This gorgeous set would have been designed by Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in his work with colour and cuts. This set is from the early part of the  1970s and it is incredible. 

This Lanvin set is utterly fantastic. It looks like it could have been pulled from a collection this very season it is in such remarkable condition. I am in absolute love with it. The colour, the design, the workmanship; everything about it is perfection. The fabric that has been used to create both pieces is a fine silk twill on par in quality to the silk twill that you would see used to make Hermes scarves. It has a hand screened with a gorgeous and vibrant print that was applied and pre-planned for panel before piecing it together. Anywhere a seam is necessary, the pattern has been lined up along them so they are barely seen at first glance. The beauty and brilliance of the colour is equaled by the fine workmanship that has gone into constructing it. The top has a loose and easy shape that has been created by a straight cut through the body. The neckline is high and has attached ties that extend out from the neckline that you can then wrap and tie as you wish. The pants are more fitted around the waist and hips and then flare out to be incredibly wide. By the time they reach the hem they are a full 46" around. When you are standing still you get the feel of a skirt and then when you move you have the ease of wearing a pant. They are gorgeous. The choice of fabric has allowed it to retained the crispness of the colour even after all of these years making it feel  new. At the same time it is feather light so once on the body it is is easy to wear and it moves beautifully with you. It is far better on person then how it photoed and like the best of all high quality vintage and couture pieces, it will only really come to life once on an actual body. It appears to have never been worn or worn very little. This is a set that is really like wearing a work of art. Excellent condition

The pants are unlined and close with a back zipper. The top closes with painted metal zipper that runs part way down the back. The top is lined in a bright yellow silk. All the inner seams are hand finished. Hand finished throughout. Made to couture standards. It appears to have never been worn or worn very little.

Top
Shoulders: 14"
Bust: 18" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24.5" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 41" from waist to hem
Inseam: 29"

Modern Sizing Equivalent: SMl-MED

Item# DD3654

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress would have been designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. This dress dates to approximately 1972 when you saw a lot of these faux coated and coloured leather bits, added as either a design element directly onto the dress, or as a belt like in this case. 

This striped knit maxi dress from Lanvin is gorgeous. I am in absolute love with it. The colours are bright and happy but the stripes are perfectly balanced out by the solid top part so that it is not too overwhelming. I love how it goes from a classic simple T shaped sweater at the top to a riot of colours for the skirt. The bodice is fitted but in a stretchy sweater kind of way that is very comfortable to wear. The neckline is finished in a higher set scoop at both the front and the back. The knit there is a lovely deep blue and is light in weight and has been finished with a ribbed texture. Each sleeve is a cap of that same ribbed knit. The waist is seamed and the skirt falls to the floor under that, gently widening out as it nears the hem. The skirt has a more flatter weave and the fabric is thicker so that it holds the shape that you see. Colourful stripes are worked into the knit from the waist to the hem. I love the mix of using the same navy as you see in the top with a bright red, thin lines of white, yellow and a cornflower blue. It also comes with its original belt that is a white faux leather and is soft and pliant. I have wrapped it twice around the waist and tied it with a bow at the front for these photos. It is long enough that you could style and tie it a few different ways. Excellent condition

Unlined and closes with a back, painted metal zipper. It has its original tie belt made out of a coated faux leather. . The belt has the teeniest bit of flaking that is normal for the age of it and in this material. 

Unstretched shoulders: 13"
Bust: 13-18" flat across from side seam to side seam
Waist: 12.5-13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 41.5" from waist to hem
Tie belt: 69" from end to end

Modern Sizing Equivalent: XS-SML

Item# 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This vintage Lanvin dress has a brilliant color and print combination on a crisp white base. The jersey fabric it is made of was considered one of the new 'miracle fabrics' of the day as they gave women the option to wash and wear and travel with pieces that needed little or no ironing once you arrived at your destination. Lanvin began producing pieces from these jerseys in the early 1970s to appeal to their younger, jet set clients. I love when I find great examples of these for this time period in the label's history. The dress has long sleeves that pouf out slightly above their buttoned cuffs. It buttons all the way up the front so you have the option of wearing it fully open and over something underneath. The collar is oversized and ends in long points that sit almost in top of the shoulders when the top few buttons are left undone. It falls in a straight line to the hem, widening out very gradually as it nears the bottom. This leave the waist loose and easy. You could easily add a modern belt if you wanted more shape. I love the brilliant, over-sized floral print that covers the dress and the incredible colors that have been used. The fabric is easy to care for and this is a great piece to travel with. Excellent condition.

