This is a fabulous fall 1970 dress from the Valentino boutique label. Valentino launched his ready to wear label in 1962, just two years after opening his first salon in Rome. He eventually expanded and added other boutiques. His first New York boutique launched in the fall of 1970 and it caused a sensation. Traffic was backed up 3 blocks with everyone who was anyone trying to get in on opening night. More boutiques followed including one at Bergdorfs. He encouraged his couture clients to also shop in his boutiques. He wanted everyone to have the Valentino experience and it should be noted that he often carried the lines he created for his Couture label into the boutique work. The primary difference was in the fabric and construction details but they were still remarkably close in quality. This especially held true in the early days. The line between the two labels was often blurred and on this dress you can see that in the hand finishing that is has. This one is extra fabulous because it is so well documented.

When searching for the date for the dress we found documentation that has both Marisa Berenson wearing it for Vogue that season and also Naomi Simms who wore it to that opening of the New York Valentino boutique. Which gives it a significant place in Valentino's history. The dress is gorgeous and it is made of a black silk chiffon that has a ribbon weave fused directly into the silk. This gives it an oversized thatched woven effect. In between the ribbon weave the silk is semi-transparent and the play between the two opacities is stunning in person. The entire dress is backed with a black silk chiffon lining and that gives the more transparent parts a backdrop so that the silk feels like it has depth. To highlight the design even more is that gorgeous print made up of a pink and purple and gold coloured threads that run over the entire dress. I love how the pattern is heavier at the bottom and then slowly makes its way up to be just scattered paisley's on the black backdrop by the top of the dress. The collar is small and neat and the sleeves are cut to pouf out above the buttoned cuffs. The sleeves are not lined so you get a sense of transparency there. The dress is cut into a chic sheath that skims over your bust, waist and hips until it flares out just slightly at the hem. There's no seam to break the line at the waist, instead he has placed two square pockets on each hip to detail this area. The pocket are amazing. Each zips to close from corner to corner and the zipper is then detailed with a long knotted and fringed tassel. Another matching tassel details the zipper that closes the front of the dress. In both the reference photos a sash was wrapped around the waist for added shape and you could easily re-create that look. I think it looks equally as well worn straight and sleek. It's nice to have both options because the dress looks dramatically different each way. It is gorgeous and very well made. Excellent condition.

Fully lined in a black silk and zippers to close up the front as described above. Each cuff buttons to close with two silk covered buttons and each pocket zips to close. There's an extra button in the lining of the dress. Hand finishes. The dress appears to have never been worn or worn very little. Tag a size 8 with a hand written size label.

Sleeves: 14"
Shoulders: 23.5"
Bust: 17.5" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 52" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4205

Reference Photos: (1) Marisa wearing Valentino, photo by Elisabetta Catalano in Rome, Vogue September 1970.  /  (2-3) Naomi Sims attends the grand opening of Valentino Boutique on October 12, 1970 in New York City.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When hunting for the provenance of this dress we found a great shot of its twin on Moran Atias when she wore it to the Cannes film festival in 2007. I love that I have this so you can see how great it is on the body. The dress also has the significance of being from one Mr. Valentino' final few years before he retired. It is incredibly beautiful and it would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

This ivory silk chiffon and lace dress is stunning on the body. This combination of those two fabric allow it to drape beautifully over the body and highlight your every curve in a very flattering way. The fabric also have a slight stretch that allow the dress to show off your curves while still feeling wildly comfortable once on. The bodice has a soft and romantic feel as it glides over you. The front and back of the bodice curves across you to leave the other shoulder bare and exposed. All of the edges follow the natural pattern of the lace and this adds to the feminine feel that it gives. The lace is backed with more silk chiffon so even though the lace has a bit of transparency you are fully covered. It is just tremendously beautiful. The lace is set over the waist in angled panels that work the way down the dress. In between the lace are silk chiffon panels. They are set in a way that emphasizes your curves and give height. The workmanship is exquisite where they meet. It skims over the waist and hips and then falls to the floor in a beautiful drape of lace at the bottom skirting. Both fabrics are light and soft and there are additional layers of chiffon underneath so that it feels amazing against the skin. It is cut supermodel long in length. The back is cut slightly longer then the front so you get this pretty sweep of fabric behind you. It is incredible and I love it. Excellent condition.

