around you. On one hip there are panels of silk that are set to run down that full side to give it an extra burst of volume and movement. The interior of the dress is made to couture standards with a full built in cupped corset that is boned and shaped to just past the waist. From under the bodice the skirt is made up of three full layers of silk; two of the dotted silk and a red silk inner layer. It is one of the most beautiful dresses I have seen and looks to have been worn very little if at all. It is an amazing example of his earlier Haute Couture work. Excellent condition. 

The bodice has a full built in boned corset made that hooks into place. The dress zippers to close over that. The skirt is made up of three layers as descried above. Done with Haute Couture construction techniques. Inner waist stay hooks to close.

Bust: 17" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: open
Length: 52" from top of bodice to hem

Modern Sizing Equivalent: SML-MED

Item# DD3588

Reference Photos: (1) Daniela Ghione in Valentino Haute Couture Spring/Summer 1986. Photo by Oliviero Toscani.  /  (2) Valentino Haute Couture SS 1986. Photo by Lord Snowdon.  /  (3) Model in Valentino Haute Couture, Vogue Italia, March 1986. Photo by Albert Watson.  /  (4-5) Nan Kempner at Barbara Walters's Four Month Wedding Anniversary Celebration at The Pierre Hotel in New York, September 1986.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This shrug was shown on the runway in a darker colour but I prefer this amazing cream version. Its a little sleeker in feel an the colour feels more elevated to me.  I have held this in my archives for several years now and I think that it is a stunning example of the fur pieces being produced by designers like Valentino during this time period. Fur was well established as being treated like a fabric by this period.  It is made from a soft mink in a pale creamy ivory. In person it has a more creamy feel then how it photoed. The fur is supple and very very soft. What is remarkable is that the curving pattern that you see winding down each arm . The lines all match up perfectly across the back s they go into the sleeves. This gives the shrug an added bit of texture and pattern. To wear it you simply slip it over the shoulder. It has been properly stored and cared for and appears to have been worn very little if at all. No splitting, issues or shedding. Excellent condition

Fully lined in a black and white Valentino printed silk lining. It slips on with no closures. Tagged a 42

Sleeves: 22"
Shoulders: approx 15"
Bust: no defined side seams
Height at back: 14" from top to hem

Modern Sizing Equivalent: XS-MED

Item# S924

Reference Photo: Fall 2004 Valentino Runway Collection, model Malin Persson.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

I have a small collection of historically important, key designer labelled vintage furs and fur trimmed pieces stored away in my archives that I will be slowly posting on the site over the next couple of years until I have none left. I will no longer be buying furs for the shop moving forward and have not purchased anything for several years now. I feel like times have changed and while there still is a place for vintage furs for some, including collectors and historians, many modern girls are choosing other options. Many of the pieces in my collection are representative of the designer during a set time period in history that was different then our modern outlook. I have decided that the best course to handle this controversial issue is to let the pieces I have go rather then sit in a cold storage unit. Fur coats are final sale.