Unlined and buttons all the way down the front to close with fabric covered buttons. Each cuff buttons to close. The fabric does have some stretch. It appears to have been worn very little if at all

Sleeves: 24"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 55" from neck to hem with 3" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3519

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is made out of a rich black silk jersey that gives it that beautiful draping effect that you see. Its rich pleats and the way that the fabric is draped and placed gives it a touch of a Madame Gres feel and it is insanely beautiful. It has both a refined simplicity and yet is is very complex at the same time. The depth that the jersey creates adds to this while the fabric is still soft enough that it retains a sensual feel. The dress flows to the floor in a long and dramatic swoop of jersey. The skirt is set under the corseted top in a way that when you are standing perfectly still it falls in perfectly soft rounded pleats. This is very difficult to achieve with this type of fabric. The bodice is shaped and softly boned so that it has a more structured.feel to it and this is added to by the high peaks of the front bodice. The jersey is draped over this and crosses over the bust in the most beautiful of ways. The sleeves are very unusual. Each is a single layer of jersey with a peaked part created near the shoulders. You could wear then up and on the shoulders but I think they are best worn when they are left draped down and off the shoulders. This leaves the shoulders completely bare and that peaked cut  on each of them turns into a soft, wide draped along the upper arms. The cuffs narrow in for a simple finish. The dress is finished with lots of handwork and high quality construction technoques. The photos do not come near to how amazing this dress is in person. Excellent condition

The bodice is fully lined in black silk and the skirt unlined. It closes with a hidden set side painted metal zipper. Boning through the sides and bodice. Hand finishes throughout. Tagged a 38. It appears to have been worn very little if at all.

Sleeves: approx 24"
Bust: to 17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of shoulder to waist
Skirt: 46" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3472

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning example of the couture work being done by the house of Lanvin during the years that Antonio Castillo headed the atelier. Castillo started off his career at the houses of Paquin and Piquet. He also did a stint designing accessories for Chanel. In 1950 he became the head designer at the House of Lanvin. The press at the time lauded him, along with Balmain, Dior and Balenciaga, as the new generation of the Paris Couture designers. During his time at Lanvin the house was known for the simple and elegant lines of the clothes and his metallic pieces were particularly sought after. This is a rare Haute Couture dress from that period whose label is the one used from 1954 to his departure in 1962. I found a couple of photos of a 'gold organza' dress that has the same pleated metallic skirt treatment that this one does and was able to date it by those. It is very beautiful. 

The fabric of this dress is the undeniable focal point of the dress and it is just wonderful. The bodice is a heavy silk faille dyed to a brilliant emerald green. It is cut to skim over the bodice with a seamed waist that has a matching fabric belt in the same green silk. It is sleeveless and the front is detailed with a cleverly built in pleating effect that gives a nod to the Lanvin bow but without adding bulk to the bust area by adding an actual bow there. Variations of these 'built in' bows were used extensively during the collections of 1954 and I think this is one of the best versions. The skirt is a masterpiece and you can see in the reference photos just how wonderfully it will move. I have photoed it over a light crinoline so that you can get a better idea of the full shape. The top layer is made out of a fine metallic thread silk organza that has a bias cut fine line worked through the fabric. This tiny angled line contrasts with the sharp knife pleats that the skirt has and lets the gold thread catch the light even more then it would otherwise. In person the fabric almost seems to glow. The gold color is not quite captured in these photos and I think it is far better and richer feeling when you have it in hand. Under the top gold layer is an inner silk skirt that has a deep stiffened hem to help give the skirt volume and hold the pleats true. The entire dress is made with masterful seaming and cut. The fabric choices are just extraordinary. It is a stunning and rare example of the Haute Couture pieces the house was producing in this time period. It has its Haute Couture label which is hand numbered on the reverse side. The inner silk is stamped Rhodia along the seam. Excellent condition with a small note below