Fully lined with two inner layers of silk chiffon and closes with a hidden set side half zipper and then has another one mid-back. It appears to have been worn very little if at all. The fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat.

Bust: 15.5-17" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: to 20.5" flat across from side seam to side seam
Length: 61" from top of the shoulder to front hem 66" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4118

Reference Photos: Moran Atias, wearing Valentino, at Cannes Film Festival, 2007.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

There are hints of this dress from both the 1986 collection and in the 1988 collection. The original owner did buy it in the 1980s but I do not have the exact day. I tend to lean towards the earlier date for it but I have included reference photos from both the above mentioned collections. It is a stunning example of Valentino's work during this time period.

The dress is beautiful to see in person. It flows over the body from the more fitted bodice and the lightness of the silk allows it to move and float around you when you move. The bodice is a stunning example in shaping and couture techniques. Inside it is boned and has built in cups. This interior structure holds it perfectly in place over the body once on. On the exterior the silk is hand set and gathered over the bust and all the way around you. Each individual gather is meticulously hand stitched into place. Above this more structured part of the dress is a single layer of the chiffon. At the front it scoops in a higher set neck and at the back it is set with a keyhole running down to the top of the gathered bodice. The skirt flows out under that in four layers of the silk and each layer is bias cut. This is what allows it to have such beautiful movement when you move. The final touch are those pretty sleeves that are cuffed at the wrist and pouf out around the arm above that. It also has its original very large silk shawl piece. It is beautiful. The dress does have some flaws but is structurally sound. Please review the notes below.

The interior bodice is finished is boned and corseted. The skirt has four layers of silk as described above. The interior corset closes with hook and eye and the silk layer zips to close over. Each cuff buttons with two silk covered buttons and loops. Three buttons at the top of the back neck. There are areas of fading through the skirt that go through the layers. I have photoed the worst of them. There are some faint areas of the same on the silk above the corset and on the sleeves. I see one tiny repair near the hem at the back of the skirt. It comes. I think you could potentially remove the sleeves and upper bodice and use the shawl to create a layer over the worst of the fading or just have it redyed and it would be perfect again. Sold as found and final and the price is according to the description above

Sleeves: 25"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: open
Bodice: 16.5" from top of neck to interior waist stay
Skirt: 45" from interior waist stay to hem
Shawl: 54" x 52"

Modern Sizing Equivalent: MED-LRG

Item# DD3018

Reference Photos: (1) From the book "A Grand Italian Epic, Valentino", 1988/1989 collection  /  (2-3) The "Degradè" Dress from the Valentino Haute Couture 1986 collection. (4) Cherie, Owner of Shrimpton Couture, by Erin Leydon taken on location at JohnMel Stables 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Valentino launched his ready to wear label in 1962, just two years after opening his first salon in Rome. He eventually expanded and added other boutiques. His first New York boutique launched in the fall of 1970 and it caused a sensation. Traffic was backed up 3 blocks with everyone who was anyone trying to get in on opening night. More boutiques followed including one at Bergdorfs. He encouraged his couture clients to also shop in his boutiques. He wanted everyone to have the Valentino experience and noted that he often carried the lines he created for his Couture label into the boutique work. The primary difference he noted was in the fabric and construction details but they were still remarkably close in quality otherwise. This especially held true in the early days. The line between the two was often blurred and on this set you can see that in the hand finishing that is has. This is one of the most beautiful Valentino pieces I have had in the shop.

