George Stavropoulos was known for his evening wear and his signature looks focused on cut and fabric to convey the beauty of each piece. He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos piece you are getting incredible value for your money. The only reason his work is not under the actual Haute Couture category is because he was not an official member of the association.

This came from the estate of a woman who was a personal friend of George Stavropoulos and the set was custom made for her. It is incredible and you are really getting two couture level garments that you can easily wear as a set or separately. Very fine, high end silk was used to create both pieces. The silk that was used is very fine tissue silk in the perfect ivory. It has a stunning metallic gold thread embroidered and woven directly into the silk that forms borders, panels and the scattered motifs that you see. All of these are placed to highlight the design and cut of each piece. As a result is has an exotic Indian sari feel to it that has been westernized to combine the two ideals perfectly. Pieces were still being made specifically for the Western market and designers like Stavropoulos were using the beautiful, traditional silks that were now available. The dress is cut with a single shoulder that is made from a panel of the gold that runs up the side of the dress. The bodice is fitted with a hidden more structured interior. The waist curves in and then the skirt falls under that mixing the cream and gold parts beautifully. The jacket is cut to be oversized with just past the elbow sleeves and a loose cut. It is full and has lots of volume.  It is so well made you could flip it inside out and wear it. I love the contrast between the volume of the coat with the fitted dress underneath. It is beautifully made and very light. Excellent condition with a couple of minor notes below

Both pieces are fully lined in an ivory tissue silk. The dress closes with a back, hand set painted metal zipper and the jacket has no closures. The interior of the bodice is shaped and boned. All hand finished throughout to demi-couture standards and beautifully made throughout. On the dress I see the tiniest ares of fraying along the top of the fold near the one shoulder panel. There is the slightest of yellowing to the silk on the other side but it really only shows in certain lights and barely even then. The gold thread used has real metal in it and this has tarnished slightly over the years. Please review the final four photos after the label shot. The coat is pristine. I will also include a matching scarf that is not photoed. It has hand rolled edges and measures 77" x 16"

Dress
Bust: 17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 41" from shoulder to hem

Coat
Sleeves: approx 19"
Shoulders: no true shoulder seam
Bust-hem: 24 widening to 29" flat across from side seam to side seam
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED for the dress, The coat is OSFA

Item# DD3316

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was an amazing designer and his work is extremely overlooked in my opinion. He was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk cut on the bias. He did not like overt, flashy ornamentation and instead focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. The majority of his gowns are almost entirely made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000 in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason many of his gowns are not considered Haute Couture is because he was not an official member of the Chambre Syndicale de la Couture Parisienne.

This is a wonderful example of his work. The outermost layer of silk is a beautiful pale lavender that sits over additional inner layers of the pale blue and cream. The body of the gown is made up of five full layers of the finest, lightest silk chiffon. Each layer is bias cut and floats over the one underneath it. The three most inner layers are an off-white colored silk. Then there is a pale baby blue layer, and the final exterior layer is that pale, pastel purple color. This gives the gown a remarkable and unique color because the colors underneath each show through the chiffon. It is entirely cut on the bias. This is also a feat of technical achievement to have all those bias cut layers sit over each other so perfectly. The sleeves are very full and each poufs out above the wrist and are finished with beaded applique work at the cuff. Both the front and back plunge into a V. Another spray of hand done appliqued bead work curves over one side of the bust and down to the waist towards the other side. It is a work of art, very romantic and ethereal in feel and even better in person then how it photoed.  Presents as excellent condition but has some small flaws - please review the condition notes below.

The inner layers of silk act as the lining and there are a total of 5 layers of silk as described above. It closes with a back hand set, painted metal zipper. There are some  tiny pulls, very faint water spots, smudges and small variation on color scattered across the front and areas across the back, a faint spot on one arm and at the front. Once on the amount of fabric effectively camouflages these but they are present and it is important to note. I have photoed the areas and reduced the price accordingly. If you don't mind that your vintage is not 'perfect' this is a remarkable dress for this price point. I have had it lightly cleaned when it came into the studio as I do everything, and some may come out more with additional round of cleaning. The bias cut will allow for a variety of sizes.

Sleeves: approx 25" and will come up slightly once the cuff is closed
Shoulders: slightly inset and 13" across
Bust: 16-18" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: open
Length: approx 60" from shoulder to hem and will come up slightly once on due to the bias cut

Modern Sizing Equivalent: XS-MED

Item# DD1378

Shown photographed on Laura McLaws Helms by Kimi Selfridge.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was known for his evening wear and his signature looks focused on cut and fabric to convey the beauty of each piece. He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. His dresses were made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000US in today's dollars. So when you buy a vintage Stavropoulos piece you are getting incredible value for your money. The only reason his work is not under the actual Haute Couture category is because he was not an official member of the association.