Fully hand lined in silk and all done and hand stitched on the interior to Haute Couture standards. The dress closes with a side set painted metal zipper and snaps and hooks on the inner layer. Inner waist stay that hooks to close. The matching fabric sash circles the waist and there is a combination of hook & eye and hidden snaps to secure it. The inner skirt shows grubbiness and marks around the hem. Grubbiness along the edge of the hem of the outer skirt here and there and I see one teeny, well done repair on the outer skirt. If not for that it would look unworn. Hand numbered Haute Couture tag

Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam but see above notes
Hips: open
Bodice: 14.5" from shoulder to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3468

Reference Photos: (1) Lena Madsen in evening gown of finely pleated 'opaline' gauze by Lanvin-Castillo, photo by Guy Arsac, 1954.  /  (2) Gold organza gown by Lanvin-Castillo, 1954.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This gorgeous set would have been designed by Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in his work with colour and cuts. This set is from the early part of the  1970s and it is incredible. 

This Lanvin set is utterly fantastic. It looks like it could have been pulled from a collection this very season it is in such remarkable condition. I am in absolute love with it. The colour, the design, the workmanship; everything about it is perfection. The fabric that has been used to create both pieces is a fine silk twill on par in quality to the silk twill that you would see used to make Hermes scarves. It has a hand screened with a gorgeous and vibrant print that was applied and pre-planned for panel before piecing it together. Anywhere a seam is necessary, the pattern has been lined up along them so they are barely seen at first glance. The beauty and brilliance of the colour is equaled by the fine workmanship that has gone into constructing it. The top has a loose and easy shape that has been created by a straight cut through the body. The neckline is high and has attached ties that extend out from the neckline that you can then wrap and tie as you wish. The pants are more fitted around the waist and hips and then flare out to be incredibly wide. By the time they reach the hem they are a full 46" around. When you are standing still you get the feel of a skirt and then when you move you have the ease of wearing a pant. They are gorgeous. The choice of fabric has allowed it to retained the crispness of the colour even after all of these years making it feel  new. At the same time it is feather light so once on the body it is is easy to wear and it moves beautifully with you. It is far better on person then how it photoed and like the best of all high quality vintage and couture pieces, it will only really come to life once on an actual body. It appears to have never been worn or worn very little. This is a set that is really like wearing a work of art. Excellent condition

The pants are unlined and close with a back zipper. The top closes with painted metal zipper that runs part way down the back. The top is lined in a bright yellow silk. All the inner seams are hand finished. Hand finished throughout. Made to couture standards. It appears to have never been worn or worn very little.

Top
Shoulders: 14"
Bust: 18" flat across from side seam to side seam
Waist: 16.5" flat across from side seam to side seam
Hips: 18" flat across from side seam to side seam
Length: 24.5" from neck to hem

Pants
Waist: 14" flat across from side seam to side seam
Hips: open
Length: 41" from waist to hem
Inseam: 29"

Modern Sizing Equivalent: SMl-MED

Item# DD3654

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress would have been designed by Belgian-born Jules-Francois Crahay, who headed the Lanvin ateliers from 1964-1984. He has been noted as one of fashion’s 'great colorists with his colorful patterns making his 1970s Lanvin designs hugel​y ​desirable and influential.' His time at the Lanvin label is one of my personal favourites for the house. I especially love the his work during the period through the late sixties and into the early 1970s. He was a genius at print and colour and he pushed the envelope in terms of using cutting edge fabrics available during this time period. This dress dates to approximately 1972 when you saw a lot of these faux coated and coloured leather bits, added as either a design element directly onto the dress, or as a belt like in this case. 