The dress is made out of a black silk taffeta that holds the intended shape and volume beautifully. It is a set made up of a dress and jacket that slips on over that. They are fantastically beautiful worn together or separately. I love that having the two pieces gives you more styling opportunities and extends the life of this in your wardrobe. The dress is suspended by two tiny straps that curve up and over each shoulder. The bodice dips into a wide set V at the front and dips lower across at the back to leave a bare expanse of open skin. It is cut to be more fitted to the waist and then under that it is all volume and drama. The skirt has an incredible amount of volume to it that shows best when you move. The lightness of the silk causes the skirt to billow out and move around you as you move yet it still has enough weight that it holds that full feeling when you stand still. When this is on and you are walking the effect that this creates is absolutely gorgeous. The 13" ruffle that circles the entire lower hem is actually added on top of the skirt and not simple seamed onto the edge. That means the ruffle has the inner part of the skirt behind it and this extra weight and fabric helps to hold its volume perfectly. This extra little detail is fabulous and adds an extra element of romance and femininity. And it has pockets. Over this pops the jacket and it is a thing of beauty in its own right. The body of the jacket widens out from the soft shoulder and curves around and up from the hem to the neckline. I love the ruffle finish that follows all the way around the edge. The sleeves are incredible and each is cut to be very wide by the time they reach their ends. The seam above the ruffle finish on them is a full 20" around and the ruffle makes it go beyond that even. It is absolutely beautiful. This is Valentino at his best and a tremendously beautiful dress and jacket. Excellent condition. 

Fully lined in a black silk. The dress closes with a back zipper and there are two hidden hook and eye at the base of the jacket at the front. Tagged a size 6. 

Dress
Bust: to 16.25" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 14.5" from top of shoulder to waist
Skirt: 43" from waist to hem

Jacket
Slightly inset shoulders: 13"
Sleeves: 22.5" long and 14" around the top part of the arm
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Length: 17.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4054

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful example of Valentino's Haute Couture work that he was doing during the 1980s. The bow in particular was an important element of the collections that year and it is the highlight on this set as well. 

Both the dress and the jacket have been made out of a fine light silk crepe that is done in that signature Valentino red.  The dress is beautifully cut and unexpectedly sexy with its bare expanse of skin at the back. From the front it is a simple shift with a high neckline. Straps are set to curve up and over each shoulder, crossing over themselves and then are set into the small of the back. The back is left bare from the shoulder to the waist. The front bodice follows the shape of the body underneath and the skirt falls with a slight flare as it nears the hem. Piping at the waist to add some shape and definition. The jacket is fantastic and you will want to wear it as a stand alone piece as well as part of the set. It is cut to perfection with softly padded shoulders that are set wide and a nipped in waist. The fabric is all gathered in towards the centre of the waist and is highlighted with his signature black bow set at the centre. The jacket is in excellent condition and there is a note to review about the dress below

Both the dress and jacket are fully lined in a hand set red silk of very high quality. Proper finished buttonholes and jet beads on both cuffs. The jacket closes with hook & eye under the bow. The dress closes with a hand set zipper at the low back and the stars button and snap into place. Finished to Haute Couture standards and entirely done by hand. There is a very faint mark on the bodice of the dress. Please see the photos after the label shot.

Dress
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 21" from waist to hem

Jacket
Sleeves: 22.5"
Shoulders: 17.5"
Bust: 20" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 24.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2839

Reference Photo: Models in Valentino. Photo by Guy Bourdin for Vogue Paris, 1985.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a fabulous fall 1970 dress from the Valentino boutique label. Valentino launched his ready to wear label in 1962, just two years after opening his first salon in Rome. He eventually expanded and added other boutiques. His first New York boutique launched in the fall of 1970 and it caused a sensation. Traffic was backed up 3 blocks with everyone who was anyone trying to get in on opening night. More boutiques followed including one at Bergdorfs. He encouraged his couture clients to also shop in his boutiques. He wanted everyone to have the Valentino experience and it should be noted that he often carried the lines he created for his Couture label into the boutique work. The primary difference was in the fabric and construction details but they were still remarkably close in quality. This especially held true in the early days. The line between the two labels was often blurred and on this dress you can see that in the hand finishing that is has. This one is extra fabulous because it is so well documented.