This came from the estate of a woman who was a personal friend of George Stavropoulos and the set was custom made for her. It is incredible and you are really getting two couture level garments that you can easily wear as a set or separately. Very fine, high end silk was used to create both pieces. The silk that was used is very fine tissue silk in the perfect ivory. It has a stunning metallic gold thread embroidered and woven directly into the silk that forms borders, panels and the scattered motifs that you see. All of these are placed to highlight the design and cut of each piece. As a result is has an exotic Indian sari feel to it that has been westernized to combine the two ideals perfectly. Pieces were still being made specifically for the Western market and designers like Stavropoulos were using the beautiful, traditional silks that were now available. The dress is cut with a single shoulder that is made from a panel of the gold that runs up the side of the dress. The bodice is fitted with a hidden more structured interior. The waist curves in and then the skirt falls under that mixing the cream and gold parts beautifully. The jacket is cut to be oversized with just past the elbow sleeves and a loose cut. It is full and has lots of volume.  It is so well made you could flip it inside out and wear it. I love the contrast between the volume of the coat with the fitted dress underneath. It is beautifully made and very light. Excellent condition with a couple of minor notes below

Both pieces are fully lined in an ivory tissue silk. The dress closes with a back, hand set painted metal zipper and the jacket has no closures. The interior of the bodice is shaped and boned. All hand finished throughout to demi-couture standards and beautifully made throughout. On the dress I see the tiniest ares of fraying along the top of the fold near the one shoulder panel. There is the slightest of yellowing to the silk on the other side but it really only shows in certain lights and barely even then. The gold thread used has real metal in it and this has tarnished slightly over the years. Please review the final four photos after the label shot. The coat is pristine. I will also include a matching scarf that is not photoed. It has hand rolled edges and measures 77" x 16"

Dress
Bust: 17.5" flat across from side seam to side seam
Waist: 13.5" flat across from side seam to side seam
Hips: to 21" flat across from side seam to side seam
Length: 41" from shoulder to hem

Coat
Sleeves: approx 19"
Shoulders: no true shoulder seam
Bust-hem: 24 widening to 29" flat across from side seam to side seam
Length: 42" from neck to hem

Modern Sizing Equivalent: SML-MED for the dress, The coat is OSFA

Item# DD3316

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

George Stavropoulos was an amazing designer and his work is extremely overlooked in my opinion. He was known for his evening wear and his signature looks often involved draping and the use of multiple layers of silk cut on the bias. He did not like overt, flashy ornamentation and instead focused on cut and fabric to convey the beauty of each piece. It was said that his gowns "seemed to float on air". He launched his label in 1960 and soon was dressing women like Elizabeth Taylor, Jackie Kennedy, Barbra Streisand and Maria Callas. The majority of his gowns are almost entirely made by hand and to couture standards. By the early 1980s a gown by him started at around $8500 and they went up in cost from there - that starting price point equals to around $26,000 in today's dollars. So when you buy a vintage Stavropoulos gown you are getting incredible value for your money. The only reason many of his gowns are not considered Haute Couture is because he was not an official member of the Chambre Syndicale de la Couture Parisienne.

This is a wonderful example of his work. The outermost layer of silk is a beautiful pale lavender that sits over additional inner layers of the pale blue and cream. The body of the gown is made up of five full layers of the finest, lightest silk chiffon. Each layer is bias cut and floats over the one underneath it. The three most inner layers are an off-white colored silk. Then there is a pale baby blue layer, and the final exterior layer is that pale, pastel purple color. This gives the gown a remarkable and unique color because the colors underneath each show through the chiffon. It is entirely cut on the bias. This is also a feat of technical achievement to have all those bias cut layers sit over each other so perfectly. The sleeves are very full and each poufs out above the wrist and are finished with beaded applique work at the cuff. Both the front and back plunge into a V. Another spray of hand done appliqued bead work curves over one side of the bust and down to the waist towards the other side. It is a work of art, very romantic and ethereal in feel and even better in person then how it photoed.  Presents as excellent condition but has some small flaws - please review the condition notes below.

The inner layers of silk act as the lining and there are a total of 5 layers of silk as described above. It closes with a back hand set, painted metal zipper. There are some  tiny pulls, very faint water spots, smudges and small variation on color scattered across the front and areas across the back, a faint spot on one arm and at the front. Once on the amount of fabric effectively camouflages these but they are present and it is important to note. I have photoed the areas and reduced the price accordingly. If you don't mind that your vintage is not 'perfect' this is a remarkable dress for this price point. I have had it lightly cleaned when it came into the studio as I do everything, and some may come out more with additional round of cleaning. The bias cut will allow for a variety of sizes.

Sleeves: approx 25" and will come up slightly once the cuff is closed
Shoulders: slightly inset and 13" across
Bust: 16-18" flat across from side seam to side seam
Waist: 12-15" flat across from side seam to side seam
Hips: open
Length: approx 60" from shoulder to hem and will come up slightly once on due to the bias cut

Modern Sizing Equivalent: XS-MED

Item# DD1378

Shown photographed on Laura McLaws Helms by Kimi Selfridge.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.