This striped knit maxi dress from Lanvin is gorgeous. I am in absolute love with it. The colours are bright and happy but the stripes are perfectly balanced out by the solid top part so that it is not too overwhelming. I love how it goes from a classic simple T shaped sweater at the top to a riot of colours for the skirt. The bodice is fitted but in a stretchy sweater kind of way that is very comfortable to wear. The neckline is finished in a higher set scoop at both the front and the back. The knit there is a lovely deep blue and is light in weight and has been finished with a ribbed texture. Each sleeve is a cap of that same ribbed knit. The waist is seamed and the skirt falls to the floor under that, gently widening out as it nears the hem. The skirt has a more flatter weave and the fabric is thicker so that it holds the shape that you see. Colourful stripes are worked into the knit from the waist to the hem. I love the mix of using the same navy as you see in the top with a bright red, thin lines of white, yellow and a cornflower blue. It also comes with its original belt that is a white faux leather and is soft and pliant. I have wrapped it twice around the waist and tied it with a bow at the front for these photos. It is long enough that you could style and tie it a few different ways. Excellent condition

Unlined and closes with a back, painted metal zipper. It has its original tie belt made out of a coated faux leather. . The belt has the teeniest bit of flaking that is normal for the age of it and in this material. 

Unstretched shoulders: 13"
Bust: 13-18" flat across from side seam to side seam
Waist: 12.5-13.5" flat across from side seam to side seam
Hips: to 18" flat across from side seam to side seam
Bodice: 15" from neck to waist
Skirt: 41.5" from waist to hem
Tie belt: 69" from end to end

Modern Sizing Equivalent: XS-SML

Item# 

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This vintage Lanvin dress has a brilliant color and print combination on a crisp white base. The jersey fabric it is made of was considered one of the new 'miracle fabrics' of the day as they gave women the option to wash and wear and travel with pieces that needed little or no ironing once you arrived at your destination. Lanvin began producing pieces from these jerseys in the early 1970s to appeal to their younger, jet set clients. I love when I find great examples of these for this time period in the label's history. The dress has long sleeves that pouf out slightly above their buttoned cuffs. It buttons all the way up the front so you have the option of wearing it fully open and over something underneath. The collar is oversized and ends in long points that sit almost in top of the shoulders when the top few buttons are left undone. It falls in a straight line to the hem, widening out very gradually as it nears the bottom. This leave the waist loose and easy. You could easily add a modern belt if you wanted more shape. I love the brilliant, over-sized floral print that covers the dress and the incredible colors that have been used. The fabric is easy to care for and this is a great piece to travel with. Excellent condition.

Unlined and buttons all the way down the front to close with fabric covered buttons. Each cuff buttons to close. The fabric does have some stretch. It appears to have been worn very little if at all

Sleeves: 24"
Shoulders: 15"
Bust: to 18" flat across from side seam to side seam
Waist: 17" flat across from side seam to side seam
Hips: 19" flat across from side seam to side seam
Length: 55" from neck to hem with 3" turned under the hem

Modern Sizing Equivalent: SML-MED

Item# DD3519

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This dress is made out of a rich black silk jersey that gives it that beautiful draping effect that you see. Its rich pleats and the way that the fabric is draped and placed gives it a touch of a Madame Gres feel and it is insanely beautiful. It has both a refined simplicity and yet is is very complex at the same time. The depth that the jersey creates adds to this while the fabric is still soft enough that it retains a sensual feel. The dress flows to the floor in a long and dramatic swoop of jersey. The skirt is set under the corseted top in a way that when you are standing perfectly still it falls in perfectly soft rounded pleats. This is very difficult to achieve with this type of fabric. The bodice is shaped and softly boned so that it has a more structured.feel to it and this is added to by the high peaks of the front bodice. The jersey is draped over this and crosses over the bust in the most beautiful of ways. The sleeves are very unusual. Each is a single layer of jersey with a peaked part created near the shoulders. You could wear then up and on the shoulders but I think they are best worn when they are left draped down and off the shoulders. This leaves the shoulders completely bare and that peaked cut  on each of them turns into a soft, wide draped along the upper arms. The cuffs narrow in for a simple finish. The dress is finished with lots of handwork and high quality construction technoques. The photos do not come near to how amazing this dress is in person. Excellent condition

The bodice is fully lined in black silk and the skirt unlined. It closes with a hidden set side painted metal zipper. Boning through the sides and bodice. Hand finishes throughout. Tagged a 38. It appears to have been worn very little if at all.