When searching for the date for the dress we found documentation that has both Marisa Berenson wearing it for Vogue that season and also Naomi Simms who wore it to that opening of the New York Valentino boutique. Which gives it a significant place in Valentino's history. The dress is gorgeous and it is made of a black silk chiffon that has a ribbon weave fused directly into the silk. This gives it an oversized thatched woven effect. In between the ribbon weave the silk is semi-transparent and the play between the two opacities is stunning in person. The entire dress is backed with a black silk chiffon lining and that gives the more transparent parts a backdrop so that the silk feels like it has depth. To highlight the design even more is that gorgeous print made up of a pink and purple and gold coloured threads that run over the entire dress. I love how the pattern is heavier at the bottom and then slowly makes its way up to be just scattered paisley's on the black backdrop by the top of the dress. The collar is small and neat and the sleeves are cut to pouf out above the buttoned cuffs. The sleeves are not lined so you get a sense of transparency there. The dress is cut into a chic sheath that skims over your bust, waist and hips until it flares out just slightly at the hem. There's no seam to break the line at the waist, instead he has placed two square pockets on each hip to detail this area. The pocket are amazing. Each zips to close from corner to corner and the zipper is then detailed with a long knotted and fringed tassel. Another matching tassel details the zipper that closes the front of the dress. In both the reference photos a sash was wrapped around the waist for added shape and you could easily re-create that look. I think it looks equally as well worn straight and sleek. It's nice to have both options because the dress looks dramatically different each way. It is gorgeous and very well made. Excellent condition.

Fully lined in a black silk and zippers to close up the front as described above. Each cuff buttons to close with two silk covered buttons and each pocket zips to close. There's an extra button in the lining of the dress. Hand finishes. The dress appears to have never been worn or worn very little. Tag a size 8 with a hand written size label.

Sleeves: 14"
Shoulders: 23.5"
Bust: 17.5" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 52" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4205

Reference Photos: (1) Marisa wearing Valentino, photo by Elisabetta Catalano in Rome, Vogue September 1970.  /  (2-3) Naomi Sims attends the grand opening of Valentino Boutique on October 12, 1970 in New York City.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

When hunting for the provenance of this dress we found a great shot of its twin on Moran Atias when she wore it to the Cannes film festival in 2007. I love that I have this so you can see how great it is on the body. The dress also has the significance of being from one Mr. Valentino' final few years before he retired. It is incredibly beautiful and it would make an amazing wedding dress for the bride looking for a non-traditional choice or as an alternative dress in a more extended wedding celebration. And of course it could also be worn to any event.

This ivory silk chiffon and lace dress is stunning on the body. This combination of those two fabric allow it to drape beautifully over the body and highlight your every curve in a very flattering way. The fabric also have a slight stretch that allow the dress to show off your curves while still feeling wildly comfortable once on. The bodice has a soft and romantic feel as it glides over you. The front and back of the bodice curves across you to leave the other shoulder bare and exposed. All of the edges follow the natural pattern of the lace and this adds to the feminine feel that it gives. The lace is backed with more silk chiffon so even though the lace has a bit of transparency you are fully covered. It is just tremendously beautiful. The lace is set over the waist in angled panels that work the way down the dress. In between the lace are silk chiffon panels. They are set in a way that emphasizes your curves and give height. The workmanship is exquisite where they meet. It skims over the waist and hips and then falls to the floor in a beautiful drape of lace at the bottom skirting. Both fabrics are light and soft and there are additional layers of chiffon underneath so that it feels amazing against the skin. It is cut supermodel long in length. The back is cut slightly longer then the front so you get this pretty sweep of fabric behind you. It is incredible and I love it. Excellent condition.

Fully lined with two inner layers of silk chiffon and closes with a hidden set side half zipper and then has another one mid-back. It appears to have been worn very little if at all. The fabric does have some stretch. The measurements below give you the comfortable range the fabric has when lying flat.

Bust: 15.5-17" flat across from side seam to side seam
Waist: 13.5-15" flat across from side seam to side seam
Hips: to 20.5" flat across from side seam to side seam
Length: 61" from top of the shoulder to front hem 66" to the back hem

Modern Sizing Equivalent: SML-MED

Item# DD4118

Reference Photos: Moran Atias, wearing Valentino, at Cannes Film Festival, 2007.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

There are hints of this dress from both the 1986 collection and in the 1988 collection. The original owner did buy it in the 1980s but I do not have the exact day. I tend to lean towards the earlier date for it but I have included reference photos from both the above mentioned collections. It is a stunning example of Valentino's work during this time period.

The dress is beautiful to see in person. It flows over the body from the more fitted bodice and the lightness of the silk allows it to move and float around you when you move. The bodice is a stunning example in shaping and couture techniques. Inside it is boned and has built in cups. This interior structure holds it perfectly in place over the body once on. On the exterior the silk is hand set and gathered over the bust and all the way around you. Each individual gather is meticulously hand stitched into place. Above this more structured part of the dress is a single layer of the chiffon. At the front it scoops in a higher set neck and at the back it is set with a keyhole running down to the top of the gathered bodice. The skirt flows out under that in four layers of the silk and each layer is bias cut. This is what allows it to have such beautiful movement when you move. The final touch are those pretty sleeves that are cuffed at the wrist and pouf out around the arm above that. It also has its original very large silk shawl piece. It is beautiful. The dress does have some flaws but is structurally sound. Please review the notes below.

The interior bodice is finished is boned and corseted. The skirt has four layers of silk as described above. The interior corset closes with hook and eye and the silk layer zips to close over. Each cuff buttons with two silk covered buttons and loops. Three buttons at the top of the back neck. There are areas of fading through the skirt that go through the layers. I have photoed the worst of them. There are some faint areas of the same on the silk above the corset and on the sleeves. I see one tiny repair near the hem at the back of the skirt. It comes. I think you could potentially remove the sleeves and upper bodice and use the shawl to create a layer over the worst of the fading or just have it redyed and it would be perfect again. Sold as found and final and the price is according to the description above

Sleeves: 25"
Shoulders: 15"
Bust: 17.5" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: open
Bodice: 16.5" from top of neck to interior waist stay
Skirt: 45" from interior waist stay to hem
Shawl: 54" x 52"

Modern Sizing Equivalent: MED-LRG

Item# DD3018

Reference Photos: (1) From the book "A Grand Italian Epic, Valentino", 1988/1989 collection  /  (2-3) The "Degradè" Dress from the Valentino Haute Couture 1986 collection. (4) Cherie, Owner of Shrimpton Couture, by Erin Leydon taken on location at JohnMel Stables 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

Valentino launched his ready to wear label in 1962, just two years after opening his first salon in Rome. He eventually expanded and added other boutiques. His first New York boutique launched in the fall of 1970 and it caused a sensation. Traffic was backed up 3 blocks with everyone who was anyone trying to get in on opening night. More boutiques followed including one at Bergdorfs. He encouraged his couture clients to also shop in his boutiques. He wanted everyone to have the Valentino experience and noted that he often carried the lines he created for his Couture label into the boutique work. The primary difference he noted was in the fabric and construction details but they were still remarkably close in quality otherwise. This especially held true in the early days. The line between the two was often blurred and on this set you can see that in the hand finishing that is has. This is one of the most beautiful Valentino pieces I have had in the shop.