Sleeves: approx 24"
Bust: to 17" flat across from side seam to side seam
Waist: to 13" flat across from side seam to side seam
Hips: open
Bodice: approx 15" from top of shoulder to waist
Skirt: 46" from waist to hem

Modern Sizing Equivalent: SML-MED

Item# DD3472

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

This is a stunning example of the couture work being done by the house of Lanvin during the years that Antonio Castillo headed the atelier. Castillo started off his career at the houses of Paquin and Piquet. He also did a stint designing accessories for Chanel. In 1950 he became the head designer at the House of Lanvin. The press at the time lauded him, along with Balmain, Dior and Balenciaga, as the new generation of the Paris Couture designers. During his time at Lanvin the house was known for the simple and elegant lines of the clothes and his metallic pieces were particularly sought after. This is a rare Haute Couture dress from that period whose label is the one used from 1954 to his departure in 1962. I found a couple of photos of a 'gold organza' dress that has the same pleated metallic skirt treatment that this one does and was able to date it by those. It is very beautiful. 

The fabric of this dress is the undeniable focal point of the dress and it is just wonderful. The bodice is a heavy silk faille dyed to a brilliant emerald green. It is cut to skim over the bodice with a seamed waist that has a matching fabric belt in the same green silk. It is sleeveless and the front is detailed with a cleverly built in pleating effect that gives a nod to the Lanvin bow but without adding bulk to the bust area by adding an actual bow there. Variations of these 'built in' bows were used extensively during the collections of 1954 and I think this is one of the best versions. The skirt is a masterpiece and you can see in the reference photos just how wonderfully it will move. I have photoed it over a light crinoline so that you can get a better idea of the full shape. The top layer is made out of a fine metallic thread silk organza that has a bias cut fine line worked through the fabric. This tiny angled line contrasts with the sharp knife pleats that the skirt has and lets the gold thread catch the light even more then it would otherwise. In person the fabric almost seems to glow. The gold color is not quite captured in these photos and I think it is far better and richer feeling when you have it in hand. Under the top gold layer is an inner silk skirt that has a deep stiffened hem to help give the skirt volume and hold the pleats true. The entire dress is made with masterful seaming and cut. The fabric choices are just extraordinary. It is a stunning and rare example of the Haute Couture pieces the house was producing in this time period. It has its Haute Couture label which is hand numbered on the reverse side. The inner silk is stamped Rhodia along the seam. Excellent condition with a small note below

Fully hand lined in silk and all done and hand stitched on the interior to Haute Couture standards. The dress closes with a side set painted metal zipper and snaps and hooks on the inner layer. Inner waist stay that hooks to close. The matching fabric sash circles the waist and there is a combination of hook & eye and hidden snaps to secure it. The inner skirt shows grubbiness and marks around the hem. Grubbiness along the edge of the hem of the outer skirt here and there and I see one teeny, well done repair on the outer skirt. If not for that it would look unworn. Hand numbered Haute Couture tag

Bust: to 19" flat across from side seam to side seam
Waist: 15" flat across from side seam to side seam but see above notes
Hips: open
Bodice: 14.5" from shoulder to waist
Skirt: 40" from waist to hem

Modern Sizing Equivalent: MED-LRG

Item# DD3468

Reference Photos: (1) Lena Madsen in evening gown of finely pleated 'opaline' gauze by Lanvin-Castillo, photo by Guy Arsac, 1954.  /  (2) Gold organza gown by Lanvin-Castillo, 1954.

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.