The dress is made out of a black silk taffeta that holds the intended shape and volume beautifully. It is a set made up of a dress and jacket that slips on over that. They are fantastically beautiful worn together or separately. I love that having the two pieces gives you more styling opportunities and extends the life of this in your wardrobe. The dress is suspended by two tiny straps that curve up and over each shoulder. The bodice dips into a wide set V at the front and dips lower across at the back to leave a bare expanse of open skin. It is cut to be more fitted to the waist and then under that it is all volume and drama. The skirt has an incredible amount of volume to it that shows best when you move. The lightness of the silk causes the skirt to billow out and move around you as you move yet it still has enough weight that it holds that full feeling when you stand still. When this is on and you are walking the effect that this creates is absolutely gorgeous. The 13" ruffle that circles the entire lower hem is actually added on top of the skirt and not simple seamed onto the edge. That means the ruffle has the inner part of the skirt behind it and this extra weight and fabric helps to hold its volume perfectly. This extra little detail is fabulous and adds an extra element of romance and femininity. And it has pockets. Over this pops the jacket and it is a thing of beauty in its own right. The body of the jacket widens out from the soft shoulder and curves around and up from the hem to the neckline. I love the ruffle finish that follows all the way around the edge. The sleeves are incredible and each is cut to be very wide by the time they reach their ends. The seam above the ruffle finish on them is a full 20" around and the ruffle makes it go beyond that even. It is absolutely beautiful. This is Valentino at his best and a tremendously beautiful dress and jacket. Excellent condition. 

Fully lined in a black silk. The dress closes with a back zipper and there are two hidden hook and eye at the base of the jacket at the front. Tagged a size 6. 

Dress
Bust: to 16.25" flat across from side seam to side seam
Waist: 12" flat across from side seam to side seam
Hips: open
Bodice: 14.5" from top of shoulder to waist
Skirt: 43" from waist to hem

Jacket
Slightly inset shoulders: 13"
Sleeves: 22.5" long and 14" around the top part of the arm
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Length: 17.5" from neck to hem

Modern Sizing Equivalent: XS-SML

Item# DD4054

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a beautiful example of Valentino's Haute Couture work that he was doing during the 1980s. The bow in particular was an important element of the collections that year and it is the highlight on this set as well. 

Both the dress and the jacket have been made out of a fine light silk crepe that is done in that signature Valentino red.  The dress is beautifully cut and unexpectedly sexy with its bare expanse of skin at the back. From the front it is a simple shift with a high neckline. Straps are set to curve up and over each shoulder, crossing over themselves and then are set into the small of the back. The back is left bare from the shoulder to the waist. The front bodice follows the shape of the body underneath and the skirt falls with a slight flare as it nears the hem. Piping at the waist to add some shape and definition. The jacket is fantastic and you will want to wear it as a stand alone piece as well as part of the set. It is cut to perfection with softly padded shoulders that are set wide and a nipped in waist. The fabric is all gathered in towards the centre of the waist and is highlighted with his signature black bow set at the centre. The jacket is in excellent condition and there is a note to review about the dress below

Both the dress and jacket are fully lined in a hand set red silk of very high quality. Proper finished buttonholes and jet beads on both cuffs. The jacket closes with hook & eye under the bow. The dress closes with a hand set zipper at the low back and the stars button and snap into place. Finished to Haute Couture standards and entirely done by hand. There is a very faint mark on the bodice of the dress. Please see the photos after the label shot.

Dress
Bust: 17" flat across from side seam to side seam
Waist: 14" flat across from side seam to side seam
Hips: 20.5" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 21" from waist to hem

Jacket
Sleeves: 22.5"
Shoulders: 17.5"
Bust: 20" flat across from side seam to side seam
Waist: 15.5" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 24.5" from neck to hem

Modern Sizing Equivalent: SML-MED

Item# DD2839

Reference Photo: Models in Valentino. Photo by Guy Bourdin for Vogue Paris, 1985.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.